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  <title>VIFF Podcast</title>

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  <link>http://viff.org</link>
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  <copyright>© 2026 VIFF Podcast</copyright>
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  <description><![CDATA[<p>Bringing you exclusive in-depth conversations with industry-leading filmmakers, creators and cultural luminaries, recorded live at the Vancouver International Film Festival and year round at VIFF Centre.<br><br></p><p>~ About VIFF ~&nbsp;<br><br></p><p>Beyond film exhibitions, VIFF strives to engage and empower communities, encourage dialogue and champion local artists. With decades of experience and an unwavering commitment to creating exceptional programs, VIFF has transformed into a highly esteemed annual festival and a premier arthouse cinema.&nbsp;<br><br>Founded in 1982, the Greater Vancouver International Film Festival Society is a not-for-profit cultural society and federally registered charitable organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF) and the year-round programming at VIFF Centre. All year, VIFF produces screenings, talks, conferences and events that act as a catalyst for the community to discover the creativity and craft of storytelling on screen.&nbsp;</p>]]></description>
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    <itunes:title>Sara Wylie on why capitalism is the worst</itunes:title>
    <title>Sara Wylie on why capitalism is the worst</title>
    <itunes:summary><![CDATA[Sara Wylie got her filmmaking start in her late twenties, dipping her toe into documentary through her work as a political organizer after making anti-Stephen Harper comedy videos. Soon, her passion for storytelling developed into a heightened curiosity about how she processes her own life and experiences as someone experiencing complex chronic illness.  In this personal inquisition, Wylie fell upon the concept of Crip Time, contemplating how able-bodied versus disabled bodies relate to time....]]></itunes:summary>
    <description><![CDATA[<p>Sara Wylie got her filmmaking start in her late twenties, dipping her toe into documentary through her work as a political organizer after making anti-Stephen Harper comedy videos. Soon, her passion for storytelling developed into a heightened curiosity about how she processes her own life and experiences as someone experiencing complex chronic illness.<br/><br/>In this personal inquisition, Wylie fell upon the concept of Crip Time, contemplating how able-bodied versus disabled bodies relate to time. In a capitalist society, we are forced to bend to our clocks to keep up with the rapid pace of life. Crip time offers a new, radical approach worth considering: time should bend to disabled bodies and minds instead.<br/><br/>Shot on Super 8 and primarily eco-processed with plant materials by hand, in this episode of the VIFF Podcast, we talk with Wylie about her journey creating her short, <em>Resistance Meditation. </em>She describes it as &quot;a weird little movie&quot; — but <em>Resistance Meditation</em> is a lot more than that. It emphasizes the urgent need to resist capitalism, the demands on our precious time, and how folks with disabled bodies hold the keys to what a meaningful alternative could look like.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Sara Wylie got her filmmaking start in her late twenties, dipping her toe into documentary through her work as a political organizer after making anti-Stephen Harper comedy videos. Soon, her passion for storytelling developed into a heightened curiosity about how she processes her own life and experiences as someone experiencing complex chronic illness.<br/><br/>In this personal inquisition, Wylie fell upon the concept of Crip Time, contemplating how able-bodied versus disabled bodies relate to time. In a capitalist society, we are forced to bend to our clocks to keep up with the rapid pace of life. Crip time offers a new, radical approach worth considering: time should bend to disabled bodies and minds instead.<br/><br/>Shot on Super 8 and primarily eco-processed with plant materials by hand, in this episode of the VIFF Podcast, we talk with Wylie about her journey creating her short, <em>Resistance Meditation. </em>She describes it as &quot;a weird little movie&quot; — but <em>Resistance Meditation</em> is a lot more than that. It emphasizes the urgent need to resist capitalism, the demands on our precious time, and how folks with disabled bodies hold the keys to what a meaningful alternative could look like.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 07 May 2026 08:00:00 -0700</pubDate>
    <itunes:duration>1687</itunes:duration>
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    <itunes:season>4</itunes:season>
    <itunes:episode>11</itunes:episode>
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    <itunes:title>Durian and Decision-making with Solara Thanh Bình Đặng</itunes:title>
    <title>Durian and Decision-making with Solara Thanh Bình Đặng</title>
    <itunes:summary><![CDATA[Solara Thanh Bình Đặng's ripe follows lead character Lệ, on the cusp of a life-altering decision. At this crossroads, she must consider an arranged marriage that is sure to support her family, but yields a profound uncertainty. Representative of a crossroads many women face, ripe represents the experience of facing a dilemma, symbolized by a durian fruit. In this work, Đặng emphasizes not the decision itself, but the spiritual and psychological journey in moving through it, a nod to her love ...]]></itunes:summary>
    <description><![CDATA[<p>Solara Thanh Bình Đặng&apos;s <em>ripe</em> follows lead character Lệ, on the cusp of a life-altering decision. At this crossroads, she must consider an arranged marriage that is sure to support her family, but yields a profound uncertainty. Representative of a crossroads many women face, <em>ripe</em> represents the experience of facing a dilemma, symbolized by a durian fruit. In this work, Đặng emphasizes not the decision itself, but the spiritual and psychological journey in moving through it, a nod to her love of magical realism, and employing levity when creating a dramatic narrative.<br/><br/>In this episode of the VIFF podcast, Đặng discusses why the durian acts as a catalyst for this story, representative of not only a female&apos;s anatomy, but also our ancestral ties to nature and the universe. A short film packed with kaleidoscopic visuals and sound effects, shot entirely on 16 mm, Đặng speaks to the power of the short film form and why using it to experiment is an integral step in every filmmaker&apos;s journey.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Solara Thanh Bình Đặng&apos;s <em>ripe</em> follows lead character Lệ, on the cusp of a life-altering decision. At this crossroads, she must consider an arranged marriage that is sure to support her family, but yields a profound uncertainty. Representative of a crossroads many women face, <em>ripe</em> represents the experience of facing a dilemma, symbolized by a durian fruit. In this work, Đặng emphasizes not the decision itself, but the spiritual and psychological journey in moving through it, a nod to her love of magical realism, and employing levity when creating a dramatic narrative.<br/><br/>In this episode of the VIFF podcast, Đặng discusses why the durian acts as a catalyst for this story, representative of not only a female&apos;s anatomy, but also our ancestral ties to nature and the universe. A short film packed with kaleidoscopic visuals and sound effects, shot entirely on 16 mm, Đặng speaks to the power of the short film form and why using it to experiment is an integral step in every filmmaker&apos;s journey.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 23 Apr 2026 08:00:00 -0700</pubDate>
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    <itunes:title>Nicole Bazuin on the Modern Whore</itunes:title>
    <title>Nicole Bazuin on the Modern Whore</title>
    <itunes:summary><![CDATA[Nicole Bazuin first encountered Andrea Werhun on the set of a music video she was directing, in search of Go Go Dancers who'd be willing to participate. At first meet, the two developed what Bazuin calls "a creative crush," compelled to work together on several projects since. What resulted from this affinity for each other's art was a self-published​​ book titled "Modern Whore" based on Werhun's experiences as a sex worker in Toronto. But their collaboration didn't end there.  With more stor...]]></itunes:summary>
    <description><![CDATA[<p>Nicole Bazuin first encountered Andrea Werhun on the set of a music video she was directing, in search of Go Go Dancers who&apos;d be willing to participate. At first meet, the two developed what Bazuin calls &quot;a creative crush,&quot; compelled to work together on several projects since. What resulted from this affinity for each other&apos;s art was a self-published​​ book titled &quot;Modern Whore&quot; based on Werhun&apos;s experiences as a sex worker in Toronto. But their collaboration didn&apos;t end there.<br/><br/>With more story to tell, Bazuin and Werhun teamed up once again, bringing their feature film adaptation of their first collaboration to life. &quot;Modern Whore&quot; the movie centres Werhun&apos;s story in this hybrid documentary, where she acts as both narrator and the lead, re-enacting ​her journey in a field that society exclusively villainizes or victimizes. <br/><br/>On this episode of the VIFF Podcast, we speak with Bazuin (who wrote, directed, and edited the project) on creating a new feminine archetype. Not a femme fatale, but a femme vitale, a woman whose life is sexy, but contains multitudes in self-love and community. A movie that is told through a specific lens, being Andrea Werhun&apos;s first-hand accounts in sex work, Bazuin speaks to the beauty of how conversations evolve once the lens is up, getting Sean Baker on board during the height of the &quot;Anora&quot; fandom as Executive Producer, and how cinema has the power to change the conversation.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Nicole Bazuin first encountered Andrea Werhun on the set of a music video she was directing, in search of Go Go Dancers who&apos;d be willing to participate. At first meet, the two developed what Bazuin calls &quot;a creative crush,&quot; compelled to work together on several projects since. What resulted from this affinity for each other&apos;s art was a self-published​​ book titled &quot;Modern Whore&quot; based on Werhun&apos;s experiences as a sex worker in Toronto. But their collaboration didn&apos;t end there.<br/><br/>With more story to tell, Bazuin and Werhun teamed up once again, bringing their feature film adaptation of their first collaboration to life. &quot;Modern Whore&quot; the movie centres Werhun&apos;s story in this hybrid documentary, where she acts as both narrator and the lead, re-enacting ​her journey in a field that society exclusively villainizes or victimizes. <br/><br/>On this episode of the VIFF Podcast, we speak with Bazuin (who wrote, directed, and edited the project) on creating a new feminine archetype. Not a femme fatale, but a femme vitale, a woman whose life is sexy, but contains multitudes in self-love and community. A movie that is told through a specific lens, being Andrea Werhun&apos;s first-hand accounts in sex work, Bazuin speaks to the beauty of how conversations evolve once the lens is up, getting Sean Baker on board during the height of the &quot;Anora&quot; fandom as Executive Producer, and how cinema has the power to change the conversation.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 09 Apr 2026 08:00:00 -0700</pubDate>
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    <itunes:title>Alison Reid wants you to put down your phone—and go on an adventure</itunes:title>
    <title>Alison Reid wants you to put down your phone—and go on an adventure</title>
    <itunes:summary><![CDATA[The urge to escape the mundanities of everyday life is hard to ignore. And yet, so many of us remain tethered to our routines, our homes, our comforts.  In 1957, Robert Bateman and Bristol Foster resisted that pull. Instead, they packed their belongings into a Land Rover and set off on a 30,000-kilometre journey across Africa, India, Southeast Asia, and Australia—an adventure that would shape the course of their lives.  Driven by a shared reverence for the natural world, Bateman—one of Canada...]]></itunes:summary>
    <description><![CDATA[<p>The urge to escape the mundanities of everyday life is hard to ignore. And yet, so many of us remain tethered to our routines, our homes, our comforts.<br/><br/>In 1957, Robert Bateman and Bristol Foster resisted that pull. Instead, they packed their belongings into a Land Rover and set off on a 30,000-kilometre journey across Africa, India, Southeast Asia, and Australia—an adventure that would shape the course of their lives.<br/><br/>Driven by a shared reverence for the natural world, Bateman—one of Canada’s most celebrated wildlife artists—and Foster, a conservation biologist and filmmaker, are the subjects of the celebrated documentary, <em>The Art of Adventure</em>. Drawing from rare and deeply personal archival footage, the film invites us to be fully present in the landscapes we move through.<br/><br/>In this episode of the VIFF Podcast, Director Alison Reid reflects on the legacy of Bateman and Foster as Canadian icons, her own career as a stunt performer, and why the spirit of adventure matters—at any age.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>The urge to escape the mundanities of everyday life is hard to ignore. And yet, so many of us remain tethered to our routines, our homes, our comforts.<br/><br/>In 1957, Robert Bateman and Bristol Foster resisted that pull. Instead, they packed their belongings into a Land Rover and set off on a 30,000-kilometre journey across Africa, India, Southeast Asia, and Australia—an adventure that would shape the course of their lives.<br/><br/>Driven by a shared reverence for the natural world, Bateman—one of Canada’s most celebrated wildlife artists—and Foster, a conservation biologist and filmmaker, are the subjects of the celebrated documentary, <em>The Art of Adventure</em>. Drawing from rare and deeply personal archival footage, the film invites us to be fully present in the landscapes we move through.<br/><br/>In this episode of the VIFF Podcast, Director Alison Reid reflects on the legacy of Bateman and Foster as Canadian icons, her own career as a stunt performer, and why the spirit of adventure matters—at any age.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 02 Apr 2026 08:00:00 -0700</pubDate>
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    <itunes:title>Brian Daniel Johnson and Dide Su Bilgin on community and Vancouver&#39;s avoidance culture</itunes:title>
    <title>Brian Daniel Johnson and Dide Su Bilgin on community and Vancouver&#39;s avoidance culture</title>
    <itunes:summary><![CDATA[In a city plagued by social isolation, Brian Daniel Johnson and Dide Su Bilgin found a story to tell. In their film, A Welcome Distraction, lead character, Ernest, looks for answers amidst grief and heartbreak in this unapologetic portrayal of how disconnected Vancouver can be. Soon, he becomes entangled with a wellness enclave led by a charismatic leader (Adriana Marchand).  A true ensemble film, A Welcome Distraction showcases the pursuit of community, as told by a friend group itself. Long...]]></itunes:summary>
    <description><![CDATA[<p>In a city plagued by social isolation, Brian Daniel Johnson and Dide Su Bilgin found a story to tell. In their film, <em>A Welcome Distraction</em>, lead character, Ernest, looks for answers amidst grief and heartbreak in this unapologetic portrayal of how disconnected Vancouver can be. Soon, he becomes entangled with a wellness enclave led by a charismatic leader (Adriana Marchand).<br/><br/>A true ensemble film, <em>A Welcome Distraction</em> showcases the pursuit of community, as told by a friend group itself. Longtime collaborators, Johnson and Bilgin, met in film school at UBC. Over the years, they cultivated a group of what Bilgin calls &quot;cinematically intertwined&quot; collaborators. Their first feature together depicts the coming-of-age pains they know to be true in a city that challenges them.<br/><br/>In this episode of the VIFF Podcast, Johnson and Bilgin talk about their experience finding your friends in film, pushing each other to create work, and how film itself is its own language. </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In a city plagued by social isolation, Brian Daniel Johnson and Dide Su Bilgin found a story to tell. In their film, <em>A Welcome Distraction</em>, lead character, Ernest, looks for answers amidst grief and heartbreak in this unapologetic portrayal of how disconnected Vancouver can be. Soon, he becomes entangled with a wellness enclave led by a charismatic leader (Adriana Marchand).<br/><br/>A true ensemble film, <em>A Welcome Distraction</em> showcases the pursuit of community, as told by a friend group itself. Longtime collaborators, Johnson and Bilgin, met in film school at UBC. Over the years, they cultivated a group of what Bilgin calls &quot;cinematically intertwined&quot; collaborators. Their first feature together depicts the coming-of-age pains they know to be true in a city that challenges them.<br/><br/>In this episode of the VIFF Podcast, Johnson and Bilgin talk about their experience finding your friends in film, pushing each other to create work, and how film itself is its own language. </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 19 Mar 2026 08:00:00 -0700</pubDate>
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    <itunes:season>4</itunes:season>
    <itunes:episode>7</itunes:episode>
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    <itunes:title>How film can reconnect you with your roots with Kent Donguines</itunes:title>
    <title>How film can reconnect you with your roots with Kent Donguines</title>
    <itunes:summary><![CDATA[Kent Donguines' journey creating Treasure of the Rice Terraces began in 2019. From idea to development, Donguines' slow and steady process was grounded with one intention: to be in community with his subjects.  Treasure of the Rice Terraces follows Donguines' travels back to the Philippines to reconnect with his roots. Discovering the world of Indigenous Kalinga tattoos in Buscalan, he falls upon 108-year-old tattoo artist Apo Whang-Od, marking the beginning of this story. A community that is...]]></itunes:summary>
    <description><![CDATA[<p>Kent Donguines&apos; journey creating Treasure of the Rice Terraces began in 2019. From idea to development, Donguines&apos; slow and steady process was grounded with one intention: to be in community with his subjects.<br/><br/>Treasure of the Rice Terraces follows Donguines&apos; travels back to the Philippines to reconnect with his roots. Discovering the world of Indigenous Kalinga tattoos in Buscalan, he falls upon 108-year-old tattoo artist Apo Whang-Od, marking the beginning of this story. A community that is often exploited by tourists and vloggers day after day, all seeking to be marked by Whang-Od, this film offers a new lens on a precious cultural practice, demonstrating how traditions can survive, evolve, and inspire both local communities and identity worldwide.<br/><br/>Donguines joins Director of Programming, Curtis Woloschuk, on the VIFF Podcast to discuss how making art can affirm your identity and empower you to bring these stories home.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Kent Donguines&apos; journey creating Treasure of the Rice Terraces began in 2019. From idea to development, Donguines&apos; slow and steady process was grounded with one intention: to be in community with his subjects.<br/><br/>Treasure of the Rice Terraces follows Donguines&apos; travels back to the Philippines to reconnect with his roots. Discovering the world of Indigenous Kalinga tattoos in Buscalan, he falls upon 108-year-old tattoo artist Apo Whang-Od, marking the beginning of this story. A community that is often exploited by tourists and vloggers day after day, all seeking to be marked by Whang-Od, this film offers a new lens on a precious cultural practice, demonstrating how traditions can survive, evolve, and inspire both local communities and identity worldwide.<br/><br/>Donguines joins Director of Programming, Curtis Woloschuk, on the VIFF Podcast to discuss how making art can affirm your identity and empower you to bring these stories home.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 05 Mar 2026 08:00:00 -0800</pubDate>
    <itunes:duration>1882</itunes:duration>
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    <itunes:season>4</itunes:season>
    <itunes:episode>6</itunes:episode>
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    <itunes:title>Why documentaries are the door to understanding with Elöise King (The Shadow Scholars)</itunes:title>
    <title>Why documentaries are the door to understanding with Elöise King (The Shadow Scholars)</title>
    <itunes:summary><![CDATA[From travel bans to the risk of criminalization for her film's subjects, Elöise King had to persevere through many hurdles to get her documentary, The Shadow Scholars, to screen.  In The Shadow Scholars, cameras follow Patricia Kingori, the youngest Black woman professor in Oxford’s 925-year history, on her compelling global investigation into Kenya’s hidden essay mills — an industry where an estimated 40,000 highly educated yet underemployed Kenyans make ends meet by writing academic papers ...]]></itunes:summary>
    <description><![CDATA[<p>From travel bans to the risk of criminalization for her film&apos;s subjects, Elöise King had to persevere through many hurdles to get her documentary, <em>The Shadow Scholars</em>, to screen.<br/><br/>In <em>The Shadow Scholars</em>, cameras follow Patricia Kingori, the youngest Black woman professor in Oxford’s 925-year history, on her compelling global investigation into Kenya’s hidden essay mills — an industry where an estimated 40,000 highly educated yet underemployed Kenyans make ends meet by writing academic papers for wealthy Western students. As the film touches on an ethical gray area— facing many assumptions and judgments in the global north— King was determined to suggest a new worldview.<br/><br/>In this episode of the VIFF Podcast, we talk with King about the simple pleasure of diving deep into research, how documentaries can open doors to other worlds, and how education can mobilize us to think beyond the systems we live within.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>From travel bans to the risk of criminalization for her film&apos;s subjects, Elöise King had to persevere through many hurdles to get her documentary, <em>The Shadow Scholars</em>, to screen.<br/><br/>In <em>The Shadow Scholars</em>, cameras follow Patricia Kingori, the youngest Black woman professor in Oxford’s 925-year history, on her compelling global investigation into Kenya’s hidden essay mills — an industry where an estimated 40,000 highly educated yet underemployed Kenyans make ends meet by writing academic papers for wealthy Western students. As the film touches on an ethical gray area— facing many assumptions and judgments in the global north— King was determined to suggest a new worldview.<br/><br/>In this episode of the VIFF Podcast, we talk with King about the simple pleasure of diving deep into research, how documentaries can open doors to other worlds, and how education can mobilize us to think beyond the systems we live within.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 19 Feb 2026 08:00:00 -0800</pubDate>
    <itunes:duration>2508</itunes:duration>
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    <itunes:episode>6</itunes:episode>
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    <itunes:title>How painting provides a portal with Jenn Strom (The Painted Life of E.J. Hughes)</itunes:title>
    <title>How painting provides a portal with Jenn Strom (The Painted Life of E.J. Hughes)</title>
    <itunes:summary><![CDATA[In the 20th Century, painter E.J. Hughes quietly helped reshape the artistic landscape of British Columbia. Each canvas was a place of worship for the artist who was famously too shy to attend his own art exhibitions. Hughes' legacy has left us with many opportunities to bask in the beauty of this province through each brush stroke.  Jenn Strom's The Painted Life of E.J. Hughes explores Hughes’s life not only as an artist but as a devoted, humble human being. In this episode of the VIFF Podca...]]></itunes:summary>
    <description><![CDATA[<p>In the 20th Century, painter E.J. Hughes quietly helped reshape the artistic landscape of British Columbia. Each canvas was a place of worship for the artist who was famously too shy to attend his own art exhibitions. Hughes&apos; legacy has left us with many opportunities to bask in the beauty of this province through each brush stroke.<br/><br/>Jenn Strom&apos;s <em>The Painted Life of E.J. Hughes</em> explores Hughes’s life not only as an artist but as a devoted, humble human being. In this episode of the VIFF Podcast, we speak with Strom about her passion for archival work, the importance of being present in the process of artmaking, and how art can help you experience your own environment in a whole new way.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In the 20th Century, painter E.J. Hughes quietly helped reshape the artistic landscape of British Columbia. Each canvas was a place of worship for the artist who was famously too shy to attend his own art exhibitions. Hughes&apos; legacy has left us with many opportunities to bask in the beauty of this province through each brush stroke.<br/><br/>Jenn Strom&apos;s <em>The Painted Life of E.J. Hughes</em> explores Hughes’s life not only as an artist but as a devoted, humble human being. In this episode of the VIFF Podcast, we speak with Strom about her passion for archival work, the importance of being present in the process of artmaking, and how art can help you experience your own environment in a whole new way.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 05 Feb 2026 08:00:00 -0800</pubDate>
    <itunes:duration>2153</itunes:duration>
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    <itunes:season>4</itunes:season>
    <itunes:episode>5</itunes:episode>
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  <item>
    <itunes:title>Brishkay Ahmed on embracing identity, and what we can learn from Afghan women</itunes:title>
    <title>Brishkay Ahmed on embracing identity, and what we can learn from Afghan women</title>
    <itunes:summary><![CDATA[Growing up, Ahmed felt at odds with her Afghan identity. She describes herself as a rebellious child, not understanding the need for a head scarf, often finding herself "irked" by assumptions about her, before she even knew herself. Perceptions about Afghanistan perpetuated by "breaking news" from CNN certainly didn't help. In her latest work, In The Room, Ahmed sets out to change the conversation.  Today, Ahmed is proud of her identity. But the journey to this place of embrace was not linear...]]></itunes:summary>
