Ask Zac Thu, 08 Oct 2026 10:23:25 -0500 https://www.askzac.com/ en-us © 2026 Ask Zac yes Support this Podcast f1c44436-ca4a-5b4d-855a-06fc8fe3aada Zac Childs episodic false Zac Childs is a music insider and historian. He is the host of the acclaimed Truetone Lounge interview series and contributed to Vintage Guitar Magazine for 15 years via his Ask Zac column, and numerous featured articles, product reviews, and cover stories. On his ASK ZAC channel, Zac takes a look at players and gear and also answers guitar-related questions in ways that were never possible via print. 

]]> Buzzsprout (https://www.buzzsprout.com) Zac Childs https://storage.buzzsprout.com/dowtx1h0deiqhpk1azu1bzev56j0?.jpg Ask Zac https://www.askzac.com/ A Look At The Fender Tone Master '59 Twin-Amp (Joe Bonamassa Edition) A Look At The Fender Tone Master '59 Twin-Amp (Joe Bonamassa Edition) Why would a legendary tone snob with Dumbles and real '59 Tweed Twins put his name on a digital amp? On today's episode of Ask Zac, we take a deep dive into the new Fender Joe Bonamassa Tone Master '59 High-Powered Tweed Twin, and what happened when I took it out on the road.

Fender sent over one of these digital tweed powerhouses to review. As someone who uses digital and solid-state gear on stage (including recent televised Grand Ole Opry performances), I share my honest thoughts on why this amp exists, who it’s actually for, and whether modeling has earned a permanent spot in a vintage purist’s rig.

We walk through the amp's features, tone flexibility, studio usability, and real-world gig results, including:

Why Joe Bonamassa Went Digital: The real-world realities of touring, component drift, finicky 12AX7 tubes, and why consistency reigns supreme on the road.

Tonal Features: Exploring the Normal vs. Bright inputs, the padded #2 inputs, mid-range grit, built-in digital reverb, and the rear-panel power selector (from under 1 watt to 85 watts).

Modern Upgrades: The switchable FX loop (ideal for big solo boosts and delays), direct XLR output with IR cab simulations, and custom Celestion Joe Bonamassa Neodymium "blackback-style" speakers.

Road-Test Results: How the amp performed on stage during big shows, lightweight transport benefits, dialing in the Vintage vs. Tight switch, selecting IR presets, and how it paired with my Danelectro doubleneck and baritone Telecaster.

TIMESTAMPS

0:00 - Intro & Welcome to Ask Zac

0:51 - The Fender Joe Bonamassa Tone Master '59 High Powered Tweed Twin

1:53 - Patreon Thanks & Why I'm Doing This Video

2:44 - Why Fender Sent Me This Amp & My Experience with Tone Masters at the Opry

3:11 - Why Would Joe Bonamassa Do a Digital Amp? (The Consistency Factor)

5:33 - XLR Direct Out & Modern Gigging Maintenance Realities

7:08 - Power Attenuator / Output Selector Switch Features

8:01 - Tone & Input Demos (Normal vs. Bright, Padded Inputs)

10:07 - Onboard Digital Reverb & FX Loop Walkthrough

11:40 - Cosmetic Build & Leo Fender’s Favorite Circuit

12:39 - Celestion JB Neodymium Speakers & Mid-Range Push

14:28 - Why Keith Richards & Big Tweed Fans Love High-Power Twins

15:09 - First Impressions & Studio Verdict

16:47 - Road Test Addendum: Taking the Amp Out on the Road

17:40 - Direct XLR Experience & In-Ear Monitor Tweaks (Bass & Tight Switch)

18:52 - Selecting IR Preset #2

19:18 - Stage Photos & Guitars Used (Dan Electro Doubleneck & Baritone Tele)

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac



If you enjoyed the video, please give it a Like, subscribe to the channel, and drop a comment below—would you gig a digital Tweed Twin?

#AskZac #Fender #JoeBonamassa #ToneMaster #TweedTwin #GuitarAmps #GuitarGearReview

Support the show

]]> Why would a legendary tone snob with Dumbles and real '59 Tweed Twins put his name on a digital amp? On today's episode of Ask Zac, we take a deep dive into the new Fender Joe Bonamassa Tone Master '59 High-Powered Tweed Twin, and what happened when I took it out on the road.

Fender sent over one of these digital tweed powerhouses to review. As someone who uses digital and solid-state gear on stage (including recent televised Grand Ole Opry performances), I share my honest thoughts on why this amp exists, who it’s actually for, and whether modeling has earned a permanent spot in a vintage purist’s rig.

We walk through the amp's features, tone flexibility, studio usability, and real-world gig results, including:

Why Joe Bonamassa Went Digital: The real-world realities of touring, component drift, finicky 12AX7 tubes, and why consistency reigns supreme on the road.

Tonal Features: Exploring the Normal vs. Bright inputs, the padded #2 inputs, mid-range grit, built-in digital reverb, and the rear-panel power selector (from under 1 watt to 85 watts).

Modern Upgrades: The switchable FX loop (ideal for big solo boosts and delays), direct XLR output with IR cab simulations, and custom Celestion Joe Bonamassa Neodymium "blackback-style" speakers.

Road-Test Results: How the amp performed on stage during big shows, lightweight transport benefits, dialing in the Vintage vs. Tight switch, selecting IR presets, and how it paired with my Danelectro doubleneck and baritone Telecaster.

TIMESTAMPS

0:00 - Intro & Welcome to Ask Zac

0:51 - The Fender Joe Bonamassa Tone Master '59 High Powered Tweed Twin

1:53 - Patreon Thanks & Why I'm Doing This Video

2:44 - Why Fender Sent Me This Amp & My Experience with Tone Masters at the Opry

3:11 - Why Would Joe Bonamassa Do a Digital Amp? (The Consistency Factor)

5:33 - XLR Direct Out & Modern Gigging Maintenance Realities

7:08 - Power Attenuator / Output Selector Switch Features

8:01 - Tone & Input Demos (Normal vs. Bright, Padded Inputs)

10:07 - Onboard Digital Reverb & FX Loop Walkthrough

11:40 - Cosmetic Build & Leo Fender’s Favorite Circuit

12:39 - Celestion JB Neodymium Speakers & Mid-Range Push

14:28 - Why Keith Richards & Big Tweed Fans Love High-Power Twins

15:09 - First Impressions & Studio Verdict

16:47 - Road Test Addendum: Taking the Amp Out on the Road

17:40 - Direct XLR Experience & In-Ear Monitor Tweaks (Bass & Tight Switch)

18:52 - Selecting IR Preset #2

19:18 - Stage Photos & Guitars Used (Dan Electro Doubleneck & Baritone Tele)

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac



If you enjoyed the video, please give it a Like, subscribe to the channel, and drop a comment below—would you gig a digital Tweed Twin?

#AskZac #Fender #JoeBonamassa #ToneMaster #TweedTwin #GuitarAmps #GuitarGearReview

Support the show

]]> Zac Childs Buzzsprout-19930518 Thu, 08 Oct 2026 10:00:00 -0500 1316 287 full false When and Why To Use A Guitar Wireless When and Why To Use A Guitar Wireless On today’s episode of Ask Zac, we dive into the world of guitar wireless systems, specifically when and why you should consider ditching your instrument cable.

From small casino stages to massive stages with thrusts, we look at how going wireless impacts your stage presence, overall safety, tone, and performance workflow. I also share a few embarrassing lessons I’ve learned the hard way (including a dropout mid-solo on a giant stage) so you can avoid making the same mistakes!

Key Topics Covered:

Why Go Wireless? The freedom of stage movement, safety from electrical shocks, and eliminating trip hazards/cable management.

When to Make the Switch: Why cables work fine on tiny stages, but wireless becomes essential as stage size and performance expectations grow.

The "Soundcheck Hack": How wireless lets you step out front into the audience area to hear what your rig actually sounds like through the PA.

Tone & Pickup Buffering: Does wireless ruin your tone? We break down capacitance, signal buffering, and do an A/B audio comparison between a cable and a wireless unit.

Pedalboard vs. Rack Units: Choosing the right tool for the job, when a pedalboard unit works vs. when you need a professional rackmount setup with external antennas.

Video Chapters:
0:00 - Intro: Talking to My Younger Self
1:25 - Do You Need Wireless on Small Stages?
3:00 - Stage Size & Showmanship Expectations
4:25 - Real-World Story: Cabling vs. Stage Movement
6:00 - Entertaining the Audience & Stage Freedom
7:20 - Big Stages, Thrusts, and Cable Nightmares
8:30 - Does Wireless Ruin Your Tone?
11:08 - Stage Safety & Shock Prevention
11:39 - Gear Review: Shure GLXD+ Pedalboard Wireless
14:08 - Bodypack Placement & Guitar Switching Tips
15:57 - Soundcheck Hack: Hearing Yourself Out Front
16:37 - A/B Sound Test: Wireless vs. D'Addario Cable
18:23 - Pickup Buffering & Capacitance Explained
19:15 - What to Avoid: Cheap Units & Big Stage Dropouts
20:50 - Final Thoughts on Showmanship & Wrapping Up

Gear Featured in This Episode:

Shure GLXD+ Digital Wireless Pedalboard System

D'Addario Instrument Cables

If you enjoyed this episode, please like, subscribe, and share it with a fellow gear head. Thanks for watching!

Support the show

]]> On today’s episode of Ask Zac, we dive into the world of guitar wireless systems, specifically when and why you should consider ditching your instrument cable.

From small casino stages to massive stages with thrusts, we look at how going wireless impacts your stage presence, overall safety, tone, and performance workflow. I also share a few embarrassing lessons I’ve learned the hard way (including a dropout mid-solo on a giant stage) so you can avoid making the same mistakes!

Key Topics Covered:

Why Go Wireless? The freedom of stage movement, safety from electrical shocks, and eliminating trip hazards/cable management.

When to Make the Switch: Why cables work fine on tiny stages, but wireless becomes essential as stage size and performance expectations grow.

The "Soundcheck Hack": How wireless lets you step out front into the audience area to hear what your rig actually sounds like through the PA.

Tone & Pickup Buffering: Does wireless ruin your tone? We break down capacitance, signal buffering, and do an A/B audio comparison between a cable and a wireless unit.

Pedalboard vs. Rack Units: Choosing the right tool for the job, when a pedalboard unit works vs. when you need a professional rackmount setup with external antennas.

Video Chapters:
0:00 - Intro: Talking to My Younger Self
1:25 - Do You Need Wireless on Small Stages?
3:00 - Stage Size & Showmanship Expectations
4:25 - Real-World Story: Cabling vs. Stage Movement
6:00 - Entertaining the Audience & Stage Freedom
7:20 - Big Stages, Thrusts, and Cable Nightmares
8:30 - Does Wireless Ruin Your Tone?
11:08 - Stage Safety & Shock Prevention
11:39 - Gear Review: Shure GLXD+ Pedalboard Wireless
14:08 - Bodypack Placement & Guitar Switching Tips
15:57 - Soundcheck Hack: Hearing Yourself Out Front
16:37 - A/B Sound Test: Wireless vs. D'Addario Cable
18:23 - Pickup Buffering & Capacitance Explained
19:15 - What to Avoid: Cheap Units & Big Stage Dropouts
20:50 - Final Thoughts on Showmanship & Wrapping Up

Gear Featured in This Episode:

Shure GLXD+ Digital Wireless Pedalboard System

D'Addario Instrument Cables

If you enjoyed this episode, please like, subscribe, and share it with a fellow gear head. Thanks for watching!

Support the show

]]> Zac Childs Buzzsprout-19822545 Tue, 29 Sep 2026 06:00:00 -0500 1304 287 full false My 5 Favorite Delay Pedals (Plus an Honorable Mention) My 5 Favorite Delay Pedals (Plus an Honorable Mention) Delay is hands down my favorite guitar effect. It’s the ultimate tool for adding space, fattening up your tone, and creating depth, whether you're playing fast country chicken pickin' or holding out ambient chords. In this episode, I share the delay pedals I’ve relied on for years (including one I've been playing since 1991), complete with my favorite settings, live rig applications, and sound demos.

Note: This video is 100% unsponsored. Every pedal featured was purchased with my own money from pawn shops, Reverb, or local gear stores.

Pedals Featured in This Episode:

Universal Audio UAFX Del-Verb – The ultimate solution for a killer Deluxe Memory Man style delay combined with a top-tier spring reverb.

Boss DM-3 Analog Delay – My most-used delay of all time. Quiet, warm, and the absolute king of always-on slapback.

Boss DD-2 Digital Delay – The legendary 1980s long-chip digital classic used by John Jorgenson and Brad Paisley for punchy, mix-cutting repeats.

Mad Professor Deep Blue Delay – A touch-sensitive digital delay with a dynamic, "ducking" quality that gets out of the way of your pick attack.

Line 6 Echo Park – The ultimate compact workhorse with tap tempo, versatile voicings, and rock-solid reliability.

Honorable Mention: Strymon El Capistan (V2) – The modern industry standard for multi-head tape echo emulation, complete with a favorite switch for fly dates.

Timestamps:
0:00 - Intro & Why Delay is My Favorite Effect
1:28 - Full Disclosure (Unsponsored Content)
1:51 - Support the Channel
2:13 - 1. Universal Audio UAFX Del-Verb
7:54 - 2. Boss DM-3 Analog Delay
12:22 - 3. Boss DD-2 Digital Delay
18:15 - 4. Mad Professor Deep Blue Delay
22:34 - 5. Line 6 Echo Park
25:48 - 6. Honorable Mention: Strymon El Capistan
28:21 - Final Thoughts & Outro

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Delay is hands down my favorite guitar effect. It’s the ultimate tool for adding space, fattening up your tone, and creating depth, whether you're playing fast country chicken pickin' or holding out ambient chords. In this episode, I share the delay pedals I’ve relied on for years (including one I've been playing since 1991), complete with my favorite settings, live rig applications, and sound demos.

Note: This video is 100% unsponsored. Every pedal featured was purchased with my own money from pawn shops, Reverb, or local gear stores.

Pedals Featured in This Episode:

Universal Audio UAFX Del-Verb – The ultimate solution for a killer Deluxe Memory Man style delay combined with a top-tier spring reverb.

Boss DM-3 Analog Delay – My most-used delay of all time. Quiet, warm, and the absolute king of always-on slapback.

Boss DD-2 Digital Delay – The legendary 1980s long-chip digital classic used by John Jorgenson and Brad Paisley for punchy, mix-cutting repeats.

Mad Professor Deep Blue Delay – A touch-sensitive digital delay with a dynamic, "ducking" quality that gets out of the way of your pick attack.

Line 6 Echo Park – The ultimate compact workhorse with tap tempo, versatile voicings, and rock-solid reliability.

Honorable Mention: Strymon El Capistan (V2) – The modern industry standard for multi-head tape echo emulation, complete with a favorite switch for fly dates.

Timestamps:
0:00 - Intro & Why Delay is My Favorite Effect
1:28 - Full Disclosure (Unsponsored Content)
1:51 - Support the Channel
2:13 - 1. Universal Audio UAFX Del-Verb
7:54 - 2. Boss DM-3 Analog Delay
12:22 - 3. Boss DD-2 Digital Delay
18:15 - 4. Mad Professor Deep Blue Delay
22:34 - 5. Line 6 Echo Park
25:48 - 6. Honorable Mention: Strymon El Capistan
28:21 - Final Thoughts & Outro

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-19822588 Thu, 17 Sep 2026 11:00:00 -0500 1749 286 full false Richard Bennett's Genius on Steve Earle's “Guitar Town” Richard Bennett's Genius on Steve Earle's “Guitar Town” On this episode of Ask Zac, we take a deep dive into Steve Earle’s landmark 1986 album Guitar Town and, in particular, the incredible guitar work of Richard Bennett.

Bennett’s playing on the title track is a masterclass in taste, melody, and knowing exactly what a song needs. We’ll break down the licks, turnarounds, tic-tac parts, and that fantastic solo, and look at how Richard created so much musical impact with what might seem like a very unusual instrument: a vintage Danelectro six-string bass.

I’ll also talk about Richard Bennett’s background, his work with artists including Neil Diamond and Billy Joel, his move from Los Angeles to Nashville, and his growing role in the making of Guitar Town. There’s a great story behind how Richard ended up playing the “guitar solo” on the song, and why the instrument he chose helped create such a distinctive sound.

Along the way, I’ll put my own Jerry Jones Longhorn six-string bass through its paces and explain some of the things that make the original Danelectro six-string bass so unique.

Richard is one of my favorite guitar players, and I had the pleasure of interviewing him for Vintage Guitar back in 2005. I’ll also point you toward some of the sources I used, including David McGee’s Fearless Heart and my original Richard Bennett interview.

So grab your guitar, or just listen closely, and let’s dig into one of the great examples of Nashville guitar playing.

And if you haven’t listened to Guitar Town lately, go give the whole record another spin. It’s a classic.


My 2005 interview with Richard
https://www.askzac.com/post/richard-bennett-interview

Steve Earle with Richard
https://www.youtube.com/watch?v=8Xp4OGarKJo

Steve, Richard, and Mike McAdam
https://www.youtube.com/watch?v=6yGhm8CviuE

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#SteveEarle #GuitarTown #RichardBennett #CountryGuitar #NashvilleGuitar #Danelectro #AskZac #GuitarSolo

Support the show

]]> On this episode of Ask Zac, we take a deep dive into Steve Earle’s landmark 1986 album Guitar Town and, in particular, the incredible guitar work of Richard Bennett.

Bennett’s playing on the title track is a masterclass in taste, melody, and knowing exactly what a song needs. We’ll break down the licks, turnarounds, tic-tac parts, and that fantastic solo, and look at how Richard created so much musical impact with what might seem like a very unusual instrument: a vintage Danelectro six-string bass.

I’ll also talk about Richard Bennett’s background, his work with artists including Neil Diamond and Billy Joel, his move from Los Angeles to Nashville, and his growing role in the making of Guitar Town. There’s a great story behind how Richard ended up playing the “guitar solo” on the song, and why the instrument he chose helped create such a distinctive sound.

Along the way, I’ll put my own Jerry Jones Longhorn six-string bass through its paces and explain some of the things that make the original Danelectro six-string bass so unique.

Richard is one of my favorite guitar players, and I had the pleasure of interviewing him for Vintage Guitar back in 2005. I’ll also point you toward some of the sources I used, including David McGee’s Fearless Heart and my original Richard Bennett interview.

So grab your guitar, or just listen closely, and let’s dig into one of the great examples of Nashville guitar playing.

And if you haven’t listened to Guitar Town lately, go give the whole record another spin. It’s a classic.


My 2005 interview with Richard
https://www.askzac.com/post/richard-bennett-interview

Steve Earle with Richard
https://www.youtube.com/watch?v=8Xp4OGarKJo

Steve, Richard, and Mike McAdam
https://www.youtube.com/watch?v=6yGhm8CviuE

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#SteveEarle #GuitarTown #RichardBennett #CountryGuitar #NashvilleGuitar #Danelectro #AskZac #GuitarSolo

Support the show

]]> Zac Childs Buzzsprout-19707494 Tue, 08 Sep 2026 06:00:00 -0500 1166 285 full false My Favorite Seymour Duncan Pickups My Favorite Seymour Duncan Pickups In honor of Seymour Duncan’s 50th anniversary, I’m taking a look at some of my favorite Seymour Duncan pickups, and the guitars I use them in.

I’ll start with a little Seymour Duncan history, including the famous story about Seymour, Robbie Robertson, and the pickup that helped set him on the path toward building his own pickups. I’ll also talk about my own history with Seymour Duncan, from buying my first Alnico II Pro Tele bridge pickup to eventually getting involved with the Lost Paisley pickup set for Fender.

Then it’s time for the guitars. I pulled out a bunch of my favorite instruments and talk about why I chose the particular Seymour Duncan pickups in each one, including Antiquity humbuckers, Antiquity Tele pickups, the ’53 Tapped Tele set, Hot Strat Stack pickups, Lipstick Tube Strat pickups, the Twang Banger, Vintage Stack Tele pickups, and more.

Along the way, I’ll demonstrate how I use these pickups for everything from classic Tele tones and Nashville/Bakersfield sounds to higher-output Strat sounds, slide, recording, and live work, including some of the guitars I take on the road with Brad Paisley.

It’s a tip of the hat to Seymour Duncan, a look at some great pickups.

Congratulations to Seymour Duncan on 50 years!

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#SeymourDuncan #AskZac #GuitarPickups #Telecaster #Stratocaster

Support the show

]]> In honor of Seymour Duncan’s 50th anniversary, I’m taking a look at some of my favorite Seymour Duncan pickups, and the guitars I use them in.

I’ll start with a little Seymour Duncan history, including the famous story about Seymour, Robbie Robertson, and the pickup that helped set him on the path toward building his own pickups. I’ll also talk about my own history with Seymour Duncan, from buying my first Alnico II Pro Tele bridge pickup to eventually getting involved with the Lost Paisley pickup set for Fender.

Then it’s time for the guitars. I pulled out a bunch of my favorite instruments and talk about why I chose the particular Seymour Duncan pickups in each one, including Antiquity humbuckers, Antiquity Tele pickups, the ’53 Tapped Tele set, Hot Strat Stack pickups, Lipstick Tube Strat pickups, the Twang Banger, Vintage Stack Tele pickups, and more.

Along the way, I’ll demonstrate how I use these pickups for everything from classic Tele tones and Nashville/Bakersfield sounds to higher-output Strat sounds, slide, recording, and live work, including some of the guitars I take on the road with Brad Paisley.

It’s a tip of the hat to Seymour Duncan, a look at some great pickups.

Congratulations to Seymour Duncan on 50 years!

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#SeymourDuncan #AskZac #GuitarPickups #Telecaster #Stratocaster

Support the show

]]> Ask Zac Buzzsprout-19707474 Tue, 01 Sep 2026 06:00:00 -0500 2499 284 full false Why My Baritone Tele Got a B-Bender Why My Baritone Tele Got a B-Bender Eight months ago, I built a baritone Telecaster with some friends. Since then, it has traveled with me all over the United States and Europe on tours, stages, airplanes, and 18-wheelers. Through all these gigs, I’ve learned a lot about what makes a baritone work in a band setting, and what doesn’t.

In this episode of Ask Zac, I’m taking a deeper look at the evolution of this guitar and the biggest change I’ve made to it: installing a Glaser bender.

The guitar is tuned B-to-B, and I’ve found that the lower register makes it a fantastic complement to other instruments. I’ll discuss what I discovered while playing and soloing onstage, including how the lower range encouraged me to play more melodically and simply rather than trying to compete with the fastest players.

I’ll also share the practical lessons I’ve learned along the way, such as cutting low end, using more dirt, and experimenting with different string sets before settling on a lighter D’Addario set. I’ll explain why my attempt to use an unwound third string failed and how that ultimately led me to add the bender.

Additionally, we’ll take a close look at the Glaser bender itself to hear what happens when you put one on a B-to-B baritone. It delivers a bigger, throatier sound than a conventional Telecaster bender, bringing both unique advantages and drawbacks that open up interesting musical possibilities. Finally, I’ll talk about the Music City Bridge saddles, the Ron Ellis Tele pickups that have been in the guitar for the last seven months, and a few other experiments.

Think of this as a sequel to my original baritone Telecaster video, updated with everything I've learned from eight months of real-world use on the road.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#AskZac #BaritoneGuitar #Telecaster #GlaserBender #BBender #FenderTelecaster #BaritoneTelecaster #GuitarGear

Support the show

]]> Eight months ago, I built a baritone Telecaster with some friends. Since then, it has traveled with me all over the United States and Europe on tours, stages, airplanes, and 18-wheelers. Through all these gigs, I’ve learned a lot about what makes a baritone work in a band setting, and what doesn’t.

In this episode of Ask Zac, I’m taking a deeper look at the evolution of this guitar and the biggest change I’ve made to it: installing a Glaser bender.

The guitar is tuned B-to-B, and I’ve found that the lower register makes it a fantastic complement to other instruments. I’ll discuss what I discovered while playing and soloing onstage, including how the lower range encouraged me to play more melodically and simply rather than trying to compete with the fastest players.

I’ll also share the practical lessons I’ve learned along the way, such as cutting low end, using more dirt, and experimenting with different string sets before settling on a lighter D’Addario set. I’ll explain why my attempt to use an unwound third string failed and how that ultimately led me to add the bender.

Additionally, we’ll take a close look at the Glaser bender itself to hear what happens when you put one on a B-to-B baritone. It delivers a bigger, throatier sound than a conventional Telecaster bender, bringing both unique advantages and drawbacks that open up interesting musical possibilities. Finally, I’ll talk about the Music City Bridge saddles, the Ron Ellis Tele pickups that have been in the guitar for the last seven months, and a few other experiments.

Think of this as a sequel to my original baritone Telecaster video, updated with everything I've learned from eight months of real-world use on the road.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#AskZac #BaritoneGuitar #Telecaster #GlaserBender #BBender #FenderTelecaster #BaritoneTelecaster #GuitarGear

Support the show

]]> Zac Childs Buzzsprout-19632521 Tue, 18 Aug 2026 07:00:00 -0500 1127 283 full false Remembering Jerry Jones: The Guitar Builder Who Changed Nashville Remembering Jerry Jones: The Guitar Builder Who Changed Nashville In this episode of Ask Zac, I’m paying tribute to the late, great Jerry Jones, one of Nashville’s most respected guitar repairmen, builders, and innovators.

Before becoming known for his incredible line of instruments, Jerry was the guitar guru for many of Nashville’s top players, including Chet Atkins, Reggie Young, and Sam Bush. He eventually began building his own instruments, creating unique hybrids and, most famously, a whole range of beautifully made guitars inspired by the classic Danelectro designs.

We’ll look at Jerry’s incredible Bass 6, baritone, 12-string, sitar, double-neck, and other specialty instruments, and the musicians and records that helped make these unusual guitars essential studio tools. 

I’ll also talk about Jerry’s work for Merle Haggard, his friendship with Danelectro founder Nat Daniel, the return of the Danelectro name in the 1990s, and the lawsuit that ultimately had a major impact on Jerry’s guitar business.

And, of course, I’ll show you one of my favorite Jerry Jones instruments: Brad Paisley’s Bass 6, a guitar Brad bought in the mid-'90s that has appeared on every Brad Paisley record and continues to be an important part of his musical arsenal.

Jerry Jones made instruments that were innovative, incredibly useful, and built to survive the road. His guitars became the go-to “niche” instruments for countless players, and his influence can still be heard today.

This is a tribute to Jerry Jones, his remarkable instruments, and the lasting mark he left on the world of guitars.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#AskZac #JerryJones #Danelectro #Bass6 #BaritoneGuitar #GuitarHistory #NashvilleGuitars #BradPaisley

Support the show

]]> In this episode of Ask Zac, I’m paying tribute to the late, great Jerry Jones, one of Nashville’s most respected guitar repairmen, builders, and innovators.

Before becoming known for his incredible line of instruments, Jerry was the guitar guru for many of Nashville’s top players, including Chet Atkins, Reggie Young, and Sam Bush. He eventually began building his own instruments, creating unique hybrids and, most famously, a whole range of beautifully made guitars inspired by the classic Danelectro designs.

We’ll look at Jerry’s incredible Bass 6, baritone, 12-string, sitar, double-neck, and other specialty instruments, and the musicians and records that helped make these unusual guitars essential studio tools. 

I’ll also talk about Jerry’s work for Merle Haggard, his friendship with Danelectro founder Nat Daniel, the return of the Danelectro name in the 1990s, and the lawsuit that ultimately had a major impact on Jerry’s guitar business.

And, of course, I’ll show you one of my favorite Jerry Jones instruments: Brad Paisley’s Bass 6, a guitar Brad bought in the mid-'90s that has appeared on every Brad Paisley record and continues to be an important part of his musical arsenal.

Jerry Jones made instruments that were innovative, incredibly useful, and built to survive the road. His guitars became the go-to “niche” instruments for countless players, and his influence can still be heard today.

This is a tribute to Jerry Jones, his remarkable instruments, and the lasting mark he left on the world of guitars.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#AskZac #JerryJones #Danelectro #Bass6 #BaritoneGuitar #GuitarHistory #NashvilleGuitars #BradPaisley

Support the show

]]> Zac Childs Buzzsprout-19626773 Mon, 10 Aug 2026 12:00:00 -0500 1883 282 full false The Danelectro 6-String Bass I Used on the Today Show w/ Brad Paisley | "This Town" Breakdown The Danelectro 6-String Bass I Used on the Today Show w/ Brad Paisley | "This Town" Breakdown On today’s Ask Zac, I’m talking about playing in the context of a band, specifically how I used a Danelectro 6-String Bass (Tic-Tac Bass) with Brad Paisley on the Today Show.

A lot of players talk about the history of instruments like the Fender Bass VI or Danelectro 6-String Bass, but not enough people talk about how to actually use them in a song. These instruments can be amazing when they complement the arrangement instead of fighting for space.

I’ll break down my part on Brad Paisley’s song “This Town” from the Tackle Box album, including:

* How I approached the Tic-Tac Bass part
* Playing simple parts that support the song
* Doubling Telecaster licks for a bigger sound
* Using tremolo, overdrive, and EQ to make the instrument fit in a band
* Why avoiding full chords and staying out of the bass player’s way matters

I’ll also share the story behind playing “This Town” and “Home Sweet Hotel” on the Today Show, including the gear I used, the Danelectro Hodad 6-String Bass, and how I approached the live performance.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Today Show with Brad Paisley "This Town"

https://www.youtube.com/watch?v=QMIJe18WeJg

#AskZac #Danelectro #BassVI #TicTacBass #BradPaisley #Telecaster #SessionGuitar

Support the show

]]> On today’s Ask Zac, I’m talking about playing in the context of a band, specifically how I used a Danelectro 6-String Bass (Tic-Tac Bass) with Brad Paisley on the Today Show.

A lot of players talk about the history of instruments like the Fender Bass VI or Danelectro 6-String Bass, but not enough people talk about how to actually use them in a song. These instruments can be amazing when they complement the arrangement instead of fighting for space.

I’ll break down my part on Brad Paisley’s song “This Town” from the Tackle Box album, including:

* How I approached the Tic-Tac Bass part
* Playing simple parts that support the song
* Doubling Telecaster licks for a bigger sound
* Using tremolo, overdrive, and EQ to make the instrument fit in a band
* Why avoiding full chords and staying out of the bass player’s way matters

I’ll also share the story behind playing “This Town” and “Home Sweet Hotel” on the Today Show, including the gear I used, the Danelectro Hodad 6-String Bass, and how I approached the live performance.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Today Show with Brad Paisley "This Town"

https://www.youtube.com/watch?v=QMIJe18WeJg

#AskZac #Danelectro #BassVI #TicTacBass #BradPaisley #Telecaster #SessionGuitar

Support the show

]]> Zac Childs Buzzsprout-19575838 Tue, 04 Aug 2026 06:00:00 -0500 1225 281 full false The Album That Changed Eric Clapton Forever - J.J. Cale's Naturally The Album That Changed Eric Clapton Forever - J.J. Cale's Naturally In this episode of Ask Zac, I take a deep dive into Naturally (1971), the landmark debut album that quietly shaped the playing of Eric Clapton, Mark Knopfler, Tom Petty, John Mayer, and countless others.

We'll explore the story behind the album, how "After Midnight" and "Call Me the Breeze" helped launch J.J. Cale's career, and why his understated touch, groove, and phrasing became the foundation of what many call the "Tulsa Sound." I also demonstrate some of Cale's signature guitar licks and explain how his simple, tasteful approach influenced generations of players.

Whether you're a longtime J.J. Cale fan or hearing Naturally for the first time, this album deserves a place on every guitarist's essential listening list.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#JJCale #Naturally #EricClapton #MarkKnopfler #JohnMayer #TomPetty #Guitar #GuitarLessons #AskZac #VintageGuitar #TulsaSound #BluesGuitar #ClassicRock

Support the show

]]> In this episode of Ask Zac, I take a deep dive into Naturally (1971), the landmark debut album that quietly shaped the playing of Eric Clapton, Mark Knopfler, Tom Petty, John Mayer, and countless others.

We'll explore the story behind the album, how "After Midnight" and "Call Me the Breeze" helped launch J.J. Cale's career, and why his understated touch, groove, and phrasing became the foundation of what many call the "Tulsa Sound." I also demonstrate some of Cale's signature guitar licks and explain how his simple, tasteful approach influenced generations of players.

Whether you're a longtime J.J. Cale fan or hearing Naturally for the first time, this album deserves a place on every guitarist's essential listening list.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#JJCale #Naturally #EricClapton #MarkKnopfler #JohnMayer #TomPetty #Guitar #GuitarLessons #AskZac #VintageGuitar #TulsaSound #BluesGuitar #ClassicRock

Support the show

]]> Zac Childs Buzzsprout-19575827 Thu, 30 Jul 2026 10:00:00 -0500 1210 280 full false The Wicked Stepchildren of the Telecaster - The 70s Tele Custom & Telecaster Deluxe The Wicked Stepchildren of the Telecaster - The 70s Tele Custom & Telecaster Deluxe Ever wondered why the 1970s Fender Telecaster Custom and Telecaster Deluxe are some of the most misunderstood guitars Fender ever built? In this episode of Ask Zac, we take a deep dive into these "wicked stepchildren" of the Telecaster family and uncover what makes them so unique.

We'll explore the fascinating story of Seth Lover's Wide Range Humbucker, why Fender hired the inventor of Gibson's legendary humbucker, and how these guitars were designed to compete directly with Gibson in the 1970s. Along the way, we'll compare the Telecaster Custom and Deluxe to a traditional Telecaster, discuss the CBS-era design changes, demonstrate their unique tones, and look at the famous players who made them part of their sound, including Keith Richards.

In this video:
• The history of Seth Lover's Wide Range Humbucker
• Why Fender created the Telecaster Custom and Deluxe
• CBS-era features: Micro-Tilt, bullet truss rod, and three-bolt necks
• Gibson-style wiring and why it makes these guitars so versatile
• Tone demonstrations and pickup blending
• Keith Richards
• What makes these once-overlooked guitars collectible today

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Thanks to my Patreon supporters and everyone who helps support the channel!

#Telecaster #Fender #VintageGuitars #AskZack #GuitarHistory #WideRangeHumbucker #SethLover #KeithRichards #TelecasterCustom #TelecasterDeluxe #ElectricGuitar

Support the show

]]> Ever wondered why the 1970s Fender Telecaster Custom and Telecaster Deluxe are some of the most misunderstood guitars Fender ever built? In this episode of Ask Zac, we take a deep dive into these "wicked stepchildren" of the Telecaster family and uncover what makes them so unique.

We'll explore the fascinating story of Seth Lover's Wide Range Humbucker, why Fender hired the inventor of Gibson's legendary humbucker, and how these guitars were designed to compete directly with Gibson in the 1970s. Along the way, we'll compare the Telecaster Custom and Deluxe to a traditional Telecaster, discuss the CBS-era design changes, demonstrate their unique tones, and look at the famous players who made them part of their sound, including Keith Richards.

In this video:
• The history of Seth Lover's Wide Range Humbucker
• Why Fender created the Telecaster Custom and Deluxe
• CBS-era features: Micro-Tilt, bullet truss rod, and three-bolt necks
• Gibson-style wiring and why it makes these guitars so versatile
• Tone demonstrations and pickup blending
• Keith Richards
• What makes these once-overlooked guitars collectible today

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Thanks to my Patreon supporters and everyone who helps support the channel!

#Telecaster #Fender #VintageGuitars #AskZack #GuitarHistory #WideRangeHumbucker #SethLover #KeithRichards #TelecasterCustom #TelecasterDeluxe #ElectricGuitar

Support the show

]]> Zac Childs Buzzsprout-19575814 Thu, 30 Jul 2026 10:00:00 -0500 1452 279 full false What It's Like Playing The Grand Ole Opry What It's Like Playing The Grand Ole Opry Have you ever wondered what it's really like to play the Grand Ole Opry? In this episode, I share stories from my most recent appearance with Brad Paisley, including an unexpected guitar solo, the history and traditions of the Opry, and the gear I used on stage.

We'll talk about:
• What it's like backstage at the Opry
• How the Opry has changed from the Ryman Auditorium to today
• Why the Opry once banned drums and horns
• The incredible Opry staff band
• The Fender Tone Master amps provided on stage
• The guitars and pedals I used, including my Glaser Telecaster, B-to-B baritone, and custom Fender Electric XII
• Breaking down my impromptu solo on "Out Behind the Barn" and the country guitar influences behind it
• Stories from touring Europe with Brad Paisley and meeting Ask Zac viewers along the way

Playing the Grand Ole Opry is still one of the greatest honors a country musician can experience, and I hope this episode gives you a behind-the-scenes look at what makes it such a special place.

Watch the full Grand Ole Opry performance here: 

https://www.youtube.com/live/Yyfjf8NPXhs

Thanks for watching! If you enjoyed this episode, please give it a thumbs up, subscribe, and leave a comment letting me know about your own Opry memories, or what you'd like to see on Ask Zac next.


#AskZac #GrandOleOpry #BradPaisley #Telecaster #CountryGuitar #Nashville #Guitar #Fender #BaritoneGuitar #GuitarHistory



www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Have you ever wondered what it's really like to play the Grand Ole Opry? In this episode, I share stories from my most recent appearance with Brad Paisley, including an unexpected guitar solo, the history and traditions of the Opry, and the gear I used on stage.

We'll talk about:
• What it's like backstage at the Opry
• How the Opry has changed from the Ryman Auditorium to today
• Why the Opry once banned drums and horns
• The incredible Opry staff band
• The Fender Tone Master amps provided on stage
• The guitars and pedals I used, including my Glaser Telecaster, B-to-B baritone, and custom Fender Electric XII
• Breaking down my impromptu solo on "Out Behind the Barn" and the country guitar influences behind it
• Stories from touring Europe with Brad Paisley and meeting Ask Zac viewers along the way

Playing the Grand Ole Opry is still one of the greatest honors a country musician can experience, and I hope this episode gives you a behind-the-scenes look at what makes it such a special place.

Watch the full Grand Ole Opry performance here: 

https://www.youtube.com/live/Yyfjf8NPXhs

Thanks for watching! If you enjoyed this episode, please give it a thumbs up, subscribe, and leave a comment letting me know about your own Opry memories, or what you'd like to see on Ask Zac next.


#AskZac #GrandOleOpry #BradPaisley #Telecaster #CountryGuitar #Nashville #Guitar #Fender #BaritoneGuitar #GuitarHistory



www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-19575804 Thu, 30 Jul 2026 10:00:00 -0500 1173 278 full false My Frankenstein 12-String & Bass 6 Danelectro Double-Neck My Frankenstein 12-String & Bass 6 Danelectro Double-Neck When you get the gig playing auxiliary and utility guitar for a world-renowned Telecaster master like Brad Paisley, you run into a unique problem: How do you cover parts that include electric 12-string chime, and 6-string bass parts in a fast-paced live set without swapping guitars every single song?

My solution? Build a monster, constructed out of late-90s Danelectro parts.

In this video, I’m doing a deep-dive breakdown of my Frankenstein double-neck guitar. It features an electric 12-string on top and a baritone/6-string bass on the bottom. I’ll walk you through how I sourced the late-90s Danelectro components to get that authentic lipstick-pickup chime, the unique challenges of piecing it together, the electronics/switching setup, and exactly how I’m using it out on the road during Brad’s tour to fill out the live sonic landscape.

GEAR & SPECS:
Custom Double-Neck Specs: Built using late-90s Danelectro parts & lipstick pickups.
Strings Used: D'Addario
Signal Chain: Mirage Comp, Sawdust Overdrive, Boss TR-2, Strymon El Capistan, 1968 Fender Princeton Reverb.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#DoubleNeckGuitar #Danelectro #BradPaisley #TourGear #GuitarBuild #12String #BaritoneGuitar #SixStringBass #Guitarist #GuitarTone #LiveMusic #GuitarDemo #Luthier

Support the show

]]> When you get the gig playing auxiliary and utility guitar for a world-renowned Telecaster master like Brad Paisley, you run into a unique problem: How do you cover parts that include electric 12-string chime, and 6-string bass parts in a fast-paced live set without swapping guitars every single song?

My solution? Build a monster, constructed out of late-90s Danelectro parts.

In this video, I’m doing a deep-dive breakdown of my Frankenstein double-neck guitar. It features an electric 12-string on top and a baritone/6-string bass on the bottom. I’ll walk you through how I sourced the late-90s Danelectro components to get that authentic lipstick-pickup chime, the unique challenges of piecing it together, the electronics/switching setup, and exactly how I’m using it out on the road during Brad’s tour to fill out the live sonic landscape.

GEAR & SPECS:
Custom Double-Neck Specs: Built using late-90s Danelectro parts & lipstick pickups.
Strings Used: D'Addario
Signal Chain: Mirage Comp, Sawdust Overdrive, Boss TR-2, Strymon El Capistan, 1968 Fender Princeton Reverb.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#DoubleNeckGuitar #Danelectro #BradPaisley #TourGear #GuitarBuild #12String #BaritoneGuitar #SixStringBass #Guitarist #GuitarTone #LiveMusic #GuitarDemo #Luthier

Support the show

]]> Zac Childs Buzzsprout-19575789 Thu, 30 Jul 2026 10:00:00 -0500 995 277 full false The Phil Kubicki Story - From Fender To Factor Bass The Phil Kubicki Story - From Fender To Factor Bass On today's episode of Ask Zac, we are diving deep into the life, career, and brilliant innovations of one of the most important former Fender employees and guitar builders in history: Phil Kubicki.

While many modern bass players know him for his radical, headless Factor Bass from the 1985 era, Kubicki’s impact on the guitar world started decades earlier. We track his journey from building classical guitars at age 15 to walking into the Fender factory in January 1964, where he was hand-picked to help launch their new acoustic division.

From there, Phil moved into Fender’s R&D department, where he had his hands on some of the company's most iconic historic releases, including the Telecaster Thinline, the Starcaster, the three-bolt neck micro-tilt system, and Fender’s high-end archtops like the LTD and Montego. Most famously, Phil is the man who hand-built the legendary All-Rosewood Telecaster used by George Harrison on the Apple Corps rooftop concert.

We’ll also look at his post-Fender years in Santa Barbara, his fascinating early partnership with Seymour Duncan (the short-lived K&D Guitars), and look at some incredibly rare Kubicki instruments and parts up close—including a very unique short-scale travel guitar and my own personal 1982 Kubicki Telecaster body with a great country music pedigree.


TIMESTAMPS
0:00 - Introduction to an Unsung Innovator: Phil Kubicki
1:59 - From Classical Guitars to the 1964 Fender Factory Tour
4:05 - The Fender R&D Era: Thinline, Starcaster, and Archtops
5:27 - Hand-Building George Harrison’s Iconic Rosewood Telecaster
6:02 - Leaving CBS Fender & The Seymour Duncan Connection (K&D Guitars)
7:32 - Gear Deep Dive: My Personal 1982 Custom Kubicki Tele Body
9:06 - High-Stakes Luthiery: Routing Albert Lee’s B-Bender
10:33 - The Rare Kubicki "Vintage Guitars" Tele Prototype
12:02 - Demo: The Early 80s Kubicki "Arrow" Short-Scale Travel Guitar
15:07 - John Fogerty’s Famous "Centerfield" Baseball Bat Guitar
16:26 - The 1985 Factor Bass, Later Years, and Phil’s Legacy

GEAR FEATURED IN THIS VIDEO:
1982 Custom Phil Kubicki Telecaster Body (Swamp Ash, Single Bound)
Early 1980s Phil Kubicki "Arrow" Mini Guitar (Seymour Duncan Quarter Pounder Pickup)
Rare Kubicki "Vintage Guitars" Contoured Telecaster Prototype

www.truetone.com

SUPPORT THE CHANNEL:
Pick up an Ask Zac T-Shirt or Coffee Mug: https://ask-zac-shop.fourthwall.com
Join the Patreon Community: Patreon  https://www.patreon.com/AskZac 
Tip Jar: https://paypal.me/AskZac
                     Venmo @AskZac

#PhilKubicki #FenderHistory #AskZac #GuitarHistory #GeorgeHarrison #SeymourDuncan #CustomGuitars #VintageFender #Guitarist #Luthier #FactorBass #JohnFogerty

Support the show

]]> On today's episode of Ask Zac, we are diving deep into the life, career, and brilliant innovations of one of the most important former Fender employees and guitar builders in history: Phil Kubicki.

While many modern bass players know him for his radical, headless Factor Bass from the 1985 era, Kubicki’s impact on the guitar world started decades earlier. We track his journey from building classical guitars at age 15 to walking into the Fender factory in January 1964, where he was hand-picked to help launch their new acoustic division.

From there, Phil moved into Fender’s R&D department, where he had his hands on some of the company's most iconic historic releases, including the Telecaster Thinline, the Starcaster, the three-bolt neck micro-tilt system, and Fender’s high-end archtops like the LTD and Montego. Most famously, Phil is the man who hand-built the legendary All-Rosewood Telecaster used by George Harrison on the Apple Corps rooftop concert.

We’ll also look at his post-Fender years in Santa Barbara, his fascinating early partnership with Seymour Duncan (the short-lived K&D Guitars), and look at some incredibly rare Kubicki instruments and parts up close—including a very unique short-scale travel guitar and my own personal 1982 Kubicki Telecaster body with a great country music pedigree.


TIMESTAMPS
0:00 - Introduction to an Unsung Innovator: Phil Kubicki
1:59 - From Classical Guitars to the 1964 Fender Factory Tour
4:05 - The Fender R&D Era: Thinline, Starcaster, and Archtops
5:27 - Hand-Building George Harrison’s Iconic Rosewood Telecaster
6:02 - Leaving CBS Fender & The Seymour Duncan Connection (K&D Guitars)
7:32 - Gear Deep Dive: My Personal 1982 Custom Kubicki Tele Body
9:06 - High-Stakes Luthiery: Routing Albert Lee’s B-Bender
10:33 - The Rare Kubicki "Vintage Guitars" Tele Prototype
12:02 - Demo: The Early 80s Kubicki "Arrow" Short-Scale Travel Guitar
15:07 - John Fogerty’s Famous "Centerfield" Baseball Bat Guitar
16:26 - The 1985 Factor Bass, Later Years, and Phil’s Legacy

GEAR FEATURED IN THIS VIDEO:
1982 Custom Phil Kubicki Telecaster Body (Swamp Ash, Single Bound)
Early 1980s Phil Kubicki "Arrow" Mini Guitar (Seymour Duncan Quarter Pounder Pickup)
Rare Kubicki "Vintage Guitars" Contoured Telecaster Prototype

www.truetone.com

SUPPORT THE CHANNEL:
Pick up an Ask Zac T-Shirt or Coffee Mug: https://ask-zac-shop.fourthwall.com
Join the Patreon Community: Patreon  https://www.patreon.com/AskZac 
Tip Jar: https://paypal.me/AskZac
                     Venmo @AskZac

#PhilKubicki #FenderHistory #AskZac #GuitarHistory #GeorgeHarrison #SeymourDuncan #CustomGuitars #VintageFender #Guitarist #Luthier #FactorBass #JohnFogerty

Support the show

]]> Zac Childs Buzzsprout-19575775 Thu, 30 Jul 2026 10:00:00 -0500 1148 276 full true Tracking Brad Paisley's Tackelbox Album & His 2026 European Tour Tracking Brad Paisley's Tackelbox Album & His 2026 European Tour Brad Paisley recently started rolling out tracks for his ongoing project, Tacklebox, and I had the absolute honor of sitting in the studio to track these songs. But the craziest part of this project is the "butterfly effect" story of how it actually came to life.

It all started in early 2025 during a random dinner with my buddy Dan Strain (Danocaster Guitars). A college-aged waiter recognized us, and fast forward a few months to the Nashville Vintage Guitar Show, I ran into him again. He was trying to sell his Brad Paisley Silver Sparkle Road Worn Telecaster to buy a much-needed acoustic guitar. I took him over to meet Brad to get it signed, and they ended up in a deep conversation.

Turns out, this guy was a Belmont graduate who had interned at SeaGayle (Brad's publishing company). He started rattling off unreleased song titles from Brad’s massive '90s songwriting vault, tunes written back when Brad was a professional songwriter aiming for cuts by Brooks & Dunn, Alan Jackson, and George Strait. That conversation lit a spark, leading Brad to dig those tracks out of the archives, play them for the label, and head straight into the studio.

In this video, I’m taking you behind the scenes of those tracking sessions at the historic Castle Recording Studio in Franklin, TN (a former Al Capone party house!). I break down the 1990s country session mindset, show you the handwritten legal-pad charts, and do a mini-guitar lesson on the actual fills, B-Bender licks, volume swells, and chorus-drenched parts I played on tracks like "Without You," "This Town" (where I played 6-string bass), and "Overnight Low." I also talk about tracking a wild harmony bender part with Brad on "High Ho Silverado" featuring David Lee Murphy.

Plus, I give you a real-time studio floor tour showing off my rig, Randall Currie's steel setup, Kenny Lewis's bass rig, and Brad's legendary, re-covered red Vox AC30 from the 1960s.

By the time you watch this, I’ll be out on the road with Brad across Europe for the month of June! 

TIMESTAMPS
0:00 - The "Butterfly Effect" Backstory: A Dinner with Danocaster
3:56 - The Nashville Vintage Guitar Show Encounter that Sparked Tacklebox
6:06 - Opening the 1990s Songwriting Vault (Writing for George Strait & Brooks & Dunn)
7:51 - The Call to Play & Tracking at Al Capone’s Old Castle Studio
9:58 - The '90s Country Session Mindset & Handwritten Charts
11:16 - Mini-Lesson: SWELLS & FILLS on "Without You"
14:55 - The Session Pedalboard: Original TC Chorus & Mirage Compressor
15:17 - 6-String Bass on "This Town" & Twin Harmony Benders on "High Hole Silverado"
16:42 - The Hallmark Christmas Movie Detour
17:55 - Heading to Europe: The June Tour Rig (Glazer Tele, Baritone, & Electric 12-String)
19:34 - BONUS: Exclusive Studio Room Tour (Brad's Red Vox AC30, Steel & Bass Rigs)

GEAR USED IN THIS VIDEO / SESSION:
Fender Custom 3-Pickup Telecaster (Seymour Duncan Pickups, Music City Wiring Blend Control, B-Bender)

Vintage 1968 Fender Princeton Amp (Studio demo) / Headstrong Amp (Tracking session)

Original TC Electronic Stereo Chorus Flanger (Modded for DC Power)

Mirage Compressor, Line 6 Echo Park, & Strymon El Capistan

Stream Brad Paisley's Tacklebox tracks here: https://open.spotify.com/playlist/46ym8csh8mKzAia5pZikdu?si=53a544359fde4ee1

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#BradPaisley #Tacklebox #AskZac #GuitarLesson #BBender #NashvilleSession #CountryGuitar #TheCastleStudio #VoxAC30 #Danocaster #Telecaster #Guitarist

Support the show

]]> Brad Paisley recently started rolling out tracks for his ongoing project, Tacklebox, and I had the absolute honor of sitting in the studio to track these songs. But the craziest part of this project is the "butterfly effect" story of how it actually came to life.

It all started in early 2025 during a random dinner with my buddy Dan Strain (Danocaster Guitars). A college-aged waiter recognized us, and fast forward a few months to the Nashville Vintage Guitar Show, I ran into him again. He was trying to sell his Brad Paisley Silver Sparkle Road Worn Telecaster to buy a much-needed acoustic guitar. I took him over to meet Brad to get it signed, and they ended up in a deep conversation.

Turns out, this guy was a Belmont graduate who had interned at SeaGayle (Brad's publishing company). He started rattling off unreleased song titles from Brad’s massive '90s songwriting vault, tunes written back when Brad was a professional songwriter aiming for cuts by Brooks & Dunn, Alan Jackson, and George Strait. That conversation lit a spark, leading Brad to dig those tracks out of the archives, play them for the label, and head straight into the studio.

In this video, I’m taking you behind the scenes of those tracking sessions at the historic Castle Recording Studio in Franklin, TN (a former Al Capone party house!). I break down the 1990s country session mindset, show you the handwritten legal-pad charts, and do a mini-guitar lesson on the actual fills, B-Bender licks, volume swells, and chorus-drenched parts I played on tracks like "Without You," "This Town" (where I played 6-string bass), and "Overnight Low." I also talk about tracking a wild harmony bender part with Brad on "High Ho Silverado" featuring David Lee Murphy.

Plus, I give you a real-time studio floor tour showing off my rig, Randall Currie's steel setup, Kenny Lewis's bass rig, and Brad's legendary, re-covered red Vox AC30 from the 1960s.

By the time you watch this, I’ll be out on the road with Brad across Europe for the month of June! 

TIMESTAMPS
0:00 - The "Butterfly Effect" Backstory: A Dinner with Danocaster
3:56 - The Nashville Vintage Guitar Show Encounter that Sparked Tacklebox
6:06 - Opening the 1990s Songwriting Vault (Writing for George Strait & Brooks & Dunn)
7:51 - The Call to Play & Tracking at Al Capone’s Old Castle Studio
9:58 - The '90s Country Session Mindset & Handwritten Charts
11:16 - Mini-Lesson: SWELLS & FILLS on "Without You"
14:55 - The Session Pedalboard: Original TC Chorus & Mirage Compressor
15:17 - 6-String Bass on "This Town" & Twin Harmony Benders on "High Hole Silverado"
16:42 - The Hallmark Christmas Movie Detour
17:55 - Heading to Europe: The June Tour Rig (Glazer Tele, Baritone, & Electric 12-String)
19:34 - BONUS: Exclusive Studio Room Tour (Brad's Red Vox AC30, Steel & Bass Rigs)

GEAR USED IN THIS VIDEO / SESSION:
Fender Custom 3-Pickup Telecaster (Seymour Duncan Pickups, Music City Wiring Blend Control, B-Bender)

Vintage 1968 Fender Princeton Amp (Studio demo) / Headstrong Amp (Tracking session)

Original TC Electronic Stereo Chorus Flanger (Modded for DC Power)

Mirage Compressor, Line 6 Echo Park, & Strymon El Capistan

Stream Brad Paisley's Tacklebox tracks here: https://open.spotify.com/playlist/46ym8csh8mKzAia5pZikdu?si=53a544359fde4ee1

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#BradPaisley #Tacklebox #AskZac #GuitarLesson #BBender #NashvilleSession #CountryGuitar #TheCastleStudio #VoxAC30 #Danocaster #Telecaster #Guitarist

Support the show

]]> Zac Childs Buzzsprout-19575759 Thu, 30 Jul 2026 10:00:00 -0500 1457 275 full false Why I Don't Like Overdrive Pedals & The 4 That Make The Cut Why I Don't Like Overdrive Pedals & The 4 That Make The Cut If you grew up on the pristine, dynamic guitar tones of the 1950s and early 60s, standard overdrive pedals can often sound artificial, overly compressed, and flat-out unnatural. For years, I avoided them entirely because I preferred the sound of a guitar plugging straight into a great, clean tube amplifier.

But sometimes, a little grit is totally necessary. Over the years, I’ve had to find overdrive pedals that actually work for a "clean tone purist." In this video, I’m breaking down the 4 overdrive pedals I’ve ever genuinely enjoyed, and exactly why they work where other dirt pedals fail.

If you hate the typical "mid-hump" and compression of standard overdrives, this list is for you.

Ibanez Mostortion (MT10): The secret weapon. Thanks to its unique CMOS circuit, it clips more like a real tube amp, and the 3-band EQ lets you dial out any artificial boxiness, and has a ton of tone shaping abilities

Xotic RC Booster: A wonderful low gain drive/boost, with just a touch of mids

Menatone Red Snapper (2004 3-Knob): An incredibly open, uncompressed, and amp-like low-to-mid gain drive with an upper presence that keeps your pick attack perfectly intact.

Voodoo Lab Sparkle Drive: A Tube Screamer for people who hate Tube Screamers. The magic clean-blend knob lets you layer your pristine clean tone directly over the grit.

GEAR USED IN THIS VIDEO:

Guitar: Fender Vintera rosewood Tele neck with ash body, Dimarzio Muscle T pickups

Amp: Vintage Fender 1968 Princeton Reverb with Fat Jimmy C1025 speaker

Cables/Power: D'Addario cables, Truetone CS6 power

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#GuitarPedals #OverdrivePedal #ToneChaser #IbanezMostortion #XoticRCBooster #Menatone #SparkleDrive #GuitarTone

Support the show

]]> If you grew up on the pristine, dynamic guitar tones of the 1950s and early 60s, standard overdrive pedals can often sound artificial, overly compressed, and flat-out unnatural. For years, I avoided them entirely because I preferred the sound of a guitar plugging straight into a great, clean tube amplifier.

But sometimes, a little grit is totally necessary. Over the years, I’ve had to find overdrive pedals that actually work for a "clean tone purist." In this video, I’m breaking down the 4 overdrive pedals I’ve ever genuinely enjoyed, and exactly why they work where other dirt pedals fail.

If you hate the typical "mid-hump" and compression of standard overdrives, this list is for you.

Ibanez Mostortion (MT10): The secret weapon. Thanks to its unique CMOS circuit, it clips more like a real tube amp, and the 3-band EQ lets you dial out any artificial boxiness, and has a ton of tone shaping abilities

Xotic RC Booster: A wonderful low gain drive/boost, with just a touch of mids

Menatone Red Snapper (2004 3-Knob): An incredibly open, uncompressed, and amp-like low-to-mid gain drive with an upper presence that keeps your pick attack perfectly intact.

Voodoo Lab Sparkle Drive: A Tube Screamer for people who hate Tube Screamers. The magic clean-blend knob lets you layer your pristine clean tone directly over the grit.

GEAR USED IN THIS VIDEO:

Guitar: Fender Vintera rosewood Tele neck with ash body, Dimarzio Muscle T pickups

Amp: Vintage Fender 1968 Princeton Reverb with Fat Jimmy C1025 speaker

Cables/Power: D'Addario cables, Truetone CS6 power

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

#GuitarPedals #OverdrivePedal #ToneChaser #IbanezMostortion #XoticRCBooster #Menatone #SparkleDrive #GuitarTone

Support the show

]]> Zac Childs Buzzsprout-19575748 Thu, 30 Jul 2026 10:00:00 -0500 1342 274 full true Standel & The Tragic Genius of Bob Crooks - The Man Who Invented the Boutique Amp Standel & The Tragic Genius of Bob Crooks - The Man Who Invented the Boutique Amp The Man Who Invented the Boutique Amp: The Tragic Genius of Bob Crooks
Before Dumble was a household name, and before Mesa/Boogie revolutionized the high-gain stack, there was Standel.

In today’s video, we’re diving into the legendary twenty-year original run of Bob Crooks, the man who provided the sonic blueprint for the 1950s, yet spent his final years feeling like the industry had robbed him blind.

High Fidelity in a Low-Fi World
From his early days at Lockheed to his "almost" collaboration with Paul Bigsby, Bob Crooks didn't just build amplifiers; he engineered precision instruments. We explore how Standel became the "must-have" rig for the Mount Rushmore of 1950s legends, providing the pristine, hi-fi clarity demanded by icons like Merle Travis, Chet Atkins, Joe Maphis, Speedy West, and Buddy Emmons.

The Innovations Leo Fender "Borrowed"
According to guitar historian Deke Dickerson, Crooks was a man fueled by deep-seated bitterness in his later years. The reason? Many of the features we now consider "Golden Era" standards were pioneered in the Standel workshop long before they appeared in Fullerton. We're talking about:

Separate Treble and Bass controls (at a time when most amps had a single "Tone" knob).

Forward-facing controls for ease of use on stage.

Tolex covering and Piggyback head/cab designs.

The integration of premium JBL speakers as a standard.

The Great Pivot: Tubes to Transistors
We also examine Crooks’ controversial shift in the early 1960s. As an early adopter of hybrid and eventually full solid-state circuitry, Crooks inadvertently chased "perfect" clean headroom just as the rest of the world was falling in love with the warmth of tube distortion. It was a classic case of a genius being too right for the wrong era.

The Rebirth: 1997 to Today
Finally, we cover the modern resurrection of the brand.

1997: The initial rebirth with Danny McKinney and Bob Crooks himself back at the helm, focusing on the legendary 25L15.

2023: The new chapter under Owen Duffy, who has begun producing reissues of Standel’s later catalog, bringing much-needed attention to the overlooked masterpieces of the brand’s twilight years.

Support the show

]]> The Man Who Invented the Boutique Amp: The Tragic Genius of Bob Crooks
Before Dumble was a household name, and before Mesa/Boogie revolutionized the high-gain stack, there was Standel.

In today’s video, we’re diving into the legendary twenty-year original run of Bob Crooks, the man who provided the sonic blueprint for the 1950s, yet spent his final years feeling like the industry had robbed him blind.

High Fidelity in a Low-Fi World
From his early days at Lockheed to his "almost" collaboration with Paul Bigsby, Bob Crooks didn't just build amplifiers; he engineered precision instruments. We explore how Standel became the "must-have" rig for the Mount Rushmore of 1950s legends, providing the pristine, hi-fi clarity demanded by icons like Merle Travis, Chet Atkins, Joe Maphis, Speedy West, and Buddy Emmons.

The Innovations Leo Fender "Borrowed"
According to guitar historian Deke Dickerson, Crooks was a man fueled by deep-seated bitterness in his later years. The reason? Many of the features we now consider "Golden Era" standards were pioneered in the Standel workshop long before they appeared in Fullerton. We're talking about:

Separate Treble and Bass controls (at a time when most amps had a single "Tone" knob).

Forward-facing controls for ease of use on stage.

Tolex covering and Piggyback head/cab designs.

The integration of premium JBL speakers as a standard.

The Great Pivot: Tubes to Transistors
We also examine Crooks’ controversial shift in the early 1960s. As an early adopter of hybrid and eventually full solid-state circuitry, Crooks inadvertently chased "perfect" clean headroom just as the rest of the world was falling in love with the warmth of tube distortion. It was a classic case of a genius being too right for the wrong era.

The Rebirth: 1997 to Today
Finally, we cover the modern resurrection of the brand.

1997: The initial rebirth with Danny McKinney and Bob Crooks himself back at the helm, focusing on the legendary 25L15.

2023: The new chapter under Owen Duffy, who has begun producing reissues of Standel’s later catalog, bringing much-needed attention to the overlooked masterpieces of the brand’s twilight years.

Support the show

]]> Zac Childs Buzzsprout-19206774 Tue, 19 May 2026 20:00:00 -0500 1551 273 full false Tales From The Tele Town Concert Tales From The Tele Town Concert The lowdown on Fender's concert at the historic Ryman Auditorium to celebrate the Telecaster's 75th Anniversary.  

What a night at the Mother Church of Country Music. On May 4th, I had the honor of hosting and performing at the Tele Town concert celebrating 75 years of the legendary Fender Telecaster at the historic Ryman Auditorium.

This recap captures some of the unforgettable moments from an incredible evening filled with world-class players, iconic tones, deep musical history, and a whole lot of Telecaster magic. From blazing solos to emotional tributes, the night brought together generations of artists who have helped shape the sound of modern guitar music.

Featuring performances and appearances from an all-star lineup including Brad Paisley, Brent Mason, Brothers Osborne, James Burton, Ricky Skaggs, Christone "Kingfish" Ingram, Zach Top, Guthrie Trapp, Trey Hensley, Jack White, Billy Gibbons, and many more.

Thank you to everyone who came out to celebrate the instrument that changed music forever. The Telecaster’s story is still being written, and this night was proof that its spirit is alive and well.

