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  <title>Making The Arts Accessible</title>

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  <copyright>© 2026 Making The Arts Accessible</copyright>
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  <itunes:author>Alice Gilmour</itunes:author>
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  <description><![CDATA[Alice Gilmour interviews people who make the arts accessible, including audio describers, BSL interpreters, technology experts, disability experts, theatre managers, community outreach workers, and more.]]></description>
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  <itunes:keywords>Arts, access, accessibility, accessible, disability, disabled, blind, deaf, D/deaf, visually impaired, partially sighted, theatre, audio description, BSL, sign interpretation, signer, captions, captioning, relaxed, dementia-friendly, </itunes:keywords>
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    <itunes:name>Alice Gilmour</itunes:name>
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     <title>Making The Arts Accessible</title>
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  <itunes:category text="Arts" />
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    <itunes:title>14 - David Bellwood</itunes:title>
    <title>14 - David Bellwood</title>
    <itunes:summary><![CDATA[David Bellwood, who is head of access at the National Theatre, and before that  The Globe, discusses the importance of 'predictable adaptability' - how organisations must become reliably able to change and adapt to customers requirements - the value of a figurehead for access, and tells me about exciting projects such as using a young visually impaired actor to audio describe a family show, training lighting designers in photosensitivity, and much more!   Links   The National Theatr...]]></itunes:summary>
    <description><![CDATA[<p>David Bellwood, who is head of access at the National Theatre, and before that  The Globe, discusses the importance of &apos;predictable adaptability&apos; - how organisations must become reliably able to change and adapt to customers requirements - the value of a figurehead for access, and tells me about exciting projects such as using a young visually impaired actor to audio describe a family show, training lighting designers in photosensitivity, and much more!</p><p><br/></p><p><b>Links</b><br/> <br/>The National Theatre – the UK’s national theatre</p><p><a href='https://www.nationaltheatre.org.uk/home/'>https://www.nationaltheatre.org.uk/home/</a></p><p> </p><p>Frozen Light Theatre – multi-sensory theatre company for people with PMLD</p><p><a href='https://www.frozenlighttheatre.com/'>https://www.frozenlighttheatre.com/</a></p><p> </p><p>Reid My Mind – great podcast all about audio description</p><p><a href='https://podcasts.apple.com/us/podcast/flipping-the-script-on-audio-description-the-youngest/id1109751505?i=1000666837438\'>https://podcasts.apple.com/us/podcast/flipping-the-script-on-audio-description-the-youngest/id1109751505?i=1000666837438\</a></p><p> </p><p>Tourettes Hero - a place to celebrate the humour &amp; creativity of Tourettes. </p><p><a href='https://www.touretteshero.com/safe/'>https://www.touretteshero.com/safe/</a></p><p> </p><p>Flash Cue Project – educating lighting designers on photosensitivity</p><p><a href='https://flashcues.com/'>https://flashcues.com/</a></p><p> </p><p>Ramps on the Moon – challenging ableism, elevating disabled people on and off stage and reshaping the mainstream cultural sector</p><p><a href='https://rampsonthemoon.co.uk/'>https://rampsonthemoon.co.uk/</a></p><p> </p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>David Bellwood, who is head of access at the National Theatre, and before that  The Globe, discusses the importance of &apos;predictable adaptability&apos; - how organisations must become reliably able to change and adapt to customers requirements - the value of a figurehead for access, and tells me about exciting projects such as using a young visually impaired actor to audio describe a family show, training lighting designers in photosensitivity, and much more!</p><p><br/></p><p><b>Links</b><br/> <br/>The National Theatre – the UK’s national theatre</p><p><a href='https://www.nationaltheatre.org.uk/home/'>https://www.nationaltheatre.org.uk/home/</a></p><p> </p><p>Frozen Light Theatre – multi-sensory theatre company for people with PMLD</p><p><a href='https://www.frozenlighttheatre.com/'>https://www.frozenlighttheatre.com/</a></p><p> </p><p>Reid My Mind – great podcast all about audio description</p><p><a href='https://podcasts.apple.com/us/podcast/flipping-the-script-on-audio-description-the-youngest/id1109751505?i=1000666837438\'>https://podcasts.apple.com/us/podcast/flipping-the-script-on-audio-description-the-youngest/id1109751505?i=1000666837438\</a></p><p> </p><p>Tourettes Hero - a place to celebrate the humour &amp; creativity of Tourettes. </p><p><a href='https://www.touretteshero.com/safe/'>https://www.touretteshero.com/safe/</a></p><p> </p><p>Flash Cue Project – educating lighting designers on photosensitivity</p><p><a href='https://flashcues.com/'>https://flashcues.com/</a></p><p> </p><p>Ramps on the Moon – challenging ableism, elevating disabled people on and off stage and reshaping the mainstream cultural sector</p><p><a href='https://rampsonthemoon.co.uk/'>https://rampsonthemoon.co.uk/</a></p><p> </p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice Gilmour</itunes:author>
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    <pubDate>Mon, 23 Mar 2026 11:00:00 +0000</pubDate>
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  <psc:chapter start="0:00" title="14 - David Bellwood" />
  <psc:chapter start="1:40" title="Predictable Adaptability" />
  <psc:chapter start="2:32" title="How access works at the NT" />
  <psc:chapter start="7:41" title="Young VI describer for The Witches" />
  <psc:chapter start="14:15" title="Identifying who isn&#39;t coming" />
  <psc:chapter start="16:34" title="Working with Parkinsons UK" />
  <psc:chapter start="19:02" title="Flash Cue Project - lighting and photosensitivity" />
  <psc:chapter start="20:16" title="Tourettes Hero - sonic stories and light maps" />
  <psc:chapter start="21:42" title="Importance of acting on feedback" />
  <psc:chapter start="23:41" title="Ramps on the Moon" />
  <psc:chapter start="25:50" title="Importance of a single point of contact for access" />
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    <itunes:duration>2092</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>14</itunes:episode>
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    <itunes:title>13 - Tim Yates</itunes:title>
    <title>13 - Tim Yates</title>
    <itunes:summary><![CDATA[Tim Yates leads the Research and Innovation Programme at Drake Music, an organisation dedicated to helping musicians with disabilities discover or co-design instruments that work for them. Collaborating with tech companies, coders, and instrument makers, they are pushing the boundaries where music and technology meet. When we spoke in May, Tim explained how Drake Music is working to develop a kind of one-stop hub—a database and showcase space—for the many inventions and creative ideas emergin...]]></itunes:summary>
