Country music in Jamaica sounds like a contradiction until you hear the connections. We connect the dots between Radio Jamaica Rediffusion, Western films on local screens, farm work migration, and a Caribbean listening culture that never treated genres like sealed boxes. We are joined by Jamal Khadar, writer and host of Reimagining Country, who explains how artists like Jim Reeves and Patsy Cline became part of Jamaican soundtracks, and why the cowboy image traveled so well across the Black Atlantic.

We go deeper than influence and ask what listeners recognized in country: rural self-recognition, church-rooted morality, survival stories, heartbreak, and the constant question of home. That recognition shows up in reggae’s early formation, in rude boy outlaw symbolism, and later in dancehall’s Western references and stage names. We also unpack cover culture as a Jamaican superpower, where a song gets re-voiced, re-scored, and re-felt until it becomes something else entirely, sometimes even pushing back into the global north through collaborations and reinterpretations.

The conversation also challenges today’s narrow story about who “belongs” in country music. Yes, Black roots matter and contemporary moments like Beyoncé’s Cowboy Carter open doors, but Jamaica’s long-standing love for classic country complicates the picture in a different way: Black audiences have always had wide tastes, including deep affection for “classic” country often made by white artists. We close by widening the map again to African country histories, showing how radio networks, empire, guitars, and post-independence creativity helped build global country scenes that still thrive.

Jamal Khadar is a writer, broadcaster, DJ and a key voice on the global history and resurgence of country music, with by-lines in The Guardian, Bandcamp and The European Review of Books and mentions in publications such as the Swiss-German Newspaper WOZ. He also hosts Reimagining Country on NTS Radio. Jamal has shared his research via talks at Goldsmiths, University of London and Newcastle University; with brands like DAZED and Nii Journal; and album liner notes for Mississippi Records. Born in the UK, raised in the Netherlands, but connected to Nashville, he regularly interviews major country artists on their Amsterdam tour stop. After 15 years in London, he now lives in the Amsterdam, The Netherlands.

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Most of us talk about Caribbean language like it only lives on the tongue, but the region has a whole world of languages that live on the hands, in space, and through community memory. We sit down with linguist Kris Ali, a PhD candidate at UC Santa Barbara from Trinidad and Tobago, to trace the real story of Caribbean Sign Languages and why they deserve the same respect we fight for in spoken language politics. Along the way, we break down the biggest misconception of all: sign language is not universal, and it is definitely not “English on the hands.”

We dig into how sign languages actually begin, from organic community formation across generations to the influence of American Sign Language through missionary networks, churches, and deaf education across the Caribbean in the 60s, 70s, and 80s. We talk language prestige and what gets labeled “proper,” why smaller rural varieties can be pushed aside, and how even within one territory you can find multiple sign languages and signing styles. Kristy also shares a concrete example of variation inside Trinidad and Tobago Sign Language that shows how folklore and local culture get encoded into everyday signs.

Then we expand the map with the Bay Islands off the coast of Honduras, a place with a strong Caribbean identity and a remarkable history of tactile signing among deaf-blind community members. That story makes the stakes clear: endangered languages documentation is not just academic, it is a way to preserve Caribbean history, protect access to information, and honor communities that have been ignored for too long. We close by naming the goal plainly: legal recognition of local sign languages, better interpreter access in healthcare and justice settings, and real equity for deaf people across the region.  Be sure to check out the transcript of this episode here.

Kris Ali is a PhD candidate in the department of linguistics at University of California Santa Barbara. Her research interests are broadly Caribbean languages, language documentation and description, social and linguistic justice for Caribbean people, decolonial theory, queer and trans linguistics and sign language linguistics. She uses collaborative and community-based research methods, is interested in indigenous research methodologies and follows the Caribbean tradition of liberatory linguistics in which she was trained during her first two degrees at the University of the West Indies, St Augustine. She is a trained Trinidad and Tobago Sign Language interpreter. Home for her is Trinidad and Tobago. Learn more about Kris on her website and connect with her on LinkedIn.

