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  <title>Reckoning and Repair</title>

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  <description><![CDATA[<p>An experimental oral history podcast with artists, curators, and organizers speaking on the need for reckoning, and the (im?)possibilities of repair in art worlds and social spaces around the globe. ​<br><br>Season 2 of Reckoning and Repair: The Art of Resistance in Argentina endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly.<br><br>Season 1, "The Art That's Touched Philadelphia", was recorded, written, and produced by students in "Conversations with Contemporary Artists" a course by Alissa Jordan at the Center for Experimental Ethnography. This CEE production runs alongside the 2023 exhibit "Rising Sun-Artists in an Uncertain America", an African American Museum of Philadelphia (AAMP) and Pennsylvania Academy of the Fine Arts (PAFA) collaboration. How do artists and organizers confront the troubling histories of Empire in their midsts? Is it even possible for colonially-based art institutions to meaningfully reckon with their own exclusionary histories? What models of reckoning and repair already exist in Philadelphia's art worlds?</p>]]></description>
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    <itunes:title>S.3 E.7 // Black Girls in Color</itunes:title>
    <title>S.3 E.7 // Black Girls in Color</title>
    <itunes:summary><![CDATA[An experimental audio piece by Latoya Briscoe, based on a visit with the girls of we.REIGN, Inc This piece was hosted, recorded, and produced by Latoya Briscoe as part of Reckoning and Repair Season 3, "Black reproduction &amp; justice in Philly," a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the "Reproduction, Justice, and Care: Listening in Philly" course co-taught by Dr. Alissa Jordan and Dr. Daniela Brisset...]]></itunes:summary>
    <description><![CDATA[<p><em>An experimental audio piece by Latoya Briscoe, based on a visit with the girls of we.REIGN, Inc</em></p><p>This piece was hosted, recorded, and produced by Latoya Briscoe as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><em>An experimental audio piece by Latoya Briscoe, based on a visit with the girls of we.REIGN, Inc</em></p><p>This piece was hosted, recorded, and produced by Latoya Briscoe as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Fri, 18 Apr 2025 15:00:00 -0400</pubDate>
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    <itunes:title>S.3 E.5 // Reconstructing the Culture of Birth Through the Lens of Nurse-Midwifery, a conversation with midwife Sarah Logan and Catherine Ellis</itunes:title>
    <title>S.3 E.5 // Reconstructing the Culture of Birth Through the Lens of Nurse-Midwifery, a conversation with midwife Sarah Logan and Catherine Ellis</title>
    <itunes:summary><![CDATA[In this episode, Catherine Ellis speaks with Sarah Logan about paternalism and trauma in obstetrics, particularly the labor and delivery process, and how nurse-midwives, birthing people, and their communities can rebuild the current culture of birth in America. This episode was hosted, recorded, and produced by Catherine Ellis as part of Reckoning and Repair Season 3, "Black reproduction &amp; justice in Philly," a set of immersive oral histories and multimedia figurations that engage with re...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, Catherine Ellis speaks with Sarah Logan about paternalism and trauma in obstetrics, particularly the labor and delivery process, and how nurse-midwives, birthing people, and their communities can rebuild the current culture of birth in America.</p><p>This episode was hosted, recorded, and produced by Catherine Ellis as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, Catherine Ellis speaks with Sarah Logan about paternalism and trauma in obstetrics, particularly the labor and delivery process, and how nurse-midwives, birthing people, and their communities can rebuild the current culture of birth in America.</p><p>This episode was hosted, recorded, and produced by Catherine Ellis as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <itunes:title>S.3 E.4 // Anandabai Joshee&#39;s Thesis: The First Feminist Medical Ethnography?</itunes:title>
    <title>S.3 E.4 // Anandabai Joshee&#39;s Thesis: The First Feminist Medical Ethnography?</title>
    <itunes:summary><![CDATA[Anandibai Joshee was the first South Asian woman to receive a degree in Western medicine in 1886 from the Women's College of Medicine of Pennsylvania, now known as the Drexel University School of Medicine. This speculative history and experimental audio piece by Mariam Rizvi brings life to the words of Anandibai's revolutionary 1886 thesis, exploring the dreams she carried for the field of obstetrics in Philadelphia in what may have been the very first insider feminist medical ethnography rec...]]></itunes:summary>
    <description><![CDATA[<p>Anandibai Joshee was the first South Asian woman to receive a degree in Western medicine in 1886 from the Women&apos;s College of Medicine of Pennsylvania, now known as the Drexel University School of Medicine. This speculative history and experimental audio piece by Mariam Rizvi brings life to the words of Anandibai&apos;s revolutionary 1886 thesis, exploring the dreams she carried for the field of obstetrics in Philadelphia in what may have been the very first <em>insider</em> feminist medical ethnography recorded in history.</p><p>This episode was written, recorded, and produced by Mariam Rizvi as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Anandibai Joshee was the first South Asian woman to receive a degree in Western medicine in 1886 from the Women&apos;s College of Medicine of Pennsylvania, now known as the Drexel University School of Medicine. This speculative history and experimental audio piece by Mariam Rizvi brings life to the words of Anandibai&apos;s revolutionary 1886 thesis, exploring the dreams she carried for the field of obstetrics in Philadelphia in what may have been the very first <em>insider</em> feminist medical ethnography recorded in history.</p><p>This episode was written, recorded, and produced by Mariam Rizvi as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <itunes:title>S.3 E.3 // The gift of family, an oral history with Joel Austin, hosted by Maryam Jamal</itunes:title>
    <title>S.3 E.3 // The gift of family, an oral history with Joel Austin, hosted by Maryam Jamal</title>
    <itunes:summary><![CDATA[Society considers starting a family a big milestone in life. Often it is treated as an achievement or even a requirement. This oral history interview with Joel Austin looks at family in a unique light. With society's expectations and the responsibilities that come with having children with a partner, Joel reminds us that life is a blessing and to cherish the relationships we have. This episode was hosted, recorded, and produced by Maryam Jamal as part of Reckoning and Repair Season 3, "Black ...]]></itunes:summary>
    <description><![CDATA[<p>Society considers starting a family a big milestone in life. Often it is treated as an achievement or even a requirement. This oral history interview with Joel Austin looks at family in a unique light. With society&apos;s expectations and the responsibilities that come with having children with a partner, Joel reminds us that life is a blessing and to cherish the relationships we have.</p><p>This episode was hosted, recorded, and produced by Maryam Jamal as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Society considers starting a family a big milestone in life. Often it is treated as an achievement or even a requirement. This oral history interview with Joel Austin looks at family in a unique light. With society&apos;s expectations and the responsibilities that come with having children with a partner, Joel reminds us that life is a blessing and to cherish the relationships we have.</p><p>This episode was hosted, recorded, and produced by Maryam Jamal as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <itunes:title>S.3 E.2 // Vote for Black Girls: Black Joy is Reproductive Justice an oral history with Daniela Brissett by Hazel Ekeke</itunes:title>
    <title>S.3 E.2 // Vote for Black Girls: Black Joy is Reproductive Justice an oral history with Daniela Brissett by Hazel Ekeke</title>
    <itunes:summary><![CDATA[Black youth are often  adultified, criminalized, and sexualized in American society. In this episode, we’ll explore what it means for Black girls to have a future---as allowing children to be themselves and thrive is reproductive justice.  This episode was hosted, recorded, and produced by Hazel Ekeke as part of Reckoning and Repair Season 3, "Black reproduction &amp; justice in Philly," a set of immersive oral histories and multimedia figurations that engage with reproductive justi...]]></itunes:summary>
