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  <title>The Print Cast</title>

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  <copyright>© 2026 The Print Cast</copyright>
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  <itunes:author>Nicholas Naughton</itunes:author>
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  <description><![CDATA[The Print Cast is a podcast about the expanding world of printmaking today. Host Nick Naughton talks with some of the best contemporary printmakers working today, including designers, illustrators, collaborative print artists, commercial printers, letterpress, foil stampers, and even book binders. Nick and his guests talk shop sharing anecdotes, business ideas, and technical tips with listeners everywhere. It's about the print shops, the artists, the process, and why we make all the prints that we make. Naughton is an artist who has devoted two decades to various roles as a printmaker, and he brings his depth of experience to his role as host. He's been a professor, non-profit shop manager, studio owner, and has practiced every technique from screen print and letterpress to relief, intaglio, installation and everything in between. The show drops a new episode every two weeks featuring some of the best minds working in multiples today.]]></description>
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  <itunes:keywords>printmaking, letterpress, screen print, lithograph, etching, print studio, printshop, artist, graphic artist, graphic design, illustration, limited edition</itunes:keywords>
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    <itunes:title>Lino Bill Fick</itunes:title>
    <title>Lino Bill Fick</title>
    <itunes:summary><![CDATA[You may know my guest today if you've ever encountered the Speedball Printmaking Posse, a print loving tour of artists that spread the gospel of printmaking while doing demos, handing out posters and samples of relief inks. He's even got his own namesake Super Graphic Black ink with Speedball.  His name is Lino Bill Fick. His work is a bit rockabilly, can be viewed as deranged, and it captures the essence of his signature style of drawing which can be brushy, inky, and always graphic wit...]]></itunes:summary>
    <description><![CDATA[<p>You may know my guest today if you&apos;ve ever encountered the Speedball Printmaking Posse, a print loving tour of artists that spread the gospel of printmaking while doing demos, handing out posters and samples of relief inks. He&apos;s even got his own namesake Super Graphic Black ink with Speedball.  His name is Lino Bill Fick. His work is a bit rockabilly, can be viewed as deranged, and it captures the essence of his signature style of drawing which can be brushy, inky, and always graphic with intense black lines. Learn about his unusual beginnings abroad as the son of an oil company worker, how the Outlaw Printmakers started up, and hear about the book that he and Beth Grabowski published called &quot;<b>Printmaking: A complete guide to materials and process&quot;. </b><br/><br/>Today on Let&apos;s Get Technical, Lino Bill walks us through some of his best tips for linocut printmaking.<br/><br/>Check out <a href='http://www.instagram.com/linobill'>Lino Bill</a> on Instagram.<br/>Follow <a href='http://www.instagram.com/nicholasnaughton'>Nick</a> the host of The Print Cast.<br/>Follow <a href='http://www.instagram.com/theprintcast'>The Print Cast</a>.<br/><br/><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>You may know my guest today if you&apos;ve ever encountered the Speedball Printmaking Posse, a print loving tour of artists that spread the gospel of printmaking while doing demos, handing out posters and samples of relief inks. He&apos;s even got his own namesake Super Graphic Black ink with Speedball.  His name is Lino Bill Fick. His work is a bit rockabilly, can be viewed as deranged, and it captures the essence of his signature style of drawing which can be brushy, inky, and always graphic with intense black lines. Learn about his unusual beginnings abroad as the son of an oil company worker, how the Outlaw Printmakers started up, and hear about the book that he and Beth Grabowski published called &quot;<b>Printmaking: A complete guide to materials and process&quot;. </b><br/><br/>Today on Let&apos;s Get Technical, Lino Bill walks us through some of his best tips for linocut printmaking.<br/><br/>Check out <a href='http://www.instagram.com/linobill'>Lino Bill</a> on Instagram.<br/>Follow <a href='http://www.instagram.com/nicholasnaughton'>Nick</a> the host of The Print Cast.<br/>Follow <a href='http://www.instagram.com/theprintcast'>The Print Cast</a>.<br/><br/><br/><br/></p>]]></content:encoded>
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    <itunes:author>Bill Fick</itunes:author>
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    <pubDate>Mon, 05 Jul 2021 22:00:00 -0700</pubDate>
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    <itunes:duration>4815</itunes:duration>
    <itunes:keywords>linobill, bill fick, linocut, relief print, printmaking, block print, linoleum print, speedball, duke university, chapel hill, outlaw printmakers, speedball printmaking posse, hooligan, brush stroke </itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>14</itunes:episode>
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    <itunes:title>Master Printer Kathy Caraccio</itunes:title>
    <title>Master Printer Kathy Caraccio</title>
    <itunes:summary><![CDATA[Kathy Caraccio is a New York based master printer who started out studying under Arun Bos at Hunter College in the 60's, and after graduating spent four years printing and absorbing all kinds of knowledge at Robert Blackburns Print Workshop. It was there she learned the ins and outs of being a collaborating printer and got glimpses into the world of dealing and collecting prints by watching Robert Blackburn sell the prints published in his studio. Her first publishing job was for Pace, before...]]></itunes:summary>
    <description><![CDATA[<p>Kathy Caraccio is a New York based master printer who started out studying under Arun Bos at Hunter College in the 60&apos;s, and after graduating spent four years printing and absorbing all kinds of knowledge at Robert Blackburns Print Workshop. It was there she learned the ins and outs of being a collaborating printer and got glimpses into the world of dealing and collecting prints by watching Robert Blackburn sell the prints published in his studio. Her first publishing job was for Pace, before they had their own print operation, printing a commemorative suite of etchings  for Louise Nevelson. She opened her studio and has been a printer for the past 43 years, printing for the likes of Ema Amos, Ed Clarke, Romaire Beardon, Sol LeWitt and many other artists. Kathy comes on the Print Cast to tell her story about she got into printmaking, what it was like working at Robert Blackburn&apos;s print studio, and stories of the many collaborations she has done since then.<br/><br/>Today’s <b>Let’s Get Technical</b> is all about Collagraph! Hear some great tips from the master herself. <br/>-Using a PVC plastic or polystyrene plate (sintra is one brand )<br/>-How to prepare the plate with a mesh that simulates an aquatint<br/>-Adding collage materials...but not too much<br/>-Printing the plate in intaglio and relief styles<br/><br/>See Kathy&apos;s collection and learn more about her at <a href='https://www.kcaracciocollection.com/'>https://www.kcaracciocollection.com/</a><br/>Follow Kathy on Instagram <a href='http://www.instagram.com/kathyprint'>@kathyprint</a><br/><br/><b>Some other announcements:</b><br/>Self Help Graphics is having its Biennial Print Summit over Zoom, March 10,11,12 of 2021. Check their website for more info. <a href='http://selfhelpgraphics.com'>Selfhelpgraphics.com</a><br/>Self Help Graphics in Los Angeles is also hiring a Master Printer with a specialty in Serigraphy. Learn more at <a href='http://selfhelpgraphics.com/opportunitites'>selfhelpgraphics.com/opportunitites</a><br/><br/></p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Kathy Caraccio is a New York based master printer who started out studying under Arun Bos at Hunter College in the 60&apos;s, and after graduating spent four years printing and absorbing all kinds of knowledge at Robert Blackburns Print Workshop. It was there she learned the ins and outs of being a collaborating printer and got glimpses into the world of dealing and collecting prints by watching Robert Blackburn sell the prints published in his studio. Her first publishing job was for Pace, before they had their own print operation, printing a commemorative suite of etchings  for Louise Nevelson. She opened her studio and has been a printer for the past 43 years, printing for the likes of Ema Amos, Ed Clarke, Romaire Beardon, Sol LeWitt and many other artists. Kathy comes on the Print Cast to tell her story about she got into printmaking, what it was like working at Robert Blackburn&apos;s print studio, and stories of the many collaborations she has done since then.<br/><br/>Today’s <b>Let’s Get Technical</b> is all about Collagraph! Hear some great tips from the master herself. <br/>-Using a PVC plastic or polystyrene plate (sintra is one brand )<br/>-How to prepare the plate with a mesh that simulates an aquatint<br/>-Adding collage materials...but not too much<br/>-Printing the plate in intaglio and relief styles<br/><br/>See Kathy&apos;s collection and learn more about her at <a href='https://www.kcaracciocollection.com/'>https://www.kcaracciocollection.com/</a><br/>Follow Kathy on Instagram <a href='http://www.instagram.com/kathyprint'>@kathyprint</a><br/><br/><b>Some other announcements:</b><br/>Self Help Graphics is having its Biennial Print Summit over Zoom, March 10,11,12 of 2021. Check their website for more info. <a href='http://selfhelpgraphics.com'>Selfhelpgraphics.com</a><br/>Self Help Graphics in Los Angeles is also hiring a Master Printer with a specialty in Serigraphy. Learn more at <a href='http://selfhelpgraphics.com/opportunitites'>selfhelpgraphics.com/opportunitites</a><br/><br/></p><p><br/></p>]]></content:encoded>
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    <itunes:author>Kathy Caraccio</itunes:author>
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    <pubDate>Sat, 27 Feb 2021 11:00:00 -0800</pubDate>
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    <itunes:season>2</itunes:season>
    <itunes:episode>13</itunes:episode>
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    <itunes:title>Part 2 | Prints and Their Makers with Master Printer Phil Sanders</itunes:title>
    <title>Part 2 | Prints and Their Makers with Master Printer Phil Sanders</title>
    <itunes:summary><![CDATA[This episode is Part 2 of my conversation with Phil Sanders, author of Prints and Their Makers, a new book out from Princeton Architectural Press about artists and master printers and the processes that bring them together. If you haven’t heard Part 1, it precedes this episode in your feed so I encourage you to catch up before listening to this installment of The Print Cast.  If you are all caught up, then today is a treat for you because we’re about to embark on a lengthy Let’s Get Tech...]]></itunes:summary>
    <description><![CDATA[<p>This episode is Part 2 of my conversation with Phil Sanders, author of <b>Prints and Their Makers</b>, a new book out from Princeton Architectural Press about artists and master printers and the processes that bring them together. If you haven’t heard Part 1, it precedes this episode in your feed so I encourage you to catch up before listening to this installment of The Print Cast.</p><p> If you are all caught up, then today is a treat for you because we’re about to embark on a lengthy <b><em>Let’s Get Technical</em></b> segment regarding relief printing, and other logistical things related to print publishing. Since it is rare that I have a guest like Phil, I wanted to indulge a bit over how to approach making a relief or block print, and he offers up some really helpful tips regarding printing, prepping, and even some creative ideas that might help you transcend your current working process. </p><p>At the end Phil tells us about where you can find his new book, and I encourage you to go out and pick up a copy. Find your local art book dealer and see if they have it, or feel free to order direct from my guest Phil Sanders. He even offers some collector editions which include hand pulled prints to go with this hefty addition to your print book collection.</p>]]></description>
    <content:encoded><![CDATA[<p>This episode is Part 2 of my conversation with Phil Sanders, author of <b>Prints and Their Makers</b>, a new book out from Princeton Architectural Press about artists and master printers and the processes that bring them together. If you haven’t heard Part 1, it precedes this episode in your feed so I encourage you to catch up before listening to this installment of The Print Cast.</p><p> If you are all caught up, then today is a treat for you because we’re about to embark on a lengthy <b><em>Let’s Get Technical</em></b> segment regarding relief printing, and other logistical things related to print publishing. Since it is rare that I have a guest like Phil, I wanted to indulge a bit over how to approach making a relief or block print, and he offers up some really helpful tips regarding printing, prepping, and even some creative ideas that might help you transcend your current working process. </p><p>At the end Phil tells us about where you can find his new book, and I encourage you to go out and pick up a copy. Find your local art book dealer and see if they have it, or feel free to order direct from my guest Phil Sanders. He even offers some collector editions which include hand pulled prints to go with this hefty addition to your print book collection.</p>]]></content:encoded>
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    <link>http://intaglio, relief, woodcut, etching, lithography, serigraphy, screen print, monotype, monoprint, prints and their makers, phil sanders, </link>
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    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Tue, 02 Feb 2021 09:00:00 -0800</pubDate>
    <itunes:duration>2340</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
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    <itunes:title>Part 1 | Prints and Their Makers with Master Printer Phil Sanders </itunes:title>
    <title>Part 1 | Prints and Their Makers with Master Printer Phil Sanders </title>
    <itunes:summary><![CDATA[Author and Master Printmaker Phil Sanders comes on the podcast today in a two-part episode to discuss his new book Prints and Their Makers, a book that weaves connections between the tradition and techniques of printmaking developed over the course of human history. Phil Sanders is a master printer and publisher at PS Marlowe in Asheville, North Carolina. He is a former printer at ULAE, and former director at the Robert Blackburn Printmaking Workshop in New York City.  His book features publi...]]></itunes:summary>
    <description><![CDATA[<p>Author and Master Printmaker Phil Sanders comes on the podcast today in a two-part episode to discuss his new book <em>Prints and Their Makers</em>, a book that weaves connections between the tradition and techniques of printmaking developed over the course of human history. Phil Sanders is a master printer and publisher at PS Marlowe in Asheville, North Carolina. He is a former printer at ULAE, and former director at the Robert Blackburn Printmaking Workshop in New York City.<br/><br/>His book features publishers and artists who push the boundaries of the seven major processes: Relief, Intaglio, Chine Collé, Photogravure, Lithography, Monotype &amp; Monoprint, and Screen Print. It&apos;s like taking a tour of the best print workshops around the globe that are operating today. <br/><br/>While it offers historical context, the book also invites us press-side with artists and master printers, giving insight into the decision making processes involved in making some truly impressive artworks. It&apos;s a treat for anyone who enjoys peeling apart the layers of how monumental prints are made.<br/><br/>One of the best parts of the book are the images and the artists featured. The images are bright, bold, and well presented, and you&apos;ll see many new artists&apos; work that will be sure to inspire and delight as you flip through the pages. It&apos;s a fantastic book and we have a really enjoyable chat regarding all things print. <br/><br/>Today&apos;s episode is Part 1 of my interview with Phil Sanders, with Part 2 coming next week. <br/>Enjoy!</p>]]></description>
    <content:encoded><![CDATA[<p>Author and Master Printmaker Phil Sanders comes on the podcast today in a two-part episode to discuss his new book <em>Prints and Their Makers</em>, a book that weaves connections between the tradition and techniques of printmaking developed over the course of human history. Phil Sanders is a master printer and publisher at PS Marlowe in Asheville, North Carolina. He is a former printer at ULAE, and former director at the Robert Blackburn Printmaking Workshop in New York City.<br/><br/>His book features publishers and artists who push the boundaries of the seven major processes: Relief, Intaglio, Chine Collé, Photogravure, Lithography, Monotype &amp; Monoprint, and Screen Print. It&apos;s like taking a tour of the best print workshops around the globe that are operating today. <br/><br/>While it offers historical context, the book also invites us press-side with artists and master printers, giving insight into the decision making processes involved in making some truly impressive artworks. It&apos;s a treat for anyone who enjoys peeling apart the layers of how monumental prints are made.<br/><br/>One of the best parts of the book are the images and the artists featured. The images are bright, bold, and well presented, and you&apos;ll see many new artists&apos; work that will be sure to inspire and delight as you flip through the pages. It&apos;s a fantastic book and we have a really enjoyable chat regarding all things print. <br/><br/>Today&apos;s episode is Part 1 of my interview with Phil Sanders, with Part 2 coming next week. <br/>Enjoy!</p>]]></content:encoded>
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    <itunes:author>Phil Sanders</itunes:author>
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    <pubDate>Wed, 27 Jan 2021 08:00:00 -0800</pubDate>
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    <itunes:keywords>Prints and Their Makers, Phil Sanders, Relief, Intaglio, Monotype, Monoprint, Lithography, Photogravure, Screen Print, Chin Colle, Printmaking, Process, Publisher, Workshop, Collaboration, Master Printer, ULAE, Robert Blackburn Printmaking Workshop, PS Ma</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>11</itunes:episode>
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    <itunes:title>Drawing Attention to the States of Change with Yoonmi Nam</itunes:title>
    <title>Drawing Attention to the States of Change with Yoonmi Nam</title>
    <itunes:summary><![CDATA[Artist and professor Yoonmi Nam comes on the podcast to discuss her art, collaborations, exhibitions, and more. Nam is a professor at KU in Lawrence, KS, and we discuss her inspiration that comes from the world around her including her neighborhood and kitchen table. Nam is a lithographer, and Moku Hanga artist, and connects her passion for technical processes with content that speaks to ephemerality and convenience. Most of her art examines liminal spaces between states of change, and contra...]]></itunes:summary>
    <description><![CDATA[<p>Artist and professor Yoonmi Nam comes on the podcast to discuss her art, collaborations, exhibitions, and more. Nam is a professor at KU in Lawrence, KS, and we discuss her inspiration that comes from the world around her including her neighborhood and kitchen table. Nam is a lithographer, and Moku Hanga artist, and connects her passion for technical processes with content that speaks to ephemerality and convenience. Most of her art examines liminal spaces between states of change, and contradictions that exist in the things we use like how we use &quot;disposable&quot; goods packaged in plastics that will be around for the next 10,000 years. Her collaborative group Wood/Paper/Box is a long running project between three artists and we discuss how the group works together while apart, and upcoming shows and travel that connect to the work of the artist trio. Today&apos;s <em>Let&apos;s Get Technical</em> dives into damp pack paper storage, which you may need someday...maybe.<br/><br/>Check out Yoonmi online <a href='http://yoonminam.com'>here</a>.<br/>Her instagram is <a href='http://instagram.com/yoonmi_nam'>here</a>.<br/><br/>Follow The Print Cast on Instagram <a href='http://instagram.com/theprintcast'>here</a>.<br/>Check out more episodes <a href='http://theprintcast.com'>online</a>.<br/><br/><b>Today&apos;s discussion involves:</b><br/>How art resembling takeout food takes on new meaning in the pandemic world.<br/>Toile wallpaper<br/>SGCI New Orleans - print exchange<br/>How construction and decay often look similar.<br/>Living in a run down neighborhood where new development impacts the vintage neighborhood.<br/>Flavor Paper - Brooklyn custom screen printed wallpaper <br/>Mustard Seed Garden Manual for Painting<br/>Wood/Paper/Box - a collaborative group where three artists exchange art works.<br/>Moku Hanga Conference in Japan<br/>All works during one project are contained into one box and become an exhibition.<br/>Next exhibition of group due to happen in 2021 at The Beach Museum in Manhattan, KS<br/>They are creating a custom edition as part of the show.<br/>Their projects are interactive to view because they have to be taken from the box, handled, and moved around to view all the contents.<br/>We talk about GAMPI!!! A favorite paper. So delicate, and yet so strong.<br/>She started making sculptural objects in response to paper prints.<br/>She likes to think about time in materials<br/>The contradiction that disposable things are made in ultra-durable materials like plastic<br/>Studying Moku Hanga in Japan<br/>Viewing Mt. Fuji in daily life while in Japan<br/>Doing a print residency in Japan learning Moku Hanga</p><p><b><em>Let’s Get Technical<br/></em></b>Using a Damp Pack: <br/>Moku Hanga paper is typically prepared so that it is moist before printing<br/>How to dampen your printing paper, not fully wet, but moist and ready to take ink<br/>Using damp newsprint, and a sheet of plastic of trash bag<br/>Taking humidity and paper thickness into account<br/>Maintain right amount of moisture throughout editioning<br/>Don’t leave it sit for too many days, or the damp pack can grow bacteria and ruin paper</p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Artist and professor Yoonmi Nam comes on the podcast to discuss her art, collaborations, exhibitions, and more. Nam is a professor at KU in Lawrence, KS, and we discuss her inspiration that comes from the world around her including her neighborhood and kitchen table. Nam is a lithographer, and Moku Hanga artist, and connects her passion for technical processes with content that speaks to ephemerality and convenience. Most of her art examines liminal spaces between states of change, and contradictions that exist in the things we use like how we use &quot;disposable&quot; goods packaged in plastics that will be around for the next 10,000 years. Her collaborative group Wood/Paper/Box is a long running project between three artists and we discuss how the group works together while apart, and upcoming shows and travel that connect to the work of the artist trio. Today&apos;s <em>Let&apos;s Get Technical</em> dives into damp pack paper storage, which you may need someday...maybe.<br/><br/>Check out Yoonmi online <a href='http://yoonminam.com'>here</a>.<br/>Her instagram is <a href='http://instagram.com/yoonmi_nam'>here</a>.<br/><br/>Follow The Print Cast on Instagram <a href='http://instagram.com/theprintcast'>here</a>.<br/>Check out more episodes <a href='http://theprintcast.com'>online</a>.<br/><br/><b>Today&apos;s discussion involves:</b><br/>How art resembling takeout food takes on new meaning in the pandemic world.<br/>Toile wallpaper<br/>SGCI New Orleans - print exchange<br/>How construction and decay often look similar.<br/>Living in a run down neighborhood where new development impacts the vintage neighborhood.<br/>Flavor Paper - Brooklyn custom screen printed wallpaper <br/>Mustard Seed Garden Manual for Painting<br/>Wood/Paper/Box - a collaborative group where three artists exchange art works.<br/>Moku Hanga Conference in Japan<br/>All works during one project are contained into one box and become an exhibition.<br/>Next exhibition of group due to happen in 2021 at The Beach Museum in Manhattan, KS<br/>They are creating a custom edition as part of the show.<br/>Their projects are interactive to view because they have to be taken from the box, handled, and moved around to view all the contents.<br/>We talk about GAMPI!!! A favorite paper. So delicate, and yet so strong.<br/>She started making sculptural objects in response to paper prints.<br/>She likes to think about time in materials<br/>The contradiction that disposable things are made in ultra-durable materials like plastic<br/>Studying Moku Hanga in Japan<br/>Viewing Mt. Fuji in daily life while in Japan<br/>Doing a print residency in Japan learning Moku Hanga</p><p><b><em>Let’s Get Technical<br/></em></b>Using a Damp Pack: <br/>Moku Hanga paper is typically prepared so that it is moist before printing<br/>How to dampen your printing paper, not fully wet, but moist and ready to take ink<br/>Using damp newsprint, and a sheet of plastic of trash bag<br/>Taking humidity and paper thickness into account<br/>Maintain right amount of moisture throughout editioning<br/>Don’t leave it sit for too many days, or the damp pack can grow bacteria and ruin paper</p><p><br/></p>]]></content:encoded>