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Jamaica qualifying for the 1998 FIFA World Cup is one of those rare moments that people can locate in their body: where they stood, who they were with, what they heard first, and how the whole community sounded afterward. We wanted to honor that feeling, so we built something different this time, a chorus of voices sharing what France ‘98 meant to them in real time and in memory.

You’ll hear stories of the day qualification became official: the disbelief, the pride, the surprise public holiday, and the way celebration turned roads, yards, bars, and living rooms into an extension of the National Stadium. We talk about the details that statistics cannot hold, like pot covers ringing out for goals, horns blaring through neighborhoods, and the specific kind of unity Jamaicans recognize immediately. It’s also a snapshot of how sport shifts culture, from kids dreaming bigger to communities feeling, even briefly, like everyone is moving together.

Then we turn to France ‘98 itself: the nerves and hope against Croatia, the tough reality of Argentina, and the joy of Jamaica’s first World Cup victory over Japan. We reflect on the national anthem, the Rise Up song that still triggers pride, and the pop culture trail that followed the Reggae Boyz everywhere, right down to jerseys and keepsakes people saved for years. As Jamaica marks 64 years of independence, we also hold space for St. Elizabeth and the wider island recovering after Hurricane Melissa, and why memory can be both a comfort and a call to care for home.

Press play, share this with someone who remembers 1997, and then tell us your story: where were you when the Reggae Boyz qualified for France ‘98, and where were you when you learned Curacao or Haiti made history this year? If you loved this, subscribe, leave a review, and share the episode so more people can hear these Caribbean stories.

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Reggae has never been a boys-only story, so why do women keep getting filed under “backup,” “footnote,” or “first female to…”?  Mikelah Malcolm from Style and Vibes guest hosts a Breadfruit Media crossover and sits down with me to talk about my dissertation on women in reggae, what pushed me to spend years on the research, and what I found when I went looking for women in the archive.

We get into the real mechanics of the reggae industry and Jamaican music history: who controls rhythms, who gets paid, and why royalty splits and copyright enforcement become uniquely brutal for women. We also name the hard realities that shape careers, including sexual harassment, intimidation in studio spaces, and how relationships and childcare labor can derail momentum in ways male artists rarely face. At the same time, we talk solutions that actually move the needle: ownership, independent labels, business literacy, and women building networks that make leadership possible behind the scenes, not just on stage.

Then we zoom out to method and memory. I share how I used archival research in Kingston, oral history interviews with pioneers, and close reading of reggae lyrics as historical texts to map themes like violence, belonging, and resistance across generations. We also grapple with femininity, dancehall’s influence, Rastafari, and how respectability politics shape what the culture celebrates or hides.

This first of many conversations on the topic so if this conversation shifts how you hear reggae, subscribe, share it with a friend, and leave a review so more listeners find the stories women have always carried.

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A child grows up learning that love can arrive in a barrel, but comfort cannot. That tension sits at the heart of our conversation with Grenadian director, producer, and creative industry strategist Meschida Phillip, whose documentary work asks what migration costs families long after the plane takes off. We trace how the Grenada Revolution, early separation, and years of “waiting” shaped her sense of connection and pushed her toward filmmaking as a way to name what Caribbean families often keep silent.

Meschida shares the story behind her feature documentary Scars of Our Mother’s Dreams, grounded in Dr. Claudette Crawford-Brown’s concept of “barrel children,” where parents migrate for opportunity while children remain at home with relatives. We talk about emotional trauma, reunification, and why seeing these stories on screen lands differently than reading them. Meschida also pulls back the curtain on responsible documentary practice, from deep research and interviews to building a film that works as an archive and a conversation starter for Caribbean history, culture, and healing. We then zoom out to the film industry itself, including Caribbean Tales Media Group’s Cross-Continental Forum and what Black diaspora collaboration can look like when it’s intentional. Meschida breaks down the real barriers Caribbean filmmakers face funding infrastructure, banking access, co-production limits, and distribution networks and paints a vivid vision of Global South co-production funds, direct Caribbean Africa pipelines, and a market that rewards cultural specificity instead of asking creators to dilute it. 