    <description><![CDATA[<p>Growing up, Ahmed felt at odds with her Afghan identity. She describes herself as a rebellious child, not understanding the need for a head scarf, often finding herself &quot;irked&quot; by assumptions about her, before she even knew herself. Perceptions about Afghanistan perpetuated by &quot;breaking news&quot; from CNN certainly didn&apos;t help. In her latest work, <em>In The Room</em>, Ahmed sets out to change the conversation.</p><p><br/>Today, Ahmed is proud of her identity. But the journey to this place of embrace was not linear. In <em>In The Room</em>, Ahmed interviews five women who in their own right, have taught her something about herself, and the many complexities, beauties, and struggles Afghan women face on their own unique paths.</p><p><br/>In this episode of the VIFF Podcast, Ahmed reminds us that in a time where women&apos;s rights are under siege, you, with your story in hand, can be an agent of hope.</p><p><b><br/></b><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Growing up, Ahmed felt at odds with her Afghan identity. She describes herself as a rebellious child, not understanding the need for a head scarf, often finding herself &quot;irked&quot; by assumptions about her, before she even knew herself. Perceptions about Afghanistan perpetuated by &quot;breaking news&quot; from CNN certainly didn&apos;t help. In her latest work, <em>In The Room</em>, Ahmed sets out to change the conversation.</p><p><br/>Today, Ahmed is proud of her identity. But the journey to this place of embrace was not linear. In <em>In The Room</em>, Ahmed interviews five women who in their own right, have taught her something about herself, and the many complexities, beauties, and struggles Afghan women face on their own unique paths.</p><p><br/>In this episode of the VIFF Podcast, Ahmed reminds us that in a time where women&apos;s rights are under siege, you, with your story in hand, can be an agent of hope.</p><p><b><br/></b><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Vancouver International Film Festival</itunes:author>
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    <pubDate>Thu, 22 Jan 2026 08:00:00 -0800</pubDate>
    <itunes:duration>2792</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>4</itunes:season>
    <itunes:episode>4</itunes:episode>
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  <item>
    <itunes:title>&#39;The Track&#39; Director Ryan Sidhoo on the stories that haven&#39;t been told, and getting those movies made</itunes:title>
    <title>&#39;The Track&#39; Director Ryan Sidhoo on the stories that haven&#39;t been told, and getting those movies made</title>
    <itunes:summary><![CDATA[This isn't Ryan Sidhoo's first time exploring the relationship between sports and space. Also having directed Truth North (2017) and produced Handle with Care (2021), two titles that rounded the festival circuit time and time again, Sidhoo's next feature introduces us to three friends growing up in Bosnia, all of whom have Olympic aspirations.  What could be seen as a trio chasing a fairytale, The Track (2025) follows three young men coming of age as they train in luge on an abandoned tr...]]></itunes:summary>
    <description><![CDATA[<p>This isn&apos;t Ryan Sidhoo&apos;s first time exploring the relationship between sports and space. Also having directed <em>Truth North</em> (2017) and produced <em>Handle with Care</em> (2021), two titles that rounded the festival circuit time and time again, Sidhoo&apos;s next feature introduces us to three friends growing up in Bosnia, all of whom have Olympic aspirations. </p><p>What could be seen as a trio chasing a fairytale, <em>The Track</em> (2025) follows three young men coming of age as they train in luge on an abandoned track from the 1984 Olympics. A hopeful look at the next generation striving to clear out the rubble from the past, Sidhoo is keen to remind us that this isn&apos;t a sports movie, but a coming-of-age story about following a dream in a post-war society.In this episode of the VIFF Podcast, we speak with the filmmaker about how to make an audience root for your subjects, the logistical hoops of taking your film to market, and the power of seeing life through cinema.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>This isn&apos;t Ryan Sidhoo&apos;s first time exploring the relationship between sports and space. Also having directed <em>Truth North</em> (2017) and produced <em>Handle with Care</em> (2021), two titles that rounded the festival circuit time and time again, Sidhoo&apos;s next feature introduces us to three friends growing up in Bosnia, all of whom have Olympic aspirations. </p><p>What could be seen as a trio chasing a fairytale, <em>The Track</em> (2025) follows three young men coming of age as they train in luge on an abandoned track from the 1984 Olympics. A hopeful look at the next generation striving to clear out the rubble from the past, Sidhoo is keen to remind us that this isn&apos;t a sports movie, but a coming-of-age story about following a dream in a post-war society.In this episode of the VIFF Podcast, we speak with the filmmaker about how to make an audience root for your subjects, the logistical hoops of taking your film to market, and the power of seeing life through cinema.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 08 Jan 2026 08:00:00 -0800</pubDate>
    <itunes:duration>2125</itunes:duration>
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    <itunes:episode>3</itunes:episode>
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  <item>
    <itunes:title>&#39;Foreigner&#39; Director Ava Maria Safai talks the horrors of growing up, and what filmmaking teaches you about yourself</itunes:title>
    <title>&#39;Foreigner&#39; Director Ava Maria Safai talks the horrors of growing up, and what filmmaking teaches you about yourself</title>
    <itunes:summary><![CDATA[Ava Maria Safai describes Foreigner as “bubblegum horror”—a genre that layers a glossy, fun aesthetic over a dark underbelly of pain. Following an Iranian teenager who moves to Canada, dyes her hair blonde, and becomes a demon, Foreigner explores the ache of wanting to belong and how far you're willing to go to be accepted. In this episode of the VIFF Podcast, Safai shares how filmmaking can be brutal in what it teaches you about yourself—much like our formative teenage years. Reminiscent of ...]]></itunes:summary>
    <description><![CDATA[<p>Ava Maria Safai describes <em>Foreigner</em> as “bubblegum horror”—a genre that layers a glossy, fun aesthetic over a dark underbelly of pain. Following an Iranian teenager who moves to Canada, dyes her hair blonde, and becomes a demon, <em>Foreigner</em> explores the ache of wanting to belong and how far you&apos;re willing to go to be accepted.</p><p>In this episode of the VIFF Podcast, Safai shares how filmmaking can be brutal in what it teaches you about yourself—much like our formative teenage years. Reminiscent of <em>Mean Girls</em> but with a little more guts and gore, this conversation dives into Safai’s process in shaping this 2025 festival favourite.</p><p>This episode was recorded during the 2025 Vancouver International Film Festival.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Ava Maria Safai describes <em>Foreigner</em> as “bubblegum horror”—a genre that layers a glossy, fun aesthetic over a dark underbelly of pain. Following an Iranian teenager who moves to Canada, dyes her hair blonde, and becomes a demon, <em>Foreigner</em> explores the ache of wanting to belong and how far you&apos;re willing to go to be accepted.</p><p>In this episode of the VIFF Podcast, Safai shares how filmmaking can be brutal in what it teaches you about yourself—much like our formative teenage years. Reminiscent of <em>Mean Girls</em> but with a little more guts and gore, this conversation dives into Safai’s process in shaping this 2025 festival favourite.</p><p>This episode was recorded during the 2025 Vancouver International Film Festival.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 18 Dec 2025 08:00:00 -0800</pubDate>
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    <itunes:season>4</itunes:season>
    <itunes:episode>2</itunes:episode>
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  <item>
    <itunes:title>Mayumi Yoshida on her debut feature, &#39;Akashi,&#39; and the power that comes from existing in the in between</itunes:title>
    <title>Mayumi Yoshida on her debut feature, &#39;Akashi,&#39; and the power that comes from existing in the in between</title>
    <itunes:summary><![CDATA[Mayumi Yoshida is THE multi-hyphenate filmmaker you need to watch. As writer, director, producer, and actor for her debut feature, Akashi, Yoshida's world premiere at VIFF 2025 was met with sold out audiences, celebrating her story tackling themes of identity, class struggle, and artistic aspiration. In this episode of the VIFF Podcast, we sit down with Yoshida to discuss her Japanese heritage, identity as an immigrant, and why existing in the in between can give you the greatest superpower o...]]></itunes:summary>
    <description><![CDATA[<p>Mayumi Yoshida is THE multi-hyphenate filmmaker you need to watch. As writer, director, producer, and actor for her debut feature, <em>Akashi</em>, Yoshida&apos;s world premiere at VIFF 2025 was met with sold out audiences, celebrating her story tackling themes of identity, class struggle, and artistic aspiration.</p><p>In this episode of the VIFF Podcast, we sit down with Yoshida to discuss her Japanese heritage, identity as an immigrant, and why existing in the in between can give you the greatest superpower of all. Plus, we dive into what made the celebrated filmmaker fall in love with cinema to begin with, starting with a formative screening of <em>Titanic</em> at the age of 8 in Brussels, Belgium.</p><p><em>This episode was recorded during the 2025 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Mayumi Yoshida is THE multi-hyphenate filmmaker you need to watch. As writer, director, producer, and actor for her debut feature, <em>Akashi</em>, Yoshida&apos;s world premiere at VIFF 2025 was met with sold out audiences, celebrating her story tackling themes of identity, class struggle, and artistic aspiration.</p><p>In this episode of the VIFF Podcast, we sit down with Yoshida to discuss her Japanese heritage, identity as an immigrant, and why existing in the in between can give you the greatest superpower of all. Plus, we dive into what made the celebrated filmmaker fall in love with cinema to begin with, starting with a formative screening of <em>Titanic</em> at the age of 8 in Brussels, Belgium.</p><p><em>This episode was recorded during the 2025 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 04 Dec 2025 08:00:00 -0800</pubDate>
    <itunes:duration>2496</itunes:duration>
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    <itunes:title>Ari&#39;s Theme&quot; documentary filmmaker, Jeff Petry, on how to capture a legacy </itunes:title>
    <title>Ari&#39;s Theme&quot; documentary filmmaker, Jeff Petry, on how to capture a legacy </title>
    <itunes:summary><![CDATA[Ari Kinarthy’s existence is marked by worry and vigilance around his health, as he struggles with spinal muscular atrophy. Yet he was born with the soul of an artist, becoming a celebrated composer eager to share his story through the power of music. Making him the subject of Jeff Petry and Nathan Drillot's 'Ari's Theme,' Director of Programming at VIFF, Curtis Woloschuk, sits down with Petry to discuss what it takes to build trust with your documentary subject, the importance of centering th...]]></itunes:summary>
    <description><![CDATA[<p>Ari Kinarthy’s existence is marked by worry and vigilance around his health, as he struggles with spinal muscular atrophy. Yet he was born with the soul of an artist, becoming a celebrated composer eager to share his story through the power of music. Making him the subject of Jeff Petry and Nathan Drillot&apos;s &apos;Ari&apos;s Theme,&apos; Director of Programming at VIFF, Curtis Woloschuk, sits down with Petry to discuss what it takes to build trust with your documentary subject, the importance of centering their story, and how to ensure their art will be remembered. </p><p><br/></p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Ari Kinarthy’s existence is marked by worry and vigilance around his health, as he struggles with spinal muscular atrophy. Yet he was born with the soul of an artist, becoming a celebrated composer eager to share his story through the power of music. Making him the subject of Jeff Petry and Nathan Drillot&apos;s &apos;Ari&apos;s Theme,&apos; Director of Programming at VIFF, Curtis Woloschuk, sits down with Petry to discuss what it takes to build trust with your documentary subject, the importance of centering their story, and how to ensure their art will be remembered. </p><p><br/></p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 02 Oct 2025 08:00:00 -0700</pubDate>
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    <itunes:title>VIFF Shorts team Casey Wei and Jaewoo Kang talk programming for your audience</itunes:title>
    <title>VIFF Shorts team Casey Wei and Jaewoo Kang talk programming for your audience</title>
    <itunes:summary><![CDATA[In this special edition of the VIFF Podcast, get a glimpse of what goes on behind-the-scenes when it comes to VIFF programming, and how certain shorts make it to screen at our annual festival. VIFF Shorts Forum programmer Casey Wei and her coordinator, Jaewoo Kang discuss how to find the balance between telling the story, and film as a an art form. The pair also dive into the importance of choosing titles with urgent themes, providing an opportunity for audiences to stay engaged with the topi...]]></itunes:summary>
    <description><![CDATA[<p>In this special edition of the VIFF Podcast, get a glimpse of what goes on behind-the-scenes when it comes to VIFF programming, and how certain shorts make it to screen at our annual festival. VIFF Shorts Forum programmer Casey Wei and her coordinator, Jaewoo Kang discuss how to find the balance between telling the story, and film as a an art form. The pair also dive into the importance of choosing titles with urgent themes, providing an opportunity for audiences to stay engaged with the topic in order to increase education, and invoke change. </p><p><br/></p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this special edition of the VIFF Podcast, get a glimpse of what goes on behind-the-scenes when it comes to VIFF programming, and how certain shorts make it to screen at our annual festival. VIFF Shorts Forum programmer Casey Wei and her coordinator, Jaewoo Kang discuss how to find the balance between telling the story, and film as a an art form. The pair also dive into the importance of choosing titles with urgent themes, providing an opportunity for audiences to stay engaged with the topic in order to increase education, and invoke change. </p><p><br/></p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 18 Sep 2025 08:00:00 -0700</pubDate>
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    <itunes:title>&#39;I Saw Three Black Lights&#39; filmmaker Santiago Lozano on ritual as resistance in Colombia</itunes:title>
    <title>&#39;I Saw Three Black Lights&#39; filmmaker Santiago Lozano on ritual as resistance in Colombia</title>
    <itunes:summary><![CDATA[In Santiago Lozano's 'I Saw Three Black Lights,' a wise old shaman embarks on a final journey into the Colombian jungle to settle a spiritual debt and reconnect with his late son. We sit down with the filmmaker to discuss how an immersive, lush setting can almost act as a character itself, the importance of connecting with cast in mind, body, and spirit, and more on this story of honouring the dead, and tradition. This episode was recorded during the 2024 Vancouver International Film Festival...]]></itunes:summary>
    <description><![CDATA[<p>In Santiago Lozano&apos;s &apos;I Saw Three Black Lights,&apos; a wise old shaman embarks on a final journey into the Colombian jungle to settle a spiritual debt and reconnect with his late son. We sit down with the filmmaker to discuss how an immersive, lush setting can almost act as a character itself, the importance of connecting with cast in mind, body, and spirit, and more on this story of honouring the dead, and tradition.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In Santiago Lozano&apos;s &apos;I Saw Three Black Lights,&apos; a wise old shaman embarks on a final journey into the Colombian jungle to settle a spiritual debt and reconnect with his late son. We sit down with the filmmaker to discuss how an immersive, lush setting can almost act as a character itself, the importance of connecting with cast in mind, body, and spirit, and more on this story of honouring the dead, and tradition.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 04 Sep 2025 08:00:00 -0700</pubDate>
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    <itunes:title>Filmmaker Sanja Zivkovic on motherhood, the broken system of adoption, and seeing a story from all points of view in &#39;Cat&#39;s Cry&#39;</itunes:title>
    <title>Filmmaker Sanja Zivkovic on motherhood, the broken system of adoption, and seeing a story from all points of view in &#39;Cat&#39;s Cry&#39;</title>
    <itunes:summary><![CDATA['Cat's Cry' filmmaker Sanja Zivkovic sits down with VIFF Festival Programmer &amp; Program Lead, Sonja Baksa, to talk about her global career spanning all the way from SFU's Burnaby campus to Serbia. 'Cat's Cry' first fell into Zivkovic's lap when the son of famous Serbian filmmaker Goran Paskaljević, Vlad Paskaljević, approached her with the possibility of reviving this moving screenplay following Goran Paskaljević's passing in September 2020.  The work, 'Cat's Cry', is the true story o...]]></itunes:summary>
    <description><![CDATA[<p>&apos;Cat&apos;s Cry&apos; filmmaker Sanja Zivkovic sits down with VIFF Festival Programmer &amp; Program Lead, Sonja Baksa,<b> </b>to talk about her global career spanning all the way from SFU&apos;s Burnaby campus to Serbia. &apos;Cat&apos;s Cry&apos; first fell into Zivkovic&apos;s lap when the son of famous Serbian filmmaker Goran Paskaljević, Vlad Paskaljević, approached her with the possibility of reviving this moving screenplay following Goran Paskaljević&apos;s passing in September 2020. </p><p>The work, &apos;Cat&apos;s Cry&apos;, is the true story of a couple fighting for custody of their granddaughter, who has been diagnosed with a unique condition called cat&apos;s cry syndrome. Zivkovic walks us through her approach to balancing male and female perspectives in features, her journey directing for a work she hasn&apos;t written herself (a first for the filmmaker), and how experiencing motherhood at the time of the film&apos;s conception influenced her approach to character work. Plus, a few words on her guilty pleasure, HBO&apos;s &apos;Sex and the City.&apos;</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>&apos;Cat&apos;s Cry&apos; filmmaker Sanja Zivkovic sits down with VIFF Festival Programmer &amp; Program Lead, Sonja Baksa,<b> </b>to talk about her global career spanning all the way from SFU&apos;s Burnaby campus to Serbia. &apos;Cat&apos;s Cry&apos; first fell into Zivkovic&apos;s lap when the son of famous Serbian filmmaker Goran Paskaljević, Vlad Paskaljević, approached her with the possibility of reviving this moving screenplay following Goran Paskaljević&apos;s passing in September 2020. </p><p>The work, &apos;Cat&apos;s Cry&apos;, is the true story of a couple fighting for custody of their granddaughter, who has been diagnosed with a unique condition called cat&apos;s cry syndrome. Zivkovic walks us through her approach to balancing male and female perspectives in features, her journey directing for a work she hasn&apos;t written herself (a first for the filmmaker), and how experiencing motherhood at the time of the film&apos;s conception influenced her approach to character work. Plus, a few words on her guilty pleasure, HBO&apos;s &apos;Sex and the City.&apos;</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:title>&#39;Save My Soul&#39; filmmaker Kam Fai Leung on loneliness and our primal desire to be loved</itunes:title>
    <title>&#39;Save My Soul&#39; filmmaker Kam Fai Leung on loneliness and our primal desire to be loved</title>
    <itunes:summary><![CDATA[When a mute young man seeks to escape into the wilderness, he quickly realizes he's not suited to survive on his own. To adapt, the young man begins to embody a feline, finding solace in a blind man's home, someone also seeking connection and comfort. Together, the pair forge an unconventional path towards tenderness and intimacy, where the mute young man begins to forget his human identity altogether.  Kam Fai Leung's 'Save My Soul' is a unique commentary on the war of loneliness and th...]]></itunes:summary>
    <description><![CDATA[<p>When a mute young man seeks to escape into the wilderness, he quickly realizes he&apos;s not suited to survive on his own. To adapt, the young man begins to embody a feline, finding solace in a blind man&apos;s home, someone also seeking connection and comfort. Together, the pair forge an unconventional path towards tenderness and intimacy, where the mute young man begins to forget his human identity altogether. </p><p>Kam Fai Leung&apos;s &apos;Save My Soul&apos; is a unique commentary on the war of loneliness and the feeling that one must change to receive love. Leung joins the VIFF Podcast to talk plot, production, and the Hong Kong indie film scene. </p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>When a mute young man seeks to escape into the wilderness, he quickly realizes he&apos;s not suited to survive on his own. To adapt, the young man begins to embody a feline, finding solace in a blind man&apos;s home, someone also seeking connection and comfort. Together, the pair forge an unconventional path towards tenderness and intimacy, where the mute young man begins to forget his human identity altogether. </p><p>Kam Fai Leung&apos;s &apos;Save My Soul&apos; is a unique commentary on the war of loneliness and the feeling that one must change to receive love. Leung joins the VIFF Podcast to talk plot, production, and the Hong Kong indie film scene. </p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:title>Director Devin Shears on his first feature, and the fascination with fatness in &quot;Cherub&quot;</itunes:title>
    <title>Director Devin Shears on his first feature, and the fascination with fatness in &quot;Cherub&quot;</title>
    <itunes:summary><![CDATA[Harvey is a lonely, overweight man who discovers new self-esteem when he submits a photo to Cherub, a gay magazine “For big men and their admirers.” Director Devin Shears talks from his move from shorts to features in this gentle, ambient character study, revealing the healing power of being admired. This episode was recorded during the 2024 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.  Presented on the traditional and unc...]]></itunes:summary>
    <description><![CDATA[<p>Harvey is a lonely, overweight man who discovers new self-esteem when he submits a photo to Cherub, a gay magazine “For big men and their admirers.” Director Devin Shears talks from his move from shorts to features in this gentle, ambient character study, revealing the healing power of being admired.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Harvey is a lonely, overweight man who discovers new self-esteem when he submits a photo to Cherub, a gay magazine “For big men and their admirers.” Director Devin Shears talks from his move from shorts to features in this gentle, ambient character study, revealing the healing power of being admired.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 24 Jul 2025 08:00:00 -0700</pubDate>
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    <itunes:title>Kerr Holden wrestles with athleticism, performance, and metal in &#39;Judas Icarus Twists His Wrist&#39;</itunes:title>
    <title>Kerr Holden wrestles with athleticism, performance, and metal in &#39;Judas Icarus Twists His Wrist&#39;</title>
    <itunes:summary><![CDATA[In 'Judas Icarus Twists His Wrist,' Director Kerr Holden (she/her) follows BC-based wrestler, Judas Icarus, following his arduous road to recovery after an injury. On the choreography of wrestling, the power of score, and how to emphasize athleticism and physicality on screen, Holden joins VIFF Shorts programmer Casey Wei on the VIFF Podcast talking her filmmaking journey, how to identify a subject, and how metal music simply, rocks.    This episode was recorded during the 2024 Vancouver...]]></itunes:summary>
    <description><![CDATA[<p>In &apos;Judas Icarus Twists His Wrist,&apos; Director Kerr Holden (she/her) follows BC-based wrestler, Judas Icarus, following his arduous road to recovery after an injury. On the choreography of wrestling, the power of score, and how to emphasize athleticism and physicality on screen, Holden joins VIFF Shorts programmer Casey Wei on the VIFF Podcast talking her filmmaking journey, how to identify a subject, and how metal music simply, rocks. </p><p><br/></p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In &apos;Judas Icarus Twists His Wrist,&apos; Director Kerr Holden (she/her) follows BC-based wrestler, Judas Icarus, following his arduous road to recovery after an injury. On the choreography of wrestling, the power of score, and how to emphasize athleticism and physicality on screen, Holden joins VIFF Shorts programmer Casey Wei on the VIFF Podcast talking her filmmaking journey, how to identify a subject, and how metal music simply, rocks. </p><p><br/></p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 10 Jul 2025 08:00:00 -0700</pubDate>
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    <itunes:title>&#39;Balomania&#39; filmmaker Sissel Morell Dargis on the beauty behind Brazil&#39;s baloeiros, and getting your start in documentary filmmaking </itunes:title>
    <title>&#39;Balomania&#39; filmmaker Sissel Morell Dargis on the beauty behind Brazil&#39;s baloeiros, and getting your start in documentary filmmaking </title>
    <itunes:summary><![CDATA[Hot air ballooning has been illegal in São Paulo, Brazil since the 1990's. Intrigued by this underworld of guerilla artists, who risk their lives, and freedom in order to craft and release huge, lavishly decorated paper balloons up to 70 metres in height, Director Sissel Morell Dargis began creating 'Balomania' when she was 19, spending a decade earning the trust of these baloeiros to tell this story. Today, she joins the VIFF Podcast to talk starting from nothing as a filmmaker, how to finan...]]></itunes:summary>
    <description><![CDATA[<p>Hot air ballooning has been illegal in São Paulo, Brazil since the 1990&apos;s. Intrigued by this underworld of guerilla artists, who risk their lives, and freedom in order to craft and release huge, lavishly decorated paper balloons up to 70 metres in height, Director Sissel Morell Dargis began creating &apos;Balomania&apos; when she was 19, spending a decade earning the trust of these <em>baloeiros </em>to tell this story. Today, she joins the VIFF Podcast to talk starting from nothing as a filmmaker, how to finance your film, and most importantly, how to earn the trust of your subjects as a documentarian (especially when what they&apos;re doing is technically, outlawed). </p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Hot air ballooning has been illegal in São Paulo, Brazil since the 1990&apos;s. Intrigued by this underworld of guerilla artists, who risk their lives, and freedom in order to craft and release huge, lavishly decorated paper balloons up to 70 metres in height, Director Sissel Morell Dargis began creating &apos;Balomania&apos; when she was 19, spending a decade earning the trust of these <em>baloeiros </em>to tell this story. Today, she joins the VIFF Podcast to talk starting from nothing as a filmmaker, how to finance your film, and most importantly, how to earn the trust of your subjects as a documentarian (especially when what they&apos;re doing is technically, outlawed). </p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 26 Jun 2025 08:00:00 -0700</pubDate>