    <description><![CDATA[<p>Tim Yates leads the Research and Innovation Programme at <b>Drake Music</b>, an organisation dedicated to helping musicians with disabilities discover or co-design instruments that work for them. Collaborating with tech companies, coders, and instrument makers, they are pushing the boundaries where music and technology meet.</p><p>When we spoke in May, Tim explained how Drake Music is working to develop a kind of one-stop hub—a database and showcase space—for the many inventions and creative ideas emerging in this field. The aim is to share these innovations more widely and make them accessible to all.</p><p><br/></p><p><em>Links:</em></p><p>Drake Music</p><p><a href='https://www.drakemusic.org/'>https://www.drakemusic.org/</a></p><p><br/></p><p>Tim Yates (page on DrakeMusic website)</p><p><a href='https://www.drakemusic.org/team/11116/'>https://www.drakemusic.org/team/11116/</a></p><p> </p><p>Paraorchestra</p><p><a href='https://paraorchestra.com/'>https://paraorchestra.com/</a></p><p><br/></p><p>The Kellycaster</p><p><a href='https://www.drakemusic.org/technology/instruments-projects/the-kellycaster/'>https://www.drakemusic.org/technology/instruments-projects/the-kellycaster/</a></p><p><br/></p><p>MiMU Gloves</p><p><a href='https://mimugloves.com/gloves/'>https://mimugloves.com/gloves/</a></p><p><br/></p><p>Sony - Inclusive Design</p><p><a href='https://www.sony.com/en/SonyInfo/accessibility/initiatives/'>https://www.sony.com/en/SonyInfo/accessibility/initiatives/</a></p><p><br/></p><p>OrchLab at the London Philharmonic Orchestra</p><p><a href='https://lpo.org.uk/project/orchlab/'>https://lpo.org.uk/project/orchlab/</a></p><p><br/></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>Tim Yates leads the Research and Innovation Programme at <b>Drake Music</b>, an organisation dedicated to helping musicians with disabilities discover or co-design instruments that work for them. Collaborating with tech companies, coders, and instrument makers, they are pushing the boundaries where music and technology meet.</p><p>When we spoke in May, Tim explained how Drake Music is working to develop a kind of one-stop hub—a database and showcase space—for the many inventions and creative ideas emerging in this field. The aim is to share these innovations more widely and make them accessible to all.</p><p><br/></p><p><em>Links:</em></p><p>Drake Music</p><p><a href='https://www.drakemusic.org/'>https://www.drakemusic.org/</a></p><p><br/></p><p>Tim Yates (page on DrakeMusic website)</p><p><a href='https://www.drakemusic.org/team/11116/'>https://www.drakemusic.org/team/11116/</a></p><p> </p><p>Paraorchestra</p><p><a href='https://paraorchestra.com/'>https://paraorchestra.com/</a></p><p><br/></p><p>The Kellycaster</p><p><a href='https://www.drakemusic.org/technology/instruments-projects/the-kellycaster/'>https://www.drakemusic.org/technology/instruments-projects/the-kellycaster/</a></p><p><br/></p><p>MiMU Gloves</p><p><a href='https://mimugloves.com/gloves/'>https://mimugloves.com/gloves/</a></p><p><br/></p><p>Sony - Inclusive Design</p><p><a href='https://www.sony.com/en/SonyInfo/accessibility/initiatives/'>https://www.sony.com/en/SonyInfo/accessibility/initiatives/</a></p><p><br/></p><p>OrchLab at the London Philharmonic Orchestra</p><p><a href='https://lpo.org.uk/project/orchlab/'>https://lpo.org.uk/project/orchlab/</a></p><p><br/></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice Gilmour</itunes:author>
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    <pubDate>Thu, 18 Sep 2025 17:00:00 +0100</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/17854694/transcript" type="text/html" />
    <podcast:soundbite startTime="351.717" duration="40.5" />
    <podcast:chapters url="https://www.buzzsprout.com/2011824/17854694/chapters.json" type="application/json" />
    <psc:chapters>
  <psc:chapter start="0:00" title="13 - Tim Yates" />
  <psc:chapter start="0:41" title="Overview of Drake Music&#39;s Research Programme" />
  <psc:chapter start="1:31" title="How Tim came to be in this role, his background" />
  <psc:chapter start="4:07" title="Their co-design approach" />
  <psc:chapter start="8:09" title="DM Lab" />
  <psc:chapter start="11:17" title="Central hub and database" />
  <psc:chapter start="15:54" title="Inclusivity of music-making groups" />
  <psc:chapter start="19:06" title="Exciting innovations in instruments" />
  <psc:chapter start="26:40" title="Where to find out more or get involved" />
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    <itunes:duration>1669</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>13</itunes:episode>
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    <itunes:title>12 - James Bottrill</itunes:title>
    <title>12 - James Bottrill</title>
    <itunes:summary><![CDATA[This is a detailed and comprehensive chat about the technology used in theatres for assistive listening and audio description.  James has a huge amount of knowledge and experience in this area, and we look at all the different options out there - loop systems, infrared, radio, WiFi, and Bluetooth including Auracast - and discuss the pros and cons of each one.   Links: James Bottrill - email orchard.audio.services@gmail.com   Ampetronic  https://www.ampetronic.com/   Listen...]]></itunes:summary>
    <description><![CDATA[<p>This is a detailed and comprehensive chat about the technology used in theatres for assistive listening and audio description.  James has a huge amount of knowledge and experience in this area, and we look at all the different options out there - loop systems, infrared, radio, WiFi, and Bluetooth including Auracast - and discuss the pros and cons of each one.</p><p><br/></p><p><em>Links:</em></p><p>James Bottrill - email</p><p><a href='mailto:orchard.audio.services@gmail.com'>orchard.audio.services@gmail.com</a></p><p> </p><p>Ampetronic </p><p><a href='https://www.ampetronic.com/'>https://www.ampetronic.com/</a></p><p> </p><p>Listen Technologies </p><p><a href='https://www.listentech.com/'>https://www.listentech.com/</a></p><p> </p><p>Sennheiser </p><p><a href='https://www.sennheiser.com/'>https://www.sennheiser.com/</a></p><p> </p><p>Williams </p><p><a href='https://williamsav.com/'>https://williamsav.com/</a></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>This is a detailed and comprehensive chat about the technology used in theatres for assistive listening and audio description.  James has a huge amount of knowledge and experience in this area, and we look at all the different options out there - loop systems, infrared, radio, WiFi, and Bluetooth including Auracast - and discuss the pros and cons of each one.</p><p><br/></p><p><em>Links:</em></p><p>James Bottrill - email</p><p><a href='mailto:orchard.audio.services@gmail.com'>orchard.audio.services@gmail.com</a></p><p> </p><p>Ampetronic </p><p><a href='https://www.ampetronic.com/'>https://www.ampetronic.com/</a></p><p> </p><p>Listen Technologies </p><p><a href='https://www.listentech.com/'>https://www.listentech.com/</a></p><p> </p><p>Sennheiser </p><p><a href='https://www.sennheiser.com/'>https://www.sennheiser.com/</a></p><p> </p><p>Williams </p><p><a href='https://williamsav.com/'>https://williamsav.com/</a></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice Gilmour</itunes:author>
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    <pubDate>Fri, 18 Jul 2025 07:00:00 +0100</pubDate>
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  <psc:chapter start="0:00" title="12 - James Bottrill" />
  <psc:chapter start="4:36" title="Summary of what&#39;s been used historically" />
  <psc:chapter start="15:47" title="Radio and Infrared systems" />
  <psc:chapter start="30:02" title="WiFi systems" />
  <psc:chapter start="39:22" title=" Bluetooth - in hearing aids" />
  <psc:chapter start="45:04" title="The future - Auracast" />
</psc:chapters>
    <itunes:duration>3721</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>12</itunes:episode>
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    <itunes:title>11 - Paul Adams</itunes:title>
    <title>11 - Paul Adams</title>
    <itunes:summary><![CDATA[Paul Adams is currently Access Project Manager for The Royal Ballet and Opera in London and has been there just over a year.  Before that he worked in Singapore, and has spent his career in creative learning departments working hard to make the arts accessible.  We have a chat about what it’s like working for such a large organisation, tips and hints he has for effecting change, and things he thinks have worked well, and others which have been more of a learning curve.  I hope ...]]></itunes:summary>