Meschida Philip is a filmmaker, producer, creative-industry strategist, Executive Director of Mprojekts Creative Group, and Founder and Festival Director of the 12°N, 61°W Grenada Film Festival. She is a director, producer, and creative industries strategist working at the intersection of film production and screen industry development in the Caribbean. With over 20 years of professional experience, including more than a decade leading regional initiatives, her work focuses on positioning the Caribbean as an originating creative economy, capable of developing, financing, and exporting its own stories through equitable international co-production. Her work spans both content creation and industry development, with a focus on co-production frameworks, talent pipelines, and market access for creators in small island developing states.

This episode was created in collaboration with Caribbean Tales Media Group to highlight the annual Cross-Continental Forum, a curated, decolonial co-production hub specifically designed to connect Black producers across Africa, the Caribbean, Canada, Europe and the Americas. It offers a structured pathway from information sharing to treaty-driven deals and market access. As an intensive hybrid accelerator, it functions as a “strategic gateway” to co-productions, beginning with an online Accelerator covering legal, financial and distribution frameworks, followed by two in-person events including a pitch showcase.

Editor's Note: Philips participated in the Cross-Continental Forum with Canary, a documentary project that was in development at the time. She is credited as the project’s director and co-producer. Scars of Our Mother’s Dreams was not the project presented at the Forum, however it was screened at the festival. 

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Caribbean food travels the world as flavor, nostalgia, and restaurant culture but what if it also traveled as real economic infrastructure? We’re asking a harder question: how do we move from beloved recipes to Caribbean food systems that reduce import dependence, strengthen food security, and create durable industries across the region. I’m joined by Taymer Mason, a Barbadian food scientist and Caribbean product developer with more than 20 years of experience across food safety, kitchens, and innovation. Taymer breaks down why so many islands still carry a massive import bill even when breadfruit, cassava, and fruit trees are all around us, and why the missing piece is often not farming alone but systems: consistent raw materials, regional cooperation, accessible financing, shelf-life testing, packaging options, and reliable transport between islands.

We also get practical about what “legacy products” look like, why shelf-stable ambient foods often scale better than cold-chain exports, and how standardizing recipes can protect quality as brands grow. Taymer shares eye-opening stories, from green seasoning selling better when people used it like a dip, to learning from boxed fufu as a convenience model, to reimagining moringa as an everyday seasoning that boosts nutrition. Then we zoom out to solutions: farmer-producer planning, government policy changes, white labeling pathways, CARICOM-style data sharing on crop gluts, and smarter diaspora investment that builds market pipelines, warehouses, and storefronts. If you care about Caribbean agriculture, sustainable food entrepreneurship, disaster resilience, and the future of Caribbean economies, this conversation is for you. 

Taymer Mason is a food scientist, cookbook author, and entrepreneur based in Barbados. She is the founder of Harbourvale Foods, a modern Caribbean vegan pantry brand built on clean-label formulation and plant-based food science. Her debut cookbook, Caribbean Vegan, has been in print for sixteen years and holds a starred Library Journal review. Taymer's work sits at the intersection of Caribbean culinary heritage and innovation, with a deep conviction that the region's food systems deserve both scientific rigour and world-class storytelling.

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Caribbean culture is one of the most copied, quoted, and consumed forces on the planet and yet the Caribbean is still too often treated like a place to extract value from, not a place to build value with. That tension sits at the heart of my conversation with Alistair Scott, founder of the Diaspora Legacy Collective, as we dig into how Caribbean futures can be shaped through renewed connection with Africa and the global African diaspora for Caribbean American Heritage Month. We get specific about cultural and creative industries (CCIs) and why music, film, fashion, festivals, and digital storytelling should be treated as serious economic development strategy. That leads us into intellectual property rights, licensing, brand protection, and the unglamorous but critical reality that policy only works when governments invest in enforcement capacity.