    <description><![CDATA[<p>Black youth are often  adultified, criminalized, and sexualized in American society. In this episode, we’ll explore what it means for Black girls to have a future---as allowing children to be themselves and <em>thrive</em> is reproductive justice. </p><p>This episode was hosted, recorded, and produced by Hazel Ekeke as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Black youth are often  adultified, criminalized, and sexualized in American society. In this episode, we’ll explore what it means for Black girls to have a future---as allowing children to be themselves and <em>thrive</em> is reproductive justice. </p><p>This episode was hosted, recorded, and produced by Hazel Ekeke as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <itunes:title>S.3 E.6// A Conversation with Doula Jasha Buckery: Birth and Body Empowerment with Mae Nagel</itunes:title>
    <title>S.3 E.6// A Conversation with Doula Jasha Buckery: Birth and Body Empowerment with Mae Nagel</title>
    <itunes:summary><![CDATA[This is an experimental oral history of Jasha Buckery, also known as the Saye Birth Doula, who helps anchor women through their self identity and body empowerment during their birth journeys.  Jasha's journey as a doula started with MamaGlow Doula Immersion program. It opened her  eyes to the healing power of community in birth-work. Her practice incorporate methods that helps you in your own healing and inner work. She believes that birth is sacred and exposes the core of who we ar...]]></itunes:summary>
    <description><![CDATA[<p>This is an experimental oral history of Jasha Buckery, also known as the Saye Birth Doula, who helps anchor women through their self identity and body empowerment during their birth journeys.<em> </em></p><p>Jasha&apos;s journey as a doula started with MamaGlow Doula Immersion program. It opened her  eyes to the healing power of community in birth-work. Her practice incorporate methods that helps you in your own healing and inner work. She believes that birth is sacred and exposes the core of who we are, therefore a birthing person should be guided through the process holistically and with the knowledge they feel most important to their journey.<br/>​<br/>Her background has centered on advocating for others and organizing care for the most vulnerable individuals. She honors the diverse experiences of all mothers and birthing people. She&apos;s thrilled to support birthing people as they bring joy into this world and uplift them for the powerful individuals they are.</p><p>This episode was hosted, recorded, and produced by Mae Nagel as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>This is an experimental oral history of Jasha Buckery, also known as the Saye Birth Doula, who helps anchor women through their self identity and body empowerment during their birth journeys.<em> </em></p><p>Jasha&apos;s journey as a doula started with MamaGlow Doula Immersion program. It opened her  eyes to the healing power of community in birth-work. Her practice incorporate methods that helps you in your own healing and inner work. She believes that birth is sacred and exposes the core of who we are, therefore a birthing person should be guided through the process holistically and with the knowledge they feel most important to their journey.<br/>​<br/>Her background has centered on advocating for others and organizing care for the most vulnerable individuals. She honors the diverse experiences of all mothers and birthing people. She&apos;s thrilled to support birthing people as they bring joy into this world and uplift them for the powerful individuals they are.</p><p>This episode was hosted, recorded, and produced by Mae Nagel as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  drawing from the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <itunes:author>Center for Experimental Ethnography</itunes:author>
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    <pubDate>Fri, 18 Apr 2025 15:00:00 -0400</pubDate>
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    <itunes:title>S.3 E.1 // Seeking Reproductive Justice in Philly School Spaces with Dr. Tawanna Jones and Avalon Hinchman</itunes:title>
    <title>S.3 E.1 // Seeking Reproductive Justice in Philly School Spaces with Dr. Tawanna Jones and Avalon Hinchman</title>
    <itunes:summary><![CDATA[In this conversation and mini-oral history, Dr. Tawanna Jones explores her life as an educator. She speaks on the way schoolspaces can be punitive and discriminatory, and how she's teaching Black girls to advocate for themselves and their communities through culturally competent civic education.  This episode was was hosted and produced by Avalon Hinchman as part of Reckoning and Repair Season 3, "Black reproduction &amp; justice in Philly," a set of immersive oral histories and multimed...]]></itunes:summary>
    <description><![CDATA[<p>In this conversation and mini-oral history, Dr. Tawanna Jones explores her life as an educator. She speaks on the way schoolspaces can be punitive and discriminatory, and how she&apos;s teaching Black girls to advocate for themselves and their communities through culturally competent civic education. </p><p>This episode was was hosted and produced by Avalon Hinchman as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  construed in the broadest way. This season was recorded, written, and produced as part of the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>In this conversation and mini-oral history, Dr. Tawanna Jones explores her life as an educator. She speaks on the way schoolspaces can be punitive and discriminatory, and how she&apos;s teaching Black girls to advocate for themselves and their communities through culturally competent civic education. </p><p>This episode was was hosted and produced by Avalon Hinchman as part of Reckoning and Repair Season 3, &quot;Black reproduction &amp; justice in Philly,&quot; a set of immersive oral histories and multimedia figurations that engage with reproductive justice in Philly,  construed in the broadest way. This season was recorded, written, and produced as part of the &quot;<em>Reproduction, Justice, and Care: Listening in Philly</em>&quot; course co-taught by Dr. Alissa Jordan and Dr. Daniela Brissett at the University of Pennsylvania.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Fri, 18 Apr 2025 15:00:00 -0400</pubDate>
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  <item>
    <itunes:title>S.2 E.6// Las Paredes Tienen Ojos: Una Historia Oral con Cabaio Spirito</itunes:title>
    <title>S.2 E.6// Las Paredes Tienen Ojos: Una Historia Oral con Cabaio Spirito</title>
    <itunes:summary><![CDATA[De escapismo a pasión, el viaje de Cabaio Spirito en el arte callejero comenzó en medio de la crisis económica de Argentina. Después de sus turnos en el restaurante, Cabaio y su amigo Nico descubren el estarcido; transforman las calles en lienzos. Al principio, se percibe como vandalismo. Pero en una exhibición en un sótano de Palermo, una epifanía: ¿puede un hobby ser arte? ¿Puede llegar a lo más profundo y despertar algo más? A medida que Buenos Aires abraza el muralismo, la obra de Cabaio ...]]></itunes:summary>
    <description><![CDATA[<p>De escapismo a pasión, el viaje de Cabaio Spirito en el arte callejero comenzó en medio de la crisis económica de Argentina. Después de sus turnos en el restaurante, Cabaio y su amigo Nico descubren el estarcido; transforman las calles en lienzos. Al principio, se percibe como vandalismo. Pero en una exhibición en un sótano de Palermo, una epifanía: ¿puede un hobby ser arte? ¿Puede llegar a lo más profundo y despertar algo más? A medida que Buenos Aires abraza el muralismo, la obra de Cabaio también evoluciona, absorbiendo la energía de la ciudad, deleitándose en sus condiciones propicias. Una revolución, reflexiona Cabaio, no necesita ser grandiosa; el arte revolucionó su propia vida, de la tristeza a la alegría, de camarero a artista. Ahora, enseñando estarcido en El Barrio Mugica, Cabaio es testigo del poder de expansión del arte: una herramienta para la perspectiva, para romper mitos, para imaginar mundos mejores.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>De escapismo a pasión, el viaje de Cabaio Spirito en el arte callejero comenzó en medio de la crisis económica de Argentina. Después de sus turnos en el restaurante, Cabaio y su amigo Nico descubren el estarcido; transforman las calles en lienzos. Al principio, se percibe como vandalismo. Pero en una exhibición en un sótano de Palermo, una epifanía: ¿puede un hobby ser arte? ¿Puede llegar a lo más profundo y despertar algo más? A medida que Buenos Aires abraza el muralismo, la obra de Cabaio también evoluciona, absorbiendo la energía de la ciudad, deleitándose en sus condiciones propicias. Una revolución, reflexiona Cabaio, no necesita ser grandiosa; el arte revolucionó su propia vida, de la tristeza a la alegría, de camarero a artista. Ahora, enseñando estarcido en El Barrio Mugica, Cabaio es testigo del poder de expansión del arte: una herramienta para la perspectiva, para romper mitos, para imaginar mundos mejores.</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <itunes:author>Center for Experimental Ethnography</itunes:author>
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    <pubDate>Tue, 10 Dec 2024 14:00:00 -0500</pubDate>
    <itunes:duration>3048</itunes:duration>