Support the show

]]> The lowdown on Fender's concert at the historic Ryman Auditorium to celebrate the Telecaster's 75th Anniversary.  

What a night at the Mother Church of Country Music. On May 4th, I had the honor of hosting and performing at the Tele Town concert celebrating 75 years of the legendary Fender Telecaster at the historic Ryman Auditorium.

This recap captures some of the unforgettable moments from an incredible evening filled with world-class players, iconic tones, deep musical history, and a whole lot of Telecaster magic. From blazing solos to emotional tributes, the night brought together generations of artists who have helped shape the sound of modern guitar music.

Featuring performances and appearances from an all-star lineup including Brad Paisley, Brent Mason, Brothers Osborne, James Burton, Ricky Skaggs, Christone "Kingfish" Ingram, Zach Top, Guthrie Trapp, Trey Hensley, Jack White, Billy Gibbons, and many more.

Thank you to everyone who came out to celebrate the instrument that changed music forever. The Telecaster’s story is still being written, and this night was proof that its spirit is alive and well.

Support the show

]]> Zac Childs Buzzsprout-19206757 Tue, 19 May 2026 20:00:00 -0500 1835 272 full false Learn to Feed Yourself Musically (Don't Be Spoon-Fed) Learn to Feed Yourself Musically (Don't Be Spoon-Fed) Most players hit a wall the same way, cycling through the same licks, searching for something new, and ending up lost in endless videos.

Here’s a better way.

In this video, we break out of that loop by using a simple, lifelong skill:
take a song you love, learn the melody, and learn how to harmonize it.

No tabs. No shortcuts. No spoon-feeding.

This is how you build real musical independence, and actually start growing every time you pick up the guitar.


Support the show

]]> Most players hit a wall the same way, cycling through the same licks, searching for something new, and ending up lost in endless videos.

Here’s a better way.

In this video, we break out of that loop by using a simple, lifelong skill:
take a song you love, learn the melody, and learn how to harmonize it.

No tabs. No shortcuts. No spoon-feeding.

This is how you build real musical independence, and actually start growing every time you pick up the guitar.


Support the show

]]> Zac Childs Buzzsprout-19206736 Tue, 19 May 2026 20:00:00 -0500 1287 270 full false I Built My Perfect String Sets For My Telecaster & Baritone With D'Addario I Built My Perfect String Sets For My Telecaster & Baritone With D'Addario Most players settle for whatever string set is on the shelf, but I’ve been piecing together custom sets since the early ’90s. In this video, I build my perfect custom string sets using my preferred D'Addario NYXL strings through their Custom String Shop.

For my 1957 Fender Esquire, I dialed in a set gauged 10, 12, 16, 24, 34, 44 balanced for feel, tension, and snap. It’s based on their NYXL 9.5–44 set, but with slightly more robust high E and B strings.

Then I went further, building a baritone NYXL set that doesn’t normally exist, with gauges 14, 18, 24, 44, 56, 70, including an unwound 3rd string for better bending and overall playability.

The best part? D'Addario’s Custom String Shop lets you spec everything exactly how you want, and the sets show up beautifully packaged with your name on them.

If you’ve ever thought, “these strings are close… but not quite right,” this is how you fix it.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Most players settle for whatever string set is on the shelf, but I’ve been piecing together custom sets since the early ’90s. In this video, I build my perfect custom string sets using my preferred D'Addario NYXL strings through their Custom String Shop.

For my 1957 Fender Esquire, I dialed in a set gauged 10, 12, 16, 24, 34, 44 balanced for feel, tension, and snap. It’s based on their NYXL 9.5–44 set, but with slightly more robust high E and B strings.

Then I went further, building a baritone NYXL set that doesn’t normally exist, with gauges 14, 18, 24, 44, 56, 70, including an unwound 3rd string for better bending and overall playability.

The best part? D'Addario’s Custom String Shop lets you spec everything exactly how you want, and the sets show up beautifully packaged with your name on them.

If you’ve ever thought, “these strings are close… but not quite right,” this is how you fix it.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-18941535 Tue, 07 Apr 2026 00:00:00 -0500 1185 268 full false A Look At A 1949 Bigsby Guitar - Rarer Than Rare! A Look At A 1949 Bigsby Guitar - Rarer Than Rare! Before the Telecaster… before the Les Paul & the Strat… there was Bigsby.

In this video, we take a deep dive into a 1949 Bigsby electric guitar, one of the earliest solid-body electrics ever made, and a true cornerstone in the evolution of the modern guitar. Built by Paul Bigsby, these instruments weren’t mass-produced, they were individually handcrafted works of art.

Bigsby guitars are incredibly rare, as he built around 27 guitars from the mid-1940s through the late 1950s. Each one was custom-made, often for top-tier players, making them some of the most elusive and historically significant electric guitars in existence.

Most famously associated with Merle Travis, Bigsby’s designs introduced features that would later define the electric guitar as we know it, including a solid body, a six-on-a-side headstock, and a sleek, functional aesthetic that clearly influenced Leo Fender and the birth of the Fender Telecaster.

This particular instrument has its own incredible story. Created on August 7, 1949, this guitar was built by Paul specifically to be photographed for one of his early catalogs. Because of that, collectors have long referred to it as “the catalog guitar.”

Even more special, the owner generously allowed me to take the instrument to my studio for a couple of hours so I could film this episode. Getting hands-on time with a guitar like this is a rare opportunity, and I’m excited to share it with you.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Before the Telecaster… before the Les Paul & the Strat… there was Bigsby.

In this video, we take a deep dive into a 1949 Bigsby electric guitar, one of the earliest solid-body electrics ever made, and a true cornerstone in the evolution of the modern guitar. Built by Paul Bigsby, these instruments weren’t mass-produced, they were individually handcrafted works of art.

Bigsby guitars are incredibly rare, as he built around 27 guitars from the mid-1940s through the late 1950s. Each one was custom-made, often for top-tier players, making them some of the most elusive and historically significant electric guitars in existence.

Most famously associated with Merle Travis, Bigsby’s designs introduced features that would later define the electric guitar as we know it, including a solid body, a six-on-a-side headstock, and a sleek, functional aesthetic that clearly influenced Leo Fender and the birth of the Fender Telecaster.

This particular instrument has its own incredible story. Created on August 7, 1949, this guitar was built by Paul specifically to be photographed for one of his early catalogs. Because of that, collectors have long referred to it as “the catalog guitar.”

Even more special, the owner generously allowed me to take the instrument to my studio for a couple of hours so I could film this episode. Getting hands-on time with a guitar like this is a rare opportunity, and I’m excited to share it with you.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-18941430 Tue, 31 Mar 2026 17:00:00 -0500 803 267 full true James Pennebaker Interview James Pennebaker Interview Best known for his longtime work with Delbert McClinton, James Pennebaker has been one of the most tasteful and versatile guitarists in Nashville for decades. Starting his professional career at just 19 years old with McClinton, he went on to become a key part of the band on and off for more than forty years.

But Pennebaker is far more than just a sideman. He’s a true multi-instrumentalist—equally comfortable on electric guitar, acoustic guitar, pedal steel, fiddle, mandolin, and more. Over the years he’s recorded and performed with artists like John Fogerty, Bonnie Raitt, Willie Nelson, Lee Roy Parnell, and many others.

Support the show

]]> Best known for his longtime work with Delbert McClinton, James Pennebaker has been one of the most tasteful and versatile guitarists in Nashville for decades. Starting his professional career at just 19 years old with McClinton, he went on to become a key part of the band on and off for more than forty years.

But Pennebaker is far more than just a sideman. He’s a true multi-instrumentalist—equally comfortable on electric guitar, acoustic guitar, pedal steel, fiddle, mandolin, and more. Over the years he’s recorded and performed with artists like John Fogerty, Bonnie Raitt, Willie Nelson, Lee Roy Parnell, and many others.

Support the show

]]> Zac Childs Buzzsprout-18862081 Tue, 17 Mar 2026 09:00:00 -0500 7629 266 full false The Gibson ES-335 - Their Best Design The Gibson ES-335 - Their Best Design The only Gibson model I’ve ever really connected with is the ES-335. While I’ve always gravitated toward Fender, the 335 is one Gibson that I think absolutely got right. Much like the Fender Telecaster, it’s simply a brilliant piece of guitar design.

The magic of the 335 is in how balanced the concept is. The semi-hollow body combined with the center block gives you the warmth and air of a hollowbody while still delivering the sustain, focus, and feedback resistance of a solidbody. The result is a guitar that can cover an incredible amount of musical ground. Blues, jazz, country, rock,  a great 335 seems to sit comfortably in all of those spaces.

In this video, I spend some time talking about what makes the ES-335 such a successful design and why it continues to be one of the most versatile electric guitars ever built. I’m using a vintage 1964 ES-335 as the reference point, a guitar from Gibson’s golden era that really shows the design at its best.

We also compare it to a more recent ’63 reissue built during the Gibson Memphis years to see how modern versions stack up against a true vintage example.

And because not everyone is shopping in the vintage market, we also talk about some of the more affordable ES-335-style options out there today that capture a lot of the same spirit and sound without the vintage price tag.

Support the show

]]> The only Gibson model I’ve ever really connected with is the ES-335. While I’ve always gravitated toward Fender, the 335 is one Gibson that I think absolutely got right. Much like the Fender Telecaster, it’s simply a brilliant piece of guitar design.

The magic of the 335 is in how balanced the concept is. The semi-hollow body combined with the center block gives you the warmth and air of a hollowbody while still delivering the sustain, focus, and feedback resistance of a solidbody. The result is a guitar that can cover an incredible amount of musical ground. Blues, jazz, country, rock,  a great 335 seems to sit comfortably in all of those spaces.

In this video, I spend some time talking about what makes the ES-335 such a successful design and why it continues to be one of the most versatile electric guitars ever built. I’m using a vintage 1964 ES-335 as the reference point, a guitar from Gibson’s golden era that really shows the design at its best.

We also compare it to a more recent ’63 reissue built during the Gibson Memphis years to see how modern versions stack up against a true vintage example.

And because not everyone is shopping in the vintage market, we also talk about some of the more affordable ES-335-style options out there today that capture a lot of the same spirit and sound without the vintage price tag.

Support the show

]]> Zac Childs Buzzsprout-18797439 Tue, 10 Mar 2026 00:00:00 -0500 1465 265 full false Don Rich, Buck Owens & the Telecaster That Vanished Don Rich, Buck Owens & the Telecaster That Vanished In this episode, Joe Spann and I dive deep into the legacy of Don Rich and one of the most fascinating lost instruments in Fender history, his 1964 Gold Sparkle Fender Custom Telecaster.

Joe breaks down exactly how Fender created the Gold Sparkle finish using crushed mirror material, why it was so visually striking under stage lights, and how unusual the process was for the era. We also discuss the many Buck Owens hits Don Rich recorded while using this Telecaster, and how central it was to his tone, image, and the Bakersfield sound.

Finally, we explore the leading theories behind how the guitar disappeared, when it was last seen, why it was likely never recovered, and what makes it one of the great “what if” stories in vintage guitar history.

This is a deep-dive into Don Rich’s influence, Fender’s experimental finishes, and one legendary Telecaster that vanished without a trace.

Support the show

]]> In this episode, Joe Spann and I dive deep into the legacy of Don Rich and one of the most fascinating lost instruments in Fender history, his 1964 Gold Sparkle Fender Custom Telecaster.

Joe breaks down exactly how Fender created the Gold Sparkle finish using crushed mirror material, why it was so visually striking under stage lights, and how unusual the process was for the era. We also discuss the many Buck Owens hits Don Rich recorded while using this Telecaster, and how central it was to his tone, image, and the Bakersfield sound.

Finally, we explore the leading theories behind how the guitar disappeared, when it was last seen, why it was likely never recovered, and what makes it one of the great “what if” stories in vintage guitar history.

This is a deep-dive into Don Rich’s influence, Fender’s experimental finishes, and one legendary Telecaster that vanished without a trace.

Support the show

]]> Zac Childs Buzzsprout-18742735 Tue, 03 Mar 2026 00:00:00 -0600 2273 264 full false The Holy Grail Telecasters At Gruhn Guitars with Joe Spann The Holy Grail Telecasters At Gruhn Guitars with Joe Spann We went behind the scenes at Gruhn Guitars in Nashville for a tour of the 'Tele Vault' with legendary vintage archivist and researcher Joe Spann.

We aren't just looking at vintage guitars; we’re looking at the DNA of the Fender company. Joe walks us through the history and technical specs of some of the most significant instruments on the planet, including George Fullerton's personal 1949 prototype, a guitar that predates the Broadcaster and Telecaster as we know it.

The Lineup:

1949 Fender Prototype: George Fullerton’s personal guitar.

1951 Nocaster: The bridge between the Broadcaster and the Telecaster.

1963 Custom Esquire: A minimalist masterpiece in rare Custom trim.

1967 Custom Telecaster: Featuring a rare factory-installed Bigsby.

1967 Telecaster: A pristine late-60s classic.

Massive thanks to Joe Spann and the team at Gruhn Guitars for opening the vault for us.

Support the show

]]> We went behind the scenes at Gruhn Guitars in Nashville for a tour of the 'Tele Vault' with legendary vintage archivist and researcher Joe Spann.

We aren't just looking at vintage guitars; we’re looking at the DNA of the Fender company. Joe walks us through the history and technical specs of some of the most significant instruments on the planet, including George Fullerton's personal 1949 prototype, a guitar that predates the Broadcaster and Telecaster as we know it.

The Lineup:

1949 Fender Prototype: George Fullerton’s personal guitar.

1951 Nocaster: The bridge between the Broadcaster and the Telecaster.

1963 Custom Esquire: A minimalist masterpiece in rare Custom trim.

1967 Custom Telecaster: Featuring a rare factory-installed Bigsby.

1967 Telecaster: A pristine late-60s classic.

Massive thanks to Joe Spann and the team at Gruhn Guitars for opening the vault for us.

Support the show

]]> Zac Childs Buzzsprout-18677449 Tue, 17 Feb 2026 00:00:00 -0600 2038 263 full false The Octave 12-String Mando-Guitar - The Tool For Jangle Magic! - The Octave 12-String Mando-Guitar - The Tool For Jangle Magic! - Ever heard a song that has a shimmering, "angelic" jangle that sits perfectly above a mix? Or how Buddy Miller creates those haunting, rootsy textures on songs like Lucinda Williams' "Car Wheels on a Gravel Road," or Daniel Lanois on Emmylou's Wrecking Ball album?

The answer isn't a mandolin, it’s the Octave 12-string guitar (often called a mando-guitar). In this video, we’re diving into the world of these high-tuned wonders, exploring the gear, the tuning, and the legendary players who made them a staple of modern atmospheric production.

Support the show

]]> Ever heard a song that has a shimmering, "angelic" jangle that sits perfectly above a mix? Or how Buddy Miller creates those haunting, rootsy textures on songs like Lucinda Williams' "Car Wheels on a Gravel Road," or Daniel Lanois on Emmylou's Wrecking Ball album?

The answer isn't a mandolin, it’s the Octave 12-string guitar (often called a mando-guitar). In this video, we’re diving into the world of these high-tuned wonders, exploring the gear, the tuning, and the legendary players who made them a staple of modern atmospheric production.

Support the show

]]> Zac Childs Buzzsprout-18631632 Tue, 10 Feb 2026 00:00:00 -0600 1031 262 full false Why Even "Clean" Tones Need Some Hair & Grit Why Even "Clean" Tones Need Some Hair & Grit Think your clean tone should be 100% pure? Think again. In this video, we’re looking at why "perfectly clean" guitars often sound thin in a mix and why adding a little "hair" or grit is the secret to a professional sound.

There is a common "studio secret" that pro mixers have used for decades: subtle harmonic distortion makes everything sound better. Whether it’s a vocal, a drum bus, or a "clean" electric guitar, adding a touch of saturation provides the weight and character that a dry signal lacks.

Support the show

]]> Think your clean tone should be 100% pure? Think again. In this video, we’re looking at why "perfectly clean" guitars often sound thin in a mix and why adding a little "hair" or grit is the secret to a professional sound.

There is a common "studio secret" that pro mixers have used for decades: subtle harmonic distortion makes everything sound better. Whether it’s a vocal, a drum bus, or a "clean" electric guitar, adding a touch of saturation provides the weight and character that a dry signal lacks.

Support the show

]]> Zac Childs Buzzsprout-18586294 Tue, 03 Feb 2026 00:00:00 -0600 1020 261 full false 50s Guild Aristocrat - A Vintage Sleeper - (It's Not A Tele Vol 1) 50s Guild Aristocrat - A Vintage Sleeper - (It's Not A Tele Vol 1) The 1950s Guild Aristocrat is one of those vintage guitars that somehow slipped through the cracks, and that’s exactly why it remains such a sleeper today.

Built during Guild’s early New York era, the Aristocrat was a serious professional instrument: a small, yet fully hollow body, carved spruce top, and the legendary Franz single-coil pickups that deliver clarity, punch, and a voice all their own. This was Guild's attempt at an improved Les Paul, that was lighter, and just enough wider to seem not like a toy.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> The 1950s Guild Aristocrat is one of those vintage guitars that somehow slipped through the cracks, and that’s exactly why it remains such a sleeper today.

Built during Guild’s early New York era, the Aristocrat was a serious professional instrument: a small, yet fully hollow body, carved spruce top, and the legendary Franz single-coil pickups that deliver clarity, punch, and a voice all their own. This was Guild's attempt at an improved Les Paul, that was lighter, and just enough wider to seem not like a toy.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
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Support the show

]]> Zac Childs Buzzsprout-18515196 Tue, 20 Jan 2026 00:00:00 -0600 756 260 full false Why I Needed a Baritone Telecaster Guitar Why I Needed a Baritone Telecaster Guitar Baritone electric guitars live in that perfect middle ground between standard guitar and bass, and once you understand what they do best, it’s hard to live without one.

In this video, I’m diving into baritone guitars, why a typical 27” scale baritone is very different from a Bass VI (usually 29–30” scale), and how each one functions in a band context. While they can look similar at first glance, they play, feel, and sit in a mix very differently.

I also talk about classic effects choices for baritone, especially tremolo and vibrato, and why those sounds pair so perfectly with the baritone’s extended range and piano-like low end.

A huge influence for me was Pete Anderson, particularly his baritone work with Dwight Yoakam on tracks like “Little Ways” and "Buenos Noches From a Lonely Room." Seeing Pete on Austin City Limits in 1989, playing a baritone Telecaster, impacted me as a young player, as it was the first time I really understood how powerful a baritone could be in country music.

Fast-forward to touring with Brad Paisley, I was using a Bass VI on “Whiskey Lullaby”, but quickly realized it wasn’t quite right. Brad played a baritone on the original recording, and once you hear that, you can’t un-hear it. That experience really cemented the difference for me between the two instruments and when each one truly shines.

I also break down my personal baritone guitar, which is a bit of a Frankenstein in the best way possible:

Allparts baritone conversion neck
Music City Bridge saddles
Killer Vintage and Adder pickups
Custom Emerson wiring harness, with the tone control only on the bridge pickup
MJT pine body

A one-of-a-kind blue burst finish and relic paint job done by Brad Paisley himself

The final piece of the puzzle was the nut, fretwork, and setup, expertly handled by Aaron, Nick, and Max at Glaser Instruments, who absolutely nailed the feel and playability.

If you’ve ever wondered whether a baritone is right for you, how it differs from a Bass VI, or how players like Pete Anderson and Brad Paisley have used them so effectively, this one’s for you.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Baritone electric guitars live in that perfect middle ground between standard guitar and bass, and once you understand what they do best, it’s hard to live without one.

In this video, I’m diving into baritone guitars, why a typical 27” scale baritone is very different from a Bass VI (usually 29–30” scale), and how each one functions in a band context. While they can look similar at first glance, they play, feel, and sit in a mix very differently.

I also talk about classic effects choices for baritone, especially tremolo and vibrato, and why those sounds pair so perfectly with the baritone’s extended range and piano-like low end.

A huge influence for me was Pete Anderson, particularly his baritone work with Dwight Yoakam on tracks like “Little Ways” and "Buenos Noches From a Lonely Room." Seeing Pete on Austin City Limits in 1989, playing a baritone Telecaster, impacted me as a young player, as it was the first time I really understood how powerful a baritone could be in country music.

Fast-forward to touring with Brad Paisley, I was using a Bass VI on “Whiskey Lullaby”, but quickly realized it wasn’t quite right. Brad played a baritone on the original recording, and once you hear that, you can’t un-hear it. That experience really cemented the difference for me between the two instruments and when each one truly shines.

I also break down my personal baritone guitar, which is a bit of a Frankenstein in the best way possible:

Allparts baritone conversion neck
Music City Bridge saddles
Killer Vintage and Adder pickups
Custom Emerson wiring harness, with the tone control only on the bridge pickup
MJT pine body

A one-of-a-kind blue burst finish and relic paint job done by Brad Paisley himself

The final piece of the puzzle was the nut, fretwork, and setup, expertly handled by Aaron, Nick, and Max at Glaser Instruments, who absolutely nailed the feel and playability.

If you’ve ever wondered whether a baritone is right for you, how it differs from a Bass VI, or how players like Pete Anderson and Brad Paisley have used them so effectively, this one’s for you.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-18469892 Tue, 13 Jan 2026 06:00:00 -0600 1849 259 full false Inside the 1962 Fender 6G3 "Brown" Deluxe Amp Inside the 1962 Fender 6G3 "Brown" Deluxe Amp The 1962 Brown Deluxe (6G3) sits in one of the most fascinating, and misunderstood, eras of Fender amplification. It’s often lumped in with other brownface amps, or treated as a short stop between tweed and blackface. But the truth is: the Brown Deluxe is its own animal.

In this video, we take a deep dive into what really sets the ’62 Brown Deluxe apart, sonically, electrically, and historically.

Brown Deluxe vs Tweed Deluxe (5E3)
Why the Brown Deluxe is tighter, punchier, and more controlled than the loose, saggy tweed, and how Fender was clearly responding to players wanting more headroom and definition.

Brown Deluxe vs Blackface Deluxe (AB763)
How the Brown Deluxe’s mid-forward voicing, earlier breakup, and raw edge contrast with the cleaner, scooped, hi-fi nature of the later blackface circuit.

Why the Brown Deluxe Does Not Sound Like Other 1962 Brownface Amps
The Brown Princeton and Vibrolux from the same year often get mentioned in the same breath, but they’re fundamentally different circuits, power sections, and feel. Same era, totally different results.

’62 Brown Deluxe vs ’65 Blackface Deluxe Reverb
A direct tonal comparison between grit and refinement:

Brown Deluxe: raw, aggressive, chewy mids

BF Deluxe Reverb: cleaner, wider, glassier, more polite
Two iconic Fender voices aimed at completely different players.

Bias Tremolo vs Photocell (Opto) Tremolo
Why the Brown Deluxe’s bias-vary tremolo feels deeper, swampier, and more organic than the photocell tremolo found in blackface amps—and why many players consider it Fender’s best tremolo design.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> The 1962 Brown Deluxe (6G3) sits in one of the most fascinating, and misunderstood, eras of Fender amplification. It’s often lumped in with other brownface amps, or treated as a short stop between tweed and blackface. But the truth is: the Brown Deluxe is its own animal.

In this video, we take a deep dive into what really sets the ’62 Brown Deluxe apart, sonically, electrically, and historically.

Brown Deluxe vs Tweed Deluxe (5E3)
Why the Brown Deluxe is tighter, punchier, and more controlled than the loose, saggy tweed, and how Fender was clearly responding to players wanting more headroom and definition.

Brown Deluxe vs Blackface Deluxe (AB763)
How the Brown Deluxe’s mid-forward voicing, earlier breakup, and raw edge contrast with the cleaner, scooped, hi-fi nature of the later blackface circuit.

Why the Brown Deluxe Does Not Sound Like Other 1962 Brownface Amps
The Brown Princeton and Vibrolux from the same year often get mentioned in the same breath, but they’re fundamentally different circuits, power sections, and feel. Same era, totally different results.

’62 Brown Deluxe vs ’65 Blackface Deluxe Reverb
A direct tonal comparison between grit and refinement:

Brown Deluxe: raw, aggressive, chewy mids

BF Deluxe Reverb: cleaner, wider, glassier, more polite
Two iconic Fender voices aimed at completely different players.

Bias Tremolo vs Photocell (Opto) Tremolo
Why the Brown Deluxe’s bias-vary tremolo feels deeper, swampier, and more organic than the photocell tremolo found in blackface amps—and why many players consider it Fender’s best tremolo design.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-18469702 Wed, 07 Jan 2026 11:00:00 -0600 1638 258 full false Why The Telecaster Bridge Is the Heart & Soul of the Tele Why The Telecaster Bridge Is the Heart & Soul of the Tele If you want to understand why a Telecaster sounds and feels like a Telecaster, you have to start with the bridge.

The Tele bridge isn’t just a place where the strings anchor, it’s the heart of the instrument, and the single biggest reason a Tele responds the way it does. Leo Fender’s original design brilliantly combines the bridge, tailpiece, and pickup mounting system into one integrated unit, creating a level of coupling, attack, and clarity that no other electric guitar quite matches.

In this video, we explore:

-Why the Tele bridge defines the guitar’s tone and feel
-How the steel bridge plate acts as both bridge and tailpiece
-Why the bridge pickup is mounted directly into the bridge
-The often-overlooked pickup elevator plate, and how it allows precise height adjustment

Decades later, the Telecaster bridge remains one of the most elegant and effective designs in electric guitar history.

Support the show

]]> If you want to understand why a Telecaster sounds and feels like a Telecaster, you have to start with the bridge.

The Tele bridge isn’t just a place where the strings anchor, it’s the heart of the instrument, and the single biggest reason a Tele responds the way it does. Leo Fender’s original design brilliantly combines the bridge, tailpiece, and pickup mounting system into one integrated unit, creating a level of coupling, attack, and clarity that no other electric guitar quite matches.

In this video, we explore:

-Why the Tele bridge defines the guitar’s tone and feel
-How the steel bridge plate acts as both bridge and tailpiece
-Why the bridge pickup is mounted directly into the bridge
-The often-overlooked pickup elevator plate, and how it allows precise height adjustment

Decades later, the Telecaster bridge remains one of the most elegant and effective designs in electric guitar history.

Support the show

]]> Zac Childs Buzzsprout-18367693 Tue, 23 Dec 2025 06:00:00 -0600 958 257 full false Lou Toomey Interview (Brooks & Dunn, Keith Whitley, Faith Hill) Lou Toomey Interview (Brooks & Dunn, Keith Whitley, Faith Hill) Today we sit down with Lou Toomey, one of the most successful and enduring road guitarists in Country Music.

In this conversation, Lou walks us through his unbelievable first pro gig as Keith Whitley’s lead guitarist during the height of Whitley’s all-too-brief but iconic career. From there, we follow his journey through the ’90s as he hit the road with Faith Hill, and into his remarkable three-decade run with Brooks & Dunn, all legendary Country touring acts.

We dig into how he landed each of those gigs, the gear that shaped his tones across the years, and the mindset and work ethic that have kept him at the top of his game for nearly 50 years.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Today we sit down with Lou Toomey, one of the most successful and enduring road guitarists in Country Music.

In this conversation, Lou walks us through his unbelievable first pro gig as Keith Whitley’s lead guitarist during the height of Whitley’s all-too-brief but iconic career. From there, we follow his journey through the ’90s as he hit the road with Faith Hill, and into his remarkable three-decade run with Brooks & Dunn, all legendary Country touring acts.

We dig into how he landed each of those gigs, the gear that shaped his tones across the years, and the mindset and work ethic that have kept him at the top of his game for nearly 50 years.

www.truetone.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-18324790 Tue, 09 Dec 2025 09:00:00 -0600 5377 256 full false How I Ended Up Playing on Brad Paisley’s Snow Globe Town (and the Tonight Show!) How I Ended Up Playing on Brad Paisley’s Snow Globe Town (and the Tonight Show!) This year has been one for the books. In this video, I’m sharing the unbelievable story of how I ended up performing on Brad Paisley’s new Christmas album, Snow Globe Town, and the fun we had in the studio bringing those tracks to life.

I also dive into what it was like hitting the road with Brad on his November–December 2025 Canadian tour, from the gear I brought, to backstage routines, to the moments that made this run unforgettable.

And to top it all off… The Tonight Show. I break down how that opportunity came together, what the day-of looked like behind the scenes, and the surreal feeling of stepping onto that stage under the bright lights.

NEW MERCH SITE!
https://ask-zac-shop.fourthwall.com

Support the show

]]> This year has been one for the books. In this video, I’m sharing the unbelievable story of how I ended up performing on Brad Paisley’s new Christmas album, Snow Globe Town, and the fun we had in the studio bringing those tracks to life.

I also dive into what it was like hitting the road with Brad on his November–December 2025 Canadian tour, from the gear I brought, to backstage routines, to the moments that made this run unforgettable.

And to top it all off… The Tonight Show. I break down how that opportunity came together, what the day-of looked like behind the scenes, and the surreal feeling of stepping onto that stage under the bright lights.

NEW MERCH SITE!
https://ask-zac-shop.fourthwall.com

Support the show

]]> Zac Childs Buzzsprout-18226580 Tue, 25 Nov 2025 07:00:00 -0600 1027 255 full false Early ’60s Telecasters: What Changed & Who Made Them Famous Early ’60s Telecasters: What Changed & Who Made Them Famous Early ’60s Fender Telecasters are legendary, but what really changed between 1959 and 1964? From rosewood “slab boards” and “veneers” to pickguard and hardware tweaks, we break down the details that shaped the classic early-’60s Tele look and sound.

We’ll also highlight the famous players who made these Teles iconic, from country twang masters to R&B pioneers, and explore why 1961–1964 Telecasters are relatively rare compared to other Pre-CBS years.

Support the show

]]> Early ’60s Fender Telecasters are legendary, but what really changed between 1959 and 1964? From rosewood “slab boards” and “veneers” to pickguard and hardware tweaks, we break down the details that shaped the classic early-’60s Tele look and sound.

We’ll also highlight the famous players who made these Teles iconic, from country twang masters to R&B pioneers, and explore why 1961–1964 Telecasters are relatively rare compared to other Pre-CBS years.

Support the show

]]> Zac Childs Buzzsprout-18211338 Tue, 18 Nov 2025 08:00:00 -0600 1177 254 full false Tele Gumbo: String Stretching, Bridge Covers, Book Review & Gig-Ready Gear Tele Gumbo: String Stretching, Bridge Covers, Book Review & Gig-Ready Gear In this week’s Ask Zac, I’m cooking up a little Tele Gumbo, as today’s show is a mix of guitar talk, gear love, and practical tips:

A better way to stretch your strings, one that keeps your tuning stable and won’t damage your nut.

Why Tele bridge covers (ashtrays) are actually useful — especially for protecting your strings and saddles when your guitar’s in a gig bag.

Book Review: In-Law Country by Geoffrey Himes — a must-read for fans of Emmylou Harris and her circle of musical friends.

Gig-Ready Gear: Why I love Headstrong Amps and Danocaster Guitars — no mods, no tweaks, just plug in and play.

It’s a hearty serving of tips, tone, and talk — grab a coffee and dig in!

#AskZac #TeleGumbo #Telecaster #GuitarTips #HeadstrongAmps #Danocaster #GuitarTalk

www.truetone.com

NEW MERCH SITE!
https://ask-zac-shop.fourthwall.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> In this week’s Ask Zac, I’m cooking up a little Tele Gumbo, as today’s show is a mix of guitar talk, gear love, and practical tips:

A better way to stretch your strings, one that keeps your tuning stable and won’t damage your nut.

Why Tele bridge covers (ashtrays) are actually useful — especially for protecting your strings and saddles when your guitar’s in a gig bag.

Book Review: In-Law Country by Geoffrey Himes — a must-read for fans of Emmylou Harris and her circle of musical friends.

Gig-Ready Gear: Why I love Headstrong Amps and Danocaster Guitars — no mods, no tweaks, just plug in and play.

It’s a hearty serving of tips, tone, and talk — grab a coffee and dig in!

#AskZac #TeleGumbo #Telecaster #GuitarTips #HeadstrongAmps #Danocaster #GuitarTalk

www.truetone.com

NEW MERCH SITE!
https://ask-zac-shop.fourthwall.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-18107738 Tue, 11 Nov 2025 07:00:00 -0600 874 253 full false The Tour From Hell: My First Time on the Road The Tour From Hell: My First Time on the Road When you’re young and dreaming about hitting the road, touring sounds like the ultimate adventure, until you actually do it.

In this episode, I look back on my first tour experience with the long drives, bad gigs, and all the hard lessons that came with it. It wasn’t glamorous, but it taught me things I still carry with me every time I step onstage.

NEW MERCH SITE!
https://ask-zac-shop.fourthwall.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> When you’re young and dreaming about hitting the road, touring sounds like the ultimate adventure, until you actually do it.

In this episode, I look back on my first tour experience with the long drives, bad gigs, and all the hard lessons that came with it. It wasn’t glamorous, but it taught me things I still carry with me every time I step onstage.

NEW MERCH SITE!
https://ask-zac-shop.fourthwall.com

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
https://ask-zac-shop.fourthwall.com
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-18106888 Tue, 04 Nov 2025 07:00:00 -0600 2015 252 full false Telecaster Bridge Shootout! 3-Saddle vs 6-Saddle on My 1957 Esquire Telecaster Bridge Shootout! 3-Saddle vs 6-Saddle on My 1957 Esquire In this episode of Ask Zac, I put my 1957 Fender Esquire through a true bridge showdown, comparing the classic 3-saddle setup that defined early Tele tone with a modern 6-saddle bridge known for better intonation, and for beefing-up the sound.

We’ll dig into:
The history of Fender bridge designs, and why Leo Fender stuck with 3 saddles
The tonal differences between the two setups
Direct sound samples recorded on the same guitar for an honest comparison
My verdict after playing both

Guitar: 1957 Fender Esquire

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]]> In this episode of Ask Zac, I put my 1957 Fender Esquire through a true bridge showdown, comparing the classic 3-saddle setup that defined early Tele tone with a modern 6-saddle bridge known for better intonation, and for beefing-up the sound.

We’ll dig into:
The history of Fender bridge designs, and why Leo Fender stuck with 3 saddles
The tonal differences between the two setups
Direct sound samples recorded on the same guitar for an honest comparison
My verdict after playing both

Guitar: 1957 Fender Esquire

Support the show

]]> Zac Childs Buzzsprout-18023417 Tue, 21 Oct 2025 00:00:00 -0500 1150 251 full false Those Infamous Fender F-Tuners (1967 – 1981) Those Infamous Fender F-Tuners (1967 – 1981) From 1967 through 1981, Fender used the now-infamous F-stamped tuners on many Telecasters, Stratocasters, and the majority of their product line. For some players, they’re a charming piece of CBS-era design; for others, they’re a headache.

In this episode, I dig into the full story of why Fender switched from Kluson tuners in 1967, who actually made the F-tuners, how they changed through the 1970s, and what their strengths and weaknesses really are.

I also cover how the original version 1967-75, have no modern replacement, and the only option is to buy used originals. For the 1975-81 F-style tuners , I look at the modern replacements that fit the original footprint, and which offer better performance. We’ll also look at the modern reissue F-Tuners, which are based on the latter style made by Schaller, yet they were used on reissues that should have had the earlier style.

By the end, you’ll know how to identify each version, how to keep them working smoothly, and the best paths for replacement or restoration, whether you’re chasing originality or reliability.

Support the show

]]> From 1967 through 1981, Fender used the now-infamous F-stamped tuners on many Telecasters, Stratocasters, and the majority of their product line. For some players, they’re a charming piece of CBS-era design; for others, they’re a headache.

In this episode, I dig into the full story of why Fender switched from Kluson tuners in 1967, who actually made the F-tuners, how they changed through the 1970s, and what their strengths and weaknesses really are.

I also cover how the original version 1967-75, have no modern replacement, and the only option is to buy used originals. For the 1975-81 F-style tuners , I look at the modern replacements that fit the original footprint, and which offer better performance. We’ll also look at the modern reissue F-Tuners, which are based on the latter style made by Schaller, yet they were used on reissues that should have had the earlier style.

By the end, you’ll know how to identify each version, how to keep them working smoothly, and the best paths for replacement or restoration, whether you’re chasing originality or reliability.

Support the show

]]> Zac Childs Buzzsprout-17978851 Tue, 14 Oct 2025 06:00:00 -0500 1287 250 full false Everything You Wanted To Know About Bigsby-Equipped Fender Telecasters Everything You Wanted To Know About Bigsby-Equipped Fender Telecasters The Telecaster is known for its twang and simplicity—but add a Bigsby, and it becomes something completely different. In this video, I explore the history of Bigsby-equipped Telecasters, from Paul Bigsby’s development of the B-16 in 1953, to Fender’s first factory-installed B5 models in 1967, and how they’re still used in today’s guitars.

Along the way, I’ll share setup tips and tricks to keep your Bigsby Tele in tune, break down how a vibrato changes both tone and feel, and highlight some of the famous players who made the Bigsby Telecaster iconic.

Support the show

]]> The Telecaster is known for its twang and simplicity—but add a Bigsby, and it becomes something completely different. In this video, I explore the history of Bigsby-equipped Telecasters, from Paul Bigsby’s development of the B-16 in 1953, to Fender’s first factory-installed B5 models in 1967, and how they’re still used in today’s guitars.

Along the way, I’ll share setup tips and tricks to keep your Bigsby Tele in tune, break down how a vibrato changes both tone and feel, and highlight some of the famous players who made the Bigsby Telecaster iconic.

Support the show

]]> Zac Childs Buzzsprout-17968225 Mon, 06 Oct 2025 21:00:00 -0500 2087 249 full false The Truth About Tough Gigs & The Difference Between "Shows" & "Gigs" The Truth About Tough Gigs & The Difference Between "Shows" & "Gigs" Not every gig goes the way you want it to. Technical issues, a rough mix, or even just playing for a crowd that couldn’t care less can be frustrating. In this video, I talk about what it’s like to keep a good attitude when things fall apart on stage, and why sometimes you have to force a smile and keep pushing through.

I also get into the difference between “filler gigs” where you’re basically background music, and shows where people are actually there to see you play. Filler gigs can sometimes feel demoralizing, or artistically unfulfilling but usually pays decently. Shows, on the other hand, can be incredibly rewarding even if the paycheck is smaller.

Support the show

]]> Not every gig goes the way you want it to. Technical issues, a rough mix, or even just playing for a crowd that couldn’t care less can be frustrating. In this video, I talk about what it’s like to keep a good attitude when things fall apart on stage, and why sometimes you have to force a smile and keep pushing through.

I also get into the difference between “filler gigs” where you’re basically background music, and shows where people are actually there to see you play. Filler gigs can sometimes feel demoralizing, or artistically unfulfilling but usually pays decently. Shows, on the other hand, can be incredibly rewarding even if the paycheck is smaller.

Support the show

]]> Zac Childs Buzzsprout-17913216 Fri, 26 Sep 2025 17:00:00 -0500 1264 248 full false Fender’s Best Bang-for-Buck Telecaster Yet Fender’s Best Bang-for-Buck Telecaster Yet The Fender Vintera II LE Road Worn ’60s Telecaster might be one of the best bang-for-your-buck guitars Fender has released in years. For the first time, Fender has made a maple-cap neck ’60s style Telecaster available at an accessible price point.

The maple-cap neck is a big deal in Telecaster history. Legendary players like Cornell Dupree, Brent Mason, Bobby Womack, Brad Paisley, Don Rich, and Buck Owens all made their mark with maple-cap Teles, and now Fender has finally delivered that vintage vibe in a guitar most players can actually afford.

With its blonde finish, road-worn relic treatment, and authentic ’60s specs, this Tele feels and sounds like a much more expensive vintage-style instrument. In this video, I put it through its paces, share tones, and explain why this release is such a milestone for Tele fans.

Support the show

]]> The Fender Vintera II LE Road Worn ’60s Telecaster might be one of the best bang-for-your-buck guitars Fender has released in years. For the first time, Fender has made a maple-cap neck ’60s style Telecaster available at an accessible price point.

The maple-cap neck is a big deal in Telecaster history. Legendary players like Cornell Dupree, Brent Mason, Bobby Womack, Brad Paisley, Don Rich, and Buck Owens all made their mark with maple-cap Teles, and now Fender has finally delivered that vintage vibe in a guitar most players can actually afford.

With its blonde finish, road-worn relic treatment, and authentic ’60s specs, this Tele feels and sounds like a much more expensive vintage-style instrument. In this video, I put it through its paces, share tones, and explain why this release is such a milestone for Tele fans.

Support the show

]]> Zac Childs Buzzsprout-17913203 Fri, 26 Sep 2025 17:00:00 -0500 831 247 full false Rosewood Fretboard Telecasters: Tone, Feel & History Rosewood Fretboard Telecasters: Tone, Feel & History When Fender switched the Telecaster from one-piece maple necks to rosewood fingerboards in 1959, the guitar’s sound and feel changed forever. In this video, I take a close look at the history of rosewood-board Telecasters, why Fender made the switch, and what makes them unique.

I’ll also share my theory: it’s not just the rosewood itself, but the stiffness of the rosewood plus maple neck construction that really changes the tone compared to an all-maple neck. That extra rigidity shapes the attack, sustain, and overall resonance of the guitar in a way you can feel as much as hear. I also take a look at the 59-style Custom Esquire that I play throughout the video.

Support the show

]]> When Fender switched the Telecaster from one-piece maple necks to rosewood fingerboards in 1959, the guitar’s sound and feel changed forever. In this video, I take a close look at the history of rosewood-board Telecasters, why Fender made the switch, and what makes them unique.

I’ll also share my theory: it’s not just the rosewood itself, but the stiffness of the rosewood plus maple neck construction that really changes the tone compared to an all-maple neck. That extra rigidity shapes the attack, sustain, and overall resonance of the guitar in a way you can feel as much as hear. I also take a look at the 59-style Custom Esquire that I play throughout the video.

Support the show

]]> Zac Childs Buzzsprout-17775559 Tue, 09 Sep 2025 06:00:00 -0500 1222 246 full false Albert Lee’s B-Bender Tricks You Can Steal Albert Lee’s B-Bender Tricks You Can Steal Albert Lee is one of the most inventive B-bender players in history. Today we look at Albert’s gear, his trademark Telecaster tone, and the 4 basic shapes he uses to create many of those flowing, pedal steel–like lines. To bring it to life, I’ll play and break down examples from:

1. C’est La Vie – Emmylou Harris
2. Don’t Cheat in Our Hometown – Ricky Skaggs
3. Pancho & Lefty – Emmylou Harris

https://open.spotify.com/playlist/1gIMx3pi0NDsRcpQyLHRVd?si=98903f5149c54997

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Tip jar:  https://paypal.me/AskZac
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Support the show

]]> Albert Lee is one of the most inventive B-bender players in history. Today we look at Albert’s gear, his trademark Telecaster tone, and the 4 basic shapes he uses to create many of those flowing, pedal steel–like lines. To bring it to life, I’ll play and break down examples from:

1. C’est La Vie – Emmylou Harris
2. Don’t Cheat in Our Hometown – Ricky Skaggs
3. Pancho & Lefty – Emmylou Harris

https://open.spotify.com/playlist/1gIMx3pi0NDsRcpQyLHRVd?si=98903f5149c54997

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-17672277 Tue, 26 Aug 2025 07:00:00 -0500 1304 245 full true 3 Gigs, 2 Sessions, and a Lightning Strike — D'Addario XS Strings Still Going 3 Gigs, 2 Sessions, and a Lightning Strike — D'Addario XS Strings Still Going Three outdoor Georgia/Florida gigs with Brad Paisley in August , 90°+ heat, swampy humidity, and sweat everywhere. Normally, that’s when strings go dead and feel sluggish, but my D’Addario XS coated strings didn’t just survive, they crushed it.

After all three gigs, I used the same guitar and same set of strings for two recording sessions, and they still sounded and felt fresh.

In this video, I’ll share how the XS strings handled brutal touring conditions, why they feel great even when the air feels like soup, and the wild St. Augustine show where lightning struck nearby, Brad’s rig went down, and we had to keep the show rolling.

https://truetone.com/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Three outdoor Georgia/Florida gigs with Brad Paisley in August , 90°+ heat, swampy humidity, and sweat everywhere. Normally, that’s when strings go dead and feel sluggish, but my D’Addario XS coated strings didn’t just survive, they crushed it.

After all three gigs, I used the same guitar and same set of strings for two recording sessions, and they still sounded and felt fresh.

In this video, I’ll share how the XS strings handled brutal touring conditions, why they feel great even when the air feels like soup, and the wild St. Augustine show where lightning struck nearby, Brad’s rig went down, and we had to keep the show rolling.

https://truetone.com/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac

Support the show

]]> Zac Childs Buzzsprout-17667705 Mon, 18 Aug 2025 00:00:00 -0500 802 244 full false Guitar Nut Width & Why It Matters Guitar Nut Width & Why It Matters Ever picked up a guitar and thought, “This just doesn’t feel right?” It might be the nut width, the measurement that directly impacts string spacing and left-hand comfort. In this video, we break down the most common nut widths found in the wild, and look at how the various widths affects chord shapes, lead playing and string separation. We also take a hard look at the 1.625 nut width used on the vast majority of vintage Fender guitars, and why most boutique copies, and even reissues made by Fender now tend to have a wider1.650 nut width.

If you’ve ever wondered why some necks feel cramped and others feel perfect, this deep dive will help you understand what works best for your hands and playing style.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Ever picked up a guitar and thought, “This just doesn’t feel right?” It might be the nut width, the measurement that directly impacts string spacing and left-hand comfort. In this video, we break down the most common nut widths found in the wild, and look at how the various widths affects chord shapes, lead playing and string separation. We also take a hard look at the 1.625 nut width used on the vast majority of vintage Fender guitars, and why most boutique copies, and even reissues made by Fender now tend to have a wider1.650 nut width.

If you’ve ever wondered why some necks feel cramped and others feel perfect, this deep dive will help you understand what works best for your hands and playing style.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17595514 Tue, 05 Aug 2025 06:00:00 -0500 1323 243 full false How Eric Clapton (and Albert Lee) Got Me Into Country Music – Just One Night How Eric Clapton (and Albert Lee) Got Me Into Country Music – Just One Night In this video, I share how Eric Clapton’s Just One Night album completely shifted my musical direction, and how the real surprise was Albert Lee. Clapton’s fiery playing grabbed my attention, but it was Albert’s Telecaster tone, precision, and country-infused style that opened the door to a whole new world of music for me. In the episode, I forget the names of 1985 tour members Shawn Murphy and Tim Renwick. 

Support the show

]]> In this video, I share how Eric Clapton’s Just One Night album completely shifted my musical direction, and how the real surprise was Albert Lee. Clapton’s fiery playing grabbed my attention, but it was Albert’s Telecaster tone, precision, and country-infused style that opened the door to a whole new world of music for me. In the episode, I forget the names of 1985 tour members Shawn Murphy and Tim Renwick. 

Support the show

]]> Zac Childs Buzzsprout-17545040 Tue, 22 Jul 2025 08:00:00 -0500 1062 242 full false Alnico 2 vs Alnico 5: Telecaster Tone Showdown Alnico 2 vs Alnico 5: Telecaster Tone Showdown Alnico 2 and Alnico 5 are the two most common magnet types used in Telecaster pickups, but how much do they really change the tone?
In this video, I compare them in the exact same Telecaster, using pickups with identical windings, wire, and build—only the magnet type is different. We’ll listen to tapped and full output, and both clean and dirty tones, of these Seymour Duncan 53 Tapped Custom Shop Pickups. The clips were recorded in a professional recording studio using a Bruno version of a Deluxe Reverb with an EVM 12L, for maximum transparency.

https://truetone.com/

Thanks to MJ at Seymour Duncan, for winding these pickups for me.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Alnico 2 and Alnico 5 are the two most common magnet types used in Telecaster pickups, but how much do they really change the tone?
In this video, I compare them in the exact same Telecaster, using pickups with identical windings, wire, and build—only the magnet type is different. We’ll listen to tapped and full output, and both clean and dirty tones, of these Seymour Duncan 53 Tapped Custom Shop Pickups. The clips were recorded in a professional recording studio using a Bruno version of a Deluxe Reverb with an EVM 12L, for maximum transparency.

https://truetone.com/

Thanks to MJ at Seymour Duncan, for winding these pickups for me.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17503061 Mon, 14 Jul 2025 12:00:00 -0500 537 241 full false Ricky Skaggs’ Telecaster Masterclass on "I’m Tired." - Lesson Ricky Skaggs’ Telecaster Masterclass on "I’m Tired." - Lesson Ricky Skaggs is mostly known for his mandolin and bluegrass chops, but on “I’m Tired,” he rips a Telecaster solo that deserves a spot in the Tele Hall of Fame.
In this video, we break down the legendary Tele/B-Bender solo from his 1987 tune “I’m Tired,” a Ray Price/Mell Tillis shuffle, that blends Bluegrass, Honky Tonk, and hardcore twang.
I breakdown the solo, and show you why it works so well, the phrasing, the pedal steel illusions, and how Skaggs used the B-bender as an essential part of his electric guitar style.

Ricky playing the tune on the Opry in 1987
https://www.youtube.com/watch?v=uGUg2AqpkAw

Full ACL performance from 1987
https://www.youtube.com/watch?v=QJho_B-r1aw&t=1595s

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Ricky Skaggs is mostly known for his mandolin and bluegrass chops, but on “I’m Tired,” he rips a Telecaster solo that deserves a spot in the Tele Hall of Fame.
In this video, we break down the legendary Tele/B-Bender solo from his 1987 tune “I’m Tired,” a Ray Price/Mell Tillis shuffle, that blends Bluegrass, Honky Tonk, and hardcore twang.
I breakdown the solo, and show you why it works so well, the phrasing, the pedal steel illusions, and how Skaggs used the B-bender as an essential part of his electric guitar style.

Ricky playing the tune on the Opry in 1987
https://www.youtube.com/watch?v=uGUg2AqpkAw

Full ACL performance from 1987
https://www.youtube.com/watch?v=QJho_B-r1aw&t=1595s

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17433007 Tue, 08 Jul 2025 00:00:00 -0500 1417 240 full false How Reggie Young Reshaped Merle Haggard’s Sound with a Strat How Reggie Young Reshaped Merle Haggard’s Sound with a Strat Reggie Young may be one of the most recorded guitarists in history—but did you know he played a 1957 Stratocaster on Merle Haggard’s Back to the Barrooms album? In this video, we dig into Reggie's tasteful, understated Strat work that helped shape the tone and feel of one of Haggard’s most emotional and booze-soaked records.

We'll talk about:
The tone Reggie got from his Strat
How his playing elevated tracks like “Makeup & Faded Blue Jeans”  “I Think I’ll Just Stay Here and Drink,” and “Leonard.”

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Reggie Young may be one of the most recorded guitarists in history—but did you know he played a 1957 Stratocaster on Merle Haggard’s Back to the Barrooms album? In this video, we dig into Reggie's tasteful, understated Strat work that helped shape the tone and feel of one of Haggard’s most emotional and booze-soaked records.

We'll talk about:
The tone Reggie got from his Strat
How his playing elevated tracks like “Makeup & Faded Blue Jeans”  “I Think I’ll Just Stay Here and Drink,” and “Leonard.”

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17410955 Fri, 27 Jun 2025 14:00:00 -0500 1042 239 full false The TC Electronic Chorus Pedal Makes a Comeback The TC Electronic Chorus Pedal Makes a Comeback I didn’t think I’d be adding a chorus pedal back to my board… until a recent session totally changed my mind.

In this video, I talk about the TC Electronic Stereo Chorus Flanger — a pedal that quietly shaped the Nashville sound in the '80s and '90s. It was originally built in Denmark back in 1976 as a studio-friendly chorus with super low noise and a clean, transparent sound. Turns out, that clarity is exactly what made it a favorite for tons of session players — and even guys like Eric Johnson for his legendary clean tone.

After dusting one off in the studio recently, I remembered why this thing was so loved — and now it’s officially earned its spot back on my board.

If you’re into that classic shimmer or just curious why chorus is cool again, stick around.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> I didn’t think I’d be adding a chorus pedal back to my board… until a recent session totally changed my mind.

In this video, I talk about the TC Electronic Stereo Chorus Flanger — a pedal that quietly shaped the Nashville sound in the '80s and '90s. It was originally built in Denmark back in 1976 as a studio-friendly chorus with super low noise and a clean, transparent sound. Turns out, that clarity is exactly what made it a favorite for tons of session players — and even guys like Eric Johnson for his legendary clean tone.

After dusting one off in the studio recently, I remembered why this thing was so loved — and now it’s officially earned its spot back on my board.

If you’re into that classic shimmer or just curious why chorus is cool again, stick around.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17308054 Tue, 17 Jun 2025 08:00:00 -0500 1270 238 full false Which Pickups Should I Put in My Telecaster? Which Pickups Should I Put in My Telecaster? The #1 Question I Get: “What Pickups Should I Put in My Telecaster?”
In this video, I break down the key questions you should ask yourself before buying pickups — whether you're upgrading or starting from scratch. This guide will help you make smarter choices and communicate more effectively with pickup winders.

I also cover:
The differences between flat pole ’50s-style and staggered pole ’60s-style pickups
Recommendations at various price points
How much saddles and the tone control really matter to your final sound

Whether you're chasing vintage twang or modern bite, this will help you get closer to your Tele tone.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> The #1 Question I Get: “What Pickups Should I Put in My Telecaster?”
In this video, I break down the key questions you should ask yourself before buying pickups — whether you're upgrading or starting from scratch. This guide will help you make smarter choices and communicate more effectively with pickup winders.

I also cover:
The differences between flat pole ’50s-style and staggered pole ’60s-style pickups
Recommendations at various price points
How much saddles and the tone control really matter to your final sound

Whether you're chasing vintage twang or modern bite, this will help you get closer to your Tele tone.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17308020 Mon, 09 Jun 2025 14:00:00 -0500 1154 237 full false Reviving My 1981 Martin HD-28 with New Frets, Waverly Tuners, K&K Pickup & More! Reviving My 1981 Martin HD-28 with New Frets, Waverly Tuners, K&K Pickup & More! My favorite acoustic guitar—a 1981 Martin HD-28—just received a full upgrade while also bringing it a little closer  to the timeless tone and vintage character of a true 1940s Martin. In this video, I walk you through the complete restoration and customization process, including:
• Fresh frets for smoother playability, improved tone, and better intonation. .085X.050 Fretwire
• Waverly open-back tuners for a vintage-correct look, lighter weight, and improved break angle at the nut
• Removal of the 1990s Fishman Matrix under saddle pickup and installation of the more transparent, passive K&K Pure Mini
• A new bone nut and saddle for increased tonal clarity and responsiveness
• A vintage-style Holter tortoiseshell pickguard to restore the classic herringbone-era aesthetic

https://holterpickguards.com/

Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> My favorite acoustic guitar—a 1981 Martin HD-28—just received a full upgrade while also bringing it a little closer  to the timeless tone and vintage character of a true 1940s Martin. In this video, I walk you through the complete restoration and customization process, including:
• Fresh frets for smoother playability, improved tone, and better intonation. .085X.050 Fretwire
• Waverly open-back tuners for a vintage-correct look, lighter weight, and improved break angle at the nut
• Removal of the 1990s Fishman Matrix under saddle pickup and installation of the more transparent, passive K&K Pure Mini
• A new bone nut and saddle for increased tonal clarity and responsiveness
• A vintage-style Holter tortoiseshell pickguard to restore the classic herringbone-era aesthetic

https://holterpickguards.com/

Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17307996 Mon, 09 Jun 2025 14:00:00 -0500 1035 236 full false Meet Nashville Guitar Great: Matthew Lee Meet Nashville Guitar Great: Matthew Lee Meet Nashville Guitar Great: Matthew Lee
If you’ve strolled down Broadway in Nashville, chances are you have heard the unmistakable sound of Matthew Lee—an exceptional guitarist whose chops are as sharp as his tone.

Matthew shares the story of how music first grabbed hold of him, what led him to Music City, and the major influences that shaped his sound. He also gives us a look at some of his favorite gear, including his go-to axes from Lucky Dog and Crook Custom Guitars.

Want to dive deeper? Check out his instructional book from Hal Leonard and explore his top-tier lessons over on TrueFire. Whether you’re a player or a fan , Matthew’s insights are pure gold.


Subscribe for more vintage gear stories and rare finds!
Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/



#MatthewLee #NashvilleGuitarist #BroadwayNashville #LuckyDogGuitars #CrookCustomGuitars #GuitarGear #HalLeonard #TrueFire #CountryGuitar #GuitarLife



https://www.matthewleeguitar.com/

Support the show

]]> Meet Nashville Guitar Great: Matthew Lee
If you’ve strolled down Broadway in Nashville, chances are you have heard the unmistakable sound of Matthew Lee—an exceptional guitarist whose chops are as sharp as his tone.

Matthew shares the story of how music first grabbed hold of him, what led him to Music City, and the major influences that shaped his sound. He also gives us a look at some of his favorite gear, including his go-to axes from Lucky Dog and Crook Custom Guitars.

Want to dive deeper? Check out his instructional book from Hal Leonard and explore his top-tier lessons over on TrueFire. Whether you’re a player or a fan , Matthew’s insights are pure gold.


Subscribe for more vintage gear stories and rare finds!
Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/



#MatthewLee #NashvilleGuitarist #BroadwayNashville #LuckyDogGuitars #CrookCustomGuitars #GuitarGear #HalLeonard #TrueFire #CountryGuitar #GuitarLife



https://www.matthewleeguitar.com/

Support the show

]]> Zac Childs Buzzsprout-17307970 Mon, 09 Jun 2025 14:00:00 -0500 1670 235 full false Personalized by Fender: 1969 Telecasters with Factory Neck Inlays! Personalized by Fender: 1969 Telecasters with Factory Neck Inlays! In 1969, Fender offered a little-known custom option: factory-personalized neck inlays. In this video, we dive into the rare story of a father and son who took Fender up on that offer—ordering two Telecasters inlaid with their names: "Bubba" and "Bob Clawson." These guitars were custom-made at the Fender factory and delivered to Clawson's Music in Corpus Christi, Texas, a Fender dealer since 1964.

Join us as we explore the history of Fender’s neck personalization option, examine these two stunning custom Telecasters, and uncover how this one-of-a-kind order came to be. Whether you're a vintage guitar lover, Fender historian, or just into cool guitar stories, you won’t want to miss this rare glimpse into a forgotten piece of Fender’s past.

Subscribe for more vintage gear stories and rare finds!
Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#FenderTelecaster #VintageFender #CustomFender #Telecaster1969 #ClawsonsMusic #GuitarHistory #FenderCustomInlay

Support the show

]]> In 1969, Fender offered a little-known custom option: factory-personalized neck inlays. In this video, we dive into the rare story of a father and son who took Fender up on that offer—ordering two Telecasters inlaid with their names: "Bubba" and "Bob Clawson." These guitars were custom-made at the Fender factory and delivered to Clawson's Music in Corpus Christi, Texas, a Fender dealer since 1964.

Join us as we explore the history of Fender’s neck personalization option, examine these two stunning custom Telecasters, and uncover how this one-of-a-kind order came to be. Whether you're a vintage guitar lover, Fender historian, or just into cool guitar stories, you won’t want to miss this rare glimpse into a forgotten piece of Fender’s past.

Subscribe for more vintage gear stories and rare finds!
Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#FenderTelecaster #VintageFender #CustomFender #Telecaster1969 #ClawsonsMusic #GuitarHistory #FenderCustomInlay

Support the show

]]> Zac Childs Buzzsprout-17307949 Mon, 09 Jun 2025 14:00:00 -0500 1088 234 full false Behind the Scenes of Brad Paisley’s ‘Lost Paisley’ Telecaster Behind the Scenes of Brad Paisley’s ‘Lost Paisley’ Telecaster I’m excited to finally share the story behind the Fender Limited Edition 1967 Lost Paisley Telecaster—Brad Paisley’s stunning new signature model—and my journey helping bring it to life.

This project has been a true labor of love. From digging into vintage inspiration to fine-tuning the smallest details, The Lost Paisley Telecaster blends history, tone, and style in a way that truly honors Brad’s legacy and Fender’s craftsmanship.

Stick around until the end of the video for a clip of me playing with Brad Paisley, his amazing band, and the legendary Steve Wariner. 

#LostPaisley #FenderGuitars #BradPaisley #Telecaster #GuitarDesign #BehindTheScenes #SteveWariner #CountryMusic #GearHeadsUnite #SignatureModel

Link to fender's video:

https://youtu.be/Blf3wYQTVkI?si=7j2AwBmRBr1d2hcq

Subscribe for more vintage gear stories and rare finds!
Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> I’m excited to finally share the story behind the Fender Limited Edition 1967 Lost Paisley Telecaster—Brad Paisley’s stunning new signature model—and my journey helping bring it to life.

This project has been a true labor of love. From digging into vintage inspiration to fine-tuning the smallest details, The Lost Paisley Telecaster blends history, tone, and style in a way that truly honors Brad’s legacy and Fender’s craftsmanship.

Stick around until the end of the video for a clip of me playing with Brad Paisley, his amazing band, and the legendary Steve Wariner. 

#LostPaisley #FenderGuitars #BradPaisley #Telecaster #GuitarDesign #BehindTheScenes #SteveWariner #CountryMusic #GearHeadsUnite #SignatureModel

Link to fender's video:

https://youtu.be/Blf3wYQTVkI?si=7j2AwBmRBr1d2hcq

Subscribe for more vintage gear stories and rare finds!
Follow us on  https://www.instagram.com/askzac/ for more guitar content.


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-17307918 Mon, 09 Jun 2025 14:00:00 -0500 976 233 full false A Tele-Guy Discovers The PRS DGT SE A Tele-Guy Discovers The PRS DGT SE Since the DGT was released by PRS in 2007, I have been a fan. I didn't buy one then because I foolishly decided to get a more vintage-flavored reissue 1959 Les Paul, but have regretted that purchase ever since. With the new SE PRS DGT, I was able to scratch that humbucker with trem itch, but at an incredibly affordable price. The PRS DGT SE is a fantastic instrument that can really fill out your guitar arsenal at a great price.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Since the DGT was released by PRS in 2007, I have been a fan. I didn't buy one then because I foolishly decided to get a more vintage-flavored reissue 1959 Les Paul, but have regretted that purchase ever since. With the new SE PRS DGT, I was able to scratch that humbucker with trem itch, but at an incredibly affordable price. The PRS DGT SE is a fantastic instrument that can really fill out your guitar arsenal at a great price.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16954698 Tue, 15 Apr 2025 00:00:00 -0500 1291 232 full false A Look At Mike Campbell's Heartbreaker Memoir & His Incredible Musical Legacy A Look At Mike Campbell's Heartbreaker Memoir & His Incredible Musical Legacy Mike Campbell is one of the most significant guitarists of our time as a result of his 40-year stint with Tom Petty & The Heartbreakers, and guesting with everyone from Don Henley, to George Harrison. He recently released his memoir, Heartbreaker, a lovingly honest telling of his life with the help of author Ari Surdoval. We take a look at the compelling story it tells, and the incredible legacy and influence of Mike Campbell.