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    <link>http://theprintcast.com/</link>
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    <itunes:author>Yoonmi Nam</itunes:author>
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    <pubDate>Sat, 31 Oct 2020 14:00:00 -0700</pubDate>
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    <itunes:duration>4392</itunes:duration>
    <itunes:keywords>printmaking, moku hanga, lithograph, korean art, east meets west, KU, KU printmaking, fine art, contemporary print, facsimile, ceramics, sculpture, work on paper</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>10</itunes:episode>
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  <item>
    <itunes:title>Linocut, my one true love, with Kari Kristensen aka The Printmaker and Her Dog</itunes:title>
    <title>Linocut, my one true love, with Kari Kristensen aka The Printmaker and Her Dog</title>
    <itunes:summary><![CDATA[Today I’ve got a great conversation to share with you featuring an artist you may recognize as The Printmaker and Her Dog, or for non-instagram people, her name is Kari Kristensen. Kari is a relief printmaker based in Vancouver,  Canada where she pumps out iterations of her stylized landscape prints. Kari has a great presence on social media, and there’s something really appealing about the type of work she does. It’s simple, monochromatic, and presents a field of view that makes you wan...]]></itunes:summary>
    <description><![CDATA[<p>Today I’ve got a great conversation to share with you featuring an artist you may recognize as The Printmaker and Her Dog, or for non-instagram people, her name is Kari Kristensen. Kari is a relief printmaker based in Vancouver,  Canada where she pumps out iterations of her stylized landscape prints. Kari has a great presence on social media, and there’s something really appealing about the type of work she does. It’s simple, monochromatic, and presents a field of view that makes you want to jump in and get lost amidst the lines and dots she carefully renders. We get into topics around the origins and influences behind her landscapes, lots of Canada-related discussion, and we share some love for our favorite papers and relief printing methods. Speaking of relief printing, there are a couple priceless tips today in our Let’s Get Technical segment, so hang in because you won’t want to miss them. </p><p><b>We get into...</b><br/>Art in Canada<br/>Group of 7 painters<br/>London Regionalist Movement <br/>Being an artist from Ontario<br/>Creating uniquely Canadian art<br/>Speaking with an accent...or thinking you don’t have one.<br/>Artist Ken Danby - artist who did image of hockey players<br/>Linocut<br/>Vancouver peaks called The Two Lions<br/>Granville Island - printing press capital of Canada<br/>Peter Brauhn - master printmaker on Granville Island<br/>Thomas Printing Presses - vancouver press maker<br/>Calvert Guthrie - printshop manager in Kansas City<br/>BIMPE - biennial print exchange<br/>Doing murals that convey the quality of prints<br/>Living with Arithmomania, the OCD condition<br/>Making flat prints that appear digital<br/>Dave Lefner relief prints<br/><br/><b>Today’s Let’s Get Technical: <br/></b>How to treat lino before starting<br/>Maintaining all types of tools including speedball cutters<br/>Big love for #1 blade speedball carving tools<br/>Takach Rollers for extra nice ink rolling</p><p>East Side Culture Crawl in Vancouver<br/><b><em>Favorite Paper:</em></b><b> </b>Arnhem 1618 (245gsm) from Blick<br/>Let&apos;s not forget the luscious Arches 88<br/>Having multiple revenue streams: studio crawls, gallery sales, art rentals, <br/>Squarespace online sales portal - posting featured works and not overwhelming buyers<br/>Having a dog keeps you in touch with life outside the studio<br/>How being gay and having OCD lead to a life with linocut </p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today I’ve got a great conversation to share with you featuring an artist you may recognize as The Printmaker and Her Dog, or for non-instagram people, her name is Kari Kristensen. Kari is a relief printmaker based in Vancouver,  Canada where she pumps out iterations of her stylized landscape prints. Kari has a great presence on social media, and there’s something really appealing about the type of work she does. It’s simple, monochromatic, and presents a field of view that makes you want to jump in and get lost amidst the lines and dots she carefully renders. We get into topics around the origins and influences behind her landscapes, lots of Canada-related discussion, and we share some love for our favorite papers and relief printing methods. Speaking of relief printing, there are a couple priceless tips today in our Let’s Get Technical segment, so hang in because you won’t want to miss them. </p><p><b>We get into...</b><br/>Art in Canada<br/>Group of 7 painters<br/>London Regionalist Movement <br/>Being an artist from Ontario<br/>Creating uniquely Canadian art<br/>Speaking with an accent...or thinking you don’t have one.<br/>Artist Ken Danby - artist who did image of hockey players<br/>Linocut<br/>Vancouver peaks called The Two Lions<br/>Granville Island - printing press capital of Canada<br/>Peter Brauhn - master printmaker on Granville Island<br/>Thomas Printing Presses - vancouver press maker<br/>Calvert Guthrie - printshop manager in Kansas City<br/>BIMPE - biennial print exchange<br/>Doing murals that convey the quality of prints<br/>Living with Arithmomania, the OCD condition<br/>Making flat prints that appear digital<br/>Dave Lefner relief prints<br/><br/><b>Today’s Let’s Get Technical: <br/></b>How to treat lino before starting<br/>Maintaining all types of tools including speedball cutters<br/>Big love for #1 blade speedball carving tools<br/>Takach Rollers for extra nice ink rolling</p><p>East Side Culture Crawl in Vancouver<br/><b><em>Favorite Paper:</em></b><b> </b>Arnhem 1618 (245gsm) from Blick<br/>Let&apos;s not forget the luscious Arches 88<br/>Having multiple revenue streams: studio crawls, gallery sales, art rentals, <br/>Squarespace online sales portal - posting featured works and not overwhelming buyers<br/>Having a dog keeps you in touch with life outside the studio<br/>How being gay and having OCD lead to a life with linocut </p><p><br/></p>]]></content:encoded>
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    <link>http://theprintcast.com/</link>
    <itunes:image href="https://storage.buzzsprout.com/m0trcxv9qpsepqv5roltv1ym36aw?.jpg" />
    <itunes:author>Kari Kristensen</itunes:author>
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    <pubDate>Thu, 22 Oct 2020 12:00:00 -0700</pubDate>
    <podcast:soundbite startTime="857.833" duration="29.0" />
    <itunes:duration>3092</itunes:duration>
    <itunes:keywords>kari kristensen, theprintmakerandherdog, linocut, relief print, lino, block print, monochromatic, Canadian art, printmaking, selling art, art studio, creativity, the business of art</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>9</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Printmakers Against Racism w/ Desiree Aspiras</itunes:title>
    <title>Printmakers Against Racism w/ Desiree Aspiras</title>
    <itunes:summary><![CDATA[Printmakers Against Racism is a project that launches today, on the day of this recording July 25th, 2020. Desiree Aspiras is the founder of the project which aims to engage printmakers across the world to sell their printss and donate the proceeds to support the fight against systemic racial injustice. In lieu of the project launch, Desiree and I discuss the motivation behind the project, and how a similar movement called @bakersagainstracism provided her with a frame work to set up this glo...]]></itunes:summary>
    <description><![CDATA[<p>Printmakers Against Racism is a project that launches today, on the day of this recording July 25th, 2020. Desiree Aspiras is the founder of the project which aims to engage printmakers across the world to sell their printss and donate the proceeds to support the fight against systemic racial injustice. In lieu of the project launch, Desiree and I discuss the motivation behind the project, and how a similar movement called @bakersagainstracism provided her with a frame work to set up this global art sale. Learn how Instagram closed her account causing her to rename her handle with little explanation why it happened at all. Desiree is an artist, poet, and therapist, so she has a lot of thoughtful insight into how it&apos;s important to take care of ourselves to be able to show up for others. <br/>If you still want to sign up, it&apos;s simple to get involved, just go to http://printmakersagainstracism.com and sign up. It&apos;s up to participants to sell their works and once the funding is collected they can choose the local organization where they would like the proceeds to benefit. <br/>The sale runs for one week, July 25th-July 31st, though the parameters are loose enough that you can still sign up even as the project is launching, and there isn&apos;t a hard deadline for when you have to sell your prints. It&apos;s really about giving artists a prompt to get making art for a good cause. Check out the project and participate in any way you can. <br/><br/>Follow <a href='https://www.instagram.com/printmakingasresistance/'>Printmaking As Resistance</a> on Instagram<br/>Follow <a href='https://www.instagram.com/theprintcast/'>The Print Cast </a></p>]]></description>
    <content:encoded><![CDATA[<p>Printmakers Against Racism is a project that launches today, on the day of this recording July 25th, 2020. Desiree Aspiras is the founder of the project which aims to engage printmakers across the world to sell their printss and donate the proceeds to support the fight against systemic racial injustice. In lieu of the project launch, Desiree and I discuss the motivation behind the project, and how a similar movement called @bakersagainstracism provided her with a frame work to set up this global art sale. Learn how Instagram closed her account causing her to rename her handle with little explanation why it happened at all. Desiree is an artist, poet, and therapist, so she has a lot of thoughtful insight into how it&apos;s important to take care of ourselves to be able to show up for others. <br/>If you still want to sign up, it&apos;s simple to get involved, just go to http://printmakersagainstracism.com and sign up. It&apos;s up to participants to sell their works and once the funding is collected they can choose the local organization where they would like the proceeds to benefit. <br/>The sale runs for one week, July 25th-July 31st, though the parameters are loose enough that you can still sign up even as the project is launching, and there isn&apos;t a hard deadline for when you have to sell your prints. It&apos;s really about giving artists a prompt to get making art for a good cause. Check out the project and participate in any way you can. <br/><br/>Follow <a href='https://www.instagram.com/printmakingasresistance/'>Printmaking As Resistance</a> on Instagram<br/>Follow <a href='https://www.instagram.com/theprintcast/'>The Print Cast </a></p>]]></content:encoded>
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    <link>http://theprintcast.com/</link>
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    <itunes:author>Desiree Aspiras</itunes:author>
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    <pubDate>Sat, 25 Jul 2020 23:00:00 -0700</pubDate>
    <itunes:duration>2116</itunes:duration>
    <itunes:keywords>printmaking, antiracism, print allies, art for good, printmaking against racism, fundraiser, black lives matter, </itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>8</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Getting Real w/ Louisville&#39;s Smoketown Printshop Calliope Arts</itunes:title>
    <title>Getting Real w/ Louisville&#39;s Smoketown Printshop Calliope Arts</title>
    <itunes:summary><![CDATA[Joining me on The Print Cast are Rudy Salgado Jr. and Susanna Crum of Calliope Arts in Louisville, KY. They are an artist couple who run their studio on the first floor of the building they live in near downtown Louisville. We talk about C-19, a print publishing project they started during quarantine that benefits KY and Southern Indiana artists. Our discussion about the pandemic transitioned into politics in their area including protests, BLM arrests at the mayor's residence, and the ongoing...]]></itunes:summary>
    <description><![CDATA[<p>Joining me on The Print Cast are Rudy Salgado Jr. and Susanna Crum of Calliope Arts in Louisville, KY. They are an artist couple who run their studio on the first floor of the building they live in near downtown Louisville. We talk about C-19, a print publishing project they started during quarantine that benefits KY and Southern Indiana artists. Our discussion about the pandemic transitioned into politics in their area including protests, BLM arrests at the mayor&apos;s residence, and the ongoing struggle to get justice for Breonna Taylor and others. Other mentions and topics are listed below. Take a listen and learn about Louisville&apos;s mainstay public printshop.<br/><br/>Check out <a href='https://www.calliope-arts.com/'>Calliope Arts Online</a><br/>Follow <a href='https://www.instagram.com/calliopearts/'>Calliope Arts</a> on Instagram<br/>Follow <a href='https://www.instagram.com/rivercitytintype/'>Rudy Salgado Jr.</a><br/>Follow <a href='https://www.instagram.com/susannacrum/'>Susanna Crum</a><br/>Follow <a href='https://www.instagram.com/theprintcast/'>The Print Cast</a><br/><br/><b>Mentions:</b><br/><br/>Chickens and gardening<br/>ISU where she teaches<br/>Calliope Arts<br/>Community Art Center in Danneville KY<br/>Speed Art Museum<br/>Being an LLC instead of a non-profit for flexibility<br/>C-19 Publishing Project launched as a pivot from COVID-19<br/>-artists work on a matrix and send it back for editioning<br/>-Artist Relief Trust - to help KY artists, partnership between the maker, the studio, and the relief trust. The project has raised over $1200 at the publishing of this episode.<br/>-Collect new prints and support a good cause<br/>-Jim James of My Morning Jacket made a print<br/>-Ron Whitehead made a print<br/>-Hannah Drake - local poet made a print<br/>Life during the pandemic in Louisville, KY<br/>The oncoming reality of schools closing to in-person teaching for the rest of 2020<br/>Dirty looks and comments for wearing a mask in public.<br/>Developing curriculum for at-home learning<br/>Black Lives Matter - Louisville perspective<br/>Breonna Taylor <br/>How police broke into Breonna Taylor’s home and killed her while the suspect they were searching for was already in custody<br/>David McAtee was killed by police at a summer protest in Louisville, and conveniently no body camera footage was available from the incident.<br/>Navigating a relationship with a neighbor who has polar opposite political beliefs<br/>Youth Build<br/>Embracing the introvert in you to survive a pandemic<br/>Susanna Crum is currently the President of Mid American Print Council, and she gives a MAPC 2020 Conference Update</p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Joining me on The Print Cast are Rudy Salgado Jr. and Susanna Crum of Calliope Arts in Louisville, KY. They are an artist couple who run their studio on the first floor of the building they live in near downtown Louisville. We talk about C-19, a print publishing project they started during quarantine that benefits KY and Southern Indiana artists. Our discussion about the pandemic transitioned into politics in their area including protests, BLM arrests at the mayor&apos;s residence, and the ongoing struggle to get justice for Breonna Taylor and others. Other mentions and topics are listed below. Take a listen and learn about Louisville&apos;s mainstay public printshop.<br/><br/>Check out <a href='https://www.calliope-arts.com/'>Calliope Arts Online</a><br/>Follow <a href='https://www.instagram.com/calliopearts/'>Calliope Arts</a> on Instagram<br/>Follow <a href='https://www.instagram.com/rivercitytintype/'>Rudy Salgado Jr.</a><br/>Follow <a href='https://www.instagram.com/susannacrum/'>Susanna Crum</a><br/>Follow <a href='https://www.instagram.com/theprintcast/'>The Print Cast</a><br/><br/><b>Mentions:</b><br/><br/>Chickens and gardening<br/>ISU where she teaches<br/>Calliope Arts<br/>Community Art Center in Danneville KY<br/>Speed Art Museum<br/>Being an LLC instead of a non-profit for flexibility<br/>C-19 Publishing Project launched as a pivot from COVID-19<br/>-artists work on a matrix and send it back for editioning<br/>-Artist Relief Trust - to help KY artists, partnership between the maker, the studio, and the relief trust. The project has raised over $1200 at the publishing of this episode.<br/>-Collect new prints and support a good cause<br/>-Jim James of My Morning Jacket made a print<br/>-Ron Whitehead made a print<br/>-Hannah Drake - local poet made a print<br/>Life during the pandemic in Louisville, KY<br/>The oncoming reality of schools closing to in-person teaching for the rest of 2020<br/>Dirty looks and comments for wearing a mask in public.<br/>Developing curriculum for at-home learning<br/>Black Lives Matter - Louisville perspective<br/>Breonna Taylor <br/>How police broke into Breonna Taylor’s home and killed her while the suspect they were searching for was already in custody<br/>David McAtee was killed by police at a summer protest in Louisville, and conveniently no body camera footage was available from the incident.<br/>Navigating a relationship with a neighbor who has polar opposite political beliefs<br/>Youth Build<br/>Embracing the introvert in you to survive a pandemic<br/>Susanna Crum is currently the President of Mid American Print Council, and she gives a MAPC 2020 Conference Update</p><p><br/></p>]]></content:encoded>
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    <link>http://theprintcast.com/</link>
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    <itunes:author>Calliope Arts, Rudy Salgado Jr., Susanna Crum</itunes:author>
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    <pubDate>Wed, 22 Jul 2020 16:00:00 -0700</pubDate>
    <itunes:duration>4025</itunes:duration>
    <itunes:keywords>louisville, kentucky, artist relief trust, fundraiser, print publishing, linocut, lithograph, screen print, art collector, Breonna Taylor, Say her name, Black Lives Matter, calliope arts, print studio, printmaking, print process, live-work, kentucky arts</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>7</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>The Untold Histories of &quot;The Women of Atelier 17&quot; with Author Christina Weyl</itunes:title>
    <title>The Untold Histories of &quot;The Women of Atelier 17&quot; with Author Christina Weyl</title>
    <itunes:summary><![CDATA[If you're a printmaker, I hope you've heard of Atelier 17.  The widely acclaimed mid-century Manhattan print studio was known for being an inclusive environment to make and expand the craft of printmaking. My guest today is Christina Weyl, author of a new book "The Women of Atelier 17: Modernist Printmaking in Midcentury New York." Christina Weyl is an author and art historian and independent scholar and curator. She earned a BA from Georgetown University and my MA and PhD in Art History from...]]></itunes:summary>