From there, we zoom out to the bigger architecture of Afro-Caribbean cooperation: new business modalities that make cross-diaspora partnerships easier, visa and mobility barriers that slow trade, and why language learning and education can function like infrastructure. Along the way, we challenge misinformation that distorts Pan-Africanism, lift up older cooperative models like partner and susu, and point to modern examples like YouTube creator networks and major cultural moments that prove collaboration already works when we let it. If you care about Caribbean history, Caribbean culture, the creative economy, diaspora development, or people-centered sustainability, you’ll leave with both a clearer diagnosis and a more practical vision.

Alistair Scott is founder of the nonprofit, Diaspora Legacy Collective. He is also Principal Advisor at Synergy Ecosystems LLC, a coaching and connections service. A lifelong development generalist and Pan African educator, Alistair is passionate about applying a systems and sustainability lens to rethinking how we organize thriving economies and societies. His career over the last two decades has spanned extensive community development, tourism, workforce development, sales and education; and as a civil servant, entrepreneur and non-profit professional across the U.S and the Caribbean.

He has built up expertise in fostering developing and deploying social capital, particularly when  he led the build out of Basta’s Alumni Success workstream and also in his advisory of African diasporan entrepreneurs and young professionals in the diaspora. Alistair also maintains a blog on addressing socio-economic and African diasporan themes,  including futuristic takes on countries like Jamaica and Haiti and published a fictional essay in the Atlantic Fellowship’s Moya magazine.

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Caribbean culture is everywhere, but visibility is not the same as power. As we mark Caribbean American Heritage Month this June, I want to push past the easy parts of celebration and ask a harder question: what are we building with what we know about our history, politics, and cultural practices?

In today's episode, we ground ourselves in Caribbean American Heritage Month's official recognition and why Caribbean identity in the US still fights to be seen clearly. Then we pivot to Caribbean futures: moving from global cultural recognition to structural power that sustains communities economically and politically. We talk institutions, learning across global communities, and diaspora responsibility beyond remittances. Most importantly, we want to know: what does Caribbean American Heritage Month mean to you, and what actions are you willing to take next to support our communities?

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Museums don’t just preserve history. They decide which stories become a nation’s memory and which stories get buried under polite silence. I’m joined by Kevin Farmer, Deputy Director of the Barbados Museum and Historical Society, to talk about Caribbean museums as real tools of nation building, cultural heritage, and post-independence identity. We start by tracing the roots of colonial museums and collections built to explain the Caribbean to Europe, often without listening to Indigenous knowledge or acknowledging the realities of slavery, resistance, and survival. From there, we move into the radical energy of the post-1960s period, when new scholars, artists, national galleries, and cultural movements helped reshape what counted as “our” history and “our” creativity across the region. 

Then we get practical about what museums still need to fix: whose voices were pushed aside, how co-curation and community collaboration can change exhibitions, and why documenting migration and labor history is urgent before firsthand accounts disappear. We also dig into decolonizing museums through provenance work and repatriation, and how technology can help connect Caribbean stories across borders and the diaspora. 

Kevin Farmer is currently Deputy Director of the Barbados Museum and Historical Society (BMHS). As Deputy Director of the Barbados Museum, he has the responsibility for museum exhibition programming and capital campaign fundraising. He holds a Master’s degree in History (Heritage Studies) from the University of the West Indies, Cave Hill, Barbados, and has lectured in Archaeology at the Department of History at the University of the West Indies, St. Augustine, Trinidad and taught at the UWI Cave Hill in their MA Heritage Studies program.  His research interests include the creation of cultural identity in post-colonial states, the role of museums in national development, the management and curation of archaeological resources, and the role of heritage in national development. 

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Obeah has been called superstition, “black magic,” and even a crime but those labels have a history, and that history was built to serve colonial power. We sit down with historian Dr. Katharine Gerbner to trace how African-derived spiritual and healing traditions in Jamaica were deliberately stigmatized through slavery, missionary politics, and law.