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    <itunes:title>&#39;78 Days&#39; filmmaker Emilija Gašić on docufiction and telling personal history through found footage</itunes:title>
    <title>&#39;78 Days&#39; filmmaker Emilija Gašić on docufiction and telling personal history through found footage</title>
    <itunes:summary><![CDATA[Filmmaker Emilija Gašić joins VIFF’s Vanguard series programmer Sonja Baksa to discuss 78 Days, a found-footage film that won the Vanguard Award at VIFF 2024. Shot on hi-8 tapes in her native Serbia, the film follows three sisters documenting their lives during the NATO bombing of Yugoslavia in 1999. Inspired by her own childhood memories, Gašić’s decision to use analog tape lent to the "docufiction" quality of the film. In this conversation, Sonja and Emilija unpack the film’s unconventional...]]></itunes:summary>
    <description><![CDATA[<p>Filmmaker Emilija Gašić joins VIFF’s Vanguard series programmer Sonja Baksa to discuss <em>78 Days</em>, a found-footage film that won the Vanguard Award at VIFF 2024. Shot on hi-8 tapes in her native Serbia, the film follows three sisters documenting their lives during the NATO bombing of Yugoslavia in 1999. Inspired by her own childhood memories, Gašić’s decision to use analog tape lent to the &quot;docufiction&quot; quality of the film.</p><p>In this conversation, Sonja and Emilija unpack the film’s unconventional process and the Vanguard series’ focus on &quot;films that are pushing the boundaries of cinema&quot;, and how Gašić’s journey from <em>Lord of the Rings</em> fan to NYU Tisch grad shaped her voice as a director.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Filmmaker Emilija Gašić joins VIFF’s Vanguard series programmer Sonja Baksa to discuss <em>78 Days</em>, a found-footage film that won the Vanguard Award at VIFF 2024. Shot on hi-8 tapes in her native Serbia, the film follows three sisters documenting their lives during the NATO bombing of Yugoslavia in 1999. Inspired by her own childhood memories, Gašić’s decision to use analog tape lent to the &quot;docufiction&quot; quality of the film.</p><p>In this conversation, Sonja and Emilija unpack the film’s unconventional process and the Vanguard series’ focus on &quot;films that are pushing the boundaries of cinema&quot;, and how Gašić’s journey from <em>Lord of the Rings</em> fan to NYU Tisch grad shaped her voice as a director.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 12 Jun 2025 08:00:00 -0700</pubDate>
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    <itunes:title>Vancouver filmmaker Ann Marie Fleming explores mortality and imagines a future without waste with &#39;Can I Get a Witness?&#39;</itunes:title>
    <title>Vancouver filmmaker Ann Marie Fleming explores mortality and imagines a future without waste with &#39;Can I Get a Witness?&#39;</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, program manager and senior programmer PoChu AuYeung sits down with acclaimed Canadian animator and filmmaker Ann Marie Fleming to discuss her latest film, Can I Get a Witness?, which screened at VIFF 2024. Set in a near future where citizens are required to exit life at 50 to combat climate change and inequality, the live-action film stars veteran Vancouver actor Sandra Oh, along with newcomers Keira Jang and Joel Oulette. Ann Marie reflects on the emotion...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, program manager and senior programmer PoChu AuYeung sits down with acclaimed Canadian animator and filmmaker Ann Marie Fleming to discuss her latest film, <em>Can I Get a Witness?</em>, which screened at VIFF 2024. Set in a near future where citizens are required to exit life at 50 to combat climate change and inequality, the live-action film stars veteran Vancouver actor Sandra Oh, along with newcomers Keira Jang and Joel Oulette. Ann Marie reflects on the emotional and ethical questions at the heart of the story, as well as the film’s themes of sustainability, technology reduction, and community care. </p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, program manager and senior programmer PoChu AuYeung sits down with acclaimed Canadian animator and filmmaker Ann Marie Fleming to discuss her latest film, <em>Can I Get a Witness?</em>, which screened at VIFF 2024. Set in a near future where citizens are required to exit life at 50 to combat climate change and inequality, the live-action film stars veteran Vancouver actor Sandra Oh, along with newcomers Keira Jang and Joel Oulette. Ann Marie reflects on the emotional and ethical questions at the heart of the story, as well as the film’s themes of sustainability, technology reduction, and community care. </p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 29 May 2025 08:00:00 -0700</pubDate>
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    <itunes:title>Veteran Documentarian Connie Field Exposes Democracy’s Fragility in &#39;Democracy Noir&#39;</itunes:title>
    <title>Veteran Documentarian Connie Field Exposes Democracy’s Fragility in &#39;Democracy Noir&#39;</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, programmer Alan Franey interviews American filmmaker Connie Field about her documentary feature Democracy Noir, which explores the rise of Viktor Orbán in Hungary and its global implications. The film follows three women—a journalist, a nurse, and a politician—who fight against Orbán's regime, highlighting Orbán's manipulation of democracy to maintain power, including changing the constitution to require a two-thirds parliamentary majority for amendments. ...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, programmer Alan Franey interviews American filmmaker Connie Field about her documentary feature <em>Democracy Noir</em>, which explores the rise of Viktor Orbán in Hungary and its global implications. The film follows three women—a journalist, a nurse, and a politician—who fight against Orbán&apos;s regime, highlighting Orbán&apos;s manipulation of democracy to maintain power, including changing the constitution to require a two-thirds parliamentary majority for amendments. Field discusses the parallels between Orbán&apos;s tactics and those of other authoritarian leaders (such as Trump) and the broader impact on global democracy. Despite its relevance, distribution challenges persist, particularly in the U.S.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, programmer Alan Franey interviews American filmmaker Connie Field about her documentary feature <em>Democracy Noir</em>, which explores the rise of Viktor Orbán in Hungary and its global implications. The film follows three women—a journalist, a nurse, and a politician—who fight against Orbán&apos;s regime, highlighting Orbán&apos;s manipulation of democracy to maintain power, including changing the constitution to require a two-thirds parliamentary majority for amendments. Field discusses the parallels between Orbán&apos;s tactics and those of other authoritarian leaders (such as Trump) and the broader impact on global democracy. Despite its relevance, distribution challenges persist, particularly in the U.S.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 15 May 2025 08:00:00 -0700</pubDate>
    <itunes:duration>2010</itunes:duration>
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    <itunes:season>3</itunes:season>
    <itunes:episode>13</itunes:episode>
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  <item>
    <itunes:title>&#39;Uncommon Ground&#39; filmmaker Faith Sparrow-Crawford on ancestral connections and Musqueam Storytelling</itunes:title>
    <title>&#39;Uncommon Ground&#39; filmmaker Faith Sparrow-Crawford on ancestral connections and Musqueam Storytelling</title>
    <itunes:summary><![CDATA[Musqueam filmmaker Faith Sparrow-Crawford joins VIFF short programmer Casey Wei to talk about Uncommon Ground, her haunting sci-fi short set in 2171. They dig into themes of ancestral connection, mental health, and the deep bond between main character Tawny and her aunt. Faith shares how storytelling runs in her family, why the short film format speaks to her, and how she's collaborating with her father on a larger TV series. Plus: a glimpse into her next project exploring Musqueam traditions...]]></itunes:summary>
    <description><![CDATA[<p>Musqueam filmmaker Faith Sparrow-Crawford joins VIFF short programmer Casey Wei to talk about <em>Uncommon Ground</em>, her haunting sci-fi short set in 2171. They dig into themes of ancestral connection, mental health, and the deep bond between main character Tawny and her aunt. Faith shares how storytelling runs in her family, why the short film format speaks to her, and how she&apos;s collaborating with her father on a larger TV series. Plus: a glimpse into her next project exploring Musqueam traditions around grief.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Musqueam filmmaker Faith Sparrow-Crawford joins VIFF short programmer Casey Wei to talk about <em>Uncommon Ground</em>, her haunting sci-fi short set in 2171. They dig into themes of ancestral connection, mental health, and the deep bond between main character Tawny and her aunt. Faith shares how storytelling runs in her family, why the short film format speaks to her, and how she&apos;s collaborating with her father on a larger TV series. Plus: a glimpse into her next project exploring Musqueam traditions around grief.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 01 May 2025 08:00:00 -0700</pubDate>
    <itunes:duration>2110</itunes:duration>
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  <item>
    <itunes:title>&#39;Curl Power&#39; director Josephine Anderson on girlhood and the long-game of filmmaking</itunes:title>
    <title>&#39;Curl Power&#39; director Josephine Anderson on girlhood and the long-game of filmmaking</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, Curtis Woloschuk sits down with Canadian filmmaker Josephine Anderson to talk about her latest documentary Curl Power. Having premiered at VIFF 2024, Curl Power follows five teenage girls chasing curling glory while navigating the emotional terrain of adolescence. Anderson reflects on the challenges of long-term observational filmmaking, the power of trust between subject and filmmaker, and the unexpected mentorship of Olympic champion mothers. Plus, Josep...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, Curtis Woloschuk sits down with Canadian filmmaker Josephine Anderson to talk about her latest documentary <em>Curl Power</em>. Having premiered at VIFF 2024, <em>Curl Power</em> follows five teenage girls chasing curling glory while navigating the emotional terrain of adolescence. Anderson reflects on the challenges of long-term observational filmmaking, the power of trust between subject and filmmaker, and the unexpected mentorship of Olympic champion mothers. Plus, Josephine and Curtis discuss how experimenting with virtual reality can expand creativity and deepen the approach to storytelling.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, Curtis Woloschuk sits down with Canadian filmmaker Josephine Anderson to talk about her latest documentary <em>Curl Power</em>. Having premiered at VIFF 2024, <em>Curl Power</em> follows five teenage girls chasing curling glory while navigating the emotional terrain of adolescence. Anderson reflects on the challenges of long-term observational filmmaking, the power of trust between subject and filmmaker, and the unexpected mentorship of Olympic champion mothers. Plus, Josephine and Curtis discuss how experimenting with virtual reality can expand creativity and deepen the approach to storytelling.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 17 Apr 2025 07:00:00 -0700</pubDate>
    <itunes:duration>1245</itunes:duration>
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    <itunes:season>3</itunes:season>
    <itunes:episode>11</itunes:episode>
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  <item>
    <itunes:title>&#39;The Universe in a Grain of Sand&#39; filmmaker Mark Levinson on art, physics, and AI as an extension of human creativity</itunes:title>
    <title>&#39;The Universe in a Grain of Sand&#39; filmmaker Mark Levinson on art, physics, and AI as an extension of human creativity</title>
    <itunes:summary><![CDATA[On this episode of the VIFF podcast, programmer Alan Franey sits down with Mark Levinson to talk about his film, The Universe in a Grain of Sand. Levinson, who is a former theoretical particle physicist as well as a producer on films such as Mystic Pizza and Teen Wolf, details why he transitioned from physicist to filmmaker—influenced by his findings at Berkeley's Pacific Film Archive. The Universe in a Grain of Sand premiered at the 2024 Vancouver International Film Festival and explores the...]]></itunes:summary>
    <description><![CDATA[<p>On this episode of the VIFF podcast, programmer Alan Franey sits down with Mark Levinson to talk about his film, <em>The</em> <em>Universe in a Grain of Sand</em>. Levinson, who is a former theoretical particle physicist as well as a producer on films such as <em>Mystic Pizza</em> and <em>Teen Wolf</em>, details why he transitioned from physicist to filmmaker—influenced by his findings at Berkeley&apos;s Pacific Film Archive.</p><p><em>The Universe in a Grain of Sand</em> premiered at the 2024 Vancouver International Film Festival and explores the potential of quantum computing to solve complex problems, honing in on Levinson&apos;s view of AI as an extension of human creativity that could also bridge the gap between technology and our understanding of the universe.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>On this episode of the VIFF podcast, programmer Alan Franey sits down with Mark Levinson to talk about his film, <em>The</em> <em>Universe in a Grain of Sand</em>. Levinson, who is a former theoretical particle physicist as well as a producer on films such as <em>Mystic Pizza</em> and <em>Teen Wolf</em>, details why he transitioned from physicist to filmmaker—influenced by his findings at Berkeley&apos;s Pacific Film Archive.</p><p><em>The Universe in a Grain of Sand</em> premiered at the 2024 Vancouver International Film Festival and explores the potential of quantum computing to solve complex problems, honing in on Levinson&apos;s view of AI as an extension of human creativity that could also bridge the gap between technology and our understanding of the universe.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 27 Mar 2025 10:00:00 -0700</pubDate>
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    <itunes:title>&#39;Inedia&#39; director Liz Cairns on intuitive writing and filmmaking</itunes:title>
    <title>&#39;Inedia&#39; director Liz Cairns on intuitive writing and filmmaking</title>
    <itunes:summary><![CDATA[On this episode of the VIFF podcast, director Liz Cairns joins VIFF programmer Curtis Woloschuck to talk about her feature film debut, Inedia. The film, which premiered at VIFF 2024, follows a young woman with mysterious food allergies who joins a remote island community practicing alternative healing methods.  Curtis and Liz discuss the director's deep attachment to the writing of Inedia, casting and directing, and how to maintain intuition on a larger production. This episode was recor...]]></itunes:summary>
    <description><![CDATA[<p>On this episode of the VIFF podcast, director Liz Cairns joins VIFF programmer Curtis Woloschuck to talk about her feature film debut, <em>Inedia</em>. The film, which premiered at VIFF 2024,<em> </em>follows a young woman with mysterious food allergies who joins a remote island community practicing alternative healing methods. </p><p>Curtis and Liz discuss the director&apos;s deep attachment to the writing of <em>Inedia</em>, casting and directing, and how to maintain intuition on a larger production.</p><p><em>This episode was recorded during the the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>On this episode of the VIFF podcast, director Liz Cairns joins VIFF programmer Curtis Woloschuck to talk about her feature film debut, <em>Inedia</em>. The film, which premiered at VIFF 2024,<em> </em>follows a young woman with mysterious food allergies who joins a remote island community practicing alternative healing methods. </p><p>Curtis and Liz discuss the director&apos;s deep attachment to the writing of <em>Inedia</em>, casting and directing, and how to maintain intuition on a larger production.</p><p><em>This episode was recorded during the the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 20 Mar 2025 10:00:00 -0700</pubDate>
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    <itunes:title>Legendary Canadian filmmaker Atom Egoyan on artistic evolution and representations of trauma in &#39;Seven Veils&#39;</itunes:title>
    <title>Legendary Canadian filmmaker Atom Egoyan on artistic evolution and representations of trauma in &#39;Seven Veils&#39;</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, Seven Veils, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera Salome. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production. This episod...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, <em>Seven Veils</em>, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera <em>Salome</em>. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production.</p><p><em>This episode was recorded during the 2023 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, <em>Seven Veils</em>, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera <em>Salome</em>. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production.</p><p><em>This episode was recorded during the 2023 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 13 Mar 2025 09:00:00 -0700</pubDate>
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    <itunes:title>&#39;Preface to a History&#39; director Devan Scott on experimental filmmaking and mental health </itunes:title>
    <title>&#39;Preface to a History&#39; director Devan Scott on experimental filmmaking and mental health </title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature Preface to a History, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction. Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film ...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature <em>Preface to a History</em>, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction.</p><p>Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film and discusses the importance of sound design in shaping its unconventional storytelling. He also reflects on the challenges of shooting with a minimal crew in Vancouver and Pender Island, the influence of filmmakers like Chantal Akerman and Jacques Tati, and the evolving collaboration between him and Ross.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, Vancouver filmmaker Devan Scott speaks with VIFF Year-Round Programmer Tom Charity about his experimental feature <em>Preface to a History</em>, co-directed with Willa Ross. The film explores mental health struggles through the characters Vlad and Sophie—Vlad immerses himself in audiobooks, while Sophie grapples with career dissatisfaction.</p><p>Scott shares how his experience listening to a 105-hour audiobook about the Third Reich while on a ski trip inspired the film and discusses the importance of sound design in shaping its unconventional storytelling. He also reflects on the challenges of shooting with a minimal crew in Vancouver and Pender Island, the influence of filmmakers like Chantal Akerman and Jacques Tati, and the evolving collaboration between him and Ross.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 06 Mar 2025 10:00:00 -0800</pubDate>
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    <itunes:title>&#39;Village Keeper&#39; director Karen Chapman on telling &quot;lived-in&quot; stories through cinema</itunes:title>
    <title>&#39;Village Keeper&#39; director Karen Chapman on telling &quot;lived-in&quot; stories through cinema</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature Village Keeper, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother. Chapman shares her desire to capture "lived-in" moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking. Chapman reflects on the ...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature <em>Village Keeper</em>, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother.</p><p>Chapman shares her desire to capture &quot;lived-in&quot; moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking.</p><p>Chapman reflects on the challenges of directing while eight-and-a-half months pregnant, the need for better industry support for mothers and underrepresented filmmakers, and the value of mentorship programs like the Canadian Film Centre and TIFF Talent Lab (which helped shape her career).</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk speaks with filmmaker Karen Chapman about her narrative feature <em>Village Keeper</em>, which explores themes of trauma, grief, and economic disparity through the story of a Toronto single mother.</p><p>Chapman shares her desire to capture &quot;lived-in&quot; moments on screen, and how location plays a vital role in shaping character and story, highlighting the impact of class and economic realities on filmmaking.</p><p>Chapman reflects on the challenges of directing while eight-and-a-half months pregnant, the need for better industry support for mothers and underrepresented filmmakers, and the value of mentorship programs like the Canadian Film Centre and TIFF Talent Lab (which helped shape her career).</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em> </p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 13 Feb 2025 10:00:00 -0800</pubDate>
    <itunes:duration>1257</itunes:duration>
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    <itunes:title>&#39;7 Beats Per Minute&#39; Director Yuqi Kang on the arts of Free Diving and Filmmaking</itunes:title>
    <title>&#39;7 Beats Per Minute&#39; Director Yuqi Kang on the arts of Free Diving and Filmmaking</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk interviews filmmaker Yuqi Kang about her documentary 7 Beats Per Minute, which explores the world of free diving and the connection between humanity and nature. Kang shares how a YouTube clip sparked her own free diving journey and led her to meet Jessea Lu, a prominent Chinese free diver who became the subject of her film. She reflects on the challenges of underwater cinematography, from unpredictable weather to ca...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk interviews filmmaker Yuqi Kang about her documentary <em>7 Beats Per Minute</em>, which explores the world of free diving and the connection between humanity and nature.</p><p>Kang shares how a YouTube clip sparked her own free diving journey and led her to meet Jessea Lu, a prominent Chinese free diver who became the subject of her film. She reflects on the challenges of underwater cinematography, from unpredictable weather to capturing authentic moments beneath the surface, and the importance of adapting to nature’s elements.</p><p>Kang also discusses her transition from documentary to narrative filmmaking and how Vancouver&apos;s cultural and creative environment has influenced her work.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, Director of Programming Curtis Woloschuk interviews filmmaker Yuqi Kang about her documentary <em>7 Beats Per Minute</em>, which explores the world of free diving and the connection between humanity and nature.</p><p>Kang shares how a YouTube clip sparked her own free diving journey and led her to meet Jessea Lu, a prominent Chinese free diver who became the subject of her film. She reflects on the challenges of underwater cinematography, from unpredictable weather to capturing authentic moments beneath the surface, and the importance of adapting to nature’s elements.</p><p>Kang also discusses her transition from documentary to narrative filmmaking and how Vancouver&apos;s cultural and creative environment has influenced her work.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 30 Jan 2025 10:00:00 -0800</pubDate>
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    <itunes:title>Jerome Yoo explores grief and belonging in his debut feature &#39;Mongrels&#39;</itunes:title>
    <title>Jerome Yoo explores grief and belonging in his debut feature &#39;Mongrels&#39;</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, feature film coordinator Natalie Murao interviews filmmaker Jerome Yoo about his debut feature film Mongrels, which follows a Korean immigrant family in rural Canada dealing with grief amid trying to belong in their new home country. Yoo shares about how he found talent in Korea, his casting process, and the challenges of working with 14 dogs while shooting the film. Plus, they discuss the importance of natural emotions and incorporating traditional Korean...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the VIFF Podcast, feature film coordinator Natalie Murao interviews filmmaker Jerome Yoo about his debut feature film <em>Mongrels</em>, which follows a Korean immigrant family in rural Canada dealing with grief amid trying to belong in their new home country.</p><p>Yoo shares about how he found talent in Korea, his casting process, and the challenges of working with 14 dogs while shooting the film. Plus, they discuss the importance of natural emotions and incorporating traditional Korean instruments into the film&apos;s score.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode of the VIFF Podcast, feature film coordinator Natalie Murao interviews filmmaker Jerome Yoo about his debut feature film <em>Mongrels</em>, which follows a Korean immigrant family in rural Canada dealing with grief amid trying to belong in their new home country.</p><p>Yoo shares about how he found talent in Korea, his casting process, and the challenges of working with 14 dogs while shooting the film. Plus, they discuss the importance of natural emotions and incorporating traditional Korean instruments into the film&apos;s score.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 26 Dec 2024 10:00:00 -0800</pubDate>
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    <itunes:title>Deborah Devyn Chaung explores dreams and desire with short film “Strawberry Shortcake”</itunes:title>