    <description><![CDATA[<p>If you&apos;re a printmaker, I hope you&apos;ve heard of Atelier 17.<br/><br/>The widely acclaimed mid-century Manhattan print studio was known for being an inclusive environment to make and expand the craft of printmaking. My guest today is Christina Weyl, author of a new book &quot;The Women of Atelier 17: Modernist Printmaking in Midcentury New York.&quot;</p><p>Christina Weyl is an author and art historian and independent scholar and curator. She earned a BA from Georgetown University and my MA and PhD in Art History from Rutgers University.  Formerly, she was the director of Gemini G.E.L. at Joni Moisant Weyl, a gallery in New York City that represents the print publications of the Los Angels-based artists’ workshop, Gemini G.E.L.<br/><br/>She writes about midcentury American printmaking and women artists.</p><p>Get ready for some history. I think you&apos;ll get a lot out of this one.</p><p>On today’s show with Christina Weyl, we’re talking about:</p><ul><li><b>The New School </b>in mid-century</li><li><b>Louise Nevelson</b></li><li>The influence of <b>Stanley William Hayter</b></li><li><b>Atelier 17</b></li><li><b>Dorothy Dainer</b></li><li><b>Louise Bourgeois</b></li><li>Print technique spotlight:<b> Engraving </b></li><li><b>Sue Fuller’s innovative </b>fabric collage work in <b>soft ground </b>etching</li><li><b>Let’s Get Technical! </b>~ How a common kitchen staple became ubiquitous in every printshop for<b> Sugar Lift.</b></li><li><b>Masculinizing </b>technical terminology</li><li>Why materials limited printmaking’s evolution towards becoming <b>monumental</b></li><li><b>James Ehlers</b></li><li><b>Ashton Ludden</b></li><li><b>Andrew Raffterty</b></li><li>And tons more…</li></ul><p>Enjoy!</p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>If you&apos;re a printmaker, I hope you&apos;ve heard of Atelier 17.<br/><br/>The widely acclaimed mid-century Manhattan print studio was known for being an inclusive environment to make and expand the craft of printmaking. My guest today is Christina Weyl, author of a new book &quot;The Women of Atelier 17: Modernist Printmaking in Midcentury New York.&quot;</p><p>Christina Weyl is an author and art historian and independent scholar and curator. She earned a BA from Georgetown University and my MA and PhD in Art History from Rutgers University.  Formerly, she was the director of Gemini G.E.L. at Joni Moisant Weyl, a gallery in New York City that represents the print publications of the Los Angels-based artists’ workshop, Gemini G.E.L.<br/><br/>She writes about midcentury American printmaking and women artists.</p><p>Get ready for some history. I think you&apos;ll get a lot out of this one.</p><p>On today’s show with Christina Weyl, we’re talking about:</p><ul><li><b>The New School </b>in mid-century</li><li><b>Louise Nevelson</b></li><li>The influence of <b>Stanley William Hayter</b></li><li><b>Atelier 17</b></li><li><b>Dorothy Dainer</b></li><li><b>Louise Bourgeois</b></li><li>Print technique spotlight:<b> Engraving </b></li><li><b>Sue Fuller’s innovative </b>fabric collage work in <b>soft ground </b>etching</li><li><b>Let’s Get Technical! </b>~ How a common kitchen staple became ubiquitous in every printshop for<b> Sugar Lift.</b></li><li><b>Masculinizing </b>technical terminology</li><li>Why materials limited printmaking’s evolution towards becoming <b>monumental</b></li><li><b>James Ehlers</b></li><li><b>Ashton Ludden</b></li><li><b>Andrew Raffterty</b></li><li>And tons more…</li></ul><p>Enjoy!</p><p><br/></p>]]></content:encoded>
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    <link>http://theprintcast.com/</link>
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    <itunes:author>Christina Weyl, The Women of Atelier 17</itunes:author>
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    <pubDate>Tue, 30 Jun 2020 14:00:00 -0700</pubDate>
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    <itunes:duration>3497</itunes:duration>
    <itunes:keywords>atelier 17, printshop, printmaking, engraving, etching, stanley william hayter, new york, mid century art, collaboration, innovation, print studio, print process, </itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>6</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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    <itunes:title>This is not a time for neutrality | BLM</itunes:title>
    <title>This is not a time for neutrality | BLM</title>
    <itunes:summary><![CDATA[The Print Cast supports Black Lives Matter and believes in justice for those who have been oppressed by systemic racism. I've been making time to reflect and to learn about the issues at hand, and I am reflecting on how I can be involved and support the movement. I'm going to work to make sure this podcast is part of the healing and change that this world needs. I believe that artists can be a powerful component in movements for change, and the content I produce moving forward will most defin...]]></itunes:summary>
    <description><![CDATA[<p>The Print Cast supports Black Lives Matter and believes in justice for those who have been oppressed by systemic racism. I&apos;ve been making time to reflect and to learn about the issues at hand, and I am reflecting on how I can be involved and support the movement. I&apos;m going to work to make sure this podcast is part of the healing and change that this world needs. I believe that artists can be a powerful component in movements for change, and the content I produce moving forward will most definitely take that into account.<br/><br/>Join me and support <a href='https://blacklivesmatter.com/'>Black Lives Matter</a></p>]]></description>
    <content:encoded><![CDATA[<p>The Print Cast supports Black Lives Matter and believes in justice for those who have been oppressed by systemic racism. I&apos;ve been making time to reflect and to learn about the issues at hand, and I am reflecting on how I can be involved and support the movement. I&apos;m going to work to make sure this podcast is part of the healing and change that this world needs. I believe that artists can be a powerful component in movements for change, and the content I produce moving forward will most definitely take that into account.<br/><br/>Join me and support <a href='https://blacklivesmatter.com/'>Black Lives Matter</a></p>]]></content:encoded>
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    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Tue, 23 Jun 2020 20:00:00 -0700</pubDate>
    <podcast:soundbite startTime="145.0" duration="17.0" />
    <itunes:duration>168</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>7</itunes:episode>
    <itunes:episodeType>bonus</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title> Press On | Fifth Edition featuring Josh Dannin and Todd Irwin, the co-publishers of Power Washer Zine</itunes:title>
    <title> Press On | Fifth Edition featuring Josh Dannin and Todd Irwin, the co-publishers of Power Washer Zine</title>
    <itunes:summary><![CDATA[Today’s edition of Press On with The Print Cast was wrapped up on Thursday May 22nd, in the year 2020, over 8 weeks into my stay-at-home shut-down. For this fifth edition I’ve got a longer interview for you, so it will only be one today, featuring Josh Dannin of Directangle Press and Todd Irwin of Bitmap Press, the co-publishers of Power Washer Zine. Today’s talk is a fresh one, to say the least, and full of print jargon and technical talks. We run the gamut from how long to flash dry a toast...]]></itunes:summary>
    <description><![CDATA[<p>Today’s edition of Press On with The Print Cast was wrapped up on Thursday May 22nd, in the year 2020, over 8 weeks into my stay-at-home shut-down. For this fifth edition I’ve got a longer interview for you, so it will only be one today, featuring Josh Dannin of Directangle Press and Todd Irwin of Bitmap Press, the co-publishers of Power Washer Zine.<br/>Today’s talk is a fresh one, to say the least, and full of print jargon and technical talks. We run the gamut from how long to flash dry a toasted cheese sandwich, to what kind of mesh count is recommended for getting good coverage when printing with cheese balls, We go deep about the struggle to find the best supportive printshop footwear.<br/>Also included today is a special opener showcasing the sounds of Los Angeles where we scream and cheer as a neighborhood each night at 8pm. It&apos;s quite an audible delight really, and a lot of fun if you live here because we just scream our hearts out together! <br/><br/>Feed &amp; Delivery Links:<br/><br/><a href='https://news.artnet.com/opinion/why-conspiracy-theories-have-become-the-most-influential-art-form-of-our-time-part-i-1854738'><b>Why Conspiracy Theories Have Become the Most Influential Art Form of Our Time</b></a><br/><a href='https://news.artnet.com/opinion/conspiracy-theory-art-history-1855647'><b>How Art History Can Help Explain the Stunning Rise of Conspiracy Theories That Is Defining Our Time</b></a><b><br/></b><a href='https://www.directanglepress.com/powerwasher '><b>Power washer Zine #8 Download</b></a><b><br/></b><a href='https://www.insidehook.com/article/new-york/ihand-painted-sign-renaissance'><b>Hand Painted Sign Rennaisance</b></a><b><br/></b><a href='https://podcasts.apple.com/us/podcast/the-outlaw-printmaker-podcast/id1510265608'><b>Outlaw Printmaker Podcast</b></a><b><br/></b><a href='https://www.messynessychic.com/2020/05/07/that-1960s-revolution-of-underground-press-is-still-alive-well/'><b>That 1960s Revolution of the Underground Press is Still Alive &amp; Well</b></a><b><br/></b><a href='http://www.printmuseum.org'><b>Fun Printmaker-ly Letterpress Newsletter </b></a></p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today’s edition of Press On with The Print Cast was wrapped up on Thursday May 22nd, in the year 2020, over 8 weeks into my stay-at-home shut-down. For this fifth edition I’ve got a longer interview for you, so it will only be one today, featuring Josh Dannin of Directangle Press and Todd Irwin of Bitmap Press, the co-publishers of Power Washer Zine.<br/>Today’s talk is a fresh one, to say the least, and full of print jargon and technical talks. We run the gamut from how long to flash dry a toasted cheese sandwich, to what kind of mesh count is recommended for getting good coverage when printing with cheese balls, We go deep about the struggle to find the best supportive printshop footwear.<br/>Also included today is a special opener showcasing the sounds of Los Angeles where we scream and cheer as a neighborhood each night at 8pm. It&apos;s quite an audible delight really, and a lot of fun if you live here because we just scream our hearts out together! <br/><br/>Feed &amp; Delivery Links:<br/><br/><a href='https://news.artnet.com/opinion/why-conspiracy-theories-have-become-the-most-influential-art-form-of-our-time-part-i-1854738'><b>Why Conspiracy Theories Have Become the Most Influential Art Form of Our Time</b></a><br/><a href='https://news.artnet.com/opinion/conspiracy-theory-art-history-1855647'><b>How Art History Can Help Explain the Stunning Rise of Conspiracy Theories That Is Defining Our Time</b></a><b><br/></b><a href='https://www.directanglepress.com/powerwasher '><b>Power washer Zine #8 Download</b></a><b><br/></b><a href='https://www.insidehook.com/article/new-york/ihand-painted-sign-renaissance'><b>Hand Painted Sign Rennaisance</b></a><b><br/></b><a href='https://podcasts.apple.com/us/podcast/the-outlaw-printmaker-podcast/id1510265608'><b>Outlaw Printmaker Podcast</b></a><b><br/></b><a href='https://www.messynessychic.com/2020/05/07/that-1960s-revolution-of-underground-press-is-still-alive-well/'><b>That 1960s Revolution of the Underground Press is Still Alive &amp; Well</b></a><b><br/></b><a href='http://www.printmuseum.org'><b>Fun Printmaker-ly Letterpress Newsletter </b></a></p><p><br/></p>]]></content:encoded>
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    <link>http://theprintcast.com/</link>
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    <itunes:author>Josh Dannin and Todd Irwin of Power Washer Zine</itunes:author>
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    <pubDate>Fri, 22 May 2020 19:00:00 -0700</pubDate>
    <itunes:duration>3732</itunes:duration>
    <itunes:keywords>screen print, printmaking, zine, publication, DIY, risograph, printmaker, collaboration, fine print, fine art, art, artist, interviews</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>6</itunes:episode>
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    <itunes:title>Press On | Fourth Edition featuring Robynn Smith of Print Day in May and Luther Davis of Powerhouse Arts</itunes:title>
    <title>Press On | Fourth Edition featuring Robynn Smith of Print Day in May and Luther Davis of Powerhouse Arts</title>
    <itunes:summary><![CDATA[Today on The Print Cast, it's the fourth edition of our series Press On, something we launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they'll keep busy through the shutdown of daily life. Each iteration of the series will bring you stories directly from artists and we'll keep them coming as long as this situation persists. Today's edition was wrapped up on May 1st, 2020. In Part 1, ...]]></itunes:summary>
    <description><![CDATA[<p>Today on The Print Cast, it&apos;s the fourth edition of our series Press On, something we launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they&apos;ll keep busy through the shutdown of daily life. Each iteration of the series will bring you stories directly from artists and we&apos;ll keep them coming as long as this situation persists.<br/>Today&apos;s edition was wrapped up on May 1st, 2020. In Part 1, Robynn Smith from Print Day in May tells us of the upcoming print holiday on May 2nd. Join in with the celebration and share a print your making, and if you hashtag sponsors, you could win a rad prize. More info <a href='http://printdayinmay.com'>here. </a><br/>Part 2 of today&apos;s episode features screen printer Luther Davis of Powerhouse Arts. I had Luther on to talk about a recent Jenny Holzer print he did while under quarantine with fellow artist Leslie Diuguid. Together they pulled the B.A.T. while wearing masks and gloves, so that the edition could be sold to raise money for Earth Day. <br/>Also starting us off is my news service that I&apos;m now dubbing Feed and Delivery: News for the Graphically Curious. You can look forward to this as a component of future podcasts, and maybe after COVID-19 it will become a stand alone podcast feed for mini episodes each week. For now, check out Press On while it runs on The Print Cast feed and you&apos;ll hear the latest each week. <br/>More to come and let me know if you want to share anything via the Press On series.<br/><br/>Check out the Print Cast website <a href='http://theprintcast.com/'>here</a> for more info.<br/><br/><a href='https://londonoriginalprintfair.com/'>London Original Fair</a><br/><a href='http://mail01.tinyletterapp.com/LadiesofLetterpress/correct-link-ladies-of-letterpress-conference-2020-survey/16856490-forms.gle/j6nfhyqvqx3jzuvva?c=9a05a13f-402e-445e-bb3c-ca20015f4748'>Ladies of Letterpress Conference Survey</a><br/><a href='https://icaa.mfah.org/s/en/page/home'>Houston Art Museum - Documents of Latin America and Latino Art</a><br/><a href='https://www.nytimes.com/interactive/2020/04/23/magazine/los-angeles-coronavirus-diary.html'>Geoff McFettridge Drawings About Pandemic Life</a><br/><a href='https://printdayinmay.com/'>Join Print Day in May</a><br/><a href='https://uam.nmsu.edu/current/'>NMSU University Art Museum - Channeling the Nuances of Motherhood Into Art</a><br/><a href='https://artistmotherpodcast.com/podcast/55-everything-begins-with-a-mother-curating-labor-motherhood-art-in-2020-with-marisa-sage/'>Artist Mother Podcast - Episode 55 with Curator Marisa Sage</a><br/><a href='https://hyperallergic.com/556805/channeling-the-nuances-of-motherhood-into-art/?utm_medium=email&amp;utm_campaign=D043020&amp;utm_content=D043020+CID_437da392cee061c811be6a00133d125c&amp;utm_source=HyperallergicNewsletter&amp;utm_term=Channeling%2520the%2520Nuances%2520of%2520Motherhood%2520Into%2520Art'>Hyperallergic review of Channeling the Nuances of Motherhood into Art</a><br/><a href='https://artistrelief.submittable.com/submit'>Artist Relief Fund Grant Application</a></p>]]></description>
    <content:encoded><![CDATA[<p>Today on The Print Cast, it&apos;s the fourth edition of our series Press On, something we launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they&apos;ll keep busy through the shutdown of daily life. Each iteration of the series will bring you stories directly from artists and we&apos;ll keep them coming as long as this situation persists.<br/>Today&apos;s edition was wrapped up on May 1st, 2020. In Part 1, Robynn Smith from Print Day in May tells us of the upcoming print holiday on May 2nd. Join in with the celebration and share a print your making, and if you hashtag sponsors, you could win a rad prize. More info <a href='http://printdayinmay.com'>here. </a><br/>Part 2 of today&apos;s episode features screen printer Luther Davis of Powerhouse Arts. I had Luther on to talk about a recent Jenny Holzer print he did while under quarantine with fellow artist Leslie Diuguid. Together they pulled the B.A.T. while wearing masks and gloves, so that the edition could be sold to raise money for Earth Day. <br/>Also starting us off is my news service that I&apos;m now dubbing Feed and Delivery: News for the Graphically Curious. You can look forward to this as a component of future podcasts, and maybe after COVID-19 it will become a stand alone podcast feed for mini episodes each week. For now, check out Press On while it runs on The Print Cast feed and you&apos;ll hear the latest each week. <br/>More to come and let me know if you want to share anything via the Press On series.<br/><br/>Check out the Print Cast website <a href='http://theprintcast.com/'>here</a> for more info.<br/><br/><a href='https://londonoriginalprintfair.com/'>London Original Fair</a><br/><a href='http://mail01.tinyletterapp.com/LadiesofLetterpress/correct-link-ladies-of-letterpress-conference-2020-survey/16856490-forms.gle/j6nfhyqvqx3jzuvva?c=9a05a13f-402e-445e-bb3c-ca20015f4748'>Ladies of Letterpress Conference Survey</a><br/><a href='https://icaa.mfah.org/s/en/page/home'>Houston Art Museum - Documents of Latin America and Latino Art</a><br/><a href='https://www.nytimes.com/interactive/2020/04/23/magazine/los-angeles-coronavirus-diary.html'>Geoff McFettridge Drawings About Pandemic Life</a><br/><a href='https://printdayinmay.com/'>Join Print Day in May</a><br/><a href='https://uam.nmsu.edu/current/'>NMSU University Art Museum - Channeling the Nuances of Motherhood Into Art</a><br/><a href='https://artistmotherpodcast.com/podcast/55-everything-begins-with-a-mother-curating-labor-motherhood-art-in-2020-with-marisa-sage/'>Artist Mother Podcast - Episode 55 with Curator Marisa Sage</a><br/><a href='https://hyperallergic.com/556805/channeling-the-nuances-of-motherhood-into-art/?utm_medium=email&amp;utm_campaign=D043020&amp;utm_content=D043020+CID_437da392cee061c811be6a00133d125c&amp;utm_source=HyperallergicNewsletter&amp;utm_term=Channeling%2520the%2520Nuances%2520of%2520Motherhood%2520Into%2520Art'>Hyperallergic review of Channeling the Nuances of Motherhood into Art</a><br/><a href='https://artistrelief.submittable.com/submit'>Artist Relief Fund Grant Application</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/253445/episodes/3587281-press-on-fourth-edition-featuring-robynn-smith-of-print-day-in-may-and-luther-davis-of-powerhouse-arts.mp3" length="45259518" type="audio/mpeg" />
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    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Fri, 01 May 2020 18:00:00 -0700</pubDate>
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    <itunes:duration>3766</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>5</itunes:episode>
    <itunes:episodeType>bonus</itunes:episodeType>
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    <itunes:title>Press On | Third Edition featuring Matthew Dols of The Wise Fool Podcast and Landscape Printmaker Laura Boswell</itunes:title>
    <title>Press On | Third Edition featuring Matthew Dols of The Wise Fool Podcast and Landscape Printmaker Laura Boswell</title>
    <itunes:summary><![CDATA[Today on The Print Cast, it's the third edition of our series Press On, something we launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they'll keep busy through the shutdown of daily life. Each iteration of the series will bring you stories directly from artists and we'll keep them coming as long as this situation persists. Today's edition was wrapped up on April 20, 2020. In Part 1, ...]]></itunes:summary>
    <description><![CDATA[<p>Today on The Print Cast, it&apos;s the third edition of our series Press On, something we launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they&apos;ll keep busy through the shutdown of daily life. Each iteration of the series will bring you stories directly from artists and we&apos;ll keep them coming as long as this situation persists.<br/>Today&apos;s edition was wrapped up on April 20, 2020. In Part 1, Matthew Dols from <a href='https://podcasts.apple.com/us/podcast/the-wise-fool/id1472331248'>The Wise Fool Podcast</a> comes on the show to tell us about what life is like in Prague during the shut down. <br/>Part 2 of today&apos;s episode features printmaker Laura Boswell from the UK. Laura has been making daily instructional videos about her style of lino printing during the shutdown and it&apos;s been getting a lot of great response on Instagram and Youtube. She also does a weekly podcast called Ask an Artist where she and her co-host Peter Keegan talk to artists in their community. It was great to catch up with Laura and to learn about how she juggles art production and content creation. If you haven&apos;t seen her videos yet, check em out on Youtube <a href='https://www.youtube.com/channel/UCS9nZVbpj-JlOxATscBE_4w/featured'>here</a>.<br/>More to come and let me know if you want to share anything via the Press On series.<br/><br/>Check out the Print Cast website <a href='http://theprintcast.com'>here</a> for more info.<br/><br/><a href='https://londonoriginalprintfair.com/'>London Original Fair</a><br/><a href='https://normaleditions.illinoisstate.edu/exhibitions/printmaker-interrupted/'>Normal Editions ISU - Printmaker Interrupted</a><br/><a href='https://www.sgcinternational.org/providence-2021/'>SGCI 2021 | Providence Open Call</a><br/><a href='https://evbaeyer-cabinet.com/exhibitions/judith-rothchild-mezzotints/?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Judith Rothchild at Emanuel Von Baeyer | Mezzotints</a><br/><a href='https://www.gerrishfineart.com/exhibitions/art-for-solidarity~1767?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Art for Solidarity at Gerrish Fine Art<br/></a><a href='http://www.peterblumgallery.com/viewing-room/louise-bourgeois?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Louise Bourgeois at Peter Blum Gallery<br/></a><a href='https://www.artsy.net/show/sims-reed-gallery-andy-warhol-moonwalk-cowboys-and-indians-mick-jagger-and-muhammad-ali?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Warhol at Sims Reed LTD<br/></a><a href='https://www.facebook.com/events/678107326284494/'>Mixografia | Making Art with John Baldessari<br/></a><a href='https://ipcny.submittable.com/submit'>New Prints Open Call at IPCNY</a><br/><a href='https://artistrelief.submittable.com/submit'>Artist Relief Fund Grant Application</a><br/><br/>Laura Boswell on <a href='https://www.instagram.com/laura_boswell_printmaker/?hl=en'>Instagram</a><br/>Laura Boswell <a href='https://www.lauraboswell.co.uk/'>online<br/></a><br/>Support <a href='http://www.patreon.com/theprintcast/'>The Print Cast on Patreon</a><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today on The Print Cast, it&apos;s the third edition of our series Press On, something we launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they&apos;ll keep busy through the shutdown of daily life. Each iteration of the series will bring you stories directly from artists and we&apos;ll keep them coming as long as this situation persists.<br/>Today&apos;s edition was wrapped up on April 20, 2020. In Part 1, Matthew Dols from <a href='https://podcasts.apple.com/us/podcast/the-wise-fool/id1472331248'>The Wise Fool Podcast</a> comes on the show to tell us about what life is like in Prague during the shut down. <br/>Part 2 of today&apos;s episode features printmaker Laura Boswell from the UK. Laura has been making daily instructional videos about her style of lino printing during the shutdown and it&apos;s been getting a lot of great response on Instagram and Youtube. She also does a weekly podcast called Ask an Artist where she and her co-host Peter Keegan talk to artists in their community. It was great to catch up with Laura and to learn about how she juggles art production and content creation. If you haven&apos;t seen her videos yet, check em out on Youtube <a href='https://www.youtube.com/channel/UCS9nZVbpj-JlOxATscBE_4w/featured'>here</a>.<br/>More to come and let me know if you want to share anything via the Press On series.<br/><br/>Check out the Print Cast website <a href='http://theprintcast.com'>here</a> for more info.<br/><br/><a href='https://londonoriginalprintfair.com/'>London Original Fair</a><br/><a href='https://normaleditions.illinoisstate.edu/exhibitions/printmaker-interrupted/'>Normal Editions ISU - Printmaker Interrupted</a><br/><a href='https://www.sgcinternational.org/providence-2021/'>SGCI 2021 | Providence Open Call</a><br/><a href='https://evbaeyer-cabinet.com/exhibitions/judith-rothchild-mezzotints/?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Judith Rothchild at Emanuel Von Baeyer | Mezzotints</a><br/><a href='https://www.gerrishfineart.com/exhibitions/art-for-solidarity~1767?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Art for Solidarity at Gerrish Fine Art<br/></a><a href='http://www.peterblumgallery.com/viewing-room/louise-bourgeois?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Louise Bourgeois at Peter Blum Gallery<br/></a><a href='https://www.artsy.net/show/sims-reed-gallery-andy-warhol-moonwalk-cowboys-and-indians-mick-jagger-and-muhammad-ali?utm_source=General+Mailing+List&amp;utm_campaign=007589550c-EMAIL_CAMPAIGN_2019_06_03_08_36_COPY_01&amp;utm_medium=email&amp;utm_term=0_536277f98a-007589550c-211207215&amp;mc_cid=007589550c&amp;mc_eid=a541bdc217'>Warhol at Sims Reed LTD<br/></a><a href='https://www.facebook.com/events/678107326284494/'>Mixografia | Making Art with John Baldessari<br/></a><a href='https://ipcny.submittable.com/submit'>New Prints Open Call at IPCNY</a><br/><a href='https://artistrelief.submittable.com/submit'>Artist Relief Fund Grant Application</a><br/><br/>Laura Boswell on <a href='https://www.instagram.com/laura_boswell_printmaker/?hl=en'>Instagram</a><br/>Laura Boswell <a href='https://www.lauraboswell.co.uk/'>online<br/></a><br/>Support <a href='http://www.patreon.com/theprintcast/'>The Print Cast on Patreon</a><br/><br/></p>]]></content:encoded>