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  <item>
    <itunes:title>S2.E5 // El Arte de Recordar: Una Historia Oral con el Artista Marcelo Brodsky</itunes:title>
    <title>S2.E5 // El Arte de Recordar: Una Historia Oral con el Artista Marcelo Brodsky</title>
    <itunes:summary><![CDATA[Hablando sobre la desaparición, Marcelo Brodsky comparte cómo su pasión por la fotografía y el arte floreció en medio de las dolorosas realidades de la última dictadura militar de Argentina. Exiliado y llorando la pérdida de su hermano y amigos entre las 30.000 víctimas, el regreso a casa de Brodsky lo vio canalizando el dolor en un impactante activismo artístico. Proyectos como Buena Memoria y Parque de la Memoria, las obras de Brodsky, lidian con las cicatrices de la violencia sancionada po...]]></itunes:summary>
    <description><![CDATA[<p>Hablando sobre la desaparición, Marcelo Brodsky comparte cómo su pasión por la fotografía y el arte floreció en medio de las dolorosas realidades de la última dictadura militar de Argentina. Exiliado y llorando la pérdida de su hermano y amigos entre las 30.000 víctimas, el regreso a casa de Brodsky lo vio canalizando el dolor en un impactante activismo artístico. Proyectos como Buena Memoria y Parque de la Memoria, las obras de Brodsky, lidian con las cicatrices de la violencia sancionada por el estado; afirman la memoria, la reflexión y el arte como bálsamos sociales. El arte es acción, sostiene Brodsky. Bajo regímenes opresivos, ¿qué debe hacer la expresión creativa para resistir? ¿Para reclamar la libertad? ¿Para trazar nuevos mundos?</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Hablando sobre la desaparición, Marcelo Brodsky comparte cómo su pasión por la fotografía y el arte floreció en medio de las dolorosas realidades de la última dictadura militar de Argentina. Exiliado y llorando la pérdida de su hermano y amigos entre las 30.000 víctimas, el regreso a casa de Brodsky lo vio canalizando el dolor en un impactante activismo artístico. Proyectos como Buena Memoria y Parque de la Memoria, las obras de Brodsky, lidian con las cicatrices de la violencia sancionada por el estado; afirman la memoria, la reflexión y el arte como bálsamos sociales. El arte es acción, sostiene Brodsky. Bajo regímenes opresivos, ¿qué debe hacer la expresión creativa para resistir? ¿Para reclamar la libertad? ¿Para trazar nuevos mundos?</p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2138826/episodes/16255927-s2-e5-el-arte-de-recordar-una-historia-oral-con-el-artista-marcelo-brodsky.mp3" length="29331309" type="audio/mpeg" />
    <itunes:author>Center for Experimental Ethnography</itunes:author>
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    <pubDate>Tue, 10 Dec 2024 14:00:00 -0500</pubDate>
    <itunes:duration>2440</itunes:duration>
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    <itunes:season>2</itunes:season>
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  <item>
    <itunes:title>S.2 Episode 4 // The Walls Have Eyes: A Muralist’s Vision of Hope with Cabaio Spirito - Voiced by Ian Zang</itunes:title>
    <title>S.2 Episode 4 // The Walls Have Eyes: A Muralist’s Vision of Hope with Cabaio Spirito - Voiced by Ian Zang</title>
    <itunes:summary><![CDATA[Cabaio Spirito is a street artist from Buenos Aires, Argentina. He began painting in the streets following the Argentine economic crisis of 2001 as part of the stencil collective Vomito Attack, a politically motivated group who used stencil art to unleash political commentary and anti-consumerist messages throughout Buenos Aires. Departing from Vomito Attack in 2005, he adopted the name Cabaio Stencil and began creating independently. Known for his immensely colorful collage-style murals, Cab...]]></itunes:summary>
    <description><![CDATA[<p><b>Cabaio Spirito</b> is a street artist from Buenos Aires, Argentina. He began painting in the streets following the Argentine economic crisis of 2001 as part of the stencil collective Vomito Attack, a politically motivated group who used stencil art to unleash political commentary and anti-consumerist messages throughout Buenos Aires. Departing from Vomito Attack in 2005, he adopted the name Cabaio Stencil and began creating independently. Known for his immensely colorful collage-style murals, Cabaio Spirito uses hand-carved stencils to create the images, textures, shapes, symbols, and typography that are superimposed in his highly intimate, yet socially engaged murals. To date, Cabaio Spirito has exhibited in galleries around the world from Argentina and Brazil to the United States and Indonesia.”<br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><br/><b>Audio Credits</b></p><ul><li>Vino Tinto by Serge Quadrado (<a href='https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/'>https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/</a>) licensed under CCBYNC 3.0.</li><li>BIG DAWN by POLKAVANT (<a href='https://freemusicarchive.org/music/Pedro_Santiago/box-100/big-dawn/'>https://freemusicarchive.org/music/Pedro_Santiago/box-100/big-dawn/</a>) licensed under CCBYNC 3.0.</li><li>LANCHONETE RESTAURANTE PAISAGEM SONORA by JulioUrbano (<a href='https://freesound.org/people/JulioUrbano/sounds/429511/'>https://freesound.org/people/JulioUrbano/sounds/429511/</a>) licensed under CCBYNC 3.0.</li><li>Graffiti by RadiosEscolaresBA (<a href='https://freesound.org/people/RadiosEscolaresBA/sounds/464218/'>https://freesound.org/people/RadiosEscolaresBA/sounds/464218/</a>) licensed under CCBYNC 3.0.</li><li>santelmo1 by fernando (<a href='https://freesound.org/people/fernando/sounds/7672/'>https://freesound.org/people/fernando/sounds/7672/</a>) licensed under CCBYNC 3.0.</li><li>Pajaros (birds) by chickenducatti (<a href='https://freesound.org/people/chickenducatti/sounds/246416/'>https://freesound.org/people/chickenducatti/sounds/246416/</a>) licensed under CCBYNC 3.0.</li><li>walk thru east village by overmedium (<a href='https://freesound.org/people/overmedium/sounds/653108/'>https://freesound.org/people/overmedium/sounds/653108/</a>) licensed under CCBYNC 3.0.</li><li>Street atmosphere and police whistles by arnaud coutancier (<a href='https://freesound.org/people/arnaud%20coutancier/sounds/417649/'>https://freesound.org/people/arnaud%20coutancier/sounds/417649/</a>) licensed under CCBYNC 3.0</li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><b>Cabaio Spirito</b> is a street artist from Buenos Aires, Argentina. He began painting in the streets following the Argentine economic crisis of 2001 as part of the stencil collective Vomito Attack, a politically motivated group who used stencil art to unleash political commentary and anti-consumerist messages throughout Buenos Aires. Departing from Vomito Attack in 2005, he adopted the name Cabaio Stencil and began creating independently. Known for his immensely colorful collage-style murals, Cabaio Spirito uses hand-carved stencils to create the images, textures, shapes, symbols, and typography that are superimposed in his highly intimate, yet socially engaged murals. To date, Cabaio Spirito has exhibited in galleries around the world from Argentina and Brazil to the United States and Indonesia.”<br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><br/><b>Audio Credits</b></p><ul><li>Vino Tinto by Serge Quadrado (<a href='https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/'>https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/</a>) licensed under CCBYNC 3.0.</li><li>BIG DAWN by POLKAVANT (<a href='https://freemusicarchive.org/music/Pedro_Santiago/box-100/big-dawn/'>https://freemusicarchive.org/music/Pedro_Santiago/box-100/big-dawn/</a>) licensed under CCBYNC 3.0.</li><li>LANCHONETE RESTAURANTE PAISAGEM SONORA by JulioUrbano (<a href='https://freesound.org/people/JulioUrbano/sounds/429511/'>https://freesound.org/people/JulioUrbano/sounds/429511/</a>) licensed under CCBYNC 3.0.</li><li>Graffiti by RadiosEscolaresBA (<a href='https://freesound.org/people/RadiosEscolaresBA/sounds/464218/'>https://freesound.org/people/RadiosEscolaresBA/sounds/464218/</a>) licensed under CCBYNC 3.0.</li><li>santelmo1 by fernando (<a href='https://freesound.org/people/fernando/sounds/7672/'>https://freesound.org/people/fernando/sounds/7672/</a>) licensed under CCBYNC 3.0.</li><li>Pajaros (birds) by chickenducatti (<a href='https://freesound.org/people/chickenducatti/sounds/246416/'>https://freesound.org/people/chickenducatti/sounds/246416/</a>) licensed under CCBYNC 3.0.</li><li>walk thru east village by overmedium (<a href='https://freesound.org/people/overmedium/sounds/653108/'>https://freesound.org/people/overmedium/sounds/653108/</a>) licensed under CCBYNC 3.0.</li><li>Street atmosphere and police whistles by arnaud coutancier (<a href='https://freesound.org/people/arnaud%20coutancier/sounds/417649/'>https://freesound.org/people/arnaud%20coutancier/sounds/417649/</a>) licensed under CCBYNC 3.0</li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2138826/episodes/16235679-s-2-episode-4-the-walls-have-eyes-a-muralist-s-vision-of-hope-with-cabaio-spirito-voiced-by-ian-zang.mp3" length="7644529" type="audio/mpeg" />
