Instead of offering shallow positivity or pretending everything is fine, this episode takes a different route. It’s about gratitude. Paying attention again. Taking stock of the small things that still carry beauty, meaning, and life. 

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Jason is a California, San Francisco Bay Area guitarist, multi-instrumentalist, composer, and arranger known for blending jazz, bluegrass, old-time, and acoustic music traditions. 

In this conversation, Jason shares about the crossover of Jazz and Bluegrass, what an education doesn’t give you, the differences between playing solo and with a group, getting stiffed, why some people “don’t get” jazz, asking for what you’re worth, and what he thinks is the most important thing for a musician for longevity.

There are three pieces of music on this episode including one track, in its entirety, that has not yet been released. All songs used by permission and no copy should be made. If you like them, please purchase them here:

Gold Rush off the album, Grassology © 2024 Jason Keiser

Kind of Kenny from the album, Kind of Kenny © 2024 Jason Keiser

Hermoso Cariño © 2026 Jason Keiser (not yet released)

Originally from San Jose, California, he studied jazz at West Valley College before earning a degree in Bluegrass, Old-Time, & Country Music Studies from East Tennessee State University and later completing a Master of Music in Jazz Studies at San Jose State University. 

Jason performs throughout the Bay Area with jazz, classical, and acoustic ensembles, leads The New Acoustic Collective, and also works as a solo guitarist in a wide range of styles.

His recordings include Conversations with Jason (2017), The Axe Axis (2022), Shaw’s Groove (2023), and Kind of Kenny (2024), featuring interpretations of Kenny Wheeler’s music with an all-star chamber jazz ensemble. 

He has performed at venues including The Sound Room in Oakland, The Back Room in Berkeley, Cornerstone Berkeley, completed a six-week residency at The Biltmore Estate in Asheville, and appeared as an Official Showcase Artist at the International Bluegrass Music Association’s World of Bluegrass with The New Acoustic Collective. 

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Every musician has stories they wish they could redo, decisions they’d take back, and moments that taught them something the hard way. But sharing our mistakes matters. It reminds us we’re not alone, helps some artists avoid unnecessary pain, and turns failure into something useful instead of something hidden. 

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One of the greatest things musicians can do is tell one another stories about their most memorable gigs. We encourage one another, remind each other why we do what we do, laugh together, and celebrate together. We learn from one another. We normalize the chaos that most definitely happens. We pass down our survival knowledge.

Best of all, we preserve moments that happened in space and time. The show happens live. The stories live with us. The best way to keep those stories fresh is to retell them.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Support the show

If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Ironically, the obsession with constant output often leaves us exhausted, disconnected, and less creative in the long run. John unpacks some honest thoughts about ambition, burnout, work addiction, and the fear of slowing down, while also offering practical and healthy ways musicians can keep chasing excellence without losing their minds, their humanity, or their souls in the process.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Support the show

If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Support the show

If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Drawing from life as a full-time working musician, he talks about the strange, fascinating, unpredictable world of tip culture, what it reveals about people, ourselves, and what every performer should understand about the exchange happening beyond the songs.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Below is the bio from Clementine's website www.clemthegreat.com:

Clementine Moss is a dynamic creative force—a drummer, songwriter, singer, musician, and writer whose artistic journey continues to inspire and evolve.

Her latest work, Nothing Will Keep Us Apart, is a 7-song pop/folk album that beautifully showcases her songwriting and vocal talents. The first single, “Your Love,” is set to release on December 10, 2024, and offers an intimate glimpse into her reflective, soulful sound.

“Most of my songs are about love, both for the other and the divine,” Clementine shares. “Where do we find light when so much feels dark? It’s only in love that we find freedom, even when holding to that truth isn’t easy. Exploring that difficulty is a favorite theme in this album.” Written alongside producer/bassist Robert Preston and keyboardist William Cameron, the track brings to mind the eclectic spirit of artists like Tom Waits, St. Vincent, and Norah Jones.

In 2025, Clementine will expand her repertoire with Clem & Clearlight, a jazz-infused collection of nine tracks crafted with guitarist and composer Daniele Gottardo.