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    <link>http://theprintcast.com/</link>
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    <itunes:author>Matthew Dols and Laura Boswell</itunes:author>
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    <pubDate>Tue, 21 Apr 2020 16:00:00 -0700</pubDate>
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    <itunes:duration>3699</itunes:duration>
    <itunes:keywords>etching, prague, thewisefoodpod, askanartist, laura boswell, uk printmaking, ukartist, relief print, linocut, mokuhanga</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>4</itunes:episode>
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    <itunes:title>Press On | Second Edition featuring Joseph Velasquez of Drive By Press and Sarah Kirk Hanley from Manhattan Graphics Center</itunes:title>
    <title>Press On | Second Edition featuring Joseph Velasquez of Drive By Press and Sarah Kirk Hanley from Manhattan Graphics Center</title>
    <itunes:summary><![CDATA[Today's episode of The Print Cast is the second edition of a limited series I’m calling Press On, Press On is a series that looks at the impact of the COVID-19 pandemic on the printmaking community. Each of these bonus episodes brings you stories from printmaking artists and arts administrators speaking to how this situation impacts their lives, what’s happening with print shops and businesses, and how they are adapting to new challenges.  Today's first guest is Joseph Velasquez, co-founder o...]]></itunes:summary>
    <description><![CDATA[<p>Today&apos;s episode of The Print Cast is the second edition of a limited series I’m calling Press On, Press On is a series that looks at the impact of the COVID-19 pandemic on the printmaking community. Each of these bonus episodes brings you stories from printmaking artists and arts administrators speaking to how this situation impacts their lives, what’s happening with print shops and businesses, and how they are adapting to new challenges. <br/>Today&apos;s first guest is Joseph Velasquez, co-founder of Drive By Press. We talk about teaching, making art about Star Trek, and what it&apos;s like developing printing technology from scratch using ready made materials. <br/>Second on the show is Sarah Kirk Hanley, the executive director of the Manhattan Graphics Center in NYC. With the closing of most public spaces, it leaves community printshops without access to programs, equipment, and most importantly community. We discuss how she is working to keep everyone connected, and we also chat about funding and how to keep non profit spaces going during difficult times like this. <br/>Lots of links today so check out the following if you are looking for interesting print-related things to do online.<br/><br/><a href='https://hyperallergic.com/546913/coronavirus-daily-report/'>Daily Art World Corona Virus Report</a> | Hyperallergic<br/><a href='https://hyperallergic.com/543203/a-sudanese-printmaker-radiates-light-from-darkness/'>A Sudanese Printmaker Radiates Light from Darkness</a> | Hyperallergic<br/><a href='https://news.artnet.com/art-world/german-bailout-50-billion-1815396'>Germany&apos;s Sweeping Aid Package for the Arts</a> | Artnet<br/><a href='https://mixografia.com/events/mixografia-virtual-gallery/'>Virtual Gallery - Wrong is Right: Remembering John Baldessari </a>| Mixografia<br/><a href='https://my.matterport.com/show/?m=rtBPTCju2dm'>IPCNY Virtual Gallery</a> | IPCNY + Hyperallergic<br/><a href='https://archive.org/details/nationalemergencylibrary'>National Emergency Library</a> | Archive.org<br/><a href='https://artsandculture.google.com/'>Google Arts and Culture</a><br/><a href='https://firstsite.uk/art-is-where-the-home-is/'>Art is Where the Home Is</a> | Greyson Perry and Antony Gormley<br/><a href='http://www.evilprints.com/'>Tom Huck Evil Prints</a><br/><a href='https://twitter.com/SteveMartinToGo/status/1243329747125297152?s=20'>Steve Martin</a> Playing Banjo in his Backyard<br/><a href=' https://www.youtube.com/watch?v=EA9uRfOJgM0'>Slow Rush in An Imaginary Place</a> | Tame Impala<br/><a href='https://docs.google.com/document/d/1ITMOoV_clb-w4jS5NGQPidegKpsE0LGJrwozCf9REfY/edit'>The Last Days of the Art World … and Perhaps the First Days of a New One</a> | Jerry Saltz + Vulture<br/><br/>Donate to <a href='http://www.patreon.com/theprintcast'>The Print Cast Patreon</a><br/>Learn more at our <a href='http://theprintcast.com'>website</a><br/>Thanks, wash your hands, stay safe everyone.<br/><br/><br/></p><p><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today&apos;s episode of The Print Cast is the second edition of a limited series I’m calling Press On, Press On is a series that looks at the impact of the COVID-19 pandemic on the printmaking community. Each of these bonus episodes brings you stories from printmaking artists and arts administrators speaking to how this situation impacts their lives, what’s happening with print shops and businesses, and how they are adapting to new challenges. <br/>Today&apos;s first guest is Joseph Velasquez, co-founder of Drive By Press. We talk about teaching, making art about Star Trek, and what it&apos;s like developing printing technology from scratch using ready made materials. <br/>Second on the show is Sarah Kirk Hanley, the executive director of the Manhattan Graphics Center in NYC. With the closing of most public spaces, it leaves community printshops without access to programs, equipment, and most importantly community. We discuss how she is working to keep everyone connected, and we also chat about funding and how to keep non profit spaces going during difficult times like this. <br/>Lots of links today so check out the following if you are looking for interesting print-related things to do online.<br/><br/><a href='https://hyperallergic.com/546913/coronavirus-daily-report/'>Daily Art World Corona Virus Report</a> | Hyperallergic<br/><a href='https://hyperallergic.com/543203/a-sudanese-printmaker-radiates-light-from-darkness/'>A Sudanese Printmaker Radiates Light from Darkness</a> | Hyperallergic<br/><a href='https://news.artnet.com/art-world/german-bailout-50-billion-1815396'>Germany&apos;s Sweeping Aid Package for the Arts</a> | Artnet<br/><a href='https://mixografia.com/events/mixografia-virtual-gallery/'>Virtual Gallery - Wrong is Right: Remembering John Baldessari </a>| Mixografia<br/><a href='https://my.matterport.com/show/?m=rtBPTCju2dm'>IPCNY Virtual Gallery</a> | IPCNY + Hyperallergic<br/><a href='https://archive.org/details/nationalemergencylibrary'>National Emergency Library</a> | Archive.org<br/><a href='https://artsandculture.google.com/'>Google Arts and Culture</a><br/><a href='https://firstsite.uk/art-is-where-the-home-is/'>Art is Where the Home Is</a> | Greyson Perry and Antony Gormley<br/><a href='http://www.evilprints.com/'>Tom Huck Evil Prints</a><br/><a href='https://twitter.com/SteveMartinToGo/status/1243329747125297152?s=20'>Steve Martin</a> Playing Banjo in his Backyard<br/><a href=' https://www.youtube.com/watch?v=EA9uRfOJgM0'>Slow Rush in An Imaginary Place</a> | Tame Impala<br/><a href='https://docs.google.com/document/d/1ITMOoV_clb-w4jS5NGQPidegKpsE0LGJrwozCf9REfY/edit'>The Last Days of the Art World … and Perhaps the First Days of a New One</a> | Jerry Saltz + Vulture<br/><br/>Donate to <a href='http://www.patreon.com/theprintcast'>The Print Cast Patreon</a><br/>Learn more at our <a href='http://theprintcast.com'>website</a><br/>Thanks, wash your hands, stay safe everyone.<br/><br/><br/></p><p><br/><br/></p>]]></content:encoded>
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    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Fri, 03 Apr 2020 16:00:00 -0700</pubDate>
    <itunes:duration>3089</itunes:duration>
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    <itunes:season>2</itunes:season>
    <itunes:episode>3</itunes:episode>
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    <itunes:title>Press On | First Edition featuring Joey Gross of Public Print Co, James Black of 111 Shirt Lab, and print professor Yoonmi Nam from University of Kansas</itunes:title>
    <title>Press On | First Edition featuring Joey Gross of Public Print Co, James Black of 111 Shirt Lab, and print professor Yoonmi Nam from University of Kansas</title>
    <itunes:summary><![CDATA[Today on podcast, we’re doing a special edition called Press On, a series launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they’ll keep busy through the shut down of daily life.  Each iteration of this series will bring you stories from 3 artists and we’ll keep em coming as long as this situation persists. Today’s edition was recorded Saturday March 21st of 2020. In Part 1 of to...]]></itunes:summary>
    <description><![CDATA[<p>Today on podcast, we’re doing a special edition called Press On, a series launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they’ll keep busy through the shut down of daily life.  Each iteration of this series will bring you stories from 3 artists and we’ll keep em coming as long as this situation persists.</p><p>Today’s edition was recorded Saturday March 21st of 2020. In Part 1 of today’s edition of Press On, we talk with Joey Gross from Public Print Co in Kansas City. Joey and Andrew were featured on Episode 4 of the Print Cast. We talk about the new line of postcards they&apos;ve produced at Public and they&apos;re online now if you are looking for some affordable and tasteful things to mail to friends during the coming weeks. You can find those <a href='https://publicprint.co/products/postcard-set'>here</a>.<br/><br/>Second on the show is James Black from <a href='https://www.111tshirtlab.com/'>111ShirtLab</a> in Albuquerque, NM. They do lots of public educational programs, and also custom posters, intaglio, litho, relief and t-shirts. With business down, we discuss ways they are keeping busy including making masks and other DIY ways of working.<br/><br/>Finally Yoonmi Nam, professor of printmaking at KU, comes on the show to catch us up on what&apos;s happening with the virus in Lawrence, KS. She talks about recent travels and how the effects of the pandemic have been slowly building in the past few weeks. You can look forward to an interview with Yoonmi real soon, but for now check out her art which is super cool <a href='http://www.yoonminam.com/'>here</a>.<br/><br/>Check out The Print Cast online <a href='http://theprintcast.com'>here</a>.<br/>On Instagram <a href='http://www.instagram.com/theprintcast/'>here</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>Today on podcast, we’re doing a special edition called Press On, a series launched as a response to the COVID-19 pandemic. I want to talk directly to printmakers about how this situation impacts their lives, their businesses, and how they’ll keep busy through the shut down of daily life.  Each iteration of this series will bring you stories from 3 artists and we’ll keep em coming as long as this situation persists.</p><p>Today’s edition was recorded Saturday March 21st of 2020. In Part 1 of today’s edition of Press On, we talk with Joey Gross from Public Print Co in Kansas City. Joey and Andrew were featured on Episode 4 of the Print Cast. We talk about the new line of postcards they&apos;ve produced at Public and they&apos;re online now if you are looking for some affordable and tasteful things to mail to friends during the coming weeks. You can find those <a href='https://publicprint.co/products/postcard-set'>here</a>.<br/><br/>Second on the show is James Black from <a href='https://www.111tshirtlab.com/'>111ShirtLab</a> in Albuquerque, NM. They do lots of public educational programs, and also custom posters, intaglio, litho, relief and t-shirts. With business down, we discuss ways they are keeping busy including making masks and other DIY ways of working.<br/><br/>Finally Yoonmi Nam, professor of printmaking at KU, comes on the show to catch us up on what&apos;s happening with the virus in Lawrence, KS. She talks about recent travels and how the effects of the pandemic have been slowly building in the past few weeks. You can look forward to an interview with Yoonmi real soon, but for now check out her art which is super cool <a href='http://www.yoonminam.com/'>here</a>.<br/><br/>Check out The Print Cast online <a href='http://theprintcast.com'>here</a>.<br/>On Instagram <a href='http://www.instagram.com/theprintcast/'>here</a>.</p>]]></content:encoded>
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    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Thu, 26 Mar 2020 18:00:00 -0700</pubDate>
    <itunes:duration>3159</itunes:duration>
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    <itunes:season>2</itunes:season>
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    <itunes:title>Introducing: Press On, a limited series on the impacts of COVID-19 on the print community.</itunes:title>
    <title>Introducing: Press On, a limited series on the impacts of COVID-19 on the print community.</title>
    <itunes:summary><![CDATA[In the new limited audio series from the maker of The Print Cast, host Nick Naughton invites listeners onto the podcast to share about how the Coronavirus pandemic is affecting their lives and livelihoods. In the spirit of community, we're opening the lines to share stories of how we're coping, how we're printing from home, and how we're going to maintain some semblance of the lives we've lived until now. We're in it together, and we will Press On...eventually. To take part, email Nick at inf...]]></itunes:summary>
    <description><![CDATA[<p>In the new limited audio series from the maker of The Print Cast, host Nick Naughton invites listeners onto the podcast to share about how the Coronavirus pandemic is affecting their lives and livelihoods. In the spirit of community, we&apos;re opening the lines to share stories of how we&apos;re coping, how we&apos;re printing from home, and how we&apos;re going to maintain some semblance of the lives we&apos;ve lived until now. We&apos;re in it together, and we will Press On...eventually.<br/>To take part, email Nick at <a href='mailto:info@theprintcast.com'>info@theprintcast.com</a><br/>Or DM him on Instagram <a href='http://www.instagram.com/theprintcast/'>@theprintcast</a><br/><br/>Episode 1 of Press On launches this week featuring Joey Gross of the letterpress shop <a href='https://publicprint.co/'>Public Print Co</a> in Kansas City, Missouri, artist and KU Professor <a href='http://www.yoonminam.com/'>Yoonmi Nam</a> in Lawrence, Kansas, and James Black of <a href='https://www.111tshirtlab.com/'>111 Shirt Lab</a> in Albuquerque, NM. <br/><br/>Episodes of <b>Press On</b> drop in <a href='https://podcasts.apple.com/us/podcast/the-print-cast/id1324652028'><b>The Print Cast</b></a> podcast feed weekly starting Tuesday March 24th, 2020.</p>]]></description>
    <content:encoded><![CDATA[<p>In the new limited audio series from the maker of The Print Cast, host Nick Naughton invites listeners onto the podcast to share about how the Coronavirus pandemic is affecting their lives and livelihoods. In the spirit of community, we&apos;re opening the lines to share stories of how we&apos;re coping, how we&apos;re printing from home, and how we&apos;re going to maintain some semblance of the lives we&apos;ve lived until now. We&apos;re in it together, and we will Press On...eventually.<br/>To take part, email Nick at <a href='mailto:info@theprintcast.com'>info@theprintcast.com</a><br/>Or DM him on Instagram <a href='http://www.instagram.com/theprintcast/'>@theprintcast</a><br/><br/>Episode 1 of Press On launches this week featuring Joey Gross of the letterpress shop <a href='https://publicprint.co/'>Public Print Co</a> in Kansas City, Missouri, artist and KU Professor <a href='http://www.yoonminam.com/'>Yoonmi Nam</a> in Lawrence, Kansas, and James Black of <a href='https://www.111tshirtlab.com/'>111 Shirt Lab</a> in Albuquerque, NM. <br/><br/>Episodes of <b>Press On</b> drop in <a href='https://podcasts.apple.com/us/podcast/the-print-cast/id1324652028'><b>The Print Cast</b></a> podcast feed weekly starting Tuesday March 24th, 2020.</p>]]></content:encoded>
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    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Mon, 23 Mar 2020 15:00:00 -0700</pubDate>
    <itunes:duration>307</itunes:duration>
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    <itunes:season>2</itunes:season>
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  <item>
    <itunes:title>Art, Business and Activism with Karl LaRocca, founder of Brooklyn&#39;s Kayrock Screen Printing</itunes:title>
    <title>Art, Business and Activism with Karl LaRocca, founder of Brooklyn&#39;s Kayrock Screen Printing</title>
    <itunes:summary><![CDATA[Today's guest on The Print Cast is Karl LaRocca, the owner of Kayrock Screen Printing in Brooklyn, New York. If you've checked out what they do, you would see a huge array of goods that they make including artist editions, artist books, and rad merch. One famous tee Kayrock produced that we discuss briefly was a Bert and Ernie design (Designed by Daniel Davidson) from 2016 for then candidate for President Bernie Sanders. They do a lot of custom work for candidates and political organizations ...]]></itunes:summary>
    <description><![CDATA[<p>Today&apos;s guest on The Print Cast is Karl LaRocca, the owner of Kayrock Screen Printing in Brooklyn, New York. If you&apos;ve checked out what they do, you would see a huge array of goods that they make including artist editions, artist books, and rad merch. One famous tee Kayrock produced that we discuss briefly was a Bert and Ernie design (Designed by <a href='https://danieldavidsonart.com/home.html'>Daniel Davidson</a>) from 2016 for then candidate for President Bernie Sanders. They do a lot of custom work for candidates and political organizations as a result of projects like that.<br/>Karl has a very mathematical mind as you&apos;ll come to hear in this episode, and we discuss polygons in relation to Karl&apos;s personal artist book projects. We nerd out about some technical aspects of pulling prints, and today&apos;s Let&apos;s Get Technical is not to be missed. <br/>If you haven&apos;t please check out my <a href='http://www.patreon.com/theprintcast'>Patreon</a> to support the ongoing production of this podcast. Ongoing support helps keep the show online, and will help future needs like trips to print events, travelling interview tours, and more. Every little bit helps!<br/><br/>Kayrock <a href='http://kayrock.org'>Website</a><br/>Kayrock <a href='http://instagram.com/kayrockscreenprinting'>Instagram</a><br/><br/>The Print Cast <a href='http://theprintcast.com'>Website<br/></a>The Print Cast <a href='http://instagram.com/theprintcast'>Instagram</a></p>]]></description>
    <content:encoded><![CDATA[<p>Today&apos;s guest on The Print Cast is Karl LaRocca, the owner of Kayrock Screen Printing in Brooklyn, New York. If you&apos;ve checked out what they do, you would see a huge array of goods that they make including artist editions, artist books, and rad merch. One famous tee Kayrock produced that we discuss briefly was a Bert and Ernie design (Designed by <a href='https://danieldavidsonart.com/home.html'>Daniel Davidson</a>) from 2016 for then candidate for President Bernie Sanders. They do a lot of custom work for candidates and political organizations as a result of projects like that.<br/>Karl has a very mathematical mind as you&apos;ll come to hear in this episode, and we discuss polygons in relation to Karl&apos;s personal artist book projects. We nerd out about some technical aspects of pulling prints, and today&apos;s Let&apos;s Get Technical is not to be missed. <br/>If you haven&apos;t please check out my <a href='http://www.patreon.com/theprintcast'>Patreon</a> to support the ongoing production of this podcast. Ongoing support helps keep the show online, and will help future needs like trips to print events, travelling interview tours, and more. Every little bit helps!<br/><br/>Kayrock <a href='http://kayrock.org'>Website</a><br/>Kayrock <a href='http://instagram.com/kayrockscreenprinting'>Instagram</a><br/><br/>The Print Cast <a href='http://theprintcast.com'>Website<br/></a>The Print Cast <a href='http://instagram.com/theprintcast'>Instagram</a></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/66wmjap101bye4kp69z8wafzf3qo?.jpg" />