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    <pubDate>Tue, 10 Dec 2024 12:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2138826/16235679/transcript" type="text/html" />
    <itunes:duration>633</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>4</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
    <podcast:person role="guest" img="https://storage.buzzsprout.com/n0s7wl1hg6qxzt9lvweee87ywdtx">Cabaio Spirito</podcast:person>
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  <item>
    <itunes:title>S.2 episode 3 // Body Politics: The Provocative Power of Performance with Santiago Cao - voiced by Gregorio F. </itunes:title>
    <title>S.2 episode 3 // Body Politics: The Provocative Power of Performance with Santiago Cao - voiced by Gregorio F. </title>
    <itunes:summary><![CDATA[Santiago Cao is a performance artist, urban planner, educator, and investigator of public spaces, born and raised in Buenos Aires, Argentina with a Master’s in Urbanism from Universidad Federal de la Bahía in Brazil and a degree in Visual Arts from Universidad Nacional de las Artes in Argentina. Throughout the past decade, Cao has spent his time living nomadically, splitting his life between Argentina, Brazil, and Mexico. With regard to his art practice, Santiago Cao enacts performances that ...]]></itunes:summary>
    <description><![CDATA[<p><b>Santiago Cao</b> is a performance artist, urban planner, educator, and investigator of public spaces, born and raised in Buenos Aires, Argentina with a Master’s in Urbanism from Universidad Federal de la Bahía in Brazil and a degree in Visual Arts from Universidad Nacional de las Artes in Argentina. Throughout the past decade, Cao has spent his time living nomadically, splitting his life between Argentina, Brazil, and Mexico. With regard to his art practice, Santiago Cao enacts performances that largely explore the topics of Bodies in public spaces, the social rules that govern them, and the cultural significance bestowed upon and evoked by the body. As Santiago lives a nomadic lifestyle, his performance also takes place across a multitude of different cities throughout Latin America.<br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><br/><b>Audio Credits</b></p><ul><li>Vino Tinto by Serge Quadrado (<a href='https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/'>https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/</a>) licensed under CCBYNC 3.0.</li><li>electric hum G slightly sharp by survivalbag (<a href='https://freesound.org/people/survivalbag/sounds/156088/'>https://freesound.org/people/survivalbag/sounds/156088/</a>) licensed under CCBYNC 3.0.</li><li>Pencil, Writing, Close, A by InspectorJ (<a href='https://freesound.org/people/InspectorJ/sounds/398271/'>https://freesound.org/people/InspectorJ/sounds/398271/</a>) licensed under CCBYNC 3.0.</li><li>Museo Nacional-Toma Combinada-Entrada-Todos-10_03_2020 by proyectosonidosias (<a href='https://freesound.org/people/proyectosonidosias/sounds/511477/'>https://freesound.org/people/proyectosonidosias/sounds/511477/</a>) licensed under CCBYNC 3.0.</li><li>Heavy, wet impact by puppetmaster685719 (<a href='https://freesound.org/people/puppetmaster685719/sounds/626405/'>https://freesound.org/people/puppetmaster685719/sounds/626405/</a>) licensed under CCBYNC 3.0.</li><li>hanging by jameswroles (<a href='https://freesound.org/people/jameswrowles/sounds/274138/'>https://freesound.org/people/jameswrowles/sounds/274138/</a>) licensed under CCBYNC 3.0.</li><li>Snack Bar Ambience in São Paolo, Brazil by missionariojose (<a href='https://freesound.org/people/missionariojose/sounds/268635/'>https://freesound.org/people/missionariojose/sounds/268635/</a>)  licensed under CCBYNC 3.0.</li><li>Cutting through rope by simonjeffrey13 (<a href='https://freesound.org/people/simonjeffery13/sounds/349847/'>https://freesound.org/people/simonjeffery13/sounds/349847/</a>) licensed under CCBYNC 3.0.</li><li>City2 by marcaronni (<a href='https://freesound.org/people/marcaronni/sounds/537269/'>https</a></li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><b>Santiago Cao</b> is a performance artist, urban planner, educator, and investigator of public spaces, born and raised in Buenos Aires, Argentina with a Master’s in Urbanism from Universidad Federal de la Bahía in Brazil and a degree in Visual Arts from Universidad Nacional de las Artes in Argentina. Throughout the past decade, Cao has spent his time living nomadically, splitting his life between Argentina, Brazil, and Mexico. With regard to his art practice, Santiago Cao enacts performances that largely explore the topics of Bodies in public spaces, the social rules that govern them, and the cultural significance bestowed upon and evoked by the body. As Santiago lives a nomadic lifestyle, his performance also takes place across a multitude of different cities throughout Latin America.<br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><br/><b>Audio Credits</b></p><ul><li>Vino Tinto by Serge Quadrado (<a href='https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/'>https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/</a>) licensed under CCBYNC 3.0.</li><li>electric hum G slightly sharp by survivalbag (<a href='https://freesound.org/people/survivalbag/sounds/156088/'>https://freesound.org/people/survivalbag/sounds/156088/</a>) licensed under CCBYNC 3.0.</li><li>Pencil, Writing, Close, A by InspectorJ (<a href='https://freesound.org/people/InspectorJ/sounds/398271/'>https://freesound.org/people/InspectorJ/sounds/398271/</a>) licensed under CCBYNC 3.0.</li><li>Museo Nacional-Toma Combinada-Entrada-Todos-10_03_2020 by proyectosonidosias (<a href='https://freesound.org/people/proyectosonidosias/sounds/511477/'>https://freesound.org/people/proyectosonidosias/sounds/511477/</a>) licensed under CCBYNC 3.0.</li><li>Heavy, wet impact by puppetmaster685719 (<a href='https://freesound.org/people/puppetmaster685719/sounds/626405/'>https://freesound.org/people/puppetmaster685719/sounds/626405/</a>) licensed under CCBYNC 3.0.</li><li>hanging by jameswroles (<a href='https://freesound.org/people/jameswrowles/sounds/274138/'>https://freesound.org/people/jameswrowles/sounds/274138/</a>) licensed under CCBYNC 3.0.</li><li>Snack Bar Ambience in São Paolo, Brazil by missionariojose (<a href='https://freesound.org/people/missionariojose/sounds/268635/'>https://freesound.org/people/missionariojose/sounds/268635/</a>)  licensed under CCBYNC 3.0.</li><li>Cutting through rope by simonjeffrey13 (<a href='https://freesound.org/people/simonjeffery13/sounds/349847/'>https://freesound.org/people/simonjeffery13/sounds/349847/</a>) licensed under CCBYNC 3.0.</li><li>City2 by marcaronni (<a href='https://freesound.org/people/marcaronni/sounds/537269/'>https</a></li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2138826/episodes/16150153-s-2-episode-3-body-politics-the-provocative-power-of-performance-with-santiago-cao-voiced-by-gregorio-f.mp3" length="10093512" type="audio/mpeg" />
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    <pubDate>Fri, 06 Dec 2024 19:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2138826/16150153/transcript" type="text/html" />
    <itunes:duration>838</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>3</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
    <podcast:person role="guest" img="https://storage.buzzsprout.com/knbchrmkr4dbcetcu7pgyby3zubw">Santiago Cao</podcast:person>
  </item>
  <item>
    <itunes:title>S.2 Episode 2 // Seeing Color: An Endeavor to Make the Art World Black with Mar Diaz Pacheco - Voiced by Julieth Montenegro</itunes:title>
    <title>S.2 Episode 2 // Seeing Color: An Endeavor to Make the Art World Black with Mar Diaz Pacheco - Voiced by Julieth Montenegro</title>
    <itunes:summary><![CDATA[Maryury (Mar) Diaz Pacheco is a black feminist and visual artist of Afrocolombian descent. Around a decade ago, Pacheco migrated from her home country of Colombia to Buenos Aires, Argentina to study art therapy as she has a passion for using art to help marginalized populations and to create community. Pacheco is currently a member of a collective of feminist photographers called “Tejiendo miradas y Tertulia de Mujeres Afrolatinoamericanas (TeMA)”. Today, she works across artistic mediums, mo...]]></itunes:summary>