As a drummer, Clementine’s powerfully emotive style brings unparalleled depth to every project. As the founding member of ZEPPARELLA, she honors the best rock drumming ever composed with her own raw intensity, accentuating the Motown heartbeat within Bonham’s iconic grooves. Over the past 20 years, she’s rocked Zeppelin covers and penned her own music, earning a guest spot in November 2023 with NBC’s Late Night 8G Band on *Late Night with Seth Meyers*.

Her 2023 book, From Bonham to Buddha and Back: The Slow Enlightenment of the Hard Rock Drummer, draws on writings from her blog, *Bliss and Drumming.* Through it, Clem explores the intertwining paths of spiritual practice and a music career. A contributor to Modern Drummer Magazine and more, she continues to reach readers with her insights.

A lifelong spiritual seeker, Clementine connects deeply to her true self as a performer. She finds insight through decades of Vipassana meditation, Advaita practices, and other meditation disciplines that center her life and work.

Beyond music, Clementine is a Depth Hypnosis Practitioner, an Applied Shamanic Practitioner, and a nondenominational Minister at the Foundation of the Sacred Stream in Berkeley, California, under the guidance of Isa Gucciardi, Ph.D. She holds a certificate in Contemplative Psychotherapy from the Nalanda Institute and is a Master of Morphic Awakening Energetic Healing Technique, which promotes energy healing on all levels. Sound healing and other modalities enrich her practice, enhancing her holistic approach to well-being.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

This isn’t about chasing trends or trying to go viral. It’s about showing up with rhythm, saying something that matters, and building real connection over time. John covers what to post, how often, what works, and shares a few thoughts on artificial intelligence.

If you are afraid of social media, don’t know what you should do, feel stuck, or if you’ve ever felt like you’re posting into the void or wondering if any of it is even worth it, this episode will help you get focused and get to using social media as a tool that keeps you in the game.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Rooted in Michigan where there’s a subtle Motown undercurrent, the band found its lane somewhere between rock, blues, country, and R&B, though Jason has never been one to get caught up in labels. For him, it’s always been about the song. Over the years, that mindset carried him through packed rooms and arenas, opening slots for major acts like Ted Nugent, David Lee Roth, Eddie Money, The Pretenders, and Molly Hatchet.

What emerges in this conversation isn’t just a story about a musician or a band, but about a way of doing music. One that values feel over flash, consistency over hype, and the long road over the fast track.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

He introduces the idea of archetypes, not as labels you get stuck in, but as recognizable patterns. Ways of describing the instincts, tendencies, and roles that show up again and again in creative people.

Because when you don’t have language for that, it’s easy to fall into comparison. It’s easy to feel like you’re behind, or doing it wrong, or like everyone else has it figured out except you.

This is about getting clearer on where you fit, even if that fit isn’t permanent, and even if you see yourself in more than one place.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

In this episode, John sits down with Patrick Tetreault, a songwriter, producer, and multi-instrumentalist who has lived the full spectrum of a working musician’s life. From record deals to the independent grind, from local stages to international tours, Patrick has carved out a path that reflects both endurance and evolution.

Patrick is well known in the Pacific Northwest for his participation in many bands over the years, including Portland favorites, The Pearls, a vocals-driven Americana/Alt-Country/Western Swing band based out of Portland. 

Now based in Muscle Shoals, and leading his band Pride of the North Bank, his sound draws from deep roots in country, bluegrass, and Americana. At the same time, he continues to stretch creatively, releasing solo material in the power pop vein, proving that longevity in music isn’t about staying the same.

This is a conversation with someone who has stayed in it long enough to see what lasts. If you’re trying to build something real in music, there’s a weight to this one you’ll feel right away.

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This episode isn’t just about why people quit. It’s about what you do when you feel yourself drifting in that direction. It’s about asking better questions before you make a decision you don’t fully understand.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

This one matters because those moments happen all night, every night, and how you handle them can either throw you off or become part of your rhythm. Left unchecked, they can get under your skin. Handled right, you may make a friend.