    <itunes:author>Karl LaRocca of Kayrock</itunes:author>
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    <pubDate>Mon, 16 Mar 2020 15:00:00 -0700</pubDate>
    <itunes:duration>3933</itunes:duration>
    <itunes:keywords>artist, printmaking, printmaker, screen print, serigraph, printshop, brooklyn, new york, new york artist, graphic design, graphic artist, painting, collaboration, shirt, gig poster, artist books</itunes:keywords>
    <itunes:season>2</itunes:season>
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  <item>
    <itunes:title>Brooklyn Screen Printer Leslie Diuguid of Du-Good Press</itunes:title>
    <title>Brooklyn Screen Printer Leslie Diuguid of Du-Good Press</title>
    <itunes:summary><![CDATA[Leslie Diuguid joins the podcast today to talk screen printing, both in how she runs her own publishing shop and her day job as a fabricator for Powerhouse Arts in Greenpoint, Brooklyn. We discuss her journey to New York, some of the artists she trained with, and what she's up to now with her publishing operation which goes on after hours and in between her other activities. Family is a huge influence on Leslie's life, and we learn about how her father and grandfather influenced what she does...]]></itunes:summary>
    <description><![CDATA[<p>Leslie Diuguid joins the podcast today to talk screen printing, both in how she runs her own publishing shop and her day job as a fabricator for Powerhouse Arts in Greenpoint, Brooklyn. We discuss her journey to New York, some of the artists she trained with, and what she&apos;s up to now with her publishing operation which goes on after hours and in between her other activities. Family is a huge influence on Leslie&apos;s life, and we learn about how her father and grandfather influenced what she does. She discusses her involvement with The Black Women of Print, an online group that shares support for past, current, and future black women printmakers. It&apos;s a lively fun discussion, recorded in New York last fall while working at the IFPDA. Links below to learn more.<br/><br/><a href='http://www.instagram.com/little_mouse_diuguid'>Leslie&apos;s Instagram</a><br/><a href='http://www.instagram.com/dugoodpress'>Du-Good Press Instagram</a><br/><a href='http://www.instagram.com/powerhouse_arts'>Powerhouse Arts</a> <br/><a href='http://www.instagram.com/blackwomenofprint'>Black Women of Print</a><br/><a href='http://www.instagram.com/ifpda'>Ifpda</a> Instagram<br/><a href='http://www.instagram.com/theprintcast'>The Print Cast Instagram</a><br/><a href='http://theprintcast.com'>The Print Cast Online<br/></a><br/><a href='http://www.patreon.com/theprintcast'>The Print Cast Patreon</a> - Buy me a cup of coffee!</p>]]></description>
    <content:encoded><![CDATA[<p>Leslie Diuguid joins the podcast today to talk screen printing, both in how she runs her own publishing shop and her day job as a fabricator for Powerhouse Arts in Greenpoint, Brooklyn. We discuss her journey to New York, some of the artists she trained with, and what she&apos;s up to now with her publishing operation which goes on after hours and in between her other activities. Family is a huge influence on Leslie&apos;s life, and we learn about how her father and grandfather influenced what she does. She discusses her involvement with The Black Women of Print, an online group that shares support for past, current, and future black women printmakers. It&apos;s a lively fun discussion, recorded in New York last fall while working at the IFPDA. Links below to learn more.<br/><br/><a href='http://www.instagram.com/little_mouse_diuguid'>Leslie&apos;s Instagram</a><br/><a href='http://www.instagram.com/dugoodpress'>Du-Good Press Instagram</a><br/><a href='http://www.instagram.com/powerhouse_arts'>Powerhouse Arts</a> <br/><a href='http://www.instagram.com/blackwomenofprint'>Black Women of Print</a><br/><a href='http://www.instagram.com/ifpda'>Ifpda</a> Instagram<br/><a href='http://www.instagram.com/theprintcast'>The Print Cast Instagram</a><br/><a href='http://theprintcast.com'>The Print Cast Online<br/></a><br/><a href='http://www.patreon.com/theprintcast'>The Print Cast Patreon</a> - Buy me a cup of coffee!</p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/8jho95vm8vkzgwbaa3l39jkj6rnc?.jpg" />
    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Wed, 19 Feb 2020 08:00:00 -0800</pubDate>
    <itunes:duration>4704</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>4</itunes:episode>
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  <item>
    <itunes:title>The World of Woodcut With Valerie Lueth of Tugboat Printshop</itunes:title>
    <title>The World of Woodcut With Valerie Lueth of Tugboat Printshop</title>
    <itunes:summary><![CDATA[Woodcut is the name of the game in today's episode. Valerie Lueth of Tugboat Printshop joins me on the podcast to talk about the work she produces in her garage studio in Pittsburg, Pennsylvania. Tugboat has been running for a long time, and Valerie really has a system figured out to make a living selling woodcut relief prints. She keeps it simple and follows her interests, and all throughout her work you can see a consistent voice and style that is indelibly Tugboat. Today we talk about ever...]]></itunes:summary>
    <description><![CDATA[<p>Woodcut is the name of the game in today&apos;s episode. Valerie Lueth of Tugboat Printshop joins me on the podcast to talk about the work she produces in her garage studio in Pittsburg, Pennsylvania. Tugboat has been running for a long time, and Valerie really has a system figured out to make a living selling woodcut relief prints. She keeps it simple and follows her interests, and all throughout her work you can see a consistent voice and style that is indelibly Tugboat. Today we talk about everything related to carving wood including tools and process, as well as how she runs the business side of her operation. With 12 years under her belt, she&apos;s definitely got a lot of insight to share and I hope it&apos;s interesting and useful to all of you print hustlers out there.<br/><br/>Check out <a href='http://www.instagram.com/tugboatprintshop'>Tugboat Printshop</a> on Instagram<br/>Tugboat Printshop&apos;s <a href='http://www.tugboatprintshop.com'>Website</a><br/><br/>Follow <a href='http://www.instagram.com/theprintcast'>The Print Cast </a>on Instagram<br/>Listen and read more about the show on our <a href='http://www.theprintcast.com'>website</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>Woodcut is the name of the game in today&apos;s episode. Valerie Lueth of Tugboat Printshop joins me on the podcast to talk about the work she produces in her garage studio in Pittsburg, Pennsylvania. Tugboat has been running for a long time, and Valerie really has a system figured out to make a living selling woodcut relief prints. She keeps it simple and follows her interests, and all throughout her work you can see a consistent voice and style that is indelibly Tugboat. Today we talk about everything related to carving wood including tools and process, as well as how she runs the business side of her operation. With 12 years under her belt, she&apos;s definitely got a lot of insight to share and I hope it&apos;s interesting and useful to all of you print hustlers out there.<br/><br/>Check out <a href='http://www.instagram.com/tugboatprintshop'>Tugboat Printshop</a> on Instagram<br/>Tugboat Printshop&apos;s <a href='http://www.tugboatprintshop.com'>Website</a><br/><br/>Follow <a href='http://www.instagram.com/theprintcast'>The Print Cast </a>on Instagram<br/>Listen and read more about the show on our <a href='http://www.theprintcast.com'>website</a>.</p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/6hhsk5ol2w1h1pg1x2b5cfnbs3nh?.jpg" />
    <itunes:author>Valerie Lueth, Tugboat Printshop</itunes:author>
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    <pubDate>Wed, 29 Jan 2020 23:00:00 -0800</pubDate>
    <itunes:duration>3892</itunes:duration>
    <itunes:keywords>tugboat printshop, woodcut, printmaking, print process, limited edition, hand printed, xylographia, relief print</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>3</itunes:episode>
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  <item>
    <itunes:title>The IFPDA Sessions | Swoon and The Living History of Contemporary Printmaking</itunes:title>
    <title>The IFPDA Sessions | Swoon and The Living History of Contemporary Printmaking</title>
    <itunes:summary><![CDATA[Today on the podcast is another live program from the IFPDA print fair in the fall of 2019. This week we have Swoon, aka Caledonia Curry, on stage speaking about her installation that greeted fair attendees at the entrance to the Javits Center. Swoon goes into detail about her love of printmaking, and the various ways she uses the medium in her art. Interestingly the conversation centers around etching, though it's one technique that Swoon doesn't do often and when she does it's with master p...]]></itunes:summary>
    <description><![CDATA[<p>Today on the podcast is another live program from the IFPDA print fair in the fall of 2019. This week we have Swoon, aka Caledonia Curry, on stage speaking about her installation that greeted fair attendees at the entrance to the Javits Center. Swoon goes into detail about her love of printmaking, and the various ways she uses the medium in her art. Interestingly the conversation centers around etching, though it&apos;s one technique that Swoon doesn&apos;t do often and when she does it&apos;s with master printmakers. <br/>Speaking with Swoon are Nadine Orenstein, the Drue Heinz Curator in Charge, Department of Drawings &amp; Prints, the Metropolitan Museum of Art, Jenny Gibbs, executive director of the IFPDA, and the talk is moderated by Sarah Douglas, Editor-in-Chief of ARTnews. Talks like this always leave you wanting more, and it&apos;s a great perspective into the mind of an artist that I find super inspiring. This year was the first time they invited an artist to do a project in the space during the print fair, and I&apos;m sure it won&apos;t be the last. <br/><br/><a href='http://swoonstudio.org'>Swoon&apos;s Website</a><br/><a href='http://www.instagram.com/swoonhq/'>Swoon&apos;s Instagram</a><br/><br/><a href='https://www.fineartprintfair.org/'>IFPDA Website</a><br/><br/><a href='http://www.instagram.com/theprintcast/'>The Print Cast on Instagram</a><br/><a href='http://theprintcast.com/'>The Print Cast Website</a><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today on the podcast is another live program from the IFPDA print fair in the fall of 2019. This week we have Swoon, aka Caledonia Curry, on stage speaking about her installation that greeted fair attendees at the entrance to the Javits Center. Swoon goes into detail about her love of printmaking, and the various ways she uses the medium in her art. Interestingly the conversation centers around etching, though it&apos;s one technique that Swoon doesn&apos;t do often and when she does it&apos;s with master printmakers. <br/>Speaking with Swoon are Nadine Orenstein, the Drue Heinz Curator in Charge, Department of Drawings &amp; Prints, the Metropolitan Museum of Art, Jenny Gibbs, executive director of the IFPDA, and the talk is moderated by Sarah Douglas, Editor-in-Chief of ARTnews. Talks like this always leave you wanting more, and it&apos;s a great perspective into the mind of an artist that I find super inspiring. This year was the first time they invited an artist to do a project in the space during the print fair, and I&apos;m sure it won&apos;t be the last. <br/><br/><a href='http://swoonstudio.org'>Swoon&apos;s Website</a><br/><a href='http://www.instagram.com/swoonhq/'>Swoon&apos;s Instagram</a><br/><br/><a href='https://www.fineartprintfair.org/'>IFPDA Website</a><br/><br/><a href='http://www.instagram.com/theprintcast/'>The Print Cast on Instagram</a><br/><a href='http://theprintcast.com/'>The Print Cast Website</a><br/><br/></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/jon8ny6jok53cldv42t3f3pplume?.jpg" />
    <itunes:author>The Artist Swoon, Jenny Gibbs (Executive Director of the IFPDA), Nadine Orenstein (Drue Heinz Curator in Charge, Department of Drawings &amp; Prints, the Metropolitan Museum of Art), Sarah Douglas (Editor in Chief of ArtNews)</itunes:author>
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    <pubDate>Wed, 15 Jan 2020 08:00:00 -0800</pubDate>
    <itunes:duration>2390</itunes:duration>
    <itunes:keywords>Swoon, Etching, Intaglio, Installation, Printmaking, IFPDA, Fine Print Fair, </itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>2</itunes:episode>
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  <item>
    <itunes:title>The IFPDA Sessions | Phil Sanders, JP Russell, and James Nares on The Collaborative Process of Fine Art Printmaking</itunes:title>
    <title>The IFPDA Sessions | Phil Sanders, JP Russell, and James Nares on The Collaborative Process of Fine Art Printmaking</title>
    <itunes:summary><![CDATA[Today on the podcast, we join a discussion called The Collaborative Process of Fine Art Printmaking: Phil Sanders in Conversation with James Nares and Jean-Paul Russell. James Nares is an English artist who has been working in New York since the 1970’s.  In discussion with Nares are Phil Sanders and Jean Paul Russell. Sanders is the founder of PS Marlowe, a creative services consultancy firm focused on sustainable careers in the arts and cultural development through entrepreneurship and servi...]]></itunes:summary>
    <description><![CDATA[<p>Today on the podcast, we join a discussion called The Collaborative Process of Fine Art Printmaking: Phil Sanders in Conversation with James Nares and Jean-Paul Russell. James Nares is an English artist who has been working in New York since the 1970’s. <br/>In discussion with Nares are Phil Sanders and Jean Paul Russell. Sanders is the founder of PS Marlowe, a creative services consultancy firm focused on sustainable careers in the arts and cultural development through entrepreneurship and service. He was previously the COO of The Elizabeth Foundation for the Arts &amp; Director of The Robert Blackburn Printmaking Workshop.  Jean Paul Russell is co-owner and master printmaker at Durham Press in Durham Pennsylvania. The Print Cast recorded this episode on Friday October 25th in partnership with the IFPDA. Big thanks to everyone at IFPDA, and to Ann Marshall, James Nares, Phil Sanders, and Jean Paul Russell for agreeing to share this audio today.<br/><br/><a href='https://www.jamesnares.com/'>James Nares Website</a><br/>Phil Sanders | <a href='http://psmarlowe.com/'>PS Marlow</a><br/><a href='https://www.durhampress.com/'>Durham Press</a><br/><a href='https://www.fineartprintfair.org/'>IFPDA Website</a><br/><br/><a href='https://www.indiegogo.com/projects/let-s-leave-a-press-in-puerto-rico#/'>Let&apos;s Leave a Press in Puerto Rico Campaign</a><br/><br/><a href='http://www.instagram.com/theprintcast/'>The Print Cast on Instagram</a><br/><a href='http://theprintcast.com/'>The Print Cast Website</a></p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today on the podcast, we join a discussion called The Collaborative Process of Fine Art Printmaking: Phil Sanders in Conversation with James Nares and Jean-Paul Russell. James Nares is an English artist who has been working in New York since the 1970’s. <br/>In discussion with Nares are Phil Sanders and Jean Paul Russell. Sanders is the founder of PS Marlowe, a creative services consultancy firm focused on sustainable careers in the arts and cultural development through entrepreneurship and service. He was previously the COO of The Elizabeth Foundation for the Arts &amp; Director of The Robert Blackburn Printmaking Workshop.  Jean Paul Russell is co-owner and master printmaker at Durham Press in Durham Pennsylvania. The Print Cast recorded this episode on Friday October 25th in partnership with the IFPDA. Big thanks to everyone at IFPDA, and to Ann Marshall, James Nares, Phil Sanders, and Jean Paul Russell for agreeing to share this audio today.<br/><br/><a href='https://www.jamesnares.com/'>James Nares Website</a><br/>Phil Sanders | <a href='http://psmarlowe.com/'>PS Marlow</a><br/><a href='https://www.durhampress.com/'>Durham Press</a><br/><a href='https://www.fineartprintfair.org/'>IFPDA Website</a><br/><br/><a href='https://www.indiegogo.com/projects/let-s-leave-a-press-in-puerto-rico#/'>Let&apos;s Leave a Press in Puerto Rico Campaign</a><br/><br/><a href='http://www.instagram.com/theprintcast/'>The Print Cast on Instagram</a><br/><a href='http://theprintcast.com/'>The Print Cast Website</a></p><p><br/></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/23zog47brwm3mckpnydp7w9ar3qr?.jpg" />
    <itunes:author>James Nares, JP Russell, Phil Sanders</itunes:author>
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    <pubDate>Thu, 19 Dec 2019 09:00:00 -0800</pubDate>
    <itunes:duration>3893</itunes:duration>
    <itunes:keywords>screen print, printmaking, master printer, collaboration, collaborative printing, durham press, print publishing, james nares, artist, ifpda, fine print, fine art, art</itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>1</itunes:episode>
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  <item>
    <itunes:title>Chicago&#39;s Community Printmaking Scene with Angee Lennard of Spudnik Press</itunes:title>
    <title>Chicago&#39;s Community Printmaking Scene with Angee Lennard of Spudnik Press</title>
    <itunes:summary><![CDATA[Today’s episode features the founder of a community printshop in Chicago. Angee Lennard started Spudnik Press with a drive to create something that could serve a community of artists, and create a hub where people could work together, share equipment, and teach others about the printing arts. It’s not a simple business to run, and it takes a lot of elbow grease and persistence to create this type of print studio and make it sustainable, Spudnik Press has been going for 13 years now, which is ...]]></itunes:summary>
    <description><![CDATA[<p>Today’s episode features the founder of a community printshop in Chicago. Angee Lennard started Spudnik Press with a drive to create something that could serve a community of artists, and create a hub where people could work together, share equipment, and teach others about the printing arts. It’s not a simple business to run, and it takes a lot of elbow grease and persistence to create this type of print studio and make it sustainable, Spudnik Press has been going for 13 years now, which is pretty incredible considering it started in Angee’s apartment. The artists there work together to maintain the space and activate it with lots of programs including publishing prints with outside guest artists. This is a good episode if you love print and the community it fosters. <br/><br/><a href='http://www.instagram.com/spudnikpress'>Spudnik Press</a> on Instagram<br/><a href='http://www.instagram.com/theprintcast/'>The Print Cast</a> on Instagram<br/><a href='http://theprintcast.com'>More Episodes</a> from The Print Cast<br/><br/><a href='https://www.indiegogo.com/projects/let-s-leave-a-press-in-puerto-rico#/'>Leave A Press Campaign</a> on Indiegogo<br/><a href='https://www.kickstarter.com/projects/printmakersopenforum/five-ton-press-minus-glass-ceiling-lithosphere'>Lithosphere Campaign</a> on Kickstarter</p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today’s episode features the founder of a community printshop in Chicago. Angee Lennard started Spudnik Press with a drive to create something that could serve a community of artists, and create a hub where people could work together, share equipment, and teach others about the printing arts. It’s not a simple business to run, and it takes a lot of elbow grease and persistence to create this type of print studio and make it sustainable, Spudnik Press has been going for 13 years now, which is pretty incredible considering it started in Angee’s apartment. The artists there work together to maintain the space and activate it with lots of programs including publishing prints with outside guest artists. This is a good episode if you love print and the community it fosters. <br/><br/><a href='http://www.instagram.com/spudnikpress'>Spudnik Press</a> on Instagram<br/><a href='http://www.instagram.com/theprintcast/'>The Print Cast</a> on Instagram<br/><a href='http://theprintcast.com'>More Episodes</a> from The Print Cast<br/><br/><a href='https://www.indiegogo.com/projects/let-s-leave-a-press-in-puerto-rico#/'>Leave A Press Campaign</a> on Indiegogo<br/><a href='https://www.kickstarter.com/projects/printmakersopenforum/five-ton-press-minus-glass-ceiling-lithosphere'>Lithosphere Campaign</a> on Kickstarter</p><p><br/></p>]]></content:encoded>
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    <itunes:author>Angee Lennard of Spudnik Press</itunes:author>
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    <pubDate>Wed, 27 Nov 2019 08:00:00 -0800</pubDate>
    <itunes:duration>3733</itunes:duration>
    <itunes:keywords>chicago, spudnik press, community, printmaking, intaglio, screen print, risograph, letterpress, workshops, studio, art, community printshop</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>19</itunes:episode>
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  <item>
    <itunes:title>Day 4 | The Print Cast Daily - Live from the IFPDA 2019 in New York</itunes:title>
    <title>Day 4 | The Print Cast Daily - Live from the IFPDA 2019 in New York</title>
    <itunes:summary><![CDATA[It's the final day of the IFPDA Fine Art Print Fair and it's been quite an adventure. Yesterday I interviewed Leslie DiuGuid from Du-Good Press and so I go into a bit of what we talked about. Today some of my favorite programming is going to happen. First we'll be meeting some of the artists who have work up on the walls this year. That should be a great treat and following that at 2pm is a discussion with Swoon about contemporary etching with Jenny Gibbs who is the executive director of the ...]]></itunes:summary>
    <description><![CDATA[<p>It&apos;s the final day of the IFPDA Fine Art Print Fair and it&apos;s been quite an adventure. Yesterday I interviewed Leslie DiuGuid from Du-Good Press and so I go into a bit of what we talked about. Today some of my favorite programming is going to happen. First we&apos;ll be meeting some of the artists who have work up on the walls this year. That should be a great treat and following that at 2pm is a discussion with Swoon about contemporary etching with Jenny Gibbs who is the executive director of the IFPDA. I haven&apos;t heard Swoon talk much before, so it will be interesting to hear about her art and what she has been up to in recent years. Thanks for tuning into this special series of The Print Cast and thanks to the IFPDA for having me! <br/><br/><a href='https://printfair.com/program'>Visit the IFPDA website</a><br/><a href='https://www.instagram.com/ifpda/?hl=en'>Follow the IFPDA on Instagram</a><br/><a href='https://du-goodpress.com/'>Visit the Du-Good Press website</a><br/><a href='https://www.instagram.com/dugoodpress/?hl=en'>Follow Du-Good Press on Instagram</a><br/><a href='https://www.instagram.com/swoonhq/?hl=en'>Follow Swoon on Instagram</a><br/><br/><a href='https://www.instagram.com/theprintcast/?hl=en'>Follow The Print Cast, of course too ;)</a></p>]]></description>