    <description><![CDATA[<p>Paul Adams is currently Access Project Manager for The Royal Ballet and Opera in London and has been there just over a year.  Before that he worked in Singapore, and has spent his career in creative learning departments working hard to make the arts accessible.  We have a chat about what it’s like working for such a large organisation, tips and hints he has for effecting change, and things he thinks have worked well, and others which have been more of a learning curve.  I hope you enjoy it.<br/>  <br/> <br/> <b>Links</b><br/> <br/> Royal Ballet and Opera</p><p><a href='https://www.rbo.org.uk/'>https://www.rbo.org.uk/</a></p><p> </p><p>Paul’s page on LinkedIn</p><p><a href='https://www.linkedin.com/in/paul-anthony-adams-a-world-with-access-to-arts-experiences-for-all-8288a821/'>https://www.linkedin.com/in/paul-anthony-adams-a-world-with-access-to-arts-experiences-for-all-8288a821/</a></p><p> </p><p>Ramps on the Moon Project</p><p><a href='https://rampsonthemoon.co.uk/'>https://rampsonthemoon.co.uk/</a></p><p> </p><p>ATG Theatres – access page</p><p><a href='https://www.atgtickets.com/access/'>https://www.atgtickets.com/access/</a></p><p> </p><p>Devon Healey</p><p><a href='https://discover.research.utoronto.ca/32146-devon-healey'>https://discover.research.utoronto.ca/32146-devon-healey</a></p><p> </p><p>Paul Hamlyn Christmas Treat</p><p><a href='https://www.rbo.org.uk/learning/families/paul-hamlyn-christmas-treat'>https://www.rbo.org.uk/learning/families/paul-hamlyn-christmas-treat</a></p><p> </p><p>The Mad Hatter’s Tea Party – ZooNation</p><p><a href='https://www.rbo.org.uk/tickets-and-events/the-mad-hatters-tea-party-details'>https://www.rbo.org.uk/tickets-and-events/the-mad-hatters-tea-party-details</a></p><p> </p><p>Singapore Theatre’s Inclusive Young Company</p><p><a href='https://www.srt.com.sg/young-company-past-productions'>https://www.srt.com.sg/young-company-past-productions</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>Paul Adams is currently Access Project Manager for The Royal Ballet and Opera in London and has been there just over a year.  Before that he worked in Singapore, and has spent his career in creative learning departments working hard to make the arts accessible.  We have a chat about what it’s like working for such a large organisation, tips and hints he has for effecting change, and things he thinks have worked well, and others which have been more of a learning curve.  I hope you enjoy it.<br/>  <br/> <br/> <b>Links</b><br/> <br/> Royal Ballet and Opera</p><p><a href='https://www.rbo.org.uk/'>https://www.rbo.org.uk/</a></p><p> </p><p>Paul’s page on LinkedIn</p><p><a href='https://www.linkedin.com/in/paul-anthony-adams-a-world-with-access-to-arts-experiences-for-all-8288a821/'>https://www.linkedin.com/in/paul-anthony-adams-a-world-with-access-to-arts-experiences-for-all-8288a821/</a></p><p> </p><p>Ramps on the Moon Project</p><p><a href='https://rampsonthemoon.co.uk/'>https://rampsonthemoon.co.uk/</a></p><p> </p><p>ATG Theatres – access page</p><p><a href='https://www.atgtickets.com/access/'>https://www.atgtickets.com/access/</a></p><p> </p><p>Devon Healey</p><p><a href='https://discover.research.utoronto.ca/32146-devon-healey'>https://discover.research.utoronto.ca/32146-devon-healey</a></p><p> </p><p>Paul Hamlyn Christmas Treat</p><p><a href='https://www.rbo.org.uk/learning/families/paul-hamlyn-christmas-treat'>https://www.rbo.org.uk/learning/families/paul-hamlyn-christmas-treat</a></p><p> </p><p>The Mad Hatter’s Tea Party – ZooNation</p><p><a href='https://www.rbo.org.uk/tickets-and-events/the-mad-hatters-tea-party-details'>https://www.rbo.org.uk/tickets-and-events/the-mad-hatters-tea-party-details</a></p><p> </p><p>Singapore Theatre’s Inclusive Young Company</p><p><a href='https://www.srt.com.sg/young-company-past-productions'>https://www.srt.com.sg/young-company-past-productions</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice Gilmour</itunes:author>
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    <pubDate>Mon, 21 Oct 2024 09:00:00 +0100</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/15947756/transcript" type="text/html" />
    <podcast:soundbite startTime="735.583" duration="49.0" />
    <itunes:duration>2050</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>11</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>10 - Tom and Caroline Maley</itunes:title>
    <title>10 - Tom and Caroline Maley</title>
    <itunes:summary><![CDATA[In this episode, recorded at Tom and Caroline's house, we have a great discussion about audio description.  Tom is a general all-round arts-lover and has been blind all his life so has used audio description for many years now, particularly for theatre, opera and for historic buildings.  And Caroline, his wife, has supported him in this, and was on the board of Vocaleyes for five years.  So they are both full of lots of thoughts on what works, what doesn't and how people can ma...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, recorded at Tom and Caroline&apos;s house, we have a great discussion about audio description.  Tom is a general all-round arts-lover and has been blind all his life so has used audio description for many years now, particularly for theatre, opera and for historic buildings.  And Caroline, his wife, has supported him in this, and was on the board of Vocaleyes for five years.  So they are both full of lots of thoughts on what works, what doesn&apos;t and how people can make their work or their space accessible to blind people.</p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, recorded at Tom and Caroline&apos;s house, we have a great discussion about audio description.  Tom is a general all-round arts-lover and has been blind all his life so has used audio description for many years now, particularly for theatre, opera and for historic buildings.  And Caroline, his wife, has supported him in this, and was on the board of Vocaleyes for five years.  So they are both full of lots of thoughts on what works, what doesn&apos;t and how people can make their work or their space accessible to blind people.</p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2011824/episodes/14172972-10-tom-and-caroline-maley.mp3" length="32931692" type="audio/mpeg" />
    <itunes:author>Alice Gilmour</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14172972</guid>
    <pubDate>Tue, 19 Dec 2023 12:00:00 +0000</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/14172972/transcript" type="text/html" />
    <podcast:soundbite startTime="239.291" duration="56.0" />
    <itunes:duration>2740</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>10</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>09 - Ben Wilson</itunes:title>
    <title>09 - Ben Wilson</title>
    <itunes:summary><![CDATA[Ben Wilson is an actor, theatre-maker, audio description consultant and recently became Extant's first trainee Artistic Director.  We talk about how he combines these different roles, what it's like having a portfolio career like so many of us in the arts, on his requirements as a blind actor,  on questions like why do West End shows have different access providers every week in each different venue, and should arts organisations and directors who have never cast a disabled actor on...]]></itunes:summary>