Amazon Affiliate link to Heartbreaker
https://amzn.to/4lk9NyX

Signed Copy
https://talkshop.live/watch/pLo6krD_ObMd

Go see Mike Campbell & The Dirty Knobs at a venue near you
https://www.thedirtyknobs.com/#tour


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Mike Campbell is one of the most significant guitarists of our time as a result of his 40-year stint with Tom Petty & The Heartbreakers, and guesting with everyone from Don Henley, to George Harrison. He recently released his memoir, Heartbreaker, a lovingly honest telling of his life with the help of author Ari Surdoval. We take a look at the compelling story it tells, and the incredible legacy and influence of Mike Campbell.

Amazon Affiliate link to Heartbreaker
https://amzn.to/4lk9NyX

Signed Copy
https://talkshop.live/watch/pLo6krD_ObMd

Go see Mike Campbell & The Dirty Knobs at a venue near you
https://www.thedirtyknobs.com/#tour


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16954685 Thu, 10 Apr 2025 14:00:00 -0500 1241 231 full false Joe Fick of Kelley's Heroes & The Don Kelley Band Joe Fick of Kelley's Heroes & The Don Kelley Band Joe Fick, leader of Kelley's Heroes and alumnus of the Don Kelley Band, joins us today. He shares of his time with the Dempsey's, The Don Kelley Band, working movies Walk The Line, and Baz Luhrmann's Elvis, to currently leading Kelley's Heroes. We also discuss the history of the upright slap style, challenges of transitioning from electric to upright bass, and a variety of upright bass playing styles. If you visit Nashville, you must see Joe and the band, Wednesday thru Saturday, at Nashville's famous Robert's Western World on Broadway. 

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Joe Fick, leader of Kelley's Heroes and alumnus of the Don Kelley Band, joins us today. He shares of his time with the Dempsey's, The Don Kelley Band, working movies Walk The Line, and Baz Luhrmann's Elvis, to currently leading Kelley's Heroes. We also discuss the history of the upright slap style, challenges of transitioning from electric to upright bass, and a variety of upright bass playing styles. If you visit Nashville, you must see Joe and the band, Wednesday thru Saturday, at Nashville's famous Robert's Western World on Broadway. 

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16876395 Tue, 01 Apr 2025 07:00:00 -0500 4351 230 full false Why Leo Fender Never Acknowledged The Influence of Paul Bigsby Why Leo Fender Never Acknowledged The Influence of Paul Bigsby Leo Fender was heavily influenced by the work of Paul Bigsby in the late 1940s, yet in all of the interviews he did, he never acknowledged it. Today we look at both the influences, and the reasons why Leo did not give the credit that Paul Bigsby deserved for his innovations that filtered into every Fender guitar. 

To help us, we have an amazing copy of the 1948 Bigsby "Merle Travis" guitar, that clearly spotlights the influence on the Fender Telecaster, Stratocaster, and just about every instrument that Leo designed.

Amazon affiliate links:
The Bigsby Book by Andy Babuik
https://amzn.to/4iwxtO6

Sixteen Tons, By Merle Travis & Deke Dickerson
https://amzn.to/4hgE6mC
 
Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Leo Fender was heavily influenced by the work of Paul Bigsby in the late 1940s, yet in all of the interviews he did, he never acknowledged it. Today we look at both the influences, and the reasons why Leo did not give the credit that Paul Bigsby deserved for his innovations that filtered into every Fender guitar. 

To help us, we have an amazing copy of the 1948 Bigsby "Merle Travis" guitar, that clearly spotlights the influence on the Fender Telecaster, Stratocaster, and just about every instrument that Leo designed.

Amazon affiliate links:
The Bigsby Book by Andy Babuik
https://amzn.to/4iwxtO6

Sixteen Tons, By Merle Travis & Deke Dickerson
https://amzn.to/4hgE6mC
 
Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16876429 Fri, 28 Mar 2025 10:00:00 -0500 1526 229 full false My Favorite Backup Amp - The 1985 Peavey Studio Pro 40 My Favorite Backup Amp - The 1985 Peavey Studio Pro 40 I love Peavey amps from the early-to-mid 1980s, because I grew up with them in my favorite music shop, Clawson's Music in Corpus Christi, TX. In my last 80s Peavey episode, I looked at the Special 130, that is a killer amp, but is heavy, way too loud for most gigs, and at times a bit non-intuitive due to the mid-shift and multiple gain controls. My buddy, Mike LoPinto, who plays with Chris Stapleton, clued me into the Studio Pro 40. It checks all of the boxes, as it is easy to carry, has plenty of volume, a full sound with an Eminence 12 inch speaker, and is pretty cheap at the current going price of $100-$200. For me, it is a great grab and go amp, and the perfect amp to take to the gig as a backup to my Headstrong Lil King, or my Fender 1965 Deluxe Reverb. 

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> I love Peavey amps from the early-to-mid 1980s, because I grew up with them in my favorite music shop, Clawson's Music in Corpus Christi, TX. In my last 80s Peavey episode, I looked at the Special 130, that is a killer amp, but is heavy, way too loud for most gigs, and at times a bit non-intuitive due to the mid-shift and multiple gain controls. My buddy, Mike LoPinto, who plays with Chris Stapleton, clued me into the Studio Pro 40. It checks all of the boxes, as it is easy to carry, has plenty of volume, a full sound with an Eminence 12 inch speaker, and is pretty cheap at the current going price of $100-$200. For me, it is a great grab and go amp, and the perfect amp to take to the gig as a backup to my Headstrong Lil King, or my Fender 1965 Deluxe Reverb. 

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16752988 Tue, 11 Mar 2025 00:00:00 -0500 790 228 full false The Modified Broadcaster/Telecaster Blend Control & 2 YT Channels I love The Modified Broadcaster/Telecaster Blend Control & 2 YT Channels I love With the recent visit  with a real-deal 1950 Broadcaster, I had the chance to experience the unique tonal options that Leo Fender's original blend control offered over your run-off-the-mill tone control. The only problem, was that awful #1 position, that put a suffocating blanket over the neck pickup. I started searching for a modified wiring scheme, and I found my episode from a couple of years ago with Rick Holmstrom, Mavis Staples' guitarist and bandleader. In it, he described his modified Broadcaster blend wiring that made the first position just a slightly lower volume, and slightly darkened neck pickup sound in position 1. I tried it, and loved it, and am sharing it with you now. 

I also share 2 YouTube Channels I have been enjoying, Adam Levy's, and Shane Theriot's.

https://www.youtube.com/@AdamLevyGuitar

https://www.youtube.com/user/TheRiotguitar


Info on the wiring:
https://www.askzac.com/post/rick-holmstrom-mavis-staples-my-birthday-trip-to-new-orleans-ask-zac-162

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> With the recent visit  with a real-deal 1950 Broadcaster, I had the chance to experience the unique tonal options that Leo Fender's original blend control offered over your run-off-the-mill tone control. The only problem, was that awful #1 position, that put a suffocating blanket over the neck pickup. I started searching for a modified wiring scheme, and I found my episode from a couple of years ago with Rick Holmstrom, Mavis Staples' guitarist and bandleader. In it, he described his modified Broadcaster blend wiring that made the first position just a slightly lower volume, and slightly darkened neck pickup sound in position 1. I tried it, and loved it, and am sharing it with you now. 

I also share 2 YouTube Channels I have been enjoying, Adam Levy's, and Shane Theriot's.

https://www.youtube.com/@AdamLevyGuitar

https://www.youtube.com/user/TheRiotguitar


Info on the wiring:
https://www.askzac.com/post/rick-holmstrom-mavis-staples-my-birthday-trip-to-new-orleans-ask-zac-162

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16712517 Tue, 04 Mar 2025 00:00:00 -0600 970 227 full false Baxendale Harmony Conversion Guitars Baxendale Harmony Conversion Guitars Scott Baxendale sent me a 50s Harmony H-162 that he had done his conversion work on to check out. So we take a look at it, laying out the conversion process, and also looking at my Baxendale mandocello, and my Dan Lambert converted/repaired Buck Owens American. We end with a look at my refinished Waterloo WL-14, that also has a dual pickup system, and under-saddle, and a magnetic sound hole unit.


Support the show

]]> Scott Baxendale sent me a 50s Harmony H-162 that he had done his conversion work on to check out. So we take a look at it, laying out the conversion process, and also looking at my Baxendale mandocello, and my Dan Lambert converted/repaired Buck Owens American. We end with a look at my refinished Waterloo WL-14, that also has a dual pickup system, and under-saddle, and a magnetic sound hole unit.


Support the show

]]> Zac Childs Buzzsprout-16605374 Mon, 17 Feb 2025 16:00:00 -0600 1283 226 full false Meet Nashville Tele Slinger - Gabe Tonon Meet Nashville Tele Slinger - Gabe Tonon Today we get introduced to Gabe Tonon, and he shows off his 50s Esquire with a long throw Bender, and his two 60s maple-cap Fender Telecasters with Glaser B-Benders. Gabe is a wonderful player you can see opening for Zach Top in 2025 with Jake Worthington. 

Find Gabe here:
https://www.instagram.com/gabe_tone_on/

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Today we get introduced to Gabe Tonon, and he shows off his 50s Esquire with a long throw Bender, and his two 60s maple-cap Fender Telecasters with Glaser B-Benders. Gabe is a wonderful player you can see opening for Zach Top in 2025 with Jake Worthington. 

Find Gabe here:
https://www.instagram.com/gabe_tone_on/

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16520609 Tue, 11 Feb 2025 00:00:00 -0600 1172 225 full false The Fender Broadcaster Story The Fender Broadcaster Story Today we look at one of the rarest and coolest members of the Telecaster family, a December 1950 Fender Broadcaster. To  give some context, I cover what Fender was up to in late 1949 through the Summer of 1950 with the single and dual pickup Esquire, and how the addition of a truss rod caused the Broadcaster to be born. We also take a look at what makes the Broadcaster different feature wise from the later Telecasters, including the unique blend control that would be phased out in 1952.

Support the show

]]> Today we look at one of the rarest and coolest members of the Telecaster family, a December 1950 Fender Broadcaster. To  give some context, I cover what Fender was up to in late 1949 through the Summer of 1950 with the single and dual pickup Esquire, and how the addition of a truss rod caused the Broadcaster to be born. We also take a look at what makes the Broadcaster different feature wise from the later Telecasters, including the unique blend control that would be phased out in 1952.

Support the show

]]> Zac Childs Buzzsprout-16478714 Tue, 04 Feb 2025 06:00:00 -0600 1861 224 full false A Glaser Strat With A B-Bender? A Glaser Strat With A B-Bender? Today we look at this cool Glaser B-Bender equipped Strat that I put together using a Glaser made neck from the 80s, and a non-tremolo swamp ash body. We get to hear the Seymour Duncan Hot Strat Stack pickups, and get a bit of history along the way. 

Much thanks to Jason Cornelius for the buddy deal on the Glaser neck, and to Brad Paisley for donating and painting the body.

Get a Glaser bender on your Strat or Tele here
https://www.glaserbender.com/scheduling-and-options

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Today we look at this cool Glaser B-Bender equipped Strat that I put together using a Glaser made neck from the 80s, and a non-tremolo swamp ash body. We get to hear the Seymour Duncan Hot Strat Stack pickups, and get a bit of history along the way. 

Much thanks to Jason Cornelius for the buddy deal on the Glaser neck, and to Brad Paisley for donating and painting the body.

Get a Glaser bender on your Strat or Tele here
https://www.glaserbender.com/scheduling-and-options

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16438150 Tue, 21 Jan 2025 08:00:00 -0600 1342 223 full false Flat-Wound, Pure Nickel, and Ground-Wound Strings on my Telecaster Flat-Wound, Pure Nickel, and Ground-Wound Strings on my Telecaster A comparison between flat wound, pure nickel, and ground wound strings on my Tele. I was inspired to do this by the back of a set of D'Addario strings, showing a chart of their string offerings, from mellow to bright. Today, we start at the mellow end of the spectrum with the flat wound, going mid-way through the chart to the all-steel half-round set. 

Thanks to Andy Pitcher at D'Addario for supplying the various strings.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #daddariostrings

Support the show

]]> A comparison between flat wound, pure nickel, and ground wound strings on my Tele. I was inspired to do this by the back of a set of D'Addario strings, showing a chart of their string offerings, from mellow to bright. Today, we start at the mellow end of the spectrum with the flat wound, going mid-way through the chart to the all-steel half-round set. 

Thanks to Andy Pitcher at D'Addario for supplying the various strings.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #daddariostrings

Support the show

]]> Zac Childs Buzzsprout-16410258 Tue, 14 Jan 2025 00:00:00 -0600 1530 222 full false A Real Road Worn 1952 Telecaster A Real Road Worn 1952 Telecaster I love honest, beat-up, Telecasters. Today we tell the story of one of the most aged butterscotch Telecasters I have laid eyes on. Besides telling its story, we also compare it to a near mint 53 Telecaster. Thanks to Andy T, for letting me borrow his beautifully aged Tele. 

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #52telecaster

Support the show

]]> I love honest, beat-up, Telecasters. Today we tell the story of one of the most aged butterscotch Telecasters I have laid eyes on. Besides telling its story, we also compare it to a near mint 53 Telecaster. Thanks to Andy T, for letting me borrow his beautifully aged Tele. 

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #52telecaster

Support the show

]]> Zac Childs Buzzsprout-16397871 Tue, 07 Jan 2025 12:00:00 -0600 1214 221 full false The Tim Lerch Interview The Tim Lerch Interview Today I sat down with one of the finest solo-Jazz guitarists of our time, Tim Lerch. We discuss how a non-jazz player might get into solo guitar, his influences, his highly modified Fender Nocaster, and how he approaches tone and touch. Much thanks to Tim for taking the time for this interview while he was in Nashville teaching at a guitar seminar.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #timlerch #jazztelecaster

Support the show

]]> Today I sat down with one of the finest solo-Jazz guitarists of our time, Tim Lerch. We discuss how a non-jazz player might get into solo guitar, his influences, his highly modified Fender Nocaster, and how he approaches tone and touch. Much thanks to Tim for taking the time for this interview while he was in Nashville teaching at a guitar seminar.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #timlerch #jazztelecaster

Support the show

]]> Zac Childs Buzzsprout-16335370 Tue, 24 Dec 2024 10:00:00 -0600 3665 220 full false The Resurrection of my 1970 Buck Owens "American" Guitar The Resurrection of my 1970 Buck Owens "American" Guitar Earlier this year, I did an episode on the Buck Owens "American" guitars made by Harmony from 1969-1971. Mine was in pretty good condition, but missing its headstock overlay, and having survived a neck break. The day after I released that show, the head broke off again on its own. With learning there was a major structural issue, I turned to a Harmony restoration specialist, Dan Lambert, of El Paso, Texas. Dan had to rebuild the neck and extensively repair the headstock. Today we look at all the repairs and upgrades he did to the instrument, including recontouring the original ladder braces.

Dan will be posting videos showing the repair process on this guitar on his YT channel.

Dan Lambert's Youtube Channel
https://www.youtube.com/@danlambertguitar6049/videos

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #buckowens

Support the show

]]> Earlier this year, I did an episode on the Buck Owens "American" guitars made by Harmony from 1969-1971. Mine was in pretty good condition, but missing its headstock overlay, and having survived a neck break. The day after I released that show, the head broke off again on its own. With learning there was a major structural issue, I turned to a Harmony restoration specialist, Dan Lambert, of El Paso, Texas. Dan had to rebuild the neck and extensively repair the headstock. Today we look at all the repairs and upgrades he did to the instrument, including recontouring the original ladder braces.

Dan will be posting videos showing the repair process on this guitar on his YT channel.

Dan Lambert's Youtube Channel
https://www.youtube.com/@danlambertguitar6049/videos

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #buckowens

Support the show

]]> Zac Childs Buzzsprout-16269261 Tue, 17 Dec 2024 06:00:00 -0600 1137 219 full false Vintage Solid State? Lab Series Amps Vintage Solid State? Lab Series Amps Gibson has never been known for their amps. Though we may revere certain models, they pale in collectability with those made by Fender of the same era. After years of slow amp sales, Norlin, the owner of Gibson from 1969-1986, decided to start a new amp division under its own name, Lab Series. To design the new line, they turned to another division they owned, Moog, and they were tasked with making a transistor amp that sounded like a tube amp, and looked traditional, yet cutting-edge circuitry. Today, we look at the Lab Series line, and go through the unique features that made this a favorite for B.B. King, Ray Flacke, Ty Tabor, Alan Holdsworth, and Ricky Skaggs.  

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Gibson has never been known for their amps. Though we may revere certain models, they pale in collectability with those made by Fender of the same era. After years of slow amp sales, Norlin, the owner of Gibson from 1969-1986, decided to start a new amp division under its own name, Lab Series. To design the new line, they turned to another division they owned, Moog, and they were tasked with making a transistor amp that sounded like a tube amp, and looked traditional, yet cutting-edge circuitry. Today, we look at the Lab Series line, and go through the unique features that made this a favorite for B.B. King, Ray Flacke, Ty Tabor, Alan Holdsworth, and Ricky Skaggs.  

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Support the show

]]> Zac Childs Buzzsprout-16241674 Tue, 10 Dec 2024 07:00:00 -0600 1787 218 full false Tone Snob Confessions With Barry O'Neal of Xact Tone Solutions Tone Snob Confessions With Barry O'Neal of Xact Tone Solutions We all have a tone obsession, but when is it healthy, and when is it not? I asked Barry O'Neal of Xact Tone Solutions to have a discussion on the "tone suck" of certain pedals, and it quickly morphed into a philosophical discussion on the potential pitfalls in the pursuit of tone.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #xacttonesolutions

Support the show

]]> We all have a tone obsession, but when is it healthy, and when is it not? I asked Barry O'Neal of Xact Tone Solutions to have a discussion on the "tone suck" of certain pedals, and it quickly morphed into a philosophical discussion on the potential pitfalls in the pursuit of tone.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #xacttonesolutions

Support the show

]]> Zac Childs Buzzsprout-16148249 Tue, 26 Nov 2024 08:00:00 -0600 3005 217 full false Luther Dickinson Interview Luther Dickinson Interview Luther Dickinson is an acclaimed sideman, solo artist, and producer, noted for his work with the North Mississippi Allstars, Phil Lesh, and the Black Crowes. We begin with a discussion of his legendary producer/musician father, Jim, and how he nurtured his son's playing and his work ethic. We also dive into how Luther became a devotee of open tunings via his dad's obsession with Bo Diddley. Dickinson is currently out playing shows with JD Simo and drummer Adam Abrashoff.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#lutherdickinson #askzac

Support the show

]]> Luther Dickinson is an acclaimed sideman, solo artist, and producer, noted for his work with the North Mississippi Allstars, Phil Lesh, and the Black Crowes. We begin with a discussion of his legendary producer/musician father, Jim, and how he nurtured his son's playing and his work ethic. We also dive into how Luther became a devotee of open tunings via his dad's obsession with Bo Diddley. Dickinson is currently out playing shows with JD Simo and drummer Adam Abrashoff.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#lutherdickinson #askzac

Support the show

]]> Zac Childs Buzzsprout-16135069 Tue, 19 Nov 2024 11:00:00 -0600 4647 216 full false A Look at the "Champ Killer" 1954 Wide-Panel Fender Princeton Amp A Look at the "Champ Killer" 1954 Wide-Panel Fender Princeton Amp Built from 1953-55, the Wide-Panel Princeton was short-lived, yet in that brief time had 5B2, 5C2, and 5D2 iterations with earlier versions using octal preamp tube, and the latter using a 12AX7. Though both the tweed Princeton and the Champ were single-ended (single power tube) amps, the mighty Princeton throughout the 50s in most years had a bigger speaker, larger cabinet, and the addition of a tone control. For fun, we go all the way back to the first year of the amps production, 1946, and take the amp from it's woody birth, up through TV-front, wide-panel, and narrow-panel versions.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.


#askzac #princetonamp

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]]> Built from 1953-55, the Wide-Panel Princeton was short-lived, yet in that brief time had 5B2, 5C2, and 5D2 iterations with earlier versions using octal preamp tube, and the latter using a 12AX7. Though both the tweed Princeton and the Champ were single-ended (single power tube) amps, the mighty Princeton throughout the 50s in most years had a bigger speaker, larger cabinet, and the addition of a tone control. For fun, we go all the way back to the first year of the amps production, 1946, and take the amp from it's woody birth, up through TV-front, wide-panel, and narrow-panel versions.

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To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.


#askzac #princetonamp

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]]> Zac Childs Buzzsprout-16053291 Tue, 05 Nov 2024 11:00:00 -0600 1084 215 full false The Last Glaser Bender Guitar The Last Glaser Bender Guitar In the mid 1980s, Ricky Skaggs and Steve Wariner were frequently seen on television playing eye-catching Tele-looking instruments equipped with B-Benders, in vibrant colors, with beautiful flame maple necks. Though I had no idea what they were, I wanted one. I finally found the answer in the January 1987 issue of Guitar Player magazine, where it was revealed that these were custom instruments built by Nashville luthier, Joe Glaser, equipped with Seymour Duncan pickups, and his patented string bender. When I started gigging in the early 90s, I began saving my money, and once I had a respectable amount saved up, I called Glaser, only to find that he had ceased building guitars, and was instead concentrating on repairs, and his string bender business. I continued to search for one, but they seemingly never came up for sale. Recently, some of Joe's crew raided the shop attic, and they began using some leftover Glaser guitar parts to build out a handful of instruments. 

Today, we look at the last Glaser Bender guitar, and how I ended up with it after 35-years of searching. We also do a deep-dive on the Seymour Duncan 53-Tapped Tele set, and the Music City Bridge Wiring, plus clips with the guys that worked on the guitar, and Joe Glaser explaining his preference for single-bound Tele bodies, and figured maple necks. 

The pickups
https://customshop.seymourduncan.com/53-tapped-tele/
https://www.seymourduncan.com/single-product/hot-stack-strat

Get on the list for a Glaser Convertible Bender installation
https://www.glaserbender.com/scheduling-and-options

Playlist
https://open.spotify.com/playlist/2SZpvTAXnsVbdDB6TSrFMv?si=42f8c409f9af4bd7

Follow me on Instagram
https://www.instagram.com/askzac/

NYXL Strings Amazon Link
https://amzn.to/3Yo5hpr

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #glaserbender #seymourduncan

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]]> In the mid 1980s, Ricky Skaggs and Steve Wariner were frequently seen on television playing eye-catching Tele-looking instruments equipped with B-Benders, in vibrant colors, with beautiful flame maple necks. Though I had no idea what they were, I wanted one. I finally found the answer in the January 1987 issue of Guitar Player magazine, where it was revealed that these were custom instruments built by Nashville luthier, Joe Glaser, equipped with Seymour Duncan pickups, and his patented string bender. When I started gigging in the early 90s, I began saving my money, and once I had a respectable amount saved up, I called Glaser, only to find that he had ceased building guitars, and was instead concentrating on repairs, and his string bender business. I continued to search for one, but they seemingly never came up for sale. Recently, some of Joe's crew raided the shop attic, and they began using some leftover Glaser guitar parts to build out a handful of instruments. 

Today, we look at the last Glaser Bender guitar, and how I ended up with it after 35-years of searching. We also do a deep-dive on the Seymour Duncan 53-Tapped Tele set, and the Music City Bridge Wiring, plus clips with the guys that worked on the guitar, and Joe Glaser explaining his preference for single-bound Tele bodies, and figured maple necks. 

The pickups
https://customshop.seymourduncan.com/53-tapped-tele/
https://www.seymourduncan.com/single-product/hot-stack-strat

Get on the list for a Glaser Convertible Bender installation
https://www.glaserbender.com/scheduling-and-options

Playlist
https://open.spotify.com/playlist/2SZpvTAXnsVbdDB6TSrFMv?si=42f8c409f9af4bd7

Follow me on Instagram
https://www.instagram.com/askzac/

NYXL Strings Amazon Link
https://amzn.to/3Yo5hpr

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #glaserbender #seymourduncan

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

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]]> Zac Childs Buzzsprout-15944383 Tue, 29 Oct 2024 00:00:00 -0500 2754 214 full false Playing The American Music Awards Playing The American Music Awards Today I share the story of playing the American Music Awards 50th Anniversary Special with Brad Paisley. He had a new single, "Truck Still Works," and wanted to fill things out with another guitar player. I lay out what I did to learn the guitar parts he wanted covered, the experience of playing on the show, and the gear that I used.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #bradpaisley

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

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]]> Today I share the story of playing the American Music Awards 50th Anniversary Special with Brad Paisley. He had a new single, "Truck Still Works," and wanted to fill things out with another guitar player. I lay out what I did to learn the guitar parts he wanted covered, the experience of playing on the show, and the gear that I used.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #bradpaisley

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

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]]> Zac Childs Buzzsprout-15899579 Tue, 15 Oct 2024 08:00:00 -0500 1482 213 full false Stuie & Sonny French of The French Family Band Stuie & Sonny French of The French Family Band Today we sit down with the incredible father/son guitar team of Stuie and Sonny French, of The French Family Band. They tell their tale of how they moved from Australia to the United States in 2019, and quickly made an impact on the Nashville music scene through their shutdown era livestreams, and their more recent appearances on the Grand Ole Opry. Gear wise, Stuie shows us his modified Jason Isbell Tele and Gretsch, while Sonny shows off his Gibson Les Paul Special, and vintage Fender Coronado.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#frenchfamilyband

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

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]]> Today we sit down with the incredible father/son guitar team of Stuie and Sonny French, of The French Family Band. They tell their tale of how they moved from Australia to the United States in 2019, and quickly made an impact on the Nashville music scene through their shutdown era livestreams, and their more recent appearances on the Grand Ole Opry. Gear wise, Stuie shows us his modified Jason Isbell Tele and Gretsch, while Sonny shows off his Gibson Les Paul Special, and vintage Fender Coronado.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#frenchfamilyband

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

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]]> Zac Childs Buzzsprout-15889493 Tue, 08 Oct 2024 09:00:00 -0500 4559 212 full false Ricky Skaggs Highways & Heartaches And The Glaser Mandocaster Ricky Skaggs Highways & Heartaches And The Glaser Mandocaster Ricky Skaggs released Highways & Heartaches in September 1982, and the album quickly moved to the number 1 spot on the Country Album chart, and spawned 3 number 1 singles. Besides being a well polished example of Ricky's Bluegrass/Country hybrid style, it also spearheaded the neo-traditionalist movement that brought an end to the more pop oriented "Urban Cowboy" era. The album featured Ricky's crack road band, and a couple of cuts with studio heavy hitters Lloyd Green and Joe Osborn. Besides the incendiary Telecaster playing of Ray Flacke, Skaggs himself burned on the albums closer, "One Way Rider," using a unique instrument built by Joe Glaser, a 5-string, bender equipped, Mandocaster. Today we look at the impact of the album, and we look at the Glaser built Mandocaster.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #rickyskaggs #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

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]]> Ricky Skaggs released Highways & Heartaches in September 1982, and the album quickly moved to the number 1 spot on the Country Album chart, and spawned 3 number 1 singles. Besides being a well polished example of Ricky's Bluegrass/Country hybrid style, it also spearheaded the neo-traditionalist movement that brought an end to the more pop oriented "Urban Cowboy" era. The album featured Ricky's crack road band, and a couple of cuts with studio heavy hitters Lloyd Green and Joe Osborn. Besides the incendiary Telecaster playing of Ray Flacke, Skaggs himself burned on the albums closer, "One Way Rider," using a unique instrument built by Joe Glaser, a 5-string, bender equipped, Mandocaster. Today we look at the impact of the album, and we look at the Glaser built Mandocaster.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #rickyskaggs #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15817077 Wed, 02 Oct 2024 08:00:00 -0500 1473 211 full false The Best Speaker For Your Deluxe Reverb The Best Speaker For Your Deluxe Reverb What is the best speaker for my Deluxe Reverb, is one of the most asked questions of all-time. A friend recently asked me about doing an episode on this topic, and added that I should give it some added weightiness by finding out what all the pros I know use. So I queried Brent Mason, John Leventhal, Tom Bukovac, Duke Levine, Luke McQeary, JD Simo, Guthrie Trapp, Redd Volkaert, Steve Wariner, James Pennebaker, Jeff King, Jerry McPherson, Rob McNelley, Jedd Hughes, Stuie French, Ryan Wariner, Andy Reiss, Derek Wells, and Kenny Vaughan to find out what they prefer in their Deluxe Reverb. I thought we would have a huge variety of speakers, but surprisingly, it really came down to 3-types. Today we compare those 3 varieties, and look at their strengths and weaknesses. We also look at the stock speakers that were shipped with vintage (1963-1967) BF Deluxe Reverb amps, and why most players don't use them.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #deluxereverb #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> What is the best speaker for my Deluxe Reverb, is one of the most asked questions of all-time. A friend recently asked me about doing an episode on this topic, and added that I should give it some added weightiness by finding out what all the pros I know use. So I queried Brent Mason, John Leventhal, Tom Bukovac, Duke Levine, Luke McQeary, JD Simo, Guthrie Trapp, Redd Volkaert, Steve Wariner, James Pennebaker, Jeff King, Jerry McPherson, Rob McNelley, Jedd Hughes, Stuie French, Ryan Wariner, Andy Reiss, Derek Wells, and Kenny Vaughan to find out what they prefer in their Deluxe Reverb. I thought we would have a huge variety of speakers, but surprisingly, it really came down to 3-types. Today we compare those 3 varieties, and look at their strengths and weaknesses. We also look at the stock speakers that were shipped with vintage (1963-1967) BF Deluxe Reverb amps, and why most players don't use them.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #deluxereverb #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15736766 Tue, 24 Sep 2024 08:00:00 -0500 1633 210 full false That Famed EVM-12L Sound That Famed EVM-12L Sound In the 1960s and 70s, the JBL D120/K120 was the top choice  for the touring pro who didn't want to worry about blowing a speaker on the road. However, in 1983,  Electro-Voice released the EVM-12L, and soon after everyone from Eric Clapton & Stevie Ray Vaughan to Mark Knopfler and Larry Carlton were using EV speakers in their rigs. Today,  I lay out some history/context, and compare it with my usual Eminence GA-SC64, as we look at the 200-watt, 20 pound, 12" speaker that changed guitar tones throughout the 80s and 90s, the EVM 12L.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #evm12l #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> In the 1960s and 70s, the JBL D120/K120 was the top choice  for the touring pro who didn't want to worry about blowing a speaker on the road. However, in 1983,  Electro-Voice released the EVM-12L, and soon after everyone from Eric Clapton & Stevie Ray Vaughan to Mark Knopfler and Larry Carlton were using EV speakers in their rigs. Today,  I lay out some history/context, and compare it with my usual Eminence GA-SC64, as we look at the 200-watt, 20 pound, 12" speaker that changed guitar tones throughout the 80s and 90s, the EVM 12L.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #evm12l #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15702905 Tue, 10 Sep 2024 00:00:00 -0500 1620 209 full false Hardtail Stratocaster: The Lowdown Hardtail Stratocaster: The Lowdown The hardtail Strat is a different beast from it's tremolo equipped brother, with a tone, and feel of it's own. Today we look at the history, and spotlight the famous players, all with a beautiful 1957 hardtail Stratocaster.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #hardtailstrat #stratocaster

Support the show

]]> The hardtail Strat is a different beast from it's tremolo equipped brother, with a tone, and feel of it's own. Today we look at the history, and spotlight the famous players, all with a beautiful 1957 hardtail Stratocaster.

Follow me on Instagram
https://www.instagram.com/askzac/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #hardtailstrat #stratocaster

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]]> Zac Childs Buzzsprout-15643597 Tue, 27 Aug 2024 00:00:00 -0500 1044 208 full false The Vince Gill Interview The Vince Gill Interview Vince Gill is at the top of his game. He recently completed a 4-night run at the Ryman where he played a three-and-a-half hour show each night, still singing & playing the songs in the same keys, or higher. Gill is some kind of superhero, as artists half his age could barely do this. Today we sit down with Vince, as he shares stories about some of his favorite guitars and a life well lived.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/


#vincegill #telecaster #askzac

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Vince Gill is at the top of his game. He recently completed a 4-night run at the Ryman where he played a three-and-a-half hour show each night, still singing & playing the songs in the same keys, or higher. Gill is some kind of superhero, as artists half his age could barely do this. Today we sit down with Vince, as he shares stories about some of his favorite guitars and a life well lived.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/


#vincegill #telecaster #askzac

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15607418 Tue, 20 Aug 2024 00:00:00 -0500 5429 207 full false Celebrating the Don Kelley Band Celebrating the Don Kelley Band Brent Mason, Redd Volkaert, Johnny Hiland, J.D. Simo, and Daniel Donato reunited with Don Kelley on August 5th 2024 for a one-time concert to celebrate the 25th Anniversary of Robert's Western World. Besides being a fete for one of the longtime anchors of Broadway's club scene, it was also a celebration of Don Kelley, and the incredible alumni of his band over the last 40-years. Today, we discuss both the concert and Kelley's influence on Nashville guitarists.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

My interview with Don Kelley
https://www.youtube.com/watch?v=3vZWFFIxn14

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

1957 Esquire

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Mirage compressor pedal, Boss DM-3 delay

#askzac #reddvolkaert #donkelleyband

Support the show

]]> Brent Mason, Redd Volkaert, Johnny Hiland, J.D. Simo, and Daniel Donato reunited with Don Kelley on August 5th 2024 for a one-time concert to celebrate the 25th Anniversary of Robert's Western World. Besides being a fete for one of the longtime anchors of Broadway's club scene, it was also a celebration of Don Kelley, and the incredible alumni of his band over the last 40-years. Today, we discuss both the concert and Kelley's influence on Nashville guitarists.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

My interview with Don Kelley
https://www.youtube.com/watch?v=3vZWFFIxn14

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

1957 Esquire

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Mirage compressor pedal, Boss DM-3 delay

#askzac #reddvolkaert #donkelleyband

Support the show

]]> Zac Childs Buzzsprout-15554172 Tue, 13 Aug 2024 00:00:00 -0500 1234 206 full false Fender's Marvelous Mandocaster - The Vintage Fender Electric Mandolin Fender's Marvelous Mandocaster - The Vintage Fender Electric Mandolin In the Spring of 1956, Leo Fender introduced the greatest little solid body of all-time, the Fender Electric Mandolin. Nicknamed ,Mandocaster, by collectors, they were designed to replicate the sound of Tiny Moore, and Johnny Gimble, the fiery 4-string mandolin playing veterans of Bob Wills Texas Playboys Band. The instrument was not a success as Western Swing's popularity was waning by the time Leo introduced it, but it found new and exciting uses in the ensuing 70 years. Today we look at the instrument, and the inspiration behind it, with a look at the playing and influence of both Tiny Moore and Johnny Gimble.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Gear Used:
1958 Fender Electric Mandolin
1959 Fender Harvard Amp

Thanks to the following sites
www.guitarhq.com
www.emando.com

Book Mentioned
Fender The Golden Age 1946-1970
https://amzn.to/4duer8P


#fendermandolin #mandocaster #askzac

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> In the Spring of 1956, Leo Fender introduced the greatest little solid body of all-time, the Fender Electric Mandolin. Nicknamed ,Mandocaster, by collectors, they were designed to replicate the sound of Tiny Moore, and Johnny Gimble, the fiery 4-string mandolin playing veterans of Bob Wills Texas Playboys Band. The instrument was not a success as Western Swing's popularity was waning by the time Leo introduced it, but it found new and exciting uses in the ensuing 70 years. Today we look at the instrument, and the inspiration behind it, with a look at the playing and influence of both Tiny Moore and Johnny Gimble.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Gear Used:
1958 Fender Electric Mandolin
1959 Fender Harvard Amp

Thanks to the following sites
www.guitarhq.com
www.emando.com

Book Mentioned
Fender The Golden Age 1946-1970
https://amzn.to/4duer8P


#fendermandolin #mandocaster #askzac

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15533156 Tue, 06 Aug 2024 08:00:00 -0500 1462 205 full false The Birth of Light-Gauge Strings The Birth of Light-Gauge Strings Have you ever wondered how we got light gauge strings? To give some context, until 1962, strings were 12-52, or heavier,  with a wound third, and nothing lighter was available unless you used a banjo string. How about this, did you ever wonder why every string manufacturer has a 10-46 set that has the exact same gauges, 10,13,17,26,36,46? And the same with 9s and 8s?  Today we tell the tale of the maverick guitarists of the late 1950's who wanted lighter strings with an unwound 3rd string, and of the guitar shop owner in Tarzana, California, who was the sole person brave enough to make, market, and sell them.

Thanks to Derek Brooks and Chris Harrington with Ernie Ball, and to Joe Spann at Gruhn Guitars.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #ernieball #guitarstrings

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Have you ever wondered how we got light gauge strings? To give some context, until 1962, strings were 12-52, or heavier,  with a wound third, and nothing lighter was available unless you used a banjo string. How about this, did you ever wonder why every string manufacturer has a 10-46 set that has the exact same gauges, 10,13,17,26,36,46? And the same with 9s and 8s?  Today we tell the tale of the maverick guitarists of the late 1950's who wanted lighter strings with an unwound 3rd string, and of the guitar shop owner in Tarzana, California, who was the sole person brave enough to make, market, and sell them.

Thanks to Derek Brooks and Chris Harrington with Ernie Ball, and to Joe Spann at Gruhn Guitars.

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #ernieball #guitarstrings

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15440551 Tue, 23 Jul 2024 00:00:00 -0500 1538 204 full false The Most Underrated Electric Guitar String Gauge - 9.5-44 The Most Underrated Electric Guitar String Gauge - 9.5-44 For years I went back and forth between 9s and 10s on my Telecaster, always frustrated with both gauges for different reasons. 9s, although easy to bend, were just not as full sounding, and I had to be careful not to "overplay" them, as they really needed to be played with a light touch. 10s, while certainly fatter sounding, always felt a bit too stiff for my liking. There just seemed to be to much of a difference in tension between the two sets. Finally, a friend clued me into the 9.5-44 D'Addario set, and I found to be the perfect happy-medium between the 9 and 10 gauges.    

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

2023 Danocaster single cut in Duco red

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Mirage compressor pedal

#askzac #guitarstrings  #daddariostrings

Support the show

]]> For years I went back and forth between 9s and 10s on my Telecaster, always frustrated with both gauges for different reasons. 9s, although easy to bend, were just not as full sounding, and I had to be careful not to "overplay" them, as they really needed to be played with a light touch. 10s, while certainly fatter sounding, always felt a bit too stiff for my liking. There just seemed to be to much of a difference in tension between the two sets. Finally, a friend clued me into the 9.5-44 D'Addario set, and I found to be the perfect happy-medium between the 9 and 10 gauges.    

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

2023 Danocaster single cut in Duco red

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Mirage compressor pedal

#askzac #guitarstrings  #daddariostrings

Support the show

]]> Zac Childs Buzzsprout-15389188 Tue, 16 Jul 2024 00:00:00 -0500 1122 203 full false The Story of Cling Foil & the Blue Flower Telecaster The Story of Cling Foil & the Blue Flower Telecaster In the summer of 1968, Fender released their most unconventional finishes to date, the Blue Flower & Paisley Red finishes. Available on only the Telecaster and Telecaster Bass, their striking appearance was made possible by a new product line from Borden Chemicals of Columbus, Ohio, "Cling Foil." This new "beautifully embossed" & "beautifully printed" foil was a product designed to go on refrigerators, tv-trays, cabinets, and boxes of all types to make them look more hip and modern. Somehow, Fender decided to take this existing product being sold in hardware stores and paint shops, and glue it to the front and back of their non-contoured Telecaster. Today we take a deep dive with an original 1968 Blue Flower Telecaster, and look at the differences between it and a standard Tele, detail the novel finishing process it required, and theorize as to why these are so much harder to find than their paisley brothers from 1968-69.


Support the show

]]> In the summer of 1968, Fender released their most unconventional finishes to date, the Blue Flower & Paisley Red finishes. Available on only the Telecaster and Telecaster Bass, their striking appearance was made possible by a new product line from Borden Chemicals of Columbus, Ohio, "Cling Foil." This new "beautifully embossed" & "beautifully printed" foil was a product designed to go on refrigerators, tv-trays, cabinets, and boxes of all types to make them look more hip and modern. Somehow, Fender decided to take this existing product being sold in hardware stores and paint shops, and glue it to the front and back of their non-contoured Telecaster. Today we take a deep dive with an original 1968 Blue Flower Telecaster, and look at the differences between it and a standard Tele, detail the novel finishing process it required, and theorize as to why these are so much harder to find than their paisley brothers from 1968-69.


Support the show

]]> Zac Childs Buzzsprout-15311954 Tue, 02 Jul 2024 00:00:00 -0500 1328 202 full false The Impact of The Blues Brothers Movie The Impact of The Blues Brothers Movie To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

The Blues Brothers movie was a blockbuster in the summer of 1980. Even with a 27.5 Million dollar budget, that's 102 million in 2024 money, it managed to make that back in a couple of weeks. A sequel was even being discussed, but plans were shelved when John Belushi passed away in 1982. Today we take a look at the impact of the movie on both viewers, and the careers of its musical stars, Aretha Franklin, James Brown, Cab Calloway, and John Lee Hooker. We also take a look at the guitars used in the film by Steve Cropper, and Matt "Guitar" Murphy. We end with a short lesson showing how to play Murphy's intro to "Sweet Home Chicago."   

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

1953 replica Telecaster

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp


#askzac #bluesbrothers #stevecropper

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

The Blues Brothers movie was a blockbuster in the summer of 1980. Even with a 27.5 Million dollar budget, that's 102 million in 2024 money, it managed to make that back in a couple of weeks. A sequel was even being discussed, but plans were shelved when John Belushi passed away in 1982. Today we take a look at the impact of the movie on both viewers, and the careers of its musical stars, Aretha Franklin, James Brown, Cab Calloway, and John Lee Hooker. We also take a look at the guitars used in the film by Steve Cropper, and Matt "Guitar" Murphy. We end with a short lesson showing how to play Murphy's intro to "Sweet Home Chicago."   

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

1953 replica Telecaster

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp


#askzac #bluesbrothers #stevecropper

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15286067 Tue, 25 Jun 2024 00:00:00 -0500 1606 201 full false Delbert McClinton "Live From Austin" Influential Albums Delbert McClinton "Live From Austin" Influential Albums  To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today we look back at Delbert McClinton's 1989 Alligator Records release, Live From Austin. The year it was released, I was 16 and a drummer friend gave me this album on cassette, and I completely wore it out. Having not been exposed to much besides top-40 of the 1980s, and the contemporary gospel music of the day, The Texas Roadhouse music of McClinton was a revelation with its big, sweaty horns, incredibly tight rhythm section, and fine harp work. The band also featured the guitar work of David Millsap and Stephen Bruton, who brilliantly complemented each other with both their tones and parts. In a conversation with another Delbert veteran, James Pennebaker, I was clued into the fact that Bruton was sitting in with the band for the Austin City Limits TV taping that was also used as the audio for the "Live From Austin" album. Besides diving in on this wonderful album, we also take a look at the influence of the late great Stephen Bruton.

Amazon Link to album
https://amzn.to/3Vg7fW2

Spotify
https://open.spotify.com/album/3G0J7CgCqslFZf9XMSimIj?si=zTuTt-_qRKWqIOwfToJ-8Q

Bruton playlist
https://open.spotify.com/playlist/6MSreKA4PmWffPtJ1wJoZ3?si=96fc6ab90856495d

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp


#askzac #stephenbruton #delbertmcclinton 

Support the show

]]>  To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today we look back at Delbert McClinton's 1989 Alligator Records release, Live From Austin. The year it was released, I was 16 and a drummer friend gave me this album on cassette, and I completely wore it out. Having not been exposed to much besides top-40 of the 1980s, and the contemporary gospel music of the day, The Texas Roadhouse music of McClinton was a revelation with its big, sweaty horns, incredibly tight rhythm section, and fine harp work. The band also featured the guitar work of David Millsap and Stephen Bruton, who brilliantly complemented each other with both their tones and parts. In a conversation with another Delbert veteran, James Pennebaker, I was clued into the fact that Bruton was sitting in with the band for the Austin City Limits TV taping that was also used as the audio for the "Live From Austin" album. Besides diving in on this wonderful album, we also take a look at the influence of the late great Stephen Bruton.

Amazon Link to album
https://amzn.to/3Vg7fW2

Spotify
https://open.spotify.com/album/3G0J7CgCqslFZf9XMSimIj?si=zTuTt-_qRKWqIOwfToJ-8Q

Bruton playlist
https://open.spotify.com/playlist/6MSreKA4PmWffPtJ1wJoZ3?si=96fc6ab90856495d

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp


#askzac #stephenbruton #delbertmcclinton 

Support the show

]]> Zac Childs Buzzsprout-15207828 Tue, 11 Jun 2024 08:00:00 -0500 1317 200 full false How The Telecaster Came To Nashville How The Telecaster Came To Nashville To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Nashville is a "Telecaster-Town," a common phrase bandied about, and many will stress the  importance of Tele ownership if one wants to work as a pro guitarist in Music City.  Surprisingly, the Tele did not immediately earn this status the day Leo Fender introduced the Broadcaster in 1950. In fact, it took more than a decade after its release before it became an essential for 615-area session men. The trailblazers of the Tele include, Jabo Arrington, Billy Sanford, and Fred Carter Jr, though lesser known names, they made both the sound and the playing techniques associated with it Nashville essentials. 

A major sub-plot of this story takes place in Shreveport, LA, where Billy Sanford & Fred Carter Jr, along with James Burton, and Roy Buchanan were all performing and hanging out together in the late 1950s. Together, these players forged a style based around the use of the Telecaster, and utilizing a mix of Delta Blues, Rockabilly, Western Swing, and wild string bending allowed by their shared use of banjo strings.   

Jabo Arrington article from VG mag
https://www.vintageguitar.com/40127/jabo-vince-and-broadcaster-0048/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp


#askzac #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Nashville is a "Telecaster-Town," a common phrase bandied about, and many will stress the  importance of Tele ownership if one wants to work as a pro guitarist in Music City.  Surprisingly, the Tele did not immediately earn this status the day Leo Fender introduced the Broadcaster in 1950. In fact, it took more than a decade after its release before it became an essential for 615-area session men. The trailblazers of the Tele include, Jabo Arrington, Billy Sanford, and Fred Carter Jr, though lesser known names, they made both the sound and the playing techniques associated with it Nashville essentials. 

A major sub-plot of this story takes place in Shreveport, LA, where Billy Sanford & Fred Carter Jr, along with James Burton, and Roy Buchanan were all performing and hanging out together in the late 1950s. Together, these players forged a style based around the use of the Telecaster, and utilizing a mix of Delta Blues, Rockabilly, Western Swing, and wild string bending allowed by their shared use of banjo strings.   

Jabo Arrington article from VG mag
https://www.vintageguitar.com/40127/jabo-vince-and-broadcaster-0048/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp


#askzac #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15172732 Tue, 04 Jun 2024 00:00:00 -0500 1470 199 full false Tele Pickup Height with JD Simo and Dan Strain Tele Pickup Height with JD Simo and Dan Strain To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A discussion with my friends, JD Simo, and Dan "Danocaster" Strain about how they set pickup height on Telecaster type guitars. The discussion begins with a look at Simo's 2nd Danocaster, and how he had just changed the pickups to a set of Budz 58s, that then evolves into a discussion on pickups as JD adjusts his new instrument. We also discuss pickups that favor harmonics over fundamental tones, and how JD and I love our Headstrong Lil King amps.

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Danocaster Guitars
https://danocaster.com/

#askzac #jdsimo #danocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A discussion with my friends, JD Simo, and Dan "Danocaster" Strain about how they set pickup height on Telecaster type guitars. The discussion begins with a look at Simo's 2nd Danocaster, and how he had just changed the pickups to a set of Budz 58s, that then evolves into a discussion on pickups as JD adjusts his new instrument. We also discuss pickups that favor harmonics over fundamental tones, and how JD and I love our Headstrong Lil King amps.

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Danocaster Guitars
https://danocaster.com/

#askzac #jdsimo #danocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-15172833 Sat, 01 Jun 2024 00:00:00 -0500 1598 198 full false Iconic Riffs by Forgotten R&B Guitar Greats Iconic Riffs by Forgotten R&B Guitar Greats To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today we look at forgotten R&B guitar greats Chips Moman, Tommy Cogbill, Booker T. Jones & Joe South. They each played on huge hits, yet are rarely hailed, and worse yet, many times their parts are credited to other players. We right this wrong by looking at Chip's part on "Respect," Tommy's on Seesaw," Booker's on "I Forgot To Be Your Lover," and Joe's work on "Chain Of Fools." 

CORRECTION Estelle, not Mae Axton founded STAX.

Playlist Chips Moman, Tommy Cogbill, Booker T. Jones & Joe South
https://open.spotify.com/playlist/6m3jIsJDPv2YsxJaMDfZ23?si=b85ionyPTBekDoX20wYf0w&pi=u-fPRZ8oNKTjCz

1967 Fender Telecaster - stock except for compensated saddles. Refret by Nick at Glaser Instruments

More on the 1967 Maplecap Tele
https://youtu.be/K62c9ycOTlU

Amp:
2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

#askzac #r&bguitar #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today we look at forgotten R&B guitar greats Chips Moman, Tommy Cogbill, Booker T. Jones & Joe South. They each played on huge hits, yet are rarely hailed, and worse yet, many times their parts are credited to other players. We right this wrong by looking at Chip's part on "Respect," Tommy's on Seesaw," Booker's on "I Forgot To Be Your Lover," and Joe's work on "Chain Of Fools." 

CORRECTION Estelle, not Mae Axton founded STAX.

Playlist Chips Moman, Tommy Cogbill, Booker T. Jones & Joe South
https://open.spotify.com/playlist/6m3jIsJDPv2YsxJaMDfZ23?si=b85ionyPTBekDoX20wYf0w&pi=u-fPRZ8oNKTjCz

1967 Fender Telecaster - stock except for compensated saddles. Refret by Nick at Glaser Instruments

More on the 1967 Maplecap Tele
https://youtu.be/K62c9ycOTlU

Amp:
2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

#askzac #r&bguitar #telecaster

Support the show

]]> Zac Childs Buzzsprout-15172808 Fri, 31 May 2024 17:00:00 -0500 1326 197 full false Tele Tone Tricks Tele Tone Tricks To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Tips and tricks to help you unlock a wider array of tones from your Telecaster. We look at a combination of picking hand placement, and some counter-intuitive pickup choices to create a wider array of sounds from the simple 2-pickup Tele. 

Rosanne Cash performing "500 Miles" with John Leventhal on guitar
https://www.youtube.com/watch?v=Q_XgghFZt1o

#askzac

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Tips and tricks to help you unlock a wider array of tones from your Telecaster. We look at a combination of picking hand placement, and some counter-intuitive pickup choices to create a wider array of sounds from the simple 2-pickup Tele. 

Rosanne Cash performing "500 Miles" with John Leventhal on guitar
https://www.youtube.com/watch?v=Q_XgghFZt1o

#askzac

Support the show

]]> Zac Childs Buzzsprout-15172784 Fri, 31 May 2024 17:00:00 -0500 932 196 full false A Conversation With Joe Glaser & Steve Wariner A Conversation With Joe Glaser & Steve Wariner To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today's episode features two legends of the Nashville music scene, Joe Glaser and Steve Wariner. Glaser's innovations include a neck plate mounted bender system, 3-pickup Tele-style builds, Plek fret leveling and nut cutting technology, Music City Bridge hardware and tool supply, and running the world-respected Glaser Instruments repair shop in Nashville. Steve Wariner is one of the most acclaimed singer/songwriters & guitarists to ever hit Music City. The 4-time Grammy Winner formed a guitar style using two Glaser Bender-equipped guitars, a Strat-style with beautiful neck inlays, and a red 3-pickup Tele. Both instruments became closely associated with Wariner via the many public appearances, videos, and photos featuring them. Today Joe and Steve discuss the inspiration and creation of these instruments, and how their collaboration helped shape their careers.

We also look at Jeff Senn's painstakingly made copy of Steve's red 3-pickup Tele that was made for Wariner to fly with when he wants to leave the original at home.

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today's episode features two legends of the Nashville music scene, Joe Glaser and Steve Wariner. Glaser's innovations include a neck plate mounted bender system, 3-pickup Tele-style builds, Plek fret leveling and nut cutting technology, Music City Bridge hardware and tool supply, and running the world-respected Glaser Instruments repair shop in Nashville. Steve Wariner is one of the most acclaimed singer/songwriters & guitarists to ever hit Music City. The 4-time Grammy Winner formed a guitar style using two Glaser Bender-equipped guitars, a Strat-style with beautiful neck inlays, and a red 3-pickup Tele. Both instruments became closely associated with Wariner via the many public appearances, videos, and photos featuring them. Today Joe and Steve discuss the inspiration and creation of these instruments, and how their collaboration helped shape their careers.

We also look at Jeff Senn's painstakingly made copy of Steve's red 3-pickup Tele that was made for Wariner to fly with when he wants to leave the original at home.

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14835898 Tue, 09 Apr 2024 08:00:00 -0500 6150 194 full false Baffled? How To Baffle Your Amp & Not get Fired Baffled? How To Baffle Your Amp & Not get Fired To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

If you play gigs with an electric guitar, you have most likely been told to "turn it down" multiple times in your performing career. To help you address this common problem, we look at a variety of methods for dealing with electric guitar volume, including the pros and cons of each. These include turning the amp around, having the amp behind the stage, using plexiglass shields that reflect sound, and the use of sound-absorbing baffles.

Speight Baffles
https://www.speightbaffle.com/

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

If you play gigs with an electric guitar, you have most likely been told to "turn it down" multiple times in your performing career. To help you address this common problem, we look at a variety of methods for dealing with electric guitar volume, including the pros and cons of each. These include turning the amp around, having the amp behind the stage, using plexiglass shields that reflect sound, and the use of sound-absorbing baffles.

Speight Baffles
https://www.speightbaffle.com/

Support the show

]]> Zac Childs Buzzsprout-14806026 Mon, 01 Apr 2024 09:00:00 -0500 1288 193 full false Albert Lee Talks Emmylou Harris & Her Luxury Liner Album Albert Lee Talks Emmylou Harris & Her Luxury Liner Album To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Albert Lee shares the background and process of recording Emmylou's seminal Luxury Liner album released in December 1976. From the gear he used, to how the musicians were presented with the tunes before recording. This was taken from an informal discussion backstage with Albert at London's O2 arena.

#askzac #albertlee #emmylouharris

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Albert Lee shares the background and process of recording Emmylou's seminal Luxury Liner album released in December 1976. From the gear he used, to how the musicians were presented with the tunes before recording. This was taken from an informal discussion backstage with Albert at London's O2 arena.

#askzac #albertlee #emmylouharris

Support the show

]]> Zac Childs Buzzsprout-14772849 Tue, 26 Mar 2024 13:00:00 -0500 1027 192 full false 1950 Broadcaster VS 1953 Telecaster - A Comparison by Nacho Banos 1950 Broadcaster VS 1953 Telecaster - A Comparison by Nacho Banos To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Nacho Banos, the patron saint of the Telecaster, compares a 1950 Broadcaster and a 1953 Telecaster backstage at a Brad Paisley concert in Zurich, Switzerland. He takes us fully down the rabbit hole comparing electronics, finish, screws, neck shape, and everything else you can think of.

To dive deeper on this subject, check out Nacho's amazing Pinecaster Book.
https://pinecasterbook.com/

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Nacho Banos, the patron saint of the Telecaster, compares a 1950 Broadcaster and a 1953 Telecaster backstage at a Brad Paisley concert in Zurich, Switzerland. He takes us fully down the rabbit hole comparing electronics, finish, screws, neck shape, and everything else you can think of.

To dive deeper on this subject, check out Nacho's amazing Pinecaster Book.
https://pinecasterbook.com/

Support the show

]]> Zac Childs Buzzsprout-14721594 Tue, 19 Mar 2024 12:00:00 -0500 1277 191 full false The Story Of The 1970s Buck Owens American Guitar by Harmony The Story Of The 1970s Buck Owens American Guitar by Harmony To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

My first memory of seeing a guitar in person was seeing a Buck Owens “American” guitar leaning against a couch at a neighbor’s house while visiting my grandmother in the mid-1970s. Soon after seeing it, I understood its significance by seeing Buck play an identical one on the Hee Haw television show. Later, via the influence of Dwight Yoakam, Emmylou Harris, and the Desert Rose Band in the 1980s, I would dig back and start listening to all of the great albums that Owens made through the 50s and 60s that in turn influenced my heroes. Through the years, I kept looking for one, but one was never up for sale nearby, as I really wanted to see what this Harmony-made mail-order guitar was like. It wasn’t until recently that I was able to test out and acquire one of these red, white, and blue beauties from one of the fine chaps at Glaser Instruments, and I was able to finally join the “Buck Club.” This of course threw me down the rabbit hole of finding out everything that I could online from sites like SilvertoneWorld.Net and even calling up Buckaroo Jim Shaw, who continues to run Buck’s Crystal Palace club in Bakersfield, CA to get the full low-down on the story behind it. And though Owens is certainly the star here, I have to give Pat Smear of Nirvana, and the great Ryan Adams credit for their role in raising the “cool” factor on these crazy 70s creations. To close the episode, I share the story that Jim Shaw shared with me that they sold hundreds of warehoused versions of the Buck models to cover their expenses during the pandemic. It was hard for me not to see this as Owens working things out from beyond the grave. 

Special thanks to Buckaroo Jim Shaw, and Buck Owens’ Crystal Palace.
www.BuckOwens.com

Also for the wonderful information gathered from Silvertone World.
https://www.silvertoneworld.net/acoustic/1219buckowens/1219_Buck_Owens_American.html

#askzac #buckowens #buckowensamerican

Texas Toast
The #1 Country Music Podcast in Texas!

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Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

My first memory of seeing a guitar in person was seeing a Buck Owens “American” guitar leaning against a couch at a neighbor’s house while visiting my grandmother in the mid-1970s. Soon after seeing it, I understood its significance by seeing Buck play an identical one on the Hee Haw television show. Later, via the influence of Dwight Yoakam, Emmylou Harris, and the Desert Rose Band in the 1980s, I would dig back and start listening to all of the great albums that Owens made through the 50s and 60s that in turn influenced my heroes. Through the years, I kept looking for one, but one was never up for sale nearby, as I really wanted to see what this Harmony-made mail-order guitar was like. It wasn’t until recently that I was able to test out and acquire one of these red, white, and blue beauties from one of the fine chaps at Glaser Instruments, and I was able to finally join the “Buck Club.” This of course threw me down the rabbit hole of finding out everything that I could online from sites like SilvertoneWorld.Net and even calling up Buckaroo Jim Shaw, who continues to run Buck’s Crystal Palace club in Bakersfield, CA to get the full low-down on the story behind it. And though Owens is certainly the star here, I have to give Pat Smear of Nirvana, and the great Ryan Adams credit for their role in raising the “cool” factor on these crazy 70s creations. To close the episode, I share the story that Jim Shaw shared with me that they sold hundreds of warehoused versions of the Buck models to cover their expenses during the pandemic. It was hard for me not to see this as Owens working things out from beyond the grave. 

Special thanks to Buckaroo Jim Shaw, and Buck Owens’ Crystal Palace.
www.BuckOwens.com

Also for the wonderful information gathered from Silvertone World.
https://www.silvertoneworld.net/acoustic/1219buckowens/1219_Buck_Owens_American.html

#askzac #buckowens #buckowensamerican

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14538303 Tue, 20 Feb 2024 08:00:00 -0600 1638 190 full false A Telecaster Fanatic Looks at the PRS NF-53 A Telecaster Fanatic Looks at the PRS NF-53 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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One of my Patreon members offered to send me his PRS NF-53 to check out, as he was curious as to my take on Paul Smith's version of a Tele-Style guitar. Being both a Telecaster fan, and having a great appreciation for Paul's high level of fit and finish, I said yes to his proposition. The NF-53 is quite a well-built, and well-thought-out instrument, and while not truly traditional, it does offer features that would make it incredibly useful for those who are adverse to the vintage-style Telecaster family.

Thank you to Jesse.

2023 Paul Reed Smith NF-53

1965 Deluxe Reverb with a WGS ET65 speaker

#askzac #prsnf53

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

One of my Patreon members offered to send me his PRS NF-53 to check out, as he was curious as to my take on Paul Smith's version of a Tele-Style guitar. Being both a Telecaster fan, and having a great appreciation for Paul's high level of fit and finish, I said yes to his proposition. The NF-53 is quite a well-built, and well-thought-out instrument, and while not truly traditional, it does offer features that would make it incredibly useful for those who are adverse to the vintage-style Telecaster family.

Thank you to Jesse.

2023 Paul Reed Smith NF-53

1965 Deluxe Reverb with a WGS ET65 speaker

#askzac #prsnf53

Support the show

]]> Zac Childs Buzzsprout-14494341 Tue, 13 Feb 2024 07:00:00 -0600 1107 189 full false Leo Fender and the Birth of the G&L Broadcaster/ASAT Leo Fender and the Birth of the G&L Broadcaster/ASAT To Support the Channel:
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Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Ever wondered how Leo Fender came around to making the G&L Broadcaster after a decade of Music Man guitars, and the early G&L designs with active electronics and too many knobs and switches? The truth is better than fiction here, and you're going to love to hear what motivated Leo to return to his roots, with a twist to save his pride. I also share the story of the early G&L ASAT I use in the video that was formerly owned by John Jorgenson and is now in the possession of Brad Paisley.

Gear used:

1987 G&L ASAT formerly owned by John Jorgenson, now owned by Brad Paisley

Strings: 

EB 10-46

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Boss DM-3

Amp:
1964 Vox AC10.

#askzac #gandlguitars    #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

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Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Ever wondered how Leo Fender came around to making the G&L Broadcaster after a decade of Music Man guitars, and the early G&L designs with active electronics and too many knobs and switches? The truth is better than fiction here, and you're going to love to hear what motivated Leo to return to his roots, with a twist to save his pride. I also share the story of the early G&L ASAT I use in the video that was formerly owned by John Jorgenson and is now in the possession of Brad Paisley.

Gear used:

1987 G&L ASAT formerly owned by John Jorgenson, now owned by Brad Paisley

Strings: 

EB 10-46

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Boss DM-3

Amp:
1964 Vox AC10.

#askzac #gandlguitars    #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14391828 Mon, 29 Jan 2024 09:00:00 -0600 2086 188 full false Top Loader Telecaster History & Comparison with String-Thru Top Loader Telecaster History & Comparison with String-Thru To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

We kick the episode off with a direct comparison using my 2023 Danocaster guitar which is equipped with a bridge that handles both top loading and string thru. We then take a look at the history of Fender's top loader Telecasters, and the possible reasons for changing the construction of them during that era. To reveal Fender's pattern, we analyze the models that featured toploading bridges beforehand, the Musicmaster, Duo Sonic, and the revamped 1957 Precision Bass. 

Gear used:

2023 Danocaster Single-Cut with Budz 58 pickups. 6.4 pound, ash body, .91 maple V neck.

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

2023 Headstrong Lil King amp with a 12" Alessandro 64 Speaker

#askzac #danocaster   #toploader

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

We kick the episode off with a direct comparison using my 2023 Danocaster guitar which is equipped with a bridge that handles both top loading and string thru. We then take a look at the history of Fender's top loader Telecasters, and the possible reasons for changing the construction of them during that era. To reveal Fender's pattern, we analyze the models that featured toploading bridges beforehand, the Musicmaster, Duo Sonic, and the revamped 1957 Precision Bass. 