    <content:encoded><![CDATA[<p>It&apos;s the final day of the IFPDA Fine Art Print Fair and it&apos;s been quite an adventure. Yesterday I interviewed Leslie DiuGuid from Du-Good Press and so I go into a bit of what we talked about. Today some of my favorite programming is going to happen. First we&apos;ll be meeting some of the artists who have work up on the walls this year. That should be a great treat and following that at 2pm is a discussion with Swoon about contemporary etching with Jenny Gibbs who is the executive director of the IFPDA. I haven&apos;t heard Swoon talk much before, so it will be interesting to hear about her art and what she has been up to in recent years. Thanks for tuning into this special series of The Print Cast and thanks to the IFPDA for having me! <br/><br/><a href='https://printfair.com/program'>Visit the IFPDA website</a><br/><a href='https://www.instagram.com/ifpda/?hl=en'>Follow the IFPDA on Instagram</a><br/><a href='https://du-goodpress.com/'>Visit the Du-Good Press website</a><br/><a href='https://www.instagram.com/dugoodpress/?hl=en'>Follow Du-Good Press on Instagram</a><br/><a href='https://www.instagram.com/swoonhq/?hl=en'>Follow Swoon on Instagram</a><br/><br/><a href='https://www.instagram.com/theprintcast/?hl=en'>Follow The Print Cast, of course too ;)</a></p>]]></content:encoded>
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    <pubDate>Sun, 27 Oct 2019 08:00:00 -0700</pubDate>
    <itunes:duration>324</itunes:duration>
    <itunes:keywords>Print Fest, IPCNY, New York, Print Week, Printmaking, collaboration, master printer, screen print, lithograph, intaglio, relief print</itunes:keywords>
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    <itunes:title>Day 3 | The Print Cast Daily - Live from the IFPDA 2019 in New York</itunes:title>
    <title>Day 3 | The Print Cast Daily - Live from the IFPDA 2019 in New York</title>
    <itunes:summary><![CDATA[Today on this mini episode of The Print Cast I recount a very busy day yesterday, Friday October 25th at the IFPDA Print Fair in New York. It was a busy day with Jeff Koons and Christophe Cherix discussing his work including his newest editions on view at The Two Palms booth here at the fair. It was a very illuminating talk that I can't wait to post here on the pod, but today I offer some brief details to entice you about what's to come on the show in the coming weeks.  Next I did interviews ...]]></itunes:summary>
    <description><![CDATA[<p>Today on this mini episode of The Print Cast I recount a very busy day yesterday, Friday October 25th at the IFPDA Print Fair in New York. It was a busy day with Jeff Koons and Christophe Cherix discussing his work including his newest editions on view at The Two Palms booth here at the fair. It was a very illuminating talk that I can&apos;t wait to post here on the pod, but today I offer some brief details to entice you about what&apos;s to come on the show in the coming weeks. <br/>Next I did interviews with Karl LaRocca from Kayrock Screenprinting and master printer Kathy Caraccio, both who work here in the city. Each of those interviews were different in style and form, and you&apos;ll be able to hear those talks later after I have time to edit it all together for your listening pleasure. Kathy&apos;s interview was especially lively and funny, so I recount some of the more vibrant aspects of our time on stage. <br/>Two more talks finished the day from the fair programs. One was a conversation between artist Jamie Nares and JP Russell facilitated by Phil Sanders and a talk about how to collect prints with Helen Rosslyn from the London Original Print Fair. <br/>Not only all that, but I also detail what&apos;s coming next including an awards presentation and discussion with artists Mel Bochner and Matthew Day Jackson with print collector Jordan Schnitzer. Jim Dine is also joining us Saturday in conversation with Master Printers Ruth Lingen and Julia D&apos;Amario. I&apos;ll also be interviewing Leslie DiuGuid at the end of the day, which I am very excited about. There&apos;s a lot going on, my voice is getting raspy and tired, and I hope you enjoy hearing about the fair and what you can look forward to in audio for the Print Cast coming soon. Everything I record here will be shared with the podcast and online with the IFPDA, so you can all look forward to some great audio content in the coming months. Stay tuned!<br/><br/><a href='https://printfair.com/program'>Visit the IFPDA website</a><br/><a href='https://www.instagram.com/ifpda/?hl=en'>Follow the IFPDA on Instagram</a><br/><a href='https://www.instagram.com/kayrockscreenprinting/?hl=en'>Follow Kayrock on Instagram</a><br/><a href='https://www.instagram.com/kathyprint/?hl=en'>Follow Kathy Caraccio on Instagram</a><br/><a href='https://www.instagram.com/theprintcast/?hl=en'>Follow The Print Cast, of course too ;)</a><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Today on this mini episode of The Print Cast I recount a very busy day yesterday, Friday October 25th at the IFPDA Print Fair in New York. It was a busy day with Jeff Koons and Christophe Cherix discussing his work including his newest editions on view at The Two Palms booth here at the fair. It was a very illuminating talk that I can&apos;t wait to post here on the pod, but today I offer some brief details to entice you about what&apos;s to come on the show in the coming weeks. <br/>Next I did interviews with Karl LaRocca from Kayrock Screenprinting and master printer Kathy Caraccio, both who work here in the city. Each of those interviews were different in style and form, and you&apos;ll be able to hear those talks later after I have time to edit it all together for your listening pleasure. Kathy&apos;s interview was especially lively and funny, so I recount some of the more vibrant aspects of our time on stage. <br/>Two more talks finished the day from the fair programs. One was a conversation between artist Jamie Nares and JP Russell facilitated by Phil Sanders and a talk about how to collect prints with Helen Rosslyn from the London Original Print Fair. <br/>Not only all that, but I also detail what&apos;s coming next including an awards presentation and discussion with artists Mel Bochner and Matthew Day Jackson with print collector Jordan Schnitzer. Jim Dine is also joining us Saturday in conversation with Master Printers Ruth Lingen and Julia D&apos;Amario. I&apos;ll also be interviewing Leslie DiuGuid at the end of the day, which I am very excited about. There&apos;s a lot going on, my voice is getting raspy and tired, and I hope you enjoy hearing about the fair and what you can look forward to in audio for the Print Cast coming soon. Everything I record here will be shared with the podcast and online with the IFPDA, so you can all look forward to some great audio content in the coming months. Stay tuned!<br/><br/><a href='https://printfair.com/program'>Visit the IFPDA website</a><br/><a href='https://www.instagram.com/ifpda/?hl=en'>Follow the IFPDA on Instagram</a><br/><a href='https://www.instagram.com/kayrockscreenprinting/?hl=en'>Follow Kayrock on Instagram</a><br/><a href='https://www.instagram.com/kathyprint/?hl=en'>Follow Kathy Caraccio on Instagram</a><br/><a href='https://www.instagram.com/theprintcast/?hl=en'>Follow The Print Cast, of course too ;)</a><br/><br/></p>]]></content:encoded>
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    <pubDate>Sat, 26 Oct 2019 07:00:00 -0700</pubDate>
    <itunes:duration>704</itunes:duration>
    <itunes:keywords>ifpda, fine art, printmaking, print edition, lithograph, intaglio, relief print, serigraphy, live podcast, art, multiples</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>16</itunes:episode>
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  <item>
    <itunes:title>Day 2 | The Print Cast Daily - Live from the IFPDA 2019 in New York</itunes:title>
    <title>Day 2 | The Print Cast Daily - Live from the IFPDA 2019 in New York</title>
    <itunes:summary><![CDATA[Coming to you live today at the IFPDA in New York. Check out this episode to hear what's going on in New York for Print Week if you can't be here to see it in person. Today I go over the happenings yesterday like my talk with master printer Craig Zammiello of Two Palms. We discussed photogravure, his specialty, and I give some detail today on how I think I've been misrepresenting that technique by calling all kinds of other printed things by that name. In fact, there is one material that is h...]]></itunes:summary>
    <description><![CDATA[<p>Coming to you live today at the IFPDA in New York. Check out this episode to hear what&apos;s going on in New York for Print Week if you can&apos;t be here to see it in person. Today I go over the happenings yesterday like my talk with master printer Craig Zammiello of Two Palms. We discussed photogravure, his specialty, and I give some detail today on how I think I&apos;ve been misrepresenting that technique by calling all kinds of other printed things by that name. In fact, there is one material that is hardly available today that makes the process of photogravure possible, and Craig tells us all about it. <br/>I also get into the prints I&apos;ve been seeing and some of my perspective on some prints that really have hit me. I&apos;m exploring the publishers&apos; booths at the fair each day to see who is making great new work, and trying to meet the people who facilitate that print work. Two artists I&apos;m enjoying are Swoon and Mickalene Thomas, both of whom are printing with Tandem Press out of Madison, Wisconsin. Midwest in the house! I also love the woodcuts of Chitra Ganesh at Durham Press because they&apos;re simple, black and white, and carry a lot of power in the message behind the work.<br/>Today at the fair Jeff Koons talks about the state of multiples in the art world, and I&apos;ll be making time to interview Karl LaRocca of Kayrock Screenprinting and Kathy Caraccio who runs K. Caraccio Printshop where she is master printer and has been collaborative printing for 40 years. After that Phil Sanders leads a discussion also about collaborative printing. It seems to be the theme of this type of event, so you&apos;ll be learning a lot about how artists and printers navigate working together. More to come so keep following The Print Cast to hear more about what&apos;s happening around the big apple this weekend.</p>]]></description>
    <content:encoded><![CDATA[<p>Coming to you live today at the IFPDA in New York. Check out this episode to hear what&apos;s going on in New York for Print Week if you can&apos;t be here to see it in person. Today I go over the happenings yesterday like my talk with master printer Craig Zammiello of Two Palms. We discussed photogravure, his specialty, and I give some detail today on how I think I&apos;ve been misrepresenting that technique by calling all kinds of other printed things by that name. In fact, there is one material that is hardly available today that makes the process of photogravure possible, and Craig tells us all about it. <br/>I also get into the prints I&apos;ve been seeing and some of my perspective on some prints that really have hit me. I&apos;m exploring the publishers&apos; booths at the fair each day to see who is making great new work, and trying to meet the people who facilitate that print work. Two artists I&apos;m enjoying are Swoon and Mickalene Thomas, both of whom are printing with Tandem Press out of Madison, Wisconsin. Midwest in the house! I also love the woodcuts of Chitra Ganesh at Durham Press because they&apos;re simple, black and white, and carry a lot of power in the message behind the work.<br/>Today at the fair Jeff Koons talks about the state of multiples in the art world, and I&apos;ll be making time to interview Karl LaRocca of Kayrock Screenprinting and Kathy Caraccio who runs K. Caraccio Printshop where she is master printer and has been collaborative printing for 40 years. After that Phil Sanders leads a discussion also about collaborative printing. It seems to be the theme of this type of event, so you&apos;ll be learning a lot about how artists and printers navigate working together. More to come so keep following The Print Cast to hear more about what&apos;s happening around the big apple this weekend.</p>]]></content:encoded>
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    <itunes:author>Nicholas Naughton</itunes:author>
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    <pubDate>Fri, 25 Oct 2019 07:00:00 -0700</pubDate>
    <itunes:duration>881</itunes:duration>
    <itunes:keywords>Print Fest, IPCNY, New York, Print Week, Printmaking, collaboration, master printer, screen print, lithograph, intaglio, relief print</itunes:keywords>
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    <itunes:episode>15</itunes:episode>
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    <itunes:title>The Print Cast Daily - Live from the IFPDA 2019 in New York </itunes:title>
    <title>The Print Cast Daily - Live from the IFPDA 2019 in New York </title>
    <itunes:summary><![CDATA[Today on this special edition of The Print Cast, I'll be recording at the IFPDA fine art print fair in New York. This is the first daily installment about what's going on here during Print Week including lots of up-close-and-personal content captured at the fair. The IFPDA is a big fair of galleries and print publishers showcasing some of the best prints being made today. Today I'll be on site recording a talk about collecting fine print works. Later I'll be doing my first live recording of t...]]></itunes:summary>
    <description><![CDATA[<p>Today on this special edition of The Print Cast, I&apos;ll be recording at the IFPDA fine art print fair in New York. This is the first daily installment about what&apos;s going on here during Print Week including lots of up-close-and-personal content captured at the fair. The IFPDA is a big fair of galleries and print publishers showcasing some of the best prints being made today. Today I&apos;ll be on site recording a talk about collecting fine print works. Later I&apos;ll be doing my first live recording of the podcast! Master Printer Craig Zammiello will be on hand discussing his use of photograveur while working at ULAE and Two Palms here in New York. There&apos;s a lot to take in, and each day at the fair I&apos;ll be posting updates about happenings and events so stay tuned for more great audio.<br/><br/>You can look forward to more content from the fair in the coming weeks being broadcast directly from The Print Cast feed. Some of this includes a discussion with Jeff Koons about the state of multiples today. Also Swoon will be on hand to discuss her latest installations and work, some of which is included in a new show about contemporary etching that opened this week at MOMA. All that and more from this special edition of The Print Cast. Subscribe so you don&apos;t miss out!<br/><br/><a href='https://printfair.com/'>Check out the IFPDA website</a><br/><a href='https://www.instagram.com/ifpda/?hl=en'>Follow the IFPDA on Instagram</a><br/><a href='https://www.instagram.com/theprintcast/?hl=en'><br/>Follow The Print Cast on Instagram</a><br/><a href='http://theprintcast.com/'>Check out The Print Cast website for more info</a></p>]]></description>
    <content:encoded><![CDATA[<p>Today on this special edition of The Print Cast, I&apos;ll be recording at the IFPDA fine art print fair in New York. This is the first daily installment about what&apos;s going on here during Print Week including lots of up-close-and-personal content captured at the fair. The IFPDA is a big fair of galleries and print publishers showcasing some of the best prints being made today. Today I&apos;ll be on site recording a talk about collecting fine print works. Later I&apos;ll be doing my first live recording of the podcast! Master Printer Craig Zammiello will be on hand discussing his use of photograveur while working at ULAE and Two Palms here in New York. There&apos;s a lot to take in, and each day at the fair I&apos;ll be posting updates about happenings and events so stay tuned for more great audio.<br/><br/>You can look forward to more content from the fair in the coming weeks being broadcast directly from The Print Cast feed. Some of this includes a discussion with Jeff Koons about the state of multiples today. Also Swoon will be on hand to discuss her latest installations and work, some of which is included in a new show about contemporary etching that opened this week at MOMA. All that and more from this special edition of The Print Cast. Subscribe so you don&apos;t miss out!<br/><br/><a href='https://printfair.com/'>Check out the IFPDA website</a><br/><a href='https://www.instagram.com/ifpda/?hl=en'>Follow the IFPDA on Instagram</a><br/><a href='https://www.instagram.com/theprintcast/?hl=en'><br/>Follow The Print Cast on Instagram</a><br/><a href='http://theprintcast.com/'>Check out The Print Cast website for more info</a></p>]]></content:encoded>
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    <itunes:author>IFPDA</itunes:author>
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    <pubDate>Thu, 24 Oct 2019 08:00:00 -0700</pubDate>
    <itunes:duration>527</itunes:duration>
    <itunes:keywords>ifpda, fine art, printmaking, print edition, lithograph, intaglio, relief print, serigraphy, live podcast, art, multiples</itunes:keywords>
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    <itunes:title>Navajo/Dine Artist Melanie Yazzie on Storytelling</itunes:title>
    <title>Navajo/Dine Artist Melanie Yazzie on Storytelling</title>
    <itunes:summary><![CDATA[Artist Melanie Yazzie joins Nick on this triumphant return-to-broadcast Print Cast episode.  They discuss her art, and the significant role that her heritage plays in her art practice and her life. Yazzie is a professor at University of Colorado, Boulder and her work is a mixture of print with other media, but overall she likes doing unique works. Her monotypes tell stories in such poetic ways and it was great to hear in her own words why she makes the work she does. She's widely known i...]]></itunes:summary>
    <description><![CDATA[<p>Artist Melanie Yazzie joins Nick on this triumphant return-to-broadcast Print Cast episode.  They discuss her art, and the significant role that her heritage plays in her art practice and her life. Yazzie is a professor at University of Colorado, Boulder and her work is a mixture of print with other media, but overall she likes doing unique works. Her monotypes tell stories in such poetic ways and it was great to hear in her own words why she makes the work she does. She&apos;s widely known in the print world, hosts print exchanges and other programs, and she travels and takes her work and her teaching to indigenous peoples all around the globe. She&apos;s a grounded, inspiring artist, and we hope you enjoy this conversation. <br/><br/>Check out her work at her <a href='https://en.wikipedia.org/wiki/Melanie_Yazzie'>wikipedia</a> page. <br/><br/>Follow <a href='http://instagram.com/theprintcast'>The Print Cast</a> for the latest about the pod, and other events.</p>]]></description>
    <content:encoded><![CDATA[<p>Artist Melanie Yazzie joins Nick on this triumphant return-to-broadcast Print Cast episode.  They discuss her art, and the significant role that her heritage plays in her art practice and her life. Yazzie is a professor at University of Colorado, Boulder and her work is a mixture of print with other media, but overall she likes doing unique works. Her monotypes tell stories in such poetic ways and it was great to hear in her own words why she makes the work she does. She&apos;s widely known in the print world, hosts print exchanges and other programs, and she travels and takes her work and her teaching to indigenous peoples all around the globe. She&apos;s a grounded, inspiring artist, and we hope you enjoy this conversation. <br/><br/>Check out her work at her <a href='https://en.wikipedia.org/wiki/Melanie_Yazzie'>wikipedia</a> page. <br/><br/>Follow <a href='http://instagram.com/theprintcast'>The Print Cast</a> for the latest about the pod, and other events.</p>]]></content:encoded>
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    <itunes:author>Melanie Yazzie</itunes:author>
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    <pubDate>Wed, 16 Oct 2019 09:00:00 -0700</pubDate>
    <itunes:duration>5204</itunes:duration>
    <itunes:keywords>art, artist, printmaking, print, printmaker, painter, indigenous art, native artist, navajo, navajo artist, monotype</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>13</itunes:episode>
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  <item>
    <itunes:title>Part 2 | For the Love of Multiples with The Little Friends of Printmaking</itunes:title>
    <title>Part 2 | For the Love of Multiples with The Little Friends of Printmaking</title>
    <itunes:summary><![CDATA[The conversation continues with part 2 of my interview with The Little Friends of Printmaking. We talk about the various aspects of their business, and how they focus on quality of life, not on expansion. They've got a children's book in the works, so we get the dish on how that is going! They do lots of visiting artist gigs at colleges, and we discuss logistics for those types of opportunities and they talk about the wonderful benefits of spending time and working with students all over the ...]]></itunes:summary>
    <description><![CDATA[<p>The conversation continues with part 2 of my interview with The Little Friends of Printmaking. We talk about the various aspects of their business, and how they focus on quality of life, not on expansion. They&apos;ve got a children&apos;s book in the works, so we get the dish on how that is going! They do lots of visiting artist gigs at colleges, and we discuss logistics for those types of opportunities and they talk about the wonderful benefits of spending time and working with students all over the country.  We also talk about what it looks like to work with dream clients, and we delve into the age old feud between fine art and commercial printing. They’ve got a terrific dynamic that carries us through, so I hope you enjoy this final installment of my interview with The Little Friends of Printmaking. At the end we pitch the concept for The Dave Kloc Appreciation Society, so be on the lookout because the organizational meeting is coming for that soon. Oh and Cat Con...yeah, of course, there’s more cat stuff. <br/><br/>Check out <a href='http://www.instagram.com/thelittlefriendsof/'>The Little Friends</a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a></p>]]></description>