We follow the chain from a rare 1755 archival reference to the shockwaves of 1760, when Tacky's Rebellion prompts British colonial authorities to outlaw Obeah as a threat to control. Along the way, we unpack why defining Obeah is so difficult when most surviving sources come from enslavers and missionaries, and how Gerbner’s microhistory method reads the archive for what it tries to hide. One of the most surprising turns is the Moravian missionary Zacharias George Caries being called an “Obeahman,” opening up a “space of correlation” where Afro-Jamaicans do not separate Christianity from Obeah in the rigid way many of us inherit today.

We also connect this history to the present: Obeah remains illegal in Jamaica, and the long arc of criminalization still shapes public stigma, community silence, and debates about decriminalization. If you care about Caribbean history, Jamaican culture, African diaspora religion, and the politics of the archive, this conversation offers a new way to see what we have been taught to fear and who benefits from that fear. 

Katharine Gerbner is a historian of religion, race, and freedom. She examines religious practices that have been excluded from traditional definitions of religion and develops multilingual archival strategies to uncover stories that have been marginalized and forgotten. She is the author of Archival Irruptions: Constructing Religion and Criminalizing Obeah in Eighteenth-Century Jamaica (Duke University Press, 2025) and Christian Slavery: Conversion and Race in the Protestant Atlantic World (University of Pennsylvania Press, 2018). She is Associate Professor of History and Director of Religious Studies at the University of Minnesota.

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The strangest thing about the truth is how often it arrives late. A story your elders carried for years gets dismissed as “just talk” until an archive opens, a report drops, a government admits wrongdoing, or scholars finally confirm what communities already knew. When that happens, the past doesn’t simply become clearer. It becomes heavier, more complicated, and harder to tuck away. In today's episode, I offer a reflection on Caribbean history, memory, and what it means to relearn entire narratives, not just “humanize” individual historical figures. I think through why truth is less a single revelation and more a long process, shaped by silence, denial, and distortion. 

Then comes the question that won’t let go: what does reconciliation actually require? Forgiveness, acknowledgement, accountability, compensation, structural change? And who gets to decide when it’s “done”? If you care about Caribbean history and culture, political violence, colonial legacies, activism, and public memory, this reflection is for you. Subscribe, share the episode with a friend, and leave a review, then tell me how you choose to carry your history forward.

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Today, we reshare our reasoning with Dr. Paul López Oro to trace the Garifuna story across Caribbean history, from St Vincent and the Carib Wars to forced exile in 1797 and the building of communities along the Central America Caribbean coast in Honduras, Belize, Guatemala, Nicaragua, and beyond. Along the way, we wrestle with what it means to be Black and Indigenous at the same time, especially in societies that insist those identities must be separate. 

We dig into the “void in the archive” and why collective memory and oral tradition become more than storytelling. For Garifuna communities, memory shapes political life right now: claims to ancestral territories, fights for land rights, and daily resistance to anti-Blackness and anti-Indigeneity in nationalist narratives that erase contributions made long before the modern republics were born.  From there, we explore Garifuna Settlement Day as an embodied archive and a public demand for visibility, first in Belize and later in New York City. We connect diaspora routes to labor history in the United States, including pathways through New Orleans and the long work of building community “in the company of” other Black populations.

Dr. Paul Joseph López Oro is an Assistant Professor and Director of Africana Studies at Bryn Mawr College. He is a transdisciplinary Black Studies scholar whose teaching and research interests are on Black Latin American and U.S. Black Latinx social movements, Black diaspora theories and ethnographies, and Black Queer Feminisms. His research interests include Black politics in Latin America, the Caribbean and U.S. AfroLatinidades, Black Latinx LGBTQ movements and performances, and Black transnationalism. He is working on his first book manuscript, Indigenous Blackness: The Queer Politics of Self-Making Garifuna New York, is a transdisciplinary ethnographic study analyzing oral histories, performances, social media, film, literary texts and visual cultures to unearth the political, intellectual, cultural and spiritual genealogies of Garifuna women and subaltern geographies of Garifuna LGBTQ+ folks at the forefront of Garifuna transnational movements in New York City.