Gear used:

2023 Danocaster Single-Cut with Budz 58 pickups. 6.4 pound, ash body, .91 maple V neck.

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

2023 Headstrong Lil King amp with a 12" Alessandro 64 Speaker

#askzac #danocaster   #toploader

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14297864 Tue, 16 Jan 2024 08:00:00 -0600 1459 187 full false John Leventhal Talks First Solo Album, Rumble Strip John Leventhal Talks First Solo Album, Rumble Strip John Leventhal returns to go in-depth on his first solo album, Rumble Strip. We discuss his process of composing, recording, and the gear he used to create the 16 poignant tracks on the album. Leventhal also discusses his signature acoustic guitar tones that utilize both the natural "acoustic" sound, plus an "electric" sound hole pickup run-through effects and a tube amplifier. He also weighs in on the 30th-anniversary re-release of The Wheel, his first collaboration with his wife, noted singer-songwriter, Rosanne Cash.

John is a multi-Grammy Award-winning producer and musician. A short list of Leventhal's collaborators includes Marc Cohn, Shawn Colvin, Rosanne Cash, William Bell, and Sarah Jarosz. 

Rumble Strip - Release Date January 26th, 2024
https://music.apple.com/us/album/rumble-strip/1713810040


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #johnleventhal #rosannecash

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> John Leventhal returns to go in-depth on his first solo album, Rumble Strip. We discuss his process of composing, recording, and the gear he used to create the 16 poignant tracks on the album. Leventhal also discusses his signature acoustic guitar tones that utilize both the natural "acoustic" sound, plus an "electric" sound hole pickup run-through effects and a tube amplifier. He also weighs in on the 30th-anniversary re-release of The Wheel, his first collaboration with his wife, noted singer-songwriter, Rosanne Cash.

John is a multi-Grammy Award-winning producer and musician. A short list of Leventhal's collaborators includes Marc Cohn, Shawn Colvin, Rosanne Cash, William Bell, and Sarah Jarosz. 

Rumble Strip - Release Date January 26th, 2024
https://music.apple.com/us/album/rumble-strip/1713810040


To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

#askzac #johnleventhal #rosannecash

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14271035 Tue, 09 Jan 2024 08:00:00 -0600 3863 186 full false My Direct + Amp Pedalboard Built By XTS My Direct + Amp Pedalboard Built By XTS To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

After rebuilding my board numerous times depending on if the gig was an amp or direct situation, I decided to have a pedalboard built that could easily do one or the other, or both if needed. I started off with my favorite pedals, then added the UA Dream 65 amp modeler, and a Walrus Audio Canvas Line Driver. This would allow me to go direct. To be amp-friendly, we needed a junction box that would bypass the Dream 65 and Canvas. Since we were adding the junction box, and there was space available,  we also included insert jacks (before delays, and after overdrives) to allow me to use a volume pedal or other effects in the right position in the signal chain.  

Gear used:
Turbo Tuner, Mirage Compressor, Analogman Boss TR-2, Ibanez Mostortion, Boss DM-3 analog delay, Line 6 Echo Park. UA Dream 65, Walrus Audio Canvas Line Driver, Metro 24 board, and a Truetone CS6 power supply.

#askzac #pedalboard  #Xacttonesolutions

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

After rebuilding my board numerous times depending on if the gig was an amp or direct situation, I decided to have a pedalboard built that could easily do one or the other, or both if needed. I started off with my favorite pedals, then added the UA Dream 65 amp modeler, and a Walrus Audio Canvas Line Driver. This would allow me to go direct. To be amp-friendly, we needed a junction box that would bypass the Dream 65 and Canvas. Since we were adding the junction box, and there was space available,  we also included insert jacks (before delays, and after overdrives) to allow me to use a volume pedal or other effects in the right position in the signal chain.  

Gear used:
Turbo Tuner, Mirage Compressor, Analogman Boss TR-2, Ibanez Mostortion, Boss DM-3 analog delay, Line 6 Echo Park. UA Dream 65, Walrus Audio Canvas Line Driver, Metro 24 board, and a Truetone CS6 power supply.

#askzac #pedalboard  #Xacttonesolutions

Support the show

]]> Zac Childs Buzzsprout-14194352 Tue, 02 Jan 2024 08:00:00 -0600 979 185 full false Eldon Shamblin & His Gold 1954 Stratocaster Eldon Shamblin & His Gold 1954 Stratocaster To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Eldon Shamblin was Leo Fender's favorite guitarist, playing in his favorite band, Bob Wills & The Texas Playboys. Fender supplied the Playboys with amps and steel guitars but he wanted badly to get his new Spanish guitar, the Broadcaster, in their guitarist's hands. Unfortunately, Eldon had no interest in the plank with strings and politely passed on the offer. A few short years later, Leo was still bent on converting Shamblin, so he had his crew build a one-of-a-kind gold Stratocaster in the summer of 1954, and gifted it to the Playboy guitarist during one of their regular visits to the Fender factory. Eldon at first refused the golden solid body, but Leo convinced him to take it with him and try it on the bandstand. Shamblin soon dropped his hollow-body Gibson and became a lifelong Stratocaster player, using them until his passing on August 4th, 1998. Today we take a look at Eldon Shamblin's importance as a guitarist and arranger for Bob Wills & The Texas Playboys, and the fantastically rare and beautiful golden 1954 Stratocaster that Leo Fender gave him. 

Photos and video on my site
www.askzac.com/post/eldon-shamblins-1954-gold-stratocaster

Playlist
https://open.spotify.com/playlist/1efYMv1CjoK8jpJp7sqS55?si=77fd65af7a7b4568

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #eldonshamblin #stratocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Eldon Shamblin was Leo Fender's favorite guitarist, playing in his favorite band, Bob Wills & The Texas Playboys. Fender supplied the Playboys with amps and steel guitars but he wanted badly to get his new Spanish guitar, the Broadcaster, in their guitarist's hands. Unfortunately, Eldon had no interest in the plank with strings and politely passed on the offer. A few short years later, Leo was still bent on converting Shamblin, so he had his crew build a one-of-a-kind gold Stratocaster in the summer of 1954, and gifted it to the Playboy guitarist during one of their regular visits to the Fender factory. Eldon at first refused the golden solid body, but Leo convinced him to take it with him and try it on the bandstand. Shamblin soon dropped his hollow-body Gibson and became a lifelong Stratocaster player, using them until his passing on August 4th, 1998. Today we take a look at Eldon Shamblin's importance as a guitarist and arranger for Bob Wills & The Texas Playboys, and the fantastically rare and beautiful golden 1954 Stratocaster that Leo Fender gave him. 

Photos and video on my site
www.askzac.com/post/eldon-shamblins-1954-gold-stratocaster

Playlist
https://open.spotify.com/playlist/1efYMv1CjoK8jpJp7sqS55?si=77fd65af7a7b4568

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #eldonshamblin #stratocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14137703 Tue, 26 Dec 2023 08:00:00 -0600 2319 184 full false Danocaster Talks Telecaster Tone Danocaster Talks Telecaster Tone To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

What started as a walk-thru, became Dan Strain sharing a gold mine worth of tone-tips for Telecaster fans. We talk about tuners, string trees, saddles, bridges, pickups, neck pockets, swapping necks, and the Duco red color that was chosen for this guitar.

#askzac #telecaster   #danocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

What started as a walk-thru, became Dan Strain sharing a gold mine worth of tone-tips for Telecaster fans. We talk about tuners, string trees, saddles, bridges, pickups, neck pockets, swapping necks, and the Duco red color that was chosen for this guitar.

#askzac #telecaster   #danocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14109161 Tue, 19 Dec 2023 10:00:00 -0600 2068 183 full false Duke Levine Talks Touring with Bonnie Raitt & the Eternal Tone Hunt Duke Levine Talks Touring with Bonnie Raitt & the Eternal Tone Hunt Duke Levine's resume is filled with a catalog of stellar solo albums, high-profile sideman gigs, and essential session work. We have Tom Bukovac to thank for making this interview happen, as he had requested Duke on a recent session here in Nashville, that gave us a chance to catch up in person with the Boston-area great. To kick off, we begin with a discussion of his latest gig, touring with Bonnie Raitt.  Via the new gig, he has had his first experience with using in-ear monitors and having amps off-stage. We also cover his early gigs with Jonatha Brooke & The Story, Mary Chapin Carpenter, and how he got a record deal in the early 90s. Levine also talks about the eternal tone hunt, covering his move away from using compressor pedals to replacing them with low-gain overdrive pedals. We also cover his pedal board where he uses a Radial switcher to keep his tone as pure as possible by removing unused items from his chain.

#askzac #dukelevine #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Duke Levine's resume is filled with a catalog of stellar solo albums, high-profile sideman gigs, and essential session work. We have Tom Bukovac to thank for making this interview happen, as he had requested Duke on a recent session here in Nashville, that gave us a chance to catch up in person with the Boston-area great. To kick off, we begin with a discussion of his latest gig, touring with Bonnie Raitt.  Via the new gig, he has had his first experience with using in-ear monitors and having amps off-stage. We also cover his early gigs with Jonatha Brooke & The Story, Mary Chapin Carpenter, and how he got a record deal in the early 90s. Levine also talks about the eternal tone hunt, covering his move away from using compressor pedals to replacing them with low-gain overdrive pedals. We also cover his pedal board where he uses a Radial switcher to keep his tone as pure as possible by removing unused items from his chain.

#askzac #dukelevine #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14070783 Tue, 05 Dec 2023 10:00:00 -0600 5305 182 full false My Pedalboard Gets The Xact Tone Solutions Makeover My Pedalboard Gets The Xact Tone Solutions Makeover To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

For years I have had pedalboard envy. Not for a huge board with tons of effects, but for the super clean and buttoned-up look of the pro-built boards. Xact Tone Solutions has built my favorites, so I finally decided to have a larger board built around a UA Dream 65 amp modeler, yet that could also go to an amp, or both. I also decided to get the XTS treatment on my tried and true grab-go board. This is a walk-through of my board with Barry and Eric, who have no issues with adding their valuable input or giving me a hard time. 

Gear used:
Turbo Tuner, Mirage Compressor, Analogman Boss TR-2, Ibanez Mostortion rehoused by XTS, Boss DM-3 analog delay, Line 6 Echo Park. Mono board. Truetone CS6 power supply

#askzac #pedalboard  #Xacttonesolutions

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

For years I have had pedalboard envy. Not for a huge board with tons of effects, but for the super clean and buttoned-up look of the pro-built boards. Xact Tone Solutions has built my favorites, so I finally decided to have a larger board built around a UA Dream 65 amp modeler, yet that could also go to an amp, or both. I also decided to get the XTS treatment on my tried and true grab-go board. This is a walk-through of my board with Barry and Eric, who have no issues with adding their valuable input or giving me a hard time. 

Gear used:
Turbo Tuner, Mirage Compressor, Analogman Boss TR-2, Ibanez Mostortion rehoused by XTS, Boss DM-3 analog delay, Line 6 Echo Park. Mono board. Truetone CS6 power supply

#askzac #pedalboard  #Xacttonesolutions

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-14014394 Tue, 21 Nov 2023 15:00:00 -0600 1757 181 full false The Inspired Story of the Voodoo Lab Sparkle Drive The Inspired Story of the Voodoo Lab Sparkle Drive To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

The Voodoo Lab Sparkle Drive is one of the best overdrive pedals of all time due to its groundbreaking clean mix control. Released in December of 2000, it could cover the standard TS-type tones, yet also be the finest transparent overdrive due to its ability to mix one's dry signal back in. The ability to mix one's clean signal along with a Tube Screamer circuit allows for in James Santiago's words, "jangly highs, tight lows, and the overdriven midrange from the TS circuit."  

Today we revisit this classic effect and also get the full story of its creation from the guys who birthed it, Josh Fiden, Voodoo Lab Founder & CEO, and former Voodoo Lab VP, now UA Senior Product Designer, James Santiago. I also reveal a great setting for using the Sparkle Drive to warm up your tone.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster crafted by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Affiliate link Seymour Duncan Twang Banger
https://amzn.to/3QG4vze

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects:
Voodoo Lab Sparkle Drive, Amp reverb, and Mad Professor Deep Blue Delay

#askzac #voodoolab #sparkledrive

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

The Voodoo Lab Sparkle Drive is one of the best overdrive pedals of all time due to its groundbreaking clean mix control. Released in December of 2000, it could cover the standard TS-type tones, yet also be the finest transparent overdrive due to its ability to mix one's dry signal back in. The ability to mix one's clean signal along with a Tube Screamer circuit allows for in James Santiago's words, "jangly highs, tight lows, and the overdriven midrange from the TS circuit."  

Today we revisit this classic effect and also get the full story of its creation from the guys who birthed it, Josh Fiden, Voodoo Lab Founder & CEO, and former Voodoo Lab VP, now UA Senior Product Designer, James Santiago. I also reveal a great setting for using the Sparkle Drive to warm up your tone.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster crafted by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Affiliate link Seymour Duncan Twang Banger
https://amzn.to/3QG4vze

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects:
Voodoo Lab Sparkle Drive, Amp reverb, and Mad Professor Deep Blue Delay

#askzac #voodoolab #sparkledrive

Support the show

]]> Zac Childs Buzzsprout-13990619 Tue, 21 Nov 2023 08:00:00 -0600 1192 180 full false How Did My Stratocaster End Up Playing "Wicked Game" With Chris Isaak? How Did My Stratocaster End Up Playing "Wicked Game" With Chris Isaak? To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

The story of how JD Simo played the Ryman with Chris Isaak using my Stratocaster built by Brad Paisley. I also go in-depth on the Stratocaster that my old college buddy crafted for me. 

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects:
Amp reverb and Mad Professor Deep Blue Delay

#askzac #jdsimo #chrisisaak

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

The story of how JD Simo played the Ryman with Chris Isaak using my Stratocaster built by Brad Paisley. I also go in-depth on the Stratocaster that my old college buddy crafted for me. 

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects:
Amp reverb and Mad Professor Deep Blue Delay

#askzac #jdsimo #chrisisaak

Support the show

]]> Zac Childs Buzzsprout-13939999 Tue, 14 Nov 2023 06:00:00 -0600 1376 179 full false Stratocaster Pioneers Of The 1950s Stratocaster Pioneers Of The 1950s To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Introduced in 1954, the Fender Stratocaster could have died a quick death if it had not caught on with key players on the music scene of the day. The guitarists who put it on the map, Ike Turner, Otis Rush, Pee Wee Crayton, Buddy Guy, Buddy Holly, Johnny Meeks, Eldon Shamblin, Buddy Merrill, and Neil LeVang, deserve credit for their important role in the success story of the Strat. Bill Carson & Rex Gallion also get special mention as the guys who pushed Leo Fender to create the Stratocaster because of their desire for an instrument with a built-in vibrato, a 6-piece bridge, 3 pickups, and a contoured body.  

Playlist
https://open.spotify.com/playlist/4XGaErkuMmb0aa1tYu9jaE?si=cceae943364246dc

Doye O'Dell with Bill Carson
https://www.youtube.com/watch?v=LtuBYo3e9lQ

Deke's article on Rex Gallion and Strat 001
https://dekedickerson.com/musings/rex-gallion-and-stratocaster-serial-no-001/

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #zacchilds #stratocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Introduced in 1954, the Fender Stratocaster could have died a quick death if it had not caught on with key players on the music scene of the day. The guitarists who put it on the map, Ike Turner, Otis Rush, Pee Wee Crayton, Buddy Guy, Buddy Holly, Johnny Meeks, Eldon Shamblin, Buddy Merrill, and Neil LeVang, deserve credit for their important role in the success story of the Strat. Bill Carson & Rex Gallion also get special mention as the guys who pushed Leo Fender to create the Stratocaster because of their desire for an instrument with a built-in vibrato, a 6-piece bridge, 3 pickups, and a contoured body.  

Playlist
https://open.spotify.com/playlist/4XGaErkuMmb0aa1tYu9jaE?si=cceae943364246dc

Doye O'Dell with Bill Carson
https://www.youtube.com/watch?v=LtuBYo3e9lQ

Deke's article on Rex Gallion and Strat 001
https://dekedickerson.com/musings/rex-gallion-and-stratocaster-serial-no-001/

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #zacchilds #stratocaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13882557 Tue, 31 Oct 2023 12:00:00 -0500 1627 178 full false To Float, Or Not To Float, Strats The Question To Float, Or Not To Float, Strats The Question To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today I look at my 2 favorite options for Strat tremolo setup, fully floating, or deck it and removing the bar. Also, we look at some handy tips for helping you stay in tune when floating the bridge, adjusting the string break angle at the headstock, using low-tension Raw Vintage springs, recommended string gauges, and lubing the nut slots and string tree. 

Affiliate link, Raw Vintage Springs
https://amzn.to/46VaG8Y

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #zacchilds #stratocaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today I look at my 2 favorite options for Strat tremolo setup, fully floating, or deck it and removing the bar. Also, we look at some handy tips for helping you stay in tune when floating the bridge, adjusting the string break angle at the headstock, using low-tension Raw Vintage springs, recommended string gauges, and lubing the nut slots and string tree. 

Affiliate link, Raw Vintage Springs
https://amzn.to/46VaG8Y

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 10-46
Affiliate link
https://amzn.to/494qQ1y

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #zacchilds #stratocaster

Support the show

]]> Zac Childs Buzzsprout-13831279 Tue, 24 Oct 2023 11:00:00 -0500 1378 177 full false Las Vegas Street Talk Las Vegas Street Talk To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today, my old buddy Austin Skinner takes the helm of the show. While we were in Las Vegas doing a 7-night residency, Skinner filmed on the street, on the stage, and backstage during our time there. I hope you enjoy it as we talk about everything from parts guitars, parts coupling, neck pockets, using the UA Dream 65 modeler, pre-gig warm-up, and my recently acquired 53 Tele-style guitar. 

Gear used:

Mirage comp, XTS re-housed Mostortion, XTS modified GE-7, Mad Prof Deep Blue Delay, UA Dream 65, and Walrus Audio Canvas interface.

1953 Telecaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 52T and Standard Plus pickups

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm


#askzac #zacchilds #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Today, my old buddy Austin Skinner takes the helm of the show. While we were in Las Vegas doing a 7-night residency, Skinner filmed on the street, on the stage, and backstage during our time there. I hope you enjoy it as we talk about everything from parts guitars, parts coupling, neck pockets, using the UA Dream 65 modeler, pre-gig warm-up, and my recently acquired 53 Tele-style guitar. 

Gear used:

Mirage comp, XTS re-housed Mostortion, XTS modified GE-7, Mad Prof Deep Blue Delay, UA Dream 65, and Walrus Audio Canvas interface.

1953 Telecaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 52T and Standard Plus pickups

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm


#askzac #zacchilds #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13792026 Sun, 22 Oct 2023 00:00:00 -0500 1951 176 full false Influential Albums - Guitars Cadillacs Etc, Etc. - Dwight Yoakam & Pete Anderson Influential Albums - Guitars Cadillacs Etc, Etc. - Dwight Yoakam & Pete Anderson To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

In 1986, Warner/Reprise took an indie-released EP, added 4 newly recorded tunes, and launched Dwight Yoakam into the stratosphere with the revamped version of Guitars Cadillacs Etc, Etc. The album's first single,  a cover of Johnny Horton's "Honky Tonk Man," was a clear message that this was a roots-influenced album, yet the energy and production made it also contemporary. Producer/Guitarist Pete Anderson took Dwight's tunes and added a modern take on the Bakersfield sound, that was the perfect nod to the past, but without becoming a pastiche of California Country styles of the 1960s.  Although Yoakam had 21 great original tunes in the bag, he and Pete agreed to mix 7 of the backlog of original tunes, along with 3 revved-up covers to fill out the album. This winning formula would also serve as the template for his next two releases, Hillbilly Deluxe, and Buenas Noches from a Lonely Room. Besides a history of the album, we will also look at some of Pete's parts, and the gear he used for the album.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1953 Telecaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 52T and Standard Plus pickups

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #peteanderson #dwightyoakam

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

In 1986, Warner/Reprise took an indie-released EP, added 4 newly recorded tunes, and launched Dwight Yoakam into the stratosphere with the revamped version of Guitars Cadillacs Etc, Etc. The album's first single,  a cover of Johnny Horton's "Honky Tonk Man," was a clear message that this was a roots-influenced album, yet the energy and production made it also contemporary. Producer/Guitarist Pete Anderson took Dwight's tunes and added a modern take on the Bakersfield sound, that was the perfect nod to the past, but without becoming a pastiche of California Country styles of the 1960s.  Although Yoakam had 21 great original tunes in the bag, he and Pete agreed to mix 7 of the backlog of original tunes, along with 3 revved-up covers to fill out the album. This winning formula would also serve as the template for his next two releases, Hillbilly Deluxe, and Buenas Noches from a Lonely Room. Besides a history of the album, we will also look at some of Pete's parts, and the gear he used for the album.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1953 Telecaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 52T and Standard Plus pickups

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Pick Boy Small Jazz, Tortoise Shell, 1.00mm

Effects: Amp reverb

#askzac #peteanderson #dwightyoakam

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13791974 Sat, 21 Oct 2023 00:00:00 -0500 1537 175 full false Adam Levy - Jazz Guitarist & Sideman to the Stars Adam Levy - Jazz Guitarist & Sideman to the Stars To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Adam Levy has an established guitar voice that we first heard on Tracy Chapman's "Give Me One Reason," then on albums and tours with Norah Jones, and sharpened to a fine point on his latest release, Spry. Besides his work as a guitarist, Levy has also devoted himself to being an educator through his Guitar Tips channel, Truefire instructional courses, and time spent as the Guitar Dept. Chair at the Los Angeles College of Music. Additionally, Adam made great contributions to the world of guitar journalism as a staff writer for Guitar Player Magazine in the 90s. 

Today Adam shares his musical adventures, expresses his love for his 1964 Gibson ES-335, and his excitement in releasing the "jazz album of his dreams," Spry.

#askzac #adamlevy

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

Adam Levy has an established guitar voice that we first heard on Tracy Chapman's "Give Me One Reason," then on albums and tours with Norah Jones, and sharpened to a fine point on his latest release, Spry. Besides his work as a guitarist, Levy has also devoted himself to being an educator through his Guitar Tips channel, Truefire instructional courses, and time spent as the Guitar Dept. Chair at the Los Angeles College of Music. Additionally, Adam made great contributions to the world of guitar journalism as a staff writer for Guitar Player Magazine in the 90s. 

Today Adam shares his musical adventures, expresses his love for his 1964 Gibson ES-335, and his excitement in releasing the "jazz album of his dreams," Spry.

#askzac #adamlevy

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13791920 Fri, 20 Oct 2023 00:00:00 -0500 5398 174 full false Influential Albums - Luxury Liner Emmylou Harris Influential Albums - Luxury Liner Emmylou Harris To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A deep dive on Luxury Liner, the album that was my gateway drug for both the Telecaster and Country Music. My father bought the album for me on a road trip, and once I got home and placed the album on the turn table, I was hooked as soon as I heard the opening guitar riff from the title track. Luxury Liner is filled with top-notch songs, superb playing/singing, and beautiful production work from Brian Ahern. This album changed my musical direction.

Amazon link
https://amzn.to/46d1UCR

Emmylou Harris - Luxury Liner 
Released in 1977, by Warner Bros Records and Produced by Brian Ahern

Featuring:

The Hot Band
Albert Lee, Rodney Crowell, John Ware, Hank DeVito, Emory Gordy Jr, Glen D. Hardin 

Guests
Dolly Parton, James Burton, Ricky Skaggs, Herb Pedersen, Mickey Raphael, Rick Cunha, Mike Auldridge, Fayssoux Starling, Dianne Brooks, Nicolette Larson 


#askzac #albertlee #emmylouharris

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A deep dive on Luxury Liner, the album that was my gateway drug for both the Telecaster and Country Music. My father bought the album for me on a road trip, and once I got home and placed the album on the turn table, I was hooked as soon as I heard the opening guitar riff from the title track. Luxury Liner is filled with top-notch songs, superb playing/singing, and beautiful production work from Brian Ahern. This album changed my musical direction.

Amazon link
https://amzn.to/46d1UCR

Emmylou Harris - Luxury Liner 
Released in 1977, by Warner Bros Records and Produced by Brian Ahern

Featuring:

The Hot Band
Albert Lee, Rodney Crowell, John Ware, Hank DeVito, Emory Gordy Jr, Glen D. Hardin 

Guests
Dolly Parton, James Burton, Ricky Skaggs, Herb Pedersen, Mickey Raphael, Rick Cunha, Mike Auldridge, Fayssoux Starling, Dianne Brooks, Nicolette Larson 


#askzac #albertlee #emmylouharris

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13791812 Thu, 19 Oct 2023 00:00:00 -0500 1662 173 full false G-Bender History and the Major Players (Jimmy Olander, Jeff King & Brad Paisley) G-Bender History and the Major Players (Jimmy Olander, Jeff King & Brad Paisley) To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A look at the history of the G-Bender. From the Bigsby palm pedal to the modern Glaser convertible B/G Bender. We also discuss the major players to use the G-Bender, Jeff King, Jimmy Olander, and Brad Paisley.


Gear Used:

Crook Custom Paisley - Glaser Convertible Bender, Music City Bridge 3-string tree

Joe Glaser installs a Convertible Bender in the paisley
https://youtu.be/JLBKjRpRA7U

Amp:
2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Amp reverb

#askzac #Diamondrio #bradpaisley

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A look at the history of the G-Bender. From the Bigsby palm pedal to the modern Glaser convertible B/G Bender. We also discuss the major players to use the G-Bender, Jeff King, Jimmy Olander, and Brad Paisley.


Gear Used:

Crook Custom Paisley - Glaser Convertible Bender, Music City Bridge 3-string tree

Joe Glaser installs a Convertible Bender in the paisley
https://youtu.be/JLBKjRpRA7U

Amp:
2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Amp reverb

#askzac #Diamondrio #bradpaisley

Support the show

]]> Zac Childs Buzzsprout-13791775 Wed, 18 Oct 2023 00:00:00 -0500 985 172 full false Diamond Rio Talk New Members & New Music In 2023 Diamond Rio Talk New Members & New Music In 2023 Jimmy Olander, Diamond Rio founding member, and lead guitarist, and I sit down along with new drummer Micah Schweinsberg to discuss the backstory of their latest single "The Kick."

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/


#askzac #Diamondrio #jimmyolander

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Jimmy Olander, Diamond Rio founding member, and lead guitarist, and I sit down along with new drummer Micah Schweinsberg to discuss the backstory of their latest single "The Kick."

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/


#askzac #Diamondrio #jimmyolander

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13791730 Tue, 17 Oct 2023 00:00:00 -0500 2478 171 full false The Dangers of Buying Celebrity-Owned Instruments The Dangers of Buying Celebrity-Owned Instruments Over the last 15 years, I have had numerous requests to assist buyers vette their alleged celebrity-owned instruments. Early on, I would try and help them out, tracking down high-profile guitarists, and sending photos to them of the guitars in question. What I ended up learning was that over 90% of the time, the artist would indicate that they never owned the instrument. Today's episode is a warning to anyone who's considering the purchase of a celebrity-owned instrument. Please buy from reputable dealers, and insist on true letters of authenticity and/or photographic proof. 

Thanks to Glaser Bender/Music City Bridge for sponsoring today's episode.

Music City Bridge Guitar Parts:
https://musiccitybridge.com/collections/guitar-parts

Glaser Benders
https://www.glaserbender.com/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

In our book nook segment, I talk about a favorite book on guitar setup and two Merle Haggard books; one to buy, and another to avoid. 

Dan Erlewine's Setup Book
https://amzn.to/3PYme5Z

David Cantwell's The Running Kind
https://amzn.to/3NWzsOl

#askzac #zacchilds #telecaster

Support the show

]]> Over the last 15 years, I have had numerous requests to assist buyers vette their alleged celebrity-owned instruments. Early on, I would try and help them out, tracking down high-profile guitarists, and sending photos to them of the guitars in question. What I ended up learning was that over 90% of the time, the artist would indicate that they never owned the instrument. Today's episode is a warning to anyone who's considering the purchase of a celebrity-owned instrument. Please buy from reputable dealers, and insist on true letters of authenticity and/or photographic proof. 

Thanks to Glaser Bender/Music City Bridge for sponsoring today's episode.

Music City Bridge Guitar Parts:
https://musiccitybridge.com/collections/guitar-parts

Glaser Benders
https://www.glaserbender.com/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

In our book nook segment, I talk about a favorite book on guitar setup and two Merle Haggard books; one to buy, and another to avoid. 

Dan Erlewine's Setup Book
https://amzn.to/3PYme5Z

David Cantwell's The Running Kind
https://amzn.to/3NWzsOl

#askzac #zacchilds #telecaster

Support the show

]]> Zac Childs Buzzsprout-13791368 Mon, 16 Oct 2023 20:00:00 -0500 1303 169 full false I Played & Spoke at a Chet Atkins Event - Here's What Happened I Played & Spoke at a Chet Atkins Event - Here's What Happened To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

I recently got a call from the Chet Atkins Appreciation Society, asking me to speak at their annual event here in Nashville. Without hesitation, I agreed and was pleased to also get asked by Chet's grand-niece, Meagan Taylor Anderson, to perform with her at one of the evening concerts. Today you get the heart of my speech from the event, and a book nook segment on Pete Anderson's new release, "How To Produce A Record: A Players Philosophy For Making A Great Recording."

Pete Anderson's book:
How To Produce A Record: A Players Philosophy For Making A Great Recording
https://amzn.to/46ZJfvq

Chet Society
https://www.chetsociety.com/

The French Family Band on the Grand Ole Opry
https://www.youtube.com/watch?v=OCpH_wXWHw4

#askzac #zacchilds #chetatkins

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

I recently got a call from the Chet Atkins Appreciation Society, asking me to speak at their annual event here in Nashville. Without hesitation, I agreed and was pleased to also get asked by Chet's grand-niece, Meagan Taylor Anderson, to perform with her at one of the evening concerts. Today you get the heart of my speech from the event, and a book nook segment on Pete Anderson's new release, "How To Produce A Record: A Players Philosophy For Making A Great Recording."

Pete Anderson's book:
How To Produce A Record: A Players Philosophy For Making A Great Recording
https://amzn.to/46ZJfvq

Chet Society
https://www.chetsociety.com/

The French Family Band on the Grand Ole Opry
https://www.youtube.com/watch?v=OCpH_wXWHw4

#askzac #zacchilds #chetatkins

Support the show

]]> Zac Childs Buzzsprout-13791468 Mon, 16 Oct 2023 00:00:00 -0500 937 170 full false Jeff King - Juggling the Studio & The Road Jeff King - Juggling the Studio & The Road Thanks to Truetone for sponsoring today's episode. 
Find your next pedal board power supply at:  www.truetone.com

Jeff King was raised in the Smokey Mountains of East Tennessee, where as a young boy, he found a guitar in an attic and was immediately hooked. Though he loved music and played frequent gigs, he did not study it in college, yet post-graduation, he decided to throw in his lot with a friend that moved to Nashville in the early 80s. With luck on his side, he fairly quickly hit the scene in a big way in 1985 by landing the lead guitar spot with the then-new artist, Patty Loveless. Jeff was soon riding the wave of success with Patty who was busy sending singles up the charts and wowing crowds and critics with her soulful Kentucky sound. This led to major screen time, as Loveless guested on the TV shows of the day, including Austin City Limits, The Tonight Show, Letterman, and the various music shows on The Nashville Network.  Jeff was also getting to watch Patty make her records with guitarists Reggie Young, Ray Flacke, Albert Lee, Richard Bennett, and Steve Gibson. He soon was putting his watch-time lessons to use by working on demo sessions in-between road dates to the point that he was soon able to bid the road goodbye and focus completely on studio work. After decades of studio work, he was asked by one of his clients, Reba McIntire, to go out on the road with her, which lead to him also performing road dates with Brooks & Dunn. Jeff now tours with two legendary Country Music acts, and because of their less strenuous touring, he is able to keep his studio work thriving.

On the gear front, King tells the backstory of his main guitar, a 1985 G-Bender equipped Glaser Tele-Style that is on its second neck. We also get a look at his Tom Anderson Strat, Gretsch Duo-Jet, studio pedal board, and his 1956 Fender Harvard amp.

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Thanks to Truetone for sponsoring today's episode. 
Find your next pedal board power supply at:  www.truetone.com

Jeff King was raised in the Smokey Mountains of East Tennessee, where as a young boy, he found a guitar in an attic and was immediately hooked. Though he loved music and played frequent gigs, he did not study it in college, yet post-graduation, he decided to throw in his lot with a friend that moved to Nashville in the early 80s. With luck on his side, he fairly quickly hit the scene in a big way in 1985 by landing the lead guitar spot with the then-new artist, Patty Loveless. Jeff was soon riding the wave of success with Patty who was busy sending singles up the charts and wowing crowds and critics with her soulful Kentucky sound. This led to major screen time, as Loveless guested on the TV shows of the day, including Austin City Limits, The Tonight Show, Letterman, and the various music shows on The Nashville Network.  Jeff was also getting to watch Patty make her records with guitarists Reggie Young, Ray Flacke, Albert Lee, Richard Bennett, and Steve Gibson. He soon was putting his watch-time lessons to use by working on demo sessions in-between road dates to the point that he was soon able to bid the road goodbye and focus completely on studio work. After decades of studio work, he was asked by one of his clients, Reba McIntire, to go out on the road with her, which lead to him also performing road dates with Brooks & Dunn. Jeff now tours with two legendary Country Music acts, and because of their less strenuous touring, he is able to keep his studio work thriving.

On the gear front, King tells the backstory of his main guitar, a 1985 G-Bender equipped Glaser Tele-Style that is on its second neck. We also get a look at his Tom Anderson Strat, Gretsch Duo-Jet, studio pedal board, and his 1956 Fender Harvard amp.

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13245708 Fri, 06 Oct 2023 00:00:00 -0500 6301 168 full false A Walk Through My Telecaster Collection - 6 Telecasters & Counting - Ask Zac 167 A Walk Through My Telecaster Collection - 6 Telecasters & Counting - Ask Zac 167 Music City Bridge Guitar Parts:
https://musiccitybridge.com/collections/guitar-parts

Glaser Benders
https://www.glaserbender.com/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A look at my 6 Telecasters:

1. 1982 Kubicki/Danocaster with Musi City Bridge 3-pickup blend wiring, Glaser convertible bender.

More on my Kubicki/Dano
https://youtu.be/F9fjUeQtjUM

2. 1967 Fender Telecaster - stock except for compensated saddles. Refret by Nick at Glaser Instruments

More on the 1967 Maplecap Tele
https://youtu.be/K62c9ycOTlU

3. Crook Custom Paisley - Glaser Convertible Bender, Music City Bridge 3-string tree

Joe Glaser installs a Convertible Bender in the paisley
https://youtu.be/JLBKjRpRA7U

4. 1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

More on the 57 Esquire
https://youtu.be/VHVlD_Ut0OU

5. 1953 Telecaster - Ron Ellis 52T and Standard plus neck

6. 1967/69 Telecaster with factory Bigsby - Bill Lawrence A400 neck, Ron Ellis 60T bridge pickup. Aging by Dan Strain, and refret by Nick at Glaser Instruments

More on my Bigsby Tele
https://youtu.be/sKNXOCRlaiY

Amp:
2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Amp reverb

#askzac #zacchilds #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Music City Bridge Guitar Parts:
https://musiccitybridge.com/collections/guitar-parts

Glaser Benders
https://www.glaserbender.com/

To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

A look at my 6 Telecasters:

1. 1982 Kubicki/Danocaster with Musi City Bridge 3-pickup blend wiring, Glaser convertible bender.

More on my Kubicki/Dano
https://youtu.be/F9fjUeQtjUM

2. 1967 Fender Telecaster - stock except for compensated saddles. Refret by Nick at Glaser Instruments

More on the 1967 Maplecap Tele
https://youtu.be/K62c9ycOTlU

3. Crook Custom Paisley - Glaser Convertible Bender, Music City Bridge 3-string tree

Joe Glaser installs a Convertible Bender in the paisley
https://youtu.be/JLBKjRpRA7U

4. 1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

More on the 57 Esquire
https://youtu.be/VHVlD_Ut0OU

5. 1953 Telecaster - Ron Ellis 52T and Standard plus neck

6. 1967/69 Telecaster with factory Bigsby - Bill Lawrence A400 neck, Ron Ellis 60T bridge pickup. Aging by Dan Strain, and refret by Nick at Glaser Instruments

More on my Bigsby Tele
https://youtu.be/sKNXOCRlaiY

Amp:
2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Amp reverb

#askzac #zacchilds #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13139226 Wed, 04 Oct 2023 10:00:00 -0500 1585 167 full false What I Take To The Gig - Ask Zac 166 What I Take To The Gig - Ask Zac 166 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

video of show
https://youtu.be/IbWSeuLuj6A

I was about to put away all of my gear after a run of shows, and I decided to show my somewhat minimalist approach to what I take to gig with. Here, I show my pedalboard, amp, cables, and spares I take with me, including my direct amp rig I use as a backup to my Headstrong Lil King. In the pursuit of completeness, I even show the gig bag and amp cover I use, and the old Coca-Cola crate I use as an amp stand and transport for cables and gear. Also included are some clips of me playing from this last run of shows with Paul Bogart. 


Gear used in the live clips:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

https://danocaster.com/

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Amp reverb

#askzac #zacchilds #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - https://my-store-be0243.creator-spring.com/

video of show
https://youtu.be/IbWSeuLuj6A

I was about to put away all of my gear after a run of shows, and I decided to show my somewhat minimalist approach to what I take to gig with. Here, I show my pedalboard, amp, cables, and spares I take with me, including my direct amp rig I use as a backup to my Headstrong Lil King. In the pursuit of completeness, I even show the gig bag and amp cover I use, and the old Coca-Cola crate I use as an amp stand and transport for cables and gear. Also included are some clips of me playing from this last run of shows with Paul Bogart. 


Gear used in the live clips:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

https://danocaster.com/

https://www.ronellispickups.com/

Strings: 
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Amp reverb

#askzac #zacchilds #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-13082846 Mon, 02 Oct 2023 12:00:00 -0500 1569 166 full false Repairs & Restoration on my 1967 Bigsby Telecaster - Ask Zac 165 Repairs & Restoration on my 1967 Bigsby Telecaster - Ask Zac 165 To Support the Channel:
 Patreon https://www.patreon.com/AskZac 
Tip jar: https://paypal.me/AskZac 
Venmo @AskZac 
Or check out my store for merch - https://my-store-be0243.creator-spring.com/

When Bill McCumber sent me his 1967 Telecaster, he knew it needed some work, as the high E-string was resting against the bridge pickup, and the action was already set fairly high. I raised the action and did a neck shim to help it, but I knew more work was needed to get it playing right for the long haul. As both Bill Lawrence pickups were non-adjustable, I knew some changes had to be made. I decided to keep the Lawrence neck pickup that I really loved and remove the bridge pickup and modified wiring. This allowed the Tele to have a nod to both eras of its past, by keeping some of the Bill Lawrence mods and installing a standard bridge plate, control plate, and Ron Ellis 60T bridge pickup. Now with at least one pickup height adjustable, the guitar's volume and tone could be set to be much more balanced.   
 
Today's Book Nook is for the Galaxy of Strats by Yashuhiro IWANADE It is on the expensive and hard-to-find side, but can be found on eBay or Amazon in Japan.  

Special thanks to Bill McCumber for the fabulous guitar, and for Dan Strain's restoration work and the use of his workbench.

#askzac #bigsbytelecaster #telecaster

Support the show

]]> To Support the Channel:
 Patreon https://www.patreon.com/AskZac 
Tip jar: https://paypal.me/AskZac 
Venmo @AskZac 
Or check out my store for merch - https://my-store-be0243.creator-spring.com/

When Bill McCumber sent me his 1967 Telecaster, he knew it needed some work, as the high E-string was resting against the bridge pickup, and the action was already set fairly high. I raised the action and did a neck shim to help it, but I knew more work was needed to get it playing right for the long haul. As both Bill Lawrence pickups were non-adjustable, I knew some changes had to be made. I decided to keep the Lawrence neck pickup that I really loved and remove the bridge pickup and modified wiring. This allowed the Tele to have a nod to both eras of its past, by keeping some of the Bill Lawrence mods and installing a standard bridge plate, control plate, and Ron Ellis 60T bridge pickup. Now with at least one pickup height adjustable, the guitar's volume and tone could be set to be much more balanced.   
 
Today's Book Nook is for the Galaxy of Strats by Yashuhiro IWANADE It is on the expensive and hard-to-find side, but can be found on eBay or Amazon in Japan.  

Special thanks to Bill McCumber for the fabulous guitar, and for Dan Strain's restoration work and the use of his workbench.

#askzac #bigsbytelecaster #telecaster

Support the show

]]> Zac Childs Buzzsprout-13082655 Sat, 30 Sep 2023 12:00:00 -0500 753 165 full false Solving Noise Issues When Using 2 Amps - Ask Zac 164 Solving Noise Issues When Using 2 Amps - Ask Zac 164 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - www.askzac.com

As soon as I got a second guitar amp in High School, I began experimenting with running both of them at the same time. In 1990 this usually meant a stereo chorus splitting the signal. An unwanted side-effect was that I found that my noise floor went way up, and sometimes, with certain pairings of amps, it seemed like my sound got smaller instead of bigger. It was not until almost two decades later, in 2002, I learned about the grounding and phase issues that have to be dealt with when running two amps simultaneously. Here, I show how to overcome these issues with an easy-to-find signal splitter that incorporates phase reversal controls, and safe ground lifting using an isolation transformer.

Full episode on Youtube
https://youtu.be/FZ__DCGIwDI

Amazon link to Lehle P-Split III
https://amzn.to/3MVoVU1

Book Nook Link - The Fender Archives, by Tom Wheeler
https://amzn.to/42fyZfi

The Stratocaster Chronicles, by Tom Wheeler
https://amzn.to/3WANkBE

Gear used:

1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set. 

NYXL 9.5-44 Strings
https://amzn.to/3qbGGpp

1965 Deluxe Reverb with 12" Eminence GA-SC64 speaker

Link to 12" Eminence GA-SC64 speaker
https://amzn.to/427wpYr

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Effects used:
1981 TC Chorus 
Mad Professor Deep Blue Delay 
Truetone CS6 power supply  https://amzn.to/3WAMd4R


#askzac #princetonreverb  #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac  
Or check out my store for merch  - www.askzac.com

As soon as I got a second guitar amp in High School, I began experimenting with running both of them at the same time. In 1990 this usually meant a stereo chorus splitting the signal. An unwanted side-effect was that I found that my noise floor went way up, and sometimes, with certain pairings of amps, it seemed like my sound got smaller instead of bigger. It was not until almost two decades later, in 2002, I learned about the grounding and phase issues that have to be dealt with when running two amps simultaneously. Here, I show how to overcome these issues with an easy-to-find signal splitter that incorporates phase reversal controls, and safe ground lifting using an isolation transformer.

Full episode on Youtube
https://youtu.be/FZ__DCGIwDI

Amazon link to Lehle P-Split III
https://amzn.to/3MVoVU1

Book Nook Link - The Fender Archives, by Tom Wheeler
https://amzn.to/42fyZfi

The Stratocaster Chronicles, by Tom Wheeler
https://amzn.to/3WANkBE

Gear used:

1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set. 

NYXL 9.5-44 Strings
https://amzn.to/3qbGGpp

1965 Deluxe Reverb with 12" Eminence GA-SC64 speaker

Link to 12" Eminence GA-SC64 speaker
https://amzn.to/427wpYr

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Effects used:
1981 TC Chorus 
Mad Professor Deep Blue Delay 
Truetone CS6 power supply  https://amzn.to/3WAMd4R


#askzac #princetonreverb  #telecaster

Support the show

]]> Zac Childs Buzzsprout-13082517 Thu, 28 Sep 2023 12:00:00 -0500 1325 164 full false Fender’s Switch from Nitrocellulose Lacquer to Polyurethane in 1968 – Ask Zac 163 Fender’s Switch from Nitrocellulose Lacquer to Polyurethane in 1968 – Ask Zac 163 To Support the Channel:
 Patreon https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - https://my-store-be0243.creator-sprin...

I recently had access to a variety of 1957-1974 Fender guitars, and I wanted to spotlight the change in finishes when Fender started using polyurethane on necks and bodies in mid-1968. That change did not mean the total elimination of lacquer/nitro finishes, it meant that nitro was used less, but at times was still used for topcoats, and it was nearly always used on the headstock after the CBS black logo was applied into the early 1980s.

Special thanks to Dan Strain for making his 1957 Telecaster, and 1972 Stratocaster available, and of course for the use of his workbench. 

#askzac #zacchilds #telecaster

Support the show

]]> To Support the Channel:
 Patreon https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - https://my-store-be0243.creator-sprin...

I recently had access to a variety of 1957-1974 Fender guitars, and I wanted to spotlight the change in finishes when Fender started using polyurethane on necks and bodies in mid-1968. That change did not mean the total elimination of lacquer/nitro finishes, it meant that nitro was used less, but at times was still used for topcoats, and it was nearly always used on the headstock after the CBS black logo was applied into the early 1980s.

Special thanks to Dan Strain for making his 1957 Telecaster, and 1972 Stratocaster available, and of course for the use of his workbench. 

#askzac #zacchilds #telecaster

Support the show

]]> Zac Childs Buzzsprout-12969195 Tue, 26 Sep 2023 12:00:00 -0500 740 163 full false Rick Holmstrom, Broadcaster Blend Wiring, & My Birthday Trip to New Orleans - Ask Zac 162 Rick Holmstrom, Broadcaster Blend Wiring, & My Birthday Trip to New Orleans - Ask Zac 162 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

For my 50th birthday, my wonderful wife, Amy, took me on a surprise trip to New Orleans to go to Jazz Fest and see Mavis Staples.

Through a twist of fate, Mavis played 2 nights later in Nashville, and I was able to have breakfast with Rick. At my studio, he showed off the modified Broadcaster/Nocaster blend wiring he was using in his 56-mongrel Tele, and I asked if I could film it. He obliged and also talked a bit about the joy of working with Mavis, and the fun of working in a 3-piece rhythm section with two vocalists.

Wiring info
https://www.askzac.com/post/rick-holm...

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

https://www.ronellispickups.com/

#askzac #rickholmstrom #mavisstaples

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

For my 50th birthday, my wonderful wife, Amy, took me on a surprise trip to New Orleans to go to Jazz Fest and see Mavis Staples.

Through a twist of fate, Mavis played 2 nights later in Nashville, and I was able to have breakfast with Rick. At my studio, he showed off the modified Broadcaster/Nocaster blend wiring he was using in his 56-mongrel Tele, and I asked if I could film it. He obliged and also talked a bit about the joy of working with Mavis, and the fun of working in a 3-piece rhythm section with two vocalists.

Wiring info
https://www.askzac.com/post/rick-holm...

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

https://www.ronellispickups.com/

#askzac #rickholmstrom #mavisstaples

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12969150 Mon, 25 Sep 2023 12:00:00 -0500 2407 162 full false I Was Given A 1967 Bigsby Fender Telecaster - Ask Zac 162 I Was Given A 1967 Bigsby Fender Telecaster - Ask Zac 162 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

My dear friend and mentor, Bill McCumber, contacted me a couple of weeks ago saying he wanted to give me his 1967 factory-equipped Bigsby Telecaster. I was blown away, not just by the gift, but also remembering the many kindnesses Bill had done for me through the years. I share about Bill and the modifications that he had done to the guitar since he bought it from Clawson's Music in Corpus Christi, Texas in the mid-1960s. Through the years, it received an electronics upgrade from Bill Lawrence, who did the modifications himself, and a neck change to a mid-70s model.

I also show how Bill's Tele has aged differently from my 1967 Telecaster, as his 1967 has much less wear, yet is much darker due to the number of gigs he played in the smoke-filled Honky Tonks and Dance Halls of South Texas.

Book Nook Amazon link - Fender The Inside Story by Forrest White
https://amzn.to/3MidRQQ

Gear used:

1967 factory Bigsby-equipped Fender Telecaster with Bill Lawrence pickups, and a mid-70s neck.

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Effects used:
Mad Professor Deep Blue Delay


#askzac #billlawrence #bigsbytelecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

My dear friend and mentor, Bill McCumber, contacted me a couple of weeks ago saying he wanted to give me his 1967 factory-equipped Bigsby Telecaster. I was blown away, not just by the gift, but also remembering the many kindnesses Bill had done for me through the years. I share about Bill and the modifications that he had done to the guitar since he bought it from Clawson's Music in Corpus Christi, Texas in the mid-1960s. Through the years, it received an electronics upgrade from Bill Lawrence, who did the modifications himself, and a neck change to a mid-70s model.

I also show how Bill's Tele has aged differently from my 1967 Telecaster, as his 1967 has much less wear, yet is much darker due to the number of gigs he played in the smoke-filled Honky Tonks and Dance Halls of South Texas.

Book Nook Amazon link - Fender The Inside Story by Forrest White
https://amzn.to/3MidRQQ

Gear used:

1967 factory Bigsby-equipped Fender Telecaster with Bill Lawrence pickups, and a mid-70s neck.

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

Effects used:
Mad Professor Deep Blue Delay


#askzac #billlawrence #bigsbytelecaster

Texas Toast
The #1 Country Music Podcast in Texas!

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Support the show

]]> Zac Childs Buzzsprout-12969180 Sun, 24 Sep 2023 12:00:00 -0500 1521 162 full false Western Swing Soloing Hacks - Ask Zac 161 Western Swing Soloing Hacks - Ask Zac 161 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

One of my Patreon supporters started playing with a new group, and they wanted to add some Western Swing numbers and he wanted some pointers for playing in that style. I thought this would be the perfect topic for a video. Here, I share some do's and don'ts along with harmonic & tonal concepts for sounding legit when performing Western Swing.

Junior Barnard playlist
https://open.spotify.com/playlist/11b...



Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

https://danocaster.com/

https://www.ronellispickups.com/

Strings:
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Jrocket Archer Ikon with NOS diods from Chad C.

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

One of my Patreon supporters started playing with a new group, and they wanted to add some Western Swing numbers and he wanted some pointers for playing in that style. I thought this would be the perfect topic for a video. Here, I share some do's and don'ts along with harmonic & tonal concepts for sounding legit when performing Western Swing.

Junior Barnard playlist
https://open.spotify.com/playlist/11b...



Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

https://danocaster.com/

https://www.ronellispickups.com/

Strings:
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

Effects: Jrocket Archer Ikon with NOS diods from Chad C.

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12969125 Fri, 22 Sep 2023 12:00:00 -0500 1625 161 full false I Have Arthritis, But I Ain't Quittin' - Ask Zac 160 I Have Arthritis, But I Ain't Quittin' - Ask Zac 160 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have been struggling off and on with hand pain since 2019 but had been able to keep things under control until March 2023. Last month, my hand pain hit a new level, and I knew I needed to find out what was going on. Today's episode lays out my journey and my road forward.

FYI, I just played one of my gigs in Tulsa last night. All went well, just a bit sore, and going to ice it down some. Looking forward to the gig tonight, April 21, 2023.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

#askzac #zacchilds #arthritis

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have been struggling off and on with hand pain since 2019 but had been able to keep things under control until March 2023. Last month, my hand pain hit a new level, and I knew I needed to find out what was going on. Today's episode lays out my journey and my road forward.

FYI, I just played one of my gigs in Tulsa last night. All went well, just a bit sore, and going to ice it down some. Looking forward to the gig tonight, April 21, 2023.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addario NYXL 95-44
https://amzn.to/41rnl0V

Pick:
Blue Chip TPR 35

#askzac #zacchilds #arthritis

Support the show

]]> Zac Childs Buzzsprout-12969098 Wed, 20 Sep 2023 12:00:00 -0500 979 160 full false Zac’s Hacks - How to Compensate Your Vintage Tele Saddles - Ask Zac 159 Zac’s Hacks - How to Compensate Your Vintage Tele Saddles - Ask Zac 159 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In today’s Zac’s Hacks, I demonstrate the old-timey “bend the saddle screw” solution for better intonation using vintage saddles. To do this, one bends the long screw that attaches the saddle to the bridge. Also, I tell the story of how I learned how to do the modification while watching Joe Glaser work on Vince Gill’s prized 1953 Telecaster.

Saddle Driver
https://musiccitybridge.com/products/...

Book: Fender The Golden Age

https://amzn.to/43FGkXm



#askzac #telecaster #compensatedsaddles

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In today’s Zac’s Hacks, I demonstrate the old-timey “bend the saddle screw” solution for better intonation using vintage saddles. To do this, one bends the long screw that attaches the saddle to the bridge. Also, I tell the story of how I learned how to do the modification while watching Joe Glaser work on Vince Gill’s prized 1953 Telecaster.

Saddle Driver
https://musiccitybridge.com/products/...

Book: Fender The Golden Age

https://amzn.to/43FGkXm



#askzac #telecaster #compensatedsaddles

Support the show

]]> Zac Childs Buzzsprout-12969071 Mon, 18 Sep 2023 12:00:00 -0500 1071 159 full false The Fabulous Headstrong Lil' King Amp - Ask Zac 158 The Fabulous Headstrong Lil' King Amp - Ask Zac 158 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have bought and sold at least 10 Princeton Reverb-style amps over the last 30 years. I want to love them, but I hate the way most of them sound really small when dialed in clean with a Telecaster's bridge pickup. And as much as I love my old 1965 Deluxe Reverb amp, there are many times when I wish I had an amp that would hit the sweet spot at a lower volume, and be a bit easier to tote around.

Earlier this year, I was at JD Simo's studio, and he encouraged me to play through his Headstrong Lil' King. I was blown away and ordered one the next day. It arrived a couple of weeks later, handbuilt by Wayne, and it was no less stellar than Simo's amp. I took the amp on a gig 2-days later, and I kept looking back at it during the gig. I played at least half the time on the bridge pickup with a cleaner tone, and the Lil' King produced wonderfully fat tones. After many years of searching, I found my Princeton.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addarion NYXL 95-44

Pick:
Blue Chip TPR 35

#askzac #princetonreverb #headstrongamps

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have bought and sold at least 10 Princeton Reverb-style amps over the last 30 years. I want to love them, but I hate the way most of them sound really small when dialed in clean with a Telecaster's bridge pickup. And as much as I love my old 1965 Deluxe Reverb amp, there are many times when I wish I had an amp that would hit the sweet spot at a lower volume, and be a bit easier to tote around.

Earlier this year, I was at JD Simo's studio, and he encouraged me to play through his Headstrong Lil' King. I was blown away and ordered one the next day. It arrived a couple of weeks later, handbuilt by Wayne, and it was no less stellar than Simo's amp. I took the amp on a gig 2-days later, and I kept looking back at it during the gig. I played at least half the time on the bridge pickup with a cleaner tone, and the Lil' King produced wonderfully fat tones. After many years of searching, I found my Princeton.

Gear used:

2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
https://headstrongamps.com/lil-king-amp

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addarion NYXL 95-44

Pick:
Blue Chip TPR 35

#askzac #princetonreverb #headstrongamps

Support the show

]]> Zac Childs Buzzsprout-12969019 Sat, 16 Sep 2023 12:00:00 -0500 1224 158 full false Wiring the Tone Pot only to the Telecaster Bridge Pickup - Ask Zac 157 Wiring the Tone Pot only to the Telecaster Bridge Pickup - Ask Zac 157 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The bane of most Telecaster players is getting both the neck and bridge pickups to sound their best. It seems when you get the neck pickup sounding right, the bridge is too bright, or if reversed, the bridge sounds great, and the neck pickup is just too dark to cut through. The bridge pickup needs the amp to be set darker, and the neck pickup requires a brighter amp tone. After struggling with this for years, I decided to try wiring the tone pot to only the bridge pickup on my Telecaster. This was a total game-changer. Now I could set my amp's tone controls for a clear yet fat tone on the neck pickup, then move to the bridge setting and tone down the treble, to get it sounding twangy yet without any icepick-like highs.

Wiring Schematic
https://www.askzac.com/post/no-tone-o...

Note on the Bill Carson book. Unfortunately, this is another title that has drifted out-of-print and is hard to find. Perhaps Willie Moseley, Vintage Guitar Magazine, and Hal Leonard will bring it back in some form.

#askzac #zacchilds #telecastermods

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The bane of most Telecaster players is getting both the neck and bridge pickups to sound their best. It seems when you get the neck pickup sounding right, the bridge is too bright, or if reversed, the bridge sounds great, and the neck pickup is just too dark to cut through. The bridge pickup needs the amp to be set darker, and the neck pickup requires a brighter amp tone. After struggling with this for years, I decided to try wiring the tone pot to only the bridge pickup on my Telecaster. This was a total game-changer. Now I could set my amp's tone controls for a clear yet fat tone on the neck pickup, then move to the bridge setting and tone down the treble, to get it sounding twangy yet without any icepick-like highs.

Wiring Schematic
https://www.askzac.com/post/no-tone-o...

Note on the Bill Carson book. Unfortunately, this is another title that has drifted out-of-print and is hard to find. Perhaps Willie Moseley, Vintage Guitar Magazine, and Hal Leonard will bring it back in some form.

#askzac #zacchilds #telecastermods

Support the show

]]> Zac Childs Buzzsprout-12968971 Thu, 14 Sep 2023 12:00:00 -0500 1069 157 full false Merle Travis - Musical Giant & Architect of the Solid Body Guitar - Ask Zac 156 Merle Travis - Musical Giant & Architect of the Solid Body Guitar - Ask Zac 156 Truefire Link  https://prf.hn/l/LbY3nGL

Enter promo code "ASKZAC30" to save 30%

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Many know Merle Travis simply as the name behind "Travis Picking," yet are unaware of his influence as a performer and songwriter. Perhaps even less known, is how in the late 40s he was one of the architects of the solid body guitar. It seems almost a deep dark secret that his Bigsby-made guitar was borrowed by Leo Fender in 1948, and it set the course for the Telecaster and Stratocaster. Today, we seek to spotlight this overlooked contribution by Merle and Paul Bigsby and to spotlight the incredible musical works of the great Merle Travis.


Sixteen Tons: The Merle Travis Story - By Merle Travis & Deke Dickerson
https://amzn.to/3YtybBl

To buy a copy autographed by Deke
https://dekedickerson.com/merch/sixte...

The Merle Travis Guitar Album
https://open.spotify.com/album/6Nq6eD...

#askzac #merletravis #bigsbyguitar

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Truefire Link  https://prf.hn/l/LbY3nGL

Enter promo code "ASKZAC30" to save 30%

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Many know Merle Travis simply as the name behind "Travis Picking," yet are unaware of his influence as a performer and songwriter. Perhaps even less known, is how in the late 40s he was one of the architects of the solid body guitar. It seems almost a deep dark secret that his Bigsby-made guitar was borrowed by Leo Fender in 1948, and it set the course for the Telecaster and Stratocaster. Today, we seek to spotlight this overlooked contribution by Merle and Paul Bigsby and to spotlight the incredible musical works of the great Merle Travis.


Sixteen Tons: The Merle Travis Story - By Merle Travis & Deke Dickerson
https://amzn.to/3YtybBl

To buy a copy autographed by Deke
https://dekedickerson.com/merch/sixte...

The Merle Travis Guitar Album
https://open.spotify.com/album/6Nq6eD...

#askzac #merletravis #bigsbyguitar

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968937 Tue, 12 Sep 2023 12:00:00 -0500 1517 156 full false Meet Chris Stapleton's Guitarist - Mike Eli LoPinto - Ask Zac 155 Meet Chris Stapleton's Guitarist - Mike Eli LoPinto - Ask Zac 155 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Mike Eli LoPinto along with Derek Mixon, J.T. Cure, and Paul Franklin make up the stellar backing band for superstar Chris Stapleton. LoPinto stopped by for a hang, and he was kind enough to oblige me with a bit of playing and Q&A.

#askzac #mikelopinto #chrisstapleton

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Mike Eli LoPinto along with Derek Mixon, J.T. Cure, and Paul Franklin make up the stellar backing band for superstar Chris Stapleton. LoPinto stopped by for a hang, and he was kind enough to oblige me with a bit of playing and Q&A.

#askzac #mikelopinto #chrisstapleton

Support the show

]]> Zac Childs Buzzsprout-12968895 Sun, 10 Sep 2023 12:00:00 -0500 839 155 full false Chris Scruggs - Nashville Music Royalty & Torchbearer - Ask Zac 154 Chris Scruggs - Nashville Music Royalty & Torchbearer - Ask Zac 154 Chris Scruggs is the host of his own WSM radio show that runs on Friday nights after the Grand Ole Opry, fronts his own band, The Stone Fox Five, and is a member of the white-hot group backing Marty Stuart, The Fabulous Superlatives. He is also a busy session man with everyone from up-and-comers to hitmakers Kacey Musgraves & Sierra Ferrell, and more recently, he was the youngest member inducted into the Musicians Hall of Fame.  

In today's episode, Scruggs tells his own story, and along the way shares plenty of country music lore and spotlights 4 of his favorite guitars, a 1962 Telecaster, a 50s Fender double-neck steel, a 1959 Martin D-18, and a 1938 Gibson L5.

#askzac #chrisscruggs #martystuart

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Chris Scruggs is the host of his own WSM radio show that runs on Friday nights after the Grand Ole Opry, fronts his own band, The Stone Fox Five, and is a member of the white-hot group backing Marty Stuart, The Fabulous Superlatives. He is also a busy session man with everyone from up-and-comers to hitmakers Kacey Musgraves & Sierra Ferrell, and more recently, he was the youngest member inducted into the Musicians Hall of Fame.  

In today's episode, Scruggs tells his own story, and along the way shares plenty of country music lore and spotlights 4 of his favorite guitars, a 1962 Telecaster, a 50s Fender double-neck steel, a 1959 Martin D-18, and a 1938 Gibson L5.

#askzac #chrisscruggs #martystuart

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968841 Fri, 08 Sep 2023 12:00:00 -0500 6403 154 full false Volume Pedals - The History, The Influential Players, and What To Look For When Buying - Ask Zac 153 Volume Pedals - The History, The Influential Players, and What To Look For When Buying - Ask Zac 153 The volume pedal was the first effect device created for the guitar. They were introduced in the mid-1930s, being offered by most major electric guitar makers, including Gibson & Rickenbacker, and pickup maker DeArmond. Although it was initially mainly used by steel guitarists from the 1930s-1960s, the 70s brought us 3 musicians that made it an important tool for guitarists, Reggie Young, Larry Carlton, and Mark Knopfler. These players used the volume pedal as an effect on numerous hit recordings, which caused it to finally take its place as a "must have" pedal. We also look at some important factors that one should consider when buying a volume pedal. Issues such as tone suck, buffers, pot taper, and more modern pot-less designs.

Spotify Playlist
https://open.spotify.com/playlist/7Am...

Gear Used:
2008 R9 Les Paul

Amp:
1965 Deluxe Reverb with a GA-SC64 speaker

Effects used:
Amp reverb, Line 6 Echo Park, Dunlop Volume X

#askzac #volumepedal #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> The volume pedal was the first effect device created for the guitar. They were introduced in the mid-1930s, being offered by most major electric guitar makers, including Gibson & Rickenbacker, and pickup maker DeArmond. Although it was initially mainly used by steel guitarists from the 1930s-1960s, the 70s brought us 3 musicians that made it an important tool for guitarists, Reggie Young, Larry Carlton, and Mark Knopfler. These players used the volume pedal as an effect on numerous hit recordings, which caused it to finally take its place as a "must have" pedal. We also look at some important factors that one should consider when buying a volume pedal. Issues such as tone suck, buffers, pot taper, and more modern pot-less designs.