    <description><![CDATA[<p><b>Maryury (Mar) Diaz Pacheco</b> is a black feminist and visual artist of Afrocolombian descent. Around a decade ago, Pacheco migrated from her home country of Colombia to Buenos Aires, Argentina to study art therapy as she has a passion for using art to help marginalized populations and to create community. Pacheco is currently a member of a collective of feminist photographers called “Tejiendo miradas y Tertulia de Mujeres Afrolatinoamericanas (TeMA)”. Today, she works across artistic mediums, most prominently using photography as a vehicle to unpack her own identities as an Afrocolombian woman and a daughter of migration; in addition, Pacheco’s art practice aims to build community amongst black women in Latin America as she endeavors to make the art world more Black—to make Black faces and bodies seen and loved despite global efforts to invisibilize Blackness.<br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><b>Audio Credits</b></p><ul><li>Vino Tinto by Serge Quadrado (<a href='https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/'>https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/</a>) licensed under CCBYNC 3.0.</li><li>BeeOne example test - gamma/theta/delta meditation by ayamahambho (<a href='https://freesound.org/people/ayamahambho/sounds/155586/'>https://freesound.org/people/ayamahambho/sounds/155586/</a>) licensed under CCBYNC 3.0.</li><li>Water wave Beach Peoples ships Field-recording 200815_0037 by szegvari (<a href='https://freesound.org/people/szegvari/sounds/530705/'>https://freesound.org/people/szegvari/sounds/530705/</a>) licensed under CCBYNC 3.0.</li><li>FX Ship Bell by PeteBarry (<a href='https://freesound.org/people/PeteBarry/sounds/464856/'>https://freesound.org/people/PeteBarry/sounds/464856/</a>) licensed under CCBYNC 3.0.</li><li>santelmo1 by fernando (<a href='https://freesound.org/people/fernando/sounds/7672/'>https://freesound.org/people/fernando/sounds/7672/</a>) licensed under CCBYNC 3.0.</li><li>samba_batucada1 by rein samba (<a href='https://freesound.org/people/reinsamba/sounds/53704/'>https://freesound.org/people/reinsamba/sounds/53704/</a>) licensed under CCBYNC 3.0.</li><li>fabric by jsaylee (<a href='https://freesound.org/people/jsaylee/sounds/489472/'>https://freesound.org/people/jsaylee/sounds/489472/</a>) by licensed under CCBYNC 3.0.</li><li>Autobus by mireia_af (<a href='https://freesound.org/people/mireia_af/sounds/152802/'>https://freesound.org/people/mireia_af/sounds/152802/</a>) licensed under CCBYNC 3.0.</li><li>130916 General Paz y Panamericana by kuba2426 (<a href='https://freesound.org/people/kuba2426/sounds/354141/'>https://freesound.org/people/kuba2426/sounds/354141/</a></li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><b>Maryury (Mar) Diaz Pacheco</b> is a black feminist and visual artist of Afrocolombian descent. Around a decade ago, Pacheco migrated from her home country of Colombia to Buenos Aires, Argentina to study art therapy as she has a passion for using art to help marginalized populations and to create community. Pacheco is currently a member of a collective of feminist photographers called “Tejiendo miradas y Tertulia de Mujeres Afrolatinoamericanas (TeMA)”. Today, she works across artistic mediums, most prominently using photography as a vehicle to unpack her own identities as an Afrocolombian woman and a daughter of migration; in addition, Pacheco’s art practice aims to build community amongst black women in Latin America as she endeavors to make the art world more Black—to make Black faces and bodies seen and loved despite global efforts to invisibilize Blackness.<br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><b>Audio Credits</b></p><ul><li>Vino Tinto by Serge Quadrado (<a href='https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/'>https://freemusicarchive.org/music/serge-quadrado/latin-cafe/vino-tinto/</a>) licensed under CCBYNC 3.0.</li><li>BeeOne example test - gamma/theta/delta meditation by ayamahambho (<a href='https://freesound.org/people/ayamahambho/sounds/155586/'>https://freesound.org/people/ayamahambho/sounds/155586/</a>) licensed under CCBYNC 3.0.</li><li>Water wave Beach Peoples ships Field-recording 200815_0037 by szegvari (<a href='https://freesound.org/people/szegvari/sounds/530705/'>https://freesound.org/people/szegvari/sounds/530705/</a>) licensed under CCBYNC 3.0.</li><li>FX Ship Bell by PeteBarry (<a href='https://freesound.org/people/PeteBarry/sounds/464856/'>https://freesound.org/people/PeteBarry/sounds/464856/</a>) licensed under CCBYNC 3.0.</li><li>santelmo1 by fernando (<a href='https://freesound.org/people/fernando/sounds/7672/'>https://freesound.org/people/fernando/sounds/7672/</a>) licensed under CCBYNC 3.0.</li><li>samba_batucada1 by rein samba (<a href='https://freesound.org/people/reinsamba/sounds/53704/'>https://freesound.org/people/reinsamba/sounds/53704/</a>) licensed under CCBYNC 3.0.</li><li>fabric by jsaylee (<a href='https://freesound.org/people/jsaylee/sounds/489472/'>https://freesound.org/people/jsaylee/sounds/489472/</a>) by licensed under CCBYNC 3.0.</li><li>Autobus by mireia_af (<a href='https://freesound.org/people/mireia_af/sounds/152802/'>https://freesound.org/people/mireia_af/sounds/152802/</a>) licensed under CCBYNC 3.0.</li><li>130916 General Paz y Panamericana by kuba2426 (<a href='https://freesound.org/people/kuba2426/sounds/354141/'>https://freesound.org/people/kuba2426/sounds/354141/</a></li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Fri, 06 Dec 2024 19:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2138826/16150142/transcript" type="text/html" />
    <itunes:duration>838</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>2</itunes:season>
    <itunes:episode>2</itunes:episode>
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    <podcast:person role="guest" img="https://storage.buzzsprout.com/xxj51ysssd1qnr6oeeolmn7py5ib">Mar Diaz Pacheco</podcast:person>
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    <itunes:title>S.2 Episode 1 // The Art of Remembering: Healing a Nation’s Wounds through Art with Marcelo Brodsky - voiced by Emilio T.</itunes:title>
    <title>S.2 Episode 1 // The Art of Remembering: Healing a Nation’s Wounds through Art with Marcelo Brodsky - voiced by Emilio T.</title>
    <itunes:summary><![CDATA[Marcelo Brodsky is an artist and human rights activist from Buenos Aires, Argentina. Brodsky’s art practice began to take off in the late twentieth century following Argentina’s last military dictatorship, a horrifically violent time during which he was forcibly exiled to Spain.   Situated on the border between installation, performance, photography, monument and memorial, Brodsky’s pieces blend text and images, often using figures of speech, to delve into the themes of disappearance and...]]></itunes:summary>
    <description><![CDATA[<p><b>Marcelo Brodsky</b> is an artist and human rights activist from Buenos Aires, Argentina. Brodsky’s art practice began to take off in the late twentieth century following Argentina’s last military dictatorship, a horrifically violent time during which he was forcibly exiled to Spain. <br/><br/>Situated on the border between installation, performance, photography, monument and memorial, Brodsky’s pieces blend text and images, often using figures of speech, to delve into the themes of disappearance and memory surrounding the over 30,000 victims of state-sanctioned terrorism during that time. In addition to his extensive work as an artist, Marcelo Brodsky is an active member of the human rights organization Asociación Buena Memoria, and he is a member of the Board of Directors of the Parque de la Memoria, the memorial park in Buenos Aires that honors the victims of the dictatorship. <br/><br/>His work is part of major collections, including but not limited to, the Museum of Fine Arts (Houston, TX), the Tate Collection (London), Museo Nacional de Bellas Artes (Argentina), Museo de Arte Moderno (Argentina), Center for Creative Photography (Tucson, AZ), and Museo de la Memoria y los Derechos Humanos (Chile).<br/><br/></p><p>From 1976 to 1983, the nation of Argentina fell under the control of El Proceso de Reorganización Nacional, Argentina’s last military dictatorship. This regime is characterized by how it suspended Congress and democracy, banned political parties, limited the civil liberties of the people and, and most importantly, disposed of any individuals who it deemed as a threat to its power. Nevertheless, in response to this regime, there arose a human rights movement throughout the nation—fueled by contemporary artists and art activists in Argentina. Today, art activism in Argentina has gained international distinction, anchored by its public and performance art scenes. <br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><b>Audio Credits</b></p><ul><li><a href='https://tinyurl.com/yys4s3tp'><em>Vino Tinto</em></a><em> </em>by Serge Quadrado (CCBYNC 3.0.)</li><li><a href='https://tinyurl.com/ybt7pbk2'><em>In the Sweet By and By</em></a> by Ben Seretan (CCBYNC 3.0.)</li><li><a href='https://tinyurl.com/yh5xkbkx'><em>RIVER gurgling in forest</em></a> by nicoproson (CCBYNC 3.0)</li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><b>Marcelo Brodsky</b> is an artist and human rights activist from Buenos Aires, Argentina. Brodsky’s art practice began to take off in the late twentieth century following Argentina’s last military dictatorship, a horrifically violent time during which he was forcibly exiled to Spain. <br/><br/>Situated on the border between installation, performance, photography, monument and memorial, Brodsky’s pieces blend text and images, often using figures of speech, to delve into the themes of disappearance and memory surrounding the over 30,000 victims of state-sanctioned terrorism during that time. In addition to his extensive work as an artist, Marcelo Brodsky is an active member of the human rights organization Asociación Buena Memoria, and he is a member of the Board of Directors of the Parque de la Memoria, the memorial park in Buenos Aires that honors the victims of the dictatorship. <br/><br/>His work is part of major collections, including but not limited to, the Museum of Fine Arts (Houston, TX), the Tate Collection (London), Museo Nacional de Bellas Artes (Argentina), Museo de Arte Moderno (Argentina), Center for Creative Photography (Tucson, AZ), and Museo de la Memoria y los Derechos Humanos (Chile).