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Headlines turn migration into a single story about borders and crisis. We open the lens, traveling through the Caribbean and Latin America to reveal routes, identities, and cultural worlds that rarely make it into the frame. Joined by co-editors Dr. Patsy Lewis and Dr. Kristen Kolenz, we share how our new book, Unbordering Migration Studies in the Caribbean and Latin America, brings together scholars and artists to map movement beyond the U.S.-centric view.

We dive into case studies that challenge assumptions: Venezuelans navigating layered sovereignties in Curaçao and Trinidad, Haitian communities negotiating visibility and exclusion, and Chinese migration in Central America shaped by shifting ties between Taiwan and China. We unpack racial triangulation and diaspora politics from Miami to New York, examining how belonging shifts across languages, borders, and Blackness. Along the way, we discuss a people-centered approach that recognizes migrants as creators of social worlds, economies, and culture. Through interdisciplinary methods, we build a toolkit for studying migration that is rigorous, humane, and usable for students, organizers, and policymakers.

Patsy Lewis is Research Professor, Department of Africana Studies, Brown University. She specializes in the political economy and development challenges of the Caribbean. Her publications include Caribbean Regional Integration: A Critical Development Approach; Caribbean Integration: Uncertainty in a Time of Global Fragmentation, Co-edited with Terri-Ann Gilbert-Roberts and Jessica Byron; and Surviving Small Size: Regional Integration in Caribbean Ministates.

Kristen Kolenz is an assistant professor in the international studies program and co-chair of the gender studies program at Centre College in Kentucky. Before joining the Centre faculty in 2022, she was a postdoctoral associate in the Center for Latin American and Caribbean Studies at Brown University and earned her PhD in women’s, gender, and sexuality studies at  The Ohio State University. She also recently published “Mesomapping the Borderlands: Seeing Life, Making Home, and Thinking Iteratively” in Aztlán.

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What happens when you go searching for the words of Caribbean women—and find silence where there should be an echo? We follow that uneasy question into the kitchens, verandas, classrooms, and studios where wisdom has always lived, then ask why so little of it appears on slides, posters, and timelines. Along the way, we unpack how publishing power, archival choices, and diaspora networks shape which voices become quotable and which remain unnamed, even as their ideas guide our lives.

We explore proverbs like every mickle mek a muckle and one one coco full basket as distilled philosophies of patience, accumulation, and community care. These are not folk extras; they are intellectual traditions forged through scarcity, migration, and resistance. We contrast the global prominence of figures like Marcus Garvey or Audre Lorde with the many Caribbean women whose insights travel orally or locally and rarely get tagged to a name. Then we turn to a practical solution: building a living archive by treating our conversations with scholars, artists, and educators as citable sources. When a phrase reframes history, names a power dynamic, or offers a tool for survival, we capture it, attribute it, and pass it on.

Together we commit to a simple practice with big stakes: cite women’s words. Citation is care, visibility, and lineage—a way to ensure that students, educators, and community organizers can trace ideas back to the women who shaped them. We close with an open invitation: share the quote by a Caribbean woman you live by, whether it came from a poet, a professor, a musician, a grandmother, or a guest on the show. Tag us and tell us what it means to you, and we’ll amplify it so those voices stay present in our feeds, our classrooms, and our futures.

If this conversation resonates, follow the show, share it with a friend who loves Caribbean history and culture, and leave a review so more listeners can find these voices. Your citation, your share, and your story help build the archive.