Spotify Playlist
https://open.spotify.com/playlist/7Am...

Gear Used:
2008 R9 Les Paul

Amp:
1965 Deluxe Reverb with a GA-SC64 speaker

Effects used:
Amp reverb, Line 6 Echo Park, Dunlop Volume X

#askzac #volumepedal #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968721 Wed, 06 Sep 2023 12:00:00 -0500 1613 153 full false WAH, TELE, & STRING TALK with JD SIMO - Ask Zac 152 @JDSimoMusic WAH, TELE, & STRING TALK with JD SIMO - Ask Zac 152 @JDSimoMusic Truefire Link  https://prf.hn/l/LbY3nGL

Enter promo code "ASKZAC30" to save 30%

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

A visit to JD Simo's House of Grease to get a tweak done on my wah ends up leading him to demo his new fly board, talking about his love for StringJoy Broadway pure nickel strings, and us getting to hear his Headstrong Lil King (Princeton Reverb) amp that he has been relying on recently for shows and sessions. We also cover in-depth his Danocaster's wiring scheme, which features a Gibson humbucker, plus a Telecaster bridge, that has the tone control wired to only the bridge pickup.

No tone on the neck schematic
https://www.askzac.com/post/no-tone-o...

#stringjoy #jdsimo #headstrongamps

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Truefire Link  https://prf.hn/l/LbY3nGL

Enter promo code "ASKZAC30" to save 30%

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

A visit to JD Simo's House of Grease to get a tweak done on my wah ends up leading him to demo his new fly board, talking about his love for StringJoy Broadway pure nickel strings, and us getting to hear his Headstrong Lil King (Princeton Reverb) amp that he has been relying on recently for shows and sessions. We also cover in-depth his Danocaster's wiring scheme, which features a Gibson humbucker, plus a Telecaster bridge, that has the tone control wired to only the bridge pickup.

No tone on the neck schematic
https://www.askzac.com/post/no-tone-o...

#stringjoy #jdsimo #headstrongamps

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968673 Mon, 04 Sep 2023 12:00:00 -0500 2081 152 full false Finding the Perfect Wah - Ask Zac 151 Finding the Perfect Wah - Ask Zac 151 Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

I have loved the classic wah sound for years, but have never been able to find one I liked. Years of buying various models, and feeling like they had too wide of a tonal variance finally caused me to quit looking. Recently, a friend told me that old wahs had less travel and that 70s models were available for well under $200. I picked up a Thomas Organ Wah for $120 off reverb.com, and I was so pleasantly surprised to find out how much difference the lesser travel made. It was now more vocal sounding and more in the range of useability for me. Besides my wah journey, we also have Bill Keck modify the unit to be true bypass, and we follow up with our book nook segment.

Schematic to true bypass your old wah
https://www.wah-wah.co.uk/bypass.html

The proper switch for True Bypass Wah
https://www.amplifiedparts.com/produc...

Gibson Amp Book, which is unfortunately out of print:
https://amzn.to/3XG165R
https://www.jwpepper.com/Gibson-Ampli...

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration an

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

I have loved the classic wah sound for years, but have never been able to find one I liked. Years of buying various models, and feeling like they had too wide of a tonal variance finally caused me to quit looking. Recently, a friend told me that old wahs had less travel and that 70s models were available for well under $200. I picked up a Thomas Organ Wah for $120 off reverb.com, and I was so pleasantly surprised to find out how much difference the lesser travel made. It was now more vocal sounding and more in the range of useability for me. Besides my wah journey, we also have Bill Keck modify the unit to be true bypass, and we follow up with our book nook segment.

Schematic to true bypass your old wah
https://www.wah-wah.co.uk/bypass.html

The proper switch for True Bypass Wah
https://www.amplifiedparts.com/produc...

Gibson Amp Book, which is unfortunately out of print:
https://amzn.to/3XG165R
https://www.jwpepper.com/Gibson-Ampli...

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration an

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968619 Sat, 02 Sep 2023 12:00:00 -0500 2597 151 full false Gig Stories From Las Vegas - Ask Zac 150 @austinskinner Gig Stories From Las Vegas - Ask Zac 150 @austinskinner To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The low down on my 5 nights of gigging with @austinskinner  in Las Vegas. Being that the venue had a Boss Katana amp, I decided to leave the Strymon Iridium at home, and try it out. I also took a mid-70s Cry Baby Wah, and my 2008 R9 Les Paul to have more tonal offerings than just my '57 Esquire & my grab-and-go pedalboard. I also had a crazy adventure trying to visit J & E Guitars. I found out they were closed due to a robbery committed during business hours. The assailants used a crowd-control pepper spray device that coated all of the store's stock, rendering everything unsaleable.

#askzac #austinskinner #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
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Or check out my store for merch  - www.askzac.com

The low down on my 5 nights of gigging with @austinskinner  in Las Vegas. Being that the venue had a Boss Katana amp, I decided to leave the Strymon Iridium at home, and try it out. I also took a mid-70s Cry Baby Wah, and my 2008 R9 Les Paul to have more tonal offerings than just my '57 Esquire & my grab-and-go pedalboard. I also had a crazy adventure trying to visit J & E Guitars. I found out they were closed due to a robbery committed during business hours. The assailants used a crowd-control pepper spray device that coated all of the store's stock, rendering everything unsaleable.

#askzac #austinskinner #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968569 Wed, 30 Aug 2023 12:00:00 -0500 1769 150 full false 3 Keys to Success in Music - Ask Zac - 147 3 Keys to Success in Music - Ask Zac - 147 Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

Between my work with the Truetone Lounge and Vintage Guitar Magazine, I have interviewed many award-winning musicians with long and storied careers. It struck me recently that every one of them had a pivotal moment in their story where 3 important elements came together to launch their careers. These integral ingredients can be distilled down to hard work, risk-taking, and timing/luck. All 3 of these are incredibly important, and the house quickly falls if any one of these elements is absent. To illustrate, I share anecdotes from my interviews with John Jorgenson, Pete Anderson, and JD Simo showing how the elements of hard work, risk-taking, and luck played out in their careers.

Gear Used:

Baxendale Kay Mandocello

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

Effects:
Boss Analogman mod TR-2, MXR Reverb

#askzac #zacchilds

Support the show

]]> Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

Between my work with the Truetone Lounge and Vintage Guitar Magazine, I have interviewed many award-winning musicians with long and storied careers. It struck me recently that every one of them had a pivotal moment in their story where 3 important elements came together to launch their careers. These integral ingredients can be distilled down to hard work, risk-taking, and timing/luck. All 3 of these are incredibly important, and the house quickly falls if any one of these elements is absent. To illustrate, I share anecdotes from my interviews with John Jorgenson, Pete Anderson, and JD Simo showing how the elements of hard work, risk-taking, and luck played out in their careers.

Gear Used:

Baxendale Kay Mandocello

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

Effects:
Boss Analogman mod TR-2, MXR Reverb

#askzac #zacchilds

Support the show

]]> Zac Childs Buzzsprout-12968482 Mon, 28 Aug 2023 12:00:00 -0500 1056 147 full false The Bob Warford & Clarence White Telecaster - The Second B-Bender Tele - Ask Zac 146 The Bob Warford & Clarence White Telecaster - The Second B-Bender Tele - Ask Zac 146 Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

Today we spotlight Clarence White's former #1 Telecaster, which he used on some of The Byrd's "Sweetheart of the Rodeo" tracks, and likely the "Nashville West" recordings. After Gene Parsons installed the B-Bender on his sunburst backup Tele, it knocked the white Tele to the #2 position, and it was soon traded to his bandmate Bob Warford for a Nobel acoustic guitar.  Wanting to also use a B-Bender, Warford & his dad engineered their own system based on Gene's original design, but with a few improvements including the allowance for a slimmer body to fit in a standard guitar case. Once learning the ropes of the mechanism, Bob would feature the B-Bender-equipped Tele with such greats as the Everly Brothers, Linda Ronstadt, Emmylou Harris, Herb Pedersen, and Chris Hillman. Today's video drills down on the modifications done to it, and we look at the ingredients to his rig to produce the memorable tones he featured on Ronstadt's "Willin'" and "Dark End Of The Street."

Spotify Playlist
https://open.spotify.com/playlist/2kK...

Bender plans and photos
https://www.askzac.com/post/bob-warfo...

Gear Used:

Crook Paisley Tele.

Strings:
Webstrings pure nickel 9-42

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

#askzac #clarencewhite  #bobwarford

Support the show

]]> Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

Today we spotlight Clarence White's former #1 Telecaster, which he used on some of The Byrd's "Sweetheart of the Rodeo" tracks, and likely the "Nashville West" recordings. After Gene Parsons installed the B-Bender on his sunburst backup Tele, it knocked the white Tele to the #2 position, and it was soon traded to his bandmate Bob Warford for a Nobel acoustic guitar.  Wanting to also use a B-Bender, Warford & his dad engineered their own system based on Gene's original design, but with a few improvements including the allowance for a slimmer body to fit in a standard guitar case. Once learning the ropes of the mechanism, Bob would feature the B-Bender-equipped Tele with such greats as the Everly Brothers, Linda Ronstadt, Emmylou Harris, Herb Pedersen, and Chris Hillman. Today's video drills down on the modifications done to it, and we look at the ingredients to his rig to produce the memorable tones he featured on Ronstadt's "Willin'" and "Dark End Of The Street."

Spotify Playlist
https://open.spotify.com/playlist/2kK...

Bender plans and photos
https://www.askzac.com/post/bob-warfo...

Gear Used:

Crook Paisley Tele.

Strings:
Webstrings pure nickel 9-42

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

#askzac #clarencewhite  #bobwarford

Support the show

]]> Zac Childs Buzzsprout-12968450 Sat, 26 Aug 2023 12:00:00 -0500 1280 146 full false Luke McQueary - Don Kelley’s Last Hero - Ask Zac 145 Luke McQueary - Don Kelley’s Last Hero - Ask Zac 145 Luke McQueary was Don Kelley's final guitarist in his long line of amazing players. Today we sit down and talk about his beginnings and the importance of Don's tutelage in his progression as a musician and performer. Though Don Kelley is now retired, the tradition lives on with Kelley's Heroes Wednesday through Saturday, 6:30 -10:30 PM at Robert's Western World. Luke also shows off his rig which includes a specially ordered Custom Shop Telecaster Thinline, vintage Deluxe Reverb, and a small pedalboard.

#askzac #donkelley #lukemcqueary

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Luke McQueary was Don Kelley's final guitarist in his long line of amazing players. Today we sit down and talk about his beginnings and the importance of Don's tutelage in his progression as a musician and performer. Though Don Kelley is now retired, the tradition lives on with Kelley's Heroes Wednesday through Saturday, 6:30 -10:30 PM at Robert's Western World. Luke also shows off his rig which includes a specially ordered Custom Shop Telecaster Thinline, vintage Deluxe Reverb, and a small pedalboard.

#askzac #donkelley #lukemcqueary

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968365 Thu, 24 Aug 2023 12:00:00 -0500 4222 145 full false The Story of James Burton's 1969 Paisley Telecaster - Ask Zac 144 The Story of James Burton's 1969 Paisley Telecaster - Ask Zac 144 Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

In 1969, Burton put his 52 Telecaster into semi-retirement, and would use his 1969 paisley Telecaster all throughout the 70s and 80s playing on countless recordings, and touring with Elvis, Emmylou Harris, John Denver, Jerry Lee Lewis, and Elvis Costello. During that time, he made quite a few modifications to the instrument, including changing pickups, bridges, hardware, and even a neck swap or 2. Today's episode spotlight all the changes the guitar went through in the years he used it as his main guitar for both the studio and the road.

Spotify Playlist
https://open.spotify.com/playlist/47J...

Gear Used:

Crook Paisley Tele.

Strings:
Webstrings pure nickel 9-42

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

#askzac #jamesburton  #zacchilds

Support the show

]]> Enter promo code "ASKZAC30" to save 30%
Truefire https://prf.hn/l/LbY3nGL

To Support the Channel:

Patreon  https://www.patreon.com/AskZac

Tip jar:  https://paypal.me/AskZac

Venmo @AskZac 

Or check out my store for merch  - www.askzac.com

In 1969, Burton put his 52 Telecaster into semi-retirement, and would use his 1969 paisley Telecaster all throughout the 70s and 80s playing on countless recordings, and touring with Elvis, Emmylou Harris, John Denver, Jerry Lee Lewis, and Elvis Costello. During that time, he made quite a few modifications to the instrument, including changing pickups, bridges, hardware, and even a neck swap or 2. Today's episode spotlight all the changes the guitar went through in the years he used it as his main guitar for both the studio and the road.

Spotify Playlist
https://open.spotify.com/playlist/47J...

Gear Used:

Crook Paisley Tele.

Strings:
Webstrings pure nickel 9-42

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

#askzac #jamesburton  #zacchilds

Support the show

]]> Zac Childs Buzzsprout-12968273 Tue, 22 Aug 2023 12:00:00 -0500 1124 144 full false James Burton's 1952 Tele - The Beginning of the Telecaster Craze - Ask Zac 143 James Burton's 1952 Tele - The Beginning of the Telecaster Craze - Ask Zac 143 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The history of James Burton's iconic 1952 Telecaster. From his parent's purchase of it in 1952, through all of the aesthetic variations, it underwent until its current incarnation of a red finish and a white pickguard. 

Spotify Playlist
https://open.spotify.com/playlist/29f...

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addario NYXL 10-46

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

#askzac #jamesburton  #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The history of James Burton's iconic 1952 Telecaster. From his parent's purchase of it in 1952, through all of the aesthetic variations, it underwent until its current incarnation of a red finish and a white pickguard. 

Spotify Playlist
https://open.spotify.com/playlist/29f...

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addario NYXL 10-46

Pick:
Blue Chip TPR 35

Amp:
2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.

#askzac #jamesburton  #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968196 Sun, 20 Aug 2023 12:00:00 -0500 1520 143 full false The Best $200 Guitar Amp - The Peavey Special 130 - Ask Zac 142 The Best $200 Guitar Amp - The Peavey Special 130 - Ask Zac 142 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The tale of the greatest $200 amp on the planet, the 80s Peavey Special 130.

Amazon link to Peavey book  https://amzn.to/3F0YlFl

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addarion NYXL 10-46

Pick:
Blue Chip TPR 35

Amp:
1984 Peavey Special 130

#askzac #peaveyspecial130 #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The tale of the greatest $200 amp on the planet, the 80s Peavey Special 130.

Amazon link to Peavey book  https://amzn.to/3F0YlFl

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.

Strings:
D'Addarion NYXL 10-46

Pick:
Blue Chip TPR 35

Amp:
1984 Peavey Special 130

#askzac #peaveyspecial130 #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968142 Fri, 18 Aug 2023 12:00:00 -0500 1901 142 full false Musicians Hall of Fame & Museum - A Nashville Must- Ask Zac 141 Musicians Hall of Fame & Museum - A Nashville Must- Ask Zac 141 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I recently went to the Musicians Hall of Fame with my friend JD Simo and was just gobsmacked the entire time as we walked through it. Today, I champion the Hall and tell a bit about its late founder, Joe Chambers. If you come to Nashville, this is an absolute must-do.

Also, you get a look at JD and I goofing on James Burton's 1952 and 1969 Telecasters.

Book link Memphis Boys https://amzn.to/3XdioY6

#askzac #musicianshalloffame #jamesburton

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I recently went to the Musicians Hall of Fame with my friend JD Simo and was just gobsmacked the entire time as we walked through it. Today, I champion the Hall and tell a bit about its late founder, Joe Chambers. If you come to Nashville, this is an absolute must-do.

Also, you get a look at JD and I goofing on James Burton's 1952 and 1969 Telecasters.

Book link Memphis Boys https://amzn.to/3XdioY6

#askzac #musicianshalloffame #jamesburton

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12968099 Wed, 16 Aug 2023 12:00:00 -0500 1488 141 full false Bernie Leadon - Eagle on a B-Bender - Ask Zac 140 Bernie Leadon - Eagle on a B-Bender - Ask Zac 140 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Bernie Leadon played guitar, mandolin, banjo, pedal steel, and sang harmony vocals on the greatest-selling album of all time, Eagles Greatest Hits, Volume 1. For many guitarists, he is known as one of the earliest exponents of the B-Bender, a mechanical device that allows the "B" string to be raised a whole step via a system of cranks and levers. His work on "Peaceful Easy Feeling" is an excellent example of the sound the device allows and is by far the most accessible and most often heard example of a guitarist using it.  Today we take a look at Leadon's work through the years, spotlight some of his session work, and discuss his original Pull-String equipped Telecaster. We also cover how he ended up on the History of the Eagles tour, and the spartan setup that he used for the 170 dates back out on the road with his old band.

Buddy Emmons book - Amazon Affiliate link  https://amzn.to/3zHaqfy

Bernie Leadon Playlist
https://open.spotify.com/playlist/72M...

Gear Used:

Crook Paisley with Glaser B-Bender

1959 Harvard amp

Boss CS3 comp, MXR Reverb, MXR Looper

Bass - Danelectro Bass 6
Rhythm - Baxendale Kay Mandocello

#askzac #bernieleadon #eaglesband

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Bernie Leadon played guitar, mandolin, banjo, pedal steel, and sang harmony vocals on the greatest-selling album of all time, Eagles Greatest Hits, Volume 1. For many guitarists, he is known as one of the earliest exponents of the B-Bender, a mechanical device that allows the "B" string to be raised a whole step via a system of cranks and levers. His work on "Peaceful Easy Feeling" is an excellent example of the sound the device allows and is by far the most accessible and most often heard example of a guitarist using it.  Today we take a look at Leadon's work through the years, spotlight some of his session work, and discuss his original Pull-String equipped Telecaster. We also cover how he ended up on the History of the Eagles tour, and the spartan setup that he used for the 170 dates back out on the road with his old band.

Buddy Emmons book - Amazon Affiliate link  https://amzn.to/3zHaqfy

Bernie Leadon Playlist
https://open.spotify.com/playlist/72M...

Gear Used:

Crook Paisley with Glaser B-Bender

1959 Harvard amp

Boss CS3 comp, MXR Reverb, MXR Looper

Bass - Danelectro Bass 6
Rhythm - Baxendale Kay Mandocello

#askzac #bernieleadon #eaglesband

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12967918 Mon, 14 Aug 2023 12:00:00 -0500 1864 140 full false Redd Volkaert - The Telewacker - Ask Zac Player Spotlight - 139 Redd Volkaert - The Telewacker - Ask Zac Player Spotlight - 139 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In August 1998, I was reading the latest Guitar Player Magazine and excitedly read a feature on the new guitarist for Merle Haggard's Strangers, Redd Volkaert. In the accompanying photo, he was captured holding a number of Roy Nichols-era Haggard albums, and cradling a number of vintage Telecasters, including a blackguard. In the article, Redd promoted his new "Telewacker" album and professed his love for Nichols, and I knew that this was the man that was going to bring the Telecaster sound back to the Hag's lead guitar spot. As much as I had loved the 1980s-era Roy and later Clint Strong with their Les Paul and Peavey Session 400 rigs, I had longed to hear the tunes played with a Tele and a JBL-equipped Fender amp. I soon learned that Haggard was playing nearby and I immediately bought a ticket to see Merle and the Strangers for their show on September 4th, 1998, in Corpus Christi, Texas. For the entire show, Redd was on-fire, as he paid homage to his predecessors, yet put his spin on the guitar parts to Merle's incredible catalog of hits. It was one of the best shows I have ever heard.

Today we look at Redd Volkaert and his huge influence on Telecaster players over the last 30 years. Also, we feature a new segment, Zac's book time.

Book link https://amzn.to/3T0g9DX

Playlist
https://open.spotify.com/playlist/4DL...

Redd guests quite a bit with the Western Flyers
https://www.thewesternflyers.com/

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
D'Addarion NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb, MXR Clone Looper

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In August 1998, I was reading the latest Guitar Player Magazine and excitedly read a feature on the new guitarist for Merle Haggard's Strangers, Redd Volkaert. In the accompanying photo, he was captured holding a number of Roy Nichols-era Haggard albums, and cradling a number of vintage Telecasters, including a blackguard. In the article, Redd promoted his new "Telewacker" album and professed his love for Nichols, and I knew that this was the man that was going to bring the Telecaster sound back to the Hag's lead guitar spot. As much as I had loved the 1980s-era Roy and later Clint Strong with their Les Paul and Peavey Session 400 rigs, I had longed to hear the tunes played with a Tele and a JBL-equipped Fender amp. I soon learned that Haggard was playing nearby and I immediately bought a ticket to see Merle and the Strangers for their show on September 4th, 1998, in Corpus Christi, Texas. For the entire show, Redd was on-fire, as he paid homage to his predecessors, yet put his spin on the guitar parts to Merle's incredible catalog of hits. It was one of the best shows I have ever heard.

Today we look at Redd Volkaert and his huge influence on Telecaster players over the last 30 years. Also, we feature a new segment, Zac's book time.

Book link https://amzn.to/3T0g9DX

Playlist
https://open.spotify.com/playlist/4DL...

Redd guests quite a bit with the Western Flyers
https://www.thewesternflyers.com/

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
D'Addarion NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb, MXR Clone Looper

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12967886 Sat, 12 Aug 2023 12:00:00 -0500 1758 139 full false My Tribute to the Desert Rose Band - Ask Zac 138 My Tribute to the Desert Rose Band - Ask Zac 138 On October 2nd, 2022, the Desert Rose Band played their final show at the Country Music Hall of Fame as the finale to the opening of the new exhibit, Western Edge: The Roots & Reverberations of Los Angeles Country-Rock. At this final show, Chris Hillman introduced guitarist John Jorgenson as the architect of the Desert Rose Band. This a true statement, as it was John that had the vision to see Hillman's material that was being performed by a small acoustic combo in the early 1980s, as full band California Country Rock, with dashes of Bluegrass, Bakersfield, and Byrds for good measure. But despite John's sizeable contributions, the group was a true sum of its parts; a father of Country Rock, the finest harmony singer on the planet, a wunderkind guitarist/multi-instrumentalist, a legendary steeler, and a veteran bassist and drummer of the highest order. Chris Hillman, Herb Pedersen, John Jorgenson, Jay Dee Maness, Bill Bryson, and Steve Duncan were the finest band to hit both the road and the airwaves since Emmylou's Hot Band, Buck Owen's Buckaroos or Merle Haggard's Strangers. Although their stint with the original lineup only existed from 1985-1991, they made an indelible impact on Country Music. Studio guitarists in Nashville pointed to Jorgenson's tones and began using real amps, electric 12-strings, and six-string basses, and being more adventurous with effects. Songwriters were encouraged to create honest material that focused on sometimes difficult subjects, and road bands everywhere rehearsed more, and still shuddered at the thought of following the Californians, with great songs, amazing harmonies, and top-drawer instrumentalists. The irony of their blowing the doors open in so many avenues was that the Desert Rose Band was soon overtaken in popularity by the "New Country" of the 1990s, which they helped lay the groundwork for.

This is my tribute to a band that has given me innumerable hours of enjoyment, challenged me, and is also the chief reason that I bonded with Brad Paisley during our University years. Later, during my time as Paisley's guitar tech, he would routinely tell me if we could not have a soundcheck to "Just make my guitar sound like "Hello Trouble.""

Thank you, Chris, Herb, John, Jay Dee, Steve, and the late Bill Bryson for the music that meant so much to me.

Jorgenson's gear notes
https://www.askzac.com/post/the-deser...

Their "Greatest Hits"
https://open.spotify.com/album/6HMY1K...

The Deep Dive
https://open.spotify.com/playlist/2uO...

To Support the Channel:
Patreon 

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> On October 2nd, 2022, the Desert Rose Band played their final show at the Country Music Hall of Fame as the finale to the opening of the new exhibit, Western Edge: The Roots & Reverberations of Los Angeles Country-Rock. At this final show, Chris Hillman introduced guitarist John Jorgenson as the architect of the Desert Rose Band. This a true statement, as it was John that had the vision to see Hillman's material that was being performed by a small acoustic combo in the early 1980s, as full band California Country Rock, with dashes of Bluegrass, Bakersfield, and Byrds for good measure. But despite John's sizeable contributions, the group was a true sum of its parts; a father of Country Rock, the finest harmony singer on the planet, a wunderkind guitarist/multi-instrumentalist, a legendary steeler, and a veteran bassist and drummer of the highest order. Chris Hillman, Herb Pedersen, John Jorgenson, Jay Dee Maness, Bill Bryson, and Steve Duncan were the finest band to hit both the road and the airwaves since Emmylou's Hot Band, Buck Owen's Buckaroos or Merle Haggard's Strangers. Although their stint with the original lineup only existed from 1985-1991, they made an indelible impact on Country Music. Studio guitarists in Nashville pointed to Jorgenson's tones and began using real amps, electric 12-strings, and six-string basses, and being more adventurous with effects. Songwriters were encouraged to create honest material that focused on sometimes difficult subjects, and road bands everywhere rehearsed more, and still shuddered at the thought of following the Californians, with great songs, amazing harmonies, and top-drawer instrumentalists. The irony of their blowing the doors open in so many avenues was that the Desert Rose Band was soon overtaken in popularity by the "New Country" of the 1990s, which they helped lay the groundwork for.

This is my tribute to a band that has given me innumerable hours of enjoyment, challenged me, and is also the chief reason that I bonded with Brad Paisley during our University years. Later, during my time as Paisley's guitar tech, he would routinely tell me if we could not have a soundcheck to "Just make my guitar sound like "Hello Trouble.""

Thank you, Chris, Herb, John, Jay Dee, Steve, and the late Bill Bryson for the music that meant so much to me.

Jorgenson's gear notes
https://www.askzac.com/post/the-deser...

Their "Greatest Hits"
https://open.spotify.com/album/6HMY1K...

The Deep Dive
https://open.spotify.com/playlist/2uO...

To Support the Channel:
Patreon 

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

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]]> Zac Childs Buzzsprout-12967860 Thu, 10 Aug 2023 12:00:00 -0500 2165 138 full false The History of the Telecaster Thinline - Ask Zac 137 The History of the Telecaster Thinline - Ask Zac 137 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The Telecaster Thinline story begins with Fender's engineers experimenting with the removal of wood under the pickguard to lighten the weight of heavy ash bodies. They found that the weight loss was insignificant, so Fender's engineers set out to make an entirely new model. The resulting Telecaster Thinline was a standard Telecaster, with a partially hollowed-out body, and a stylized Pearloid pickguard released in 1968. To spruce up the model in late 1971, the model was completely revamped with a new bridge, pickguard, Wide Range humbuckers, Bullet Truss Rod, and Micro-Tilt neck adjustment. In this episode, we will detail the differences between the standard Telecaster, and the version I & II Thinline models. We will also look at the important differences that Seth Lover engineered into his 50s Gibson PAF humbucker model, and the 70s Wide Range he later designed for Fender.

Gear Used:

2022 Vintage II Fender 72 Telecaster Thinline 
1967 Fender Telecaster

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb

#askzac #telecasterthinline #zacchilds

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The Telecaster Thinline story begins with Fender's engineers experimenting with the removal of wood under the pickguard to lighten the weight of heavy ash bodies. They found that the weight loss was insignificant, so Fender's engineers set out to make an entirely new model. The resulting Telecaster Thinline was a standard Telecaster, with a partially hollowed-out body, and a stylized Pearloid pickguard released in 1968. To spruce up the model in late 1971, the model was completely revamped with a new bridge, pickguard, Wide Range humbuckers, Bullet Truss Rod, and Micro-Tilt neck adjustment. In this episode, we will detail the differences between the standard Telecaster, and the version I & II Thinline models. We will also look at the important differences that Seth Lover engineered into his 50s Gibson PAF humbucker model, and the 70s Wide Range he later designed for Fender.

Gear Used:

2022 Vintage II Fender 72 Telecaster Thinline 
1967 Fender Telecaster

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb

#askzac #telecasterthinline #zacchilds

Support the show

]]> Zac Childs Buzzsprout-12967825 Tue, 08 Aug 2023 12:00:00 -0500 1321 137 full false How Leo Fender's Telecaster Bridge Cover Became An Ashtray - Ask Zac 136 How Leo Fender's Telecaster Bridge Cover Became An Ashtray - Ask Zac 136 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Leo Fender spent a great amount of time and money to create a cover for the bridge and pickup assembly on his Esquire & Broadcaster guitars in 1950. It protected the bridge & pickup assembly from corrosion, it shielded it to help with noise, and it was an ornamental hand rest that made his guitar look more professional. Early players kept them on, but by even the mid-50s, players were taking them off to palm mute for chugga-chugga rhythms or swampy low-string licks. It soon became known as the ashtray, and Leo's functional and decorative cover was used by smokers who set them on their amps and knocked out the contents at the end of the night. Soon, most players retired them permanently to their case or lost them altogether. The lone exception to this was Iceman, Albert Collins, who not only kept his cover in place but decorated it with eye-catching reflective tape. Today we dive deep, into the story of Leo Fender's Telecaster bridge cover.

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
StringJoy Pure Nickel Round Core 10-44 (10,12,16,24,34,44)

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb, MXR Clone Looper

#askzac #stringjoy #zacchilds

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Leo Fender spent a great amount of time and money to create a cover for the bridge and pickup assembly on his Esquire & Broadcaster guitars in 1950. It protected the bridge & pickup assembly from corrosion, it shielded it to help with noise, and it was an ornamental hand rest that made his guitar look more professional. Early players kept them on, but by even the mid-50s, players were taking them off to palm mute for chugga-chugga rhythms or swampy low-string licks. It soon became known as the ashtray, and Leo's functional and decorative cover was used by smokers who set them on their amps and knocked out the contents at the end of the night. Soon, most players retired them permanently to their case or lost them altogether. The lone exception to this was Iceman, Albert Collins, who not only kept his cover in place but decorated it with eye-catching reflective tape. Today we dive deep, into the story of Leo Fender's Telecaster bridge cover.

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
StringJoy Pure Nickel Round Core 10-44 (10,12,16,24,34,44)

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb, MXR Clone Looper

#askzac #stringjoy #zacchilds

Support the show

]]> Zac Childs Buzzsprout-12967791 Sun, 06 Aug 2023 12:00:00 -0500 1026 136 full false The Fender JBL Sound - The True Story of the Premier American Guitar Speaker - Ask Zac 135 The Fender JBL Sound - The True Story of the Premier American Guitar Speaker - Ask Zac 135 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

JBL began producing efficient, high-wattage speakers in 1948 with the introduction of the D-130 model 15" speaker. The speaker was mainly used in public address (PA) systems until 1953 when Bob Crooks decided to spare no expense with his new Standel line of guitar amps, and factory install D-130's in them. Standel became the Dumble of the early 50s with their innovative cabinet and circuit designs, and also due to their use of a speaker that could produce a much clearer and louder tone than the less expensive pressed frame speakers being produced by Jensen and others. Stars from Chet Atkins to Speedy West began using Standel models over Fender, and the boys in Fullerton began to take note. Leo Fender, whose goal was always to make a great instrument at a more pocketbook-friendly price, continued to use lower-cost Jensen units until he finally relented in late 1959, producing the Vibrasonic amp, which was his first factory-equipped model with a JBL and the first Fender with Tolex covering and forward facing controls. 

In today's episode, we will look at some of the myths about them concerning brightness, the actual weight of the popular alnico magnet D120F & K120 models, and the differences between cast frame and pressed from speakers. Also, we will discuss the polarity issue and the frame thickness of the later D120F and K120 models that can require modifications to be utilized in some amps.   

A short list of guitarists that have used JBL speakers during important phases of their careers would include, Stevie Ray Vaughan, Eric Clapton, Albert Lee, Albert Collins, James Burton, Jerry Garcia, Roy Nichols, Duane Allman, Chet Atkins, Dickie Betts, Vince Gill, Mick Taylor, Keith Richards, Jesse Ed Davis, and Eric Johnson.

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
D'Addario NYXL 10-44 (10,12,16,24,34,44)

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb

#askzac #jbld120f #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

JBL began producing efficient, high-wattage speakers in 1948 with the introduction of the D-130 model 15" speaker. The speaker was mainly used in public address (PA) systems until 1953 when Bob Crooks decided to spare no expense with his new Standel line of guitar amps, and factory install D-130's in them. Standel became the Dumble of the early 50s with their innovative cabinet and circuit designs, and also due to their use of a speaker that could produce a much clearer and louder tone than the less expensive pressed frame speakers being produced by Jensen and others. Stars from Chet Atkins to Speedy West began using Standel models over Fender, and the boys in Fullerton began to take note. Leo Fender, whose goal was always to make a great instrument at a more pocketbook-friendly price, continued to use lower-cost Jensen units until he finally relented in late 1959, producing the Vibrasonic amp, which was his first factory-equipped model with a JBL and the first Fender with Tolex covering and forward facing controls. 

In today's episode, we will look at some of the myths about them concerning brightness, the actual weight of the popular alnico magnet D120F & K120 models, and the differences between cast frame and pressed from speakers. Also, we will discuss the polarity issue and the frame thickness of the later D120F and K120 models that can require modifications to be utilized in some amps.   

A short list of guitarists that have used JBL speakers during important phases of their careers would include, Stevie Ray Vaughan, Eric Clapton, Albert Lee, Albert Collins, James Burton, Jerry Garcia, Roy Nichols, Duane Allman, Chet Atkins, Dickie Betts, Vince Gill, Mick Taylor, Keith Richards, Jesse Ed Davis, and Eric Johnson.

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
D'Addario NYXL 10-44 (10,12,16,24,34,44)

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a 60s JBL D120F gray frame speaker with its original cone. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb

#askzac #jbld120f #zacchilds

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12967763 Fri, 04 Aug 2023 12:00:00 -0500 1836 135 full false How To Easily Locate A Rattling Tube - Ask Zac 134 How To Easily Locate A Rattling Tube - Ask Zac 134 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

After last week's 2-hour interview with Don Kelley, I decided something shorter was in order.
My old Deluxe Reverb started exhibiting a funky rattle, and I had to fix it. Usually, I play while a friend pushes on the amp's tubes one at a time with a pencil eraser. I show how to use a looper pedal to help you find the rattle.

#askzac #guitartech #tuberattle

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

After last week's 2-hour interview with Don Kelley, I decided something shorter was in order.
My old Deluxe Reverb started exhibiting a funky rattle, and I had to fix it. Usually, I play while a friend pushes on the amp's tubes one at a time with a pencil eraser. I show how to use a looper pedal to help you find the rattle.

#askzac #guitartech #tuberattle

Support the show

]]> Zac Childs Buzzsprout-12967734 Wed, 02 Aug 2023 12:00:00 -0500 567 134 full false Don Kelley - Nashville's Greatest Bandleader & Trainer to the Telecaster Titans - Ask Zac 133 Don Kelley - Nashville's Greatest Bandleader & Trainer to the Telecaster Titans - Ask Zac 133 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

A short list of the veterans of Don Kelley's band includes Brent Mason, Redd Volkaert, Johnny Hiland, Guthrie Trapp, JD Simo, Daniel Donato, Porter McClister, and Luke McQueary. Kelley was bandleader and coach for these giants, helping each of them hone their playing and tone by playing 5-6 days of the week, 4 hours a night, under his watchful eye.

As important as these players and their stories are, today we get to hear Don's story of growing up in Texas, serving in Vietnam, moving to Nashville to play with Joe Stampley, and how he came to lead his band and guide the careers of some of the finest guitarists in the world.

#askzac #donkelleyband #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

A short list of the veterans of Don Kelley's band includes Brent Mason, Redd Volkaert, Johnny Hiland, Guthrie Trapp, JD Simo, Daniel Donato, Porter McClister, and Luke McQueary. Kelley was bandleader and coach for these giants, helping each of them hone their playing and tone by playing 5-6 days of the week, 4 hours a night, under his watchful eye.

As important as these players and their stories are, today we get to hear Don's story of growing up in Texas, serving in Vietnam, moving to Nashville to play with Joe Stampley, and how he came to lead his band and guide the careers of some of the finest guitarists in the world.

#askzac #donkelleyband #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12967697 Mon, 31 Jul 2023 12:00:00 -0500 8449 133 full false Swapping Tele Neck Pickups, Setting Pickup Height & Solder Tips - Ask Zac 132 Swapping Tele Neck Pickups, Setting Pickup Height & Solder Tips - Ask Zac 132 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In today's video, Bill Keck and I re-install the 1954 neck pickup that was rewound by Ron Ellis. Bill passes on some important solder skills, and I show my hack for setting pickup height. To boot, you get a ton of under-the-hood shots of my 1957 Esquire.

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a V30 speaker. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb

#askzac #guitartech  #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In today's video, Bill Keck and I re-install the 1954 neck pickup that was rewound by Ron Ellis. Bill passes on some important solder skills, and I show my hack for setting pickup height. To boot, you get a ton of under-the-hood shots of my 1957 Esquire.

Gear Used:

1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Both pickups were rewound by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with a V30 speaker. Used with AmpRX Brown Box set to 113v

Effects used:
Amp reverb

#askzac #guitartech  #telecaster

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12960360 Sun, 30 Jul 2023 12:00:00 -0500 1884 132 full false Fred Carter Jr - Session Man, Mentor to Robbie Robertson, First Telecaster Man in Nashville - AZ 131 Fred Carter Jr - Session Man, Mentor to Robbie Robertson, First Telecaster Man in Nashville - AZ 131 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today we take a look at the man who brought the Telecaster sound to Nashville, Fred Carter Jr. Besides being a Tele specialist, he was also one of the great session utility men, playing everything from bass to mandolin on tracks ranging from Muddy Waters to Willie Nelson. Many are only aware of him because of his daughter, Country star Deana Carter, or the footnote of him being Robbie Robertson's mentor in the Hawks. Today we bring Fred Carter's playing outside the shadows.

Johnny Darrell "Why You Been Gone So Long"
   • Johnny Darrell "W... 

Spotify Playlist
https://open.spotify.com/playlist/1cD...

Additional photos of Fred through the years and all the links below are on my website
https://www.askzac.com/post/fred-cart...

Fred Carter Jr - "Voodoo Woman"
   • Fred Carter Jr. -... 

Fred Carter Jr. - Sitting on Mama's Knee - Nuggett
   • Fred Carter Jr. -... 

Fred Carter Jr. - River Boy - Nuggett
   • Fred Carter Jr. -... 

Gear Used:

1957 Fender Esquire with "New Tall" Ron Ellis neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
1959 Harvard with AmpRX Brown Box set to 113v

Effects used:
MXR M300 on Spring setting

#askzac #fredcarterjr

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today we take a look at the man who brought the Telecaster sound to Nashville, Fred Carter Jr. Besides being a Tele specialist, he was also one of the great session utility men, playing everything from bass to mandolin on tracks ranging from Muddy Waters to Willie Nelson. Many are only aware of him because of his daughter, Country star Deana Carter, or the footnote of him being Robbie Robertson's mentor in the Hawks. Today we bring Fred Carter's playing outside the shadows.

Johnny Darrell "Why You Been Gone So Long"
   • Johnny Darrell "W... 

Spotify Playlist
https://open.spotify.com/playlist/1cD...

Additional photos of Fred through the years and all the links below are on my website
https://www.askzac.com/post/fred-cart...

Fred Carter Jr - "Voodoo Woman"
   • Fred Carter Jr. -... 

Fred Carter Jr. - Sitting on Mama's Knee - Nuggett
   • Fred Carter Jr. -... 

Fred Carter Jr. - River Boy - Nuggett
   • Fred Carter Jr. -... 

Gear Used:

1957 Fender Esquire with "New Tall" Ron Ellis neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
1959 Harvard with AmpRX Brown Box set to 113v

Effects used:
MXR M300 on Spring setting

#askzac #fredcarterjr

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12960290 Sat, 29 Jul 2023 12:00:00 -0500 1924 131 full false Why Vintage Telecaster Pickups Die - Ask Zac 130 Why Vintage Telecaster Pickups Die - Ask Zac 130 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I played a show in Norman, Oklahoma, on a Saturday, and everything sounded fantastic with my 1957 Esquire. I picked her up on Tuesday, and there was no sound when I went to the neck pickup. I checked solder joints and metered it, and sure enough, the Esquire's neck pickup was dead. This episode is about how Tele pickups die, and how to a degree it is a bit inevitable to the gigging Tele player.

Gear Used:

1957 Fender Esquire with "New Tall" Ron Ellis neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I played a show in Norman, Oklahoma, on a Saturday, and everything sounded fantastic with my 1957 Esquire. I picked her up on Tuesday, and there was no sound when I went to the neck pickup. I checked solder joints and metered it, and sure enough, the Esquire's neck pickup was dead. This episode is about how Tele pickups die, and how to a degree it is a bit inevitable to the gigging Tele player.

Gear Used:

1957 Fender Esquire with "New Tall" Ron Ellis neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12955624 Fri, 28 Jul 2023 12:00:00 -0500 1290 130 full false A Tour of the Ron Ellis Pickup Workshop - Ask Zac 129 A Tour of the Ron Ellis Pickup Workshop - Ask Zac 129 To order Ron Ellis Pickups:  ronellispickups@gmail.com

To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Ron Ellis is one of the premier pickup winders, and a great friend to boot. I headed out to San Diego to see his new facility, and to meet the team he has put together to meet the high demand for his pickups. Ron kindly walks us through the pickup-making process and the guys that are responsible for each step of the process.

#askzac #ronellis #ronellispickups

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> To order Ron Ellis Pickups:  ronellispickups@gmail.com

To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Ron Ellis is one of the premier pickup winders, and a great friend to boot. I headed out to San Diego to see his new facility, and to meet the team he has put together to meet the high demand for his pickups. Ron kindly walks us through the pickup-making process and the guys that are responsible for each step of the process.

#askzac #ronellis #ronellispickups

Texas Toast
The #1 Country Music Podcast in Texas!

Listen on: Apple Podcasts   Spotify

Support the show

]]> Zac Childs Buzzsprout-12955570 Thu, 27 Jul 2023 12:00:00 -0500 3741 129 full false Steve Gibson - The Consummate Nashville Guitar Chameleon - Ask Zac 128 Steve Gibson - The Consummate Nashville Guitar Chameleon - Ask Zac 128 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Steve Gibson has worked with everyone from Beatle George Harrison to Randy Travis. And if you have enjoyed George Strait's work since the early 90s, then that's Steve and Brent Mason covering all of the guitar work on the Texan's hits over the last 3 decades. In today's episode, we spotlight a guitarist whose style has always been to play precisely what the song needs.

Spotify Playlist
https://open.spotify.com/playlist/1EZ...

Our Truetone Lounge interview with Steve
   • Truetone Lounge |... 

Gear Used:
1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set.

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb, Boss DD-2

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Steve Gibson has worked with everyone from Beatle George Harrison to Randy Travis. And if you have enjoyed George Strait's work since the early 90s, then that's Steve and Brent Mason covering all of the guitar work on the Texan's hits over the last 3 decades. In today's episode, we spotlight a guitarist whose style has always been to play precisely what the song needs.

Spotify Playlist
https://open.spotify.com/playlist/1EZ...

Our Truetone Lounge interview with Steve
   • Truetone Lounge |... 

Gear Used:
1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set.

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb, Boss DD-2

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12955086 Wed, 26 Jul 2023 12:00:00 -0500 819 128 full false Why I Bought A Brown Box To Protect My Vintage Tube Amps - Ask Zac 127 Why I Bought A Brown Box To Protect My Vintage Tube Amps - Ask Zac 127 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

Use the code ASKZAC to get $20 off B-Stock. They also have a mailing list signup code for free shipping.
https://www.brownbox.rocks/shop/p/sal...

In 2002, Brad Paisley introduced me to the idea that old tube amps require lower voltages to sound their best. He showed me how to use a Variac and a voltmeter to set the voltage going into his 1962 Vox AC30 at the "sweet spot" of 110 volts. The variac, plus voltmeter, and 4 spot ac plug was a clunky unit, but it did its job. Fast forward to 2015, and Pat Geraghty contacts me to review the AmpRx Brown Box for Vintage Guitar Magazine. It was a brilliant take on Brad's variac rig, that was sleek, elegant, and much easier and safer to use.

Today we look at the Brown Box, and its benefits to tube amp users.

Brown Box's site  https://www.brownbox.rocks/

Gear for this video:

2014 Crook Custom Vintage Paisley - APC Adder (Neck) Peter Florance TE-60 (Bridge)
Glaser B-Bender
http://www.crookcustomguitars.com/
https://www.glaserbender.com/

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

#askzac #brownbox #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

Use the code ASKZAC to get $20 off B-Stock. They also have a mailing list signup code for free shipping.
https://www.brownbox.rocks/shop/p/sal...

In 2002, Brad Paisley introduced me to the idea that old tube amps require lower voltages to sound their best. He showed me how to use a Variac and a voltmeter to set the voltage going into his 1962 Vox AC30 at the "sweet spot" of 110 volts. The variac, plus voltmeter, and 4 spot ac plug was a clunky unit, but it did its job. Fast forward to 2015, and Pat Geraghty contacts me to review the AmpRx Brown Box for Vintage Guitar Magazine. It was a brilliant take on Brad's variac rig, that was sleek, elegant, and much easier and safer to use.

Today we look at the Brown Box, and its benefits to tube amp users.

Brown Box's site  https://www.brownbox.rocks/

Gear for this video:

2014 Crook Custom Vintage Paisley - APC Adder (Neck) Peter Florance TE-60 (Bridge)
Glaser B-Bender
http://www.crookcustomguitars.com/
https://www.glaserbender.com/

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

#askzac #brownbox #telecaster

Support the show

]]> Zac Childs Buzzsprout-12955004 Tue, 25 Jul 2023 12:00:00 -0500 1229 127 full false The Elvis Movie Guitarist - JD Simo - Ask Zac 126 The Elvis Movie Guitarist - JD Simo - Ask Zac 126 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

Baz Luhrmann's Elvis movie stars Austin Butler, Tom Hanks, and Presley's timeless music. The unseen star of the music is guitarist JD Simo, who was tasked by Lurhmann and Dave Cobb to replicate the original parts and tones played by Scotty Moore, James Burton, Hank Garland, Reggie Young, and Tommy Tedesco. In today's special collaboration with Truetone, we sit down with Simo, as he tells the tale of how he was asked to take part, and the gear he used to replicate the legendary guitarist's riffs.

We also take a look at his soon-to-be-released album Songs From The House Of Grease. Recorded with his trio, the album features his recently acquired Danocaster Singel-Cut, along with an ancient Alamo amp and a venerable 1965 Deluxe Reverb. Simo also shows off his new Xact Tone built pedal board.

#askzac #JDSimo #elvis

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

Baz Luhrmann's Elvis movie stars Austin Butler, Tom Hanks, and Presley's timeless music. The unseen star of the music is guitarist JD Simo, who was tasked by Lurhmann and Dave Cobb to replicate the original parts and tones played by Scotty Moore, James Burton, Hank Garland, Reggie Young, and Tommy Tedesco. In today's special collaboration with Truetone, we sit down with Simo, as he tells the tale of how he was asked to take part, and the gear he used to replicate the legendary guitarist's riffs.

We also take a look at his soon-to-be-released album Songs From The House Of Grease. Recorded with his trio, the album features his recently acquired Danocaster Singel-Cut, along with an ancient Alamo amp and a venerable 1965 Deluxe Reverb. Simo also shows off his new Xact Tone built pedal board.

#askzac #JDSimo #elvis

Support the show

]]> Zac Childs Buzzsprout-12927544 Mon, 24 Jul 2023 12:00:00 -0500 5534 126 full false The Incomparable Guitar of Andrew Gold - Ask Zac 125 The Incomparable Guitar of Andrew Gold - Ask Zac 125 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

The late Andrew Gold was a mere pup when he walked into the studio with Linda Ronstadt to jumpstart her career with the tracks "You're No Good," and "When Will I Be Loved." His arrangement ideas, harmony vocals, and most noticeably his iconic guitar work, placed the "Gold" stamp on what would end up being two of her greatest hits. Today we will look at both tracks, and lay out the gear he used for both tracks. We will also look at Andrew's career, and how his guitar playing influenced the sound of pop guitar in the 80s and 90s.

Early clip of "You're No Good."
   • Video 

Spotify Playlist
https://open.spotify.com/playlist/7cn...

Gear Used:
1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set.

Strings: D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick: D'Andrea Medium-Heavy

Amp: 2021 Fender Vibro Champ Reverb

Effects used: amp verb & Ibanez Mostortion

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

The late Andrew Gold was a mere pup when he walked into the studio with Linda Ronstadt to jumpstart her career with the tracks "You're No Good," and "When Will I Be Loved." His arrangement ideas, harmony vocals, and most noticeably his iconic guitar work, placed the "Gold" stamp on what would end up being two of her greatest hits. Today we will look at both tracks, and lay out the gear he used for both tracks. We will also look at Andrew's career, and how his guitar playing influenced the sound of pop guitar in the 80s and 90s.

Early clip of "You're No Good."
   • Video 

Spotify Playlist
https://open.spotify.com/playlist/7cn...

Gear Used:
1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set.

Strings: D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick: D'Andrea Medium-Heavy

Amp: 2021 Fender Vibro Champ Reverb

Effects used: amp verb & Ibanez Mostortion

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12927452 Sun, 23 Jul 2023 12:00:00 -0500 1460 125 full false The Guitars Of Dolly Parton's "Jolene." Featuring Chip Young & Wayne Moss - Ask Zac - 124 The Guitars Of Dolly Parton's "Jolene." Featuring Chip Young & Wayne Moss - Ask Zac - 124 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

Dolly Parton’s “Jolene” is one of the most well-known songs of the last 50-years. She recorded the tune in the summer of 1973 and it has continued to be a perennial favorite, from one of the world’s favorite singers. Today we get the rare privilege of hearing the two main guitar tracks isolated from the original 16-track master recording. The track spotlights guitarists Chip Young and Wayne Moss, who worked out their intertwining guitar arrangement beforehand.

This track was initially played for me as there was some mystery as to who actually played the gut-string part, as the master had it labeled “Jimmy.” I went down a long rabbit trail to see if Jimmy Colvard, who had played on a number of other cuts off the same album had been the guitarist in question. It ended with the master being mislabeled, as Jimmy Colvard had played on some earlier sessions, but not on the track in question, “Jolene.”

A deep dive into the beautiful guitar tracks on Dolly Parton's "Jolene." From the isolated tracks, we get to hear the intertwining arrangement created by Chip Young & Wayne Moss.

Guitarist Jimmy Colvard's "Caravan."
   • Ferlin Husky - Ca... 

Gear Used:

1983 Takamine EC132 Classical Guitar

DeAndrea thumbpick

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

Dolly Parton’s “Jolene” is one of the most well-known songs of the last 50-years. She recorded the tune in the summer of 1973 and it has continued to be a perennial favorite, from one of the world’s favorite singers. Today we get the rare privilege of hearing the two main guitar tracks isolated from the original 16-track master recording. The track spotlights guitarists Chip Young and Wayne Moss, who worked out their intertwining guitar arrangement beforehand.

This track was initially played for me as there was some mystery as to who actually played the gut-string part, as the master had it labeled “Jimmy.” I went down a long rabbit trail to see if Jimmy Colvard, who had played on a number of other cuts off the same album had been the guitarist in question. It ended with the master being mislabeled, as Jimmy Colvard had played on some earlier sessions, but not on the track in question, “Jolene.”

A deep dive into the beautiful guitar tracks on Dolly Parton's "Jolene." From the isolated tracks, we get to hear the intertwining arrangement created by Chip Young & Wayne Moss.

Guitarist Jimmy Colvard's "Caravan."
   • Ferlin Husky - Ca... 

Gear Used:

1983 Takamine EC132 Classical Guitar

DeAndrea thumbpick

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12927407 Sat, 22 Jul 2023 12:00:00 -0500 1199 124 full false The Evolution of my Danocaster, Kubicki, Glaser Franken-Tele - Ask Zac 123 The Evolution of my Danocaster, Kubicki, Glaser Franken-Tele - Ask Zac 123 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

I bought a Kubicki Telecaster out of a local Nashville Buy/Sell paper called the Trader’s Post in 1997. The purchase was to replace my 52 reissue Telecaster that had just been stolen. I thought the single-bound body was cool, but the ebony fretboard neck was not my cup of tea. At $350, it was all I could afford at the time, and I knew I could hot-rod it when I had more discretionary funds. Over the last 25-years, the guitar has had 7 different necks, 2 different B-bender systems, set up as everything from an Esquire to having a mini-humbucker in the neck, and had a wide variety of wiring harnesses. In today’s episode, I show its latest incarnation with a new Danocaster neck, based on the one on my 57 Esquire, an 80s Seymour Duncan Hot Strat Stack middle pickup, new Glaser convertible bender, Ron Ellis 50/60 neck and bridge pickups, and Joe Glaser’s new 3-pickup wiring with a middle pickup blend control. The Franken-Tele lives!

Gear Used:
1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set.

Strings: D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick: D'Andrea Medium-Heavy

Amp: 2021 Fender Vibro Champ Reverb Effects used: amp verb

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar: https://paypal.me/AskZac
Venmo @AskZac
Or check out my store for merch - www.askzac.com

I bought a Kubicki Telecaster out of a local Nashville Buy/Sell paper called the Trader’s Post in 1997. The purchase was to replace my 52 reissue Telecaster that had just been stolen. I thought the single-bound body was cool, but the ebony fretboard neck was not my cup of tea. At $350, it was all I could afford at the time, and I knew I could hot-rod it when I had more discretionary funds. Over the last 25-years, the guitar has had 7 different necks, 2 different B-bender systems, set up as everything from an Esquire to having a mini-humbucker in the neck, and had a wide variety of wiring harnesses. In today’s episode, I show its latest incarnation with a new Danocaster neck, based on the one on my 57 Esquire, an 80s Seymour Duncan Hot Strat Stack middle pickup, new Glaser convertible bender, Ron Ellis 50/60 neck and bridge pickups, and Joe Glaser’s new 3-pickup wiring with a middle pickup blend control. The Franken-Tele lives!

Gear Used:
1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set.

Strings: D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick: D'Andrea Medium-Heavy

Amp: 2021 Fender Vibro Champ Reverb Effects used: amp verb

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12927371 Fri, 21 Jul 2023 12:00:00 -0500 987 123 full false A Tribute to My Musical Mentor - Pat Grogan - Ask Zac 122 A Tribute to My Musical Mentor - Pat Grogan - Ask Zac 122 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In life, you are blessed to have great teachers. Sometimes teachers go above and beyond and become mentors. My musical mentor, Pat Grogan, took me on his gigs, watched me play, and then we worked on my shortcomings in our weekly lessons. He was also a former Big D Jamboree staff guitarist,  played on Bruce Chanel's huge hit "Hey Baby," and performed in Willie Nelson's band in his pre-outlaw days. We had many great musical adventures together, and I always knew he was looking out for me. Along the way, I tell the tale of us performing a pair of shows with a Country Music Legend, who was too drunk to remember me when I got my photo with him afterward. I learned so much from Pat, and today's episode is a tribute to my friend and teacher who will probably still be gigging at 90.

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In life, you are blessed to have great teachers. Sometimes teachers go above and beyond and become mentors. My musical mentor, Pat Grogan, took me on his gigs, watched me play, and then we worked on my shortcomings in our weekly lessons. He was also a former Big D Jamboree staff guitarist,  played on Bruce Chanel's huge hit "Hey Baby," and performed in Willie Nelson's band in his pre-outlaw days. We had many great musical adventures together, and I always knew he was looking out for me. Along the way, I tell the tale of us performing a pair of shows with a Country Music Legend, who was too drunk to remember me when I got my photo with him afterward. I learned so much from Pat, and today's episode is a tribute to my friend and teacher who will probably still be gigging at 90.

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12927332 Thu, 20 Jul 2023 12:00:00 -0500 1008 122 full false Legends of Country Guitar - Two Essential Albums - Ask Zac 121 Legends of Country Guitar - Two Essential Albums - Ask Zac 121 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In 1990, Guitar Player Magazine released an amazing series of albums through a partnership with Rhino Records titled The Legends of Guitar. The series covered Blues, Rock, Jazz, Classical, and Country. I picked up vol 1 & 2 of the Country series, and my eyes were opened to the founders of the style. These albums launched me down many rabbit holes, gaining a greater appreciation for cats like Chet Atkins, and Albert Lee, and a new appreciation for lesser-known players such as Junior Barnard, Roy Lanham, and Jimmy Colvard. These 2 albums have been in constant rotation in my car for 30 years, hence an episode to spotlight their importance.

Special thanks to Rich Kienzle, who was very instrumental in these compilation albums, and has been a personal music journalism hero of mine.

Spotify playlist with most of the songs of both volumes
https://open.spotify.com/playlist/2t7...

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In 1990, Guitar Player Magazine released an amazing series of albums through a partnership with Rhino Records titled The Legends of Guitar. The series covered Blues, Rock, Jazz, Classical, and Country. I picked up vol 1 & 2 of the Country series, and my eyes were opened to the founders of the style. These albums launched me down many rabbit holes, gaining a greater appreciation for cats like Chet Atkins, and Albert Lee, and a new appreciation for lesser-known players such as Junior Barnard, Roy Lanham, and Jimmy Colvard. These 2 albums have been in constant rotation in my car for 30 years, hence an episode to spotlight their importance.

Special thanks to Rich Kienzle, who was very instrumental in these compilation albums, and has been a personal music journalism hero of mine.

Spotify playlist with most of the songs of both volumes
https://open.spotify.com/playlist/2t7...

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12927266 Wed, 19 Jul 2023 12:00:00 -0500 733 121 full false Junior Barnard - Electric Guitar Pioneer - Ask Zac 120 Junior Barnard - Electric Guitar Pioneer - Ask Zac 120 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

While there have been many great Western Swing guitarists, Junior Barnard was one of the most exciting players of the genre with his ear-catching style and aggressive tone. Today, we look at how of all the swing guitarists, Barnard is the most accessible to modern players, and how you can steal from him to add some spice to your playing.

Spotify playlist
https://open.spotify.com/playlist/11b...

Links to more on Junior:

https://www.adioslounge.com/get-it-lo...

https://www.fretboardjournal.com/colu...

https://mentmorris.podia.com/lead-gui...

Damien Bacci
   • Fat Boy Rag - Jun... 

Tommy Harkenrider Lesson
   • Tiny Grimes compi... 


Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://a

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

While there have been many great Western Swing guitarists, Junior Barnard was one of the most exciting players of the genre with his ear-catching style and aggressive tone. Today, we look at how of all the swing guitarists, Barnard is the most accessible to modern players, and how you can steal from him to add some spice to your playing.

Spotify playlist
https://open.spotify.com/playlist/11b...

Links to more on Junior:

https://www.adioslounge.com/get-it-lo...

https://www.fretboardjournal.com/colu...

https://mentmorris.podia.com/lead-gui...

Damien Bacci
   • Fat Boy Rag - Jun... 

Tommy Harkenrider Lesson
   • Tiny Grimes compi... 


Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://a

Support the show

]]> Zac Childs Buzzsprout-12921027 Tue, 18 Jul 2023 12:00:00 -0500 1145 120 full false Stories about my 30-year gigging companion - My Trusty 1981 Martin HD-28 - Ask Zac 119 Stories about my 30-year gigging companion - My Trusty 1981 Martin HD-28 - Ask Zac 119 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

My 1981 Martin HD-28 has been by my side for close to 30-years. It's seen time in bars, churches, studios, and even a time or two on the Grand Ole Opry. Today, I look a bit at the history of the D-28/HD-28 Martins and then tell the story of how I bought my HD-28, and some of the gigs I have used it on, including one with JD Simo that included an interesting clothing accessory. I end with a tonal comparison between the HD-28, a mid-30s Gibson L-OO, and a Waterloo WL-14.

Gear Used:

1981 Martin HD-28, 1935 Gibson L-OO, Waterloo WL-14 (ladder braced)

#askzac #guitartech #HD28

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

My 1981 Martin HD-28 has been by my side for close to 30-years. It's seen time in bars, churches, studios, and even a time or two on the Grand Ole Opry. Today, I look a bit at the history of the D-28/HD-28 Martins and then tell the story of how I bought my HD-28, and some of the gigs I have used it on, including one with JD Simo that included an interesting clothing accessory. I end with a tonal comparison between the HD-28, a mid-30s Gibson L-OO, and a Waterloo WL-14.

Gear Used:

1981 Martin HD-28, 1935 Gibson L-OO, Waterloo WL-14 (ladder braced)

#askzac #guitartech #HD28

Support the show

]]> Zac Childs Buzzsprout-12920961 Mon, 17 Jul 2023 12:00:00 -0500 1250 119 full false Branding Your Guitar - Ask Zac 118 Branding Your Guitar - Ask Zac 118 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Guitarists have been personalizing or branding their guitars for many years. Some simply used their guitars as portable billboards, like a young BB King, who had his name along with the radio station he played at emblazoned on the top of his guitar. Others just wanted to make sure the audience knew who the hot cat was on guitar. While this has come and gone as far as being the in-style thing to do for the average player, it has always been a part of the showmanship of guitarists. Look at guitar heroes, Stevie Ray Vaughan or Eddie Van Halen. We rarely saw either of them without a guitar branded with "SRV" or "5150" in plain view. In this episode, I give the inspiration behind my personalized pickguard, and how I got help from some artist friends in creating it. The wonderful thing about doing this is that it is fun, and if you grow tired of it, you can easily remove it, and go back to the plain old plastic pickguard you had before.

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Guitarists have been personalizing or branding their guitars for many years. Some simply used their guitars as portable billboards, like a young BB King, who had his name along with the radio station he played at emblazoned on the top of his guitar. Others just wanted to make sure the audience knew who the hot cat was on guitar. While this has come and gone as far as being the in-style thing to do for the average player, it has always been a part of the showmanship of guitarists. Look at guitar heroes, Stevie Ray Vaughan or Eddie Van Halen. We rarely saw either of them without a guitar branded with "SRV" or "5150" in plain view. In this episode, I give the inspiration behind my personalized pickguard, and how I got help from some artist friends in creating it. The wonderful thing about doing this is that it is fun, and if you grow tired of it, you can easily remove it, and go back to the plain old plastic pickguard you had before.

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12920505 Sun, 16 Jul 2023 12:00:00 -0500 978 118 full false The Memphis Guitarist that Influenced Reggie Young, Steve Cropper, and Chips Moman. Ask Zac 117 The Memphis Guitarist that Influenced Reggie Young, Steve Cropper, and Chips Moman. Ask Zac 117 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Spotlight on the greatest unknown Memphis guitarist, Clarence Nelson. He was a major influence in both style and tone on Steve Cropper, Reggie Young, and Chips Moman. Clarence was an African-American guitarist who worked with bandleader, Ben Branch, and from there influenced the younger players that saw him live, or watched him in the studio on early Stax, American, and Hi/Royal sessions. Nelson also toured with both James Carr and William Bell in the 60s and 70s. He should be credited as an early adopter of the Telecaster in Memphis, and how he paved the way for others with his funky low string licks, and stuttering bends.

Much thanks to Red Kelly's excellent detective work on Clarence which can be found here.
http://souldetective.com/case8part1.html

Also, check out my interview with Reggie Young where we discuss Clarence Nelson later in the video
   • Reggie Young | Tr... 