<br/><br/></p><p>From 1976 to 1983, the nation of Argentina fell under the control of El Proceso de Reorganización Nacional, Argentina’s last military dictatorship. This regime is characterized by how it suspended Congress and democracy, banned political parties, limited the civil liberties of the people and, and most importantly, disposed of any individuals who it deemed as a threat to its power. Nevertheless, in response to this regime, there arose a human rights movement throughout the nation—fueled by contemporary artists and art activists in Argentina. Today, art activism in Argentina has gained international distinction, anchored by its public and performance art scenes. <br/><br/>An experimental podcast project, <b>season 2 of Reckoning and Repair: The Art of Resistance in Argentina</b> endeavors to explore these stories and the legacy of art activists from Bueno Aires and beyond. Originally captured in Spanish from June to July 2022, these narratives have since been condensed and adapted into the English language to share these incredible artists and their activism more broadly. You can learn more and listen to extras at<a href='http://rnrphilly.com'> rnrphilly.com</a>. <br/><br/><b>Audio Credits</b></p><ul><li><a href='https://tinyurl.com/yys4s3tp'><em>Vino Tinto</em></a><em> </em>by Serge Quadrado (CCBYNC 3.0.)</li><li><a href='https://tinyurl.com/ybt7pbk2'><em>In the Sweet By and By</em></a> by Ben Seretan (CCBYNC 3.0.)</li><li><a href='https://tinyurl.com/yh5xkbkx'><em>RIVER gurgling in forest</em></a> by nicoproson (CCBYNC 3.0)</li></ul><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Thu, 28 Nov 2024 13:00:00 -0500</pubDate>
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    <itunes:duration>792</itunes:duration>
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    <itunes:season>2</itunes:season>
    <itunes:episode>1</itunes:episode>
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    <podcast:person role="guest" href="http://marcelobrodsky.com" img="https://storage.buzzsprout.com/80z8r6rbop5pt5ysy9tph5a7yiw3">Marcelo Brodsky</podcast:person>
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    <itunes:title>S.1 Behind the scenes of ​ ​Rising Sun: Artists in an Uncertain America with Juan Omar Rodriguez and Ellie Clark + Adrianna Brusie</itunes:title>
    <title>S.1 Behind the scenes of ​ ​Rising Sun: Artists in an Uncertain America with Juan Omar Rodriguez and Ellie Clark + Adrianna Brusie</title>
    <itunes:summary><![CDATA[Adrianna Brusie speaks with core organizers involved in the upcoming exhibition Rising Sun: Artists in an Uncertain America opening March 2023. Juan Omar Rodriguez and Ellie Clark at the Pennsylvania Academy of Fine Arts discuss their reflections on labor in art institutions and how they are turning inward to reckon with their curatorial and exhibition development practices.   This season was produced in connection to 2023 exhibit, "Rising Sun: Artists in an Uncertain America", an AAMP and PA...]]></itunes:summary>
    <description><![CDATA[<p>Adrianna Brusie speaks with core organizers involved in the upcoming exhibition <em>Rising Sun: Artists in an Uncertain America</em> opening March 2023. Juan Omar Rodriguez and Ellie Clark at the Pennsylvania Academy of Fine Arts discuss their reflections on labor in art institutions and how they are turning inward to reckon with their curatorial and exhibition development practices. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Adrianna Brusie speaks with core organizers involved in the upcoming exhibition <em>Rising Sun: Artists in an Uncertain America</em> opening March 2023. Juan Omar Rodriguez and Ellie Clark at the Pennsylvania Academy of Fine Arts discuss their reflections on labor in art institutions and how they are turning inward to reckon with their curatorial and exhibition development practices. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 28 Mar 2023 00:00:00 -0400</pubDate>
    <itunes:duration>872</itunes:duration>
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    <itunes:season>1</itunes:season>
    <itunes:episode>12</itunes:episode>
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    <itunes:title>S.1 We Are Here: Dejay Duckett + Hakimah Abdul Fattah</itunes:title>
    <title>S.1 We Are Here: Dejay Duckett + Hakimah Abdul Fattah</title>
    <itunes:summary><![CDATA[In this episode, Hakimah Abdul Fattah speaks with Dejay Duckett, curator of "Rising Sun: Artists in an Uncertain America" and the Vice President of Curatorial Services at the African American Museum in Philadelphia. In a conversation on home, memory, and the power of art, Dejay reflects on the history of AAMP and the way art creates belonging.   This season was produced in connection to 2023 exhibit, "Rising Sun: Artists in an Uncertain America", an AAMP and PAFA collaboration curated by Deja...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, Hakimah Abdul Fattah speaks with Dejay Duckett, curator of &quot;Rising Sun: Artists in an Uncertain America&quot; and the Vice President of Curatorial Services at the African American Museum in Philadelphia. In a conversation on home, memory, and the power of art, Dejay reflects on the history of AAMP and the way art creates belonging. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, Hakimah Abdul Fattah speaks with Dejay Duckett, curator of &quot;Rising Sun: Artists in an Uncertain America&quot; and the Vice President of Curatorial Services at the African American Museum in Philadelphia. In a conversation on home, memory, and the power of art, Dejay reflects on the history of AAMP and the way art creates belonging. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 28 Mar 2023 00:00:00 -0400</pubDate>
    <itunes:duration>877</itunes:duration>
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    <itunes:title>S.1 Connection, Collaboration, and Conflict: Towards Radical Transparency with Christina Vassallo, Katie Parry + Jeanne Liebermen </itunes:title>
    <title>S.1 Connection, Collaboration, and Conflict: Towards Radical Transparency with Christina Vassallo, Katie Parry + Jeanne Liebermen </title>
    <itunes:summary><![CDATA[In this episode, Jeanne Lieberman speaks with Christina Vassallo and Katie Parry of The Fabric Workshop and Museum. Together, they explore how the museum unsettles a canon that reifies finished products and opens up the black box of artistic experimentation to Philadelphia publics in new ways. And they reflect on the ongoing work of transforming the forms of connection, collaboration, and conflict ​that emerge in museum workspaces.  This season was produced in connection to 2023 exhibit, "Ris...]]></itunes:summary>
    <description><![CDATA[<p><em>In this episode, Jeanne Lieberman speaks with Christina Vassallo and Katie Parry of The Fabric Workshop and Museum. Together, they explore how the museum unsettles a canon that reifies finished products and opens up the black box of artistic experimentation to Philadelphia publics in new ways. And they reflect on the ongoing work of transforming the forms of connection, collaboration, and conflict ​that emerge in museum workspaces.<br/><br/></em>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><em>In this episode, Jeanne Lieberman speaks with Christina Vassallo and Katie Parry of The Fabric Workshop and Museum. Together, they explore how the museum unsettles a canon that reifies finished products and opens up the black box of artistic experimentation to Philadelphia publics in new ways. And they reflect on the ongoing work of transforming the forms of connection, collaboration, and conflict ​that emerge in museum workspaces.<br/><br/></em>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 28 Mar 2023 00:00:00 -0400</pubDate>
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    <itunes:title>S.1 To Call a City Home: Aisha Khan + Hakimah Abdul Fattah</itunes:title>
    <title>S.1 To Call a City Home: Aisha Khan + Hakimah Abdul Fattah</title>
    <itunes:summary><![CDATA[In this episode, Hakimah Abdul Fattah  speaks with the founder and director of Twelve Gates Art, Aisha Khan. Aisha tells stories of her early dreams of space and community in Philadelphia, explores the meaning of art and discomfort in social spaces, and the need for care and community.   This season was produced in connection to 2023 exhibit, "Rising Sun: Artists in an Uncertain America", an AAMP and PAFA collaboration curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekha...]]></itunes:summary>