    <title>Deborah Devyn Chaung explores dreams and desire with short film “Strawberry Shortcake”</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, Short Forum programmer Casey Wei interviews filmmaker Deborah Devyn Chaung about her short film Strawberry Shortcake, a genre-defying Freudian fantasy that explores a teenage girl’s relationship with her mother.   Chuang shares the deeply personal inspirations behind the film and the challenges of directing intimate scenes. Plus, they discuss the film’s intricate set design, the symbolism of “strawberry shortcake” as both innocent and provocative, and Chua...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode of the VIFF Podcast, Short Forum programmer Casey Wei interviews filmmaker Deborah Devyn Chaung about her short film </b><b><em>Strawberry Shortcake</em></b><b>, a genre-defying Freudian fantasy that explores a teenage girl’s relationship with her mother.</b> <br/><br/>Chuang shares the deeply personal inspirations behind the film and the challenges of directing intimate scenes. Plus, they discuss the film’s intricate set design, the symbolism of “strawberry shortcake” as both innocent and provocative, and Chuang’s aspirations to develop the short into a feature.<br/><br/><b><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></b><b><br/></b><br/><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode of the VIFF Podcast, Short Forum programmer Casey Wei interviews filmmaker Deborah Devyn Chaung about her short film </b><b><em>Strawberry Shortcake</em></b><b>, a genre-defying Freudian fantasy that explores a teenage girl’s relationship with her mother.</b> <br/><br/>Chuang shares the deeply personal inspirations behind the film and the challenges of directing intimate scenes. Plus, they discuss the film’s intricate set design, the symbolism of “strawberry shortcake” as both innocent and provocative, and Chuang’s aspirations to develop the short into a feature.<br/><br/><b><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></b><b><br/></b><br/><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 12 Dec 2024 10:00:00 -0800</pubDate>
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    <itunes:title>&quot;Inay&quot; director Thea Loo talks migration, mental health, and the power of community</itunes:title>
    <title>&quot;Inay&quot; director Thea Loo talks migration, mental health, and the power of community</title>
    <itunes:summary><![CDATA[On this episode of the VIFF Podcast, Laura Arboleda sits down with filmmaker Thea Loo, director of the documentary Inay (Mama). Thea shares the creative process behind the film, which explores the mental health impact of migration from the Philippines to Canada on the children of caregivers. Hear about the film’s evolution from a five-minute concept to a feature-length documentary, the challenges of blending personal storytelling with archival research, and collaboration with her husband, Jer...]]></itunes:summary>
    <description><![CDATA[<p><b>On this episode of the VIFF Podcast, Laura Arboleda sits down with filmmaker Thea Loo, director of the documentary </b><b><em>Inay (Mama)</em></b><b>.</b></p><p>Thea shares the creative process behind the film, which explores the mental health impact of migration from the Philippines to Canada on the children of caregivers. Hear about the film’s evolution from a five-minute concept to a feature-length documentary, the challenges of blending personal storytelling with archival research, and collaboration with her husband, Jeremiah.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>On this episode of the VIFF Podcast, Laura Arboleda sits down with filmmaker Thea Loo, director of the documentary </b><b><em>Inay (Mama)</em></b><b>.</b></p><p>Thea shares the creative process behind the film, which explores the mental health impact of migration from the Philippines to Canada on the children of caregivers. Hear about the film’s evolution from a five-minute concept to a feature-length documentary, the challenges of blending personal storytelling with archival research, and collaboration with her husband, Jeremiah.</p><p><em>This episode was recorded during the 2024 Vancouver International Film Festival.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 28 Nov 2024 10:00:00 -0800</pubDate>
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    <itunes:duration>1630</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>2</itunes:episode>
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  <item>
    <itunes:title>Filmmaker Mads K. Baekkevold, director of The Chef &amp; the Daruma, on capturing renowned Vancouver chef Hidekazu Tojo’s legacy</itunes:title>
    <title>Filmmaker Mads K. Baekkevold, director of The Chef &amp; the Daruma, on capturing renowned Vancouver chef Hidekazu Tojo’s legacy</title>
    <itunes:summary><![CDATA[On this episode of the VIFF Podcast, Director of Programming Curtis Woloschuck sits down with filmmaker Mads K. Baekkevold, director of The Chef &amp; the Daruma.   Mads shares his creative process and talks about the journey of capturing Chef Hidekazu Tojo’s life and legacy. Tune in to hear about Mads’ influences, from Tampopo to Jiro Dreams of Sushi, the serendipitous beginnings of the film, and the power of authentic voices.  This episode was recorded during the 2024 Vancouver Internationa...]]></itunes:summary>
    <description><![CDATA[<p><b>On this episode of the VIFF Podcast, Director of Programming Curtis Woloschuck sits down with filmmaker Mads K. Baekkevold, director of </b><b><em>The Chef &amp; the Daruma.</em></b><b> </b><br/><br/>Mads shares his creative process and talks about the journey of capturing Chef Hidekazu Tojo’s life and legacy. Tune in to hear about Mads’ influences, from <em>Tampopo</em> to <em>Jiro Dreams of Sushi</em>, the serendipitous beginnings of the film, and the power of authentic voices.<br/><br/><b>This episode was recorded during the 2024 Vancouver International Film Festival.</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>On this episode of the VIFF Podcast, Director of Programming Curtis Woloschuck sits down with filmmaker Mads K. Baekkevold, director of </b><b><em>The Chef &amp; the Daruma.</em></b><b> </b><br/><br/>Mads shares his creative process and talks about the journey of capturing Chef Hidekazu Tojo’s life and legacy. Tune in to hear about Mads’ influences, from <em>Tampopo</em> to <em>Jiro Dreams of Sushi</em>, the serendipitous beginnings of the film, and the power of authentic voices.<br/><br/><b>This episode was recorded during the 2024 Vancouver International Film Festival.</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Vancouver International Film Festival</itunes:author>
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    <pubDate>Thu, 07 Nov 2024 11:00:00 -0800</pubDate>
    <itunes:duration>1705</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>1</itunes:episode>
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  <item>
    <itunes:title>Unmasking Trauma: Asher Penn on Physician, Heal Thyself and the Life of Dr. Gabor Maté</itunes:title>
    <title>Unmasking Trauma: Asher Penn on Physician, Heal Thyself and the Life of Dr. Gabor Maté</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, filmmaker Asher Penn talks about his debut feature documentary, Physician, Heal Thyself, with VIFF Year Round Programmer Tom Charity.   The film is a searingly intimate portrait of the celebrated expert on addiction, stress, and trauma, Dr. Gabor Maté. Physician Heal Thyself follows Gabor's life's journey, from his start as a young contrarian to a contemporary icon.   This podcast is brought to you by the Vancouver International Film Festival.  Presented o...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode of the VIFF Podcast, filmmaker Asher Penn talks about his debut feature documentary, </b><b><em>Physician, Heal Thyself</em></b><b>, with VIFF Year Round Programmer Tom Charity.</b> <br/><br/>The film is a searingly intimate portrait of the celebrated expert on addiction, stress, and trauma, Dr. Gabor Maté. <em>Physician Heal Thyself</em> follows Gabor&apos;s life&apos;s journey, from his start as a young contrarian to a contemporary icon.</p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode of the VIFF Podcast, filmmaker Asher Penn talks about his debut feature documentary, </b><b><em>Physician, Heal Thyself</em></b><b>, with VIFF Year Round Programmer Tom Charity.</b> <br/><br/>The film is a searingly intimate portrait of the celebrated expert on addiction, stress, and trauma, Dr. Gabor Maté. <em>Physician Heal Thyself</em> follows Gabor&apos;s life&apos;s journey, from his start as a young contrarian to a contemporary icon.</p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/15899057-unmasking-trauma-asher-penn-on-physician-heal-thyself-and-the-life-of-dr-gabor-mate.mp3" length="37177435" type="audio/mpeg" />
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    <pubDate>Wed, 09 Oct 2024 12:00:00 -0700</pubDate>
    <itunes:duration>3092</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>11</itunes:episode>
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  <item>
    <itunes:title>BC film producer Mike Johnston reflects on the resilience of the Vancouver film community, international co-productions, and more</itunes:title>
    <title>BC film producer Mike Johnston reflects on the resilience of the Vancouver film community, international co-productions, and more</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, BC-based film producer Mike Johnston talks about his his transition from directing to producing with VIFF Director of Programming, Curtis Woloschuck.   He highlights the complexities of financing and managing co-productions, with Beehive and Wild Goat Surf as turning points, and an upcoming international co-production with Colombia, Memoria. Together, Mike and Curtis reflect on the resilience and future of the Vancouver film community. This conversation wa...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode of the VIFF Podcast, BC-based film producer Mike Johnston talks about his his transition from directing to producing with VIFF Director of Programming, Curtis Woloschuck.</b> <br/><br/>He highlights the complexities of financing and managing co-productions, with <em>Beehive</em> and <em>Wild Goat Surf</em> as turning points, and an upcoming international co-production with Colombia, <em>Memoria</em>. Together, Mike and Curtis reflect on the resilience and future of the Vancouver film community.</p><p>This conversation was recorded remotely during VIFF 2023.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode of the VIFF Podcast, BC-based film producer Mike Johnston talks about his his transition from directing to producing with VIFF Director of Programming, Curtis Woloschuck.</b> <br/><br/>He highlights the complexities of financing and managing co-productions, with <em>Beehive</em> and <em>Wild Goat Surf</em> as turning points, and an upcoming international co-production with Colombia, <em>Memoria</em>. Together, Mike and Curtis reflect on the resilience and future of the Vancouver film community.</p><p>This conversation was recorded remotely during VIFF 2023.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/15625855-bc-film-producer-mike-johnston-reflects-on-the-resilience-of-the-vancouver-film-community-international-co-productions-and-more.mp3" length="26566228" type="audio/mpeg" />
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    <itunes:author>Vancouver International Film Festival</itunes:author>
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    <pubDate>Tue, 03 Sep 2024 12:00:00 -0700</pubDate>
    <itunes:duration>2209</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>10</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>&#39;In Flames&#39; director Zarrar Kahn talks balancing real-world social issues in genre film</itunes:title>
    <title>&#39;In Flames&#39; director Zarrar Kahn talks balancing real-world social issues in genre film</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, filmmaker Zarrar Kahn talks about his debut feature film, In Flames, with VIFF Director of Programming Curtis Woloschuk.   In Flames, which premiered at Cannes 2023 and screened at VIFF 2023, follows a mother and daughter navigating loss and supernatural forces in Karachi, Pakistan. After the death of the family patriarch, a mother and daughter's precarious existence is ripped apart. They must find strength in each other if they are to survive the malevole...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode of the VIFF Podcast, filmmaker Zarrar Kahn talks about his debut feature film, </b><b><em>In Flames</em></b><b>, with VIFF Director of Programming Curtis Woloschuk. </b><br/><br/><em>In Flames</em>, which premiered at Cannes 2023 and screened at VIFF 2023, follows a mother and daughter navigating loss and supernatural forces in Karachi, Pakistan. After the death of the family patriarch, a mother and daughter&apos;s precarious existence is ripped apart. They must find strength in each other if they are to survive the malevolent forces that threaten to engulf them.<br/><br/><b>This conversation was recorded remotely.</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode of the VIFF Podcast, filmmaker Zarrar Kahn talks about his debut feature film, </b><b><em>In Flames</em></b><b>, with VIFF Director of Programming Curtis Woloschuk. </b><br/><br/><em>In Flames</em>, which premiered at Cannes 2023 and screened at VIFF 2023, follows a mother and daughter navigating loss and supernatural forces in Karachi, Pakistan. After the death of the family patriarch, a mother and daughter&apos;s precarious existence is ripped apart. They must find strength in each other if they are to survive the malevolent forces that threaten to engulf them.<br/><br/><b>This conversation was recorded remotely.</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/15477101-in-flames-director-zarrar-kahn-talks-balancing-real-world-social-issues-in-genre-film.mp3" length="19645099" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/w343c62ieorqsv1atk6ajk07beqj?.jpg" />
    <itunes:author>Vancouver International Film Festival</itunes:author>
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    <pubDate>Thu, 01 Aug 2024 08:00:00 -0700</pubDate>
    <podcast:soundbite startTime="605.0" duration="15.0" />
    <itunes:duration>1634</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>9</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>&#39;Handle With Care: The Legend of the Notic Streetball Crew&#39; filmmakers talk basketball and community</itunes:title>
    <title>&#39;Handle With Care: The Legend of the Notic Streetball Crew&#39; filmmakers talk basketball and community</title>
    <itunes:summary><![CDATA[In this episode of the VIFF Podcast, documentary filmmakers Jeremy Schaulin-Rioux and Kirk Thomas along with legendary streetball player Joel Haywood talk with VIFF Director of Programming Curtis Woloschuk.   Handle With Care: The Legend of The Notic Streetball Crew chronicles the rise, fall and rebirth of The Notic, an upstart streetball collective. While their creative basketball moves brought them global fame as teenagers, it set them at odds with the status quo in a battle involving self-...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode of the VIFF Podcast, documentary filmmakers Jeremy Schaulin-Rioux and Kirk Thomas along with legendary streetball player Joel Haywood talk with VIFF Director of Programming Curtis Woloschuk.</b> <br/><br/><em>Handle With Care: The Legend of The Notic Streetball Crew</em> chronicles the rise, fall and rebirth of The Notic, an upstart streetball collective. While their creative basketball moves brought them global fame as teenagers, it set them at odds with the status quo in a battle involving self-expression, race and rejection. Driven by a twenty year quest to finish their mixtape trilogy, the documentary charts how a group of friends from Vancouver, Canada played outside the confines of the NBA but left an imprint on the game forever.<br/><br/><b>This conversation was recorded remotely.</b><br/><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode of the VIFF Podcast, documentary filmmakers Jeremy Schaulin-Rioux and Kirk Thomas along with legendary streetball player Joel Haywood talk with VIFF Director of Programming Curtis Woloschuk.</b> <br/><br/><em>Handle With Care: The Legend of The Notic Streetball Crew</em> chronicles the rise, fall and rebirth of The Notic, an upstart streetball collective. While their creative basketball moves brought them global fame as teenagers, it set them at odds with the status quo in a battle involving self-expression, race and rejection. Driven by a twenty year quest to finish their mixtape trilogy, the documentary charts how a group of friends from Vancouver, Canada played outside the confines of the NBA but left an imprint on the game forever.<br/><br/><b>This conversation was recorded remotely.</b><br/><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 04 Jul 2024 09:00:00 -0700</pubDate>
    <podcast:soundbite startTime="449.462" duration="15.0" />
    <itunes:duration>1936</itunes:duration>
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    <itunes:season>2</itunes:season>
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  <item>
    <itunes:title>&#39;With Love and a Major Organ&#39; filmmaker Kim Albright on surrealist stories, with producer Madeleine Davis</itunes:title>
    <title>&#39;With Love and a Major Organ&#39; filmmaker Kim Albright on surrealist stories, with producer Madeleine Davis</title>
    <itunes:summary><![CDATA[In this episode we welcome filmmaker Kim Albright, director of With Love and a Major Organ, and producer Madeleine Davis in  conversation with VIFF programmer Tom Charity.  Struggling artist by night, virtual insurance broker by day, Anabel has a heart problem: it’s just too big for this world. Rejected and derided by her more sophisticated “friends”, Anabel falls for George, a stranger with a penchant for reading yesterday’s newspaper with all the bad news redacted. But George still liv...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode we welcome filmmaker Kim Albright, director of </b><b><em>With Love and a Major Organ</em></b><b>, and producer Madeleine Davis in  conversation with VIFF programmer Tom Charity.<br/><br/></b>Struggling artist by night, virtual insurance broker by day, Anabel has a heart problem: it’s just too big for this world. Rejected and derided by her more sophisticated “friends”, Anabel falls for George, a stranger with a penchant for reading yesterday’s newspaper with all the bad news redacted. But George still lives with his overly protective mum, and both will take some persuading that Anabel is his heart’s desire. Filmed right here in Vancouver, Kim Albright’s directorial debut strikes a lo-(sci-)fi surrealist vibe vaguely reminiscent of <em>Eternal Sunshine of the Spotless Mind</em>. It’s whimsical, unpredictable, but more than anything it’s true enough to hit close to home.<br/><br/><em>This conversation was recorded as part of VIFF&apos;s Year Round programming.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode we welcome filmmaker Kim Albright, director of </b><b><em>With Love and a Major Organ</em></b><b>, and producer Madeleine Davis in  conversation with VIFF programmer Tom Charity.<br/><br/></b>Struggling artist by night, virtual insurance broker by day, Anabel has a heart problem: it’s just too big for this world. Rejected and derided by her more sophisticated “friends”, Anabel falls for George, a stranger with a penchant for reading yesterday’s newspaper with all the bad news redacted. But George still lives with his overly protective mum, and both will take some persuading that Anabel is his heart’s desire. Filmed right here in Vancouver, Kim Albright’s directorial debut strikes a lo-(sci-)fi surrealist vibe vaguely reminiscent of <em>Eternal Sunshine of the Spotless Mind</em>. It’s whimsical, unpredictable, but more than anything it’s true enough to hit close to home.<br/><br/><em>This conversation was recorded as part of VIFF&apos;s Year Round programming.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/15272658-with-love-and-a-major-organ-filmmaker-kim-albright-on-surrealist-stories-with-producer-madeleine-davis.mp3" length="28986621" type="audio/mpeg" />
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    <pubDate>Thu, 20 Jun 2024 09:00:00 -0700</pubDate>
    <podcast:soundbite startTime="1156.288" duration="30.0" />
    <itunes:duration>2412</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>7</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>&#39;Richelieu&#39; director Pier-Philippe Chevigny on social justice through film</itunes:title>
    <title>&#39;Richelieu&#39; director Pier-Philippe Chevigny on social justice through film</title>
    <itunes:summary><![CDATA[In this episode we welcome Canadian filmmaker Pier-Philippe Chevigny, director of Richelieu in  conversation with  VIFF Director of Programming Curtis Woloschuk.  Drawing from neo-realist traditions, beautifully photographed and elegantly constructed, Richelieu paints an undeniable portrait of a crisis unfolding across North America. Director Pier-Philippe Chevigny avoids didacticism and delivers an assured, emotionally resonant first feature which announces the arrival of a new Can...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode we welcome Canadian filmmaker Pier-Philippe Chevigny, director of </b><b><em>Richelieu </em></b><b>in  conversation with  VIFF Director of Programming Curtis Woloschuk.<br/><br/></b>Drawing from neo-realist traditions, beautifully photographed and elegantly constructed, <em>Richelieu</em> paints an undeniable portrait of a crisis unfolding across North America. Director Pier-Philippe Chevigny avoids didacticism and delivers an assured, emotionally resonant first feature which announces the arrival of a new Canadian talent.</p><p><b>This conversation was recorded during the 2023 Vancouver International Film Festival.</b><em><br/><br/></em><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––<br/></b><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode we welcome Canadian filmmaker Pier-Philippe Chevigny, director of </b><b><em>Richelieu </em></b><b>in  conversation with  VIFF Director of Programming Curtis Woloschuk.<br/><br/></b>Drawing from neo-realist traditions, beautifully photographed and elegantly constructed, <em>Richelieu</em> paints an undeniable portrait of a crisis unfolding across North America. Director Pier-Philippe Chevigny avoids didacticism and delivers an assured, emotionally resonant first feature which announces the arrival of a new Canadian talent.</p><p><b>This conversation was recorded during the 2023 Vancouver International Film Festival.</b><em><br/><br/></em><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––<br/></b><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 06 Jun 2024 09:00:00 -0700</pubDate>
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    <itunes:title>Sound designer Mark Mangini on creating epic sound art for films including &#39;Dune&#39; and &#39;Mad Max Fury Road&#39;</itunes:title>
    <title>Sound designer Mark Mangini on creating epic sound art for films including &#39;Dune&#39; and &#39;Mad Max Fury Road&#39;</title>
    <itunes:summary><![CDATA[In this episode we welcome Mark Mangini, sound designer of films such as Blade Runner 2049, The Fifth Element, and Gremlins in conversation with film producer Matt Drake  Mark Mangini has made it his life’s work to create the unimagined worlds and fabricated sonic realities of the most epic films you can imagine. Known for films including Blade Runner 2049, Star Trek I, IV and V, The Fifth Element, and Gremlins, Mark is a six-time Oscar nominated sound designer, winning twice for Dune and Mad...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode we welcome Mark Mangini, sound designer of films such as </b><b><em>Blade Runner 2049</em></b><b>, </b><b><em>The Fifth Element</em></b><b>, and </b><b><em>Gremlins</em></b><b> in conversation with film producer Matt Drake<br/><br/></b>Mark Mangini has made it his life’s work to create the unimagined worlds and fabricated sonic realities of the most epic films you can imagine. Known for films including <em>Blade Runner 2049</em>, <em>Star Trek I</em>, <em>IV</em> and <em>V</em>, <em>The Fifth Element</em>, and <em>Gremlins</em>, Mark is a six-time Oscar nominated sound designer, winning twice for <em>Dune</em> and <em>Mad Max Fury Road</em>.</p><p>We go behind-the-scenes as Mark shares the secrets behind creating the most memorable sound art of these monumental films.<br/><br/><b>This conversation was recorded during the 2023 Vancouver International Film Festival.</b><em><br/><br/></em><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><b> </b><em><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what&apos;s playing now at <a href='https://viff.org/'>viff.org</a>.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode we welcome Mark Mangini, sound designer of films such as </b><b><em>Blade Runner 2049</em></b><b>, </b><b><em>The Fifth Element</em></b><b>, and </b><b><em>Gremlins</em></b><b> in conversation with film producer Matt Drake<br/><br/></b>Mark Mangini has made it his life’s work to create the unimagined worlds and fabricated sonic realities of the most epic films you can imagine. Known for films including <em>Blade Runner 2049</em>, <em>Star Trek I</em>, <em>IV</em> and <em>V</em>, <em>The Fifth Element</em>, and <em>Gremlins</em>, Mark is a six-time Oscar nominated sound designer, winning twice for <em>Dune</em> and <em>Mad Max Fury Road</em>.</p><p>We go behind-the-scenes as Mark shares the secrets behind creating the most memorable sound art of these monumental films.<br/><br/><b>This conversation was recorded during the 2023 Vancouver International Film Festival.</b><em><br/><br/></em><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><b> </b><em><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what&apos;s playing now at <a href='https://viff.org/'>viff.org</a>.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Fri, 24 May 2024 07:00:00 -0700</pubDate>
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    <itunes:title>&#39;Seagrass&#39; director Meredith Hama-Brown on Japanese Canadian stories</itunes:title>
    <title>&#39;Seagrass&#39; director Meredith Hama-Brown on Japanese Canadian stories</title>