Michael Ross mentioned Clarence in his piece on Reggie
https://www.premierguitar.com/artists...

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Spotlight on the greatest unknown Memphis guitarist, Clarence Nelson. He was a major influence in both style and tone on Steve Cropper, Reggie Young, and Chips Moman. Clarence was an African-American guitarist who worked with bandleader, Ben Branch, and from there influenced the younger players that saw him live, or watched him in the studio on early Stax, American, and Hi/Royal sessions. Nelson also toured with both James Carr and William Bell in the 60s and 70s. He should be credited as an early adopter of the Telecaster in Memphis, and how he paved the way for others with his funky low string licks, and stuttering bends.

Much thanks to Red Kelly's excellent detective work on Clarence which can be found here.
http://souldetective.com/case8part1.html

Also, check out my interview with Reggie Young where we discuss Clarence Nelson later in the video
   • Reggie Young | Tr... 

Michael Ross mentioned Clarence in his piece on Reggie
https://www.premierguitar.com/artists...

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12920467 Sat, 15 Jul 2023 12:00:00 -0500 821 117 full false My 37-Year Journey To Find The Right Pick - Ask Zac 115 My 37-Year Journey To Find The Right Pick - Ask Zac 115 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The pick is how many of us strike the string and create a sound with the guitar. Like most of you, I have been on a pick journey for many years, and I must say an enjoyable one, as most picks cost a dollar or less. The pick we choose makes a huge difference in our tone, and also changes the way we feel and experience the guitar. Today I walk through the various picks that I have used over my 37-years of playing the guitar. What made each one good, but also why I moved on. I end on my favorite pick, a celluloid Medium-Heavy pick made by one of the original pick makers, D'Andrea. 

These guys have some of the D'Andrea MH .84 picks

https://www.stringsbymail.com/dandrea...

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox AC10

Effects used:
MXR M300 Reverb on the Spring setting

#askzac #guitartech #guitarpicks

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The pick is how many of us strike the string and create a sound with the guitar. Like most of you, I have been on a pick journey for many years, and I must say an enjoyable one, as most picks cost a dollar or less. The pick we choose makes a huge difference in our tone, and also changes the way we feel and experience the guitar. Today I walk through the various picks that I have used over my 37-years of playing the guitar. What made each one good, but also why I moved on. I end on my favorite pick, a celluloid Medium-Heavy pick made by one of the original pick makers, D'Andrea. 

These guys have some of the D'Andrea MH .84 picks

https://www.stringsbymail.com/dandrea...

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox AC10

Effects used:
MXR M300 Reverb on the Spring setting

#askzac #guitartech #guitarpicks

Support the show

]]> Zac Childs Buzzsprout-12920400 Fri, 14 Jul 2023 12:00:00 -0500 1162 115 full false How to play the Ask Zac Theme, and the story behind it - Ask Zac 114 How to play the Ask Zac Theme, and the story behind it - Ask Zac 114 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have gotten numerous questions over the past 2-years about the Ask Zac theme. Here I show both how to play it, and the story about how it came about. I touch on the hand pain issues I have dealt with over the past 3 years, and how the theme came about as a way for me to both strengthen my hands, and be musical.

Here is a link to the tab
https://www.askzac.com/post/ask-zac-t...

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster  #guthrietrapp

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have gotten numerous questions over the past 2-years about the Ask Zac theme. Here I show both how to play it, and the story about how it came about. I touch on the hand pain issues I have dealt with over the past 3 years, and how the theme came about as a way for me to both strengthen my hands, and be musical.

Here is a link to the tab
https://www.askzac.com/post/ask-zac-t...

Gear Used:

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb

#askzac #guitartech #telecaster  #guthrietrapp

Support the show

]]> Zac Childs Buzzsprout-12920315 Thu, 13 Jul 2023 12:00:00 -0500 783 114 full false Pops Staples - Preaching the Tremolo Gospel - Ask Zac 113 Pops Staples - Preaching the Tremolo Gospel - Ask Zac 113 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Anyone playing Delta-Blues with deep tremolo, whether on an album or as frequently used in soundtrack work, owes much to Pops Staples's groundbreaking guitar style. His spooky and tremolo-soaked guitar set the mood for the Staple Singers brand of Gospel and Protest tunes that put them on the map in the 50s and 60s. In this episode, we take a look at his upbringing in the Jim Crow south, and how he moved to Chicago to find better opportunities for his family. In this episode, we look at both the incredible musical influence that Pops had and also how his guitar work was sadly hidden away to pave the way for their Stax R&B hits.

Spotify Playlist
https://open.spotify.com/playlist/4dX...

More great info on Pops from my friend Michael Ross
https://www.premierguitar.com/artists...

Amazon link to Greg Kot's book on Mavis and the Staples  https://amzn.to/3is2HJz

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb and tremolo

#askzac #guitartech #telecaster  #popsstaples

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Anyone playing Delta-Blues with deep tremolo, whether on an album or as frequently used in soundtrack work, owes much to Pops Staples's groundbreaking guitar style. His spooky and tremolo-soaked guitar set the mood for the Staple Singers brand of Gospel and Protest tunes that put them on the map in the 50s and 60s. In this episode, we take a look at his upbringing in the Jim Crow south, and how he moved to Chicago to find better opportunities for his family. In this episode, we look at both the incredible musical influence that Pops had and also how his guitar work was sadly hidden away to pave the way for their Stax R&B hits.

Spotify Playlist
https://open.spotify.com/playlist/4dX...

More great info on Pops from my friend Michael Ross
https://www.premierguitar.com/artists...

Amazon link to Greg Kot's book on Mavis and the Staples  https://amzn.to/3is2HJz

1957 Fender Esquire with an added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ

Pick:
D'Andrea Medium-Heavy

Amp:
2021 Fender Vibro Champ Reverb

Effects used:
amp verb and tremolo

#askzac #guitartech #telecaster  #popsstaples

Support the show

]]> Zac Childs Buzzsprout-12920253 Wed, 12 Jul 2023 12:00:00 -0500 1658 113 full false Baxendale Guitar & Mandocello Conversions - Ask Zac 112 Baxendale Guitar & Mandocello Conversions - Ask Zac 112 To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In a recent Livestream, I was asked if there was any certain piece of gear I was looking for, and I responded that I would love to find a good old (1930s-50s) acoustic guitar. I then followed with that I was not in a position to afford something like that, and someone mentioned Baxendale Conversions. I found that Scott Baxendale takes old Kay, Harmony, Silvertone, and Regal acoustics from the 1940s-1960s, and converts them into instruments that are scarily similar to same era Gibson and Martins. In today's video, I lay out what Scott Baxendale does to these vintage budget instruments to make them take flight with much greater volume, tonal range, and much better playability. In the video, I am playing a 1950s Kay, that has been converted into an 8-string mandocello, but I hope to find a 6-string conversion soon.

Gear used in this video:

2021 Baxendale Mandocello conversion of a 1950s Kay acoustic.


#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In a recent Livestream, I was asked if there was any certain piece of gear I was looking for, and I responded that I would love to find a good old (1930s-50s) acoustic guitar. I then followed with that I was not in a position to afford something like that, and someone mentioned Baxendale Conversions. I found that Scott Baxendale takes old Kay, Harmony, Silvertone, and Regal acoustics from the 1940s-1960s, and converts them into instruments that are scarily similar to same era Gibson and Martins. In today's video, I lay out what Scott Baxendale does to these vintage budget instruments to make them take flight with much greater volume, tonal range, and much better playability. In the video, I am playing a 1950s Kay, that has been converted into an 8-string mandocello, but I hope to find a 6-string conversion soon.

Gear used in this video:

2021 Baxendale Mandocello conversion of a 1950s Kay acoustic.


#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12916312 Tue, 11 Jul 2023 12:00:00 -0500 856 112 full false LEGO Meets Fender - My Obsessions Colliding - Ask Zac 111 LEGO Meets Fender - My Obsessions Colliding - Ask Zac 111 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

When LEGO released their Fender Stratocaster and Princeton Reverb amp set, my childhood and adult obsessions collided. As a child, I was given LEGO sets for Christmas and birthdays throughout the late 70s and early 80s. By 1985, I was 13 years old and had switched gears from LEGO to the guitar, so the little bricks went into the attic for close to 20 years. When my children were born, the LEGOs came out of hiding, and I began to enjoy building with my kids, and recently began getting sets of my own like the UCS Snowspeeder, and Slave I. With the release of this LEGO/Fender collaboration, my obsession with building bricks and electric guitars collided head-on.

Amazon affiliate link to the Fender Stratocaster LEGO® Ideas Fender® Stratocaster™
https://amzn.to/3s64Ksp

#askzac #lego #fender #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

When LEGO released their Fender Stratocaster and Princeton Reverb amp set, my childhood and adult obsessions collided. As a child, I was given LEGO sets for Christmas and birthdays throughout the late 70s and early 80s. By 1985, I was 13 years old and had switched gears from LEGO to the guitar, so the little bricks went into the attic for close to 20 years. When my children were born, the LEGOs came out of hiding, and I began to enjoy building with my kids, and recently began getting sets of my own like the UCS Snowspeeder, and Slave I. With the release of this LEGO/Fender collaboration, my obsession with building bricks and electric guitars collided head-on.

Amazon affiliate link to the Fender Stratocaster LEGO® Ideas Fender® Stratocaster™
https://amzn.to/3s64Ksp

#askzac #lego #fender #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12916272 Mon, 10 Jul 2023 12:00:00 -0500 935 111 full false Zac's Hacks - How To Best String Your Vintage Style Telecaster - Ask Zac 110 Zac's Hacks - How To Best String Your Vintage Style Telecaster - Ask Zac 110 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In this episode, I walk through the process I use for stringing, stretching, and tuning on a vintage-style Telecaster. These methods are geared towards Telecasters with split-shaft tuners and 3-saddle bridges. These methods were learned from gurus like Joe Glaser, Dan Erlewine, and Lindy Fralin, and during my tenure as Brad Paisley's guitar tech. 

I cover the following:

1. Importance of winding as little string as possible on the tuner shafts.
2. How to lock unwound strings in place on vintage split-shaft tuners.
3. How to fix a saddle with a burr, causing the "sitar' effect.
4. Why you should be conservative with nut lubricant.
5. How to stretch the strings to promote tuning stability.

Amazon affiliate link for D'Addario NYXL 10-46 strings
https://amzn.to/3uD1WnZ

#askzac #guitartech #telecaster




Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In this episode, I walk through the process I use for stringing, stretching, and tuning on a vintage-style Telecaster. These methods are geared towards Telecasters with split-shaft tuners and 3-saddle bridges. These methods were learned from gurus like Joe Glaser, Dan Erlewine, and Lindy Fralin, and during my tenure as Brad Paisley's guitar tech. 

I cover the following:

1. Importance of winding as little string as possible on the tuner shafts.
2. How to lock unwound strings in place on vintage split-shaft tuners.
3. How to fix a saddle with a burr, causing the "sitar' effect.
4. Why you should be conservative with nut lubricant.
5. How to stretch the strings to promote tuning stability.

Amazon affiliate link for D'Addario NYXL 10-46 strings
https://amzn.to/3uD1WnZ

#askzac #guitartech #telecaster




Support the show

]]> Zac Childs Buzzsprout-12912439 Sun, 09 Jul 2023 12:00:00 -0500 1532 110 full false Danelectro Baritone - VS - Fender Squier Bass VI - Which is best for you? - Ask Zac 109 Danelectro Baritone - VS - Fender Squier Bass VI - Which is best for you? - Ask Zac 109 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Being a huge Bass 6 fan, there are 2 major types, the Danelectro and the Fender. And of course, being fully immersed into the "sickness" I had to finally have one of each. In today's episode, I look at the strengths and weaknesses of both designs. Not really a shootout, but more of a look at which might be more suited to you, unless of course you are like me and need both types.

Gear for this video:

2000 Danelectro Hodad Bass 6 Baritone six-string bass
2018 Squier Bass VI

Strings:
La'Bella flat wound BassVI - Amazon affiliate link -  https://amzn.to/3rvJY57
Ernie Ball Bass 6 strings round wound - https://amzn.to/34z5exR

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2
Analog Man Sunface 2N Fuzz
Amp tremolo

six-string bass baritone guitar tic tac

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Being a huge Bass 6 fan, there are 2 major types, the Danelectro and the Fender. And of course, being fully immersed into the "sickness" I had to finally have one of each. In today's episode, I look at the strengths and weaknesses of both designs. Not really a shootout, but more of a look at which might be more suited to you, unless of course you are like me and need both types.

Gear for this video:

2000 Danelectro Hodad Bass 6 Baritone six-string bass
2018 Squier Bass VI

Strings:
La'Bella flat wound BassVI - Amazon affiliate link -  https://amzn.to/3rvJY57
Ernie Ball Bass 6 strings round wound - https://amzn.to/34z5exR

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2
Analog Man Sunface 2N Fuzz
Amp tremolo

six-string bass baritone guitar tic tac

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12912378 Sat, 08 Jul 2023 12:00:00 -0500 1266 109 full false The Importance of Amp Placement - Ask Zac 108 The Importance of Amp Placement - Ask Zac 108 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

One of the biggest questions you should ask yourself when setting up in a room is "How should I position my amp for the best tone?" This is the struggle of every guitarist, as they strive to get a good tone to inspire themselves, and hopefully put on a better show. In this video, I explain a number of key positioning and baffling concepts that will help you get great sounds, and will hopefully keep the soundman happy too.

Here are some of the issues addressed:

1. Multiple ways to baffle your amp depending on how much reduction is required
2. Pros and cons of the amp on the floor.
3. leaning back the amp.
4. Turning the amp around.
5. Amp on a chair to hear yourself better, and reduce low-end rumble
6. What to do in an overly reverberant room

1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb and tremolo

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

One of the biggest questions you should ask yourself when setting up in a room is "How should I position my amp for the best tone?" This is the struggle of every guitarist, as they strive to get a good tone to inspire themselves, and hopefully put on a better show. In this video, I explain a number of key positioning and baffling concepts that will help you get great sounds, and will hopefully keep the soundman happy too.

Here are some of the issues addressed:

1. Multiple ways to baffle your amp depending on how much reduction is required
2. Pros and cons of the amp on the floor.
3. leaning back the amp.
4. Turning the amp around.
5. Amp on a chair to hear yourself better, and reduce low-end rumble
6. What to do in an overly reverberant room

1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb and tremolo

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12911966 Fri, 07 Jul 2023 12:00:00 -0500 1060 108 full false Duane Allman - The Telecaster & Fuzz Years - Ask Zac 107 Duane Allman - The Telecaster & Fuzz Years - Ask Zac 107 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Duane Allman wasn't always a Gibson/Marshall guy. In today's episode, we cover the era while he was with the Allman Joys, The Hourglass, and his much-celebrated session career in Muscle Shoals. During this era, he mainly played a Telecaster with a homemade fuzz unit attached to the instrument, or a Strat with a Fuzz Face through Fender amps. It is also during this time period that he saw Jesse Ed Davis playing slide with Taj Mahal, causing him to pursue slide with a vengeance.

Gear for this video:

1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb
Analogman Sun Face 2N Fuzz

#askzac #duaneallman  #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Duane Allman wasn't always a Gibson/Marshall guy. In today's episode, we cover the era while he was with the Allman Joys, The Hourglass, and his much-celebrated session career in Muscle Shoals. During this era, he mainly played a Telecaster with a homemade fuzz unit attached to the instrument, or a Strat with a Fuzz Face through Fender amps. It is also during this time period that he saw Jesse Ed Davis playing slide with Taj Mahal, causing him to pursue slide with a vengeance.

Gear for this video:

1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb
Analogman Sun Face 2N Fuzz

#askzac #duaneallman  #telecaster

Support the show

]]> Zac Childs Buzzsprout-12911919 Thu, 06 Jul 2023 12:00:00 -0500 1248 107 full false My New Years Gig Story - Ask Zac 106 My New Years Gig Story - Ask Zac 106 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I did another run of shows with the Paul Bogart Band, including a New Year's Eve show in Wichita, Kansas. This run had me playing with Paul's regular guitarist, Nick Palmer, instead of filling in for him, which necessitated me taking a different approach to the set. In this video, I show how I learned different guitar parts and used my Mandolin, and Danelectro Bass 6 to come up with complementary parts. To give a concrete example, I play the parts and solos I played on "All That Cowboy Jazz" on my Breedlove Mandolin. There is also a bit of live footage of me playing at the end of the video.

Paul's original recording of "All That Cowboy Jazz"    • Paul Bogart I All... 

His latest single, "While She's Mine."     • Paul Bogart • Whi... 

Gear for this video:

2000 Danelectro Hodad Bass 6 Baritone six-string bass
Late 90s Breedlove K5 Mandolin

Strings:
D'Addario Mandolin
Ernie Ball Bass 6 strings

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Turbo Tuner
XTS mod Boss GE7
Karma MTN-10 Mostortion
AnalogMan Boss TR-2
Boss VB-2W
Boss DD-2
Boss RV-2
9v power via Truetone CS6  https://amzn.to/3gnJQPW

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I did another run of shows with the Paul Bogart Band, including a New Year's Eve show in Wichita, Kansas. This run had me playing with Paul's regular guitarist, Nick Palmer, instead of filling in for him, which necessitated me taking a different approach to the set. In this video, I show how I learned different guitar parts and used my Mandolin, and Danelectro Bass 6 to come up with complementary parts. To give a concrete example, I play the parts and solos I played on "All That Cowboy Jazz" on my Breedlove Mandolin. There is also a bit of live footage of me playing at the end of the video.

Paul's original recording of "All That Cowboy Jazz"    • Paul Bogart I All... 

His latest single, "While She's Mine."     • Paul Bogart • Whi... 

Gear for this video:

2000 Danelectro Hodad Bass 6 Baritone six-string bass
Late 90s Breedlove K5 Mandolin

Strings:
D'Addario Mandolin
Ernie Ball Bass 6 strings

Pick:
D'Andrea Medium-Heavy

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Turbo Tuner
XTS mod Boss GE7
Karma MTN-10 Mostortion
AnalogMan Boss TR-2
Boss VB-2W
Boss DD-2
Boss RV-2
9v power via Truetone CS6  https://amzn.to/3gnJQPW

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12911873 Wed, 05 Jul 2023 12:00:00 -0500 1176 106 full false TOP 5 Episodes of 2021 - Ask Zac 105 TOP 5 Episodes of 2021 - Ask Zac 105 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

As I was contemplating my last AZ episode of 2021, I realized that 4 out of 5 of my top videos of the year were all focused on amps. So this episode both looks at the importance of amps and lends some additional insight into those amp videos. I take a look at my videos featuring the Deluxe Reverb, Tone Master Deluxe, Vibro Champ Reverb, and the episode on how small amps got big.

Gear for this video:

1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

As I was contemplating my last AZ episode of 2021, I realized that 4 out of 5 of my top videos of the year were all focused on amps. So this episode both looks at the importance of amps and lends some additional insight into those amp videos. I take a look at my videos featuring the Deluxe Reverb, Tone Master Deluxe, Vibro Champ Reverb, and the episode on how small amps got big.

Gear for this video:

1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea Medium-Heavy

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb

#askzac #guitartech #telecaster #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12875809 Tue, 04 Jul 2023 12:00:00 -0500 1175 105 full false A Vintage Amp Snob Goes Direct - Ask Zac 104 A Vintage Amp Snob Goes Direct - Ask Zac 104 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

You don't change until you have to.....

I have always been an amp guy, and have always had a preference for tube amps. With a recent fly date I did with Paul Bogart, I ran into a situation that caused me to finally make the jump to using a direct setup. In the video, I cover how I began to see more and more of my friends and heroes go direct when the situation called for it. My solution was the Strymon Iridium with a Tone Junkie Celestion Vintage 30 IR pack. With it, I could get a nice BF Deluxe Reverb sound, along with the V30 IR to give me a sound I was comfortable with. Though others I spoke with used the Kemper or Line 6 HX, I chose the Strymon as it had actual knobs, and was much easier for me to use on the gig. 

This is my beginner's guide to going direct. 

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Pedalboard
Turbo Tuner
Mirage Compressor
Karma MTN-10 Mostortion
Boss DM-3
Strymon Flint
Line 6 Echo Park
Strymon Iridium
9v power via Truetone CS6

JBL powered speakers for this video #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

You don't change until you have to.....

I have always been an amp guy, and have always had a preference for tube amps. With a recent fly date I did with Paul Bogart, I ran into a situation that caused me to finally make the jump to using a direct setup. In the video, I cover how I began to see more and more of my friends and heroes go direct when the situation called for it. My solution was the Strymon Iridium with a Tone Junkie Celestion Vintage 30 IR pack. With it, I could get a nice BF Deluxe Reverb sound, along with the V30 IR to give me a sound I was comfortable with. Though others I spoke with used the Kemper or Line 6 HX, I chose the Strymon as it had actual knobs, and was much easier for me to use on the gig. 

This is my beginner's guide to going direct. 

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Pedalboard
Turbo Tuner
Mirage Compressor
Karma MTN-10 Mostortion
Boss DM-3
Strymon Flint
Line 6 Echo Park
Strymon Iridium
9v power via Truetone CS6

JBL powered speakers for this video #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12875757 Mon, 03 Jul 2023 12:00:00 -0500 1256 104 full false Robbie Robertson - Tele-Man of The Band - Ask Zac 103 Robbie Robertson - Tele-Man of The Band - Ask Zac 103 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Robbie Robertson and The Band turned the music world on its collective ear with the release of Music From Big Pink. Extended guitar solos, fuzz, psychedelic references, and screaming vocals were nowhere to be found. Instead, the listener found the understated guitar, storytelling songs, thoughtful arrangements, and brother-like vocal harmonies. In today's player spotlight, we take a look at Robertson's early days with the Hawk, through the mid-era of The Band, mainly focusing on the period of time that Robertson played a Telecaster. We also take a look at the black Tele he was gifted by Dylan, which was modified through the years and was his main guitar through much of the Band era.

https://open.spotify.com/playlist/65w...

Gear used:
1959 Fender Harvard with stock Jensen P10R

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
Medium-Heavy
#askzac  #robbierobertson  #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Robbie Robertson and The Band turned the music world on its collective ear with the release of Music From Big Pink. Extended guitar solos, fuzz, psychedelic references, and screaming vocals were nowhere to be found. Instead, the listener found the understated guitar, storytelling songs, thoughtful arrangements, and brother-like vocal harmonies. In today's player spotlight, we take a look at Robertson's early days with the Hawk, through the mid-era of The Band, mainly focusing on the period of time that Robertson played a Telecaster. We also take a look at the black Tele he was gifted by Dylan, which was modified through the years and was his main guitar through much of the Band era.

https://open.spotify.com/playlist/65w...

Gear used:
1959 Fender Harvard with stock Jensen P10R

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
Medium-Heavy
#askzac  #robbierobertson  #telecaster

Support the show

]]> Zac Childs Buzzsprout-12875686 Sun, 02 Jul 2023 12:00:00 -0500 1574 103 full false How Small Amps Got Big - Ask Zac 102 How Small Amps Got Big - Ask Zac 102 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Ever wondered why the amp world shifted from 100-watt amps to 25-watts or less? The short answer is the advancement of P.A. systems. In the not-so-distant past, the typical P.A.  was only capable of handling 2-3 vocal mics. Because of this, the guitar amp, and it alone, had to make the guitarist heard in whatever venue or situation they were in. This "amp dependency" was most often the case all the way up until the 1980s when it began to become more common for instrument amps to be reinforced through the more advanced P.A. systems that could handle the additional work. Thus the shift to smaller amps allowed the stage volume to be lowered and gave the vocalists a much-needed break.

A Celestion Blue Alnico speaker is in the amp for the entire video

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Ever wondered why the amp world shifted from 100-watt amps to 25-watts or less? The short answer is the advancement of P.A. systems. In the not-so-distant past, the typical P.A.  was only capable of handling 2-3 vocal mics. Because of this, the guitar amp, and it alone, had to make the guitarist heard in whatever venue or situation they were in. This "amp dependency" was most often the case all the way up until the 1980s when it began to become more common for instrument amps to be reinforced through the more advanced P.A. systems that could handle the additional work. Thus the shift to smaller amps allowed the stage volume to be lowered and gave the vocalists a much-needed break.

A Celestion Blue Alnico speaker is in the amp for the entire video

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12875615 Sat, 01 Jul 2023 12:00:00 -0500 1635 102 full false Hot-Rodding The Brown Princeton - Ask Zac 101 Hot-Rodding The Brown Princeton - Ask Zac 101 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I couldn't help myself, I had to mess with the amp that really did not to be messed with. In this video, I tell how using different tubes and speakers in the Chris Stapleton Princeton changed the sound. Just to be clear, I thought it was great out of the box, I just wanted to hear how the amp could be steered differently both in its gain, and tone.

An Eminence GB128 speaker is in the amp for the entire video

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I couldn't help myself, I had to mess with the amp that really did not to be messed with. In this video, I tell how using different tubes and speakers in the Chris Stapleton Princeton changed the sound. Just to be clear, I thought it was great out of the box, I just wanted to hear how the amp could be steered differently both in its gain, and tone.

An Eminence GB128 speaker is in the amp for the entire video

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12874865 Fri, 30 Jun 2023 12:00:00 -0500 1160 101 full false '62 Princeton Amp - Chris Stapleton Edition - Ask Zac 100 '62 Princeton Amp - Chris Stapleton Edition - Ask Zac 100 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Owning and loving both a 1965 Deluxe Reverb and a 1959 Harvard has caused me to become more and more curious about revisiting the brownface amps of 1960-1963. The last time I owned a brown amp, I was in High School. I looked around and realized that Fender had recently released a hand-wired 62 Princeton. Kindly, they sent me one to check out. In this video, I take a look at the history of the Princeton from the tweeds through the BF model, and of course, put Fender's new Chris Stapleton Edition amp through its paces. 

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition

Effects used:
Boss DM-2 Delay
Boss RV-2 Reverb on PLATE setting
#askzac #chrisstapletonprinceton #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Owning and loving both a 1965 Deluxe Reverb and a 1959 Harvard has caused me to become more and more curious about revisiting the brownface amps of 1960-1963. The last time I owned a brown amp, I was in High School. I looked around and realized that Fender had recently released a hand-wired 62 Princeton. Kindly, they sent me one to check out. In this video, I take a look at the history of the Princeton from the tweeds through the BF model, and of course, put Fender's new Chris Stapleton Edition amp through its paces. 

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition

Effects used:
Boss DM-2 Delay
Boss RV-2 Reverb on PLATE setting
#askzac #chrisstapletonprinceton #telecaster

Support the show

]]> Zac Childs Buzzsprout-12861636 Thu, 29 Jun 2023 12:00:00 -0500 940 100 full false Al Anderson - NRBQ's Big Man of the Telecaster - Ask Zac 99 Al Anderson - NRBQ's Big Man of the Telecaster - Ask Zac 99 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

NRBQ was one of the most talented, versatile, and wacky groups to ever play together. From 1971-1994, Big Al Anderson held the guitar seat, usually with a Telecaster in hand. Al's singing, writing, and playing helped define the group during his 23-year stay, yet he was to go on to even greater heights as a hit songwriter in Nashville, TN. In today's spotlight, we cover his story, some bits of his playing, and the gear he has used through the years.

Tom Bukovac demonstrating Al's rhythm guitar style
   • Homeskoolin’ Volu... 

Spotify Playlist
https://open.spotify.com/playlist/2p6...

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition

Effects used:
Boss DM-2 Delay
Boss VB-2W  Vibrato #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

NRBQ was one of the most talented, versatile, and wacky groups to ever play together. From 1971-1994, Big Al Anderson held the guitar seat, usually with a Telecaster in hand. Al's singing, writing, and playing helped define the group during his 23-year stay, yet he was to go on to even greater heights as a hit songwriter in Nashville, TN. In today's spotlight, we cover his story, some bits of his playing, and the gear he has used through the years.

Tom Bukovac demonstrating Al's rhythm guitar style
   • Homeskoolin’ Volu... 

Spotify Playlist
https://open.spotify.com/playlist/2p6...

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
Fender '62 Princeton Amp - Chris Stapleton Edition

Effects used:
Boss DM-2 Delay
Boss VB-2W  Vibrato #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12861583 Wed, 28 Jun 2023 12:00:00 -0500 1692 99 full false The 1959 Fender Super Amp - Top Of The Heap Of The Mid-Sized Tweeds - Ask Zac 98 The 1959 Fender Super Amp - Top Of The Heap Of The Mid-Sized Tweeds - Ask Zac 98 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The Fender tweeds from1947 thru 1960 are some of the finest guitar amps ever made. They are simple and raw sounding, and their job was mainly to make the guitar louder, not to do much tone sculpting. My favorites are the narrow panel 1955-1960 models, and today we are going to take a look at the best of the mid-sized (30-40 watt) tweeds, the 5F4 (2-10) Super amp. Besides its lineage, we will also look at how to get the most out of these amps by knowing how to use the Bass control, and jumpering the instrument and mic channels.

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
1959 Fender Super with Mather cab and Vintone alnico speakers. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The Fender tweeds from1947 thru 1960 are some of the finest guitar amps ever made. They are simple and raw sounding, and their job was mainly to make the guitar louder, not to do much tone sculpting. My favorites are the narrow panel 1955-1960 models, and today we are going to take a look at the best of the mid-sized (30-40 watt) tweeds, the 5F4 (2-10) Super amp. Besides its lineage, we will also look at how to get the most out of these amps by knowing how to use the Bass control, and jumpering the instrument and mic channels.

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
D'Andrea MH 351

Amp:
1959 Fender Super with Mather cab and Vintone alnico speakers. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12861464 Tue, 27 Jun 2023 12:00:00 -0500 976 98 full false Giggin' On Tulsa Time - Ask Zac 97 Giggin' On Tulsa Time - Ask Zac 97 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Here is the tale of my trip to Tulsa, to play some shows with my good friend, Paul Bogart. Besides the road story, I also talk about the gear I took with me, and how I used my 1964 Vox AC10 and the new Fender Tone Master Blonde Deluxe amp in a stereo setup. To do this, and to do it quietly, I used a buffered splitter box with a phase reversal switch and an isolation transformer. This allowed me to have my amps in phase, and to be a quiet as possible, and to not use a 3-to-2 prong adaptor, which is frankly dangerous.

Here is the full side-stage footage from Tulsa:
   • Live in Tulsa! (r... 


Amps in the video:
Fender Tone Master Deluxe https://amzn.to/3eDEEX0.
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Pedalboard
Turbo Tuner
Mirage Compressor
Analog Man Boss TR-2
XTS rehoused Mostortion
Boss FV30H Volume pedal
Boss DD-2 Delay
Line 6 Echo Park
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Here is the tale of my trip to Tulsa, to play some shows with my good friend, Paul Bogart. Besides the road story, I also talk about the gear I took with me, and how I used my 1964 Vox AC10 and the new Fender Tone Master Blonde Deluxe amp in a stereo setup. To do this, and to do it quietly, I used a buffered splitter box with a phase reversal switch and an isolation transformer. This allowed me to have my amps in phase, and to be a quiet as possible, and to not use a 3-to-2 prong adaptor, which is frankly dangerous.

Here is the full side-stage footage from Tulsa:
   • Live in Tulsa! (r... 


Amps in the video:
Fender Tone Master Deluxe https://amzn.to/3eDEEX0.
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Pedalboard
Turbo Tuner
Mirage Compressor
Analog Man Boss TR-2
XTS rehoused Mostortion
Boss FV30H Volume pedal
Boss DD-2 Delay
Line 6 Echo Park
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12861389 Mon, 26 Jun 2023 12:00:00 -0500 1695 97 full false The History of Jerry Jones Guitars - Ask Zac 95 The History of Jerry Jones Guitars - Ask Zac 95 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Shots of Jerry Jones early builds, including the original Tuff Dog Tele for Merle Haggard.

https://www.askzac.com/post/the-histo...

In 2010, Jerry Jones auctioned the entire contents of his Nashville factory. Drill presses, unused custom fabricated parts, prototype instruments, and everything that was not part of the building itself were sold to the highest bidder. For a handful of years, his website was kept up, but finally, it too came down. Now the only information that can be found is from the descriptions on completed sales of used instruments. A recent email asked me for info on Jones, as the viewer had just bought one of his guitars and there was next to nothing about the guitars on the web. My own search ended up with the same results. So I reached out to Jerry Jones through a friend of his, and I was politely told "Jerry does not want to be interviewed, as he is retired, and to talk about this would be to come out of retirement, and he has no interest in doing so."  With that dead-end, I pieced together my own past interactions with Jerry and tracked down some of his friends and two of his former employees to put together this story. I also had the help of friends that let me borrow a bevy of wonderful Jones guitars, including the original factory prototype that was used to test pickups. So to the best of my ability, here is the history of Jerry Jones Guitars.

Jerry Jones:
12-String (Black)
Longhorn Bass 6 (SilverJones)
Baritone
12-String (Bronze)
Baby Sitar
Prototype Guitar

Silvertone Danelectro 1958 U2

Amp:
Fender Blonde Tone Master Deluxe Reverb https://amzn.to/3eDEEX0.

Pick:
D'Andrea MH 351

Effects used:
Mirage compressor
Line 6 Echo Park Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Shots of Jerry Jones early builds, including the original Tuff Dog Tele for Merle Haggard.

https://www.askzac.com/post/the-histo...

In 2010, Jerry Jones auctioned the entire contents of his Nashville factory. Drill presses, unused custom fabricated parts, prototype instruments, and everything that was not part of the building itself were sold to the highest bidder. For a handful of years, his website was kept up, but finally, it too came down. Now the only information that can be found is from the descriptions on completed sales of used instruments. A recent email asked me for info on Jones, as the viewer had just bought one of his guitars and there was next to nothing about the guitars on the web. My own search ended up with the same results. So I reached out to Jerry Jones through a friend of his, and I was politely told "Jerry does not want to be interviewed, as he is retired, and to talk about this would be to come out of retirement, and he has no interest in doing so."  With that dead-end, I pieced together my own past interactions with Jerry and tracked down some of his friends and two of his former employees to put together this story. I also had the help of friends that let me borrow a bevy of wonderful Jones guitars, including the original factory prototype that was used to test pickups. So to the best of my ability, here is the history of Jerry Jones Guitars.

Jerry Jones:
12-String (Black)
Longhorn Bass 6 (SilverJones)
Baritone
12-String (Bronze)
Baby Sitar
Prototype Guitar

Silvertone Danelectro 1958 U2

Amp:
Fender Blonde Tone Master Deluxe Reverb https://amzn.to/3eDEEX0.

Pick:
D'Andrea MH 351

Effects used:
Mirage compressor
Line 6 Echo Park Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12861067 Sun, 25 Jun 2023 12:00:00 -0500 1813 95 full false How To Prepare For A Gig - Ask Zac 94 How To Prepare For A Gig - Ask Zac 94 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

How you prepare for a gig dictates whether you will be asked to work with that client/artist again in the future. In this episode, I show how I prepare musically, what questions I ask the client, how I choose what gear to take, and the importance of having backups for everything. A very practical AZ episode.


Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario Pure Nickel 10-45

Pick:
D'Andrea MH 351

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss DD-2
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

How you prepare for a gig dictates whether you will be asked to work with that client/artist again in the future. In this episode, I show how I prepare musically, what questions I ask the client, how I choose what gear to take, and the importance of having backups for everything. A very practical AZ episode.


Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario Pure Nickel 10-45

Pick:
D'Andrea MH 351

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss DD-2
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12861006 Sat, 24 Jun 2023 12:00:00 -0500 1131 94 full false Jimmy Bryant - The First Hero Of The Telecaster - Ask Zac 93 Jimmy Bryant - The First Hero Of The Telecaster - Ask Zac 93 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

When Leo Fender released the Broadcaster, he was laughed at by his competitors. His detractors claimed that no serious guitarist would be seen playing Fender's "boat paddle" with strings. But old Leo knew just the guitarist that could give his new plank some respect, Jimmy Bryant. What many are not aware of is that after working all day at the factory, Leo Fender would moonlight as the sound man for the popular Cliffie Stone's Hometown Jamboree show. On a break, Leo anxiously handed his new Broadcaster to Hometown guitarist, Jimmy Bryant, who was by all accounts the hottest picker in L.A. at the time. To his great delight, Bryant loved the fast action, clear tone, lack of unwanted feedback, and the comfort of Leo's new guitar. Soon Jimmy and his sparring partner, Speedy West, had their own recording contract with Capitol Records, and their first LP, with Jimmy proudly holding his Broadcaster, acted as a huge Fender ad in record stores across the United States. The new Fender guitar now was seen as the one to have.

Jimmy was one of the finest guitarists in the history of American Music, and although he is not forgotten, he is often underappreciated. With this episode, I will do my best to rectify that with a healthy dose of his story, and a look at the gear he used to create his decidedly "Fender" tone.

In the video, I spotlight how his use of the Broadcaster, 12-52 pure nickel strings, jazz picks, and an early "woody" Fender Pro influenced his sound. Also, I discuss the blend control, and how Broadcaster wiring was different than what was later used on the Telecaster.

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario Pure Nickle 10-45

Pick:
D'Andrea Medium Heavy

Amp:
1959 Fender Super

No effects
#askzac  #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

When Leo Fender released the Broadcaster, he was laughed at by his competitors. His detractors claimed that no serious guitarist would be seen playing Fender's "boat paddle" with strings. But old Leo knew just the guitarist that could give his new plank some respect, Jimmy Bryant. What many are not aware of is that after working all day at the factory, Leo Fender would moonlight as the sound man for the popular Cliffie Stone's Hometown Jamboree show. On a break, Leo anxiously handed his new Broadcaster to Hometown guitarist, Jimmy Bryant, who was by all accounts the hottest picker in L.A. at the time. To his great delight, Bryant loved the fast action, clear tone, lack of unwanted feedback, and the comfort of Leo's new guitar. Soon Jimmy and his sparring partner, Speedy West, had their own recording contract with Capitol Records, and their first LP, with Jimmy proudly holding his Broadcaster, acted as a huge Fender ad in record stores across the United States. The new Fender guitar now was seen as the one to have.

Jimmy was one of the finest guitarists in the history of American Music, and although he is not forgotten, he is often underappreciated. With this episode, I will do my best to rectify that with a healthy dose of his story, and a look at the gear he used to create his decidedly "Fender" tone.

In the video, I spotlight how his use of the Broadcaster, 12-52 pure nickel strings, jazz picks, and an early "woody" Fender Pro influenced his sound. Also, I discuss the blend control, and how Broadcaster wiring was different than what was later used on the Telecaster.

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario Pure Nickle 10-45

Pick:
D'Andrea Medium Heavy

Amp:
1959 Fender Super

No effects
#askzac  #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12860650 Fri, 23 Jun 2023 12:00:00 -0500 1580 93 full false How & Why I started my Guitar Related "Ask Zac" Channel using 2 iPhones and a lapel mic - Ask Zac 92 How & Why I started my Guitar Related "Ask Zac" Channel using 2 iPhones and a lapel mic - Ask Zac 92 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I started my channel in January of 2020 with 70 subscribers, and a year and a half later have over 20,000 subs. I have gotten many questions about how I create my show, including people wanting to know the specifics of how I capture my guitar sounds. Well here it is, and even a bit of the "why" I started doing my show. And to everyone that has subscribed and supported me, THANK YOU!!

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
Fender Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 on plate setting
Amp tremolo
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I started my channel in January of 2020 with 70 subscribers, and a year and a half later have over 20,000 subs. I have gotten many questions about how I create my show, including people wanting to know the specifics of how I capture my guitar sounds. Well here it is, and even a bit of the "why" I started doing my show. And to everyone that has subscribed and supported me, THANK YOU!!

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
Fender Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 on plate setting
Amp tremolo
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12860585 Thu, 22 Jun 2023 12:00:00 -0500 1067 92 full false Q & A - Princetons, Tele Body Thickness, and Guthrie Trapp's influence - Ask Zac 91 Q & A - Princetons, Tele Body Thickness, and Guthrie Trapp's influence - Ask Zac 91 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today I take a long-overdue look at questions that have arisen over the last couple of months. I cover the common questions I get about Princeton Reverb amps, the Tele body thickness question that was repeatedly asked concerning my 57 vs 67 Tele video, and I cover how Guthrie Trapp has influenced my playing, and how one of his exercises influenced the "Ask Zac" theme.

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
Fender Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 on plate setting
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today I take a long-overdue look at questions that have arisen over the last couple of months. I cover the common questions I get about Princeton Reverb amps, the Tele body thickness question that was repeatedly asked concerning my 57 vs 67 Tele video, and I cover how Guthrie Trapp has influenced my playing, and how one of his exercises influenced the "Ask Zac" theme.

Gear for this video
1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron Ellis

Strings:
D'Addario NYXL 10-46

Pick:
Fender Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 on plate setting
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12860436 Wed, 21 Jun 2023 12:00:00 -0500 1168 91 full false 1960 Deluxe VS 1959 Harvard - A Fender Tweed Comparison - Ask Zac 90 1960 Deluxe VS 1959 Harvard - A Fender Tweed Comparison - Ask Zac 90 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Fender tweeds are some of the most desirable vintage amps, especially the late 50s designs, which are considered by many as the pinnacle of Leo Fender's work. Today, I look at 2 of the most revered of the smaller tweeds, the 1959 Harvard, and the 1960 Deluxe. The 2 amps are similar in many ways, sharing even some of the same iron, yet different in their cabinet size, speaker size, and perhaps most importantly the Deluxe having cathode versus the fixed power tube bias of the Harvard. From clean to cranked, you hear it all paired with my 1957 Esquire.

Vintage Amp comparison - Tweed Shootout

Gear used:
1959 Fender Harvard with stock Jensen P10R
1960 Fender Deluxe with Jensen P12Q

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge re-wind by Ron Ellis

Strings:
D'Addario NYXL 10,12,16,24,34,44

Pick:
Medium

Effects:
None - though a Live Wire ABC switch was used to select each amp. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Fender tweeds are some of the most desirable vintage amps, especially the late 50s designs, which are considered by many as the pinnacle of Leo Fender's work. Today, I look at 2 of the most revered of the smaller tweeds, the 1959 Harvard, and the 1960 Deluxe. The 2 amps are similar in many ways, sharing even some of the same iron, yet different in their cabinet size, speaker size, and perhaps most importantly the Deluxe having cathode versus the fixed power tube bias of the Harvard. From clean to cranked, you hear it all paired with my 1957 Esquire.

Vintage Amp comparison - Tweed Shootout

Gear used:
1959 Fender Harvard with stock Jensen P10R
1960 Fender Deluxe with Jensen P12Q

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge re-wind by Ron Ellis

Strings:
D'Addario NYXL 10,12,16,24,34,44

Pick:
Medium

Effects:
None - though a Live Wire ABC switch was used to select each amp. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12860288 Tue, 20 Jun 2023 12:00:00 -0500 1106 90 full false How Grady Martin's 1961 Fuzz Solo birthed Keith Richard's "Satisfaction" in 1965 - Ask Zac 89 How Grady Martin's 1961 Fuzz Solo birthed Keith Richard's "Satisfaction" in 1965 - Ask Zac 89 Check out the opening Squier Bass VI lick played with Fuzz!
 
To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store at  - www.askzac.com

Did you know that the fuzz pedal was born because a Danelectro Bass 6 was recorded using a faulty channel on a studio mixing console? The part, played by the great Grady Martin, was a hit for Marty Robbins in 1961, and the requests to replicate the sound led the studio engineer, Glenn Snoddy, to design the Maestro Fuzz-Tone for Gibson in 1962. Unfortunately for Gibson, the pedal was not a hit right away. They had to wait till Keith Richards used one on "Satisfaction" in 1965, which led to them quickly reissuing the product. To boot, Keith had used the device only to mimic a horn, as he thought his fuzz guitar part was just a guide for the horn part to be overdubbed later. The horns were never added, the fuzz part was kept, and the fuzz craze was born.

Marty Robbins "Don't Worry About Me."
   • Marty Robbins - D... 

Grady Martin on "The Fuzz"
   • 1961 Grady Martin... 

James Burton on Bass VI with fuzz
   • Jimmy Burton - Ji... 

More of what Keith envisioned for "Satisfaction."
   • [I Can't Get No] ... 

Gear Used:
2018 Fender Squier Vintage Modified Bass VI
Strings: La Bella Flatwound 767-6F  https://amzn.to/2Wio3iu

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge re-wind by Ron Ellis

Strings:
D'Addario NYXL 10,12,16,24,34,44

Pick:
Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Analog Man Sunface 2N
#askzac #guitartech #telecaster

Support the show

]]> Check out the opening Squier Bass VI lick played with Fuzz!
 
To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store at  - www.askzac.com

Did you know that the fuzz pedal was born because a Danelectro Bass 6 was recorded using a faulty channel on a studio mixing console? The part, played by the great Grady Martin, was a hit for Marty Robbins in 1961, and the requests to replicate the sound led the studio engineer, Glenn Snoddy, to design the Maestro Fuzz-Tone for Gibson in 1962. Unfortunately for Gibson, the pedal was not a hit right away. They had to wait till Keith Richards used one on "Satisfaction" in 1965, which led to them quickly reissuing the product. To boot, Keith had used the device only to mimic a horn, as he thought his fuzz guitar part was just a guide for the horn part to be overdubbed later. The horns were never added, the fuzz part was kept, and the fuzz craze was born.

Marty Robbins "Don't Worry About Me."
   • Marty Robbins - D... 

Grady Martin on "The Fuzz"
   • 1961 Grady Martin... 

James Burton on Bass VI with fuzz
   • Jimmy Burton - Ji... 

More of what Keith envisioned for "Satisfaction."
   • [I Can't Get No] ... 

Gear Used:
2018 Fender Squier Vintage Modified Bass VI
Strings: La Bella Flatwound 767-6F  https://amzn.to/2Wio3iu

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge re-wind by Ron Ellis

Strings:
D'Addario NYXL 10,12,16,24,34,44

Pick:
Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Analog Man Sunface 2N
#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12853246 Mon, 19 Jun 2023 12:00:00 -0500 876 89 full false 1957 VS 1967 Vintage Telecaster Comparison - Ask Zac 88 - Leo Fender VS CBS Fender 1957 VS 1967 Vintage Telecaster Comparison - Ask Zac 88 - Leo Fender VS CBS Fender To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Fender has made the Telecaster for longer than many of us have been alive. The elegant, yet simple instrument has evolved and had many variations over the past 70 years. Today, I take a 1957 and 1967 Telecaster and show how the instrument changed from the heart of the Leo years, to firmly in the CBS era. From headstock to pickups, the comparison is quite enlightening, and I finish the video with head-to-head tone examples. To finish the video, I give a quick lesson on the playing examples I used for both instruments.

Gear for this video
1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
D'Addario NYXL 10,12,16,24,34,44

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Fender has made the Telecaster for longer than many of us have been alive. The elegant, yet simple instrument has evolved and had many variations over the past 70 years. Today, I take a 1957 and 1967 Telecaster and show how the instrument changed from the heart of the Leo years, to firmly in the CBS era. From headstock to pickups, the comparison is quite enlightening, and I finish the video with head-to-head tone examples. To finish the video, I give a quick lesson on the playing examples I used for both instruments.

Gear for this video
1957 Fender Esquire with added vintage neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Rewind of bridge pickup by Ron Ellis.

1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
D'Addario NYXL 10,12,16,24,34,44

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
amp verb #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12853190 Sun, 18 Jun 2023 12:00:00 -0500 1535 88 full false Learning To Love Fuzz & Electric Guitar Capo Tips - Ask Zac 87 Learning To Love Fuzz & Electric Guitar Capo Tips - Ask Zac 87 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo - AskZac
Or check out my store at  - www.askzac.com

Learning to play guitar in the 80s, my only reference to fuzz was articles about Jimi Hendrix, SRV, and Eric Johnson in either Guitar World or Guitar Player magazines. When I finally got to play the fuzz pedals that became available in the 90s, like those made by Fulltone, they were just not to my liking. They seemed way over the top, and not useable in the music that I was playing. I lost interest in fuzz until my good buddy Austin showed me his Analog Man Sun Face Fuzz, and I immediately ordered one from Mike. Besides fuzz, I also hit on some pointers on using capos with electric guitar after pushing them in my John Leventhal episode.

Gear for this video
1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46

Pick:
Blue Chip TPR 35

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Analog Man Sunface 2N #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo - AskZac
Or check out my store at  - www.askzac.com

Learning to play guitar in the 80s, my only reference to fuzz was articles about Jimi Hendrix, SRV, and Eric Johnson in either Guitar World or Guitar Player magazines. When I finally got to play the fuzz pedals that became available in the 90s, like those made by Fulltone, they were just not to my liking. They seemed way over the top, and not useable in the music that I was playing. I lost interest in fuzz until my good buddy Austin showed me his Analog Man Sun Face Fuzz, and I immediately ordered one from Mike. Besides fuzz, I also hit on some pointers on using capos with electric guitar after pushing them in my John Leventhal episode.

Gear for this video
1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46

Pick:
Blue Chip TPR 35

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Analog Man Sunface 2N #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12853112 Sat, 17 Jun 2023 12:00:00 -0500 1176 87 full false 7 things I stole from John Leventhal - Ask Zac 86 7 things I stole from John Leventhal - Ask Zac 86 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo - AskZac
Or check out my store at  - www.askzac.com

John Leventhal is a favorite, and his work in the early 90s acted as a musical roadmap for a young Texas Honky Tonk guitarist trying to stay afloat in the world of pop/folk/singer-songwriter music. In this episode, I look at 7 concepts that I have stolen from Leventhal, that are very worthy of checking out for yourself.

Print interview with JL
https://www.askzac.com/post/john-leve...

Truetone Lounge video interview with JL
   • John Leventhal | ... 
 
JL Playlist
https://open.spotify.com/playlist/68D...

Gear for this video
1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46

Pick:
Blue Chip TPR 35

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Mirage compressor pedal
Line 6 Echo Park
9v power via Truetone CS6  https://amzn.to/3gnJQPW
Amp Tremolo #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Venmo - AskZac
Or check out my store at  - www.askzac.com

John Leventhal is a favorite, and his work in the early 90s acted as a musical roadmap for a young Texas Honky Tonk guitarist trying to stay afloat in the world of pop/folk/singer-songwriter music. In this episode, I look at 7 concepts that I have stolen from Leventhal, that are very worthy of checking out for yourself.

Print interview with JL
https://www.askzac.com/post/john-leve...

Truetone Lounge video interview with JL
   • John Leventhal | ... 
 
JL Playlist
https://open.spotify.com/playlist/68D...

Gear for this video
1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46

Pick:
Blue Chip TPR 35

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Mirage compressor pedal
Line 6 Echo Park
9v power via Truetone CS6  https://amzn.to/3gnJQPW
Amp Tremolo #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12852997 Fri, 16 Jun 2023 12:00:00 -0500 1506 86 full false Gigging in Downtown Nashville - Ask Zac 85 Gigging in Downtown Nashville - Ask Zac 85 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

An old friend texted me on a Saturday morning to see if I was available to play at one of the big clubs in downtown Nashville from 2-6 pm that day. I absolutely said "yes," as I had not played in the downtown area since 2003. It was loads of fun, but also quite the eye-opener to how much Nashville had changed in the last 18 years. Besides the fun story, I also go into the gear I used, including my Waterloo WL-14 acoustic guitar, and the things I did right, and how I should have brought a better tuner pedal.

Gear used:

Waterloo WL-14 Ladder Braced guitar
D'Addario EJ26 Phosphor Bronze Custom Light Acoustic Strings
Medium Gauge pick #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

An old friend texted me on a Saturday morning to see if I was available to play at one of the big clubs in downtown Nashville from 2-6 pm that day. I absolutely said "yes," as I had not played in the downtown area since 2003. It was loads of fun, but also quite the eye-opener to how much Nashville had changed in the last 18 years. Besides the fun story, I also go into the gear I used, including my Waterloo WL-14 acoustic guitar, and the things I did right, and how I should have brought a better tuner pedal.

Gear used:

Waterloo WL-14 Ladder Braced guitar
D'Addario EJ26 Phosphor Bronze Custom Light Acoustic Strings
Medium Gauge pick #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12852834 Thu, 15 Jun 2023 12:00:00 -0500 1408 85 full false 10 Legendary Telecaster Licks - Ask Zac 84 10 Legendary Telecaster Licks - Ask Zac 84 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

My son told me, "Dad, you ought to do a video on your favorite Telecaster licks." So here are my 10 favorite Telecaster licks of all time.

1. Cornell Dupree "Rainy Night in Georgia."
2. Reggie Young "Memphis Soul Stew."
3. James Burton "Suzy Q."
4. Jesse Ed Davis "Six Days On The Road."
5. Pete Anderson "Guitars Cadillacs."
6. Bobby Womack "I'm In Love."
7. Clarence White "You Ain't Goin' Nowhere."
8. John Jorgenson "Highlander Boogie."
9. Luther Perkins "Folsom Prison Blues."
10. James Honeyman-Scott "Kid."
Bonus lick
11. Jimmy Olander "Meet In The Middle."

Spotify playlist:
https://open.spotify.com/playlist/1au...

Gear for this video:

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46

Pick:
Blue Chip TPR 35

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

My son told me, "Dad, you ought to do a video on your favorite Telecaster licks." So here are my 10 favorite Telecaster licks of all time.

1. Cornell Dupree "Rainy Night in Georgia."
2. Reggie Young "Memphis Soul Stew."
3. James Burton "Suzy Q."
4. Jesse Ed Davis "Six Days On The Road."
5. Pete Anderson "Guitars Cadillacs."
6. Bobby Womack "I'm In Love."
7. Clarence White "You Ain't Goin' Nowhere."
8. John Jorgenson "Highlander Boogie."
9. Luther Perkins "Folsom Prison Blues."
10. James Honeyman-Scott "Kid."
Bonus lick
11. Jimmy Olander "Meet In The Middle."

Spotify playlist:
https://open.spotify.com/playlist/1au...

Gear for this video:

1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46

Pick:
Blue Chip TPR 35

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12815493 Wed, 14 Jun 2023 12:00:00 -0500 1317 84 full false An Ask Zac B-Bender Lesson - AZ 83 An Ask Zac B-Bender Lesson - AZ 83 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

After getting numerous emails about doing a B-Bender lesson, here it finally is. In this AZ, I show some of my favorite chord voicings and licks for the B-Bender that you can add to your string bender vocabulary.

Gear Used:
2014 Crook Custom Vintage Paisley - APC Adder (Neck) Peter Florance TE-60 (Bridge)
Glaser B-Bender
http://www.crookcustomguitars.com/
https://www.glaserbender.com/

Pick:
Blue Chip TPR 35

Strings:
D'Addario NYXL 10,12,16,24,34,44

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Mirage Comp
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

After getting numerous emails about doing a B-Bender lesson, here it finally is. In this AZ, I show some of my favorite chord voicings and licks for the B-Bender that you can add to your string bender vocabulary.

Gear Used:
2014 Crook Custom Vintage Paisley - APC Adder (Neck) Peter Florance TE-60 (Bridge)
Glaser B-Bender
http://www.crookcustomguitars.com/
https://www.glaserbender.com/

Pick:
Blue Chip TPR 35

Strings:
D'Addario NYXL 10,12,16,24,34,44

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Mirage Comp
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12815409 Tue, 13 Jun 2023 12:00:00 -0500 991 83 full false FRANK RECKARD of Emmylou's Hot Band - Ask Zac 82 FRANK RECKARD of Emmylou's Hot Band - Ask Zac 82 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Spotlight on Frank Reckard, Emmylou's Hot Band lead guitarist from 1978-1990. A great player, who is sometimes overlooked as he left the music business after his tenure in the Hot Band to go to law school. Taking the position once held by both James Burton & Albert Lee was a task that Reckard took on ably with talent, hard work, and a fat Les Paul TV P90 tone. In today's episode, we spotlight his history as a player, gear used through the years, and have a mini-lesson covering the wonderful intro to his signature tune with  Emmylou, "Restless."   

Thank you to Dan Forte for his GP article on Frank from 1984.

Spotify Playlist for Reckard
https://open.spotify.com/playlist/4w9...

Gear Used:
2014 Crook Custom Vintage Paisley - APC Adder (Neck) Peter Florance TE-60 (Bridge)
Glaser B-Bender
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35

Strings:
D'Addario NYXL 10,12,16,24,34,44

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Mirage Comp
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Spotlight on Frank Reckard, Emmylou's Hot Band lead guitarist from 1978-1990. A great player, who is sometimes overlooked as he left the music business after his tenure in the Hot Band to go to law school. Taking the position once held by both James Burton & Albert Lee was a task that Reckard took on ably with talent, hard work, and a fat Les Paul TV P90 tone. In today's episode, we spotlight his history as a player, gear used through the years, and have a mini-lesson covering the wonderful intro to his signature tune with  Emmylou, "Restless."   

Thank you to Dan Forte for his GP article on Frank from 1984.

Spotify Playlist for Reckard
https://open.spotify.com/playlist/4w9...

Gear Used:
2014 Crook Custom Vintage Paisley - APC Adder (Neck) Peter Florance TE-60 (Bridge)
Glaser B-Bender
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35

Strings:
D'Addario NYXL 10,12,16,24,34,44

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Mirage Comp
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12815195 Mon, 12 Jun 2023 12:00:00 -0500 1251 82 full false Joe Glaser installs a B-Bender in my Paisley Tele - Ask Zac 81 Joe Glaser installs a B-Bender in my Paisley Tele - Ask Zac 81 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

After the last video, I was hooked and wanted to have a new style Glaser B-Bender installed in one of my guitars. The Bill Crook-built Paisley seemed like the appropriate candidate, so I set up a time for an install, and Joe agreed to the entire process being filmed. Besides me removing the strings, and Joe removing the neck, this is the entire installation process from beginning to end. I hope through watching this you can see what would be involved in having one installed in your guitar, but more than that, I hope you can see both the brilliance of Glaser's design and how ingenious his installation procedure is. The reason for the new bender mechanism being so streamlined was that Joe had to develop a bender mechanism and installation procedures that could be used by large guitar manufacturers. This is the same mechanism that is installed by Fender USA into the Brent Mason Signature model, and by Fender's Custom Shop into some of their high-end models.

Joe also shows how he strings vintage-style tuners and locks the plain strings for greater tuning stability.

Gear Used:
2014 Crook Custom Vintage Paisley APC Adder (Neck) Peter Florance TE-60 (Bridge)
http://www.crookcustomguitars.com/

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Mirage Comp
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW
#askzac  #glaserbender #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

After the last video, I was hooked and wanted to have a new style Glaser B-Bender installed in one of my guitars. The Bill Crook-built Paisley seemed like the appropriate candidate, so I set up a time for an install, and Joe agreed to the entire process being filmed. Besides me removing the strings, and Joe removing the neck, this is the entire installation process from beginning to end. I hope through watching this you can see what would be involved in having one installed in your guitar, but more than that, I hope you can see both the brilliance of Glaser's design and how ingenious his installation procedure is. The reason for the new bender mechanism being so streamlined was that Joe had to develop a bender mechanism and installation procedures that could be used by large guitar manufacturers. This is the same mechanism that is installed by Fender USA into the Brent Mason Signature model, and by Fender's Custom Shop into some of their high-end models.

Joe also shows how he strings vintage-style tuners and locks the plain strings for greater tuning stability.

Gear Used:
2014 Crook Custom Vintage Paisley APC Adder (Neck) Peter Florance TE-60 (Bridge)
http://www.crookcustomguitars.com/

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Mirage Comp
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/3gnJQPW
#askzac  #glaserbender #telecaster

Support the show

]]> Zac Childs Buzzsprout-12815100 Sun, 11 Jun 2023 12:00:00 -0500 3284 81 full false Glaser's New Convertible B/G-Bender and Updated Nashville 3-pickup wiring - Ask Zac 80 Glaser's New Convertible B/G-Bender and Updated Nashville 3-pickup wiring - Ask Zac 80 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Joe Glaser is the guru that has kept Nashville guitarists up and running since the early 80s. With help from Brent Mason, Steve Wariner, and Ricky Skaggs, his string benders and 3-pickup Telecaster setups became "must-haves" for anyone wanting to be seen as a serious guitarist in Music City. Today, we look at Joe's recently revamped string bender mechanism, which is now convertible between the B or G string, and his updated middle pickup blend control for 3-pickup Telecasters.

Find out more about Glaser's bender, and set up a time for an install.
https://www.glaserbender.com/

Gear for this video:

Will Barton's Birthday Caster
Brian Poe 1-piece swamp ash body, MJT finish, Marc Rutter's saddles, bridge, and hardware. Ron Ellis 50B, Tall Neck, and Duncan 80s Hot Strat Stack. Clive Brown neck re-shaped by Redd Volkaert.

https://ruttersguitars.com/

Pick: Fender Medium

Amp: 1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Joe Glaser is the guru that has kept Nashville guitarists up and running since the early 80s. With help from Brent Mason, Steve Wariner, and Ricky Skaggs, his string benders and 3-pickup Telecaster setups became "must-haves" for anyone wanting to be seen as a serious guitarist in Music City. Today, we look at Joe's recently revamped string bender mechanism, which is now convertible between the B or G string, and his updated middle pickup blend control for 3-pickup Telecasters.

Find out more about Glaser's bender, and set up a time for an install.
https://www.glaserbender.com/

Gear for this video:

Will Barton's Birthday Caster
Brian Poe 1-piece swamp ash body, MJT finish, Marc Rutter's saddles, bridge, and hardware. Ron Ellis 50B, Tall Neck, and Duncan 80s Hot Strat Stack. Clive Brown neck re-shaped by Redd Volkaert.

https://ruttersguitars.com/

Pick: Fender Medium

Amp: 1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12815012 Sat, 10 Jun 2023 12:00:00 -0500 1274 80 full false Fender VS Vox - Ask Zac 79 Fender VS Vox - Ask Zac 79 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I set up an AB switch with my 1965 Fender Deluxe Reverb, and 1964 Vox AC10, and I had so much fun switching in-between the 2 amps, that I decided to do a video to show the tonal differences between these two great amps. Fender and Vox have created two of the most iconic amp tones, that besides having different sounds, they also make you play differently because of the way they interact with your guitar.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Boss RV-2 Reverb on the "Plate" setting with Vox only.
Live Wire passive ABY box
Axcess electronics Buffer with isolation transformer - with Deluxe only
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I set up an AB switch with my 1965 Fender Deluxe Reverb, and 1964 Vox AC10, and I had so much fun switching in-between the 2 amps, that I decided to do a video to show the tonal differences between these two great amps. Fender and Vox have created two of the most iconic amp tones, that besides having different sounds, they also make you play differently because of the way they interact with your guitar.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Boss RV-2 Reverb on the "Plate" setting with Vox only.
Live Wire passive ABY box
Axcess electronics Buffer with isolation transformer - with Deluxe only
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12808543 Fri, 09 Jun 2023 12:00:00 -0500 894 79 full false Fender '68 Custom Vibro Champ Reverb - Ask Zac 78 Fender '68 Custom Vibro Champ Reverb - Ask Zac 78 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Fender recently surprised me with a new '68 Custom Vibro Champ Reverb amp. I was honored, yet a little concerned as I had never really enjoyed single-ended (1 output tube) amps because they tended to sound small, boxy, and to have not-so-great clean sounds. I thought about contacting them to send it back, but decided I might as well plug it in. Surprise, Surprise, I was blown away by its big clean tones, fantastic tube tremolo, and sweet reverb. Fender got rid of that "little amp" sound by installing a well-voiced 10" Celestion, and further enhanced it by adding a digital reverb circuit that makes this Champ a killer grab-and-go amp.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Gear for this video
1967 Telecaster

Pick:
Danocaster Medium

Amp:
2021 Fender '68 Custom Vibro Champ Reverb

Effects used:
Amp tremolo and reverb

#askzac #vibrochampreverb #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Fender recently surprised me with a new '68 Custom Vibro Champ Reverb amp. I was honored, yet a little concerned as I had never really enjoyed single-ended (1 output tube) amps because they tended to sound small, boxy, and to have not-so-great clean sounds. I thought about contacting them to send it back, but decided I might as well plug it in. Surprise, Surprise, I was blown away by its big clean tones, fantastic tube tremolo, and sweet reverb. Fender got rid of that "little amp" sound by installing a well-voiced 10" Celestion, and further enhanced it by adding a digital reverb circuit that makes this Champ a killer grab-and-go amp.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Gear for this video
1967 Telecaster

Pick:
Danocaster Medium

Amp:
2021 Fender '68 Custom Vibro Champ Reverb

Effects used:
Amp tremolo and reverb

#askzac #vibrochampreverb #telecaster

Support the show

]]> Zac Childs Buzzsprout-12808468 Thu, 08 Jun 2023 12:00:00 -0500 1199 78 full false Fred Newell, Nashville Now, and the TNN Telecaster - Ask Zac 77 Fred Newell, Nashville Now, and the TNN Telecaster - Ask Zac 77 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Fred Newell is best known for his decade-long position as the lead guitarist on Nashville Now, the hugely popular flagship show of TNN, The Nashville Network. Few are aware of all the sessions he played on that were huge hits for Alabama, George Strait, Jerry Reed, and The Kendalls. In this episode, I cover his early days, move to Nashville, session career, a decade on Nashville Now, and his switch to pedal steel guitar and tours with Waylon Jennings. I also take a look at his iconic red-neck Tele that was silkscreened with the TNN logo and heavily featured during the run of the show from 1983-1993.