    <content:encoded><![CDATA[<p>The conversation continues with part 2 of my interview with The Little Friends of Printmaking. We talk about the various aspects of their business, and how they focus on quality of life, not on expansion. They&apos;ve got a children&apos;s book in the works, so we get the dish on how that is going! They do lots of visiting artist gigs at colleges, and we discuss logistics for those types of opportunities and they talk about the wonderful benefits of spending time and working with students all over the country.  We also talk about what it looks like to work with dream clients, and we delve into the age old feud between fine art and commercial printing. They’ve got a terrific dynamic that carries us through, so I hope you enjoy this final installment of my interview with The Little Friends of Printmaking. At the end we pitch the concept for The Dave Kloc Appreciation Society, so be on the lookout because the organizational meeting is coming for that soon. Oh and Cat Con...yeah, of course, there’s more cat stuff. <br/><br/>Check out <a href='http://www.instagram.com/thelittlefriendsof/'>The Little Friends</a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a></p>]]></content:encoded>
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    <itunes:author>The Little Friends of Printmaking</itunes:author>
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    <pubDate>Tue, 16 Jul 2019 08:00:00 -0700</pubDate>
    <itunes:duration>3332</itunes:duration>
    <itunes:keywords>the little friends of printmaking, printmaking, screen print, serigraph, los angeles, printshop, illustration, gig poster, enamel pin, hustle, artist</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>12</itunes:episode>
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  <item>
    <itunes:title>Part 1 | For the Love of Multiples with The Little Friends of Printmaking</itunes:title>
    <title>Part 1 | For the Love of Multiples with The Little Friends of Printmaking</title>
    <itunes:summary><![CDATA[It's another raucous interview with a couple of LA's most renowned screen printers! This time, Nick sits down in the live/work studio of The Little Friends of Printmaking to discuss their art, travels and print hustling lifestyle. Of course, we go over Melissa and James' midwest upbringings and then we discuss their college years at UW Madison and other influential moments in the early years when the couple met and fell in love with print and each other.  They talk about their travels through...]]></itunes:summary>
    <description><![CDATA[<p>It&apos;s another raucous interview with a couple of LA&apos;s most renowned screen printers! This time, Nick sits down in the live/work studio of The Little Friends of Printmaking to discuss their art, travels and print hustling lifestyle. Of course, we go over Melissa and James&apos; midwest upbringings and then we discuss their college years at UW Madison and other influential moments in the early years when the couple met and fell in love with print and each other. <br/>They talk about their travels through Japan where they&apos;ve visited in recent years, and how their work changes shape to accommodate selling prints on the road. Recently the duo was hosted as the Feature Artisans at Disneyland&apos;s WonderGround Gallery. They share about their interactions with the public and the benefits of keeping in touch with their audience. With a popular style and the speed of information today, they have to keep their work fresh because it&apos;s one thing to make popular prints, but it&apos;s another to constantly stay ahead of the curve in our social media age. It&apos;s the pod&apos;s second interview in a row where we lament the greatness of gigposters.com.<br/>And then there&apos;s the cat stuff, the glorious cat stuff. <br/><br/>Follow the <a href='http://www.instagram.com/littlefriendsof/'>Little Friends of Printmaking </a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a></p>]]></description>
    <content:encoded><![CDATA[<p>It&apos;s another raucous interview with a couple of LA&apos;s most renowned screen printers! This time, Nick sits down in the live/work studio of The Little Friends of Printmaking to discuss their art, travels and print hustling lifestyle. Of course, we go over Melissa and James&apos; midwest upbringings and then we discuss their college years at UW Madison and other influential moments in the early years when the couple met and fell in love with print and each other. <br/>They talk about their travels through Japan where they&apos;ve visited in recent years, and how their work changes shape to accommodate selling prints on the road. Recently the duo was hosted as the Feature Artisans at Disneyland&apos;s WonderGround Gallery. They share about their interactions with the public and the benefits of keeping in touch with their audience. With a popular style and the speed of information today, they have to keep their work fresh because it&apos;s one thing to make popular prints, but it&apos;s another to constantly stay ahead of the curve in our social media age. It&apos;s the pod&apos;s second interview in a row where we lament the greatness of gigposters.com.<br/>And then there&apos;s the cat stuff, the glorious cat stuff. <br/><br/>Follow the <a href='http://www.instagram.com/littlefriendsof/'>Little Friends of Printmaking </a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a></p>]]></content:encoded>
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    <itunes:author>The Little Friends of Printmaking</itunes:author>
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    <pubDate>Mon, 08 Jul 2019 21:00:00 -0700</pubDate>
    <itunes:duration>2796</itunes:duration>
    <itunes:keywords>littlefriendsof, screen print, serigraph, printmaking, art, graphic design, illustration, Disney, gig poster</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>11</itunes:episode>
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  <item>
    <itunes:title>Stoked About Gig Posters with Illustrator Dave Kloc</itunes:title>
    <title>Stoked About Gig Posters with Illustrator Dave Kloc</title>
    <itunes:summary><![CDATA[Episode 10 of the pod features an interview with artist Dave Kloc. I journeyed North to LA's Atwater district and hung with Dave in his garage studio. We recounted war stories from our shops, and talked about all things gig poster. We talk about some of the best illustrators and designers working today in the poster realm, and there's an overwhelming passion present throughout the whole episode. Dave does Flatstock a couple times a year, makes a poster a week, and doesn't even have time anymo...]]></itunes:summary>
    <description><![CDATA[<p>Episode 10 of the pod features an interview with artist Dave Kloc. I journeyed North to LA&apos;s Atwater district and hung with Dave in his garage studio. We recounted war stories from our shops, and talked about all things gig poster. We talk about some of the best illustrators and designers working today in the poster realm, and there&apos;s an overwhelming passion present throughout the whole episode. Dave does Flatstock a couple times a year, makes a poster a week, and doesn&apos;t even have time anymore to do the printing. So now he collaborates with some of the best printers in the US, and his output is better than ever before. Did you see his recent piece for The Washington Post? He&apos;s everywhere, and today he&apos;s my guest on the Print Cast.<br/><br/>Check Dave on <a href='http://www.instagram.com/davekloc/'>Instagram</a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a><br/><br/>See the <a href='http://theprintcast.com/'>show notes</a> with all of our references listed </p>]]></description>
    <content:encoded><![CDATA[<p>Episode 10 of the pod features an interview with artist Dave Kloc. I journeyed North to LA&apos;s Atwater district and hung with Dave in his garage studio. We recounted war stories from our shops, and talked about all things gig poster. We talk about some of the best illustrators and designers working today in the poster realm, and there&apos;s an overwhelming passion present throughout the whole episode. Dave does Flatstock a couple times a year, makes a poster a week, and doesn&apos;t even have time anymore to do the printing. So now he collaborates with some of the best printers in the US, and his output is better than ever before. Did you see his recent piece for The Washington Post? He&apos;s everywhere, and today he&apos;s my guest on the Print Cast.<br/><br/>Check Dave on <a href='http://www.instagram.com/davekloc/'>Instagram</a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a><br/><br/>See the <a href='http://theprintcast.com/'>show notes</a> with all of our references listed </p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/bc2k7q3eier76makj6cl8elv0uqq?.jpg" />
    <itunes:author>Dave Kloc</itunes:author>
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    <pubDate>Tue, 18 Jun 2019 09:00:00 -0700</pubDate>
    <itunes:duration>4909</itunes:duration>
    <itunes:keywords>gigposter, screen print, serigraph, printmaking, printmaker, illustration, drawing, art, graphic design, print design</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>10</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>Collaborative Printing in New Zealand with Auckland Print Studio</itunes:title>
    <title>Collaborative Printing in New Zealand with Auckland Print Studio</title>
    <itunes:summary><![CDATA[Episode 9 of The Print Cast features a discussion with John Pusateri and Jan Philip Raath who together run Auckland Print Studio in Point Chevalier, New Zealand. It's one of the few studios in NZ offering litho, intaglio, relief and other print services to artists who want to create editions. We talk business models as they try to search for a way to move forward towards sustainability with print sales and program expansion. It is never clear what the most optimal model is for running a shop,...]]></itunes:summary>
    <description><![CDATA[<p>Episode 9 of The Print Cast features a discussion with John Pusateri and Jan Philip Raath who together run Auckland Print Studio in Point Chevalier, New Zealand. It&apos;s one of the few studios in NZ offering litho, intaglio, relief and other print services to artists who want to create editions. We talk business models as they try to search for a way to move forward towards sustainability with print sales and program expansion. It is never clear what the most optimal model is for running a shop, but after 10 years they have created a solid foundation for their next steps forward. If you&apos;ve ever been curious what it would take to do printmaking in far-off locales, this one is for you. <br/><br/>Check out Auckland Print Studio on <a href='https://www.instagram.com/aucklandprintstudio/?hl=en'>Instagram</a>.<br/>See their services and learn about their <a href='https://www.aucklandprintstudio.com/'>residency</a>.<br/><br/>Follow <a href='http://www.instagram.com/theprintcast/'>the Print Cast</a> on Instagram!</p>]]></description>
    <content:encoded><![CDATA[<p>Episode 9 of The Print Cast features a discussion with John Pusateri and Jan Philip Raath who together run Auckland Print Studio in Point Chevalier, New Zealand. It&apos;s one of the few studios in NZ offering litho, intaglio, relief and other print services to artists who want to create editions. We talk business models as they try to search for a way to move forward towards sustainability with print sales and program expansion. It is never clear what the most optimal model is for running a shop, but after 10 years they have created a solid foundation for their next steps forward. If you&apos;ve ever been curious what it would take to do printmaking in far-off locales, this one is for you. <br/><br/>Check out Auckland Print Studio on <a href='https://www.instagram.com/aucklandprintstudio/?hl=en'>Instagram</a>.<br/>See their services and learn about their <a href='https://www.aucklandprintstudio.com/'>residency</a>.<br/><br/>Follow <a href='http://www.instagram.com/theprintcast/'>the Print Cast</a> on Instagram!</p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/7v1d6jrn10p9uxhrhmtlx81n8eu3?.jpg" />
    <itunes:author>John Pusateri and Jan Philip Raath</itunes:author>
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    <pubDate>Tue, 04 Jun 2019 08:00:00 -0700</pubDate>
    <itunes:duration>3388</itunes:duration>
    <itunes:keywords>intaglio, lithography, painting, religion, print publishing, Auckland, New Zealand, art, printmaking, printmaker, fine art, collaborative printmaking, </itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>9</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Part 2 | The Power of Political Satire with Artist Enrique Chagoya</itunes:title>
    <title>Part 2 | The Power of Political Satire with Artist Enrique Chagoya</title>
    <itunes:summary><![CDATA[In Part 2 of Nick's interview with Enrique Chagoya, they do a deep dive into his art. They discuss the history of the codex book format, dating back to pre-columbian times, and why it's a relevant format for Chagoya's art. If you recall, it was a lithographic codex that was vandalized in Loveland, Colorado, and we recounted the entire incident in Part 1 of this interview. We go on to talk about appropriation and specifically artists who create art on top of other artists' work. Chagoya calls ...]]></itunes:summary>
    <description><![CDATA[<p>In Part 2 of Nick&apos;s interview with Enrique Chagoya, they do a deep dive into his art. They discuss the history of the codex book format, dating back to pre-columbian times, and why it&apos;s a relevant format for Chagoya&apos;s art. If you recall, it was a lithographic codex that was vandalized in Loveland, Colorado, and we recounted the entire incident in Part 1 of this interview. We go on to talk about appropriation and specifically artists who create art on top of other artists&apos; work. Chagoya calls prints unique multiples, which implies they possess a similar aura like that of unique works of art. The artist shares how he maintains work-life balance, why meditation helps his daily life, and how he keeps going with a busy teaching and art career. </p>]]></description>
    <content:encoded><![CDATA[<p>In Part 2 of Nick&apos;s interview with Enrique Chagoya, they do a deep dive into his art. They discuss the history of the codex book format, dating back to pre-columbian times, and why it&apos;s a relevant format for Chagoya&apos;s art. If you recall, it was a lithographic codex that was vandalized in Loveland, Colorado, and we recounted the entire incident in Part 1 of this interview. We go on to talk about appropriation and specifically artists who create art on top of other artists&apos; work. Chagoya calls prints unique multiples, which implies they possess a similar aura like that of unique works of art. The artist shares how he maintains work-life balance, why meditation helps his daily life, and how he keeps going with a busy teaching and art career. </p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/yvua21dqyxdbx87s2ce2kw0ywbfg?.jpg" />
    <itunes:author>Enrique Chagoya</itunes:author>
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    <pubDate>Wed, 29 May 2019 08:00:00 -0700</pubDate>
    <podcast:soundbite startTime="0.0" duration="30.0" />
    <itunes:duration>3151</itunes:duration>
    <itunes:keywords>art, artist, printmaking, lithograph, etching, artist book, fine art, design, illustration, precolumbian art, mayan, aztec</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>8</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Part 1 | The Power of Political Satire with Artist Enrique Chagoya</itunes:title>
    <title>Part 1 | The Power of Political Satire with Artist Enrique Chagoya</title>
    <itunes:summary><![CDATA[Nick sits down with artist Enrique Chagoya, in Part 1 of a two-part series. Enrique Chagoya is an artist who inverts cultural appropriation in a manner he calls “Reverse Anthropology”.  With a deft wit, his paintings, drawings, prints and codices use “symbols as one would use words in a sentence,” often with hilarious and biting results. At times his art can even arouse misinterpretation, negative press, and even vandalism. Nevertheless he persists and continues to tackle subjects like s...]]></itunes:summary>
    <description><![CDATA[<p>Nick sits down with artist Enrique Chagoya, in Part 1 of a two-part series. Enrique Chagoya is an artist who inverts cultural appropriation in a manner he calls “Reverse Anthropology”.  With a deft wit, his paintings, drawings, prints and codices use “symbols as one would use words in a sentence,” often with hilarious and biting results. At times his art can even arouse misinterpretation, negative press, and even vandalism. Nevertheless he persists and continues to tackle subjects like sexual abuse in the Catholic Church, racism, xenophobia, and pop culture, to name a few. Present in all of his work is humor, thoughtful juxtapositions, and myriad references harkening back to other artists’ work, pop icons, figures of government, and his Mexican heritage. It can be disarming to view his work, where you might be laughing and unsettled at the same time. And that is the power of his art; it is intended not to change minds but provoke conversation and dialog.</p><p>Chagoya is currently Professor of Art at Stanford University. His work has been shown internationally and is represented in the collections of the San Francisco Museum of Modern Art, the LA County Museum of Art, the National Museum of American Art, the Des Moines Art Center, the Whitney, MOMA, and the Metropolitan Museum of Art.</p><p>Check out his work <a href='https://www.artsy.net/artist/enrique-chagoya'>here.</a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>the Print Cast</a><br/><br/>See the show notes <a href='http://theprintcast/episodes/'>here. </a></p>]]></description>
    <content:encoded><![CDATA[<p>Nick sits down with artist Enrique Chagoya, in Part 1 of a two-part series. Enrique Chagoya is an artist who inverts cultural appropriation in a manner he calls “Reverse Anthropology”.  With a deft wit, his paintings, drawings, prints and codices use “symbols as one would use words in a sentence,” often with hilarious and biting results. At times his art can even arouse misinterpretation, negative press, and even vandalism. Nevertheless he persists and continues to tackle subjects like sexual abuse in the Catholic Church, racism, xenophobia, and pop culture, to name a few. Present in all of his work is humor, thoughtful juxtapositions, and myriad references harkening back to other artists’ work, pop icons, figures of government, and his Mexican heritage. It can be disarming to view his work, where you might be laughing and unsettled at the same time. And that is the power of his art; it is intended not to change minds but provoke conversation and dialog.</p><p>Chagoya is currently Professor of Art at Stanford University. His work has been shown internationally and is represented in the collections of the San Francisco Museum of Modern Art, the LA County Museum of Art, the National Museum of American Art, the Des Moines Art Center, the Whitney, MOMA, and the Metropolitan Museum of Art.</p><p>Check out his work <a href='https://www.artsy.net/artist/enrique-chagoya'>here.</a><br/>Follow <a href='http://www.instagram.com/theprintcast/'>the Print Cast</a><br/><br/>See the show notes <a href='http://theprintcast/episodes/'>here. </a></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/2n33xwljds65hyxr6bwt0hgze6gc?.jpg" />
    <itunes:author>Enrique Chagoya</itunes:author>
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    <pubDate>Tue, 21 May 2019 14:00:00 -0700</pubDate>
    <itunes:duration>3156</itunes:duration>
    <itunes:keywords>intaglio, lithography, painting, religion, print publishing, vandalism, loveland colorado, printmaking, printmaker, illustrator, appropriation, collage, artist books, codex, culture, stereotypes</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>7</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>SoCal Community Printmaking with Printshop LA</itunes:title>
    <title>SoCal Community Printmaking with Printshop LA</title>
    <itunes:summary><![CDATA[Imagine a space where you can spend an afternoon screen printing your own band merch? Or finally learn how to use a Risograph machine to print your own zine? Maybe you want to enroll in a class; maybe make an etching or a woodcut? It can be difficult to find the space and amass the needed tools and learning the techniques is another huge hurdle. Today in Los Angeles, there is one place where you can attempt to do all of that and more. Nestled in Chinatown, sharing a space with an art book sel...]]></itunes:summary>
    <description><![CDATA[<p>Imagine a space where you can spend an afternoon screen printing your own band merch? Or finally learn how to use a Risograph machine to print your own zine? Maybe you want to enroll in a class; maybe make an etching or a woodcut? It can be difficult to find the space and amass the needed tools and learning the techniques is another huge hurdle. Today in Los Angeles, there is one place where you can attempt to do all of that and more. Nestled in Chinatown, sharing a space with an art book seller A.G. Geiger, 4 artists run a communal printmaking studio called Printshop LA. These artists come from diverse backgrounds with personal art practices that dovetail with the mission of the shop. It reflects the vitality of LA’s art scene where artists often have to join forces to make an impact and create opportunities. By combining business models, they not only enhance their individual practices but also extend a lifeline to artists and the public who would love to share their equipment and resources. Printshop LA is Michelle Miller, Jayse Caitlin, Sean Hernandez and Dave Kloc. I welcome three of the four founding members today where we’ll talk about their pursuit of making printmaking accessible in Los Angeles. <br/><br/>Check out all three artists on Instagram<br/><a href='http://www.instagram.com/pressfriends/'>Press Friends</a> aka Sean Hernandez<br/><a href='http://www.instagram.com/heavygel/'>Heavy Gel</a> aka Jayse Caitlin<br/><a href=' http://www.instagram.com/michellemillerprint/'>Michelle Miller</a><br/><a href='http://www.instagram.com/printshopla/'>Printshop LA</a><br/><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a> on Instagram<br/>Become a supporter of my <a href='http://www.patreon.com/theprintcast/'>Patreon</a></p>]]></description>
    <content:encoded><![CDATA[<p>Imagine a space where you can spend an afternoon screen printing your own band merch? Or finally learn how to use a Risograph machine to print your own zine? Maybe you want to enroll in a class; maybe make an etching or a woodcut? It can be difficult to find the space and amass the needed tools and learning the techniques is another huge hurdle. Today in Los Angeles, there is one place where you can attempt to do all of that and more. Nestled in Chinatown, sharing a space with an art book seller A.G. Geiger, 4 artists run a communal printmaking studio called Printshop LA. These artists come from diverse backgrounds with personal art practices that dovetail with the mission of the shop. It reflects the vitality of LA’s art scene where artists often have to join forces to make an impact and create opportunities. By combining business models, they not only enhance their individual practices but also extend a lifeline to artists and the public who would love to share their equipment and resources. Printshop LA is Michelle Miller, Jayse Caitlin, Sean Hernandez and Dave Kloc. I welcome three of the four founding members today where we’ll talk about their pursuit of making printmaking accessible in Los Angeles. <br/><br/>Check out all three artists on Instagram<br/><a href='http://www.instagram.com/pressfriends/'>Press Friends</a> aka Sean Hernandez<br/><a href='http://www.instagram.com/heavygel/'>Heavy Gel</a> aka Jayse Caitlin<br/><a href=' http://www.instagram.com/michellemillerprint/'>Michelle Miller</a><br/><a href='http://www.instagram.com/printshopla/'>Printshop LA</a><br/><br/>Follow <a href='http://www.instagram.com/theprintcast/'>The Print Cast</a> on Instagram<br/>Become a supporter of my <a href='http://www.patreon.com/theprintcast/'>Patreon</a></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/5mg6uu81m10lj7hmdjydu1fu6k7w?.jpg" />