    <itunes:summary><![CDATA[In this episode we welcome Meredith Hama-Brown, director of the feature film Seagrass, in conversation with Sonja Baksa, Programmer + Program Lead at VIFF   Having decamped to a Gabriola Island couples’ retreat in a last-ditch attempt to save their crumbling marriage, preoccupied Judith (Ally Maki) and Steve (Luke Roberts) leave their young daughters to their own devices. In turn, 11-year-old Stephanie (Nyha Breitkreuz) quickly ditches six-year-old Emmy (Remy Marthaller) in favour of a pack o...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode we welcome Meredith Hama-Brown, director of the feature film </b><b><em>Seagrass</em></b><b>, in conversation with Sonja Baksa, Programmer + Program Lead at VIFF<br/></b><br/></p><p>Having decamped to a Gabriola Island couples’ retreat in a last-ditch attempt to save their crumbling marriage, preoccupied Judith (Ally Maki) and Steve (Luke Roberts) leave their young daughters to their own devices. In turn, 11-year-old Stephanie (Nyha Breitkreuz) quickly ditches six-year-old Emmy (Remy Marthaller) in favour of a pack of unruly teens and their accompanying temptations. Abandoned and adrift, the introverted Emmy grows fixated with an eerie cave and convinced that her late grandmother has been conjured as an unseen ghost.<br/><br/></p><p>Drawing from her own childhood experiences, writer-director Meredith Hama-Brown demonstrates a profound talent for eliciting unspeakably nuanced, frequently heartbreaking performances from Breitkreuz and Marthaller. Likewise, she deftly investigates the unique tensions of Judith and Steve’s interracial marriage (including her infatuation with another man). All the while, Norm Li’s highly observant cinematography provides a practically mesmerizing degree of intimacy. A deftly orchestrated, deeply moving portrait of a family at the brink of implosion, <em>Seagrass</em> sees Hama-Brown exude compassion and conviction in an accomplished debut.<br/><br/></p><p>Meredith Hama-Brown is an actress, producer, and director. She is best known for her short <em>Broke Bunny</em> (2018), which won the Telus Sea to Sky Award at the Vancouver International Film Festival. With this short, she also won Best Narrative Film Award at Las Cruces International Film Festival and Best Film Award at the Future of Film Show. In 2020, Brown was selected for the TIFF Filmmaker Lab and was awarded the Canada Goose Fellowship for her first feature film, <em>Seagrass</em> (2023).<br/><br/><br/></p><p><b>This conversation was recorded remotely in March 2024.<br/></b><br/></p><p><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––<br/></b><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><b> </b><em><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what&apos;s playing now at <a href='https://viff.org/'>viff.org</a>.<br/><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode we welcome Meredith Hama-Brown, director of the feature film </b><b><em>Seagrass</em></b><b>, in conversation with Sonja Baksa, Programmer + Program Lead at VIFF<br/></b><br/></p><p>Having decamped to a Gabriola Island couples’ retreat in a last-ditch attempt to save their crumbling marriage, preoccupied Judith (Ally Maki) and Steve (Luke Roberts) leave their young daughters to their own devices. In turn, 11-year-old Stephanie (Nyha Breitkreuz) quickly ditches six-year-old Emmy (Remy Marthaller) in favour of a pack of unruly teens and their accompanying temptations. Abandoned and adrift, the introverted Emmy grows fixated with an eerie cave and convinced that her late grandmother has been conjured as an unseen ghost.<br/><br/></p><p>Drawing from her own childhood experiences, writer-director Meredith Hama-Brown demonstrates a profound talent for eliciting unspeakably nuanced, frequently heartbreaking performances from Breitkreuz and Marthaller. Likewise, she deftly investigates the unique tensions of Judith and Steve’s interracial marriage (including her infatuation with another man). All the while, Norm Li’s highly observant cinematography provides a practically mesmerizing degree of intimacy. A deftly orchestrated, deeply moving portrait of a family at the brink of implosion, <em>Seagrass</em> sees Hama-Brown exude compassion and conviction in an accomplished debut.<br/><br/></p><p>Meredith Hama-Brown is an actress, producer, and director. She is best known for her short <em>Broke Bunny</em> (2018), which won the Telus Sea to Sky Award at the Vancouver International Film Festival. With this short, she also won Best Narrative Film Award at Las Cruces International Film Festival and Best Film Award at the Future of Film Show. In 2020, Brown was selected for the TIFF Filmmaker Lab and was awarded the Canada Goose Fellowship for her first feature film, <em>Seagrass</em> (2023).<br/><br/><br/></p><p><b>This conversation was recorded remotely in March 2024.<br/></b><br/></p><p><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––<br/></b><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><b> </b><em><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what&apos;s playing now at <a href='https://viff.org/'>viff.org</a>.<br/><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 09 May 2024 06:00:00 -0700</pubDate>
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    <itunes:title>‘Les Filles du Roi’ Director on Transforming a Stage Production into a Full-Blown Movie Musical</itunes:title>
    <title>‘Les Filles du Roi’ Director on Transforming a Stage Production into a Full-Blown Movie Musical</title>
    <itunes:summary><![CDATA[In this episode we welcome Corey Payette, director of the movie musical Les Filles du Roi, in conversation with the film’s editor Christian Díaz Durán. Adapted from Urban Ink’s stage production, this locally-shot film screened at VIFF 2023. Les Filles du Roi tells through song the powerful story of the young Kanien’kehá:ka girl Kateri and her brother Jean-Baptiste, whose lives are disrupted upon the arrival of the “Daughters of the King” in ‘New France’ (now Montreal) in 1665. Corey Payette i...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode we welcome Corey Payette, director of the movie musical </b><b><em>Les Filles du Roi</em></b><b>, in conversation with the film’s editor Christian Díaz Durán.</b></p><p>Adapted from Urban Ink’s stage production, this locally-shot film screened at VIFF 2023. <em>Les Filles du Roi </em>tells through song the powerful story of the young Kanien’kehá:ka girl Kateri and her brother Jean-Baptiste, whose lives are disrupted upon the arrival of the “Daughters of the King” in ‘New France’ (now Montreal) in 1665.</p><p>Corey Payette is an interdisciplinary storyteller, writer, composer, producer, and director in film and theatre. Since 2014, he has been the Artistic Director of Urban Ink, a position first held by Marie Clements, at one of Canada’s most ambitious theatre companies. Payette wrote the music, lyrics, and directed the acclaimed musicals <em>Children of God, Les Filles du Roi</em>, and <em>Starwalker</em>, among others. He is a member of the Mattagami First Nations, with French-Canadian and Irish ancestries. <em>Les Filles du Roi</em> is his first feature film.<br/><br/></p><p><b>This conversation was recorded at VIFF Centre in March 2024.<br/></b><br/></p><p><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><b> </b><em><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what&apos;s playing now at <a href='https://viff.org/'>viff.org</a>.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode we welcome Corey Payette, director of the movie musical </b><b><em>Les Filles du Roi</em></b><b>, in conversation with the film’s editor Christian Díaz Durán.</b></p><p>Adapted from Urban Ink’s stage production, this locally-shot film screened at VIFF 2023. <em>Les Filles du Roi </em>tells through song the powerful story of the young Kanien’kehá:ka girl Kateri and her brother Jean-Baptiste, whose lives are disrupted upon the arrival of the “Daughters of the King” in ‘New France’ (now Montreal) in 1665.</p><p>Corey Payette is an interdisciplinary storyteller, writer, composer, producer, and director in film and theatre. Since 2014, he has been the Artistic Director of Urban Ink, a position first held by Marie Clements, at one of Canada’s most ambitious theatre companies. Payette wrote the music, lyrics, and directed the acclaimed musicals <em>Children of God, Les Filles du Roi</em>, and <em>Starwalker</em>, among others. He is a member of the Mattagami First Nations, with French-Canadian and Irish ancestries. <em>Les Filles du Roi</em> is his first feature film.<br/><br/></p><p><b>This conversation was recorded at VIFF Centre in March 2024.<br/></b><br/></p><p><b>–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––</b></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><b> </b><em><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), and year-round programming at VIFF Centre. See what&apos;s playing now at <a href='https://viff.org/'>viff.org</a>.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Tue, 19 Mar 2024 11:00:00 -0700</pubDate>
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    <itunes:title>‘Rutherford Falls’ Co-Creator Sierra Teller Ornelas on breaking down Indigenous stereotypes through humour</itunes:title>
    <title>‘Rutherford Falls’ Co-Creator Sierra Teller Ornelas on breaking down Indigenous stereotypes through humour</title>
    <itunes:summary><![CDATA[In this episode, we’re featuring a conversation with Sierra Teller Ornelas –  co-creator, showrunner and executive producer of the critically-acclaimed, native-centred comedy series Rutherford Falls. Ornelas had written for Superstore, Brooklyn Nine-Nine, Selfie and Happy Endings before coming on board with Mike Schur and Ed Helms to bring Rutherford Falls to life, becoming the first Native American showrunner in history.    Speaking to writer/producer Duana Taha at the 2021 fe...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re featuring a conversation with Sierra Teller Ornelas –  co-creator, showrunner and executive producer of the critically-acclaimed, native-centred comedy series </b><b><em>Rutherford Falls.</em></b></p><p>Ornelas had written for <em>Superstore, Brooklyn Nine-Nine, Selfie </em>and<em> Happy Endings</em> before coming on board with Mike Schur and Ed Helms to bring <em>Rutherford Falls</em> to life, becoming the first Native American showrunner in history.   </p><p>Speaking to writer/producer Duana Taha at the 2021 festival, Ornelas chatted about the process of creating a sitcom that breaks down Indigenous stereotypes through humour, having one of the largest Indigenous writers rooms on television and how her museum background informed her writing on the show.</p><p>This conversation was recorded on October 5, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re featuring a conversation with Sierra Teller Ornelas –  co-creator, showrunner and executive producer of the critically-acclaimed, native-centred comedy series </b><b><em>Rutherford Falls.</em></b></p><p>Ornelas had written for <em>Superstore, Brooklyn Nine-Nine, Selfie </em>and<em> Happy Endings</em> before coming on board with Mike Schur and Ed Helms to bring <em>Rutherford Falls</em> to life, becoming the first Native American showrunner in history.   </p><p>Speaking to writer/producer Duana Taha at the 2021 festival, Ornelas chatted about the process of creating a sitcom that breaks down Indigenous stereotypes through humour, having one of the largest Indigenous writers rooms on television and how her museum background informed her writing on the show.</p><p>This conversation was recorded on October 5, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/10073965-rutherford-falls-co-creator-sierra-teller-ornelas-on-breaking-down-indigenous-stereotypes-through-humour.mp3" length="46969029" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/uw600g83rck1x44w337id19silgp?.jpg" />
    <itunes:author>Sierra Teller Ornelas</itunes:author>
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    <pubDate>Wed, 11 May 2022 09:00:00 -0700</pubDate>
    <itunes:duration>3910</itunes:duration>
    <itunes:keywords>TV, television, film festival, interview, showrunner, Indigenous, Native American, Rutherford Falls, Brooklyn 99, writing, comedy, screenwriter</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>10</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>‘Mare of Easttown’ Director Craig Zobel on “humanistic” crime drama</itunes:title>
    <title>‘Mare of Easttown’ Director Craig Zobel on “humanistic” crime drama</title>
    <itunes:summary><![CDATA[In this episode, we’re featuring a creator talk from the 2021 Vancouver International Film Festival with Craig Zobel – the director behind the wildly popular HBO crime drama, Mare of Easttown, starring Kate Winslet. The Emmy-nominated director spoke to host Zach Lipovsky about crafting a crime series that leaves room for soulful human drama and humour, shooting emotional and technically daunting scenes, and working with Director Of Photography Ben Richardson on letting characters guide the sh...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re featuring a creator talk from the 2021 Vancouver International Film Festival with Craig Zobel – the director behind the wildly popular HBO crime drama, </b><b><em>Mare of Easttown</em></b><b>, starring Kate Winslet.</b></p><p>The Emmy-nominated director spoke to host Zach Lipovsky about crafting a crime series that leaves room for soulful human drama and humour, shooting emotional and technically daunting scenes, and working with Director Of Photography Ben Richardson on letting characters guide the shot styles.</p><p>This conversation was recorded on October 4, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re featuring a creator talk from the 2021 Vancouver International Film Festival with Craig Zobel – the director behind the wildly popular HBO crime drama, </b><b><em>Mare of Easttown</em></b><b>, starring Kate Winslet.</b></p><p>The Emmy-nominated director spoke to host Zach Lipovsky about crafting a crime series that leaves room for soulful human drama and humour, shooting emotional and technically daunting scenes, and working with Director Of Photography Ben Richardson on letting characters guide the shot styles.</p><p>This conversation was recorded on October 4, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/10073857-mare-of-easttown-director-craig-zobel-on-humanistic-crime-drama.mp3" length="48523942" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/5w7370qio1m1t8njfyl6jk2ihd8s?.jpg" />
    <itunes:author>Craig Zobel</itunes:author>
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    <pubDate>Wed, 27 Apr 2022 09:00:00 -0700</pubDate>
    <itunes:duration>4040</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, tv, entertainment, director, Mare of Easttown, crime drama, Kate Winslet</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>7</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>true</itunes:explicit>
  </item>
  <item>
    <itunes:title>‘The Green Knight’ Production Designer Jade Healy on creating the look, feel, and shape of a fantasy realm</itunes:title>
    <title>‘The Green Knight’ Production Designer Jade Healy on creating the look, feel, and shape of a fantasy realm</title>
    <itunes:summary><![CDATA[In this episode, we revisit a conversation from the 2021 Festival with award-winning Canadian production designer Jade Healy. Jade Healy has created the look of some of our favourite films, including A Beautiful Day in the Neighborhood, Marriage Story, The Killing of a Sacred Deer, A Ghost Story, Pete’s Dragon, Mississippi Grind, and Ain’t Them Bodies Saints. 2021 saw Healy reunite with her frequent collaborator David Lowery on the visual masterpiece and epic fantasy adventure, The Green Knig...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we revisit a conversation from the 2021 Festival with award-winning Canadian production designer Jade Healy.</b></p><p>Jade Healy has created the look of some of our favourite films, including <em>A Beautiful Day in the Neighborhood, Marriage Story, The Killing of a Sacred Deer, A Ghost Story, Pete’s Dragon, Mississippi Grind, </em>and<em> Ain’t Them Bodies Saints.</em></p><p>2021 saw Healy reunite with her frequent collaborator David Lowery on the visual masterpiece and epic fantasy adventure, <em>The Green Knight</em>. </p><p>Speaking to Canadian Director and Production Designer, Sophie Jarvis, Healy delves into how she approached the monumental task of creating an Arthurian world, bringing to life the fabled sets of the famed Camelot, the otherworldly Lady and Lord’s castle and the verdant Green Chapel.</p><p>This conversation was recorded on October 4, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we revisit a conversation from the 2021 Festival with award-winning Canadian production designer Jade Healy.</b></p><p>Jade Healy has created the look of some of our favourite films, including <em>A Beautiful Day in the Neighborhood, Marriage Story, The Killing of a Sacred Deer, A Ghost Story, Pete’s Dragon, Mississippi Grind, </em>and<em> Ain’t Them Bodies Saints.</em></p><p>2021 saw Healy reunite with her frequent collaborator David Lowery on the visual masterpiece and epic fantasy adventure, <em>The Green Knight</em>. </p><p>Speaking to Canadian Director and Production Designer, Sophie Jarvis, Healy delves into how she approached the monumental task of creating an Arthurian world, bringing to life the fabled sets of the famed Camelot, the otherworldly Lady and Lord’s castle and the verdant Green Chapel.</p><p>This conversation was recorded on October 4, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/10073830-the-green-knight-production-designer-jade-healy-on-creating-the-look-feel-and-shape-of-a-fantasy-realm.mp3" length="43100010" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/tb0znlov232kh7cy38zy174sk7sg?.jpg" />
    <itunes:author>Jade Healy</itunes:author>
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    <pubDate>Wed, 13 Apr 2022 09:00:00 -0700</pubDate>
    <itunes:duration>3588</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, entertainment, production designer, The Green Knight, David Lowery</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>6</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>‘The Suicide Squad’ Editor Fred Raskin on how the story takes its final shape in the editing room </itunes:title>
    <title>‘The Suicide Squad’ Editor Fred Raskin on how the story takes its final shape in the editing room </title>
    <itunes:summary><![CDATA[In this episode, we bring you a masterclass in editing with BAFTA-nominated editor, Fred Raskin. Fred Raskin is best known for his collaborations with Quentin Tarantino on Once Upon a Time… In Hollywood, Kill Bill, and The Hateful Eight, Justin Lin on The Fast and the Furious films, and James Gunn on Guardians of the Galaxy 1 and 2.  Speaking to two-time Canadian Screen Award-winning editor Mathew Hannam, at VIFF 2021, Raskin breaks down his process editing the superhero blockbuster The ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we bring you a masterclass in editing with BAFTA-nominated editor, Fred Raskin.</b></p><p>Fred Raskin is best known for his collaborations with Quentin Tarantino on <em>Once Upon a Time… In Hollywood</em>, <em>Kill Bill,</em> and <em>The Hateful Eight</em>, Justin Lin on <em>The Fast and the Furious</em> films, and James Gunn on <em>Guardians of the Galaxy 1 and 2</em>. </p><p>Speaking to two-time Canadian Screen Award-winning editor Mathew Hannam, at VIFF 2021, Raskin breaks down his process editing the superhero blockbuster <em>The Suicide Squad – </em>detailing<em> </em>how the story took its final shape in the editing room, his favourite scenes from the film, and his advice to emerging editors.</p><p>This conversation was recorded on October 6, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we bring you a masterclass in editing with BAFTA-nominated editor, Fred Raskin.</b></p><p>Fred Raskin is best known for his collaborations with Quentin Tarantino on <em>Once Upon a Time… In Hollywood</em>, <em>Kill Bill,</em> and <em>The Hateful Eight</em>, Justin Lin on <em>The Fast and the Furious</em> films, and James Gunn on <em>Guardians of the Galaxy 1 and 2</em>. </p><p>Speaking to two-time Canadian Screen Award-winning editor Mathew Hannam, at VIFF 2021, Raskin breaks down his process editing the superhero blockbuster <em>The Suicide Squad – </em>detailing<em> </em>how the story took its final shape in the editing room, his favourite scenes from the film, and his advice to emerging editors.</p><p>This conversation was recorded on October 6, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/10073792-the-suicide-squad-editor-fred-raskin-on-how-the-story-takes-its-final-shape-in-the-editing-room.mp3" length="47981123" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/q3m4sxecy6ux5iv574rsl5hu4ckb?.jpg" />
    <itunes:author>Fred Raskin</itunes:author>
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    <pubDate>Wed, 30 Mar 2022 09:00:00 -0700</pubDate>
    <itunes:duration>3994</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, tv, entertainment, editor, editing, Suicide Squad, Marvel, DC Comics, comics</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>5</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>The legendary Linda Perry on songwriting, mentoring and her transition to composing for film and TV</itunes:title>
    <title>The legendary Linda Perry on songwriting, mentoring and her transition to composing for film and TV</title>
    <itunes:summary><![CDATA[In this episode, we’re joined by a Songwriter Hall of Fame inductee – artist, producer, composer and all-around powerhouse, Linda Perry. Linda Perry began her journey as the lead singer and songwriter of 4 Non Blondes – penning the band’s hit song “What’s Up?” – before turning her hand to production. As a songwriter-producer, Perry quickly established herself as one of the industry’s heavyweights, shaping the sounds of musicians such as Pink, Christina Aguilera, Gwen Stefani, Alicia Keys, Bri...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re joined by a Songwriter Hall of Fame inductee – artist, producer, composer and all-around powerhouse, Linda Perry.</b></p><p>Linda Perry began her journey as the lead singer and songwriter of 4 Non Blondes – penning the band’s hit song “What’s Up?” – before turning her hand to production.</p><p>As a songwriter-producer, Perry quickly established herself as one of the industry’s heavyweights, shaping the sounds of musicians such as Pink, Christina Aguilera, Gwen Stefani, Alicia Keys, Britney Spears, and Adele and having a resounding influence on the presence of female empowerment in pop culture.</p><p>Headlining the 2021 <a href='http://goviff.org/amp'>VIFF AMP Music in Film Summit</a>, Perry joined creative director and host of the Producer’s Lounge, Jane Aurora, in a keynote conversation. The discussion covers Perry’s extensive music career, creative process, and her recent transition into creating music for film and TV, including composing the soundtracks for both Soleil Moon Frye’s documentary <em>Kid 90,</em> and Don Hardy’s documentary <em>Citizen Penn</em> about Sean Penn’s work in Haiti.<br/><br/>This conversation was recorded on October 8, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re joined by a Songwriter Hall of Fame inductee – artist, producer, composer and all-around powerhouse, Linda Perry.</b></p><p>Linda Perry began her journey as the lead singer and songwriter of 4 Non Blondes – penning the band’s hit song “What’s Up?” – before turning her hand to production.</p><p>As a songwriter-producer, Perry quickly established herself as one of the industry’s heavyweights, shaping the sounds of musicians such as Pink, Christina Aguilera, Gwen Stefani, Alicia Keys, Britney Spears, and Adele and having a resounding influence on the presence of female empowerment in pop culture.</p><p>Headlining the 2021 <a href='http://goviff.org/amp'>VIFF AMP Music in Film Summit</a>, Perry joined creative director and host of the Producer’s Lounge, Jane Aurora, in a keynote conversation. The discussion covers Perry’s extensive music career, creative process, and her recent transition into creating music for film and TV, including composing the soundtracks for both Soleil Moon Frye’s documentary <em>Kid 90,</em> and Don Hardy’s documentary <em>Citizen Penn</em> about Sean Penn’s work in Haiti.<br/><br/>This conversation was recorded on October 8, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/vbzw86uhbu5msaa2j5n7he1974xp?.jpg" />
    <itunes:author>Linda Perry</itunes:author>
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    <pubDate>Wed, 16 Mar 2022 09:00:00 -0700</pubDate>
    <itunes:duration>4124</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, composer, music, film score, linda perry, music, producer, songwriting, singer</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>4</itunes:episode>
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  <item>
    <itunes:title>&#39;My Name is Pauli Murray&#39; Co-Director Julie Cohen on preserving the legacy of the LGBTQ and civil rights activist</itunes:title>
    <title>&#39;My Name is Pauli Murray&#39; Co-Director Julie Cohen on preserving the legacy of the LGBTQ and civil rights activist</title>
    <itunes:summary><![CDATA[In this episode, we’re throwing it back to a creator talk from the 2021 Festival, with one of the filmmakers behind the documentary My Name is Pauli Murray.  Co-directors Julie Cohen and Betsy West received an Academy Award nomination for their documentary RBG, on the life and career of late Supreme Court Justice Ruth Bader Ginsburg. It was from RBG that they first learned about their next subject – the late Pauli Murray – a non-binary Black lawyer, priest, poet, and LGBTQ and civil righ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re throwing it back to a creator talk from the 2021 Festival, with one of the filmmakers behind the documentary </b><b><em>My Name is Pauli Murray.</em></b><b> </b></p><p>Co-directors Julie Cohen and Betsy West received an Academy Award nomination for their documentary <em>RBG</em>, on the life and career of late Supreme Court Justice Ruth Bader Ginsburg. It was from RBG that they first learned about their next subject – the late Pauli Murray – a non-binary Black lawyer, priest, poet, and LGBTQ and civil rights activist who was instrumental in shaping landmark litigation—and consciousness—around race and gender equity.</p><p>Speaking to Canadian writer/director Kevin Eastwood, Cohen details the daunting process of unpacking Murray’s life and work via hundreds of documents and audio recordings; and, ultimately, how they gave shape to the multifaceted identity of this civil rights and women’s movement trailblazer in a way that’s accessible for a contemporary audience.<br/><br/>This conversation was recorded on October 7, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re throwing it back to a creator talk from the 2021 Festival, with one of the filmmakers behind the documentary </b><b><em>My Name is Pauli Murray.</em></b><b> </b></p><p>Co-directors Julie Cohen and Betsy West received an Academy Award nomination for their documentary <em>RBG</em>, on the life and career of late Supreme Court Justice Ruth Bader Ginsburg. It was from RBG that they first learned about their next subject – the late Pauli Murray – a non-binary Black lawyer, priest, poet, and LGBTQ and civil rights activist who was instrumental in shaping landmark litigation—and consciousness—around race and gender equity.</p><p>Speaking to Canadian writer/director Kevin Eastwood, Cohen details the daunting process of unpacking Murray’s life and work via hundreds of documents and audio recordings; and, ultimately, how they gave shape to the multifaceted identity of this civil rights and women’s movement trailblazer in a way that’s accessible for a contemporary audience.<br/><br/>This conversation was recorded on October 7, 2021.<b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/90u4xexl4cd333jfvrckg00svbk3?.jpg" />
    <itunes:author>Julie Cohen</itunes:author>
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    <pubDate>Wed, 02 Mar 2022 12:00:00 -0800</pubDate>
    <itunes:duration>2937</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, documentary, director, social justice, LGBTQ, RBG, activism, civil rights, women</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>3</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>&#39;Shiva Baby&#39; Writer/Director Emma Seligman on the organised chaos of indie film making</itunes:title>
    <title>&#39;Shiva Baby&#39; Writer/Director Emma Seligman on the organised chaos of indie film making</title>
