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  <title>Cinema and AI</title>

  <lastBuildDate>Wed, 03 Jun 2026 14:55:17 +1000</lastBuildDate>
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  <copyright>© 2026 Cinema and AI</copyright>
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  <itunes:author>Jim Lounsbury</itunes:author>
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  <description><![CDATA[<p>AI is transforming filmmaking — and Cinema + AI is the trusted weekly channel covering what it means for the future of movies, storytelling, and creative work. Hosted by Jim Lounsbury, we cut through the hype and fear with clear, independent journalism at the intersection of artificial intelligence and cinema.</p><p>Every week, we break down the biggest AI filmmaking news: which studios are adopting AI tools, which filmmakers are pushing back, what the new rules mean for creators, and how the technology is actually reshaping how films get made — from screenwriting and pre-visualisation to VFX, editing, dubbing, virtual production, distribution, and beyond.</p><p><br></p><p>Find us at https://cinemaandaipodcast.com</p><p><br></p><p>🎬 WHAT WE COVER</p><p>AI cinema news and industry analysis — from Hollywood to Bollywood, Cannes to China AI filmmaking tools and workflows — Runway, Sora, Kling, ElevenLabs, and emerging platforms AI in VFX, visual effects, and post-production — what's changing and who's affected AI screenwriting and script generation — copyright, authorship, and the future of the writer AI acting, deepfakes, and digital likeness — consent, protection, and regulation AI animation and generative video — from Pixar-style features to micro-dramas The ethics of AI in film — job displacement, creative ownership, and the "made by human" movement AI film copyright and legal explainers — who owns AI-generated content? Interviews and deep dives with filmmakers navigating the AI transition Coverage of Cannes, Sundance, SXSW, the Oscars, and major industry events</p><p><br></p><p>📌 WHO THIS CHANNEL IS FOR</p><p>Whether you're a filmmaker, producer, screenwriter, VFX artist, actor, animator, film student, educator, or simply someone who loves movies and wants to understand where cinema is heading — this channel is for you. We cover AI in film for both industry professionals and curious audiences who want reliable, balanced reporting on one of the biggest shifts in entertainment history.</p><p><br></p><p>🔔 NEW EPISODES EVERY WEEK</p><p>Subscribe and hit the bell so you never miss an episode. We publish weekly news drops (5–10 minutes), deep dives and explainers (10–20 minutes), and daily Shorts pulling the most important moments from each episode.</p><p><br></p><p>SPONSORS</p><p>Filmfore.com - an online curation, discovery and distribution marketplace for short films and vertical micro-dramas.</p>]]></description>
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    <itunes:name>Jim Lounsbury</itunes:name>
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    <itunes:title>Cannes 2026: The Week Cinema Split in Two</itunes:title>
    <title>Cannes 2026: The Week Cinema Split in Two</title>
    <itunes:summary><![CDATA[The film industry reached a tipping point in one building: the Palais des Festivals in Cannes. The festival officially banned generative AI-driven films from competing for the Palme d'Or, even as the Cannes Film Market was selling major AI-made movies to global distributors across the hall. Host Jim Lounsbury dives into the contradiction and the real-world projects forcing the industry to pick a side. The Grey Box: Doug Liman (The Bourne Identity), an A-list director, shot his $70 million thr...]]></itunes:summary>
    <description><![CDATA[<p>The film industry reached a tipping point in one building: the Palais des Festivals in Cannes. The festival officially banned generative AI-driven films from competing for the Palme d&apos;Or, even as the Cannes Film Market was selling major AI-made movies to global distributors across the hall.</p><p>Host Jim Lounsbury dives into the contradiction and the real-world projects forcing the industry to pick a side.</p><ul><li><b>The Grey Box:</b> Doug Liman (<em>The Bourne Identity</em>), an A-list director, shot his $70 million thriller, <em>Bitcoin: Killing Satoshi</em>, entirely inside a &quot;grey box,&quot; generating every one of the film&apos;s 200+ environments using AI.</li><li><b>The Pulp Fiction Writer:</b> Oscar-winning co-writer Roger Avary detailed how AI made his ambitious adaptation of <em>Paradise Lost</em> financially feasible after years of being locked out of the traditional financing system.