    <description><![CDATA[<p>Ben Wilson is an actor, theatre-maker, audio description consultant and recently became Extant&apos;s first trainee Artistic Director.  We talk about how he combines these different roles, what it&apos;s like having a portfolio career like so many of us in the arts, on his requirements as a blind actor,  on questions like why do West End shows have different access providers every week in each different venue, and should arts organisations and directors who have never cast a disabled actor on their stage still be given a platform.   Enjoy!<br/> <br/><br/><b>Links</b><br/><br/>Extant Theatre</p><p><a href='https://extant.org.uk/'>https://extant.org.uk/</a></p><p> </p><p>Graeae Theatre</p><p><a href='https://graeae.org/'>https://graeae.org/</a></p><p> </p><p>Ramps on the Moon Project</p><p><a href='https://rampsonthemoon.co.uk/'>https://rampsonthemoon.co.uk/</a></p><p> </p><p>Sheffield Theatres</p><p><a href='http://www.sheffieldtheatres.co.uk'>www.sheffieldtheatres.co.uk</a></p><p> </p><p><em>Oliver Twist</em> – NT At Home</p><p><a href='https://www.ntathome.com/products/oliver-twist'>https://www.ntathome.com/products/oliver-twist</a></p><p> </p><p>Georgie Morrell – comedian, actor, writer</p><p><a href='http://georgiemorrell.co.uk/'>http://georgiemorrell.co.uk/</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>Ben Wilson is an actor, theatre-maker, audio description consultant and recently became Extant&apos;s first trainee Artistic Director.  We talk about how he combines these different roles, what it&apos;s like having a portfolio career like so many of us in the arts, on his requirements as a blind actor,  on questions like why do West End shows have different access providers every week in each different venue, and should arts organisations and directors who have never cast a disabled actor on their stage still be given a platform.   Enjoy!<br/> <br/><br/><b>Links</b><br/><br/>Extant Theatre</p><p><a href='https://extant.org.uk/'>https://extant.org.uk/</a></p><p> </p><p>Graeae Theatre</p><p><a href='https://graeae.org/'>https://graeae.org/</a></p><p> </p><p>Ramps on the Moon Project</p><p><a href='https://rampsonthemoon.co.uk/'>https://rampsonthemoon.co.uk/</a></p><p> </p><p>Sheffield Theatres</p><p><a href='http://www.sheffieldtheatres.co.uk'>www.sheffieldtheatres.co.uk</a></p><p> </p><p><em>Oliver Twist</em> – NT At Home</p><p><a href='https://www.ntathome.com/products/oliver-twist'>https://www.ntathome.com/products/oliver-twist</a></p><p> </p><p>Georgie Morrell – comedian, actor, writer</p><p><a href='http://georgiemorrell.co.uk/'>http://georgiemorrell.co.uk/</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2011824/episodes/13221997-09-ben-wilson.mp3" length="34917935" type="audio/mpeg" />
    <itunes:author>Alice Gilmour</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13221997</guid>
    <pubDate>Fri, 14 Jul 2023 08:00:00 +0100</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/13221997/transcript" type="text/html" />
    <podcast:soundbite startTime="302.0" duration="38.0" />
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    <psc:chapters>
  <psc:chapter start="0:00" title="09 - Ben Wilson" />
  <psc:chapter start="1:04" title="Ben&#39;s background and being a &#39;multi-hyphenate&#39;" />
  <psc:chapter start="12:42" title="Being Agent for Change at Sheffield Theatres" />
  <psc:chapter start="26:41" title="Access on touring West End shows" />
  <psc:chapter start="32:26" title="Ensuring disability is represented on stage" />
  <psc:chapter start="35:07" title="Requirements for him as a blind actor" />
  <psc:chapter start="40:01" title="Working on Oliver Twist at Leeds Playhouse" />
  <psc:chapter start="43:54" title="Seeing your story told on the stage" />
</psc:chapters>
    <itunes:duration>2905</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episode>9</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>08 - Emily Malen</itunes:title>
    <title>08 - Emily Malen</title>
    <itunes:summary><![CDATA[In this episode, I'm talking to Emily Malen who is Front of House and Access Development Manager at Theatre Royal Nottingham and Royal Concert Hall.  What she stresses is the importance of listening and learning from your audiences, and always pushing forward, looking at the latest technology, training your staff, communicating with every department in the building, and also your visiting audience, and visiting show.  Links   Royal Theatre Nottingham and Royal Concert Hall https://t...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, I&apos;m talking to Emily Malen who is Front of House and Access Development Manager at Theatre Royal Nottingham and Royal Concert Hall.  What she stresses is the importance of listening and learning from your audiences, and always pushing forward, looking at the latest technology, training your staff, communicating with every department in the building, and also your visiting audience, and visiting show.<br/><br/><b>Links</b></p><p><b> </b></p><p>Royal Theatre Nottingham and Royal Concert Hall</p><p><a href='https://trch.co.uk/whats-on/'>https://trch.co.uk/whats-on/</a></p><p> </p><p>Attitude is Everything</p><p><a href='https://attitudeiseverything.org.uk/'>https://attitudeiseverything.org.uk/</a></p><p> </p><p>Vocaleyes – audio description listings and information</p><p><a href='https://vocaleyes.co.uk/'>https://vocaleyes.co.uk/</a></p><p> </p><p>StageText – captions in theatre</p><p><a href='https://www.stagetext.org/'>https://www.stagetext.org/</a></p><p> </p><p>TheatreSign – BSL interpreters and performances</p><p><a href='https://theatresign.com/'>https://theatresign.com/</a></p><p> </p><p>Signed Culture – supporting BSL access to the arts</p><p><a href='https://www.signedculture.org.uk/'>https://www.signedculture.org.uk/</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, I&apos;m talking to Emily Malen who is Front of House and Access Development Manager at Theatre Royal Nottingham and Royal Concert Hall.  What she stresses is the importance of listening and learning from your audiences, and always pushing forward, looking at the latest technology, training your staff, communicating with every department in the building, and also your visiting audience, and visiting show.<br/><br/><b>Links</b></p><p><b> </b></p><p>Royal Theatre Nottingham and Royal Concert Hall</p><p><a href='https://trch.co.uk/whats-on/'>https://trch.co.uk/whats-on/</a></p><p> </p><p>Attitude is Everything</p><p><a href='https://attitudeiseverything.org.uk/'>https://attitudeiseverything.org.uk/</a></p><p> </p><p>Vocaleyes – audio description listings and information</p><p><a href='https://vocaleyes.co.uk/'>https://vocaleyes.co.uk/</a></p><p> </p><p>StageText – captions in theatre</p><p><a href='https://www.stagetext.org/'>https://www.stagetext.org/</a></p><p> </p><p>TheatreSign – BSL interpreters and performances</p><p><a href='https://theatresign.com/'>https://theatresign.com/</a></p><p> </p><p>Signed Culture – supporting BSL access to the arts</p><p><a href='https://www.signedculture.org.uk/'>https://www.signedculture.org.uk/</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2011824/episodes/12629550-08-emily-malen.mp3" length="26799307" type="audio/mpeg" />
    <itunes:author>Alice Gilmour</itunes:author>
    <guid isPermaLink="false">Buzzsprout-12629550</guid>
    <pubDate>Tue, 11 Apr 2023 16:00:00 +0100</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/12629550/transcript" type="text/html" />
    <podcast:soundbite startTime="258.607" duration="41.5" />
    <podcast:chapters url="https://www.buzzsprout.com/2011824/12629550/chapters.json" type="application/json" />
    <psc:chapters>
  <psc:chapter start="0:00" title="08 - Emily Malen" />
  <psc:chapter start="0:48" title="The Access role" />
  <psc:chapter start="3:18" title="Changing Places toilets" />
  <psc:chapter start="5:19" title="Focus Groups" />
  <psc:chapter start="9:08" title="Just do it" />
  <psc:chapter start="11:52" title="Adding access to contracts" />
  <psc:chapter start="24:24" title="Her own route into an access role" />
  <psc:chapter start="27:12" title="Navigating a post-COVID theatre world" />
  <psc:chapter start="33:46" title="Benchmarking and networking" />
</psc:chapters>
    <itunes:duration>2229</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>8</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>07 - Jonathan Suffolk</itunes:title>
    <title>07 - Jonathan Suffolk</title>
    <itunes:summary><![CDATA[I talk to Jonathan Suffolk, Director of Production at The Curve, Leicester who headed up the team at The National Theatre who developed their smart caption glasses.  These augmented reality glasses provide captions for people who are D/deaf or hard of hearing, without them having to turn and read captions on a screen at the side or over the top of a stage.  We get quite techy and hear how it all works in detail.  And he talks very honestly about how access works in a major thea...]]></itunes:summary>