John breaks it down with honesty and humor, and of course, a Top 10 list to help you roll with it, stay sharp, and keep the night moving without losing your edge.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

John digs into how a defined philosophy acts like a filter for everything, the gigs you take, the way you show up, and how you interact with venues and audiences. It’s not about being rigid, it’s about being clear enough to adjust on purpose instead of drifting by accident. 

The episode includes a Top 10 list that puts this into real-world terms, showing how a solid philosophy leads to better mental health, stronger communication, and a more sustainable, enjoyable life as a gigging musician.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

On this special 10th episode, John interviews Nashville recording artist and songwriter Kevin Marcy in a special double episode all wrapped in one.

Kevin Marcy is a California-born country artist best known as a founding member of The Marcy Brothers, the trio he formed in 1983 with his brothers Kris and Kendal in Oroville, California. The group built a strong regional following before relocating to Nashville in pursuit of a major label deal, ultimately signing with Warner Bros. and Atlantic Records. 

Between 1989 and 1991, The Marcy Brothers charted six singles on the Billboard country charts, including their highest-charting hit, “Cotton Pickin’ Time,” and earned recognition for being among the first to record what would later become “Achy Breaky Heart.” 

During their run, they shared stages with legends like Brad Paisley, George Strait, Waylon Jennings, Merle Haggard, and Alabama. After the band disbanded in 1999, Kevin continued his career as a solo performer, carrying forward a lifetime rooted in country music, road-tested experience, and a deep connection to the craft.

Links to things mentioned in the podcast:

Kevin’s Solo Album-Greatest Hits You’ve Never Heard

The Marcy Brothers-Don’t Tell My Heart

The Marcy Brothers-Cotton Pickin’ Time

Sunny Mitchell Musical Projects

Book Kevin at: kevin.marcy@comcast.net

The songs, "Beside You" and "It Would be You" are both used by permission for this podcast ℗© 2018 Kevin Marcy

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

In this episode of Gig to Live, John talks honestly about the frustration performers feel when plans fall apart and the ripple effects it can have on both momentum and morale. With humor and perspective, he explores the posture working musicians can take when things go sideways, how to navigate conversations with venues, and why professionalism still matters in the moment. 

John rounds things out with a practical Top Ten list of smart ways to make the most of the unexpected opening in your schedule.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Drawing on communication strategies and theories of public address, John reflects on how the same principles that guide effective speakers also apply to working performers. With his usual mix of humor, honesty, and insight, he offers listeners a thoughtful reminder that great performances are not just about the songs we play, but about how clearly we communicate with the room. 

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Support the show

If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

With his usual mix of humor, honesty, and practical insight, John begins unpacking the foundational ideas every gigging musician needs to understand about pricing, value, and the mindset around asking for what you’re worth. 

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

John talks about why some songs consistently pull people back into the moment while others quietly lose the room, and how learning to recognize those patterns is part of surviving and thriving as a gigging musician. If you want your setlist to work for you, for the venue, and for the people listening, this episode offers a clear and practical guide.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

He unpacks how thriving musicians build income streams that rhyme with their craft. Opportunities that strengthen their brand instead of distracting from it. If you want longevity instead of just survival, this episode is a wake-up call and a potential roadmap.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

If you have ever wondered why some players stay booked while others constantly scramble, this episode’s Top Ten list about what a venue actually wants will sharpen your perspective. If you want more gigs and better gigs, you need to understand what the buyer actually cares about.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

Beneath the practical advice is something bigger. A vision for a healthier music culture. A compassionate reminder that the person on the other side of the stage is not your competition, but your colleague. A straightforward, sometimes blunt look at ego, scarcity, and the damage isolation can do. This episode is both a playbook and a perspective shift, grounded in experience and aimed at building something that lasts.

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If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com

He also shares a Top 10 list titled “Things I Have Learned as a Performer That Everyone Must Know to Survive,” a collection of lessons drawn from years of real stages, real crowds, and real consequences. 

Support the show

If you have a question, an idea for a show, or you would just like to say "hey," you can drop me an email at gigtolivepodcast@gmail.com