    <itunes:summary><![CDATA[In this episode, we’re revisiting a conversation with Canadian writer-director Emma Seligman, about her debut feature – the darkly comic, utterly chaotic coming-of-age story, Shiva Baby. Based on Seligman’s 2018 South By Southwest eight-minute short, Shiva Baby finds twenty-something Danielle (played by Rachel Sennott), dutifully attending a shiva for a family friend, where she spends her time lurching from one potentially catastrophic encounter to another, navigating spilled drinks, wailing ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re revisiting a conversation with Canadian writer-director Emma Seligman, about her debut feature – the darkly comic, utterly chaotic coming-of-age story, </b><b><em>Shiva Baby</em></b><b>.</b></p><p>Based on Seligman’s 2018 South By Southwest eight-minute short, <em>Shiva Baby</em> finds twenty-something Danielle (played by Rachel Sennott), dutifully attending a shiva for a family friend, where she spends her time lurching from one potentially catastrophic encounter to another, navigating spilled drinks, wailing babies, an embittered ex-girlfriend, and the appearance of her sugar daddy. </p><p>Speaking to VIFF’s Associate Director of Programming, Curtis Woloschuk as part of our year-round virtual Indie Spirits series, Emma gives a behind-the-scenes look at the making of the claustrophobic comedy.</p><p>This conversation was recorded on April 12, 2021. <br/><br/></p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re revisiting a conversation with Canadian writer-director Emma Seligman, about her debut feature – the darkly comic, utterly chaotic coming-of-age story, </b><b><em>Shiva Baby</em></b><b>.</b></p><p>Based on Seligman’s 2018 South By Southwest eight-minute short, <em>Shiva Baby</em> finds twenty-something Danielle (played by Rachel Sennott), dutifully attending a shiva for a family friend, where she spends her time lurching from one potentially catastrophic encounter to another, navigating spilled drinks, wailing babies, an embittered ex-girlfriend, and the appearance of her sugar daddy. </p><p>Speaking to VIFF’s Associate Director of Programming, Curtis Woloschuk as part of our year-round virtual Indie Spirits series, Emma gives a behind-the-scenes look at the making of the claustrophobic comedy.</p><p>This conversation was recorded on April 12, 2021. <br/><br/></p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/npak811t3pci9cdhuh4qd5wghh1a?.jpg" />
    <itunes:author>Emma Seligman</itunes:author>
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    <pubDate>Wed, 16 Feb 2022 09:00:00 -0800</pubDate>
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    <itunes:duration>3386</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, entertainment, director, comedy, jewish, indie film, indie filmmaking, independent film, Canadian film</itunes:keywords>
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  <item>
    <itunes:title>‘Flee’ Director Jonas Poher Rasmussen on animating memory</itunes:title>
    <title>‘Flee’ Director Jonas Poher Rasmussen on animating memory</title>
    <itunes:summary><![CDATA[In this VIFF podcast episode, we’re featuring a special talk from the 2021 Vancouver International Film Festival with Jonas Poher Rasmussen, the writer &amp; director behind the Sundance Grand Jury Prize-winning film, Flee. Blurring the line between documentary and narrative filmmaking styles, Flee tells the personal story of pseudonymous Amin Nawabi (a longtime friend of Rasmussen’s) and his harrowing journey as a child refugee from Afghanistan. Using a blend of animation and archival footag...]]></itunes:summary>
    <description><![CDATA[<p><b>In this VIFF podcast episode, we’re featuring a special talk from the 2021 Vancouver International Film Festival with Jonas Poher Rasmussen, the writer &amp; director behind the Sundance Grand Jury Prize-winning film, </b><b><em>Flee</em></b><b>.</b></p><p>Blurring the line between documentary and narrative filmmaking styles, <em>Flee</em> tells the personal story of pseudonymous Amin Nawabi (a longtime friend of Rasmussen’s) and his harrowing journey as a child refugee from Afghanistan.</p><p>Using a blend of animation and archival footage as both an aesthetic choice and an ethical necessity (to hide Amin’s true identity), the film is an illuminating and heartrending true story about the importance of personal freedom in all its meanings.</p><p>Speaking to Brishkay Ahmed, writer/director of <em>In the Rumbling Belly of Motherland, </em>Rasmussen discusses how he employed a technique he learned when working in radio to elicit descriptive memories from Amin, his unique editing process and how Riz Ahmed came on board as a co–executive producer.</p><p><br/>This conversation was recorded on October 6, 2021. <b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this VIFF podcast episode, we’re featuring a special talk from the 2021 Vancouver International Film Festival with Jonas Poher Rasmussen, the writer &amp; director behind the Sundance Grand Jury Prize-winning film, </b><b><em>Flee</em></b><b>.</b></p><p>Blurring the line between documentary and narrative filmmaking styles, <em>Flee</em> tells the personal story of pseudonymous Amin Nawabi (a longtime friend of Rasmussen’s) and his harrowing journey as a child refugee from Afghanistan.</p><p>Using a blend of animation and archival footage as both an aesthetic choice and an ethical necessity (to hide Amin’s true identity), the film is an illuminating and heartrending true story about the importance of personal freedom in all its meanings.</p><p>Speaking to Brishkay Ahmed, writer/director of <em>In the Rumbling Belly of Motherland, </em>Rasmussen discusses how he employed a technique he learned when working in radio to elicit descriptive memories from Amin, his unique editing process and how Riz Ahmed came on board as a co–executive producer.</p><p><br/>This conversation was recorded on October 6, 2021. <b><br/><br/></b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/8makmcrlhuw6ve763pnj5z6lsm8m?.jpg" />
    <itunes:author>Jonas Poher Rasmussen</itunes:author>
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    <pubDate>Wed, 02 Feb 2022 09:00:00 -0800</pubDate>
    <podcast:soundbite startTime="257.0" duration="52.0" />
    <itunes:duration>3157</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, documentary, director, animation, refugee, Afghanistan </itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>2</itunes:episode>
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  <item>
    <itunes:title>‘Dune’ Production Designer Patrice Vermette on creating epic sci-fi universes</itunes:title>
    <title>‘Dune’ Production Designer Patrice Vermette on creating epic sci-fi universes</title>
    <itunes:summary><![CDATA[This week on the VIFF podcast, we’re featuring a conversation from our year-round virtual Creator Talk series with Dune Production Designer, Patrice Vermette  When it comes to making movies, it’s a production designer’s job to transport audiences to a different world. But in the case of Denis Villeneuve’s epic sci-fi film Dune, that also involved creating entire planets.  To pull off the godlike feat, Villeneuve teamed with frequent collaborator and fellow Canadian Patrice Vermette, a two-tim...]]></itunes:summary>
    <description><![CDATA[<p><b>This week on the VIFF podcast, we’re featuring a conversation from our year-round virtual Creator Talk series with </b><b><em>Dune</em></b><b> Production Designer, Patrice Vermette<br/><br/></b>When it comes to making movies, it’s a production designer’s job to transport audiences to a different world. But in the case of Denis Villeneuve’s epic sci-fi film <em>Dune</em>, that also involved creating entire planets.<br/><br/>To pull off the godlike feat, Villeneuve teamed with frequent collaborator and fellow Canadian Patrice Vermette, a two-time Oscar-nominee who has dreamed up the sets for films such as <em>Arrival</em>, <em>Sicario</em>, and <em>The Young Victoria</em>.<br/><br/>Speaking to production designer, David Brisbin, Patrice shares his process and expertise in creating the incredibly detailed sets and immersive environments for Warner Bros. and Legendary Pictures’ adaptation of Frank Herbert’s seminal bestseller, <em>Dune</em>.<br/><br/>Recorded<b> </b>November 20, 2021.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>This week on the VIFF podcast, we’re featuring a conversation from our year-round virtual Creator Talk series with </b><b><em>Dune</em></b><b> Production Designer, Patrice Vermette<br/><br/></b>When it comes to making movies, it’s a production designer’s job to transport audiences to a different world. But in the case of Denis Villeneuve’s epic sci-fi film <em>Dune</em>, that also involved creating entire planets.<br/><br/>To pull off the godlike feat, Villeneuve teamed with frequent collaborator and fellow Canadian Patrice Vermette, a two-time Oscar-nominee who has dreamed up the sets for films such as <em>Arrival</em>, <em>Sicario</em>, and <em>The Young Victoria</em>.<br/><br/>Speaking to production designer, David Brisbin, Patrice shares his process and expertise in creating the incredibly detailed sets and immersive environments for Warner Bros. and Legendary Pictures’ adaptation of Frank Herbert’s seminal bestseller, <em>Dune</em>.<br/><br/>Recorded<b> </b>November 20, 2021.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. <a href='http://goviff.org/yr-all-films'>See what&apos;s playing now.</a></p><p>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Patrice Vermette</itunes:author>
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    <pubDate>Wed, 19 Jan 2022 09:00:00 -0800</pubDate>
    <itunes:duration>4136</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, entertainment, Dune, sci-fi, production design, Denis Villeneuve</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episode>1</itunes:episode>
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    <itunes:title>Returning January 19, 2022</itunes:title>
    <title>Returning January 19, 2022</title>
    <itunes:summary><![CDATA[Hello! And welcome to the VIFF Podcast – a place to revisit some of our favourite conversations recorded at the Vancouver International Film Festival and year-round. We’re back with another season of in-depth interviews with some of the film industry’s most exciting creators including the Production Designer for sci-fi epic, Dune , Patrice Vermette; Editor of The Suicide Squad, Fred Raskin; The Green Knight Production Designer, Jade Healy; House of Gucci cinematographer, Dariusz Wolski, and m...]]></itunes:summary>
    <description><![CDATA[<p><b>Hello! And welcome to the VIFF Podcast – a place to revisit some of our favourite conversations recorded at the Vancouver International Film Festival and year-round.</b></p><p>We’re back with another season of in-depth interviews with some of the film industry’s most exciting creators including the Production Designer for sci-fi epic, <em>Dune</em> , Patrice Vermette; Editor of <em>The Suicide Squad, </em>Fred Raskin; <em>The Green Knight</em> Production Designer, Jade Healy; <em>House of Gucci</em> cinematographer, Dariusz Wolski, and many more!</p><p>We’ll be kicking things off on January 19th, 2022, with new episodes every two weeks. So hit subscribe in your favourite podcast app to get each one as it drops. </p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p><br/>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>Hello! And welcome to the VIFF Podcast – a place to revisit some of our favourite conversations recorded at the Vancouver International Film Festival and year-round.</b></p><p>We’re back with another season of in-depth interviews with some of the film industry’s most exciting creators including the Production Designer for sci-fi epic, <em>Dune</em> , Patrice Vermette; Editor of <em>The Suicide Squad, </em>Fred Raskin; <em>The Green Knight</em> Production Designer, Jade Healy; <em>House of Gucci</em> cinematographer, Dariusz Wolski, and many more!</p><p>We’ll be kicking things off on January 19th, 2022, with new episodes every two weeks. So hit subscribe in your favourite podcast app to get each one as it drops. </p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p><br/>As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author></itunes:author>
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    <pubDate>Wed, 12 Jan 2022 09:00:00 -0800</pubDate>
    <itunes:duration>53</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, tv, entertainment, director</itunes:keywords>
    <itunes:season>3</itunes:season>
    <itunes:episodeType>trailer</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Mark Friedberg on creating the cinematic worlds of The Ice Storm, The Life Aquatic with Steve Zissou and The Underground Railroad</itunes:title>
    <title>Mark Friedberg on creating the cinematic worlds of The Ice Storm, The Life Aquatic with Steve Zissou and The Underground Railroad</title>
    <itunes:summary><![CDATA[In this episode, Emmy Award-winning production designer Mark Friedberg dives into the process behind creating the iconic cinematic worlds of films such as The Ice Storm, Joker, If Beale Street Could Talk, Selma and Barry Jenkins' limited series adaptation of Colson Whitehead’s Pulitzer Prize-winning novel for Amazon Studios, The Underground Railroad. Speaking to writer and film critic Nathalie Atkinson at VIFF 2020, Friedberg discusses collaborating with a long list of beloved directors inclu...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, Emmy Award-winning production designer Mark Friedberg dives into the process behind creating the iconic cinematic worlds of films such as </b><b><em>The Ice Storm, Joker, If Beale Street Could Talk, Selma </em></b><b>and Barry Jenkins&apos; limited series adaptation of Colson Whitehead’s Pulitzer Prize-winning novel for Amazon Studios, </b><b><em>The Underground Railroad</em></b><b>.</b></p><p>Speaking to writer and film critic Nathalie Atkinson at VIFF 2020, Friedberg discusses collaborating with a long list of beloved directors including Ang Lee, Wes Anderson, Barry Jenkins, Ava DuVernay and Todd Haynes.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks, including conversations with <a href='http://goviff.org/ct-railroad'><em>The Underground Railroad </em>and <em>Moonlight </em>editor, Joi McMillon</a> and director of <a href=' http://goviff.org/ct-wandavision'><em>WandaVision, </em>Matt Shakman</a>.<em> </em> Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, Emmy Award-winning production designer Mark Friedberg dives into the process behind creating the iconic cinematic worlds of films such as </b><b><em>The Ice Storm, Joker, If Beale Street Could Talk, Selma </em></b><b>and Barry Jenkins&apos; limited series adaptation of Colson Whitehead’s Pulitzer Prize-winning novel for Amazon Studios, </b><b><em>The Underground Railroad</em></b><b>.</b></p><p>Speaking to writer and film critic Nathalie Atkinson at VIFF 2020, Friedberg discusses collaborating with a long list of beloved directors including Ang Lee, Wes Anderson, Barry Jenkins, Ava DuVernay and Todd Haynes.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks, including conversations with <a href='http://goviff.org/ct-railroad'><em>The Underground Railroad </em>and <em>Moonlight </em>editor, Joi McMillon</a> and director of <a href=' http://goviff.org/ct-wandavision'><em>WandaVision, </em>Matt Shakman</a>.<em> </em> Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/8495565-mark-friedberg-on-creating-the-cinematic-worlds-of-the-ice-storm-the-life-aquatic-with-steve-zissou-and-the-underground-railroad.mp3" length="58205285" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/4hggvg8398ztmo3fqwz22p7dy0jc?.jpg" />
    <itunes:author>Mark Friedberg</itunes:author>
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    <pubDate>Wed, 12 May 2021 09:00:00 -0700</pubDate>
    <podcast:soundbite startTime="2494.833" duration="41.5" />
    <itunes:duration>4847</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, entertainment, production design</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>8</itunes:episode>
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  <item>
    <itunes:title>Joel Bakan and Jennifer Abbott on calling corporate social responsibility’s bluff in &#39;The New Corporation: The Unfortunately Necessary Sequel&#39;</itunes:title>
    <title>Joel Bakan and Jennifer Abbott on calling corporate social responsibility’s bluff in &#39;The New Corporation: The Unfortunately Necessary Sequel&#39;</title>
    <itunes:summary><![CDATA[In this episode, Joel Bakan and Jennifer Abbott join us for a conversation to dissect their approach to The Corporation follow-up.  After Mark Akbar and Jennifer Abbott transformed VIFF audiences in 2003 with The Corporation, Bakan and Abbott returned to the 2020 Festival with  The New Corporation: The Unfortunately Necessary Sequel.  Refreshing the corporation’s evolution as a legal "person" to a virtue signalling chameleon, the second film is a comprehensive exploration of po...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, Joel Bakan and Jennifer Abbott join us for a conversation to dissect their approach to </b><b><em>The Corporation</em></b><b> follow-up. </b></p><p>After Mark Akbar and Jennifer Abbott transformed VIFF audiences in 2003 with <em>The Corporation</em>, Bakan and Abbott returned to the 2020 Festival with  <em>The New Corporation:</em> <em>The Unfortunately Necessary Sequel.</em> </p><p>Refreshing the corporation’s evolution as a legal &quot;person&quot; to a virtue signalling chameleon, the second film is a comprehensive exploration of power and hypocrisy in the face of a growing resistance. </p><p>Speaking to NDP Candidate and lawyer Niki Sharma, Bakan and Abbott take the conversation beyond the screen, expanding on why, seventeen years on, the urgency for an update was essential.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, Joel Bakan and Jennifer Abbott join us for a conversation to dissect their approach to </b><b><em>The Corporation</em></b><b> follow-up. </b></p><p>After Mark Akbar and Jennifer Abbott transformed VIFF audiences in 2003 with <em>The Corporation</em>, Bakan and Abbott returned to the 2020 Festival with  <em>The New Corporation:</em> <em>The Unfortunately Necessary Sequel.</em> </p><p>Refreshing the corporation’s evolution as a legal &quot;person&quot; to a virtue signalling chameleon, the second film is a comprehensive exploration of power and hypocrisy in the face of a growing resistance. </p><p>Speaking to NDP Candidate and lawyer Niki Sharma, Bakan and Abbott take the conversation beyond the screen, expanding on why, seventeen years on, the urgency for an update was essential.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/8392690-joel-bakan-and-jennifer-abbott-on-calling-corporate-social-responsibility-s-bluff-in-the-new-corporation-the-unfortunately-necessary-sequel.mp3" length="49370731" type="audio/mpeg" />
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    <itunes:author>Joel Bakan and Jennifer Abbott</itunes:author>
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    <pubDate>Wed, 28 Apr 2021 09:00:00 -0700</pubDate>
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    <itunes:duration>4111</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, documentary, director, social justice</itunes:keywords>
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  <item>
    <itunes:title>Terence Blanchard on scoring ‘Da 5 Bloods’ and ongoing collaborations with Spike Lee</itunes:title>
    <title>Terence Blanchard on scoring ‘Da 5 Bloods’ and ongoing collaborations with Spike Lee</title>
    <itunes:summary><![CDATA[In this episode, we’re joined by one of the most iconic musical voices in the world.  From his start in 1980 as trumpeter with the Lionel Hampton Orchestra to his collaboration with Spike Lee on Da 5 Bloods (for which he received an Oscar nomination for Best Original Score), Terence Blanchard has been an idol in the worlds of jazz, theatre, film and television.  Headlining the 2020 VIFF AMP Music in Film Summit, Terence joined Variety journalist and editor Jazz Tangcay in a keynote ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re joined by one of the most iconic musical voices in the world. </b></p><p>From his start in 1980 as trumpeter with the Lionel Hampton Orchestra to his collaboration with Spike Lee on <em>Da 5 Bloods </em>(for which he received an Oscar nomination for Best Original Score), Terence Blanchard has been an idol in the worlds of jazz, theatre, film and television. </p><p>Headlining the 2020 VIFF AMP Music in Film Summit, Terence joined Variety journalist and editor Jazz Tangcay in a keynote event. </p><p>He talked about growing up in the New Orleans jazz scene, how he found his path to becoming a film composer on Spike Lee’s <em>School Daze, </em>dissecting the score to BlacKkKlansman and why writing for film requires you to “put your ego aside”. <br/><br/>VIFF AMP is a Music in Film Summit dedicated to inspiring emerging composers and music supervisors. The annual summit features a powerhouse lineup of world-class creative experts and decision-makers from the music and film/TV industry.<br/><a href='https://viff.activehosted.com/f/16'>Sign up for AMP News</a> to get the latest announcements.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re joined by one of the most iconic musical voices in the world. </b></p><p>From his start in 1980 as trumpeter with the Lionel Hampton Orchestra to his collaboration with Spike Lee on <em>Da 5 Bloods </em>(for which he received an Oscar nomination for Best Original Score), Terence Blanchard has been an idol in the worlds of jazz, theatre, film and television. </p><p>Headlining the 2020 VIFF AMP Music in Film Summit, Terence joined Variety journalist and editor Jazz Tangcay in a keynote event. </p><p>He talked about growing up in the New Orleans jazz scene, how he found his path to becoming a film composer on Spike Lee’s <em>School Daze, </em>dissecting the score to BlacKkKlansman and why writing for film requires you to “put your ego aside”. <br/><br/>VIFF AMP is a Music in Film Summit dedicated to inspiring emerging composers and music supervisors. The annual summit features a powerhouse lineup of world-class creative experts and decision-makers from the music and film/TV industry.<br/><a href='https://viff.activehosted.com/f/16'>Sign up for AMP News</a> to get the latest announcements.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/8305421-terence-blanchard-on-scoring-da-5-bloods-and-ongoing-collaborations-with-spike-lee.mp3" length="49012832" type="audio/mpeg" />
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    <itunes:author>Terence Blanchard</itunes:author>
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    <pubDate>Wed, 14 Apr 2021 15:00:00 -0700</pubDate>
    <podcast:soundbite startTime="747.833" duration="44.0" />
    <itunes:duration>4081</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, composer, music, film score, terence blanchard, spike lee, music, jazz</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>6</itunes:episode>
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    <itunes:title>Charlie Kaufman on adapting &#39;I’m Thinking of Ending Things&#39; for the screen</itunes:title>
    <title>Charlie Kaufman on adapting &#39;I’m Thinking of Ending Things&#39; for the screen</title>
    <itunes:summary><![CDATA[In this episode, we’re joined by Academy Award-winning screenwriter Charlie Kaufman who shares insights into his Netflix adaptation of Iain Reid’s novel I’m Thinking of Ending Things – a tightly wound metaphysical thriller that tackles our assumptions about identity and relationships in Kaufman’s signature surrealistic style.  Speaking with VIFF’s Associate Director of Programming, Curtis Woloschuk at the 2020 Festival, Kaufman discusses why he was drawn to adapting Reid’s novel for the ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re joined by Academy Award-winning screenwriter Charlie Kaufman who shares insights into his Netflix adaptation of Iain Reid’s novel </b><b><em>I’m Thinking of Ending Things</em></b><b> – a tightly wound metaphysical thriller that tackles our assumptions about identity and relationships in Kaufman’s signature surrealistic style. </b></p><p>Speaking with VIFF’s Associate Director of Programming, Curtis Woloschuk at the 2020 Festival, Kaufman discusses why he was drawn to adapting Reid’s novel for the screen, the challenges of filming the long driving scenes and how his work leaves a lot open for viewer interpretation.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re joined by Academy Award-winning screenwriter Charlie Kaufman who shares insights into his Netflix adaptation of Iain Reid’s novel </b><b><em>I’m Thinking of Ending Things</em></b><b> – a tightly wound metaphysical thriller that tackles our assumptions about identity and relationships in Kaufman’s signature surrealistic style. </b></p><p>Speaking with VIFF’s Associate Director of Programming, Curtis Woloschuk at the 2020 Festival, Kaufman discusses why he was drawn to adapting Reid’s novel for the screen, the challenges of filming the long driving scenes and how his work leaves a lot open for viewer interpretation.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/yqcq7i0li00audef1rz3hlqwgnou?.jpg" />
    <itunes:author>Charlie Kaufman</itunes:author>
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    <pubDate>Wed, 31 Mar 2021 08:00:00 -0700</pubDate>
    <podcast:soundbite startTime="806.817" duration="27.5" />
    <itunes:duration>2281</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, entertainment, director, netflix, book, novel</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>5</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Eliza Hittman, Kris Rey and Amy Seimetz on employing both vision and resourcefulness in independent filmmaking</itunes:title>
    <title>Eliza Hittman, Kris Rey and Amy Seimetz on employing both vision and resourcefulness in independent filmmaking</title>