    <description><![CDATA[<p>I talk to Jonathan Suffolk, Director of Production at The Curve, Leicester who headed up the team at The National Theatre who developed their smart caption glasses.  These augmented reality glasses provide captions for people who are D/deaf or hard of hearing, without them having to turn and read captions on a screen at the side or over the top of a stage.  We get quite techy and hear how it all works in detail.  And he talks very honestly about how access works in a major theatre and how it rubs up against the eternal economic difficulties in the arts.<br/><br/><b>Links:</b></p><p> </p><p>The National Theatre Caption Glasses</p><p><a href='https://www.nationaltheatre.org.uk/your-visit/access/caption-glasses'>https://www.nationaltheatre.org.uk/your-visit/access/caption-glasses</a></p><p> </p><p>The National Theatre, London, UK</p><p><a href='https://www.nationaltheatre.org.uk/'>https://www.nationaltheatre.org.uk/</a></p><p> </p><p>Leicester Curve Theatre</p><p><a href='https://www.curveonline.co.uk/'>https://www.curveonline.co.uk/</a></p><p> </p><p>Stagetext – providing captions for theatres</p><p><a href='https://www.stagetext.org/'>https://www.stagetext.org/</a></p><p> </p><p>Galapro – providing captions and audio descriptions to phones</p><p><a href='https://playbill.com/article/the-new-technology-about-to-revolutionize-broadway'>https://playbill.com/article/the-new-technology-about-to-revolutionize-broadway</a></p><p> </p><p>The Arts Council’s ‘Let’s Create’ strategy</p><p><a href='https://www.artscouncil.org.uk/lets-create'>https://www.artscouncil.org.uk/lets-create</a></p><p> <br/><br/></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>I talk to Jonathan Suffolk, Director of Production at The Curve, Leicester who headed up the team at The National Theatre who developed their smart caption glasses.  These augmented reality glasses provide captions for people who are D/deaf or hard of hearing, without them having to turn and read captions on a screen at the side or over the top of a stage.  We get quite techy and hear how it all works in detail.  And he talks very honestly about how access works in a major theatre and how it rubs up against the eternal economic difficulties in the arts.<br/><br/><b>Links:</b></p><p> </p><p>The National Theatre Caption Glasses</p><p><a href='https://www.nationaltheatre.org.uk/your-visit/access/caption-glasses'>https://www.nationaltheatre.org.uk/your-visit/access/caption-glasses</a></p><p> </p><p>The National Theatre, London, UK</p><p><a href='https://www.nationaltheatre.org.uk/'>https://www.nationaltheatre.org.uk/</a></p><p> </p><p>Leicester Curve Theatre</p><p><a href='https://www.curveonline.co.uk/'>https://www.curveonline.co.uk/</a></p><p> </p><p>Stagetext – providing captions for theatres</p><p><a href='https://www.stagetext.org/'>https://www.stagetext.org/</a></p><p> </p><p>Galapro – providing captions and audio descriptions to phones</p><p><a href='https://playbill.com/article/the-new-technology-about-to-revolutionize-broadway'>https://playbill.com/article/the-new-technology-about-to-revolutionize-broadway</a></p><p> </p><p>The Arts Council’s ‘Let’s Create’ strategy</p><p><a href='https://www.artscouncil.org.uk/lets-create'>https://www.artscouncil.org.uk/lets-create</a></p><p> <br/><br/></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2011824/episodes/12115598-07-jonathan-suffolk.mp3" length="24752690" type="audio/mpeg" />
    <itunes:author>Alice Gilmour</itunes:author>
    <guid isPermaLink="false">Buzzsprout-12115598</guid>
    <pubDate>Wed, 25 Jan 2023 10:00:00 +0000</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/12115598/transcript" type="text/html" />
    <podcast:soundbite startTime="224.917" duration="39.0" />
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    <psc:chapters>
  <psc:chapter start="0:00" title="07 - Jonathan Suffolk" />
  <psc:chapter start="0:56" title="How the caption glasses were created" />
  <psc:chapter start="8:40" title="How the captions are triggered" />
  <psc:chapter start="17:12" title="Closed system versus using an app on a phone" />
  <psc:chapter start="22:08" title="Where the glasses are currently available" />
  <psc:chapter start="23:20" title="Jonathan&#39;s background in theatre" />
  <psc:chapter start="27:25" title="Taking War Horse to China" />
  <psc:chapter start="31:27" title="Top tips - talk to the Arts Council" />
</psc:chapters>
    <itunes:duration>2058</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>7</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>06 - Hannah Thompson</itunes:title>
    <title>06 - Hannah Thompson</title>
    <itunes:summary><![CDATA[In this episode, I talk to Hannah Thompson, Professor of French and Critical Disability studies at Royal Holloway, University of London, who describes herself as partially blind and is an expert in audio description. She recently co-created a FutureLearn course on audio description called ‘Creating Audio Description: Equality, Diversity and Inclusion’, which explores how to design and create audio descriptions and audio introductions for TV, film and theatre, and she's full of fascinating ins...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, I talk to Hannah Thompson, Professor of French and Critical Disability studies at Royal Holloway, University of London, who describes herself as partially blind and is an expert in audio description. She recently co-created a FutureLearn course on audio description called ‘Creating Audio Description: Equality, Diversity and Inclusion’, which explores how to design and create audio descriptions and audio introductions for TV, film and theatre, and she&apos;s full of fascinating insights on how audio description can become part of the creative process which ultimately makes a better artistic product, whilst improving the audio description experience for the user.<br/><br/><b>Links:</b></p><p><br/> Hannah Thompson</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fhannah-thompson.blogspot.com%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=KgPdLmLyTXiSYdWdqY99anT6lzMcnXyXH%2F8VNh9vqL0%3D&amp;reserved=0'>http://hannah-thompson.blogspot.com/</a></p><p> </p><p>Future Learn course - Creating Audio Description: Equality, Diversity and Inclusion</p><p><a href='https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion'>https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion</a></p><p> </p><p>The Smartify app (sign up and search for The Royal Holloway Art Gallery)</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsmartify.org%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=h7S3eRuOaqiMJ9YC69Qi8I9kQU2BGklPnWdowLKf5Hg%3D&amp;reserved=0'>https://smartify.org/</a></p><p> </p><p>Play <em>Flightpaths </em>by Extant</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fextant.org.uk%2Fproductions%2Fdigital-flight-paths%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=u7Ua9a6l6sXPH6zwPgJc%2FM86QadZbYprxvAc5HrboCA%3D&amp;reserved=0'>https://extant.org.uk/productions/digital-flight-paths/</a></p><p> </p><p>Watch here</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fflightpaths.extant.org.uk%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=XF3NAwbKkkDR8zf33gX5RQ%2FpzVrtmqMmSDdKDnQVceA%3D&amp;reserved=0'>https://flightpaths.extant.org.uk/</a></p><p> </p><p>Vocaleyes website</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fvocaleyes.co.uk%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=tFBJjmriiDZhf1wT9rnRmV%2BaavKzmv3Lg%2BGMNNHqUsY%3D&amp;reserved=0'>https://vocaleyes.co.uk/</a></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, I talk to Hannah Thompson, Professor of French and Critical Disability studies at Royal Holloway, University of London, who describes herself as partially blind and is an expert in audio description. She recently co-created a FutureLearn course on audio description called ‘Creating Audio Description: Equality, Diversity and Inclusion’, which explores how to design and create audio descriptions and audio introductions for TV, film and theatre, and she&apos;s full of fascinating insights on how audio description can become part of the creative process which ultimately makes a better artistic product, whilst improving the audio description experience for the user.