</li><li><b>The Tech Giants:</b> The episode tracks the launch of <em>Critterz</em>, a $30 million &quot;human-led but AI-assisted&quot; animated feature produced in part by a creative strategist from OpenAI.</li><li><b>The Debate:</b> Hear the contradictory stance of <em>La Haine</em> director Mathieu Kassovitz and the relaxed view of Peter Jackson, who compared AI to earlier tools like stop-motion.</li></ul><p>The episode ultimately asks the question that matters most: Will audiences care how a film was made, or only whether it&apos;s good?</p><p><a href='https://cinemaandaipodcast.com'>https://cinemaandaipodcast.com</a></p><p><br/></p><p><b>Sources:</b></p><ul><li>The Hollywood Reporter (Peter Jackson masterclass, India AI report)</li><li>Variety (Critterz first look, AI debate roundup, Critterz AGC sales)</li><li>Deadline (Paradise Lost announcement, Bitcoin cast, Cannes market buzz)</li><li>TheWrap (Bitcoin: Killing Satoshi set visit exclusive)</li><li>Reuters / CP24 (Cannes filmmakers cautious acceptance)</li><li>The Guardian / ResultSense (World AI Film Festival coverage)</li><li>Film Stories (Cannes unanswered question)</li><li>Screen Daily (WAIFF seven talking points, Critterz AGC)</li><li>No Film School (Liman grey box analysis, Amazon MGM SXSW)</li><li>HelloChinaTech (Kassovitz AI studio, China AI dramas)</li></ul><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>The film industry reached a tipping point in one building: the Palais des Festivals in Cannes. The festival officially banned generative AI-driven films from competing for the Palme d&apos;Or, even as the Cannes Film Market was selling major AI-made movies to global distributors across the hall.</p><p>Host Jim Lounsbury dives into the contradiction and the real-world projects forcing the industry to pick a side.</p><ul><li><b>The Grey Box:</b> Doug Liman (<em>The Bourne Identity</em>), an A-list director, shot his $70 million thriller, <em>Bitcoin: Killing Satoshi</em>, entirely inside a &quot;grey box,&quot; generating every one of the film&apos;s 200+ environments using AI.</li><li><b>The Pulp Fiction Writer:</b> Oscar-winning co-writer Roger Avary detailed how AI made his ambitious adaptation of <em>Paradise Lost</em> financially feasible after years of being locked out of the traditional financing system.</li><li><b>The Tech Giants:</b> The episode tracks the launch of <em>Critterz</em>, a $30 million &quot;human-led but AI-assisted&quot; animated feature produced in part by a creative strategist from OpenAI.</li><li><b>The Debate:</b> Hear the contradictory stance of <em>La Haine</em> director Mathieu Kassovitz and the relaxed view of Peter Jackson, who compared AI to earlier tools like stop-motion.</li></ul><p>The episode ultimately asks the question that matters most: Will audiences care how a film was made, or only whether it&apos;s good?</p><p><a href='https://cinemaandaipodcast.com'>https://cinemaandaipodcast.com</a></p><p><br/></p><p><b>Sources:</b></p><ul><li>The Hollywood Reporter (Peter Jackson masterclass, India AI report)</li><li>Variety (Critterz first look, AI debate roundup, Critterz AGC sales)</li><li>Deadline (Paradise Lost announcement, Bitcoin cast, Cannes market buzz)</li><li>TheWrap (Bitcoin: Killing Satoshi set visit exclusive)</li><li>Reuters / CP24 (Cannes filmmakers cautious acceptance)</li><li>The Guardian / ResultSense (World AI Film Festival coverage)</li><li>Film Stories (Cannes unanswered question)</li><li>Screen Daily (WAIFF seven talking points, Critterz AGC)</li><li>No Film School (Liman grey box analysis, Amazon MGM SXSW)</li><li>HelloChinaTech (Kassovitz AI studio, China AI dramas)</li></ul><p><br/></p>]]></content:encoded>
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    <pubDate>Tue, 02 Jun 2026 16:00:00 +1000</pubDate>
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  <psc:chapter start="0:00" title="SPLIT PERSONALITY - To AI or not to AI" />
  <psc:chapter start="1:14" title="THE WARM-UP ACT — The World AI Film Festival " />
  <psc:chapter start="3:38" title="THE BAN — Cannes Draws the Line" />
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  <psc:chapter start="7:55" title="THE WOODLAND CREATURES — OpenAI Goes to Hollywood" />
  <psc:chapter start="9:14" title="PARADISE LOST AND THE FILMMAKER&#39;S DILEMMA" />
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  <psc:chapter start="13:35" title="THE BIGGER PICTURE — What This Week Really Means" />
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