    <itunes:author>Printshop LA</itunes:author>
    <guid isPermaLink="false">Buzzsprout-1102418</guid>
    <pubDate>Tue, 07 May 2019 10:00:00 -0700</pubDate>
    <itunes:duration>3466</itunes:duration>
    <itunes:keywords>printshop, communityprintshop, screen print, artpublishing, showmeyourprintshop, smallbusiness, printmaking, intaglio, workshops, </itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>6</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Southern Graphics Conference International with Artist Margot Myers</itunes:title>
    <title>Southern Graphics Conference International with Artist Margot Myers</title>
    <itunes:summary><![CDATA[Margot Myers joins the show to discuss site a specific installation and what it’s like to be a volunteer board member for the largest printmaking conference in the US.  She is an intaglio print artist working in Bellingham, Washington, running a studio called Runaway Press where she creates her work, maintains a thriving batik business, and offers classes and events. Margot is also a volunteer board member for Southern Graphics Conference International and is serving a two-year term as t...]]></itunes:summary>
    <description><![CDATA[<p><b>Margot Myers joins the show to discuss site a specific installation and what it’s like to be a volunteer board member for the largest printmaking conference in the US. <br/>She is an intaglio print artist working in Bellingham, Washington, running a studio called Runaway Press where she creates her work, maintains a thriving batik business, and offers classes and events. Margot is also a volunteer board member for Southern Graphics Conference International and is serving a two-year term as treasurer for the non-profit that runs the event. <br/>With the 2019 conference recently taking place in Dallas, Texas, I invited her onto the show to tell me about her work on the board and what it’s like to help stage the conference versus attending. She gives some perspective on this year&apos;s event and gives us an eye into what we can expect in the years to come. We discuss programming, and particularly how the conference strives to provide content for all types of audiences including for first-timers like her student who joined her this year. Margot also installed a large scale print-stallation on an outdoor staircase this year, and she shares how that experience opened her eyes to the dynamics of foot traffic and whether or not viewers choose to tread on the art itself. She is interested in how some passers by avoid walking on the work, while others are oblivious to what is under their feet as they ascend the stairs. <br/>This is a great episode for anyone who is curious about how art non-profits work, especially organizations that turn over their leadership every two years. How do they create continuity? Do they have systems that help one year inform the next? Steering committees for each new city change over as well, thus leaving each year to define itself in its local context. <br/>The next conference is going to be in San Juan, Puerto Rico and it’s the first time that the organization is bringing the event to that territory. That conference is being called Puertografico and information to participate should be available soon. </b></p><p><b>More info about SGCI: </b><a href='http://www.sgcinternational.org'><b>www.sgcinternational.org</b></a></p><p><b>Follow Margot: </b><a href='http://www.instagram.com/runaway.press/'><b>@runaway.press</b></a></p><p><b>Check out her work: </b><a href='http://www.runaway.press'><b>www.runaway.press</b></a></p><p><b>More episodes available at: </b><a href='http://www.theprintcast.com'><b>www.theprintcast.com</b></a></p><p><b>Follow the show at: </b><a href='http://www.instagram.com/theprintcast/'><b>@theprintcast</b></a></p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p><b>Margot Myers joins the show to discuss site a specific installation and what it’s like to be a volunteer board member for the largest printmaking conference in the US. <br/>She is an intaglio print artist working in Bellingham, Washington, running a studio called Runaway Press where she creates her work, maintains a thriving batik business, and offers classes and events. Margot is also a volunteer board member for Southern Graphics Conference International and is serving a two-year term as treasurer for the non-profit that runs the event. <br/>With the 2019 conference recently taking place in Dallas, Texas, I invited her onto the show to tell me about her work on the board and what it’s like to help stage the conference versus attending. She gives some perspective on this year&apos;s event and gives us an eye into what we can expect in the years to come. We discuss programming, and particularly how the conference strives to provide content for all types of audiences including for first-timers like her student who joined her this year. Margot also installed a large scale print-stallation on an outdoor staircase this year, and she shares how that experience opened her eyes to the dynamics of foot traffic and whether or not viewers choose to tread on the art itself. She is interested in how some passers by avoid walking on the work, while others are oblivious to what is under their feet as they ascend the stairs. <br/>This is a great episode for anyone who is curious about how art non-profits work, especially organizations that turn over their leadership every two years. How do they create continuity? Do they have systems that help one year inform the next? Steering committees for each new city change over as well, thus leaving each year to define itself in its local context. <br/>The next conference is going to be in San Juan, Puerto Rico and it’s the first time that the organization is bringing the event to that territory. That conference is being called Puertografico and information to participate should be available soon. </b></p><p><b>More info about SGCI: </b><a href='http://www.sgcinternational.org'><b>www.sgcinternational.org</b></a></p><p><b>Follow Margot: </b><a href='http://www.instagram.com/runaway.press/'><b>@runaway.press</b></a></p><p><b>Check out her work: </b><a href='http://www.runaway.press'><b>www.runaway.press</b></a></p><p><b>More episodes available at: </b><a href='http://www.theprintcast.com'><b>www.theprintcast.com</b></a></p><p><b>Follow the show at: </b><a href='http://www.instagram.com/theprintcast/'><b>@theprintcast</b></a></p><p><br/></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/l1rigzjfwk8ttat7lfd2tui9o63k?.jpg" />
    <itunes:author>Nicholas Naughton</itunes:author>
    <guid isPermaLink="false">Buzzsprout-1051347</guid>
    <pubDate>Tue, 23 Apr 2019 07:00:00 -0700</pubDate>
    <itunes:duration>2880</itunes:duration>
    <itunes:keywords>intaglio, southerngraphicsconference, sgci, relief, printmaking, print, printshop, washington, artist, art, creativity, collaboration</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>5</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>Letterpress Startup Public Print and Supply Co</itunes:title>
    <title>Letterpress Startup Public Print and Supply Co</title>
    <itunes:summary><![CDATA[Starting a letterpress shop isn't easy, and it takes time. In this episode I talk with Andrew Myers and Joey Gross of Public Print and Supply Co in Kansas City. They're a new printshop in town, but not new to the print game. With three months under their belts, we discuss the difficulty of self branding and previous businesses and shops where they both have worked. I inquire about the types of business they want to cater to, but also what they see for the future. With the start up phase of an...]]></itunes:summary>
    <description><![CDATA[<p>Starting a letterpress shop isn&apos;t easy, and it takes time. In this episode I talk with Andrew Myers and Joey Gross of Public Print and Supply Co in Kansas City. They&apos;re a new printshop in town, but not new to the print game. With three months under their belts, we discuss the difficulty of self branding and previous businesses and shops where they both have worked. I inquire about the types of business they want to cater to, but also what they see for the future. With the start up phase of any business being rather mercurial, the future could result in many outcomes. It&apos;s an exciting time for Joey and Andrew and this episode gives us a tiny view of what it&apos;s like behind the press in a new studio and what that looks like in the early stages of development. <br/><br/>Public Print and Supply Co is Andrew Myers and Joey Gross (formerly of Survival Letterpress) and is located in the West Bottoms district in Kansas City, Missouri.<br/><br/>Follow Public Print and Supply on Instagram<br/>@publicprintco<br/><br/>Follow The Print Cast on Instagram<br/>@theprintcast<br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Starting a letterpress shop isn&apos;t easy, and it takes time. In this episode I talk with Andrew Myers and Joey Gross of Public Print and Supply Co in Kansas City. They&apos;re a new printshop in town, but not new to the print game. With three months under their belts, we discuss the difficulty of self branding and previous businesses and shops where they both have worked. I inquire about the types of business they want to cater to, but also what they see for the future. With the start up phase of any business being rather mercurial, the future could result in many outcomes. It&apos;s an exciting time for Joey and Andrew and this episode gives us a tiny view of what it&apos;s like behind the press in a new studio and what that looks like in the early stages of development. <br/><br/>Public Print and Supply Co is Andrew Myers and Joey Gross (formerly of Survival Letterpress) and is located in the West Bottoms district in Kansas City, Missouri.<br/><br/>Follow Public Print and Supply on Instagram<br/>@publicprintco<br/><br/>Follow The Print Cast on Instagram<br/>@theprintcast<br/><br/></p>]]></content:encoded>
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    <itunes:author>Public Print and Supply Co</itunes:author>
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    <pubDate>Tue, 02 Apr 2019 00:00:00 -0700</pubDate>
    <itunes:duration>2882</itunes:duration>
    <itunes:keywords>letterpress, printshop, kluge, heidelbergletterpress, heidelberg, impression, foil stamping, hotfoil, ink, small business, start up, kansas city, west bottoms</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>4</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Artist Duo Sandow Birk and Elyse Pignolet</itunes:title>
    <title>Artist Duo Sandow Birk and Elyse Pignolet</title>
    <itunes:summary><![CDATA[Episode 3 of The Print Cast features an interview with painter Sandow Birk and ceramicist Elyse Pignolet; two artists who collaborate in marriage and in art. We talk about their numerous large scale printmaking projects over the years. Working with Master Printer workshops they execute intaglio, relief and lithographic editions delving into political topics ranging from war, democracy, to the constitution. By appropriating formats, compositions, and production methods from historical artists ...]]></itunes:summary>
    <description><![CDATA[<p>Episode 3 of The Print Cast features an interview with painter Sandow Birk and ceramicist Elyse Pignolet; two artists who collaborate in marriage and in art. We talk about their numerous large scale printmaking projects over the years. Working with Master Printer workshops they execute intaglio, relief and lithographic editions delving into political topics ranging from war, democracy, to the constitution. By appropriating formats, compositions, and production methods from historical artists and printmakers, they manage to create art that is poignant and contemporary while also being timeless. <br/>We discuss projects like their woodcut Depravities of War, Imaginary Monuments, and their recent project American Procession. It&apos;s a great interview and gives a lot of perspective on the Master Printer and artist relationship from the artist&apos;s point of view. They also demonstrate the power of collaboration in art and in a marriage where two creatives are making powerful work for themselves and as a unit. <br/><br/>Follow the show on Instagram<br/>@theprintcast<br/><br/>Follow the artists<br/>@sandowbirk<br/>@epignolet</p>]]></description>
    <content:encoded><![CDATA[<p>Episode 3 of The Print Cast features an interview with painter Sandow Birk and ceramicist Elyse Pignolet; two artists who collaborate in marriage and in art. We talk about their numerous large scale printmaking projects over the years. Working with Master Printer workshops they execute intaglio, relief and lithographic editions delving into political topics ranging from war, democracy, to the constitution. By appropriating formats, compositions, and production methods from historical artists and printmakers, they manage to create art that is poignant and contemporary while also being timeless. <br/>We discuss projects like their woodcut Depravities of War, Imaginary Monuments, and their recent project American Procession. It&apos;s a great interview and gives a lot of perspective on the Master Printer and artist relationship from the artist&apos;s point of view. They also demonstrate the power of collaboration in art and in a marriage where two creatives are making powerful work for themselves and as a unit. <br/><br/>Follow the show on Instagram<br/>@theprintcast<br/><br/>Follow the artists<br/>@sandowbirk<br/>@epignolet</p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/pkf8acqnw45ybb8mwnv4k4u8ydru?.jpg" />
    <itunes:author>Sandow Birk and Elyse Pignolet</itunes:author>
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    <pubDate>Tue, 19 Mar 2019 00:00:00 -0700</pubDate>
    <itunes:duration>4937</itunes:duration>
    <itunes:keywords>intaglio, relief, woodcut, lithograph, print edition, fine art, master printer, printmaking, painting, ceramics, collaboration, political art, american art, self reflection</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>3</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Universality in Materials with Sculptor May Tveit</itunes:title>
    <title>Universality in Materials with Sculptor May Tveit</title>
    <itunes:summary><![CDATA[Tveit is a sculptor interested in consumer goods and the manufactured landscape. She visited the pod in early 2018 to discuss her latest exhibition Universal Boxes at Johnson Country Museum of Art in Overland Park, Kansas. We discuss her previous large scale projects like Field Test, Product Placement, and United/Divided and discuss connections between those varied and intensive works and how they solidified the platform she is using in her latest cardboard sculptures. Her art reflects on wha...]]></itunes:summary>
    <description><![CDATA[<p>Tveit is a sculptor interested in consumer goods and the manufactured landscape. She visited the pod in early 2018 to discuss her latest exhibition <a href='http://www.maytveit.com/solo/nerman/n01.html'>Universal Boxes</a> at Johnson Country Museum of Art in Overland Park, Kansas. We discuss her previous large scale projects like <a href='http://www.maytveit.com/solo/field_test/ft01.html'>Field Test</a>, <a href='http://www.maytveit.com/solo/pp/pp01.html'>Product Placement</a>, and <a href='http://www.maytveit.com/solo/united/ud01.html'>United/Divided</a> and discuss connections between those varied and intensive works and how they solidified the platform she is using in her latest cardboard sculptures. Her art reflects on what we consume, how we consume it, and what work means to her today.<br/>Check out the <a href='http://theprintcast.com/show-notes/'>show notes</a> to see some of her latest works.</p>]]></description>
    <content:encoded><![CDATA[<p>Tveit is a sculptor interested in consumer goods and the manufactured landscape. She visited the pod in early 2018 to discuss her latest exhibition <a href='http://www.maytveit.com/solo/nerman/n01.html'>Universal Boxes</a> at Johnson Country Museum of Art in Overland Park, Kansas. We discuss her previous large scale projects like <a href='http://www.maytveit.com/solo/field_test/ft01.html'>Field Test</a>, <a href='http://www.maytveit.com/solo/pp/pp01.html'>Product Placement</a>, and <a href='http://www.maytveit.com/solo/united/ud01.html'>United/Divided</a> and discuss connections between those varied and intensive works and how they solidified the platform she is using in her latest cardboard sculptures. Her art reflects on what we consume, how we consume it, and what work means to her today.<br/>Check out the <a href='http://theprintcast.com/show-notes/'>show notes</a> to see some of her latest works.</p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/9739x4r6ewco4lo1fzugb89e719p?.jpg" />
    <itunes:author>May Tveit</itunes:author>
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    <pubDate>Tue, 05 Mar 2019 05:00:00 -0800</pubDate>
    <itunes:duration>4772</itunes:duration>
    <itunes:keywords>May Tveit, Cardboard, Mass Production, Bratz Doll, earbud, sculpture, vector, stacks, wall relief, monoprint, monochromatic, graphite</itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>2</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Bonus: Hugh Merrill Does Shakespeare</itunes:title>
    <title>Bonus: Hugh Merrill Does Shakespeare</title>
    <itunes:summary><![CDATA[In this Print Cast extra, we want to share a priceless bit of audio that didn't make it into the full length episode with our guest Hugh Merrill. Most people talk about what they ate for breakfast, but Hugh warms up the mic by reciting poetry, and his voice is like gold. We had some fun dressing up the audio and hope everyone enjoys it. Also included is some general information about how to support the podcast by sharing about it on social media, reviewing and rating us on your favorite podca...]]></itunes:summary>
    <description><![CDATA[<p>In this Print Cast extra, we want to share a priceless bit of audio that didn&apos;t make it into the full length episode with our guest Hugh Merrill. Most people talk about what they ate for breakfast, but Hugh warms up the mic by reciting poetry, and his voice is like gold. We had some fun dressing up the audio and hope everyone enjoys it. Also included is some general information about how to support the podcast by sharing about it on social media, reviewing and rating us on your favorite podcast platform, and donating via Patreon (http://patreon.com/theprintcast/) where these extras will be available to all donor levels.<br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>In this Print Cast extra, we want to share a priceless bit of audio that didn&apos;t make it into the full length episode with our guest Hugh Merrill. Most people talk about what they ate for breakfast, but Hugh warms up the mic by reciting poetry, and his voice is like gold. We had some fun dressing up the audio and hope everyone enjoys it. Also included is some general information about how to support the podcast by sharing about it on social media, reviewing and rating us on your favorite podcast platform, and donating via Patreon (http://patreon.com/theprintcast/) where these extras will be available to all donor levels.<br/><br/></p>]]></content:encoded>
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    <itunes:author>Hugh Merrill</itunes:author>
    <guid isPermaLink="false">Buzzsprout-975067</guid>
    <pubDate>Wed, 27 Feb 2019 00:00:00 -0800</pubDate>
    <itunes:duration>378</itunes:duration>
    <itunes:keywords>Hugh Merrill Bonus, shakespeare, printmaking, intaglio, process, artist, fineart, art professor, kansas city, graphic art, williambutleryeats, prose, poetry </itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>2</itunes:episode>
    <itunes:episodeType>bonus</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Printmaker and Community Artist Hugh Merrill</itunes:title>
    <title>Printmaker and Community Artist Hugh Merrill</title>
    <itunes:summary><![CDATA[In this inaugural first episode Nick talks with Hugh Merrill about his decades as an artist, and his printmaking, teaching, and the philosophy that drives his creative process. We touch on topics relating to his studio work, his studies in the art department at Yale, feminism and MeToo, Buddhism, and other anecdotes like when artist Mel Chin challenged his universal theory of the art with a drawing of a big sausage. It's an art historical episode, with autobiographical undertones mixed with a...]]></itunes:summary>
    <description><![CDATA[<p>In this inaugural first episode Nick talks with Hugh Merrill about his decades as an artist, and his printmaking, teaching, and the philosophy that drives his creative process. We touch on topics relating to his studio work, his studies in the art department at Yale, feminism and MeToo, Buddhism, and other anecdotes like when artist Mel Chin challenged his universal theory of the art with a drawing of a big sausage. It&apos;s an art historical episode, with autobiographical undertones mixed with a feeling that you&apos;re at a fire side chat with a professor you loved. Recorded in two parts in Kansas City, MO in late 2017. <br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>In this inaugural first episode Nick talks with Hugh Merrill about his decades as an artist, and his printmaking, teaching, and the philosophy that drives his creative process. We touch on topics relating to his studio work, his studies in the art department at Yale, feminism and MeToo, Buddhism, and other anecdotes like when artist Mel Chin challenged his universal theory of the art with a drawing of a big sausage. It&apos;s an art historical episode, with autobiographical undertones mixed with a feeling that you&apos;re at a fire side chat with a professor you loved. Recorded in two parts in Kansas City, MO in late 2017. <br/><br/></p>]]></content:encoded>
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    <itunes:image href="https://storage.buzzsprout.com/cfze4tvmco2s6axx13bzc27ue61k?.jpg" />
    <itunes:author>Hugh Merrill</itunes:author>
    <guid isPermaLink="false">Buzzsprout-942662</guid>
    <pubDate>Sat, 02 Feb 2019 21:00:00 -0800</pubDate>
    <itunes:duration>5873</itunes:duration>
    <itunes:keywords>Hugh Merrill, Printmaking, intaglio, etching, art, artist, graphic art, work on paper, sequential, process, buddhist, feminism, abstraction </itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>1</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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