<br/><br/><b>Links:</b></p><p><br/> Hannah Thompson</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fhannah-thompson.blogspot.com%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=KgPdLmLyTXiSYdWdqY99anT6lzMcnXyXH%2F8VNh9vqL0%3D&amp;reserved=0'>http://hannah-thompson.blogspot.com/</a></p><p> </p><p>Future Learn course - Creating Audio Description: Equality, Diversity and Inclusion</p><p><a href='https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion'>https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion</a></p><p> </p><p>The Smartify app (sign up and search for The Royal Holloway Art Gallery)</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsmartify.org%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=h7S3eRuOaqiMJ9YC69Qi8I9kQU2BGklPnWdowLKf5Hg%3D&amp;reserved=0'>https://smartify.org/</a></p><p> </p><p>Play <em>Flightpaths </em>by Extant</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fextant.org.uk%2Fproductions%2Fdigital-flight-paths%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=u7Ua9a6l6sXPH6zwPgJc%2FM86QadZbYprxvAc5HrboCA%3D&amp;reserved=0'>https://extant.org.uk/productions/digital-flight-paths/</a></p><p> </p><p>Watch here</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fflightpaths.extant.org.uk%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=XF3NAwbKkkDR8zf33gX5RQ%2FpzVrtmqMmSDdKDnQVceA%3D&amp;reserved=0'>https://flightpaths.extant.org.uk/</a></p><p> </p><p>Vocaleyes website</p><p><a href='https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fvocaleyes.co.uk%2F&amp;data=05%7C01%7CHannah.Thompson%40rhul.ac.uk%7C983e0ab4af1743cb03de08dadd041e52%7C2efd699a19224e69b601108008d28a2e%7C0%7C0%7C638065306998700831%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=tFBJjmriiDZhf1wT9rnRmV%2BaavKzmv3Lg%2BGMNNHqUsY%3D&amp;reserved=0'>https://vocaleyes.co.uk/</a></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2011824/episodes/11903767-06-hannah-thompson.mp3" length="31934452" type="audio/mpeg" />
    <itunes:author>Alice Gilmour</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11903767</guid>
    <pubDate>Tue, 20 Dec 2022 12:00:00 +0000</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/11903767/transcript" type="text/html" />
    <podcast:soundbite startTime="1166.717" duration="40.0" />
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    <psc:chapters>
  <psc:chapter start="0:00" title="06 - Hannah Thompson" />
  <psc:chapter start="0:57" title="Elevating and championing Audio Description" />
  <psc:chapter start="4:24" title="Audio description in Shakespeare" />
  <psc:chapter start="5:38" title="Positive language in accessibility" />
  <psc:chapter start="7:09" title="An Oscar for best audio description" />
  <psc:chapter start="9:41" title="Sending out audio of actors voices" />
  <psc:chapter start="12:58" title="Knowing who&#39;s describing" />
  <psc:chapter start="18:12" title="The Smartify app in galleries" />
  <psc:chapter start="31:04" title="Top tips for audio describers" />
</psc:chapters>
    <itunes:duration>2657</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>6</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>05 - Dan Parr</itunes:title>
    <title>05 - Dan Parr</title>
    <itunes:summary><![CDATA[In this conversation, I hear from actor Dan Parr about how he first got into audio describing whilst performing in Road at Leeds Playhouse, and how he and three other actors from that show have gone on to create their own company, Hear The Picture, where they create audio description in character, based in Sheffield.  Links  https://twitter.com/hearthepicture?lang=en Hear The Picture – an actor led audio description company where they describe in character   https://www.sheffieldtheatres...]]></itunes:summary>
    <description><![CDATA[<p>In this conversation, I hear from actor Dan Parr about how he first got into audio describing whilst performing in <em>Road</em> at Leeds Playhouse, and how he and three other actors from that show have gone on to create their own company, Hear The Picture, where they create audio description in character, based in Sheffield.<br/><br/>Links<br/><br/><a href='https://twitter.com/hearthepicture?lang=en'>https://twitter.com/hearthepicture?lang=en</a></p><p>Hear The Picture – an actor led audio description company where they describe in character</p><p> </p><p><a href='https://www.sheffieldtheatres.co.uk/'>https://www.sheffieldtheatres.co.uk/</a></p><p>A theatre complex in Sheffield, comprising the Crucible, the Lyceum and the Tanya Moiseiwitsch Playhouse. These theatres make up the largest regional theatre complex outside the London region and show a variety of in-house and touring productions.</p><p> </p><p><a href='https://leedsplayhouse.org.uk/'>https://leedsplayhouse.org.uk/</a></p><p>One of the largest producing theatres in the north, and awarded the UK&apos;s Most Welcoming Theatre at the UK Theatre Awards 2022.</p><p> </p><p><a href='https://www.rampsonthemoon.co.uk/'>https://www.rampsonthemoon.co.uk/</a></p><p>A collaborative project between six different UK theatres aiming to enrich the stories we tell and the way we tell them by normalising the presence of D/deaf and disabled people both on and off stage.</p><p> </p><p><a href='https://graeae.org/'>https://graeae.org/</a></p><p>World class theatre and training from D/deaf and disabled artists</p><p> </p><p><a href='https://cripticarts.org/'>https://cripticarts.org/</a></p><p>They produce work with deaf and disabled artists, support deaf and disabled people in the arts, and support other organisations with training</p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>In this conversation, I hear from actor Dan Parr about how he first got into audio describing whilst performing in <em>Road</em> at Leeds Playhouse, and how he and three other actors from that show have gone on to create their own company, Hear The Picture, where they create audio description in character, based in Sheffield.<br/><br/>Links<br/><br/><a href='https://twitter.com/hearthepicture?lang=en'>https://twitter.com/hearthepicture?lang=en</a></p><p>Hear The Picture – an actor led audio description company where they describe in character</p><p> </p><p><a href='https://www.sheffieldtheatres.co.uk/'>https://www.sheffieldtheatres.co.uk/</a></p><p>A theatre complex in Sheffield, comprising the Crucible, the Lyceum and the Tanya Moiseiwitsch Playhouse. These theatres make up the largest regional theatre complex outside the London region and show a variety of in-house and touring productions.</p><p> </p><p><a href='https://leedsplayhouse.org.uk/'>https://leedsplayhouse.org.uk/</a></p><p>One of the largest producing theatres in the north, and awarded the UK&apos;s Most Welcoming Theatre at the UK Theatre Awards 2022.</p><p> </p><p><a href='https://www.rampsonthemoon.co.uk/'>https://www.rampsonthemoon.co.uk/</a></p><p>A collaborative project between six different UK theatres aiming to enrich the stories we tell and the way we tell them by normalising the presence of D/deaf and disabled people both on and off stage.</p><p> </p><p><a href='https://graeae.org/'>https://graeae.org/</a></p><p>World class theatre and training from D/deaf and disabled artists</p><p> </p><p><a href='https://cripticarts.org/'>https://cripticarts.org/</a></p><p>They produce work with deaf and disabled artists, support deaf and disabled people in the arts, and support other organisations with training</p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2011824/episodes/11653370-05-dan-parr.mp3" length="23918363" type="audio/mpeg" />
