MY GREATEST HITS Wed, 20 May 2026 14:33:51 -0400 http://www.mygreatesthits.com en-us © 2026 TRUCKSTOPMIXTAPE yes 2d12ef61-893e-5be7-9382-fa2bae8e5ff1 Giovanny Blanco episodic true Truck Stop Mixtape Presents MY GREATEST HITS! A Podacast about the SOUNDTRACK OF YOUR LIFE!

]]> Buzzsprout (https://www.buzzsprout.com) music, mixtape, playlist, soundtrack Giovanny Blanco https://storage.buzzsprout.com/nv4lzcyuiaganb25rdfhtn2196wk?.jpg MY GREATEST HITS http://www.mygreatesthits.com Giovanny Blanco Episode 004 Bernie Barlow: Great Songs Last When The Feelings Are Real Episode 004 Bernie Barlow: Great Songs Last When The Feelings Are Real A bot got played too hard on Spotify and an album disappeared. That story alone tells you a lot about what it feels like to be a working musician right now, and it’s where our conversation with singer-songwriter Bernie Barlow gets real fast. Bernie joins us to share her personal “My Greatest Hits” mixtape: ten songs that didn’t just soundtrack her life, they shaped her ear, her voice, and her sense of what great songwriting actually is.

We move through picks that span eras and moods, from Radiohead’s emotional punch to Dusty Springfield’s once-in-a-generation pop voice, the timeless ache of Fleetwood Mac, Elvis as a first musical obsession, and “Nights in White Satin” as both a coming-of-age slow dance and a doorway into Bernie’s years touring with The Moody Blues. We also talk about why some songs work forever: honest performances, strong melodies, and production choices that don’t bury the feeling.

Then we zoom out to the modern music industry: streaming royalties, the pressure to churn out short-form videos, why local radio still matters, and why AI training on artists’ work raises serious questions about rights and ownership. We end with Bernie’s own song “Don’t Wake Me Up” and a look at her co-writing process, where melody leads and real life supplies the subject.

If you care about songwriting, touring, the reality of being an independent artist, or you just want a mixtape that actually means something, hit play. Subscribe, share this with a music-loving friend, and leave a review so more listeners can find the show.

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> A bot got played too hard on Spotify and an album disappeared. That story alone tells you a lot about what it feels like to be a working musician right now, and it’s where our conversation with singer-songwriter Bernie Barlow gets real fast. Bernie joins us to share her personal “My Greatest Hits” mixtape: ten songs that didn’t just soundtrack her life, they shaped her ear, her voice, and her sense of what great songwriting actually is.

We move through picks that span eras and moods, from Radiohead’s emotional punch to Dusty Springfield’s once-in-a-generation pop voice, the timeless ache of Fleetwood Mac, Elvis as a first musical obsession, and “Nights in White Satin” as both a coming-of-age slow dance and a doorway into Bernie’s years touring with The Moody Blues. We also talk about why some songs work forever: honest performances, strong melodies, and production choices that don’t bury the feeling.

Then we zoom out to the modern music industry: streaming royalties, the pressure to churn out short-form videos, why local radio still matters, and why AI training on artists’ work raises serious questions about rights and ownership. We end with Bernie’s own song “Don’t Wake Me Up” and a look at her co-writing process, where melody leads and real life supplies the subject.

If you care about songwriting, touring, the reality of being an independent artist, or you just want a mixtape that actually means something, hit play. Subscribe, share this with a music-loving friend, and leave a review so more listeners can find the show.

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> Giovanny Blanco Buzzsprout-19205197 Wed, 20 May 2026 14:00:00 -0400 6289 1 4 full true Episode 003 TROY RICHARDSON: Do Not Fire The Bass Player Episode 003 TROY RICHARDSON: Do Not Fire The Bass Player A song can be a hometown you carry in your headphones, a dare to leave home, or a mirror you did not know you needed. We sit down with Troy Richardson, songwriter and frontman of Los Angeles Americana punk band Truckerbomb, and let him build a ten-track “My Greatest Hits” mixtape of the songs that messed him up in the best way. The stories start in Minnesota with Prince’s “Another Lonely Christmas,” a once-secret B-side that feels like home, and they keep pulling the thread of what representation means when you are a kid trying to imagine a life in music.

From there, we get nerdy and honest about songwriting craft: Soul Asylum’s genre-bending storytelling, The Cars’ dark pop sarcasm, and The Replacements’ “Unsatisfied” as proof that simplicity and instability can hit harder than perfect structure. Troy also drops in his own track “Irregardlessly,” talking unreliable narrators, lyric choices that stick, and how COVID forced a reset that pushed him into voice work, remote songwriting circles, and a sharper focus on what actually makes a band connect.