Detailed shots of the TNN guitar are on my site
https://www.askzac.com/post/fred-newe...

Gear for this video
1983 TNN Telecaster - Detailed photos here:
https://www.askzac.com/post/fred-newe...

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting.
Boss DD-2 Delay
Amp tremolo
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Fred Newell is best known for his decade-long position as the lead guitarist on Nashville Now, the hugely popular flagship show of TNN, The Nashville Network. Few are aware of all the sessions he played on that were huge hits for Alabama, George Strait, Jerry Reed, and The Kendalls. In this episode, I cover his early days, move to Nashville, session career, a decade on Nashville Now, and his switch to pedal steel guitar and tours with Waylon Jennings. I also take a look at his iconic red-neck Tele that was silkscreened with the TNN logo and heavily featured during the run of the show from 1983-1993.

Detailed shots of the TNN guitar are on my site
https://www.askzac.com/post/fred-newe...

Gear for this video
1983 TNN Telecaster - Detailed photos here:
https://www.askzac.com/post/fred-newe...

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting.
Boss DD-2 Delay
Amp tremolo
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12808383 Wed, 07 Jun 2023 12:00:00 -0500 1507 77 full false My Tales from the 2010 Nashville Flood - Ask Zac 76 My Tales from the 2010 Nashville Flood - Ask Zac 76 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

The Nashville Flood of 2010 was devastating. Lives, homes, businesses, and a huge amount of guitars were lost. The day the rain started, I took my pregnant wife and 1-year old son to a guitar festival in Leiper's Fork, TN, just south of Nashville. While there, I saw Larry Carlton, Reggie Young, Jack Pearson, and Robben Ford perform and had the chance to view some of the finest and rarest vintage guitars at an exhibit curated by Joe Glaser. But what started as a fun musical diversion for me and my "cabin fever" afflicted wife, ended with us being thankful to make it home unscathed after hours of being trapped in Leiper's Fork, and then a very long and scary trip home.


Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting.
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

The Nashville Flood of 2010 was devastating. Lives, homes, businesses, and a huge amount of guitars were lost. The day the rain started, I took my pregnant wife and 1-year old son to a guitar festival in Leiper's Fork, TN, just south of Nashville. While there, I saw Larry Carlton, Reggie Young, Jack Pearson, and Robben Ford perform and had the chance to view some of the finest and rarest vintage guitars at an exhibit curated by Joe Glaser. But what started as a fun musical diversion for me and my "cabin fever" afflicted wife, ended with us being thankful to make it home unscathed after hours of being trapped in Leiper's Fork, and then a very long and scary trip home.


Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting.
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12808307 Tue, 06 Jun 2023 12:00:00 -0500 1579 76 full false The Influence of John Jorgenson - Ask Zac 75 The Influence of John Jorgenson - Ask Zac 75 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Since I first heard John Jorgenson with the Desert Rose Band, I have been a huge fan. I first saw John play in 1994 with the Hellecasters in Nashville, with Brad Paisley in tow. Brad was 21, and I was 20 with a fake I.D. Paisley told me as we got to the door, "If you don't get in, I'm going in without you." Many years later, I had the chance to interview Jorgenson for the Truetone Lounge, and then he kept being mentioned in my "Ask Zac" show, so I finally decided to dedicate a show to his huge influence in making Vox amps, 6-string basses, electric 12-string guitars, and bold effects popular in Country Music. He is also is a huge reason that Matchless amps ever got off the ground.

Special thanks to Willem van der Wagen, who runs the Desert Rose Band fan website, and YouTube page.

Jorgenson playlist
https://open.spotify.com/playlist/6iR...

Additional photos of John, including some with a prototype Matchless amp
https://www.askzac.com/post/john-jorg...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting.
Boss DD-2
Boss DC-2 Dimension, the second mode
Boss VB-2w
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Since I first heard John Jorgenson with the Desert Rose Band, I have been a huge fan. I first saw John play in 1994 with the Hellecasters in Nashville, with Brad Paisley in tow. Brad was 21, and I was 20 with a fake I.D. Paisley told me as we got to the door, "If you don't get in, I'm going in without you." Many years later, I had the chance to interview Jorgenson for the Truetone Lounge, and then he kept being mentioned in my "Ask Zac" show, so I finally decided to dedicate a show to his huge influence in making Vox amps, 6-string basses, electric 12-string guitars, and bold effects popular in Country Music. He is also is a huge reason that Matchless amps ever got off the ground.

Special thanks to Willem van der Wagen, who runs the Desert Rose Band fan website, and YouTube page.

Jorgenson playlist
https://open.spotify.com/playlist/6iR...

Additional photos of John, including some with a prototype Matchless amp
https://www.askzac.com/post/john-jorg...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting.
Boss DD-2
Boss DC-2 Dimension, the second mode
Boss VB-2w
9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12808206 Mon, 05 Jun 2023 12:00:00 -0500 1758 75 full false Glaser Bender Guitars, the first Super-Telecasters and the birth of the Nashville Tele - Ask Zac 74 Glaser Bender Guitars, the first Super-Telecasters and the birth of the Nashville Tele - Ask Zac 74 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The 3 pickup Tele is commonplace now and is often referred to as the "Nashville" Tele setup. Joe Glaser pioneered it in the early 80s with the help of test pilots, Brent Mason, Ricky Skaggs, and Steve Wariner. For Mason, it was hot-rodding his 1967 Tele, for Skaggs and Wariner, Joe made the equivalent of formula one racers from the ground up with eye-catching finishes, flame maple necks, the aforementioned middle pickup, and his patented string benders. These were the very first Super Tele's, made to cover a wide variety of tones and get you noticed. Today, we have the rare opportunity to look at a pair of these extremely rare Glaser-built birds and see and hear what makes them so special that they almost never come up for sale.

Special thanks to Joe Glaser for his valuable input, and to John Thompson and John Stokes for the use of their Glaser guitars.

Gear for this video:
1986 Glaser Bender guitar. Fiesta red. Duncan vintage neck, hot strat stack, and Lollar 52 bridge
1986 Glaser Bender guitar. Purple. Duncan vintage neck, hot strat stack, and Duncan Alnico II bridge.

Pick: Fender Medium

Amp: 1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The 3 pickup Tele is commonplace now and is often referred to as the "Nashville" Tele setup. Joe Glaser pioneered it in the early 80s with the help of test pilots, Brent Mason, Ricky Skaggs, and Steve Wariner. For Mason, it was hot-rodding his 1967 Tele, for Skaggs and Wariner, Joe made the equivalent of formula one racers from the ground up with eye-catching finishes, flame maple necks, the aforementioned middle pickup, and his patented string benders. These were the very first Super Tele's, made to cover a wide variety of tones and get you noticed. Today, we have the rare opportunity to look at a pair of these extremely rare Glaser-built birds and see and hear what makes them so special that they almost never come up for sale.

Special thanks to Joe Glaser for his valuable input, and to John Thompson and John Stokes for the use of their Glaser guitars.

Gear for this video:
1986 Glaser Bender guitar. Fiesta red. Duncan vintage neck, hot strat stack, and Lollar 52 bridge
1986 Glaser Bender guitar. Purple. Duncan vintage neck, hot strat stack, and Duncan Alnico II bridge.

Pick: Fender Medium

Amp: 1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12797556 Sun, 04 Jun 2023 12:00:00 -0500 1448 74 full false Roy Buchanan - Tele Sorcerer - Ask Zac 73 Roy Buchanan - Tele Sorcerer - Ask Zac 73 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Roy Buchanan took the Telecaster, and guitar playing in general to a new level with his groundbreaking use of volume swells, tone control "wah" simulations, pinch harmonics, and feedback. Although influenced by Buck Owens and Roy Nichols initially, while living near Bakersfield, he would go on to take in a host of diverse musical styles and influences. In today's episode, we look at his history, playing style, gear, and how he has in one way or another influenced legions of players. Also, we look at motifs of his tune "Cajun," including how to play the snaky intro lick.

Spotify Playlist for Buchanan
https://open.spotify.com/playlist/6Ee...

1960 version of "After Hours," one of his first recordings using a Tele. His style is solidifying here.
   • Roy Buchanan - Af... 

"Potato Peeler" First use of pinch harmonics by Roy
   • Bobby Gregg and h... 

Gear for this video:
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings: D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick: Fender Heavy Jazz Pick 358

Amp: 1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster




Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Roy Buchanan took the Telecaster, and guitar playing in general to a new level with his groundbreaking use of volume swells, tone control "wah" simulations, pinch harmonics, and feedback. Although influenced by Buck Owens and Roy Nichols initially, while living near Bakersfield, he would go on to take in a host of diverse musical styles and influences. In today's episode, we look at his history, playing style, gear, and how he has in one way or another influenced legions of players. Also, we look at motifs of his tune "Cajun," including how to play the snaky intro lick.

Spotify Playlist for Buchanan
https://open.spotify.com/playlist/6Ee...

1960 version of "After Hours," one of his first recordings using a Tele. His style is solidifying here.
   • Roy Buchanan - Af... 

"Potato Peeler" First use of pinch harmonics by Roy
   • Bobby Gregg and h... 

Gear for this video:
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings: D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick: Fender Heavy Jazz Pick 358

Amp: 1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster




Support the show

]]> Zac Childs Buzzsprout-12797503 Sat, 03 Jun 2023 12:00:00 -0500 1951 73 full false Roy Nichols - No Stranger to a Tele - Ask Zac 72 Roy Nichols - No Stranger to a Tele - Ask Zac 72 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

With the blessing of Redd Volkaert, who has an album by the same name, this Roy Nichols episode is titled "No Stranger To A Tele." Roy of course was the guitarist in Merle Haggard's band, The Strangers,  from 1965-1987, but there is so much more to his story than just his time with Merle. Today we look at his story that takes flight during the depression, going through his time with The Maddox Brothers and Rose, Lefty Frizzell, Wynn Stewart, Johnny Cash, and his seminal work with the Hag. Of course, we take a look at his gear, and specifically what he used on the Merle live records that are to many the "Nichols Bible" of licks and tone.

More information and photos of Roy through the years, including shots of him playing his main Tele, are at my site.
https://www.askzac.com/post/roy-nicho...

Spotify Playlist for Roy
https://open.spotify.com/playlist/2Tb...

Gear for this video:

1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

With the blessing of Redd Volkaert, who has an album by the same name, this Roy Nichols episode is titled "No Stranger To A Tele." Roy of course was the guitarist in Merle Haggard's band, The Strangers,  from 1965-1987, but there is so much more to his story than just his time with Merle. Today we look at his story that takes flight during the depression, going through his time with The Maddox Brothers and Rose, Lefty Frizzell, Wynn Stewart, Johnny Cash, and his seminal work with the Hag. Of course, we take a look at his gear, and specifically what he used on the Merle live records that are to many the "Nichols Bible" of licks and tone.

More information and photos of Roy through the years, including shots of him playing his main Tele, are at my site.
https://www.askzac.com/post/roy-nicho...

Spotify Playlist for Roy
https://open.spotify.com/playlist/2Tb...

Gear for this video:

1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12797463 Fri, 02 Jun 2023 12:00:00 -0500 1986 72 full false Buck Owens & Don Rich - Telecaster Troubadours - Ask Zac 71 Buck Owens & Don Rich - Telecaster Troubadours - Ask Zac 71 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Buck Owens & Don Rich set the world on its ear with their bright, twangy guitars, and their incredibly tight vocals. In today's episode, I take a look at the Bakersfield Dynamic Duo that influenced everyone, including the Beatles. I also look at their gear, and elements of their playing styles.

Spotify Playlist
https://open.spotify.com/playlist/22q...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Buck Owens & Don Rich set the world on its ear with their bright, twangy guitars, and their incredibly tight vocals. In today's episode, I take a look at the Bakersfield Dynamic Duo that influenced everyone, including the Beatles. I also look at their gear, and elements of their playing styles.

Spotify Playlist
https://open.spotify.com/playlist/22q...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Verb. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12797424 Thu, 01 Jun 2023 12:00:00 -0500 1743 71 full false The Revenge of the Fender Tone Master Deluxe Reverb Blonde - Ask Zac 70 The Revenge of the Fender Tone Master Deluxe Reverb Blonde - Ask Zac 70 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In 2020, I checked out the original Black Tolex Fender Tone Master Deluxe Reverb and thought it was pretty good, but not great. In my video, I mentioned the virtual bright cap, the verb, and the speaker as being in need of upgrades. Well, Fender did just that with the new Blonde Tone Master Deluxe Reverb, hence "revenge" in the title. In this Deluxe fan's opinion, this is a much better amp, and much more fun to play through than the former model. I showcase the verb and tremolo and take the amp through some clean and overdriven sounds using the power attenuation that is built into the amp.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Some Amazon links below:

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
Fender Blonde Tone Master Deluxe Reverb https://amzn.to/3eDEEX0.
Celestion Neo Creamback (To upgrade the black Tolex version) https://amzn.to/3qAuAQZ

Effects used:
Amp's reverb and tremolo
#askzac  #tonemasterdeluxe #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In 2020, I checked out the original Black Tolex Fender Tone Master Deluxe Reverb and thought it was pretty good, but not great. In my video, I mentioned the virtual bright cap, the verb, and the speaker as being in need of upgrades. Well, Fender did just that with the new Blonde Tone Master Deluxe Reverb, hence "revenge" in the title. In this Deluxe fan's opinion, this is a much better amp, and much more fun to play through than the former model. I showcase the verb and tremolo and take the amp through some clean and overdriven sounds using the power attenuation that is built into the amp.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Some Amazon links below:

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
Fender Blonde Tone Master Deluxe Reverb https://amzn.to/3eDEEX0.
Celestion Neo Creamback (To upgrade the black Tolex version) https://amzn.to/3qAuAQZ

Effects used:
Amp's reverb and tremolo
#askzac  #tonemasterdeluxe #telecaster

Support the show

]]> Zac Childs Buzzsprout-12797384 Wed, 31 May 2023 12:00:00 -0500 989 70 full false The Greatest Vox Amp You Haven't Heard Of - Ask Zac 69 The Greatest Vox Amp You Haven't Heard Of - Ask Zac 69 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have tried to be a Vox guy for years; buying and selling them over and over and never finding the right one. I had to come to the point of giving up when a friend let me borrow his 1964 Vox AC10, and I finally found the tone I had always been looking for. In this episode, I discuss probably the least known of the JMI era amps, going through its specs and tube layout, and why in many ways it is the perfect Vox design.

The making of the Vox cab video by Kyle Bollendorf of Vintage Wood Workshop.
   • Building a Custom... 

Amazon link
Vox The JMI Years (The Ultimate Vox Book) https://amzn.to/3qo9lSs

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting. #askzac #voxac10 #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have tried to be a Vox guy for years; buying and selling them over and over and never finding the right one. I had to come to the point of giving up when a friend let me borrow his 1964 Vox AC10, and I finally found the tone I had always been looking for. In this episode, I discuss probably the least known of the JMI era amps, going through its specs and tube layout, and why in many ways it is the perfect Vox design.

The making of the Vox cab video by Kyle Bollendorf of Vintage Wood Workshop.
   • Building a Custom... 

Amazon link
Vox The JMI Years (The Ultimate Vox Book) https://amzn.to/3qo9lSs

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf.

Effects used:
Boss RV-2 Reverb on the "Plate" setting. #askzac #voxac10 #telecaster

Support the show

]]> Zac Childs Buzzsprout-12768898 Tue, 30 May 2023 12:00:00 -0500 1689 69 full false All-About the Vintage MXR Script Logo Dyna Comp - Ask Zac 68 All-About the Vintage MXR Script Logo Dyna Comp - Ask Zac 68 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

The first pedal compressor, and somewhat of a misunderstood effect. Today we will look at its history, including the changes in the pedal throughout the 70s, users, and how compressor pedals have gone from a "sometimes" effect to an "always-on" box for many.

Amazon link
MXR's reissue script logo box with the can CA3080  https://amzn.to/3bPkJl6

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
1975 Script Logo MXR Dyna Comp powered by a 9v battery. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

The first pedal compressor, and somewhat of a misunderstood effect. Today we will look at its history, including the changes in the pedal throughout the 70s, users, and how compressor pedals have gone from a "sometimes" effect to an "always-on" box for many.

Amazon link
MXR's reissue script logo box with the can CA3080  https://amzn.to/3bPkJl6

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46  https://amzn.to/3bWYb1M

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
1975 Script Logo MXR Dyna Comp powered by a 9v battery. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12768850 Mon, 29 May 2023 12:00:00 -0500 1314 68 full false Making Chord Inversions Fun - Ask Zac 67 Making Chord Inversions Fun - Ask Zac 67 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

In today's lesson, we look at a fun technique for helping you learn inversions up and down the neck to help both your rhythm and solo work. In the lesson, I cycle between G major and A minor inversions on the D-B strings, G-E strings, and A-G strings. I also run G6-G9 up and down the fretboard.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Reverb #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

In today's lesson, we look at a fun technique for helping you learn inversions up and down the neck to help both your rhythm and solo work. In the lesson, I cycle between G major and A minor inversions on the D-B strings, G-E strings, and A-G strings. I also run G6-G9 up and down the fretboard.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Reverb #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12768784 Sun, 28 May 2023 12:00:00 -0500 810 67 full false Boss DM-2, DD-2, & DM-3 - Boss Delays of the 1980s - Ask Zac 66 Boss DM-2, DD-2, & DM-3 - Boss Delays of the 1980s - Ask Zac 66 Today I take a look at the Big-3 delay pedals that Boss released in the 1980s, the DM-2, DD-2, and the DM-3. They were all revolutionary when released, and are now considered important delay classics. They are all favorites of mine for different reasons as all three have strengths and weaknesses.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Pictures of the settings I used can be found on my site
https://www.askzac.com

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Boss DM-2
Boss DD-2 Delay
Boss DM-3 #askzac #guitartech #telecaster

Support the show

]]> Today I take a look at the Big-3 delay pedals that Boss released in the 1980s, the DM-2, DD-2, and the DM-3. They were all revolutionary when released, and are now considered important delay classics. They are all favorites of mine for different reasons as all three have strengths and weaknesses.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Pictures of the settings I used can be found on my site
https://www.askzac.com

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Boss DM-2
Boss DD-2 Delay
Boss DM-3 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12768718 Sat, 27 May 2023 12:00:00 -0500 1480 66 full false Vince Gill - Telecaster Songbird - Ask Zac 65 Vince Gill - Telecaster Songbird - Ask Zac 65 When Vince stops singing, his Telecaster takes over. Gill was a big part of keeping the Telecaster front and center during the 90s, Country Music's most popular era. Besides covering some of his history and gear, I also showcase some Vince-isms that are an indelible part of his playing style.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Some Gear Shots I took back in 2003, including his 53 Tele, and the settings he uses on his CS-3 compressor.
https://www.askzac.com/post/vince-gil...

Vince Gill Spotify Playlist of his best Tele-work
https://open.spotify.com/playlist/60h...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Boss CS-3 Compressor
Boss DD-2 Delay #askzac #guitartech #telecaster

Support the show

]]> When Vince stops singing, his Telecaster takes over. Gill was a big part of keeping the Telecaster front and center during the 90s, Country Music's most popular era. Besides covering some of his history and gear, I also showcase some Vince-isms that are an indelible part of his playing style.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Some Gear Shots I took back in 2003, including his 53 Tele, and the settings he uses on his CS-3 compressor.
https://www.askzac.com/post/vince-gil...

Vince Gill Spotify Playlist of his best Tele-work
https://open.spotify.com/playlist/60h...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Boss CS-3 Compressor
Boss DD-2 Delay #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12768653 Fri, 26 May 2023 12:00:00 -0500 1365 65 full false Why A Jazzmaster? Ask Zac 64 Why A Jazzmaster? Ask Zac 64 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have always had a jaundiced view of the Fender Jazzmaster. I thought it was only for surf, punk, or players with extremely large pedalboards. I learned I was horribly wrong after spending time with Dan Strain's 1965 Jazzmaster. They are beautiful sounding instruments that have their own very identifiable sleek & sinewy sound. As a known Tele-Guy, I take a look at the Jazzmaster, and spotlight what I see as its strengths, and how I was quite uninformed when it came to my former opinion on them. As a bonus, I take a quick look at a 1967 Guild Starfire V that was modified with a Lollar Firebird pickup in the neck.

Some great additional info on Jazzmasters:

Guitar Moderne's (Michael Ross) excellent overview with helpful clips
https://www.guitarmoderne.com/gear-2/...

Five Watt World's short history
   • The Fender Jazzma... 

Gear for this video
1965 Fender Jazzmaster with Mastery Bridge. Restoration and aging on the body and neck by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:

TC Polytune
Mirage compressor pedal
AnalogMan Boss TR-2 Tremolo
Ibanez Mostortion Overdrive
Boss DM-3 Delay
Line 6 Echo Park Delay
9v power via Truetone CS6 (Amazon Aff link) https://amzn.to/38S9rZK
#askzac  #guitartech #jazzmaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have always had a jaundiced view of the Fender Jazzmaster. I thought it was only for surf, punk, or players with extremely large pedalboards. I learned I was horribly wrong after spending time with Dan Strain's 1965 Jazzmaster. They are beautiful sounding instruments that have their own very identifiable sleek & sinewy sound. As a known Tele-Guy, I take a look at the Jazzmaster, and spotlight what I see as its strengths, and how I was quite uninformed when it came to my former opinion on them. As a bonus, I take a quick look at a 1967 Guild Starfire V that was modified with a Lollar Firebird pickup in the neck.

Some great additional info on Jazzmasters:

Guitar Moderne's (Michael Ross) excellent overview with helpful clips
https://www.guitarmoderne.com/gear-2/...

Five Watt World's short history
   • The Fender Jazzma... 

Gear for this video
1965 Fender Jazzmaster with Mastery Bridge. Restoration and aging on the body and neck by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:

TC Polytune
Mirage compressor pedal
AnalogMan Boss TR-2 Tremolo
Ibanez Mostortion Overdrive
Boss DM-3 Delay
Line 6 Echo Park Delay
9v power via Truetone CS6 (Amazon Aff link) https://amzn.to/38S9rZK
#askzac  #guitartech #jazzmaster

Support the show

]]> Zac Childs Buzzsprout-12753211 Thu, 25 May 2023 12:00:00 -0500 1088 64 full false Roots Electric Rhythm Guitar - Ask Zac 63 Roots Electric Rhythm Guitar - Ask Zac 63 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Rhythm guitar techniques in the styles of Ry Cooder, Keith Richards, Jimmie Vaughan, and Jesse Ed Davis. I had so many comments on how players had both enjoyed and incorporated concepts from my "Country Electric Rhythm Guitar," that I decided to do a companion piece covering more roots/rock styles.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Reverb and tremolo #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Rhythm guitar techniques in the styles of Ry Cooder, Keith Richards, Jimmie Vaughan, and Jesse Ed Davis. I had so many comments on how players had both enjoyed and incorporated concepts from my "Country Electric Rhythm Guitar," that I decided to do a companion piece covering more roots/rock styles.

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Amp Reverb and tremolo #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12753175 Wed, 24 May 2023 12:00:00 -0500 1091 63 full false Ray Flacke - Brit Telecaster Strangler - Ask Zac 62 Ray Flacke - Brit Telecaster Strangler - Ask Zac 62 Ray Flacke is another Tele-favorite of mine. I became aware of him through his work with Ricky Skaggs and soon started scouring the record bins for anything he had played on. I found that I had a great affinity for his singular style, which utilized low-string bends, an aggressive attack, and a sense that at any moment he might fly off the tracks. In this episode, I lay out his history, gear, and some licks that are very "Flacke" sounding.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Ray Flacke's Country Telecaster Virtuosity video from Homespun. Use this code to get 20% off  askzac2021
https://www.homespun.com/shop/product...


Spotify Playlist for Ray Flacke
https://open.spotify.com/playlist/683...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Ray Flacke is another Tele-favorite of mine. I became aware of him through his work with Ricky Skaggs and soon started scouring the record bins for anything he had played on. I found that I had a great affinity for his singular style, which utilized low-string bends, an aggressive attack, and a sense that at any moment he might fly off the tracks. In this episode, I lay out his history, gear, and some licks that are very "Flacke" sounding.

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Ray Flacke's Country Telecaster Virtuosity video from Homespun. Use this code to get 20% off  askzac2021
https://www.homespun.com/shop/product...


Spotify Playlist for Ray Flacke
https://open.spotify.com/playlist/683...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.

Strings:
D'Addario NYXL 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects used:
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12753108 Tue, 23 May 2023 12:00:00 -0500 1656 62 full false A RUT BUSTING LESSON FOR 2021 - Ask Zac 61 A RUT BUSTING LESSON FOR 2021 - Ask Zac 61 Sometimes when I am practicing, I just end up playing the same things over and over again. Recently, I started trying to find a good method for busting myself out of my practice rut. I found it by transposing licks & patterns to other areas of the guitar. It's an incredibly simple and effective way to open up all sorts of other musical possibilities using what I already know.  

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Link to the digital version of A.R. Duchossoir's amazing Telecaster book
https://amzn.to/3nuemr0

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Refin by Danocaster.

Strings: 
D'Addario 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects:
Amp tremolo and reverb #askzac #guitartech #telecaster

Support the show

]]> Sometimes when I am practicing, I just end up playing the same things over and over again. Recently, I started trying to find a good method for busting myself out of my practice rut. I found it by transposing licks & patterns to other areas of the guitar. It's an incredibly simple and effective way to open up all sorts of other musical possibilities using what I already know.  

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Link to the digital version of A.R. Duchossoir's amazing Telecaster book
https://amzn.to/3nuemr0

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Refin by Danocaster.

Strings: 
D'Addario 10-46

Pick:
Danocaster Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.

Effects:
Amp tremolo and reverb #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12753072 Mon, 22 May 2023 12:00:00 -0500 939 61 full false Jesse Ed Davis - Unsung Hero of the Telecaster - Ask Zac 60 Jesse Ed Davis - Unsung Hero of the Telecaster - Ask Zac 60 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Jesse Edwin Davis made a huge impact on the guitar during his relatively short career. He influenced Duane Allman to learn slide, was an earlier user of the Leslie/Vibratone on guitar, and was a session man for Eric Clapton, John Lennon, Ringo Starr, George Harrison, Jackson Browne, Bob Dylan, and so many more. Today we pay tribute to Jesse by taking a look at his history, gear, and a key part of his solo on Jackson Browne's "Doctor My Eyes."


Spotify Playlist for Jesse Ed Davis
https://open.spotify.com/playlist/17C...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Refin by Danocaster.


Strings:
D'Addario 10-46

Pick:
Fender Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Jesse Edwin Davis made a huge impact on the guitar during his relatively short career. He influenced Duane Allman to learn slide, was an earlier user of the Leslie/Vibratone on guitar, and was a session man for Eric Clapton, John Lennon, Ringo Starr, George Harrison, Jackson Browne, Bob Dylan, and so many more. Today we pay tribute to Jesse by taking a look at his history, gear, and a key part of his solo on Jackson Browne's "Doctor My Eyes."


Spotify Playlist for Jesse Ed Davis
https://open.spotify.com/playlist/17C...

Gear for this video
1957 Fender Esquire with added Ron Ellis "New Tall" neck pickup. Refin by Danocaster.


Strings:
D'Addario 10-46

Pick:
Fender Medium

Amp:
1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12752997 Sun, 21 May 2023 12:00:00 -0500 1105 60 full false A Very Special "Ask Zac" Christmas - Brad Paisley, Dr. Z, and Me - Ask Zac 59 A Very Special "Ask Zac" Christmas - Brad Paisley, Dr. Z, and Me - Ask Zac 59 The story of Brad Paisley's Christmas present to me, the ensuing effort on my part to reciprocate, how it led to a new Dr. Z amp, and a further push for Celestion to make a higher wattage alnico speaker. #askzac #guitartech #telecaster

Support the show

]]> The story of Brad Paisley's Christmas present to me, the ensuing effort on my part to reciprocate, how it led to a new Dr. Z amp, and a further push for Celestion to make a higher wattage alnico speaker. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12702202 Sat, 20 May 2023 12:00:00 -0500 772 59 full false 1957 Fender Esquire RESTORATION - Ask Zac 58 1957 Fender Esquire RESTORATION - Ask Zac 58 The story of the restoration process, and the wonderful participants who helped out. Much thanks to Dan "Danocaster" Strain, Ron Ellis, Nick at Glaser's, and the lovely Val "Valocaster" Strain. I had no idea the joy that would come from the restoration of a vintage, Pre-CBS, Fender guitar

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Here are the before shots, so you can see what we started with.
https://www.askzac.com/post/my-1957-f...

More restoration info including videos of the refinishing process by Danocaster.
https://www.askzac.com/post/the-resto...

Gear for this video
1957 Fender Esquire

Strings:
D'Addario 10-46

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard with original Jensen P10R #askzac #guitartech #telecaster

Support the show

]]> The story of the restoration process, and the wonderful participants who helped out. Much thanks to Dan "Danocaster" Strain, Ron Ellis, Nick at Glaser's, and the lovely Val "Valocaster" Strain. I had no idea the joy that would come from the restoration of a vintage, Pre-CBS, Fender guitar

To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Here are the before shots, so you can see what we started with.
https://www.askzac.com/post/my-1957-f...

More restoration info including videos of the refinishing process by Danocaster.
https://www.askzac.com/post/the-resto...

Gear for this video
1957 Fender Esquire

Strings:
D'Addario 10-46

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard with original Jensen P10R #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12702173 Fri, 19 May 2023 12:00:00 -0500 1197 58 full false The True Story of my 1957 Fender Esquire - Ask Zac 57 The True Story of my 1957 Fender Esquire - Ask Zac 57 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

The story behind my guitar safari to Guitar Gallery in Tuscaloosa on Haloween, and picking up this gem of a 50's Fender for the first time.

The "before" shots, so you can see how far we had to go.
https://www.askzac.com/post/my-1957-f...

Gear for this video
1957 Fender Esquire

Strings:
D'Addario 10-46

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard with original Jensen P10R #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

The story behind my guitar safari to Guitar Gallery in Tuscaloosa on Haloween, and picking up this gem of a 50's Fender for the first time.

The "before" shots, so you can see how far we had to go.
https://www.askzac.com/post/my-1957-f...

Gear for this video
1957 Fender Esquire

Strings:
D'Addario 10-46

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard with original Jensen P10R #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12702133 Thu, 18 May 2023 12:00:00 -0500 1261 57 full false Danny Gatton Tribute - Ask Zac 56 Danny Gatton Tribute - Ask Zac 56 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Danny Gatton was and is a huge influence on me, especially his "Strictly Rhythm Guitar" video from Hot Licks. In my tribute to Danny, I take a walk through some of his history, gear, and also cover some of his playing concepts that have stuck with me.

Link for Danny's Rhythm Guitar Video https://amzn.to/376svEJ

Spotify Playlist for Gatton
https://open.spotify.com/playlist/1ok...

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Danny Gatton was and is a huge influence on me, especially his "Strictly Rhythm Guitar" video from Hot Licks. In my tribute to Danny, I take a walk through some of his history, gear, and also cover some of his playing concepts that have stuck with me.

Link for Danny's Rhythm Guitar Video https://amzn.to/376svEJ

Spotify Playlist for Gatton
https://open.spotify.com/playlist/1ok...

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12702090 Wed, 17 May 2023 12:00:00 -0500 769 56 full false Zac's Hacks - Easy Telecaster Setup - Ask Zac 55 Zac's Hacks - Easy Telecaster Setup - Ask Zac 55 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

This was another topic that I have been asked many times about over the last 10 months. These are my setup tips for Telecasters. I call them hacks, as I tend to not use measurements, and go more by feel and sound. I cover looking at the nut, neck relief, action, and pickup height.

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss TR-2 Trem with AM mod
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

This was another topic that I have been asked many times about over the last 10 months. These are my setup tips for Telecasters. I call them hacks, as I tend to not use measurements, and go more by feel and sound. I cover looking at the nut, neck relief, action, and pickup height.

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss TR-2 Trem with AM mod
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12702064 Tue, 16 May 2023 12:00:00 -0500 1361 55 full false The Electric Rhythm Styles of James Burton, Albert Lee & Brad Paisley - Ask Zac 54 The Electric Rhythm Styles of James Burton, Albert Lee & Brad Paisley - Ask Zac 54 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

CORRECTION - The "Stars On The Water" rhythm part was both Albert Lee and Hank DeVito. They played the same part but were panned hard left and right. Hank indicated he used his Esquire and a Vox AC30 on the track. DeVito is an esteemed steel player, guitarist, songwriter, and photographer. As a musician, he was an original member of Emmylou's Hot Band, Rodney Crowell's Cherry Bombs, and later performed with the Everly Brothers. As a songwriter, Hank wrote or co-wrote many well-known tunes including "Queen of Hearts," "Sweet Little Lisa," and "Small Town Saturday Night." His photography graces the cover of a number of albums, including Rosanne Cash's King's Record Shop.

Also, "You're Still On My Mind" was written by Luke/Jeff Daniels in 1959

You asked for it, so here is my look at a smattering of electric country rhythm guitar styles. Here I cover some fun rhythm techniques I stole from James Burton, Albert Lee, Ray Flacke, Brad Paisley, and Pete Anderson.

Spotify Playlist
https://open.spotify.com/playlist/069...

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss TR-2 Trem with AM mod
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

CORRECTION - The "Stars On The Water" rhythm part was both Albert Lee and Hank DeVito. They played the same part but were panned hard left and right. Hank indicated he used his Esquire and a Vox AC30 on the track. DeVito is an esteemed steel player, guitarist, songwriter, and photographer. As a musician, he was an original member of Emmylou's Hot Band, Rodney Crowell's Cherry Bombs, and later performed with the Everly Brothers. As a songwriter, Hank wrote or co-wrote many well-known tunes including "Queen of Hearts," "Sweet Little Lisa," and "Small Town Saturday Night." His photography graces the cover of a number of albums, including Rosanne Cash's King's Record Shop.

Also, "You're Still On My Mind" was written by Luke/Jeff Daniels in 1959

You asked for it, so here is my look at a smattering of electric country rhythm guitar styles. Here I cover some fun rhythm techniques I stole from James Burton, Albert Lee, Ray Flacke, Brad Paisley, and Pete Anderson.

Spotify Playlist
https://open.spotify.com/playlist/069...

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss TR-2 Trem with AM mod
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12666540 Mon, 15 May 2023 12:00:00 -0500 1086 54 full false Albert Lee - The Father of Modern Tele Players - Ask Zac 53 Albert Lee - The Father of Modern Tele Players - Ask Zac 53 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Albert Lee's playing floored me when I heard it on Eric Clapton's "Just One Night" album. I soon began racing down the rabbit hole learning as much as I could about his playing style, gear, and buying every album I could find that listed him on the credits. This episode is a tribute to Albert, and the huge influence he has had on electric guitar players in Country & all roots-based music styles.

Playlist for Albert Lee
https://open.spotify.com/playlist/1Vk...

Gear used in Video:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings:
D'Addario 9.5-44 XL120+

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

Albert Lee's playing floored me when I heard it on Eric Clapton's "Just One Night" album. I soon began racing down the rabbit hole learning as much as I could about his playing style, gear, and buying every album I could find that listed him on the credits. This episode is a tribute to Albert, and the huge influence he has had on electric guitar players in Country & all roots-based music styles.

Playlist for Albert Lee
https://open.spotify.com/playlist/1Vk...

Gear used in Video:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings:
D'Addario 9.5-44 XL120+

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12666390 Sun, 14 May 2023 12:00:00 -0500 1418 53 full false Telecaster Bridge Pickups 1950-69 - How pickups affect tone - UPDATED/CORRECTED - Ask Zac 52 Telecaster Bridge Pickups 1950-69 - How pickups affect tone - UPDATED/CORRECTED - Ask Zac 52 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

This is a walkthrough of Broadcaster/Esquire/Nocaster/Telecaster bridge pickups from 1950-1969. Thanks to Ron Ellis for his invaluable help in making this video. 2-weeks ago, I released an episode on pickups, and I found I had included some erroneous information on Broadcaster pickups. I immediately pulled the video from YouTube, and have now re-shot it with the correct information.

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

This is a walkthrough of Broadcaster/Esquire/Nocaster/Telecaster bridge pickups from 1950-1969. Thanks to Ron Ellis for his invaluable help in making this video. 2-weeks ago, I released an episode on pickups, and I found I had included some erroneous information on Broadcaster pickups. I immediately pulled the video from YouTube, and have now re-shot it with the correct information.

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12666317 Sat, 13 May 2023 12:00:00 -0500 1378 52 full false Ricky Skaggs - Reluctant Tele-Master - Ask Zac 51 Ricky Skaggs - Reluctant Tele-Master - Ask Zac 51 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today I spotlight a multi-instrumentalist, and a criminally underrated Telecaster player, Ricky Skaggs. Besides his remarkable guitar work, I also looked at the unique way that he ended up as his own Telecaster player after Ray Flacke left his band. Also, I show some great Skaggs-influenced B-bender and non-bender licks.

Spotify Ricky Skaggs Playlist
https://open.spotify.com/playlist/5HO...

Gear used in Video:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings:
D'Addario 9.5-44 XL120+

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss DD-2 Delay
TC Chorus circa 1980
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today I spotlight a multi-instrumentalist, and a criminally underrated Telecaster player, Ricky Skaggs. Besides his remarkable guitar work, I also looked at the unique way that he ended up as his own Telecaster player after Ray Flacke left his band. Also, I show some great Skaggs-influenced B-bender and non-bender licks.

Spotify Ricky Skaggs Playlist
https://open.spotify.com/playlist/5HO...

Gear used in Video:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings:
D'Addario 9.5-44 XL120+

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss DD-2 Delay
TC Chorus circa 1980
9v power via Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12666215 Fri, 12 May 2023 12:00:00 -0500 1899 51 full false My Top 5 Guitar Books - Ask Zac 50 My Top 5 Guitar Books - Ask Zac 50 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

For my 50th episode, I take a look at the guitar reference books that have influenced me the most. I also continue my lick of the week showing some of Joe Walsh's faux steel licks he used in a recent concert with the Eagles on "Peaceful Easy Feeling." Some of the licks Joe used are variations of Bernie Leadon's guitar parts on the original recording.

1. The Guitar Book, by Tom Wheeler

2. The Fender Telecaster by A.R. Duchossoir

3. Fender: The Sound Heard Round The World by Richard Smith

4. The Beauty of the Burst

5. The Blackguard Book: Nacho still has a few copies, but the prices are even higher than I stated in the video. Since my purchase of one a couple years ago, they have risen to $250. You can reach Nacho here: info(at)nachoguitars.com

Honorary mention: Arlen Roth's Complete Electric Guitar

Gear Used:
2014 Crook Custom Vintage Paisley with Adder Neck, and underwound Florance TE60
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Line 6 Echo Park
9v power via Truetone CS6 #askzac #guitartech #telecaster




Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

For my 50th episode, I take a look at the guitar reference books that have influenced me the most. I also continue my lick of the week showing some of Joe Walsh's faux steel licks he used in a recent concert with the Eagles on "Peaceful Easy Feeling." Some of the licks Joe used are variations of Bernie Leadon's guitar parts on the original recording.

1. The Guitar Book, by Tom Wheeler

2. The Fender Telecaster by A.R. Duchossoir

3. Fender: The Sound Heard Round The World by Richard Smith

4. The Beauty of the Burst

5. The Blackguard Book: Nacho still has a few copies, but the prices are even higher than I stated in the video. Since my purchase of one a couple years ago, they have risen to $250. You can reach Nacho here: info(at)nachoguitars.com

Honorary mention: Arlen Roth's Complete Electric Guitar

Gear Used:
2014 Crook Custom Vintage Paisley with Adder Neck, and underwound Florance TE60
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Line 6 Echo Park
9v power via Truetone CS6 #askzac #guitartech #telecaster




Support the show

]]> Zac Childs Buzzsprout-12666100 Thu, 11 May 2023 12:00:00 -0500 1326 50 full false Is Vintage All-That? - Ask Zac 49 Is Vintage All-That? - Ask Zac 49 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today I take a look at our obsession with vintage guitars. It all started with a good friend calling me and informing me that he was going to sell a high-end boutique amp and guitar, so he could afford a vintage guitar. Although I supported him in doing it, I also had to look at what drives me and so many others to become obsessed about owning instruments that were made before many of us were born. Being that I also own, and feature in my show, guitars built by current builders, I look at what amazing instruments we have to choose from in modern built instruments. Without getting too edgy, I try to expose how the vintage guitar market is firmly in the "collectibles" category, and how volatile values can be, and how pricing is actively manipulated so the values of them will continue to rise. As a bonus to those that make it to the end, I am ending each episode by showing a lick or playing concept. 

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss DM-3 delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today I take a look at our obsession with vintage guitars. It all started with a good friend calling me and informing me that he was going to sell a high-end boutique amp and guitar, so he could afford a vintage guitar. Although I supported him in doing it, I also had to look at what drives me and so many others to become obsessed about owning instruments that were made before many of us were born. Being that I also own, and feature in my show, guitars built by current builders, I look at what amazing instruments we have to choose from in modern built instruments. Without getting too edgy, I try to expose how the vintage guitar market is firmly in the "collectibles" category, and how volatile values can be, and how pricing is actively manipulated so the values of them will continue to rise. As a bonus to those that make it to the end, I am ending each episode by showing a lick or playing concept. 

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss DM-3 delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12661655 Wed, 10 May 2023 12:00:00 -0500 1384 49 full false How Wood Affects Tone - Ask Zac 48 How Wood Affects Tone - Ask Zac 48 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In the continuing series, of how the various components affect tone, today's chapter is on wood. As to not spread too wide of a net, I stick to old-school Fender used woods ash, alder, pine, and basswood, when covering bodies, and solid maple, maple cap, and rosewood board necks. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In the continuing series, of how the various components affect tone, today's chapter is on wood. As to not spread too wide of a net, I stick to old-school Fender used woods ash, alder, pine, and basswood, when covering bodies, and solid maple, maple cap, and rosewood board necks. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12661602 Tue, 09 May 2023 12:00:00 -0500 925 48 full false Brent Mason Telecaster - Ask Zac 47 Brent Mason Telecaster - Ask Zac 47 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I remember vividly seeing this "new" guitarist play on TV in the early 90s. He had this crazy-looking gray Tele, with a mini in the neck, a Strat in the middle, and boy howdy could he play! Of course, that guitarist was Brent Mason, and he has gone on to be one of the most recorded, and influential players to ever set foot in Nashville, TN. Today we take a look at the new Fender Brent Mason Telecaster, walk through some of its cool features, and talk a bit about Brent too. 

Spotify Playlist for Brent Mason
https://open.spotify.com/playlist/3Ub...

https://www.askzac.com/post/brent-mas...


Gear used in Video:
2020 Fender Brent Mason Telecaster
https://shop.fender.com/en-US/electri...

Strings:
D'Addario 9.5-44 XL120+

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss Volume pedal
Boss DD-2 Delay
TC Chorus circa 1980
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac #brentmason  #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I remember vividly seeing this "new" guitarist play on TV in the early 90s. He had this crazy-looking gray Tele, with a mini in the neck, a Strat in the middle, and boy howdy could he play! Of course, that guitarist was Brent Mason, and he has gone on to be one of the most recorded, and influential players to ever set foot in Nashville, TN. Today we take a look at the new Fender Brent Mason Telecaster, walk through some of its cool features, and talk a bit about Brent too. 

Spotify Playlist for Brent Mason
https://open.spotify.com/playlist/3Ub...

https://www.askzac.com/post/brent-mas...


Gear used in Video:
2020 Fender Brent Mason Telecaster
https://shop.fender.com/en-US/electri...

Strings:
D'Addario 9.5-44 XL120+

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Mirage compressor pedal
Boss Volume pedal
Boss DD-2 Delay
TC Chorus circa 1980
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac #brentmason  #telecaster

Support the show

]]> Zac Childs Buzzsprout-12661542 Mon, 08 May 2023 12:00:00 -0500 1526 47 full false Relics. The Real Story - Ask Zac 46 Relics. The Real Story - Ask Zac 46 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I love relics when they are done well, but must say that there are few things uglier than when aging is done badly. In today's AZ, I retell the story of seeing Joe Glaser age a pickup cover in a restoration project, long before the beginning of the Fender relics.  I also dispel the often-told story that the Relic series happened after Fender sent some guitars to Keith Richards, and he indicated "Go beat them up, they look too new." It never happened according to the former head of the Fender Custom Shop, John Page, Master Builder J. Black, and Vince Cunetto. I end the episode showing an old-school hot lick, that is guaranteed to turn heads.

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I love relics when they are done well, but must say that there are few things uglier than when aging is done badly. In today's AZ, I retell the story of seeing Joe Glaser age a pickup cover in a restoration project, long before the beginning of the Fender relics.  I also dispel the often-told story that the Relic series happened after Fender sent some guitars to Keith Richards, and he indicated "Go beat them up, they look too new." It never happened according to the former head of the Fender Custom Shop, John Page, Master Builder J. Black, and Vince Cunetto. I end the episode showing an old-school hot lick, that is guaranteed to turn heads.

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12661476 Sun, 07 May 2023 12:00:00 -0500 980 46 full false Gigging 6 Days a Week? - Ask Zac 45 Gigging 6 Days a Week? - Ask Zac 45 Tip jar:  https://paypal.me/AskZac

Back in 1996, I got a call on a Saturday night from a drummer friend asking me to go on a 30-day run of dates in Wyoming and New Mexico. And by the way, we leave Monday. We were playing clubs 6-nights a week, 5 hours a night, with Sundays off to travel to the next show. I experienced some of the craziest gigs of my life, and probably learned more than I did in a year of lessons. I also tip the hat to the great Jim Weider. He played in The Band after Robertson, and made a video that influenced me a ton, "Get That Classic Fender Sound."

Spotify Playlist for Jim Weider's solo work, and with The Band
https://open.spotify.com/playlist/1qN...

Get That Classic Fender Sound
https://www.homespun.com/shop/product...


Gear Used:

1983 JV TL-62 Telecaster

Strings: Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

Back in 1996, I got a call on a Saturday night from a drummer friend asking me to go on a 30-day run of dates in Wyoming and New Mexico. And by the way, we leave Monday. We were playing clubs 6-nights a week, 5 hours a night, with Sundays off to travel to the next show. I experienced some of the craziest gigs of my life, and probably learned more than I did in a year of lessons. I also tip the hat to the great Jim Weider. He played in The Band after Robertson, and made a video that influenced me a ton, "Get That Classic Fender Sound."

Spotify Playlist for Jim Weider's solo work, and with The Band
https://open.spotify.com/playlist/1qN...

Get That Classic Fender Sound
https://www.homespun.com/shop/product...


Gear Used:

1983 JV TL-62 Telecaster

Strings: Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12661429 Sat, 06 May 2023 12:00:00 -0500 1228 45 full false How Hardware Affects Tone - Ask Zac 44 How Hardware Affects Tone - Ask Zac 44 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

How do changing bridges, saddles, and perhaps even tuners affect your guitar's tone? Today I take that on, looking at vintage style 3-saddle bridges vs heavy brass 6-saddle bridges, what to expect going from steel to brass saddles, and what happens when you install die-cast tuners. I close the show with a nod to one of the great Telecaster players in Nashville, Bill Hullett. I was reminded of him recently after watching Fender's release video for the Brent Mason Telecaster, where Joe Glaser refers to Hullett as "Mr. Telecaster." I also begin the show by playing Bill's fantastic intro to Radney Foster's "Just Call Me Lonesome."

Link to the AskZac website with more info on Bill Hullett.
https://www.askzac.com/post/how-hardw...

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster




Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

How do changing bridges, saddles, and perhaps even tuners affect your guitar's tone? Today I take that on, looking at vintage style 3-saddle bridges vs heavy brass 6-saddle bridges, what to expect going from steel to brass saddles, and what happens when you install die-cast tuners. I close the show with a nod to one of the great Telecaster players in Nashville, Bill Hullett. I was reminded of him recently after watching Fender's release video for the Brent Mason Telecaster, where Joe Glaser refers to Hullett as "Mr. Telecaster." I also begin the show by playing Bill's fantastic intro to Radney Foster's "Just Call Me Lonesome."

Link to the AskZac website with more info on Bill Hullett.
https://www.askzac.com/post/how-hardw...

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15,24,32,42

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss DM-3
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster




Support the show

]]> Zac Childs Buzzsprout-12656725 Fri, 05 May 2023 00:00:00 -0500 1235 44 full false My 1992 Pedalboard ASK ZAC 43 My 1992 Pedalboard ASK ZAC 43 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In this episode, we take a trip in the Wayback Machine and take a look at my 1992 era pedalboard.

After last week's Klon, and the birth of boutique episode, I thought about what was my rig was back in the early 90s. Besides the original TS808, that is long gone, I still had all of the pedals I used, and even the plastic Boss BCB6 pedalboard that I used back then. I go through the board, giving a demo, and a bit of history including what they cost new, and what that would be adjusted for inflation now. You won't believe how much a Boss DD-2 would cost in today's dollars new!

Gear Used:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Boss PSM-5 Master Switch
Boss TU-12H Tuner
Boss CS-2 Compressor
Ibanez reissue TS808
Demeter Tremulator "Early Red Knob" Tremolo
Boss DM-2 delay
Boss DD-2 digital delay
Boss BCB-6 pedalboard with original daisy chain and Mogami patch cables
Power via 1990's Boss PSA 120 - 9v dc old style transformer 120v #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In this episode, we take a trip in the Wayback Machine and take a look at my 1992 era pedalboard.

After last week's Klon, and the birth of boutique episode, I thought about what was my rig was back in the early 90s. Besides the original TS808, that is long gone, I still had all of the pedals I used, and even the plastic Boss BCB6 pedalboard that I used back then. I go through the board, giving a demo, and a bit of history including what they cost new, and what that would be adjusted for inflation now. You won't believe how much a Boss DD-2 would cost in today's dollars new!

Gear Used:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Boss PSM-5 Master Switch
Boss TU-12H Tuner
Boss CS-2 Compressor
Ibanez reissue TS808
Demeter Tremulator "Early Red Knob" Tremolo
Boss DM-2 delay
Boss DD-2 digital delay
Boss BCB-6 pedalboard with original daisy chain and Mogami patch cables
Power via 1990's Boss PSA 120 - 9v dc old style transformer 120v #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12656698 Thu, 04 May 2023 12:00:00 -0500 1407 43 full false The Klon and the Birth of Boutique - ASK ZAC 42 The Klon and the Birth of Boutique - ASK ZAC 42 Tip jar:  https://paypal.me/AskZac

The decision to do a Klon focused episode was made easy by a good buddy loaning me his gold horsie Klon, and by the fact that I also had access to a silver horsie version. For this AZ, I wanted to set the context for the birth of this storied pedal by explaining what trends were occurring in music retail, and how that and the new collectible pedal market set the stage for both Bill Finnegan's Klon and the other boutique builders.

Gear Used:
2014 Crook Custom Vintage Paisley with Adder Neck, and underwound Florance TE60
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Gold Horsie Klon with 1990's Boss PSA 120 - old style transformer 120v unit. #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

The decision to do a Klon focused episode was made easy by a good buddy loaning me his gold horsie Klon, and by the fact that I also had access to a silver horsie version. For this AZ, I wanted to set the context for the birth of this storied pedal by explaining what trends were occurring in music retail, and how that and the new collectible pedal market set the stage for both Bill Finnegan's Klon and the other boutique builders.

Gear Used:
2014 Crook Custom Vintage Paisley with Adder Neck, and underwound Florance TE60
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Gold Horsie Klon with 1990's Boss PSA 120 - old style transformer 120v unit. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12654745 Wed, 03 May 2023 12:00:00 -0500 866 42 full false So You Wanna Be A Guitar Tech - ASK ZAC 41 So You Wanna Be A Guitar Tech - ASK ZAC 41 Tip jar:  https://paypal.me/AskZac

People often ask me what it takes to be a guitar tech, and how to find a job as one. Here I lay out some important considerations for anyone wanting to pursue a position as a guitar tech.

Gear Used:
2014 Crook Custom Vintage Paisley with Adder Neck, and underwound Florance TE60
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Ibanez Mostortion
Boss TR-2 Tremolo
Line 6 Echo Park delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

People often ask me what it takes to be a guitar tech, and how to find a job as one. Here I lay out some important considerations for anyone wanting to pursue a position as a guitar tech.

Gear Used:
2014 Crook Custom Vintage Paisley with Adder Neck, and underwound Florance TE60
http://www.crookcustomguitars.com/

Pick:
Blue Chip TPR 35 RB

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Ibanez Mostortion
Boss TR-2 Tremolo
Line 6 Echo Park delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12654707 Tue, 02 May 2023 12:00:00 -0500 1317 41 full false The JV Telecaster, Fender Japan & John Jorgenson - ASK ZAC - 40 The JV Telecaster, Fender Japan & John Jorgenson - ASK ZAC - 40 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

This episode of AZ was inspired by finding a 1983 JV bound 62 reissue Telecaster recently, and from a past Truetone Lounge interview with John Jorgenson in 2017. In the interview, Jorgenson mentioned that he used a "JV Telecaster" on the first two Desert Rose Band albums, including the iconic solo to "Hello Trouble." In addition to that, he later told me that he used the same guitar for the Hellecaster's first album, The Return of the Hellecasters, on "Highlander Boogie" and "Back On Terra Firma." After John piqued my interest, I was surprised how hard it was to find info on the JV Telecasters, especially the TL62 models like he used. The best information I could find was from the website 21Frets, older sales listings, and original Japanese catalogs from the early 80s. Here I lay out the beginnings of Fender Japan, the short-lived JV series (1982-1984), John's use of the guitar, and the story of finding my own 1983 TL62 JV Fender Telecaster.

link to photos & video clips of John Jorgenson and his JV Telecaster
https://www.askzac.com/post/john-jorg...

My Spotify Playlist featuring Jorgenson on a 1982 Fender JV Telecaster
https://open.spotify.com/playlist/48f...

Strings:
Ernie Ball 10-46

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard

Effects used:
Turbo Tuner
Boss DD-2
Boss RV-2 - Plate setting
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #jvtelecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

This episode of AZ was inspired by finding a 1983 JV bound 62 reissue Telecaster recently, and from a past Truetone Lounge interview with John Jorgenson in 2017. In the interview, Jorgenson mentioned that he used a "JV Telecaster" on the first two Desert Rose Band albums, including the iconic solo to "Hello Trouble." In addition to that, he later told me that he used the same guitar for the Hellecaster's first album, The Return of the Hellecasters, on "Highlander Boogie" and "Back On Terra Firma." After John piqued my interest, I was surprised how hard it was to find info on the JV Telecasters, especially the TL62 models like he used. The best information I could find was from the website 21Frets, older sales listings, and original Japanese catalogs from the early 80s. Here I lay out the beginnings of Fender Japan, the short-lived JV series (1982-1984), John's use of the guitar, and the story of finding my own 1983 TL62 JV Fender Telecaster.

link to photos & video clips of John Jorgenson and his JV Telecaster
https://www.askzac.com/post/john-jorg...

My Spotify Playlist featuring Jorgenson on a 1982 Fender JV Telecaster
https://open.spotify.com/playlist/48f...

Strings:
Ernie Ball 10-46

Pick:
Blue Chip TPR 35 RB

Amp:
1959 Fender Harvard

Effects used:
Turbo Tuner
Boss DD-2
Boss RV-2 - Plate setting
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #jvtelecaster

Support the show

]]> Zac Childs Buzzsprout-12654557 Mon, 01 May 2023 12:00:00 -0500 1382 40 full false Why Play A Les Paul? ASK ZAC 39 Why Play A Les Paul? ASK ZAC 39 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Even though I am a Tele-Guy, there are times when you just need a Les Paul. In today's AZ, I tell how I finagled my way into the Gibson Custom Shop and was able to go through 35 R9 (1959 Reissues) to find the one that checked all the boxes, lightweight, gorgeous top, and acoustically loud. Also, I explain what mods I have done, and what pickups I landed with after a long search.

Gear used in Video:
2008 Gibson R9 1959 Reissue - Underwound Seymour Duncan Antiquity pickups

Strings:
D'Addario XL120+ 9.5-44

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Ibanez Mostortion
Line 6 Echo Park
MXR Clone Looper  https://amzn.to/2AwoM7o
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #lespaul

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Even though I am a Tele-Guy, there are times when you just need a Les Paul. In today's AZ, I tell how I finagled my way into the Gibson Custom Shop and was able to go through 35 R9 (1959 Reissues) to find the one that checked all the boxes, lightweight, gorgeous top, and acoustically loud. Also, I explain what mods I have done, and what pickups I landed with after a long search.

Gear used in Video:
2008 Gibson R9 1959 Reissue - Underwound Seymour Duncan Antiquity pickups

Strings:
D'Addario XL120+ 9.5-44

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Ibanez Mostortion
Line 6 Echo Park
MXR Clone Looper  https://amzn.to/2AwoM7o
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #lespaul

Support the show

]]> Zac Childs Buzzsprout-12616852 Sun, 30 Apr 2023 12:00:00 -0500 1226 39 full false Tone Master Deluxe Reverb VS 1967 Deluxe Reverb - ASK ZAC 38 Tone Master Deluxe Reverb VS 1967 Deluxe Reverb - ASK ZAC 38 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

With my "Why The Deluxe Reverb is the Best Amp" video, many of you asked for a comparison between one of my 60's Deluxe Reverb amps, and the new Tone Master modeling amp. Well here it is, my unvarnished take on the amp, and I have to say that Fender did a great job on the Tone Master.


Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker
Tone Master Deluxe Reverb https://amzn.to/2ZppSLG

Effects used:
TC Polytune
Ibanez Mostortion
Line 6 Echo Park
Live Wire ABY switcher
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac #tonemasterdeluxe #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

With my "Why The Deluxe Reverb is the Best Amp" video, many of you asked for a comparison between one of my 60's Deluxe Reverb amps, and the new Tone Master modeling amp. Well here it is, my unvarnished take on the amp, and I have to say that Fender did a great job on the Tone Master.


Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1967 Deluxe Reverb amp with Celestion V30 speaker
Tone Master Deluxe Reverb https://amzn.to/2ZppSLG

Effects used:
TC Polytune
Ibanez Mostortion
Line 6 Echo Park
Live Wire ABY switcher
9v power via Truetone CS6  https://amzn.to/38S9rZK
#askzac #tonemasterdeluxe #telecaster

Support the show

]]> Zac Childs Buzzsprout-12616817 Sat, 29 Apr 2023 12:00:00 -0500 945 38 full false Is Chorus "Cool" again? ASK ZAC EP 37 Is Chorus "Cool" again? ASK ZAC EP 37 Tip jar:  https://paypal.me/AskZac

The purpose of today's episode is to put forth the question, can we start using the chorus effect again without being subjected to ridicule? After the overuse of it in the 80s and '90s, it has become the pariah of effects. Should it be freed after its nearly 20-year quarantine, or does it deserve to continue to be an outcast? 

To support the show: go to www.askzac.com and visit the store

Gear used in Video:
2018 Danocaster Double-Cut (1955 Stratocaster Style) with Ron Ellis 50/60 FAT pickups. Soft V neck, ash body, faded Inca Silver finish. Raw Vintage Trem Springs
https://danocaster.com/

Strings:
Ernie Ball 10,13,16, 24, 32, 42. Nickel-Plated Steel.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Sonic Research Turbo Tuner
Mirage compressor pedal
Karma MTN-10 Mostortion Clone
Arion SCH-1 Chorus
Boss DD-2 Delay
TC Chorus/Flanger SCF from the early 80s
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

The purpose of today's episode is to put forth the question, can we start using the chorus effect again without being subjected to ridicule? After the overuse of it in the 80s and '90s, it has become the pariah of effects. Should it be freed after its nearly 20-year quarantine, or does it deserve to continue to be an outcast? 

To support the show: go to www.askzac.com and visit the store

Gear used in Video:
2018 Danocaster Double-Cut (1955 Stratocaster Style) with Ron Ellis 50/60 FAT pickups. Soft V neck, ash body, faded Inca Silver finish. Raw Vintage Trem Springs
https://danocaster.com/

Strings:
Ernie Ball 10,13,16, 24, 32, 42. Nickel-Plated Steel.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Sonic Research Turbo Tuner
Mirage compressor pedal
Karma MTN-10 Mostortion Clone
Arion SCH-1 Chorus
Boss DD-2 Delay
TC Chorus/Flanger SCF from the early 80s
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12616236 Fri, 28 Apr 2023 12:00:00 -0500 995 37 full false Why We Play Guitar - ASK ZAC EP 36 Why We Play Guitar - ASK ZAC EP 36 Tip jar:  https://paypal.me/AskZac

All of us start playing guitar for various reasons. Here is my story, and please share yours below.

To support the show: go to www.askzac.com and visit the store

Gear used in Video:
2018 Danocaster Double-Cut (1955 Stratocaster Style) with Ron Ellis 50/60 FAT pickups. Soft V neck, ash body, faded Inca Silver finish. Raw Vintage Trem Springs
https://danocaster.com/

Strings:
Ernie Ball 10,13,16, 24, 32, 42. Nickel-Plated Steel.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Sonic Research Turbo Tuner
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

All of us start playing guitar for various reasons. Here is my story, and please share yours below.