    <itunes:author>Alice Gilmour</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11653370</guid>
    <pubDate>Tue, 08 Nov 2022 11:00:00 +0000</pubDate>
    <podcast:soundbite startTime="689.85" duration="28.5" />
    <podcast:chapters url="https://www.buzzsprout.com/2011824/11653370/chapters.json" type="application/json" />
    <psc:chapters>
  <psc:chapter start="0:00" title="05 - Dan Parr" />
  <psc:chapter start="0:46" title="How Hear The Picture started" />
  <psc:chapter start="5:41" title="How they prepare the AD" />
  <psc:chapter start="14:06" title="How AD can inform acting" />
  <psc:chapter start="23:28" title="How Amy Leach inspired them" />
  <psc:chapter start="23:28" title="How actors are great for AD" />
  <psc:chapter start="27:24" title="Top tips for creating accessible work" />
  <psc:chapter start="29:30" title="Most memorable experiences" />
  <psc:chapter start="30:52" title="How to divide up the characters" />
</psc:chapters>
    <itunes:duration>1989</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>5</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>04 - Jonathan Penny</itunes:title>
    <title>04 - Jonathan Penny</title>
    <itunes:summary><![CDATA[I talk to Jonathan Penny about audio description for TV.  He worked at ITV and is now at Channel 4 heading up their access services.   And we also cover a bit about live subtitles, and how TV companies are starting to look at creating audio introductions to help blind and partially sighted viewers have more information about a show before watching it as there is only so much you can describe within the show.  Links   ITV's accessibility inbox - accessibility@itv.com - for comme...]]></itunes:summary>
    <description><![CDATA[<p>I talk to Jonathan Penny about audio description for TV.  He worked at ITV and is now at Channel 4 heading up their access services.   And we also cover a bit about live subtitles, and how TV companies are starting to look at creating audio introductions to help blind and partially sighted viewers have more information about a show before watching it as there is only so much you can describe within the show.<br/><br/><b>Links</b></p><p> </p><p>ITV&apos;s accessibility inbox - <a href='mailto:accessibility@itv.com'>accessibility@itv.com</a> - for comments/complaints/to find out more about the users&apos; forum</p><p> </p><p>ITV&apos;s accessibility statement - <a href='https://www.itv.com/terms/articles/accessibility'>https://www.itv.com/terms/articles/accessibility</a></p><p> </p><p>VocalEyes – <a href='http://www.vocaleyes.co.uk/'>www.vocaleyes.co.uk</a></p><p> </p><p>FutureLearn course - <a href='https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion'>https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion</a></p><p> </p><p>Trigger Point character introductions - <a href='https://www.youtube.com/watch?v=_oJazqxGxSA'>https://www.youtube.com/watch?v=_oJazqxGxSA</a></p><p> </p><p>Scottish Opera Audio Described performances - <a href='https://www.scottishopera.org.uk/discover-opera/accessible-performances/'>https://www.scottishopera.org.uk/discover-opera/accessible-performances/</a></p><p> </p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>I talk to Jonathan Penny about audio description for TV.  He worked at ITV and is now at Channel 4 heading up their access services.   And we also cover a bit about live subtitles, and how TV companies are starting to look at creating audio introductions to help blind and partially sighted viewers have more information about a show before watching it as there is only so much you can describe within the show.<br/><br/><b>Links</b></p><p> </p><p>ITV&apos;s accessibility inbox - <a href='mailto:accessibility@itv.com'>accessibility@itv.com</a> - for comments/complaints/to find out more about the users&apos; forum</p><p> </p><p>ITV&apos;s accessibility statement - <a href='https://www.itv.com/terms/articles/accessibility'>https://www.itv.com/terms/articles/accessibility</a></p><p> </p><p>VocalEyes – <a href='http://www.vocaleyes.co.uk/'>www.vocaleyes.co.uk</a></p><p> </p><p>FutureLearn course - <a href='https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion'>https://www.futurelearn.com/courses/creating-audio-description-for-equality-diversity-and-inclusion</a></p><p> </p><p>Trigger Point character introductions - <a href='https://www.youtube.com/watch?v=_oJazqxGxSA'>https://www.youtube.com/watch?v=_oJazqxGxSA</a></p><p> </p><p>Scottish Opera Audio Described performances - <a href='https://www.scottishopera.org.uk/discover-opera/accessible-performances/'>https://www.scottishopera.org.uk/discover-opera/accessible-performances/</a></p><p> </p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/2011824/episodes/11253288-04-jonathan-penny.mp3" length="26226150" type="audio/mpeg" />
    <itunes:image href="https://storage.buzzsprout.com/35uozkxawrscr2nlnxlh9l34nru9?.jpg" />
    <itunes:author>Alice Gilmour</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11253288</guid>
    <pubDate>Sat, 03 Sep 2022 12:00:00 +0100</pubDate>
    <podcast:soundbite startTime="1801.0" duration="26.0" />
    <podcast:chapters url="https://www.buzzsprout.com/2011824/11253288/chapters.json" type="application/json" />
    <psc:chapters>
  <psc:chapter start="0:00" title="04 - Jonathan Penny" />
  <psc:chapter start="1:36" title="Audio Description for TV" />
  <psc:chapter start="10:29" title="Live subtitling" />
  <psc:chapter start="20:21" title="Audio introductions to TV shows" />
  <psc:chapter start="28:45" title="What makes really good AD for TV?" />
</psc:chapters>
    <itunes:duration>2181</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>4</itunes:episode>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>03 - Paul Whittaker</itunes:title>
    <title>03 - Paul Whittaker</title>
    <itunes:summary><![CDATA[My conversation with Paul who is a BSL interpreter, covered how he prepares to sign an opera, what more theatres can do to welcome D/deaf audiences, and a look back at some of the wonderful shows he has signed over the years.  Paul's website: http://www.paulwhittaker.org.uk/  Opera North upcoming signed performances https://www.operanorth.co.uk/access/signed-performances/   Thanks for listening!   You can see all episodes on my website www.alicegilmour.com. ]]></itunes:summary>
    <description><![CDATA[<p>My conversation with Paul who is a BSL interpreter, covered how he prepares to sign an opera, what more theatres can do to welcome D/deaf audiences, and a look back at some of the wonderful shows he has signed over the years.<br/><br/>Paul&apos;s website:<br/><a href='http://www.paulwhittaker.org.uk/'>http://www.paulwhittaker.org.uk/</a><br/><br/>Opera North upcoming signed performances<br/><a href='https://www.operanorth.co.uk/access/signed-performances/'>https://www.operanorth.co.uk/access/signed-performances/</a></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>My conversation with Paul who is a BSL interpreter, covered how he prepares to sign an opera, what more theatres can do to welcome D/deaf audiences, and a look back at some of the wonderful shows he has signed over the years.<br/><br/>Paul&apos;s website:<br/><a href='http://www.paulwhittaker.org.uk/'>http://www.paulwhittaker.org.uk/</a><br/><br/>Opera North upcoming signed performances<br/><a href='https://www.operanorth.co.uk/access/signed-performances/'>https://www.operanorth.co.uk/access/signed-performances/</a></p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice talks to Paul Whittaker</itunes:author>
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    <pubDate>Wed, 29 Jun 2022 16:00:00 +0100</pubDate>
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  <psc:chapter start="0:00" title="03 - Paul Whittaker" />
  <psc:chapter start="1:11" title="How to prepare to sign an opera" />
  <psc:chapter start="7:16" title="How to welcome D/deaf audiences" />
  <psc:chapter start="20:41" title="Favourite moments in career" />