Side B goes deeper: Jason Isbell’s “It Gets Easier” opens a real conversation about sobriety, drinking dreams, and the line “it gets easier, but never easy.” We move through Johnny Cash, Carly Simon, Cheap Trick’s unexpected comeback mechanics, and Nirvana’s two-chord magic to land on the big theme: the feel comes first, and the songwriting toolbox comes out only when you are stuck. If you care about lyric writing, music theory as a map, and building songs that last, this one is for you. Subscribe, share it with a songwriter friend, and leave a review. What’s the one song that rewired your life?

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> A song can be a hometown you carry in your headphones, a dare to leave home, or a mirror you did not know you needed. We sit down with Troy Richardson, songwriter and frontman of Los Angeles Americana punk band Truckerbomb, and let him build a ten-track “My Greatest Hits” mixtape of the songs that messed him up in the best way. The stories start in Minnesota with Prince’s “Another Lonely Christmas,” a once-secret B-side that feels like home, and they keep pulling the thread of what representation means when you are a kid trying to imagine a life in music.

From there, we get nerdy and honest about songwriting craft: Soul Asylum’s genre-bending storytelling, The Cars’ dark pop sarcasm, and The Replacements’ “Unsatisfied” as proof that simplicity and instability can hit harder than perfect structure. Troy also drops in his own track “Irregardlessly,” talking unreliable narrators, lyric choices that stick, and how COVID forced a reset that pushed him into voice work, remote songwriting circles, and a sharper focus on what actually makes a band connect.

Side B goes deeper: Jason Isbell’s “It Gets Easier” opens a real conversation about sobriety, drinking dreams, and the line “it gets easier, but never easy.” We move through Johnny Cash, Carly Simon, Cheap Trick’s unexpected comeback mechanics, and Nirvana’s two-chord magic to land on the big theme: the feel comes first, and the songwriting toolbox comes out only when you are stuck. If you care about lyric writing, music theory as a map, and building songs that last, this one is for you. Subscribe, share it with a songwriter friend, and leave a review. What’s the one song that rewired your life?

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> Giovanny Blanco Buzzsprout-19180495 Fri, 15 May 2026 00:00:00 -0400 5746 1 3 full true Episode 002 MICHELLE McGREGOR: From Meat Loaf To Judee Sill - A Life Told In Ten Tracks Episode 002 MICHELLE McGREGOR: From Meat Loaf To Judee Sill - A Life Told In Ten Tracks A ten-song playlist sounds simple until the stories start landing like milestones. We sit down with Michelle McGregor as she traces her life through the music that shaped her, starting with her current passion project: producing Tom Waits War Songs as a concept concert with animation, atmosphere, and a war themed narrative. From there, the mixtape jumps from childhood living room performances with Meat Loaf to the pop voltage of Billy Idol, then straight into the sweeping emotional logic of Howard Shore’s Lord of the Rings score.

The conversation turns personal in the best way. Michelle talks about insomnia and The Wall, discovering Tom Waits through a piano book in Santa Fe, and why she’ll defend his voice all day. We get into creative lineage and interpretation with Motown “platter playlists,” a heart stealing cover by The Hesitations, and a live Nina Simone performance that makes history feel physical. If you care about music memoir, artistic identity, or how a song can rewire your nervous system, you’ll find plenty to hold onto here.

We close with grief and devotion through Nick Cave, then Judy Sill’s spiritual songwriting and the cost of being uncompromising in the entertainment industry. Finally, Patti Smith’s Just Kids becomes the permission slip that turns “I act” into “I’m an artist,” full stop. If this hit you, subscribe, share it with a friend who loves playlists, and leave a review, then tell us: which one song would be on your life-defining mixtape?

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> A ten-song playlist sounds simple until the stories start landing like milestones. We sit down with Michelle McGregor as she traces her life through the music that shaped her, starting with her current passion project: producing Tom Waits War Songs as a concept concert with animation, atmosphere, and a war themed narrative. From there, the mixtape jumps from childhood living room performances with Meat Loaf to the pop voltage of Billy Idol, then straight into the sweeping emotional logic of Howard Shore’s Lord of the Rings score.

The conversation turns personal in the best way. Michelle talks about insomnia and The Wall, discovering Tom Waits through a piano book in Santa Fe, and why she’ll defend his voice all day. We get into creative lineage and interpretation with Motown “platter playlists,” a heart stealing cover by The Hesitations, and a live Nina Simone performance that makes history feel physical. If you care about music memoir, artistic identity, or how a song can rewire your nervous system, you’ll find plenty to hold onto here.