To support the show: go to www.askzac.com and visit the store

Gear used in Video:
2018 Danocaster Double-Cut (1955 Stratocaster Style) with Ron Ellis 50/60 FAT pickups. Soft V neck, ash body, faded Inca Silver finish. Raw Vintage Trem Springs
https://danocaster.com/

Strings:
Ernie Ball 10,13,16, 24, 32, 42. Nickel-Plated Steel.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
Sonic Research Turbo Tuner
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12616187 Thu, 27 Apr 2023 12:00:00 -0500 945 36 full false Pete Anderson Telecaster Trendsetter - ASK ZAC EP 35 Pete Anderson Telecaster Trendsetter - ASK ZAC EP 35 CORRECTION: Pete used 7 out of the 21 stockpiled Yoakam originals on each of the first 3 albums they released together.

Pete Anderson turned Nashville on its ear with his playing and production on Dwight Yoakam's 1986 release, Guitars, Cadillacs, Etc., Etc. His use of a Tele and Fender Deluxe Reverb amp, instead of the Music City norm of a Strat going direct with heavy chorus, made Dwight's record stand-out, and radio and record buyers responded by quickly turning Yoakam into a bonafide star. In this AZ episode, I give some backstory on Anderson, show some of his licks, and how his work ethic and street smarts paid off for him.

To Support the Channel, go to my store at  - www.askzac.com

Spotify Playlist for Pete:
https://open.spotify.com/playlist/3Oz...

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> CORRECTION: Pete used 7 out of the 21 stockpiled Yoakam originals on each of the first 3 albums they released together.

Pete Anderson turned Nashville on its ear with his playing and production on Dwight Yoakam's 1986 release, Guitars, Cadillacs, Etc., Etc. His use of a Tele and Fender Deluxe Reverb amp, instead of the Music City norm of a Strat going direct with heavy chorus, made Dwight's record stand-out, and radio and record buyers responded by quickly turning Yoakam into a bonafide star. In this AZ episode, I give some backstory on Anderson, show some of his licks, and how his work ethic and street smarts paid off for him.

To Support the Channel, go to my store at  - www.askzac.com

Spotify Playlist for Pete:
https://open.spotify.com/playlist/3Oz...

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12616147 Wed, 26 Apr 2023 12:00:00 -0500 1182 35 full false 5 Tips for Better Guitar Solos - ASK ZAC EP 34 5 Tips for Better Guitar Solos - ASK ZAC EP 34 Tip jar:  https://paypal.me/AskZac

In this episode, I spell out some philosophies and techniques that have helped my soloing improve.

1. Getting a Looper Pedal (I use an MXR Clone Looper) https://amzn.to/2AwoM7o
2. Singing a solo over the changes
3. Finding Rhythmic and Melodic Motifs
4. Limiting Myself - Play like a hero, or with a different sound
5. Become a guitar tinkerer. Make what I steal my own.

To Support the Channel, go to my store at  - www.askzac.com

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss TR-2 Tremolo
Line 6 Echo Park delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

In this episode, I spell out some philosophies and techniques that have helped my soloing improve.

1. Getting a Looper Pedal (I use an MXR Clone Looper) https://amzn.to/2AwoM7o
2. Singing a solo over the changes
3. Finding Rhythmic and Melodic Motifs
4. Limiting Myself - Play like a hero, or with a different sound
5. Become a guitar tinkerer. Make what I steal my own.

To Support the Channel, go to my store at  - www.askzac.com

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
D'Addario NYXL 10,12,16, 24, 34, 44.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss TR-2 Tremolo
Line 6 Echo Park delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12614257 Tue, 25 Apr 2023 12:00:00 -0500 1219 34 full false Why The Telecaster Is The Best Electric Guitar - ASK ZAC EP 33 Why The Telecaster Is The Best Electric Guitar - ASK ZAC EP 33 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Although I started on the guitar in 1985, by 1992 I was a full-fledged Telecaster guy. In the ensuing decades, I have not deviated an iota from my love of the senior solid-body guitar. Here I tell how I fell for the Telecaster, and how the simple, pure elegance of the Telecaster design gives it an edge over all of its many electric guitar brethren. 

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Pyramid "Jimi Hendrix" pure nickel round-core string set

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Although I started on the guitar in 1985, by 1992 I was a full-fledged Telecaster guy. In the ensuing decades, I have not deviated an iota from my love of the senior solid-body guitar. Here I tell how I fell for the Telecaster, and how the simple, pure elegance of the Telecaster design gives it an edge over all of its many electric guitar brethren. 

Gear for this video
1967 Telecaster - stock except for steel compensated saddles, and the tone control is wired to the bridge pickup only.

Pyramid "Jimi Hendrix" pure nickel round-core string set

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12614225 Mon, 24 Apr 2023 12:00:00 -0500 1614 33 full false Inside Nashville's Favorite - ASK ZAC EP 32 Inside Nashville's Favorite - ASK ZAC EP 32 Tip jar:  https://paypal.me/AskZac

After my past Mostortion episode, John Lomas, the designer contacted me. When preparing that episode, I had not been able to track him down. Recently, we spoke on the phone, and I was able to get "The Rest Of The Story" on this Nashville favorite. Also, I wanted to keep up the pick and finger exercises with a couple of Atkins/Travis licks I learned from my "Guitar Dad," Pat Grogan.

To Support the Channel, go to my store at  - www.askzac.com

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

After my past Mostortion episode, John Lomas, the designer contacted me. When preparing that episode, I had not been able to track him down. Recently, we spoke on the phone, and I was able to get "The Rest Of The Story" on this Nashville favorite. Also, I wanted to keep up the pick and finger exercises with a couple of Atkins/Travis licks I learned from my "Guitar Dad," Pat Grogan.

To Support the Channel, go to my store at  - www.askzac.com

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12614088 Sun, 23 Apr 2023 12:00:00 -0500 979 32 full false The Best Playing Advice I Was Given - ASK ZAC EP 31 The Best Playing Advice I Was Given - ASK ZAC EP 31 Tip jar:  https://paypal.me/AskZac

Here is the best playing advice I have ever received. Also, I had to share James Burton's outro on "Ooh Las Vegas" that Heitor Crespo at Ultimate Elvis Guitar was kind enough to show me how to play.

Please support the channel by going to my store at www.AskZac.com

Gear Used:
2014 Crook Custom Vintage Paisley with Duncan La Brea pickups
http://www.crookcustomguitars.com/

Strings:
Ernie Ball 10,11,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss TR-2 Tremolo
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Tip jar:  https://paypal.me/AskZac

Here is the best playing advice I have ever received. Also, I had to share James Burton's outro on "Ooh Las Vegas" that Heitor Crespo at Ultimate Elvis Guitar was kind enough to show me how to play.

Please support the channel by going to my store at www.AskZac.com

Gear Used:
2014 Crook Custom Vintage Paisley with Duncan La Brea pickups
http://www.crookcustomguitars.com/

Strings:
Ernie Ball 10,11,15, 24, 32, 42. Nickel-Plated Steel.

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
Boss TR-2 Tremolo
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12614059 Sat, 22 Apr 2023 12:00:00 -0500 970 31 full false Your Heroes Gear Might Not Be Right For You - ASK ZAC EP 30 Your Heroes Gear Might Not Be Right For You - ASK ZAC EP 30 To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Most guitar players make many gear purchases based on what their heroes use. This is fine in itself, but what is more difficult, is to know when their gear is not working for us. And to keep from getting too philosophical, I also dissect some of the licks and parts to  "Quarantine Man Blues" that I play at the top of the show.

The Danny Gatton Hot Licks video I mentioned  https://amzn.to/3g42h9u

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel. 

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:

TC Polytune
Mirage compressor pedal
Line 6 Echo Park Delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Most guitar players make many gear purchases based on what their heroes use. This is fine in itself, but what is more difficult, is to know when their gear is not working for us. And to keep from getting too philosophical, I also dissect some of the licks and parts to  "Quarantine Man Blues" that I play at the top of the show.

The Danny Gatton Hot Licks video I mentioned  https://amzn.to/3g42h9u

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel. 

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:

TC Polytune
Mirage compressor pedal
Line 6 Echo Park Delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12614036 Fri, 21 Apr 2023 12:00:00 -0500 1052 30 full false What Are Strats For? A Tele Player's Musings On The Strat - ASK ZAC EP 29 What Are Strats For? A Tele Player's Musings On The Strat - ASK ZAC EP 29 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

As you can tell from my videos, I am a dyed-in-the-wool Telecaster guy. However, if I am playing electric, and the faithful Tele is not cutting it, I am going to first reach for a Strat. Besides the different sounds it offers, I also get more variation by setting the action higher on the Strat, and by floating the vibrato to keep me from steel guitar bends. In this video, I talk about what I think are essential mods, and what I use a Strat for.   

Gear used in Video:
2018 Danocaster Double-Cut (1955 Stratocaster Style) with Ron Ellis 50/60 FAT pickups. Soft V neck, ash body, faded Inca Silver finish. Raw Vintage Trem Springs
https://danocaster.com/

Strings:
Ernie Ball 10,13,16, 24, 32, 42. Nickel-Plated Steel. A non-pure nickel variation of the famous Rock-N-Roll set. 

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
AnalogMan Boss TR-2 Tremolo
Boss DM-3 Delay
Line 6 Echo Park Delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

As you can tell from my videos, I am a dyed-in-the-wool Telecaster guy. However, if I am playing electric, and the faithful Tele is not cutting it, I am going to first reach for a Strat. Besides the different sounds it offers, I also get more variation by setting the action higher on the Strat, and by floating the vibrato to keep me from steel guitar bends. In this video, I talk about what I think are essential mods, and what I use a Strat for.   

Gear used in Video:
2018 Danocaster Double-Cut (1955 Stratocaster Style) with Ron Ellis 50/60 FAT pickups. Soft V neck, ash body, faded Inca Silver finish. Raw Vintage Trem Springs
https://danocaster.com/

Strings:
Ernie Ball 10,13,16, 24, 32, 42. Nickel-Plated Steel. A non-pure nickel variation of the famous Rock-N-Roll set. 

Pick:
Blue Chip TPR 35 RB

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:
TC Polytune
Mirage compressor pedal
AnalogMan Boss TR-2 Tremolo
Boss DM-3 Delay
Line 6 Echo Park Delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12602841 Thu, 20 Apr 2023 12:00:00 -0500 1303 29 full false How you can get the most from a Grab & Go - Fly Pedalboard - ASK ZAC - 28 How you can get the most from a Grab & Go - Fly Pedalboard - ASK ZAC - 28 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

For years, I lugged around a huge pedalboard that weighed as much as a combo amp. After making multiple trips to my car for all my gear, I started getting weary of the big board. Through doing the Truetone Lounge interviews, I got to see quite a few large boards, but I was most intrigued by the players that got the most from small pedalboards. The two minimalistic cats that stuck out were Guthrie Trapp and John Leventhal. Both had small boards and both created a variety of wonderful tones with simple rigs. It was then that I decided to make my own, minimalistic grab & go board.


My Pedalboard essentials:
EBS Low-Profile patch cables https://amzn.to/2yEWc2D
Mono Lite Plus Board https://amzn.to/2SHNiby
Truetone CS6 Power Supply https://amzn.to/38S9rZK

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel. A non-pure nickel variation of the famous Rock-N-Roll set. 

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:

TC Polytune
Mirage compressor pedal
AnalogMan Boss TR-2 Tremolo
Ibanez Mostortion Overdrive
Boss DM-3 Delay
Line 6 Echo Park Delay
9v power via Truetone CS6 

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

For years, I lugged around a huge pedalboard that weighed as much as a combo amp. After making multiple trips to my car for all my gear, I started getting weary of the big board. Through doing the Truetone Lounge interviews, I got to see quite a few large boards, but I was most intrigued by the players that got the most from small pedalboards. The two minimalistic cats that stuck out were Guthrie Trapp and John Leventhal. Both had small boards and both created a variety of wonderful tones with simple rigs. It was then that I decided to make my own, minimalistic grab & go board.


My Pedalboard essentials:
EBS Low-Profile patch cables https://amzn.to/2yEWc2D
Mono Lite Plus Board https://amzn.to/2SHNiby
Truetone CS6 Power Supply https://amzn.to/38S9rZK

Gear used in Video:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings:
Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel. A non-pure nickel variation of the famous Rock-N-Roll set. 

Amp:
1965 Deluxe Reverb amp with Celestion V30 speaker

Effects used:

TC Polytune
Mirage compressor pedal
AnalogMan Boss TR-2 Tremolo
Ibanez Mostortion Overdrive
Boss DM-3 Delay
Line 6 Echo Park Delay
9v power via Truetone CS6 

Support the show

]]> Zac Childs Buzzsprout-12602751 Wed, 19 Apr 2023 12:00:00 -0500 1264 28 full false How Saying "YES" Changed My Life - ASK ZAC EP 27 How Saying "YES" Changed My Life - ASK ZAC EP 27 To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Sometimes saying "yes" can change your trajectory in fantastic ways. I am so glad I said "yes" when I was offered a column with Vintage Guitar Magazine 16-years ago.

Like many, I started cleaning out and fixing things around the house during this crazy time of isolation. While looking at my overcrowded bookshelves, I decided to take the 16-years worth of Vintage Guitar Magazines, and cut out all of the columns, featured articles, and product reviews I had written. It was a wonderful process for me, both to look back and appreciate the wonderful opportunities that have come my way through working with VG Magazine, and the fact that I cleared out a bunch of space on my bookshelves. During this time, I also was asked, "How did you start writing for Vintage?" Well here is that story, and also how that eventually begat this Ask Zac Channel.

Also, please check out my new website, www.askzac.com #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Sometimes saying "yes" can change your trajectory in fantastic ways. I am so glad I said "yes" when I was offered a column with Vintage Guitar Magazine 16-years ago.

Like many, I started cleaning out and fixing things around the house during this crazy time of isolation. While looking at my overcrowded bookshelves, I decided to take the 16-years worth of Vintage Guitar Magazines, and cut out all of the columns, featured articles, and product reviews I had written. It was a wonderful process for me, both to look back and appreciate the wonderful opportunities that have come my way through working with VG Magazine, and the fact that I cleared out a bunch of space on my bookshelves. During this time, I also was asked, "How did you start writing for Vintage?" Well here is that story, and also how that eventually begat this Ask Zac Channel.

Also, please check out my new website, www.askzac.com #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12602696 Tue, 18 Apr 2023 12:00:00 -0500 888 27 full false Tips on playing with Pick and Fingers ASK ZAC EP - 26 Tips on playing with Pick and Fingers ASK ZAC EP - 26 To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Pick and fingers is a fabulous "picking hand" technique. In the beginning, it can seem clumsy, and daunting, but it is very rewarding once mastered. In this episode I spell out my first experience seeing a guitarist using this technique in the mid-1980s, and how a Danny Gatton Instructional video from that era really helped me "get it" by separating out the picking hand and fretting hand parts to make for a more bite-sized lesson.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball 10,13,16, 24, 32, 42. Made from singles I had. Nickel-Plated Steel. A non-pure nickel variation of the Rock-N-Roll set. 

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Pick and fingers is a fabulous "picking hand" technique. In the beginning, it can seem clumsy, and daunting, but it is very rewarding once mastered. In this episode I spell out my first experience seeing a guitarist using this technique in the mid-1980s, and how a Danny Gatton Instructional video from that era really helped me "get it" by separating out the picking hand and fretting hand parts to make for a more bite-sized lesson.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball 10,13,16, 24, 32, 42. Made from singles I had. Nickel-Plated Steel. A non-pure nickel variation of the Rock-N-Roll set. 

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
Boss DM-3 Delay
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12602640 Mon, 17 Apr 2023 12:00:00 -0500 877 26 full false Why Guitarists Should Play Mandolin - ASK ZAC EP 25 Why Guitarists Should Play Mandolin - ASK ZAC EP 25 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I bought a mandolin after seeing two of my favorite guitarists, Albert Lee & John Jorgenson play mandolin on TV in the early 90s. I loved the sound, and the real change of color and tone they offered the bands they were playing in by putting down their electric guitars and picking up the mandolin. Wanting to be like my heroes, I bought a mandolin and began a long and fruitful journey that I hope you too will consider going on. In this Ask Zac, I cover a few essential techniques for the guitarist to know when they begin playing mandolin, and some mandolin features to look for that make a huge difference in their playability for guitar players.

My Spotify Playlist for great Mandolin tracks
https://open.spotify.com/playlist/39b... #askzac #guitartech #mandolin

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I bought a mandolin after seeing two of my favorite guitarists, Albert Lee & John Jorgenson play mandolin on TV in the early 90s. I loved the sound, and the real change of color and tone they offered the bands they were playing in by putting down their electric guitars and picking up the mandolin. Wanting to be like my heroes, I bought a mandolin and began a long and fruitful journey that I hope you too will consider going on. In this Ask Zac, I cover a few essential techniques for the guitarist to know when they begin playing mandolin, and some mandolin features to look for that make a huge difference in their playability for guitar players.

My Spotify Playlist for great Mandolin tracks
https://open.spotify.com/playlist/39b... #askzac #guitartech #mandolin

Support the show

]]> Zac Childs Buzzsprout-12602591 Sun, 16 Apr 2023 12:00:00 -0500 1317 25 full false 10 Albums That Changed Me - ASK ZAC EP 24 10 Albums That Changed Me - ASK ZAC EP 24 To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Like most of you, I have been listening to a lot of music lately while stuck at home. With all of the "Top 10" lists, I thought I would list off the 10 albums that influenced me the most, and why.

The Albums:
Bob Wills - Tiffany Transcriptions Vol 5
Merle Travis - The Merle Travis Guitar
Speedy West & Jimmy Bryant - 2 Guitars Country Style
Elvis - The Sun Sessions
Chet Atkins - Mister Guitar
Buck Owens - I've Got A Tiger By The Tail
Merle Haggard - I'm A Lonesome Fugitive
Albert King - Born Under A Bad Sign
Emmylou Harris - Luxury Liner
Delbert McClinton - Live From Austin

Honorable additions
Lester "The Road Hog" Moran - Alive at the Johnny Mack Brown High School
Fabulous Thunderbirds - First Album
JJ Cale - Naturally
Willie Nelson - Stardust

https://open.spotify.com/playlist/18C... #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

Like most of you, I have been listening to a lot of music lately while stuck at home. With all of the "Top 10" lists, I thought I would list off the 10 albums that influenced me the most, and why.

The Albums:
Bob Wills - Tiffany Transcriptions Vol 5
Merle Travis - The Merle Travis Guitar
Speedy West & Jimmy Bryant - 2 Guitars Country Style
Elvis - The Sun Sessions
Chet Atkins - Mister Guitar
Buck Owens - I've Got A Tiger By The Tail
Merle Haggard - I'm A Lonesome Fugitive
Albert King - Born Under A Bad Sign
Emmylou Harris - Luxury Liner
Delbert McClinton - Live From Austin

Honorable additions
Lester "The Road Hog" Moran - Alive at the Johnny Mack Brown High School
Fabulous Thunderbirds - First Album
JJ Cale - Naturally
Willie Nelson - Stardust

https://open.spotify.com/playlist/18C... #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12562647 Sat, 15 Apr 2023 12:00:00 -0500 1480 24 full false Tremolo Before Overdrive? and the Pops Staples "Shake" - ASK ZAC EP 23 Tremolo Before Overdrive? and the Pops Staples "Shake" - ASK ZAC EP 23 To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

It might seem subtle, but it isn't. Tremolo before overdrive produces a much more interesting tone because the tremolo is fluctuating the amount of signal going into the overdrive so the sound is getting dirtier and cleaner as the signal goes up and down. It is amazing how much we take for granted what order we think effects should be in, and how we should really experiment to find out what we like better, instead of just doing what everyone else does. Along the way, I talk a bit about Pops Staples, and I also compare my 1965 Deluxe Reverb amp's tremolo with the Analogman modified Boss TR-2 on my board.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball 10,13,16, 24, 32, 42. Made from singles I had. Nickel-Plated Steel. A non-pure nickel variation of the Rock-N-Roll set. 

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
Boss TR-2 Tremolo
Ibanez Mostortion
9v power via Truetone CS6  https://amzn.to/38S9rZK

If you want to get more into Pops Staples, read the Michael Ross "Forgotten Heroes" article devoted to him here: https://www.premierguitar.com/article... #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

It might seem subtle, but it isn't. Tremolo before overdrive produces a much more interesting tone because the tremolo is fluctuating the amount of signal going into the overdrive so the sound is getting dirtier and cleaner as the signal goes up and down. It is amazing how much we take for granted what order we think effects should be in, and how we should really experiment to find out what we like better, instead of just doing what everyone else does. Along the way, I talk a bit about Pops Staples, and I also compare my 1965 Deluxe Reverb amp's tremolo with the Analogman modified Boss TR-2 on my board.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball 10,13,16, 24, 32, 42. Made from singles I had. Nickel-Plated Steel. A non-pure nickel variation of the Rock-N-Roll set. 

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
Boss TR-2 Tremolo
Ibanez Mostortion
9v power via Truetone CS6  https://amzn.to/38S9rZK

If you want to get more into Pops Staples, read the Michael Ross "Forgotten Heroes" article devoted to him here: https://www.premierguitar.com/article... #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12562614 Fri, 14 Apr 2023 12:00:00 -0500 980 23 full false Deluxe Reverb VS Harvard + Viewer Mailbag for April - ASK ZAC EP 22 Deluxe Reverb VS Harvard + Viewer Mailbag for April - ASK ZAC EP 22 To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

After my amp videos on the Deluxe Reverb and the Fender Harvard, I had a number of requests for a head-to-head comparison of them. I also answer questions about brass vs steel saddles on Telecasters, good Tele-type guitars at a reasonable price, under $3,000 option for a bender equipped guitar, and why Leo gave the Tele a square neck heel, and the Strat a rounded one.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball 10,13,16, 24, 32, 42. Made from singles I had. Nickel-Plated Steel. A non-pure nickel variation of the Rock-N-Roll set. 

1965 Deluxe Reverb amp with Celestion V30 speaker
1959 Harvard with Jensen P10R

Axcess Electronics BS2 Buffer with isolation transformer (to deal with ground loop)
Live Wire (Guitar Center In-House Brand) ABY Switch (Copy of the Morley ABY)  https://amzn.to/3b4fZXi #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel, go to my store at  - www.askzac.com
Tip jar:  https://paypal.me/AskZac

After my amp videos on the Deluxe Reverb and the Fender Harvard, I had a number of requests for a head-to-head comparison of them. I also answer questions about brass vs steel saddles on Telecasters, good Tele-type guitars at a reasonable price, under $3,000 option for a bender equipped guitar, and why Leo gave the Tele a square neck heel, and the Strat a rounded one.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball 10,13,16, 24, 32, 42. Made from singles I had. Nickel-Plated Steel. A non-pure nickel variation of the Rock-N-Roll set. 

1965 Deluxe Reverb amp with Celestion V30 speaker
1959 Harvard with Jensen P10R

Axcess Electronics BS2 Buffer with isolation transformer (to deal with ground loop)
Live Wire (Guitar Center In-House Brand) ABY Switch (Copy of the Morley ABY)  https://amzn.to/3b4fZXi #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12562582 Thu, 13 Apr 2023 12:00:00 -0500 1103 22 full false Cornell Dupree - Legend of R&B Guitar - ASK ZAC 21 Cornell Dupree - Legend of R&B Guitar - ASK ZAC 21 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Ever since I heard "Rainy Night in Georgia," and I found out who the guitar player was, I have been a fan of Cornell Dupree. In this episode, I give a bit of history and show some of his playing techniques, such as sixth, 4th's, and double stops, and how his choice of strings probably influenced his bending and tone.

My Spotify Playlist for Mr. Dupree:
https://open.spotify.com/playlist/39w...

Lesson book with some history by Cornell Dupree and Dave Rubin
https://amzn.to/2xSPzZT

Great article by my friend, Michael Ross, on Cornell
https://www.premierguitar.com/article...

Gear for this video
1967 Telecaster
1965 Deluxe Reverb with Celestion Vintage 30 speaker #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Ever since I heard "Rainy Night in Georgia," and I found out who the guitar player was, I have been a fan of Cornell Dupree. In this episode, I give a bit of history and show some of his playing techniques, such as sixth, 4th's, and double stops, and how his choice of strings probably influenced his bending and tone.

My Spotify Playlist for Mr. Dupree:
https://open.spotify.com/playlist/39w...

Lesson book with some history by Cornell Dupree and Dave Rubin
https://amzn.to/2xSPzZT

Great article by my friend, Michael Ross, on Cornell
https://www.premierguitar.com/article...

Gear for this video
1967 Telecaster
1965 Deluxe Reverb with Celestion Vintage 30 speaker #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12540925 Wed, 12 Apr 2023 12:00:00 -0500 1173 21 full false What's The Deal With Pure Nickel Strings? - ASK ZAC EP-20 What's The Deal With Pure Nickel Strings? - ASK ZAC EP-20 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

For many years I had heard about Fender Rock-N-Roll strings, and how they were used by Duane Allman, Eric Clapton, Cornell Dupree, Roy Buchanan, Jimi Hendrix, and many, many others. They were pretty much the standard for light gauge strings until Ernie Ball and D'Addario started eating up Fender's market share in the 1980s. I found out that the set was a strange gauge by modern standards (10,13,15,26,32,38) and that they were of different construction, having pure nickel wound strings, with round cores. Most modern wound strings are nickel-plated steel and on a hexagonal core. Fender stopped regular production of the set years ago, but I found that Pyramid made a "Jimi Hendrix" inspired set, that is to the exact specs of the old Fender set, and decided to try them. In the video, I start off with my regular D'Addario 9.5-44 set with nickel-plated steel/hex core wound strings, and then change strings on my 1967 Telecaster, and let you hear the difference.

Gear for this video
1967 Telecaster -
D'Addario XL120+ 9.5-44 strings https://amzn.to/3a5qxVi
Then switch to the Pyramid set mentioned above
1965 Deluxe Reverb with Celestion Vintage 30 speaker

Correction: There were 2 string factories in Battle Creek, MI. GHS, and VC Squier. Fender was supplied strings by VC, and then Fender bought them out in the early 1960s. The Fender String factory in Battle Creek was shuttered in 1981. Fender owned the Squier name and used this for a line of guitars starting in the early 1980s.

Pyramid "Jimi Hendrix" set
https://www.stringsbymail.com/pyramid...
#askzac  #purenickelstrings #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

For many years I had heard about Fender Rock-N-Roll strings, and how they were used by Duane Allman, Eric Clapton, Cornell Dupree, Roy Buchanan, Jimi Hendrix, and many, many others. They were pretty much the standard for light gauge strings until Ernie Ball and D'Addario started eating up Fender's market share in the 1980s. I found out that the set was a strange gauge by modern standards (10,13,15,26,32,38) and that they were of different construction, having pure nickel wound strings, with round cores. Most modern wound strings are nickel-plated steel and on a hexagonal core. Fender stopped regular production of the set years ago, but I found that Pyramid made a "Jimi Hendrix" inspired set, that is to the exact specs of the old Fender set, and decided to try them. In the video, I start off with my regular D'Addario 9.5-44 set with nickel-plated steel/hex core wound strings, and then change strings on my 1967 Telecaster, and let you hear the difference.

Gear for this video
1967 Telecaster -
D'Addario XL120+ 9.5-44 strings https://amzn.to/3a5qxVi
Then switch to the Pyramid set mentioned above
1965 Deluxe Reverb with Celestion Vintage 30 speaker

Correction: There were 2 string factories in Battle Creek, MI. GHS, and VC Squier. Fender was supplied strings by VC, and then Fender bought them out in the early 1960s. The Fender String factory in Battle Creek was shuttered in 1981. Fender owned the Squier name and used this for a line of guitars starting in the early 1980s.

Pyramid "Jimi Hendrix" set
https://www.stringsbymail.com/pyramid...
#askzac  #purenickelstrings #telecaster

Support the show

]]> Zac Childs Buzzsprout-12540790 Tue, 11 Apr 2023 12:00:00 -0500 1032 20 full false Steve Cropper and the Fender Harvard Amp ASK ZAC EP 19 Steve Cropper and the Fender Harvard Amp ASK ZAC EP 19 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

At an early age, I fell under the spell of Steve Cropper watching the Blues Brothers movie. From there, I went back and became familiar with all of his incredible work with Atlantic, and Stax/Volt records with Otis Redding, Wilson Pickett, Booker T and MG's and many others. Through reading guitar magazines in the 1980's I first heard of this strange amp called a Fender Harvard. Fast forward to 2016, when I finally found and purchased a 1959 Harvard, and it became part of my small stable of favorite amps. In this episode, I give some history on both Cropper and the Harvard and demonstrate the unique sound that makes it, in my opinion, the best small tweed amp Fender ever made.


References:
Steve Cropper lesson book  https://amzn.to/39u0Dd3
The best history of Stax - Soulsville - https://amzn.to/3aAEATd

My Spotify playlist highlighting Cropper tracks where he used the Harvard amp
https://open.spotify.com/playlist/1Ar...

Dave Hunter's Harvard amp article for Vintage Guitar Magazine:
https://www.vintageguitar.com/15163/f...

Gear for this video
1967 Telecaster -
D'Addario XL120+ 9.5-44 strings
1959 Fender Harvard amp
#askzac  #stevecropper #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

At an early age, I fell under the spell of Steve Cropper watching the Blues Brothers movie. From there, I went back and became familiar with all of his incredible work with Atlantic, and Stax/Volt records with Otis Redding, Wilson Pickett, Booker T and MG's and many others. Through reading guitar magazines in the 1980's I first heard of this strange amp called a Fender Harvard. Fast forward to 2016, when I finally found and purchased a 1959 Harvard, and it became part of my small stable of favorite amps. In this episode, I give some history on both Cropper and the Harvard and demonstrate the unique sound that makes it, in my opinion, the best small tweed amp Fender ever made.


References:
Steve Cropper lesson book  https://amzn.to/39u0Dd3
The best history of Stax - Soulsville - https://amzn.to/3aAEATd

My Spotify playlist highlighting Cropper tracks where he used the Harvard amp
https://open.spotify.com/playlist/1Ar...

Dave Hunter's Harvard amp article for Vintage Guitar Magazine:
https://www.vintageguitar.com/15163/f...

Gear for this video
1967 Telecaster -
D'Addario XL120+ 9.5-44 strings
1959 Fender Harvard amp
#askzac  #stevecropper #telecaster

Support the show

]]> Zac Childs Buzzsprout-12540725 Mon, 10 Apr 2023 12:00:00 -0500 1243 19 full false The Maple Cap Neck Telecaster - The Last of the Affordable Vintage Tele's? - ASK ZAC 18 The Maple Cap Neck Telecaster - The Last of the Affordable Vintage Tele's? - ASK ZAC 18 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I love maple cap neck Telecasters, and I give you the why, and the history of these guitars that were only made in large quantities from 1966-1968. The maple cap necks began to appear after Fender switched from maple necks to maple necks with a separate rosewood fretboard in 1959. Holdouts wanted a maple neck, so Leo began to quietly offer guitars that had a separate maple fretboard. These "maple cap" necked Telecasters lack a skunk stripe on the back of the neck, or the walnut plug on the headstock. The earliest versions are from around 1962 and 1963. By 1966 they are standard issue, and are being produced in large quantities. In early 1969, Fender reverts to 1 piece maple necks with the skunk stripe, and the maple cap neck era is over.

Gear for this video
1967 Telecaster -
D'Addario XL120+ 9.5-44 strings
1965 Deluxe Reverb with Celestion Vintage 30 speaker
#askzac  #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I love maple cap neck Telecasters, and I give you the why, and the history of these guitars that were only made in large quantities from 1966-1968. The maple cap necks began to appear after Fender switched from maple necks to maple necks with a separate rosewood fretboard in 1959. Holdouts wanted a maple neck, so Leo began to quietly offer guitars that had a separate maple fretboard. These "maple cap" necked Telecasters lack a skunk stripe on the back of the neck, or the walnut plug on the headstock. The earliest versions are from around 1962 and 1963. By 1966 they are standard issue, and are being produced in large quantities. In early 1969, Fender reverts to 1 piece maple necks with the skunk stripe, and the maple cap neck era is over.

Gear for this video
1967 Telecaster -
D'Addario XL120+ 9.5-44 strings
1965 Deluxe Reverb with Celestion Vintage 30 speaker
#askzac  #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12540678 Sun, 09 Apr 2023 12:00:00 -0500 1035 18 full false Why The Fender Deluxe Reverb Is The Best Guitar Amp Ever - ASK ZAC EP 17 Why The Fender Deluxe Reverb Is The Best Guitar Amp Ever - ASK ZAC EP 17 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com


I first played through a mid 60's Deluxe Reverb amp as a 13-year-old in South Texas in 1986. It took me over 24 years of wandering, but I finally came back to the Deluxe Reverb in 2010, and have been happy ever since. In this Ask Zac, I take you on my wandering through the tonal amp desert, that finally got me back to the venerable Deluxe Reverb, and also give some nitty-gritty info on how I set my amps, which tubes I use, and what type of speaker I prefer.

RESOURCE:
Here is a good description of important vs less important tube slots on Fender amps
https://www.kcanostubes.com/content/f...

#askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com


I first played through a mid 60's Deluxe Reverb amp as a 13-year-old in South Texas in 1986. It took me over 24 years of wandering, but I finally came back to the Deluxe Reverb in 2010, and have been happy ever since. In this Ask Zac, I take you on my wandering through the tonal amp desert, that finally got me back to the venerable Deluxe Reverb, and also give some nitty-gritty info on how I set my amps, which tubes I use, and what type of speaker I prefer.

RESOURCE:
Here is a good description of important vs less important tube slots on Fender amps
https://www.kcanostubes.com/content/f...

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12510286 Sat, 08 Apr 2023 12:00:00 -0500 1386 17 full false The Brad Paisley La Brea Telecaster Pickup Set - ASK ZAC EP-16 The Brad Paisley La Brea Telecaster Pickup Set - ASK ZAC EP-16 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Here is my take on the new La Brea Brad Paisley pickup set.

Gear Used:
2014 Crook Custom Vintage Paisley
http://www.crookcustomguitars.com/
Strings: D'Addario 9.5-44 strings EXL120+
https://amzn.to/3a5qxVi

Amp: 1965 Deluxe Reverb with Celestion V30 speaker
Cables: George L's. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Here is my take on the new La Brea Brad Paisley pickup set.

Gear Used:
2014 Crook Custom Vintage Paisley
http://www.crookcustomguitars.com/
Strings: D'Addario 9.5-44 strings EXL120+
https://amzn.to/3a5qxVi

Amp: 1965 Deluxe Reverb with Celestion V30 speaker
Cables: George L's. #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12510223 Fri, 07 Apr 2023 12:00:00 -0500 813 16 full false B-Benders - Missing History of the Evans Pullstring - ASK ZAC 15 B-Benders - Missing History of the Evans Pullstring - ASK ZAC 15 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today we talk about B-Benders. I cover some of the untold stories of the B-Bender, showing some of the missing pieces of the story, including that of the Dean Porter bender, and the Dave Evans Pullstring. I also spend some time showing some fun B-Bender licks.

Spotify B-Bender playlist
https://open.spotify.com/playlist/4XQ...

Gear Used:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings: D'Addario 9.5-44 strings EXL120+

Amp: 1965 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss TR-2 Tremolo
Power: Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Today we talk about B-Benders. I cover some of the untold stories of the B-Bender, showing some of the missing pieces of the story, including that of the Dean Porter bender, and the Dave Evans Pullstring. I also spend some time showing some fun B-Bender licks.

Spotify B-Bender playlist
https://open.spotify.com/playlist/4XQ...

Gear Used:
1982 Kubicki Tele body with Danocaster soft V maple neck
Glaser B-Bender circa 1996
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings: D'Addario 9.5-44 strings EXL120+

Amp: 1965 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss TR-2 Tremolo
Power: Truetone CS6 #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12510134 Thu, 06 Apr 2023 12:00:00 -0500 1216 15 full false Ask Zac Intro music breakdown and James Burton's "Ooh Las Vegas" lick - ASK ZAC EP - 14 Ask Zac Intro music breakdown and James Burton's "Ooh Las Vegas" lick - ASK ZAC EP - 14 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

In today's Ask Zac, I show James Burton's intro to the Gram Parsons tune "Ooh Las Vegas," and breakdown the Ask Zac intro music. I also cover some of my thoughts on setup and getting a good Telecaster tone.

Link to the Dan Erlewine setup book I rec'd
https://amzn.to/2Qimg9b

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: D'Addario 9.5-44 strings EXL120+
https://amzn.to/3a5qxVi

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

In today's Ask Zac, I show James Burton's intro to the Gram Parsons tune "Ooh Las Vegas," and breakdown the Ask Zac intro music. I also cover some of my thoughts on setup and getting a good Telecaster tone.

Link to the Dan Erlewine setup book I rec'd
https://amzn.to/2Qimg9b

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: D'Addario 9.5-44 strings EXL120+
https://amzn.to/3a5qxVi

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
9v power via Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12510096 Wed, 05 Apr 2023 12:00:00 -0500 1143 14 full false Why You Need a Fender/Squier Bass VI - ASK ZAC - EP 13 Why You Need a Fender/Squier Bass VI - ASK ZAC - EP 13 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

A good friend of mine gifted me a Squier Bass VI, and I have had so much fun learning about the instrument, and how to use it in both performance and recording environments. In this episode, I share both the Danelectro 6 string bass and the Fender Bass VI's history, and the players that put them both on the map. I also give some EQ, effect, and playing tricks for 6-string bass guitars.

Here is my Spotify Playlist for this episode:
https://open.spotify.com/playlist/6St...

James Burton on Bass VI with fuzz
   • Jimmy Burton - Ji... 

Gear Used:
2018 Fender Squier Vintage Modified Bass VI
Strings: La Bella Flatwound 767-6F  https://amzn.to/2Wio3iu

Amp: 1965 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss TR-2 Tremolo
Boss DM-3 Delay
Line 6 Echo Park
Boss VB-2W  https://amzn.to/39T5CVJ
Power: Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #bassvi

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

A good friend of mine gifted me a Squier Bass VI, and I have had so much fun learning about the instrument, and how to use it in both performance and recording environments. In this episode, I share both the Danelectro 6 string bass and the Fender Bass VI's history, and the players that put them both on the map. I also give some EQ, effect, and playing tricks for 6-string bass guitars.

Here is my Spotify Playlist for this episode:
https://open.spotify.com/playlist/6St...

James Burton on Bass VI with fuzz
   • Jimmy Burton - Ji... 

Gear Used:
2018 Fender Squier Vintage Modified Bass VI
Strings: La Bella Flatwound 767-6F  https://amzn.to/2Wio3iu

Amp: 1965 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss TR-2 Tremolo
Boss DM-3 Delay
Line 6 Echo Park
Boss VB-2W  https://amzn.to/39T5CVJ
Power: Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #bassvi

Support the show

]]> Zac Childs Buzzsprout-12510048 Tue, 04 Apr 2023 12:00:00 -0500 988 13 full false The Boss VB-2 Vibrato - One Of The Greatest Boss Pedals EVER - ASK ZAC - EP 12 The Boss VB-2 Vibrato - One Of The Greatest Boss Pedals EVER - ASK ZAC - EP 12 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

I focus on the Boss VB-2 Vibrato in the continuing "favorite pedals" series. It is a killer pedal, that Boss improved upon with their more recent VB-2W "Waza Craft" version. Where the old one had noise/hiss issues when bypassed, the Waza Craft version has a special bypass mode that addresses the original"s weak point. The original pedal has been used to great effect by John Jorgenson with the Desert Rose Band, Neil Finn with Crowded House, Prince, and Buddy Miller.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball Regular Slinky 10-46

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Boss VB-2W https://amzn.to/39T5CVJ
Power by battery #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

I focus on the Boss VB-2 Vibrato in the continuing "favorite pedals" series. It is a killer pedal, that Boss improved upon with their more recent VB-2W "Waza Craft" version. Where the old one had noise/hiss issues when bypassed, the Waza Craft version has a special bypass mode that addresses the original"s weak point. The original pedal has been used to great effect by John Jorgenson with the Desert Rose Band, Neil Finn with Crowded House, Prince, and Buddy Miller.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball Regular Slinky 10-46

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Boss VB-2W https://amzn.to/39T5CVJ
Power by battery #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12509043 Mon, 03 Apr 2023 12:00:00 -0500 720 12 full false The Mighty Mostortion - A Nashville & L.A. Session FAVE - ASK ZAC EP 11 The Mighty Mostortion - A Nashville & L.A. Session FAVE - ASK ZAC EP 11 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The Ibanez Mostortion is one of my all-time favorite dirt boxes. Besides giving some history, I also demo it with my Ron Ellis pickup-equipped Danocaster Blackguard and even share some great ways to use the powerful EQ section of the Mostortion circuit to get some killer tones.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball Regular Slinky 10-46 https://amzn.to/2TTnXfK

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
Ibanez Mostortion
Line 6 Echo Park
9v power via Truetone CS6  https://amzn.to/38S9rZK

Clips from the Truetone Lounge with guests using Mostortion pedals

Derek Wells
   • Derek Wells Truet... 

Bob Britt
   • Bob Britt | Truet... 

Jeff Senn
   • Truetone Lounge  ...  #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

The Ibanez Mostortion is one of my all-time favorite dirt boxes. Besides giving some history, I also demo it with my Ron Ellis pickup-equipped Danocaster Blackguard and even share some great ways to use the powerful EQ section of the Mostortion circuit to get some killer tones.

GEAR USED:
2019 Danocaster Blackguard (1953 Telecaster Style) with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: Ernie Ball Regular Slinky 10-46 https://amzn.to/2TTnXfK

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used:
Mirage compressor pedal
Ibanez Mostortion
Line 6 Echo Park
9v power via Truetone CS6  https://amzn.to/38S9rZK

Clips from the Truetone Lounge with guests using Mostortion pedals

Derek Wells
   • Derek Wells Truet... 

Bob Britt
   • Bob Britt | Truet... 

Jeff Senn
   • Truetone Lounge  ...  #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12508890 Sun, 02 Apr 2023 12:00:00 -0500 1157 11 full false My Frankenstein Telecaster & Why You Need One Too- ASK ZAC EP 10 My Frankenstein Telecaster & Why You Need One Too- ASK ZAC EP 10 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Everyone needs a crazy thrown-together parts guitar. Why?  Because you never have to stop modifying them! In this episode, I give the story behind my Tele that I have toured all over the world with and changed everything on it except the body's finish. My Frankenstein even has a Joe Glaser B-Bender that I had installed back in 1997. I show a few bender licks, and also share how the large brass 6-saddle bridge changed the tone of it.

Gear Used:
1982 Kubicki Tele body with Danocaster soft V maple neck
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings: D'Addario 9.5-44 strings EXL120+

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss DM-3 Delay
Power: Truetone CS6
#askzac  #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Everyone needs a crazy thrown-together parts guitar. Why?  Because you never have to stop modifying them! In this episode, I give the story behind my Tele that I have toured all over the world with and changed everything on it except the body's finish. My Frankenstein even has a Joe Glaser B-Bender that I had installed back in 1997. I show a few bender licks, and also share how the large brass 6-saddle bridge changed the tone of it.

Gear Used:
1982 Kubicki Tele body with Danocaster soft V maple neck
APC Adder (Neck) Ron Ellis 60T (Bridge)

Strings: D'Addario 9.5-44 strings EXL120+

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss DM-3 Delay
Power: Truetone CS6
#askzac  #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12508714 Sat, 01 Apr 2023 12:00:00 -0500 1185 10 full false A typical day as Brad Paisley's Guitar Tech - ASK ZAC EP 9 A typical day as Brad Paisley's Guitar Tech - ASK ZAC EP 9 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In the latest Ask Zac, we answer some viewer questions concerning who played lead guitar on Conway Twitty's "Tight Fittn' Jeans" and what a typical day as Brad Paisley's guitar tech looked like. While reminiscing about my Paisley days, I also share a funny story about a t-shirt fiasco.

Note:  Lew Houston was the pedal steel player with Conway Twitty doing the chickn' pickin' on the "Workin' Girl" clip I mention. Thanks to Jeff McLeod for catching that.

Gear Used:
2014 Crook Custom Vintage Paisley APC Adder (Neck) Peter Florance TE-60 (Bridge)
http://www.crookcustomguitars.com/
Strings: D'Addario 9.5-44 strings EXL120+
https://amzn.to/3a5qxVi

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss TR-2 Tremolo
Boss DM-3 Delay
Power: Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In the latest Ask Zac, we answer some viewer questions concerning who played lead guitar on Conway Twitty's "Tight Fittn' Jeans" and what a typical day as Brad Paisley's guitar tech looked like. While reminiscing about my Paisley days, I also share a funny story about a t-shirt fiasco.

Note:  Lew Houston was the pedal steel player with Conway Twitty doing the chickn' pickin' on the "Workin' Girl" clip I mention. Thanks to Jeff McLeod for catching that.

Gear Used:
2014 Crook Custom Vintage Paisley APC Adder (Neck) Peter Florance TE-60 (Bridge)
http://www.crookcustomguitars.com/
Strings: D'Addario 9.5-44 strings EXL120+
https://amzn.to/3a5qxVi

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects:
Mirage Compressor
Boss TR-2 Tremolo
Boss DM-3 Delay
Power: Truetone CS6  https://amzn.to/38S9rZK
#askzac  #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12508586 Fri, 31 Mar 2023 12:00:00 -0500 1439 9 full false All About The Nobels ODR-1 - ASK ZAC EP 8 All About The Nobels ODR-1 - ASK ZAC EP 8 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com


Tom's correction is in the video here. YT won't let you edit videos that are already published.
   • In response to Za... 


The Nobels ODR-1 has been around for a while, but it was not always seen as a "cool" overdrive pedal. Looking back, there is one man that really spearheaded its popularity, and his name is Tom Bukovac. In this episode, I show how Tom evangelized the Nobels to players all over Nashville and beyond and made it one of the most prized overdrive pedals to own.

Gear Used:
Guitars:
2019 Danocaster Blackguard with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: D'Addario 9.5-44 strings EXL120+  https://amzn.to/3a5qxVi

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects: Nobels ODR-1
Power: Battery
#askzac  #guitartech #nobelsodr1

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com


Tom's correction is in the video here. YT won't let you edit videos that are already published.
   • In response to Za... 


The Nobels ODR-1 has been around for a while, but it was not always seen as a "cool" overdrive pedal. Looking back, there is one man that really spearheaded its popularity, and his name is Tom Bukovac. In this episode, I show how Tom evangelized the Nobels to players all over Nashville and beyond and made it one of the most prized overdrive pedals to own.

Gear Used:
Guitars:
2019 Danocaster Blackguard with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/

Strings: D'Addario 9.5-44 strings EXL120+  https://amzn.to/3a5qxVi

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects: Nobels ODR-1
Power: Battery
#askzac  #guitartech #nobelsodr1

Support the show

]]> Zac Childs Buzzsprout-12508396 Thu, 30 Mar 2023 12:00:00 -0500 660 8 full false Bobby Womack R&B Telecaster Master - ASK ZAC EP 7 Bobby Womack R&B Telecaster Master - ASK ZAC EP 7 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Bobby Womack was an underrated master of R&B Guitar, who influenced many, wrote the book, and/or popularized much of what is considered the R&B guitar vernacular. From his use of sixths, sliding fifths, and double-stops, he helped stamp out a much-copied style of guitar. I walk through his time with the Valentinos, Sam Cooke, Aretha Franklin, Wilson Pickett, and his own two first solo records cut in Memphis at American Studios. He was also one of the cats that helped make the Telecaster the de facto R&B guitar.

Please check out my Spotify playlist for Bobby here:
https://open.spotify.com/playlist/0MM...

Zac's gear for this video
1967 Telecaster - D'Addario XL120+ 95-44 strings  https://amzn.to/3a5qxVi
1967 Deluxe Reverb with Celestion Vintage 30 speaker
Pedalboard:
Vintage MXR Script logo Dyna Comp
Boss TR-2 Tremolo
Boss Volume Pedal
Boss DD-2 Delay
Boss TU-12H Tuner
Truetone CS6 for power https://amzn.to/38S9rZK
George L's cables
#askzac  #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Bobby Womack was an underrated master of R&B Guitar, who influenced many, wrote the book, and/or popularized much of what is considered the R&B guitar vernacular. From his use of sixths, sliding fifths, and double-stops, he helped stamp out a much-copied style of guitar. I walk through his time with the Valentinos, Sam Cooke, Aretha Franklin, Wilson Pickett, and his own two first solo records cut in Memphis at American Studios. He was also one of the cats that helped make the Telecaster the de facto R&B guitar.

Please check out my Spotify playlist for Bobby here:
https://open.spotify.com/playlist/0MM...

Zac's gear for this video
1967 Telecaster - D'Addario XL120+ 95-44 strings  https://amzn.to/3a5qxVi
1967 Deluxe Reverb with Celestion Vintage 30 speaker
Pedalboard:
Vintage MXR Script logo Dyna Comp
Boss TR-2 Tremolo
Boss Volume Pedal
Boss DD-2 Delay
Boss TU-12H Tuner
Truetone CS6 for power https://amzn.to/38S9rZK
George L's cables
#askzac  #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12508062 Wed, 29 Mar 2023 12:00:00 -0500 808 7 full false James Burton - Country/Rock Telecaster King - ASK ZAC EP 6 James Burton - Country/Rock Telecaster King - ASK ZAC EP 6 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

James Burton is one of the most important, and influential guitarists of all time, and in this episode of Ask Zac, I answer "why." To do this, I demonstrate some of his playing techniques, talk of his very early use of light gauge strings, and the exposure he had due to his appearing on the Ozzie and Harriet Show, Shindig, and many filmed concerts with Elvis and others.

Note: I relate a story Burton told me of Forrest White visiting an Elvis show in 1969 representing Fender. Forrest left Fender in 1966. It was probably someone else high up with Fender, not Forrest. I mention Rock-n-Roll Circus, and I meant Carnival Rock as the movie that Burton appears in with Bob Luman.  Also special thanks to Steve Fishell for writing the June 1984 Guitar Player magazine feature on James Burton that made me a fan of James years ago.

My Spotify playlist of great Burton tracks
https://open.spotify.com/playlist/149...

Gear used in this video:
Crook Custom T-style with Vintage Paisley finish
Florance TE-60 Bridge, Adder APC Neck
Ernie Ball strings gauged 9,10,12,24,32,42

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used: amp reverb and Mirage compressor pedal
9v power via Truetone CS6 https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

James Burton is one of the most important, and influential guitarists of all time, and in this episode of Ask Zac, I answer "why." To do this, I demonstrate some of his playing techniques, talk of his very early use of light gauge strings, and the exposure he had due to his appearing on the Ozzie and Harriet Show, Shindig, and many filmed concerts with Elvis and others.

Note: I relate a story Burton told me of Forrest White visiting an Elvis show in 1969 representing Fender. Forrest left Fender in 1966. It was probably someone else high up with Fender, not Forrest. I mention Rock-n-Roll Circus, and I meant Carnival Rock as the movie that Burton appears in with Bob Luman.  Also special thanks to Steve Fishell for writing the June 1984 Guitar Player magazine feature on James Burton that made me a fan of James years ago.

My Spotify playlist of great Burton tracks
https://open.spotify.com/playlist/149...

Gear used in this video:
Crook Custom T-style with Vintage Paisley finish
Florance TE-60 Bridge, Adder APC Neck
Ernie Ball strings gauged 9,10,12,24,32,42

1965 Deluxe Reverb amp with Celestion V30 speaker
effects used: amp reverb and Mirage compressor pedal
9v power via Truetone CS6 https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12508020 Tue, 28 Mar 2023 12:00:00 -0500 1181 6 full false Telecaster Neck Pickups and Practice Tips - ASK ZAC EP 5 Telecaster Neck Pickups and Practice Tips - ASK ZAC EP 5 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In our first Viewer Mailbag episode, I answer some questions from viewers. First up, I was asked to compare the APC Adder Tele neck pickup in the Crook Paisley with the Ron Ellis "Julian Lage" neck pickup in the Danocaster Blackguard. For completeness' sake,  I also bring out my original 1967 Telecaster and demonstrate its original neck pickup sound. Next, I cover some practice tips, and what I wished I had practiced when I was younger. I then get a bit preachy about bringing new, untested gear to rehearsals.

Gear Used:
Guitars:
2019 Danocaster Blackguard with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/
2014 Crook Custom Vintage Paisley APC Adder (Neck) Peter Florance TE-60 (Bridge)
http://www.crookcustomguitars.com/
1967 Fender Telecaster - stock pickups

Strings: All guitars strung with D'Addario 9.5-44 strings EXL120+  https://amzn.to/3a5qxVi

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects: Mirage Compressor
Power: Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

In our first Viewer Mailbag episode, I answer some questions from viewers. First up, I was asked to compare the APC Adder Tele neck pickup in the Crook Paisley with the Ron Ellis "Julian Lage" neck pickup in the Danocaster Blackguard. For completeness' sake,  I also bring out my original 1967 Telecaster and demonstrate its original neck pickup sound. Next, I cover some practice tips, and what I wished I had practiced when I was younger. I then get a bit preachy about bringing new, untested gear to rehearsals.

Gear Used:
Guitars:
2019 Danocaster Blackguard with Ron Ellis 52T (Bridge) and Julian Lage (Neck)
https://danocaster.com/
2014 Crook Custom Vintage Paisley APC Adder (Neck) Peter Florance TE-60 (Bridge)
http://www.crookcustomguitars.com/
1967 Fender Telecaster - stock pickups

Strings: All guitars strung with D'Addario 9.5-44 strings EXL120+  https://amzn.to/3a5qxVi

Amp: 1967 Deluxe Reverb with Celestion V30 speaker
Cables: George L's.
Effects: Mirage Compressor
Power: Truetone CS6  https://amzn.to/38S9rZK #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12507975 Mon, 27 Mar 2023 12:00:00 -0500 703 5 full false Tips & Tricks for Soundhole Pickups - ASK ZAC EP 4 Tips & Tricks for Soundhole Pickups - ASK ZAC EP 4 To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

In the Daniel Lanois autobiography, Soul Mining, Lanois tells of using Bill Lawrence soundhole pickups, a trick he learned from U2's The Edge. After reading, I was reminded of an interview I did with John Leventhal for Vintage Guitar Magazine back in 2017. When interviewing John, he spoke of his live electric setup, and that of his acoustic, that was a bit more complex than most as he used both an internal transducer going to a DI box, and a soundhole pickup through effects into a guitar amp. In this episode of Ask Zac, I talk about how to use the "Leventhal" dual-pickup setup, and what it has to offer.

My June 2017 Vintage Guitar Magazine print interview with John Leventhal
https://www.vintageguitar.com/32017/j...

My Truetone Lounge Video interview with Leventhal
   • John Leventhal | ... 

Clip of JL using the dual-pickup system with R&B great, William Bell
   • William Bell - "T... 

Gear used:
Waterloo WL-14 Ladder Braced guitar
D'Addario EJ26 Phosphor Bronze Custom Light Acoustic Strings
80's Bill Lawrence soundhole pickup
Medium Gauge pick
Effects:
Boss Volume Pedal
Mirage Compressor
Boss TR-2 Tremolo
Line 6 Echo Park
Truetone CS6 power supply https://amzn.to/38S9rZK
Amp:
1965 Deluxe Reverb with Celestion Vintage 30 Speaker #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Tip jar:  https://paypal.me/AskZac
Or check out my store at  - www.askzac.com

In the Daniel Lanois autobiography, Soul Mining, Lanois tells of using Bill Lawrence soundhole pickups, a trick he learned from U2's The Edge. After reading, I was reminded of an interview I did with John Leventhal for Vintage Guitar Magazine back in 2017. When interviewing John, he spoke of his live electric setup, and that of his acoustic, that was a bit more complex than most as he used both an internal transducer going to a DI box, and a soundhole pickup through effects into a guitar amp. In this episode of Ask Zac, I talk about how to use the "Leventhal" dual-pickup setup, and what it has to offer.

My June 2017 Vintage Guitar Magazine print interview with John Leventhal
https://www.vintageguitar.com/32017/j...

My Truetone Lounge Video interview with Leventhal
   • John Leventhal | ... 

Clip of JL using the dual-pickup system with R&B great, William Bell
   • William Bell - "T... 

Gear used:
Waterloo WL-14 Ladder Braced guitar
D'Addario EJ26 Phosphor Bronze Custom Light Acoustic Strings
80's Bill Lawrence soundhole pickup
Medium Gauge pick
Effects:
Boss Volume Pedal
Mirage Compressor
Boss TR-2 Tremolo
Line 6 Echo Park
Truetone CS6 power supply https://amzn.to/38S9rZK
Amp:
1965 Deluxe Reverb with Celestion Vintage 30 Speaker #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12501342 Sun, 26 Mar 2023 12:00:00 -0500 735 4 full false Danocaster (Ron Ellis Equipped) Blackguard Demo - ASK ZAC 3 Danocaster (Ron Ellis Equipped) Blackguard Demo - ASK ZAC 3 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have a deep love of Telecasters and Telecaster-style guitars. In late 2019, I received my special ordered Danocaster Blackguard with a Ron Ellis 52T (Bridge) and a Julian Lage (Neck) pickup. I demonstrate the Danocaster and also share my long friendships with both Dan Strain and Ron Ellis, and share what makes them both such in-demand creators of fantastic musical tools.

If you are interested in a Danocaster guitar, follow him on Instagram. There he lists instruments that he builds. He is not currently doing custom builds, only what he posts on Instagram is available for sale.

https://www.instagram.com/danocaster_...

Find more info at:
https://danocaster.com/

Reach out to Ron Ellis via t2ellis(at)pacbell.net

Strings - D'Addario 9.5-44 https://amzn.to/3a5qxVi #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

I have a deep love of Telecasters and Telecaster-style guitars. In late 2019, I received my special ordered Danocaster Blackguard with a Ron Ellis 52T (Bridge) and a Julian Lage (Neck) pickup. I demonstrate the Danocaster and also share my long friendships with both Dan Strain and Ron Ellis, and share what makes them both such in-demand creators of fantastic musical tools.

If you are interested in a Danocaster guitar, follow him on Instagram. There he lists instruments that he builds. He is not currently doing custom builds, only what he posts on Instagram is available for sale.

https://www.instagram.com/danocaster_...

Find more info at:
https://danocaster.com/

Reach out to Ron Ellis via t2ellis(at)pacbell.net

Strings - D'Addario 9.5-44 https://amzn.to/3a5qxVi #askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12501307 Sat, 25 Mar 2023 12:00:00 -0500 648 3 full false Remembering Reggie Young - ASK ZAC EP 2 Remembering Reggie Young - ASK ZAC EP 2 On the anniversary of Reggie Young's passing, January 17, 2019, Zac Childs pays tribute to him in this episode of Ask Zac. Reggie was more than a great guitarist, he was a great person. Through personal anecdotes, and sharing those of others that Zac has collected, we get a look at Reggie the man. Also in this episode, Zac dissects the intro, verse, and chorus guitar parts of "Drift Away." He also covers Young's gear through the years, and how at heart, Reggie was a bit of a gear minimalist, relying on a 1957 Strat, 1969 Telecaster, BF Deluxe Reverb, and a small pedalboard for much of his career.

Zac's Spotify Playlist for Reggie Young
https://open.spotify.com/playlist/2kk...

Zac interviewing Reggie for the Truetone Lounge:
   • Reggie Young | Tr... 

Ace Records excellent career overview, Reggie Young Session Guitar Star
https://amzn.to/39TJj25

Also check out Reggie's Forever Young, his album of instrumentals
https://amzn.to/2TQ6a98

Zac's gear for this video
1967 Telecaster -
D'Addario XL120+ 95-44 strings https://amzn.to/3a5qxVi

1965 Deluxe Reverb with Celestion Vintage 30 speaker
Reggie inspired Board:
Vintage MXR Script logo Dyna Comp
Boss Volume Pedal
Boss DD-2 Delay
1980 TC Electronic Chorus pedal, modified by XTS to use 18v DC
Boss TU-12H
Truetone CS6 for power  https://amzn.to/38S9rZK
Also on board, but not used:
Voodoo Lab Sparkle Drive
Demeter Tremulator

#askzac #guitartech #telecaster

Support the show

]]> On the anniversary of Reggie Young's passing, January 17, 2019, Zac Childs pays tribute to him in this episode of Ask Zac. Reggie was more than a great guitarist, he was a great person. Through personal anecdotes, and sharing those of others that Zac has collected, we get a look at Reggie the man. Also in this episode, Zac dissects the intro, verse, and chorus guitar parts of "Drift Away." He also covers Young's gear through the years, and how at heart, Reggie was a bit of a gear minimalist, relying on a 1957 Strat, 1969 Telecaster, BF Deluxe Reverb, and a small pedalboard for much of his career.

Zac's Spotify Playlist for Reggie Young
https://open.spotify.com/playlist/2kk...

Zac interviewing Reggie for the Truetone Lounge:
   • Reggie Young | Tr... 

Ace Records excellent career overview, Reggie Young Session Guitar Star
https://amzn.to/39TJj25

Also check out Reggie's Forever Young, his album of instrumentals
https://amzn.to/2TQ6a98

Zac's gear for this video
1967 Telecaster -
D'Addario XL120+ 95-44 strings https://amzn.to/3a5qxVi

1965 Deluxe Reverb with Celestion Vintage 30 speaker
Reggie inspired Board:
Vintage MXR Script logo Dyna Comp
Boss Volume Pedal
Boss DD-2 Delay
1980 TC Electronic Chorus pedal, modified by XTS to use 18v DC
Boss TU-12H
Truetone CS6 for power  https://amzn.to/38S9rZK
Also on board, but not used:
Voodoo Lab Sparkle Drive
Demeter Tremulator

#askzac #guitartech #telecaster

Support the show

]]> Zac Childs Buzzsprout-12501251 Fri, 24 Mar 2023 12:00:00 -0500 1148 2 full false Steuart Smith of the Eagles - ASK ZAC EP 1 Steuart Smith of the Eagles - ASK ZAC EP 1 To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Zac talks about Steuart Smith's long and fruitful career as a session man and touring guitarist. His beginnings with Rodney Crowell through his current work with the Eagles is covered along with his session highlights and what gear he has used through the years. 

My Vintage Guitar Magazine interview with Steuart in the Feb 2020 issue
https://cloud.3dissue.com/196659/1970...

Playlist of Steuart Smith on Spotify
https://open.spotify.com/playlist/4bC...

Great clip of Steuart in 1989 with Crowell
   • Steuart Smith....... 

YT Thumb photo by Charley Cohen. #askzac #guitartech #telecaster

Support the show

]]> To Support the Channel:
Patreon  https://www.patreon.com/AskZac
Tip jar:  https://paypal.me/AskZac
Venmo @AskZac 
Or check out my store for merch  - www.askzac.com

Zac talks about Steuart Smith's long and fruitful career as a session man and touring guitarist. His beginnings with Rodney Crowell through his current work with the Eagles is covered along with his session highlights and what gear he has used through the years. 

My Vintage Guitar Magazine interview with Steuart in the Feb 2020 issue
https://cloud.3dissue.com/196659/1970...

Playlist of Steuart Smith on Spotify
https://open.spotify.com/playlist/4bC...

Great clip of Steuart in 1989 with Crowell
   • Steuart Smith....... 

YT Thumb photo by Charley Cohen. #askzac #guitartech #telecaster

Support the show

]]> Zac Buzzsprout-12500697 Thu, 23 Mar 2023 09:00:00 -0500 807 1 full false