</psc:chapters>
    <itunes:duration>1818</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>3</itunes:episode>
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  <item>
    <itunes:title>02 - Philippa Cross</itunes:title>
    <title>02 - Philippa Cross</title>
    <itunes:summary><![CDATA[I chat to Philippa about her work with Talking Birds theatre company in Coventry and especially the invention of a mobile captioning system - The Difference Engine.  With this system, people can get captions on their phones which is particularly useful for smaller arts organisations (it's very reasonable!), and for events held in unusual spaces.  Philippa also talks about how they created a Citizens Assembly during the Coventry City of Culture which means local people now have a say...]]></itunes:summary>
    <description><![CDATA[<p>I chat to Philippa about her work with Talking Birds theatre company in Coventry and especially the invention of a mobile captioning system - The Difference Engine.  With this system, people can get captions on their phones which is particularly useful for smaller arts organisations (it&apos;s very reasonable!), and for events held in unusual spaces.  Philippa also talks about how they created a Citizens Assembly during the Coventry City of Culture which means local people now have a say in the artistic and creative vision for the city.<br/><br/><em>Links</em><br/>Talking Birds Theatre Company<br/><a href='https://talkingbirds.co.uk'>https://talkingbirds.co.uk</a><br/><br/>The Difference Engine<br/><a href='https://talkingbirds.co.uk/de'>https://talkingbirds.co.uk/de</a></p><p>Shoot Festival, Access Coventry, and Artists’ Manifesto<br/><a href='https://www.coventryshootfestival.com/access-coventry'>https://www.coventryshootfestival.com/access-coventry</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>I chat to Philippa about her work with Talking Birds theatre company in Coventry and especially the invention of a mobile captioning system - The Difference Engine.  With this system, people can get captions on their phones which is particularly useful for smaller arts organisations (it&apos;s very reasonable!), and for events held in unusual spaces.  Philippa also talks about how they created a Citizens Assembly during the Coventry City of Culture which means local people now have a say in the artistic and creative vision for the city.<br/><br/><em>Links</em><br/>Talking Birds Theatre Company<br/><a href='https://talkingbirds.co.uk'>https://talkingbirds.co.uk</a><br/><br/>The Difference Engine<br/><a href='https://talkingbirds.co.uk/de'>https://talkingbirds.co.uk/de</a></p><p>Shoot Festival, Access Coventry, and Artists’ Manifesto<br/><a href='https://www.coventryshootfestival.com/access-coventry'>https://www.coventryshootfestival.com/access-coventry</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice</itunes:author>
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    <pubDate>Wed, 29 Jun 2022 16:00:00 +0100</pubDate>
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  <psc:chapter start="0:00" title="02 - Philippa Cross" />
  <psc:chapter start="1:26" title="The Difference Engine" />
  <psc:chapter start="26:45" title="Being accessible for your audiences" />
  <psc:chapter start="27:48" title="Access network in Coventry" />
  <psc:chapter start="39:11" title="How to set up a Citizen&#39;s Assembly" />
</psc:chapters>
    <itunes:duration>2751</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>2</itunes:episode>
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  <item>
    <itunes:title>01 - Vicky Ackroyd</itunes:title>
    <title>01 - Vicky Ackroyd</title>
    <itunes:summary><![CDATA[In this episode, I talk to Vicky about her work as an audio describer, and an access champion, what she thinks of relaxed performances, and her work with Mind The Gap which champions access to creative careers for  disabled artists.  And there's a good story about a pie.  Links  Jack Thorne, McTaggart Lecture https://www.youtube.com/watch?v=oxUZPMBRIPU Vicky’s Disability and Equality Training Company https://totallyinclusivepeople.com/ Vocaleyes – the UK’s audio description organisa...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, I talk to Vicky about her work as an audio describer, and an access champion, what she thinks of relaxed performances, and her work with Mind The Gap which champions access to creative careers for  disabled artists.  And there&apos;s a good story about a pie.<br/><br/><em>Links<br/></em><br/>Jack Thorne, McTaggart Lecture<br/><a href='https://www.youtube.com/watch?v=oxUZPMBRIPU'>https://www.youtube.com/watch?v=oxUZPMBRIPU</a></p><p>Vicky’s Disability and Equality Training Company<br/><a href='https://totallyinclusivepeople.com/'>https://totallyinclusivepeople.com/</a></p><p>Vocaleyes – the UK’s audio description organisation<br/><a href='https://vocaleyes.co.uk/'>https://vocaleyes.co.uk/</a></p><p>Mind The Gap, England&apos;s leading learning disability performance and live arts company.<br/><a href='https://www.mind-the-gap.org.uk/'>https://www.mind-the-gap.org.uk/</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, I talk to Vicky about her work as an audio describer, and an access champion, what she thinks of relaxed performances, and her work with Mind The Gap which champions access to creative careers for  disabled artists.  And there&apos;s a good story about a pie.<br/><br/><em>Links<br/></em><br/>Jack Thorne, McTaggart Lecture<br/><a href='https://www.youtube.com/watch?v=oxUZPMBRIPU'>https://www.youtube.com/watch?v=oxUZPMBRIPU</a></p><p>Vicky’s Disability and Equality Training Company<br/><a href='https://totallyinclusivepeople.com/'>https://totallyinclusivepeople.com/</a></p><p>Vocaleyes – the UK’s audio description organisation<br/><a href='https://vocaleyes.co.uk/'>https://vocaleyes.co.uk/</a></p><p>Mind The Gap, England&apos;s leading learning disability performance and live arts company.<br/><a href='https://www.mind-the-gap.org.uk/'>https://www.mind-the-gap.org.uk/</a></p><p> </p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice</itunes:author>
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    <pubDate>Wed, 29 Jun 2022 16:00:00 +0100</pubDate>
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  <psc:chapter start="0:00" title="01 - Vicky Ackroyd" />
  <psc:chapter start="1:20" title="What is audio description?" />
  <psc:chapter start="4:12" title="How did you get into it?" />
  <psc:chapter start="10:30" title="Relaxed performances" />
  <psc:chapter start="16:15" title="Disabled artist opportunities" />
</psc:chapters>
    <itunes:duration>1313</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episode>1</itunes:episode>
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    <itunes:title>00 - Trailer</itunes:title>
    <title>00 - Trailer</title>
    <itunes:summary><![CDATA[In this trailer, I discuss why I made the podcast and what it's all about.   Thanks for listening!   You can see all episodes on my website www.alicegilmour.com. ]]></itunes:summary>
    <description><![CDATA[<p>In this trailer, I discuss why I made the podcast and what it&apos;s all about.</p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>In this trailer, I discuss why I made the podcast and what it&apos;s all about.</p><p><br/><br/>Thanks for listening!   You can see all episodes on my website <a href='https://www.alicegilmour.com'>www.alicegilmour.com</a>.</p>]]></content:encoded>
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    <itunes:author>Alice</itunes:author>
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    <pubDate>Wed, 29 Jun 2022 16:00:00 +0100</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/2011824/10876561/transcript" type="text/html" />
    <itunes:duration>130</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:season>1</itunes:season>
    <itunes:episodeType>trailer</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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