    <description><![CDATA[<p><em>In this episode, Hakimah Abdul Fattah  speaks with the founder and director of Twelve Gates Art, Aisha Khan. Aisha tells stories of her early dreams of space and community in Philadelphia, explores the meaning of art and discomfort in social spaces, and the need for care and community. <br/><br/></em>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><em>In this episode, Hakimah Abdul Fattah  speaks with the founder and director of Twelve Gates Art, Aisha Khan. Aisha tells stories of her early dreams of space and community in Philadelphia, explores the meaning of art and discomfort in social spaces, and the need for care and community. <br/><br/></em>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 28 Mar 2023 00:00:00 -0400</pubDate>
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    <itunes:title>S.1 Episode 8 // Life Like Fragile Clay: Arlene Shechet + Rachael Borthwick</itunes:title>
    <title>S.1 Episode 8 // Life Like Fragile Clay: Arlene Shechet + Rachael Borthwick</title>
    <itunes:summary><![CDATA[Life like Fragile Clay breaks down materiality and color as vivid depictions of what it means to be alive in a human body as an object that retains memory.  This season was produced in connection to 2023 exhibit, "Rising Sun: Artists in an Uncertain America", an AAMP and PAFA collaboration curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on t...]]></itunes:summary>
    <description><![CDATA[<p>Life like Fragile Clay breaks down materiality and color as vivid depictions of what it means to be alive in a human body as an object that retains memory.<br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Life like Fragile Clay breaks down materiality and color as vivid depictions of what it means to be alive in a human body as an object that retains memory.<br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 14 Mar 2023 00:00:00 -0400</pubDate>
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    <itunes:title>S.1 Episode 7 // The Question of Home is Complicated: Tausif Noor + Angel Gutierrez</itunes:title>
    <title>S.1 Episode 7 // The Question of Home is Complicated: Tausif Noor + Angel Gutierrez</title>
    <itunes:summary><![CDATA[In this episode, Tausif remembers the sonic environments of monsoon season, the urban resonance between Philadelphia and Dhaka, Bangladesh, and the complications and frustrations in national identities.   This season was produced in connection to 2023 exhibit, "Rising Sun: Artists in an Uncertain America", an AAMP and PAFA collaboration curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respo...]]></itunes:summary>
    <description><![CDATA[<p><em>In this episode, Tausif remembers the sonic environments of monsoon season, the urban resonance between Philadelphia and Dhaka, Bangladesh, and the complications and frustrations in national identities. <br/><br/></em>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p><br/><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p><em>In this episode, Tausif remembers the sonic environments of monsoon season, the urban resonance between Philadelphia and Dhaka, Bangladesh, and the complications and frustrations in national identities. <br/><br/></em>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p><br/><br/></p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 14 Mar 2023 00:00:00 -0400</pubDate>
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    <itunes:title>S.1 Episode 6 // Some Histories Are Not Beautiful: ​Shwarga Bhattacharjee + Hakimah Abdul-Fattah</itunes:title>
    <title>S.1 Episode 6 // Some Histories Are Not Beautiful: ​Shwarga Bhattacharjee + Hakimah Abdul-Fattah</title>
    <itunes:summary><![CDATA[On Creation ● ​On Beauty &amp; Violence ● On Connection   Shwarga Bhattacharjee is an artist based in North Philadelphia. Born in Dhaka, Bangladesh, Shwarga moved to the U.S. in 2014. He received an MFA from the Tyler School of Art and Architecture at Temple University and a BFA in drawing and painting from the Faculty of Fine Arts at Dhaka University. Shwarga’s work draws from the duality of experiences as an immigrant. His work references social historical and political events in the A...]]></itunes:summary>
    <description><![CDATA[<p>On Creation ● ​On Beauty &amp; Violence ● On Connection<br/><br/> <a href='https://www.shwarga.com/about'><b>Shwarga Bhattacharjee</b></a> is an artist based in North Philadelphia. Born in Dhaka, Bangladesh, Shwarga moved to the U.S. in 2014. He received an MFA from the Tyler School of Art and Architecture at Temple University and a BFA in drawing and painting from the Faculty of Fine Arts at Dhaka University. Shwarga’s work draws from the duality of experiences as an immigrant. His work references social historical and political events in the Americas and South Asia. Hakimah Abdul-Fattah interviewed Shwarga in late February 2022 as his first solo exhibition entitled <a href='https://www.twelvegatesarts.org/exhibitions/2022/excavationpaths'><b><em>Excavation Paths</em></b></a> was wrapping up at <a href='https://www.twelvegatesarts.org/'><b>Twelve Gates Arts</b></a> in Philadelphia. The exhibition <a href='https://www.twelvegatesarts.org/exhibitions/2022/excavationpaths'><b><em>Shwarga Bhattacharjee: Excavation Paths</em></b></a>was curated by Tausif Noor. In this episode we discuss Shwarga&apos;s creative process, chaos and beauty, the colonial history of South Asia and his friendship with Tausif.  <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>On Creation ● ​On Beauty &amp; Violence ● On Connection<br/><br/> <a href='https://www.shwarga.com/about'><b>Shwarga Bhattacharjee</b></a> is an artist based in North Philadelphia. Born in Dhaka, Bangladesh, Shwarga moved to the U.S. in 2014. He received an MFA from the Tyler School of Art and Architecture at Temple University and a BFA in drawing and painting from the Faculty of Fine Arts at Dhaka University. Shwarga’s work draws from the duality of experiences as an immigrant. His work references social historical and political events in the Americas and South Asia. Hakimah Abdul-Fattah interviewed Shwarga in late February 2022 as his first solo exhibition entitled <a href='https://www.twelvegatesarts.org/exhibitions/2022/excavationpaths'><b><em>Excavation Paths</em></b></a> was wrapping up at <a href='https://www.twelvegatesarts.org/'><b>Twelve Gates Arts</b></a> in Philadelphia. The exhibition <a href='https://www.twelvegatesarts.org/exhibitions/2022/excavationpaths'><b><em>Shwarga Bhattacharjee: Excavation Paths</em></b></a>was curated by Tausif Noor. In this episode we discuss Shwarga&apos;s creative process, chaos and beauty, the colonial history of South Asia and his friendship with Tausif.  <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 14 Mar 2023 00:00:00 -0400</pubDate>
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    <itunes:title>S.1 Episode 5 // Crafting Black Survival and Joy Through Time and Space:  Emily Carris-Duncan + Katleho Kano Shoro</itunes:title>
    <title>S.1 Episode 5 // Crafting Black Survival and Joy Through Time and Space:  Emily Carris-Duncan + Katleho Kano Shoro</title>
    <itunes:summary><![CDATA[Join us on  an eclectic jaunt with artist Emily Carris-Duncan and host Katleho Kano Shoro. Emily Carris-Duncan is an artist, a budding agriculturalist, and co-founder of the Art Dept in Philadelphia who is now based in Vermont. In this conversation, Emily describes how she transforms rocks into color, how she uses histories of black crafting to transform absence into ancestry, and her plans as a space-maker to someday build a ship out of here.   This season was produced in connection to ...]]></itunes:summary>
    <description><![CDATA[<p>Join us on  an eclectic jaunt with artist Emily Carris-Duncan and host Katleho Kano Shoro. Emily Carris-Duncan is an artist, a budding agriculturalist, and co-founder of the Art Dept in Philadelphia who is now based in Vermont. In this conversation, Emily describes how she transforms rocks into color, how she uses histories of black crafting to transform absence into ancestry, and her plans as a space-maker to someday build a ship out of here. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Join us on  an eclectic jaunt with artist Emily Carris-Duncan and host Katleho Kano Shoro. Emily Carris-Duncan is an artist, a budding agriculturalist, and co-founder of the Art Dept in Philadelphia who is now based in Vermont. In this conversation, Emily describes how she transforms rocks into color, how she uses histories of black crafting to transform absence into ancestry, and her plans as a space-maker to someday build a ship out of here. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 14 Mar 2023 00:00:00 -0400</pubDate>
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    <itunes:title>S.1 Episode 4 // And I Listen to the Robin Sing: Sheida Soleimani + Angel Gutierrez</itunes:title>
    <title>S.1 Episode 4 // And I Listen to the Robin Sing: Sheida Soleimani + Angel Gutierrez</title>