    <itunes:summary><![CDATA[In this episode, filmmakers Eliza Hittman, Director of Never Rarely, Sometimes Always, Kris Rey, Director of I Used To Go Here and Amy Seimetz, Director of She Dies Tomorrow, discuss how they navigated the disrupted 2020 festival-circuit to ensure their stories were brought to life – earning them multiple awards and rave reviews along the way. This conversation is hosted by VIFF’s Associate Director of Programming, Curtis Woloschuk and was recorded at the Festival’s 2020 Totally Indie Day – a...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, filmmakers Eliza Hittman, Director of </b><b><em>Never Rarely, Sometimes Always</em></b><b>, Kris Rey, Director of </b><b><em>I Used To Go Here</em></b><b> and Amy Seimetz, Director of </b><b><em>She Dies Tomorrow</em></b><b>, discuss how they navigated the disrupted 2020 festival-circuit to ensure their stories were brought to life – earning them multiple awards and rave reviews along the way.</b></p><p>This conversation is hosted by VIFF’s Associate Director of Programming, Curtis Woloschuk and was recorded at the Festival’s 2020 Totally Indie Day – a gathering space for emerging filmmakers and independent creators to share stories, gain insights, and learn more about the art and business of cinema. <br/><br/>We&apos;ve expanded our Totally Indie programming into year-round with a series of Indie Spirit talks to celebrate bold independent filmmaking. Detailing how influential directors guide their ambitious projects from the page to the screen, these sessions offer the next generation of storytellers insights into how to employ both vision and resourcefulness.<br/><br/>Register for the online Indie Spirits talks with documentarians Lance Oppenheim (<em>Some Kind of Heaven) </em>and Elizabeth Lo (<em>Stray</em>) on March 30, 6pm PST and with director Emma Seligman (<em>Shiva Baby</em>) on April 12 <a href='http://goviff.org/year-round-talks'>goviff.org/year-round-talks</a></p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, filmmakers Eliza Hittman, Director of </b><b><em>Never Rarely, Sometimes Always</em></b><b>, Kris Rey, Director of </b><b><em>I Used To Go Here</em></b><b> and Amy Seimetz, Director of </b><b><em>She Dies Tomorrow</em></b><b>, discuss how they navigated the disrupted 2020 festival-circuit to ensure their stories were brought to life – earning them multiple awards and rave reviews along the way.</b></p><p>This conversation is hosted by VIFF’s Associate Director of Programming, Curtis Woloschuk and was recorded at the Festival’s 2020 Totally Indie Day – a gathering space for emerging filmmakers and independent creators to share stories, gain insights, and learn more about the art and business of cinema. <br/><br/>We&apos;ve expanded our Totally Indie programming into year-round with a series of Indie Spirit talks to celebrate bold independent filmmaking. Detailing how influential directors guide their ambitious projects from the page to the screen, these sessions offer the next generation of storytellers insights into how to employ both vision and resourcefulness.<br/><br/>Register for the online Indie Spirits talks with documentarians Lance Oppenheim (<em>Some Kind of Heaven) </em>and Elizabeth Lo (<em>Stray</em>) on March 30, 6pm PST and with director Emma Seligman (<em>Shiva Baby</em>) on April 12 <a href='http://goviff.org/year-round-talks'>goviff.org/year-round-talks</a></p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org/year-round-talks'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/xp4hz7fjy4lurt97r8iy5pzm2ftw?.jpg" />
    <itunes:author>Eliza Hittman, Kris Rey and Amy Seimetz</itunes:author>
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    <pubDate>Wed, 17 Mar 2021 08:00:00 -0700</pubDate>
    <podcast:soundbite startTime="3359.0" duration="40.0" />
    <itunes:duration>3846</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, tv, entertainment, director</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>4</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Tony McNamara and Alena Smith on creating satirical comedies – &#39;The Great&#39; and &#39;Dickinson&#39;</itunes:title>
    <title>Tony McNamara and Alena Smith on creating satirical comedies – &#39;The Great&#39; and &#39;Dickinson&#39;</title>
    <itunes:summary><![CDATA[In this episode, we’re joined by the creators behind two of the most audaciously funny series of the last year.  Tony McNamara is the creator of the Emmy-nominated The Great, a genre-bending, anti-historical ride through 18th-century Russia – following the wildly comedic rise of Catherine the Nothing to Catherine the Great. Tony is joined by Peabody Award-winning Alena Smith, creator of Dickinson – a coming of age story featuring Hailee Steinfeld that takes place during Emily Dickinson's...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we’re joined by the creators behind two of the most audaciously funny series of the last year. </b></p><p>Tony McNamara is the creator of the Emmy-nominated <em>The Great</em>, a genre-bending, anti-historical ride through 18th-century Russia – following the wildly comedic rise of Catherine the Nothing to Catherine the Great.</p><p>Tony is joined by Peabody Award-winning Alena Smith, creator of Dickinson – a coming of age story featuring Hailee Steinfeld that takes place during Emily Dickinson&apos;s era with a modern sensibility and tone.</p><p>In this talk recorded at VIFF 2020, Tony and Alena chat with host Noelle Carbone (Executive Producer, Coroner)<b> </b>about crafting comedic language through the ages and why period pieces are no longer just about petticoats and pretentiousness. <br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we’re joined by the creators behind two of the most audaciously funny series of the last year. </b></p><p>Tony McNamara is the creator of the Emmy-nominated <em>The Great</em>, a genre-bending, anti-historical ride through 18th-century Russia – following the wildly comedic rise of Catherine the Nothing to Catherine the Great.</p><p>Tony is joined by Peabody Award-winning Alena Smith, creator of Dickinson – a coming of age story featuring Hailee Steinfeld that takes place during Emily Dickinson&apos;s era with a modern sensibility and tone.</p><p>In this talk recorded at VIFF 2020, Tony and Alena chat with host Noelle Carbone (Executive Producer, Coroner)<b> </b>about crafting comedic language through the ages and why period pieces are no longer just about petticoats and pretentiousness. <br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Keep an eye out for upcoming events at <a href='http://goviff.org'>goviff.org</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><br/></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/8032215-tony-mcnamara-and-alena-smith-on-creating-satirical-comedies-the-great-and-dickinson.mp3" length="53749999" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/xjzlojrdlz35oj8ktfv1uqx8rauf?.jpg" />
    <itunes:author>Tony McNamara and Alena Smith</itunes:author>
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    <pubDate>Wed, 03 Mar 2021 10:00:00 -0800</pubDate>
    <podcast:soundbite startTime="1709.333" duration="34.0" />
    <itunes:duration>4475</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, comedy, tv, entertainment, Apple, funny, writer, Amazon Prime, period drama, Emily Dickinson</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>3</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Bill Lawrence on &#39;Ted Lasso&#39; and the need for heart in comedy</itunes:title>
    <title>Bill Lawrence on &#39;Ted Lasso&#39; and the need for heart in comedy</title>
    <itunes:summary><![CDATA[In this episode, we revisit a conversation with Bill Lawrence – the creator behind hit sitcoms Scrubs, Cougar Town, Spin City, and the animated series Clone High.  Joining us online as part of our 2020 virtual Creator Talk series, Bill shared a behind the scenes look at his latest big-hearted comedy Ted Lasso.  The Apple TV+ show finds Jason Sudeikis recruited to manage an English Premiere League soccer team, despite having no experience in the role (or even a clear concept of the s...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we revisit a conversation with Bill Lawrence – the creator behind hit sitcoms </b><b><em>Scrubs, Cougar Town, Spin City</em></b><b>, and the animated series </b><b><em>Clone High</em></b><b>. </b></p><p>Joining us online as part of our 2020 virtual Creator Talk series, Bill shared a behind the scenes look at his latest big-hearted comedy <em>Ted Lasso. </em></p><p>The Apple TV+ show<em> </em>finds Jason Sudeikis recruited to manage an English Premiere League soccer team, despite having no experience in the role (or even a clear concept of the sport). The series, which proves that comedy and sincerity can be potent strike partners, has garnered a lot of awards season buzz, with nominations across SAG, Golden Globes, Critics Choice, Writers Guild Awards and more.</p><p>Speaking to <em>Warrior Nun</em> Creator Simon Barry, Bill discusses mixing sensibilities in the writers’ room, and why some of the best comedies are the ones with a little bit of heart.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Register now for our Creator Talk with the veteran writers of <em>Bob&apos;s Burgers</em> and creators of the new animated sitcom, <em>The Great North, </em>Wendy Molyneux and Lizzie Molyneux-Logelin. Happening February 23, 6PM PST. Tickets: <a href='https://t.co/vtWubwVrj2?amp=1'>http://goviff.org/ct-the-great-north</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we revisit a conversation with Bill Lawrence – the creator behind hit sitcoms </b><b><em>Scrubs, Cougar Town, Spin City</em></b><b>, and the animated series </b><b><em>Clone High</em></b><b>. </b></p><p>Joining us online as part of our 2020 virtual Creator Talk series, Bill shared a behind the scenes look at his latest big-hearted comedy <em>Ted Lasso. </em></p><p>The Apple TV+ show<em> </em>finds Jason Sudeikis recruited to manage an English Premiere League soccer team, despite having no experience in the role (or even a clear concept of the sport). The series, which proves that comedy and sincerity can be potent strike partners, has garnered a lot of awards season buzz, with nominations across SAG, Golden Globes, Critics Choice, Writers Guild Awards and more.</p><p>Speaking to <em>Warrior Nun</em> Creator Simon Barry, Bill discusses mixing sensibilities in the writers’ room, and why some of the best comedies are the ones with a little bit of heart.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>We&apos;ve taken our VIFF Talks online with a series of virtual events lined up over the coming weeks. Register now for our Creator Talk with the veteran writers of <em>Bob&apos;s Burgers</em> and creators of the new animated sitcom, <em>The Great North, </em>Wendy Molyneux and Lizzie Molyneux-Logelin. Happening February 23, 6PM PST. Tickets: <a href='https://t.co/vtWubwVrj2?amp=1'>http://goviff.org/ct-the-great-north</a><br/><br/>VIFF is also running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Bill Lawrence</itunes:author>
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    <pubDate>Tue, 16 Feb 2021 21:00:00 -0800</pubDate>
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    <itunes:duration>4289</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, comedy, tv, ted lasso, sitcom, entertainment, Apple, Scrubs, Cougar Town, Spin City, funny, writer</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>2</itunes:episode>
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  <item>
    <itunes:title>Tracey Deer on Oka, the Legacy 30 Years On</itunes:title>
    <title>Tracey Deer on Oka, the Legacy 30 Years On</title>
    <itunes:summary><![CDATA[In this episode, filmmakers Tracey Deer and Jules Koostachin discuss the legacy of resistance.  Tracey’s powerful feature debut Beans is inspired by her own coming of age as a Mohawk girl in Kahnawake during the 1990 Oka Crisis – the turbulent 78-day standoff between the Mohawks, the Quebec provincial police, and the Canadian military. This conversation was recorded at VIFF 2020, on the day that marked 30-years since the end of the Oka Crisis. Together, Tracey and Jules explore that pivo...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, filmmakers Tracey Deer and Jules Koostachin discuss the legacy of resistance. </b></p><p>Tracey’s powerful feature debut <em>Beans</em> is inspired by her own coming of age as a Mohawk girl in Kahnawake during the 1990 Oka Crisis – the turbulent 78-day standoff between the Mohawks, the Quebec provincial police, and the Canadian military.</p><p>This conversation was recorded at VIFF 2020, on the day that marked 30-years since the end of the Oka Crisis. Together, Tracey and Jules explore that pivotal moment in Canada’s national history, how it plays out on screen, and how it continues to shape Indigenous land disputes.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>VIFF is currently running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>Available to watch on VIFF Connect from Feb 5 - March 4, 2021 is the <a href='https://viff.org/Online/article/2021-black-history-month'>Black History Month program: <em>Everywhere We Are </em></a><em>– </em>a celebration of the underrepresented stories of global Black resistance, cinema for the movement. Curated by <a href='http://nyalewiswilliams.com'>Nya Lewis</a>. Featuring <em>Queen &amp; Slim, Softie, KENBE LA, Until We Win, Remembering a Revolution, Keyboard Fantasies: The Beverly Glenn-Copeland Story, Nationtime, Poppie Nongena </em>and a &apos;Canadian Resistance&apos; shorts program + <a href='https://www.facebook.com/events/465679167764989/'>free Facebook Live</a> panel discussion with filmmakers Simone Blais (<em>Dance Like Everybody’s Watching</em>) and Kelly Fyffe-Marshall (<em>Marathon</em>).<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, filmmakers Tracey Deer and Jules Koostachin discuss the legacy of resistance. </b></p><p>Tracey’s powerful feature debut <em>Beans</em> is inspired by her own coming of age as a Mohawk girl in Kahnawake during the 1990 Oka Crisis – the turbulent 78-day standoff between the Mohawks, the Quebec provincial police, and the Canadian military.</p><p>This conversation was recorded at VIFF 2020, on the day that marked 30-years since the end of the Oka Crisis. Together, Tracey and Jules explore that pivotal moment in Canada’s national history, how it plays out on screen, and how it continues to shape Indigenous land disputes.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>VIFF is currently running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home.  <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>Available to watch on VIFF Connect from Feb 5 - March 4, 2021 is the <a href='https://viff.org/Online/article/2021-black-history-month'>Black History Month program: <em>Everywhere We Are </em></a><em>– </em>a celebration of the underrepresented stories of global Black resistance, cinema for the movement. Curated by <a href='http://nyalewiswilliams.com'>Nya Lewis</a>. Featuring <em>Queen &amp; Slim, Softie, KENBE LA, Until We Win, Remembering a Revolution, Keyboard Fantasies: The Beverly Glenn-Copeland Story, Nationtime, Poppie Nongena </em>and a &apos;Canadian Resistance&apos; shorts program + <a href='https://www.facebook.com/events/465679167764989/'>free Facebook Live</a> panel discussion with filmmakers Simone Blais (<em>Dance Like Everybody’s Watching</em>) and Kelly Fyffe-Marshall (<em>Marathon</em>).<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Tracey Deer, Jules Koostachin</itunes:author>
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    <pubDate>Wed, 03 Feb 2021 10:00:00 -0800</pubDate>
    <podcast:soundbite startTime="1639.833" duration="45.0" />
    <itunes:duration>3526</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, filmmaker, First Nations, Indigenous, Mohwak, Oka Crisis, Canada, history</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>1</itunes:episode>
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  <item>
    <itunes:title>We&#39;re back!</itunes:title>
    <title>We&#39;re back!</title>
    <itunes:summary><![CDATA[Hello! And welcome to the VIFF Podcast – a place to revisit some of our favourite conversations with filmmakers and storytellers that were recorded at the Vancouver International Film Festival and year-round, as part of our VIFF Talks program. We’re back with another season of in-depth interviews with some of the film industry’s most exciting creators including, I’m Thinking of Ending Things director, Charlie Kaufman, Award-winning Mohawk filmmaker, Tracey Deer, World-renowned jazz musician a...]]></itunes:summary>
    <description><![CDATA[<p>Hello! And welcome to the VIFF Podcast – a place to revisit some of our favourite conversations with filmmakers and storytellers that were recorded at the Vancouver International Film Festival and year-round, as part of our VIFF Talks program.</p><p>We’re back with another season of in-depth interviews with some of the film industry’s most exciting creators including, <em>I’m Thinking of Ending Things</em> director, Charlie Kaufman, Award-winning Mohawk filmmaker, Tracey Deer, World-renowned jazz musician and film composer, Terence Blanchard, <em>Ozark</em> Show-runner and Executive Producer, Chris Mundy... and many more.</p><p>We’ll be kicking things off again on February 3rd, with new episodes every two weeks. So hit subscribe in your favourite podcast app to get each one as it drops. <br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>VIFF is currently running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home. <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>Hello! And welcome to the VIFF Podcast – a place to revisit some of our favourite conversations with filmmakers and storytellers that were recorded at the Vancouver International Film Festival and year-round, as part of our VIFF Talks program.</p><p>We’re back with another season of in-depth interviews with some of the film industry’s most exciting creators including, <em>I’m Thinking of Ending Things</em> director, Charlie Kaufman, Award-winning Mohawk filmmaker, Tracey Deer, World-renowned jazz musician and film composer, Terence Blanchard, <em>Ozark</em> Show-runner and Executive Producer, Chris Mundy... and many more.</p><p>We’ll be kicking things off again on February 3rd, with new episodes every two weeks. So hit subscribe in your favourite podcast app to get each one as it drops. <br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p><p>VIFF is currently running an online cinema on VIFF Connect, showcasing a program of compelling films for you to stream from the comfort of your home. <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Vancouver International Film Festival</itunes:author>
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    <pubDate>Wed, 27 Jan 2021 12:00:00 -0800</pubDate>
    <itunes:duration>50</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>0</itunes:episode>
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    <itunes:title>Alex Gibney on trying to pin down a Russian oligarch in &#39;Citizen K&#39;</itunes:title>
    <title>Alex Gibney on trying to pin down a Russian oligarch in &#39;Citizen K&#39;</title>
    <itunes:summary><![CDATA[In this episode, we present a conversation with Oscar and multiple Emmy award-winning director, Alex Gibney, whose critically acclaimed credits include Taxi to the Dark Side and Going Clear: Scientology and the Prison of Belief. Alex Gibney was hailed as “the most important documentarian of our time” by Esquire Magazine and has a signature cinematic style that lends itself to penetrating, gripping, and deeply insightful documentaries.  He recently joined VIFF Year-Round Programmer, Tom Charit...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we present a conversation with Oscar and multiple Emmy award-winning director, Alex Gibney, whose critically acclaimed credits include </b><b><em>Taxi to the Dark Side </em></b><b>and </b><b><em>Going Clear: Scientology and the Prison of Belief</em></b><b>.</b></p><p>Alex Gibney was hailed as “the most important documentarian of our time” by Esquire Magazine and has a signature cinematic style that lends itself to penetrating, gripping, and deeply insightful documentaries.<br/><br/>He recently joined VIFF Year-Round Programmer, Tom Charity for a Creator Talk to discuss two of his latest projects: <em>Citizen K</em> – a meticulously researched portrait of Putin’s Russia; and <em>The Innocence Files</em>, a Netflix series focused on the work to overturn wrongful convictions in the US.<br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>VIFF 2020 will take place primarily online, September 24 – October 7. Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks. <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we present a conversation with Oscar and multiple Emmy award-winning director, Alex Gibney, whose critically acclaimed credits include </b><b><em>Taxi to the Dark Side </em></b><b>and </b><b><em>Going Clear: Scientology and the Prison of Belief</em></b><b>.</b></p><p>Alex Gibney was hailed as “the most important documentarian of our time” by Esquire Magazine and has a signature cinematic style that lends itself to penetrating, gripping, and deeply insightful documentaries.<br/><br/>He recently joined VIFF Year-Round Programmer, Tom Charity for a Creator Talk to discuss two of his latest projects: <em>Citizen K</em> – a meticulously researched portrait of Putin’s Russia; and <em>The Innocence Files</em>, a Netflix series focused on the work to overturn wrongful convictions in the US.<br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/><br/></em>VIFF 2020 will take place primarily online, September 24 – October 7. Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks. <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Alex Gibney</itunes:author>
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    <pubDate>Wed, 15 Jul 2020 07:00:00 -0700</pubDate>
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    <itunes:duration>3028</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, documentary, politics, journalism, putin, citizen k, netflix</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>8</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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    <itunes:title>Cliff Martinez on scoring &#39;Drive&#39;, &#39;Traffic&#39;, &#39;Spring Breakers&#39; and &#39;The Knick&#39;</itunes:title>
    <title>Cliff Martinez on scoring &#39;Drive&#39;, &#39;Traffic&#39;, &#39;Spring Breakers&#39; and &#39;The Knick&#39;</title>
    <itunes:summary><![CDATA[In this episode, we present a conversation with Cliff Martinez, film composer and regular collaborator of Steven Soderbergh and Nicolas Winding Refn.  Cliff Martinez is widely known for his idiosyncratic and iconic scores for Drive, Traffic, Spring Breakers, and The Knick. He was also inducted into the Rock and Roll Hall of Fame as a drummer for the Red Hot Chili Peppers.  Martinez joined critic AA Dowd on the VIFF AMP stage to chart his dynamic career, talk about his approach to composi...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we present a conversation with Cliff Martinez, film composer and regular collaborator of Steven Soderbergh and Nicolas Winding Refn. </b></p><p>Cliff Martinez is widely known for his idiosyncratic and iconic scores for <em>Drive, Traffic, Spring Breakers, </em>and <em>The Knick.</em> He was also inducted into the Rock and Roll Hall of Fame as a drummer for the Red Hot Chili Peppers.<br/><br/>Martinez joined critic AA Dowd on the VIFF AMP stage to chart his dynamic career, talk about his approach to composition and his long-standing creative partnerships.</p><p>AMP is VIFF&apos;s Music in Film Summit dedicated to inspiring emerging composers and music supervisors. The first round of the VIFF AMP 2020 program drops in July, featuring a powerhouse lineup of world-class creative experts and decision-makers from the music and film/TV industry. <a href='https://viff.activehosted.com/f/16'>Sign up for AMP News</a> to get the latest announcements.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Simon Barry, Creator, Showrunner and Executive Producer of the new Netflix series, <em>Warrior Nun. </em>Tuesday, July 7, 5pm PDT. <a href='http://goviff.org/simon-barry'>Tickets</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks. <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we present a conversation with Cliff Martinez, film composer and regular collaborator of Steven Soderbergh and Nicolas Winding Refn. </b></p><p>Cliff Martinez is widely known for his idiosyncratic and iconic scores for <em>Drive, Traffic, Spring Breakers, </em>and <em>The Knick.</em> He was also inducted into the Rock and Roll Hall of Fame as a drummer for the Red Hot Chili Peppers.<br/><br/>Martinez joined critic AA Dowd on the VIFF AMP stage to chart his dynamic career, talk about his approach to composition and his long-standing creative partnerships.</p><p>AMP is VIFF&apos;s Music in Film Summit dedicated to inspiring emerging composers and music supervisors. The first round of the VIFF AMP 2020 program drops in July, featuring a powerhouse lineup of world-class creative experts and decision-makers from the music and film/TV industry. <a href='https://viff.activehosted.com/f/16'>Sign up for AMP News</a> to get the latest announcements.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Simon Barry, Creator, Showrunner and Executive Producer of the new Netflix series, <em>Warrior Nun. </em>Tuesday, July 7, 5pm PDT. <a href='http://goviff.org/simon-barry'>Tickets</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. <a href='https://viff.org/'>View what&apos;s streaming</a>.<br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF. <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks. <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Cliff Martinez</itunes:author>
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    <pubDate>Wed, 01 Jul 2020 10:00:00 -0700</pubDate>
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    <itunes:duration>2032</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, composer, music, film score, cliff martinez, red hot chilli peppers</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>7</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>true</itunes:explicit>
  </item>
  <item>
    <itunes:title>Rob McElhenney on evolving &#39;It’s Always Sunny&#39; and making &#39;Mythic Quest&#39;</itunes:title>
    <title>Rob McElhenney on evolving &#39;It’s Always Sunny&#39; and making &#39;Mythic Quest&#39;</title>
    <itunes:summary><![CDATA[In this episode, we present a conversation with one of the creative forces behind It's Always Sunny in Philadelphia, Rob McElhenney, who joined us at the Festival to discuss how, 15 years on, a show about a ragtag gang of narcissistic deadbeats continues to push the boundaries of what makes us laugh.   Chatting with writer Tim Goodman, Rob speaks about his unlikely path to success, punching up instead of down, and how he hasn't always got it right, fight milk, interpretive dance routines, and...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we present a conversation with one of the creative forces behind </b><b><em>It&apos;s Always Sunny in Philadelphia, </em></b><b>Rob McElhenney, who joined us at the Festival to discuss how, 15 years on, a show about a ragtag gang of narcissistic deadbeats</b> <b>continues to push the boundaries of what makes us laugh. </b><br/><br/>Chatting with writer Tim Goodman, Rob speaks about his unlikely path to success, punching up instead of down, and how he hasn&apos;t always got it right, fight milk, interpretive dance routines, and subverting the toxic masculinity of the gaming industry in his new Apple TV+ show, <em>Mythic Quest: Raven’s Banquet</em>.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Dahvi Waller, Showrunner &amp; Executive Producer of <em>Mrs. America. </em>Happening Monday, June 29, 5pm PDT. Tickets: <a href='http://goviff.org/liz-tigelaar'>goviff.org/dahvi-waller</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a><br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we present a conversation with one of the creative forces behind </b><b><em>It&apos;s Always Sunny in Philadelphia, </em></b><b>Rob McElhenney, who joined us at the Festival to discuss how, 15 years on, a show about a ragtag gang of narcissistic deadbeats</b> <b>continues to push the boundaries of what makes us laugh. </b><br/><br/>Chatting with writer Tim Goodman, Rob speaks about his unlikely path to success, punching up instead of down, and how he hasn&apos;t always got it right, fight milk, interpretive dance routines, and subverting the toxic masculinity of the gaming industry in his new Apple TV+ show, <em>Mythic Quest: Raven’s Banquet</em>.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Dahvi Waller, Showrunner &amp; Executive Producer of <em>Mrs. America. </em>Happening Monday, June 29, 5pm PDT. Tickets: <a href='http://goviff.org/liz-tigelaar'>goviff.org/dahvi-waller</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a><br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/0cn32gufipswhbmu2gq4cet9sotu?.jpg" />