We close with grief and devotion through Nick Cave, then Judy Sill’s spiritual songwriting and the cost of being uncompromising in the entertainment industry. Finally, Patti Smith’s Just Kids becomes the permission slip that turns “I act” into “I’m an artist,” full stop. If this hit you, subscribe, share it with a friend who loves playlists, and leave a review, then tell us: which one song would be on your life-defining mixtape?

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> Giovanny Blanco Buzzsprout-18943497 Wed, 01 Apr 2026 11:00:00 -0400 3895 1 2 full true Episode 001 NICK LIBERATORE: Ten Songs That Made A Drummer Episode 001 NICK LIBERATORE: Ten Songs That Made A Drummer Ten songs can tell the truth faster than a résumé. I sit down with drummer and songwriter Nick Libertore for the very first My Greatest Hits, and we use his handpicked mixtape to map the moments that made him: the basement drum kit that was never off-limits, the records he wore out learning feel, and the artists who quietly rewired his taste.

We start with a personal curveball: “You Are The Sunshine Of My Life,” not the radio version, but a Stevie Wonder cover Nick’s dad played with his band. That sparks a bigger conversation about what a great cover really is, why a good song survives any genre shift, and how respect for the masters becomes fuel instead of pressure. From there we go deep into Pink Floyd’s “Dogs,” the power of concept albums, and how Roger Waters’ writing and David Gilmour’s sound can carry one message with two different kinds of genius.

Nick’s list keeps expanding the frame: Genesis “Supper’s Ready” as the gold standard for progressive rock, Elvis Costello’s “Lipstick Vogue” as proof that two and a half minutes can still feel dangerous, and The Cure as the rare band that can make loneliness sound beautiful. We also get into odd meters, City By C and the leap from Syracuse to Los Angeles, Jellyfish’s kitchen-sink pop production, Smashing Pumpkins and Jimmy Chamberlin’s modern drumming blueprint, and a raw, protective love for Elliott Smith’s “Waltz #1.” We close with Nick’s own song “20 Years” and what he’s building next.

Subscribe for more music interviews and life stories through songs, share this with a friend who makes playlists like they’re diaries, and leave a review if the soundtrack hit you. What’s the one song that explains you better than words?

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> Ten songs can tell the truth faster than a résumé. I sit down with drummer and songwriter Nick Libertore for the very first My Greatest Hits, and we use his handpicked mixtape to map the moments that made him: the basement drum kit that was never off-limits, the records he wore out learning feel, and the artists who quietly rewired his taste.

We start with a personal curveball: “You Are The Sunshine Of My Life,” not the radio version, but a Stevie Wonder cover Nick’s dad played with his band. That sparks a bigger conversation about what a great cover really is, why a good song survives any genre shift, and how respect for the masters becomes fuel instead of pressure. From there we go deep into Pink Floyd’s “Dogs,” the power of concept albums, and how Roger Waters’ writing and David Gilmour’s sound can carry one message with two different kinds of genius.

Nick’s list keeps expanding the frame: Genesis “Supper’s Ready” as the gold standard for progressive rock, Elvis Costello’s “Lipstick Vogue” as proof that two and a half minutes can still feel dangerous, and The Cure as the rare band that can make loneliness sound beautiful. We also get into odd meters, City By C and the leap from Syracuse to Los Angeles, Jellyfish’s kitchen-sink pop production, Smashing Pumpkins and Jimmy Chamberlin’s modern drumming blueprint, and a raw, protective love for Elliott Smith’s “Waltz #1.” We close with Nick’s own song “20 Years” and what he’s building next.

Subscribe for more music interviews and life stories through songs, share this with a friend who makes playlists like they’re diaries, and leave a review if the soundtrack hit you. What’s the one song that explains you better than words?

http://www.mygreatesthits.com

WATCH EPISODES HERE https://www.youtube.com/watch?v=kjGHj4jG424&list=PLxvlTwcd7EpzmKDNc1e5wAmU--BVkb8n7

DOWNLOAD PLAYLISTS HERE https://www.mixcloud.com/truckstopmixtape/

DONATE HERE https://venmo.com/u/truckstopmixtape

http://www.instagram.com/mygreatesthitspodcast

https://www.tiktok.com/@mygreatesthitspodcast

https://truckstopmixtape.threadless.com/

http://www.truckstopmixtape.com/


]]> Giovanny Blanco Buzzsprout-18886324 Mon, 23 Mar 2026 08:00:00 -0400 6568 podcast, music, music podcast, playlist, mixtape, soundtrack, greatest, my greatest hits, greatest hits 1 1 full true