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  <title>UM-Flint CASE: In Conversation</title>

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  <description><![CDATA[<p>The CASE Podcast is a conversation-based series from the University of Michigan–Flint’s College of Arts, Sciences, and Education, hosted in collaboration with Riverbank Arts.</p><p>Each episode brings together artists, educators, and community members to explore creative practice, research, and the connections between art, place, and lived experience. Through thoughtful dialogue, the series highlights the ideas and voices shaping our communities and the work being done across disciplines.</p><p>It’s a space to listen, reflect, and engage with the world through the lens of art and inquiry.</p>]]></description>
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    <itunes:title>Material, Memory, and Broadcast: Ash Arder at the Whitney Biennial 2026 | Art &amp; Artists</itunes:title>
    <title>Material, Memory, and Broadcast: Ash Arder at the Whitney Biennial 2026 | Art &amp; Artists</title>
    <itunes:summary><![CDATA[In this episode of the Riverbank Arts Podcast, Kat Oak sits down with artist Ash Arder to explore her work and her experience in the Whitney Biennial. Ash’s practice moves between material and memory, using unexpected mediums to examine systems of value, legacy, and transformation. From perishable sculptural forms in Consumables to the generative process of Broadcast #4, her work engages both personal and industrial histories while rethinking how materials carry meaning over time. Togeth...]]></itunes:summary>
    <description><![CDATA[<p>In this episode of the <a href='https://riverbankarts.org/'>Riverbank Arts </a>Podcast, Kat Oak sits down with artist <a href='https://asharder.com/'>Ash Arder</a> to explore her work and her experience in the <a href='https://whitney.org/exhibitions/2026-biennial/art?section=4'>Whitney Biennial</a>.</p><p>Ash’s practice moves between material and memory, using unexpected mediums to examine systems of value, legacy, and transformation. From perishable sculptural forms in <a href='https://asharder.com/consumables'><em>Consumables</em> </a>to the generative process of <em>Broadcast #4</em>, her work engages both personal and industrial histories while rethinking how materials carry meaning over time.</p><p>Together, they discuss her process, the ideas behind her work, and her experience participating in the Whitney Biennial, reflecting on how her contributions sit within the broader context of the exhibition.</p><p>This conversation offers a deeper look into the themes shaping Ash’s practice and the work presented in the Whitney Biennial.</p><p>This podcast series is intentionally raw and lightly edited to preserve the authenticity of each conversation.</p><p>University of Michigan- Flint <a href='https://www.umflint.edu/case/'>CASE</a></p><p><br/></p>]]></description>
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    <pubDate>Tue, 31 Mar 2026 15:00:00 -0400</pubDate>
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    <itunes:keywords>Ash Arder, Whiney Biennial, Riverbank Arts, UM Flint, University of Michigan Flint, CASE, contemporary art, visual art, sound art, installation art, material studies, broadcast, experimental art, art and memory, art and systems, Flint artists, Detroit art</itunes:keywords>
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