    <itunes:author>Rob McElhenney</itunes:author>
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    <pubDate>Wed, 17 Jun 2020 07:00:00 -0700</pubDate>
    <itunes:duration>4464</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, television, Always Sunny in Philadelphia, comedy, Mythetic Quest, tv, Rob McElhenney, gaming, Apple TV</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>6</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>true</itunes:explicit>
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  <item>
    <itunes:title>Arianne Phillips on the power of costume in &#39;Once Upon A Time In...Hollywood&#39;</itunes:title>
    <title>Arianne Phillips on the power of costume in &#39;Once Upon A Time In...Hollywood&#39;</title>
    <itunes:summary><![CDATA[In this episode, we present a conversation with Oscar-nominated costume designer, Arianne Phillips who speaks about the ‘twist of fate’ that led her to Quentin Tarantino’s 'Once Upon A Time In...Hollywood', how Sharon Tate's family helped shape Margot Robbie's onscreen look and which items best identified Rick (Leonardo DiCaprio) and Cliff (Brad Pitt).  Known for her cutting-edge designs, and for being Madonna’s stylist, Phillips has had her work recognized with three Oscar nominations— Walk ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we present a conversation with Oscar-nominated costume designer, Arianne Phillips who speaks about the ‘twist of fate’ that led her to Quentin Tarantino’s </b><b><em>&apos;Once Upon A Time In...Hollywood&apos;</em></b><b>, how Sharon Tate&apos;s family helped shape Margot Robbie&apos;s onscreen look and which items best identified Rick (Leonardo DiCaprio) and Cliff (Brad Pitt).<br/><br/></b>Known for her cutting-edge designs, and for being Madonna’s stylist, Phillips has had her work recognized with three Oscar nominations— <em>Walk the Line</em>, <em>W.E</em> and most recently, <em>Once Upon a Time in... Hollywood</em>. Her distinguished costume designing career also includes stylish works like <em>A Single Man</em>, <em>Kingsman: The Secret Service</em>, <em>3:10 to Yuma</em> and the classic <em>Hedwig and the Angry Inch</em>.</p><p>In this talk recorded at the 2019 Vancouver International Film Festival, Phillips discusses her process with culture writer and film critic <b>Nathalie Atkinson, </b>exploring the importance of research; the teamwork and creative collaboration required to pull off a director’s vision; designing costumes for present-day movies vs period pieces; and the use of shapes, colors and textures to make an immediate and powerful visual statement to an audience.<br/><br/><b>Recorded: </b><br/>September 28, 2019<br/><br/>Presented by ACFC West.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Liz Tigeelar, the Showrunner behind Hulu&apos;s <b><em>Little Fires Everywhere</em></b><em> </em>adaptation of Celeste Ng&apos;s bestseller novel. Happening June 18, 5pm PDT. Tickets: <a href='http://goviff.org/liz-tigelaar'>goviff.org/liz-tigelaar</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a><br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we present a conversation with Oscar-nominated costume designer, Arianne Phillips who speaks about the ‘twist of fate’ that led her to Quentin Tarantino’s </b><b><em>&apos;Once Upon A Time In...Hollywood&apos;</em></b><b>, how Sharon Tate&apos;s family helped shape Margot Robbie&apos;s onscreen look and which items best identified Rick (Leonardo DiCaprio) and Cliff (Brad Pitt).<br/><br/></b>Known for her cutting-edge designs, and for being Madonna’s stylist, Phillips has had her work recognized with three Oscar nominations— <em>Walk the Line</em>, <em>W.E</em> and most recently, <em>Once Upon a Time in... Hollywood</em>. Her distinguished costume designing career also includes stylish works like <em>A Single Man</em>, <em>Kingsman: The Secret Service</em>, <em>3:10 to Yuma</em> and the classic <em>Hedwig and the Angry Inch</em>.</p><p>In this talk recorded at the 2019 Vancouver International Film Festival, Phillips discusses her process with culture writer and film critic <b>Nathalie Atkinson, </b>exploring the importance of research; the teamwork and creative collaboration required to pull off a director’s vision; designing costumes for present-day movies vs period pieces; and the use of shapes, colors and textures to make an immediate and powerful visual statement to an audience.<br/><br/><b>Recorded: </b><br/>September 28, 2019<br/><br/>Presented by ACFC West.</p><p>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Liz Tigeelar, the Showrunner behind Hulu&apos;s <b><em>Little Fires Everywhere</em></b><em> </em>adaptation of Celeste Ng&apos;s bestseller novel. Happening June 18, 5pm PDT. Tickets: <a href='http://goviff.org/liz-tigelaar'>goviff.org/liz-tigelaar</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a><br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/899395/episodes/4016468-arianne-phillips-on-the-power-of-costume-in-once-upon-a-time-in-hollywood.mp3" length="54990039" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/kcdyqo5lczn3fpt3x4w7qnpia8qe?.jpg" />
    <itunes:author>Arianne Phillips</itunes:author>
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    <pubDate>Wed, 03 Jun 2020 07:00:00 -0700</pubDate>
    <podcast:soundbite startTime="2087.517" duration="60.0" />
    <itunes:duration>4580</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, creator, costume, designer</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>5</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>RZA on Wu-Tang, The Man with the Iron Fists and kung-fu film influences</itunes:title>
    <title>RZA on Wu-Tang, The Man with the Iron Fists and kung-fu film influences</title>
    <itunes:summary><![CDATA[In this episode, we present a conversation with RZA, hip-hop producer, director and leader of legendary group, The Wu-Tang Clan.  Born Robert Diggs, RZA was inspired by kung fu classics at a young age, and he and his fellow Clan members would later incorporate them into their iconic debut album, Enter the Wu-Tang, and since then RZA has, while remaining loyal to hip-hop, moved into the film world. After scoring a number of films, he wrote and directed his own: The Man with the Iron Fists (201...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we present a conversation with RZA, hip-hop producer, director and leader of legendary group, The Wu-Tang Clan.<br/><br/></b>Born Robert Diggs, RZA was inspired by kung fu classics at a young age, and he and his fellow Clan members would later incorporate them into their iconic debut album, Enter the Wu-Tang, and since then RZA has, while remaining loyal to hip-hop, moved into the film world. After scoring a number of films, he wrote and directed his own: <em>The Man with the Iron Fists</em> (2012) and the upcoming <em>Cutthroat City</em>.<br/><br/>In this Creator Talk recorded at the 2018 Vancouver International Film Festival, RZA joined Calum Marsh, staff writer at the National Post, on stage to discuss Wu-Tang&apos;s beginnings, his master-apprentice relationship with Quentin Tarantino and what happened to the four-hour cut of <em>The Man With The Iron Fists.</em><br/><br/>Following the conversation, RZA went on to demonstrate his prowess in musical storytelling, with a special VIFF Live event – a live-score to the Kung-fu flick that’s been one of his biggest influences: Lau Kar-leung’s martial arts classic <em>The 36th Chamber of Shaolin</em>.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/> <br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Graeme Manson, the Showrunner behind the latest <em>Snowpiercer </em>adaptation (Netflix/TNT). Happening June 4, 5PM PST. Tickets: <a href='http://goviff.org/graeme-mason'>goviff.org/graeme-mason</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a><br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we present a conversation with RZA, hip-hop producer, director and leader of legendary group, The Wu-Tang Clan.<br/><br/></b>Born Robert Diggs, RZA was inspired by kung fu classics at a young age, and he and his fellow Clan members would later incorporate them into their iconic debut album, Enter the Wu-Tang, and since then RZA has, while remaining loyal to hip-hop, moved into the film world. After scoring a number of films, he wrote and directed his own: <em>The Man with the Iron Fists</em> (2012) and the upcoming <em>Cutthroat City</em>.<br/><br/>In this Creator Talk recorded at the 2018 Vancouver International Film Festival, RZA joined Calum Marsh, staff writer at the National Post, on stage to discuss Wu-Tang&apos;s beginnings, his master-apprentice relationship with Quentin Tarantino and what happened to the four-hour cut of <em>The Man With The Iron Fists.</em><br/><br/>Following the conversation, RZA went on to demonstrate his prowess in musical storytelling, with a special VIFF Live event – a live-score to the Kung-fu flick that’s been one of his biggest influences: Lau Kar-leung’s martial arts classic <em>The 36th Chamber of Shaolin</em>.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/> <br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with Graeme Manson, the Showrunner behind the latest <em>Snowpiercer </em>adaptation (Netflix/TNT). Happening June 4, 5PM PST. Tickets: <a href='http://goviff.org/graeme-mason'>goviff.org/graeme-mason</a><br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a><br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>RZA</itunes:author>
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    <pubDate>Tue, 19 May 2020 17:00:00 -0700</pubDate>
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    <itunes:duration>3284</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, creator, hip hop, wu tang clan, rza, kung fu, wu tang, filmmaker, </itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>4</itunes:episode>
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    <itunes:title>Dr. Jane Goodall on seeing her life&#39;s journey on screen</itunes:title>
    <title>Dr. Jane Goodall on seeing her life&#39;s journey on screen</title>
    <itunes:summary><![CDATA[In this episode, we present a conversation with Dr. Jane Goodall who reflects on seeing her life's journey to becoming one of the world’s most prominent conservationists chronicled through archival footage in Brett Morgen's 2017 documentary, Jane.  In 1960, at the age of 26 and with little academic training, Jane Goodall set off into the Gombe Stream National Park forests to study the relatively unexamined life of the chimpanzee. Her discoveries led to a lifelong fascination with our primate ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we present a conversation with Dr. Jane Goodall who reflects on seeing her life&apos;s journey to becoming one of the world’s most prominent conservationists chronicled through archival footage in Brett Morgen&apos;s 2017 documentary, </b><b><em>Jane</em></b><b>.</b><b><em><br/><br/></em></b>In 1960, at the age of 26 and with little academic training, Jane Goodall set off into the Gombe Stream National Park forests to study the relatively unexamined life of the chimpanzee. Her discoveries led to a lifelong fascination with our primate kin, and she went on to transform the world’s view of them.<br/><br/>Goodall’s work has since been canonized in books, essays, articles, and documentaries the world over, but the conservationist says none of these has been as authentic or nostalgic as Brett Morgen’s biographical documentary, <em>Jane</em>.<br/><br/>The Emmy-award winning documentary utilizes archival 16mm footage shot by Hugo van Lawick in the 1960s to deliver a powerful and uplifting portrayal of Goodall, following her groundbreaking research in Tanzania and the way she challenged male-dominated scientific communities with her chimpanzee research.<br/><br/>In this conversation recorded at the 2018 Vancouver International Film Festival, Dr. Godall speaks about how it all began, about her life&apos;s journey, and how it led her to the forests of Gombe to study the chimpanzees there. <br/><br/><b>Recorded:<br/></b>October 4, 2017.<br/>Host Andria Teather, The Jane Goodall Institute of Canada CEO<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/> <br/> <em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with acclaimed documentarian Alex Gibney (Citizen K, The Innocence Project) on May 7 and join us May 13 for a conversation with Ozark showrunner, Chris Mundy <a href='https://viff.org/'>viff.org</a> <br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a> <br/> <br/> You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/> <br/> Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we present a conversation with Dr. Jane Goodall who reflects on seeing her life&apos;s journey to becoming one of the world’s most prominent conservationists chronicled through archival footage in Brett Morgen&apos;s 2017 documentary, </b><b><em>Jane</em></b><b>.</b><b><em><br/><br/></em></b>In 1960, at the age of 26 and with little academic training, Jane Goodall set off into the Gombe Stream National Park forests to study the relatively unexamined life of the chimpanzee. Her discoveries led to a lifelong fascination with our primate kin, and she went on to transform the world’s view of them.<br/><br/>Goodall’s work has since been canonized in books, essays, articles, and documentaries the world over, but the conservationist says none of these has been as authentic or nostalgic as Brett Morgen’s biographical documentary, <em>Jane</em>.<br/><br/>The Emmy-award winning documentary utilizes archival 16mm footage shot by Hugo van Lawick in the 1960s to deliver a powerful and uplifting portrayal of Goodall, following her groundbreaking research in Tanzania and the way she challenged male-dominated scientific communities with her chimpanzee research.<br/><br/>In this conversation recorded at the 2018 Vancouver International Film Festival, Dr. Godall speaks about how it all began, about her life&apos;s journey, and how it led her to the forests of Gombe to study the chimpanzees there. <br/><br/><b>Recorded:<br/></b>October 4, 2017.<br/>Host Andria Teather, The Jane Goodall Institute of Canada CEO<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/> <br/> <em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.<br/></em><br/></p><p>We&apos;ve taken our VIFF Talks events online with a series of virtual Creator Talks lined up over the coming weeks. Register now for our Creator Talk with acclaimed documentarian Alex Gibney (Citizen K, The Innocence Project) on May 7 and join us May 13 for a conversation with Ozark showrunner, Chris Mundy <a href='https://viff.org/'>viff.org</a> <br/><br/>VIFF is currently running a virtual cinema, showcasing a program of compelling films for you to stream from the comfort of your home. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a> <br/> <br/> You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/> <br/> Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:author>Dr. Jane Goodall</itunes:author>
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    <pubDate>Wed, 06 May 2020 07:00:00 -0700</pubDate>
    <podcast:soundbite startTime="230.917" duration="59.0" />
    <itunes:duration>1672</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, documentary, jane goodall, conservation, science, primates, chimpanzees, science, national geographic</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>3</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Dan Goor on creating &#39;Brooklyn Nine-Nine&#39;</itunes:title>
    <title>Dan Goor on creating &#39;Brooklyn Nine-Nine&#39;</title>
    <itunes:summary><![CDATA[In this episode, we present a conversation with the Co-Creator of the Golden Globe-winning cop comedy Brooklyn Nine-Nine, Dan Goor, who talks about meeting fellow show creator and longtime collaborator Mike Schur, attending clown school over becoming a doctor and not shying away from tackling topical subject matter such as gun control, sexism, and racial profiling.   Goor got his start writing for The Daily Show with Jon Stewart, for which he won an Emmy Award in 2001. He was also a writ...]]></itunes:summary>
    <description><![CDATA[<p><b>In this episode, we present a conversation with the Co-Creator of the Golden Globe-winning cop comedy </b><b><em>Brooklyn Nine-Nine, </em></b><b>Dan Goor, who talks about meeting fellow show creator and longtime collaborator Mike Schur, attending clown school over becoming a doctor and not shying away from tackling topical subject matter such as gun control, sexism, and racial profiling.<br/> <br/></b>Goor got his start writing for <em>The Daily Show with Jon Stewart</em>, for which he won an Emmy Award in 2001. He was also a writer for NBC’s <em>Late Night with Conan O’Brien</em>, where he won an Emmy in 2007. Prior to working on <em>Brooklyn Nine-Nine</em>, Goor was an executive producer, writer and director on the Peabody Award-winning comedy <em>Parks and Recreation</em>.</p><p>Joining Actor/Writer <b>Sonja Bennett</b> (<em>Preggoland, Letterkenny, Kim’s Convenience) </em>on stage for a VIFF Creator Talk following an advanced preview of <em>Brooklyn Nine-Nine</em>, S7, Ep.09 &quot;Dillman&quot;, Dan Goor takes us behind-the-scenes of the hilarious heroics of NYC’s funniest police precinct. Nine-Nine!<b><br/> </b><br/><b>Recorded:<br/></b>February 29, 2020.<br/> <br/>In partnership with Pacific Screenwriting Program<br/>Cultural Partner SFU Woodwards<b><br/> <br/> </b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/> <br/> <em>This podcast is brought to you by the Vancouver International Film Festival.<br/> Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em><br/> </p><p>VIFF is currently running an online cinema, showcasing a program of compelling films for you to stream from the comfort of your home. Half of your on-demand screening fee will come back to VIFF to help us weather these unprecedented times. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a>  <br/> <br/> You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/> <br/> Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p><b>In this episode, we present a conversation with the Co-Creator of the Golden Globe-winning cop comedy </b><b><em>Brooklyn Nine-Nine, </em></b><b>Dan Goor, who talks about meeting fellow show creator and longtime collaborator Mike Schur, attending clown school over becoming a doctor and not shying away from tackling topical subject matter such as gun control, sexism, and racial profiling.<br/> <br/></b>Goor got his start writing for <em>The Daily Show with Jon Stewart</em>, for which he won an Emmy Award in 2001. He was also a writer for NBC’s <em>Late Night with Conan O’Brien</em>, where he won an Emmy in 2007. Prior to working on <em>Brooklyn Nine-Nine</em>, Goor was an executive producer, writer and director on the Peabody Award-winning comedy <em>Parks and Recreation</em>.</p><p>Joining Actor/Writer <b>Sonja Bennett</b> (<em>Preggoland, Letterkenny, Kim’s Convenience) </em>on stage for a VIFF Creator Talk following an advanced preview of <em>Brooklyn Nine-Nine</em>, S7, Ep.09 &quot;Dillman&quot;, Dan Goor takes us behind-the-scenes of the hilarious heroics of NYC’s funniest police precinct. Nine-Nine!<b><br/> </b><br/><b>Recorded:<br/></b>February 29, 2020.<br/> <br/>In partnership with Pacific Screenwriting Program<br/>Cultural Partner SFU Woodwards<b><br/> <br/> </b>––––––––––––––––––––––––––––––––––––––––––––––––––<br/> <br/> <em>This podcast is brought to you by the Vancouver International Film Festival.<br/> Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em><br/> </p><p>VIFF is currently running an online cinema, showcasing a program of compelling films for you to stream from the comfort of your home. Half of your on-demand screening fee will come back to VIFF to help us weather these unprecedented times. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a>  <br/> <br/> You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/> <br/> Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/p4xryq2x44y1vzio7krvceid0l13?.jpg" />
    <itunes:author>Dan Goor</itunes:author>
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    <pubDate>Wed, 22 Apr 2020 07:00:00 -0700</pubDate>
    <podcast:soundbite startTime="1462.995" duration="59.5" />
    <itunes:duration>5088</itunes:duration>
    <itunes:keywords>film, festival, interview, cinema, movies, creator, tv, comedy, writing</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>2</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>true</itunes:explicit>
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  <item>
    <itunes:title>Michael Moore on the 30th anniversary of Roger &amp; Me </itunes:title>
    <title>Michael Moore on the 30th anniversary of Roger &amp; Me </title>
    <itunes:summary><![CDATA[For our first episode, we present a conversation with Oscar-winning director, activist and political pundit Michael Moore, who shares his thoughts on Canada, Justin Trudeau and how the themes in his first documentary Roger &amp; Me still resonate 30 years on.   In 1989, Moore burst onto the American film scene with Roger &amp; Me, which chronicled the efforts of General Motors to turn his home of Flint, Michigan into a ghost town. When the groundbreaking film screened at VIFF that year, it im...]]></itunes:summary>
    <description><![CDATA[<p>For our first episode, we present a conversation with Oscar-winning director, activist and political pundit <b>Michael Moore</b>, who shares his thoughts on Canada, Justin Trudeau and how the themes in his first documentary<em> Roger &amp; Me </em>still resonate 30 years on. <br/><br/>In 1989, Moore burst onto the American film scene with <em>Roger &amp; Me</em>, which chronicled the efforts of General Motors to turn his home of Flint, Michigan into a ghost town. When the groundbreaking film screened at VIFF that year, it immediately captured the attention of programmers and audiences alike, who awarded it the Festival’s &apos;Most Popular Film&apos; title.<br/><br/>Flashforward to 2019 and Moore returns to VIFF, joining us for a special 30th-anniversary screening of <em>Roger &amp; Me, </em>followed by a Q&amp;A with Stephen Quinn, host of CBC Radio 1&apos;s The Early Edition.</p><p><b>Recorded:<br/></b>October 5, 2019.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em><br/><br/></p><p>VIFF is currently running an online cinema, showcasing a program of compelling films for you to stream from the comfort of your home. Half of your on-demand screening fee will come back to VIFF to help us weather these unprecedented times. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a>  <br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>For our first episode, we present a conversation with Oscar-winning director, activist and political pundit <b>Michael Moore</b>, who shares his thoughts on Canada, Justin Trudeau and how the themes in his first documentary<em> Roger &amp; Me </em>still resonate 30 years on. <br/><br/>In 1989, Moore burst onto the American film scene with <em>Roger &amp; Me</em>, which chronicled the efforts of General Motors to turn his home of Flint, Michigan into a ghost town. When the groundbreaking film screened at VIFF that year, it immediately captured the attention of programmers and audiences alike, who awarded it the Festival’s &apos;Most Popular Film&apos; title.<br/><br/>Flashforward to 2019 and Moore returns to VIFF, joining us for a special 30th-anniversary screening of <em>Roger &amp; Me, </em>followed by a Q&amp;A with Stephen Quinn, host of CBC Radio 1&apos;s The Early Edition.</p><p><b>Recorded:<br/></b>October 5, 2019.<br/><br/>––––––––––––––––––––––––––––––––––––––––––––––––––<br/><br/><em>This podcast is brought to you by the Vancouver International Film Festival.<br/>Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em><br/><br/></p><p>VIFF is currently running an online cinema, showcasing a program of compelling films for you to stream from the comfort of your home. Half of your on-demand screening fee will come back to VIFF to help us weather these unprecedented times. View what&apos;s streaming over on <a href='https://viff.org/'>viff.org</a>  <br/><br/>You can show your love of cinema by making a tax-deductible gift to VIFF <a href='http://goviff.org/donate'>goviff.org/donate</a><br/><br/>Get VIFF in your inbox to stay up to date with Festival news and upcoming VIFF Talks <a href='https://viff.activehosted.com/f/32'>goviff.org/SubscribeNow</a></p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Wed, 08 Apr 2020 10:00:00 -0700</pubDate>
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    <itunes:title>Coming Soon...</itunes:title>
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    <itunes:summary><![CDATA[The VIFF Podcast brings you exclusive in-depth conversations with industry-leading filmmakers, creators and cultural luminaries recorded live at the Vancouver International Film Festival. Listen as Michael Moore, Jane Goodall, Rob McElhenney and RZA (just to name a few) share expertise on their craft, providing candour and insights into their creative process.  New episodes will be released bi-weekly in the lead up to this year’s Festival.   Subscribe to get each new episode as it drops ...]]></itunes:summary>
    <description><![CDATA[<p>The VIFF Podcast brings you exclusive in-depth conversations with industry-leading filmmakers, creators and cultural luminaries recorded live at the Vancouver International Film Festival. Listen as Michael Moore, Jane Goodall, Rob McElhenney and RZA (just to name a few) share expertise on their craft, providing candour and insights into their creative process.<br/><br/>New episodes will be released bi-weekly in the lead up to this year’s Festival. <br/><br/>Subscribe to get each new episode as it drops and stay tuned for more podcast news, currently in the works.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></description>
    <content:encoded><![CDATA[<p>The VIFF Podcast brings you exclusive in-depth conversations with industry-leading filmmakers, creators and cultural luminaries recorded live at the Vancouver International Film Festival. Listen as Michael Moore, Jane Goodall, Rob McElhenney and RZA (just to name a few) share expertise on their craft, providing candour and insights into their creative process.<br/><br/>New episodes will be released bi-weekly in the lead up to this year’s Festival. <br/><br/>Subscribe to get each new episode as it drops and stay tuned for more podcast news, currently in the works.</p><p><em>This podcast is brought to you by the Vancouver International Film Festival.<br/><br/>Presented on the traditional and unceded territory of the x</em>ʷ<em>məθk</em>ʷ<em>əy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.</em></p>]]></content:encoded>
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    <pubDate>Thu, 26 Mar 2020 10:00:00 -0700</pubDate>
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