    <itunes:summary><![CDATA[Under colonial order, what do mind and body internalize?  What colonial desires and banal attitudes have we yet to expel from within us? In this conversation, Sheida Soleimani's practices of care and labor light the path that host Angel Gutierrez walks with her. While tracing memories, Sheida has us consider care for self and for the web of relations we inhabit. Sheida's work, too, is concerned with the power wielded by institutions and governments and how they flatten and shred(or attem...]]></itunes:summary>
    <description><![CDATA[<p>Under colonial order, what do mind and body internalize?  What colonial desires and banal attitudes have we yet to expel from within us? In this conversation, Sheida Soleimani&apos;s practices of care and labor light the path that host Angel Gutierrez walks with her. While tracing memories, Sheida has us consider care for self and for the web of relations we inhabit. Sheida&apos;s work, too, is concerned with the power wielded by institutions and governments and how they flatten and shred(or attempt to) any politic that challenges &quot;what power seems to be up to&quot; at the present moment(la paperson). Considered in this episode are the false promises of neoliberal multiculturalism and liberalism; while breath is shared and presence is formed. Sheida&apos;s stories, art and politics flash through not just the discursive or ideological contours by which we frame our thoughts but also through our embodied experiences. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Under colonial order, what do mind and body internalize?  What colonial desires and banal attitudes have we yet to expel from within us? In this conversation, Sheida Soleimani&apos;s practices of care and labor light the path that host Angel Gutierrez walks with her. While tracing memories, Sheida has us consider care for self and for the web of relations we inhabit. Sheida&apos;s work, too, is concerned with the power wielded by institutions and governments and how they flatten and shred(or attempt to) any politic that challenges &quot;what power seems to be up to&quot; at the present moment(la paperson). Considered in this episode are the false promises of neoliberal multiculturalism and liberalism; while breath is shared and presence is formed. Sheida&apos;s stories, art and politics flash through not just the discursive or ideological contours by which we frame our thoughts but also through our embodied experiences. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 28 Feb 2023 00:00:00 -0500</pubDate>
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    <itunes:title>S.1 Episode 3 // The Urgency of Art and Life: Va Bene Elikem Fiatsi + Anya Miller</itunes:title>
    <title>S.1 Episode 3 // The Urgency of Art and Life: Va Bene Elikem Fiatsi + Anya Miller</title>
    <itunes:summary><![CDATA[What is the role of the artist, the power of silence, and the necessity of activism in fraught social worlds? In this episode Ghanaian artist, curator, and organizer Va Bene Elikem-Fiatsi and Anya Miller speak about life and death, sound and silence, action and stillness. It is designed for the listener to feel the urgency with which Va Bene performs and lives, and it forces the listener to understand how performance art and life become inseperable.   This season was produced in connection to...]]></itunes:summary>
    <description><![CDATA[<p>What is the role of the artist, the power of silence, and the necessity of activism in fraught social worlds? In this episode Ghanaian artist, curator, and organizer Va Bene Elikem-Fiatsi and Anya Miller speak about life and death, sound and silence, action and stillness. It is designed for the listener to feel the urgency with which Va Bene performs and lives, and it forces the listener to understand how performance art and life become inseperable. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>What is the role of the artist, the power of silence, and the necessity of activism in fraught social worlds? In this episode Ghanaian artist, curator, and organizer Va Bene Elikem-Fiatsi and Anya Miller speak about life and death, sound and silence, action and stillness. It is designed for the listener to feel the urgency with which Va Bene performs and lives, and it forces the listener to understand how performance art and life become inseperable. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 28 Feb 2023 00:00:00 -0500</pubDate>
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    <itunes:title>S.1 Episode 2 // Bodies in Flux: Self-portraiture Outside the Canvas with Saya Woolfalk + Wang-Yao</itunes:title>
    <title>S.1 Episode 2 // Bodies in Flux: Self-portraiture Outside the Canvas with Saya Woolfalk + Wang-Yao</title>
    <itunes:summary><![CDATA[Bodies in Flux: Self-Portraiture Outside the Canvas ​is an experimental storytelling episode with visual artist Saya Woolfalk in conversation with Wang-Yao. Saya describes her self-portraiture project that unravels the history of stolen stories and identity. She guides us in a process of unlearning and re-imagination through her use of unexpected materials incorporating Hudson river school paintings, medicinal plants, and what we don't know about Sojourners Truths' infamous "ain't I a woman s...]]></itunes:summary>
    <description><![CDATA[<p>Bodies in Flux: Self-Portraiture Outside the Canvas ​is an experimental storytelling episode with visual artist Saya Woolfalk in conversation with Wang-Yao. Saya describes her self-portraiture project that unravels the history of stolen stories and identity. She guides us in a process of unlearning and re-imagination through her use of unexpected materials incorporating Hudson river school paintings, medicinal plants, and what we don&apos;t know about Sojourners Truths&apos; infamous &quot;ain&apos;t I a woman speech.&quot;<br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>Bodies in Flux: Self-Portraiture Outside the Canvas ​is an experimental storytelling episode with visual artist Saya Woolfalk in conversation with Wang-Yao. Saya describes her self-portraiture project that unravels the history of stolen stories and identity. She guides us in a process of unlearning and re-imagination through her use of unexpected materials incorporating Hudson river school paintings, medicinal plants, and what we don&apos;t know about Sojourners Truths&apos; infamous &quot;ain&apos;t I a woman speech.&quot;<br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <itunes:title>S.1 Episode 1 // Telling Our Own Stories: Louis Massiah + Chrislyn Laurie Laurore</itunes:title>
    <title>S.1 Episode 1 // Telling Our Own Stories: Louis Massiah + Chrislyn Laurie Laurore</title>
    <itunes:summary><![CDATA[What would it look like to put the tools of media production into the hands of people at the margins of society? Community media activists -- with help from organizations like Scribe Video Center -- have been engaged in this work for decades. In this episode, Louis Massiah discusses how his film projects harness the power of time-based visual media to help ordinary Philadelphians craft their own narratives about their lives and their neighborhoods in relation to American history and politics....]]></itunes:summary>
    <description><![CDATA[<p>What would it look like to put the tools of media production into the hands of people at the margins of society? Community media activists -- with help from organizations like Scribe Video Center -- have been engaged in this work for decades. In this episode, Louis Massiah discusses how his film projects harness the power of time-based visual media to help ordinary Philadelphians craft their own narratives about their lives and their neighborhoods in relation to American history and politics. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></description>
    <content:encoded><![CDATA[<p>What would it look like to put the tools of media production into the hands of people at the margins of society? Community media activists -- with help from organizations like Scribe Video Center -- have been engaged in this work for decades. In this episode, Louis Massiah discusses how his film projects harness the power of time-based visual media to help ordinary Philadelphians craft their own narratives about their lives and their neighborhoods in relation to American history and politics. <br/><br/>This season was produced in connection to 2023 exhibit, &quot;Rising Sun: Artists in an Uncertain America&quot;, an <a href='https://www.aampmuseum.org'>AAMP</a> and <a href='https://www.pafa.org/museum/exhibitions/rising-sun-artists-uncertain-america'>PAFA collaboration</a> curated by Dejay Duckett (AAMP), Judith Tannenbaum (PAFA), Mekhala Signal (PAFA), Michael Wilson (AAMP). This exhibit brings together 20 artists to respond to the question: Is the sun rising or setting on the experiment of American democracy? The exhibit runs March 23 through Oct 8 of 2023 at the Historic Landmark Building in Philadelphia. </p><p>For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: <a href='https://www.rnrphilly.com'>rnrphilly.com</a><br/><br/>Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania. ​</p>]]></content:encoded>
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    <pubDate>Tue, 21 Feb 2023 14:00:00 -0500</pubDate>
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