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A woman signs up 3,000 new members, walks into a meeting she was invited to lead, and is assassinated at the podium. That single moment opens a window into the hidden architecture of a global movement and the women who kept it alive when headlines and historians looked away. We continue our conversation with Dr. Natanya Duncan to explore the life and legacy of Princess Laura Adorkor Kofey and the broader force she represents: efficient womanhood inside the Universal Negro Improvement Association. We unpack how Kofey leveraged overlapping memberships across Black political organizations to grow the UNIA at scale, and why her ability to mobilize made her both indispensable and threatening. Dr. Duncan traces archival breadcrumbs to show how debates about Kofey’s origins obscured the central question: who shot her, and what does that reveal about power, loyalty, and gender in mass movements?

We broaden the lens to spotlight women like Henrietta Vinton Davis who signed stock certificates and underwrote the Black Star Line, illustrating how everyday decisions about money, mutual aid, and accountability built real infrastructure. This isn’t just civil rights history; it’s a blueprint for Black autonomy and human rights that shaped the tactics of later movements and still resonates now. Tune in, rethink the narrative, and help surface the names and questions that deserve daylight. 

City University of New York Associate Professor of History, Dr. Natanya Duncan's research and teaching focuses on global freedom movements of the 20th and 21st Century. Duncan’s research interest includes constructions of identity and nation building amongst women of color; migrations; color and class in Diasporic communities; and the engagements of intellectuals throughout the African Diaspora. Her book, An Efficient Womanhood: Women and the Making of the Universal Negro Improvement Association, (University of North Carolina Press 2025) focuses on the distinct activist strategies in-acted by women in the UNIA, which Duncan calls an efficient womanhood. Following the ways women in the UNIA scripted their own understanding of Pan Africanism, Black Nationalism and constructions of Diasporic Blackness, the work traces the blending of nationalist and gendered concerns amongst known and lesser known Garveyite women. 

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What happens when the archive starts talking back? We sat down with Dr. Natanya Duncan to illuminate the women who built the Universal Negro Improvement Association (UNIA) from the ground up and gave the movement its global muscle. From a Kingston porch to Harlem kitchens and London cafés, their labor carried Garveyism across continents while reshaping what Black leadership looked like in the early twentieth century. Along the way, we meet names that deserve the spotlight: Henrietta Vinton Davis, Laura Kofey, and especially the Two Amys. Amy Ashwood Garvey co-founded the UNIA and helped the Negro World reach readers far beyond Harlem. Amy Jacques Garvey transformed the paper’s women’s page into a political and strategic forum, setting the tone for a movement that saw home life and nation building as the same fight.

Threaded through the conversation is “efficient womanhood,” a term recovered in the archive that captures how UNIA women blended gender demands with nationalist goals as one practical program. We explore how public stance and private negotiation worked in tandem, why women printed their addresses and left a paper trail of property, and how their coalitions nurtured anticolonial leadership. This is a story of logistics, courage, and care: parades organized, ledgers balanced, alliances brokered, and a movement sustained in the face of surveillance and erasure.

Editor's Note: At 03:14, Dr. Duncan meant to refer to Dr. Patrick E. Bryan instead of "Patrick Henry."

City University of New York Associate Professor of History, Dr. Natanya Duncan's research and teaching focuses on global freedom movements of the 20th and 21st Century. Duncan’s research interest includes constructions of identity and nation building amongst women of color; migrations; color and class in Diasporic communities; and the engagements of intellectuals throughout the African Diaspora. Her book, An Efficient Womanhood: Women and the Making of the Universal Negro Improvement Association, (University of North Carolina Press 2025) focuses on the distinct activist strategies in-acted by women in the UNIA, which Duncan calls an efficient womanhood. Following the ways women in the UNIA scripted their own understanding of Pan Africanism, Black Nationalism and constructions of Diasporic Blackness, the work traces the blending of nationalist and gendered concerns amongst known and lesser known Garveyite women. 

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Think you know the Garvey story? Meet the two Amys who built its backbone. We dive into the lives of Amy Ashwood Garvey and Amy Jacques Garvey, Jamaican visionaries whose organizing, editing, and leadership turned a charismatic vision into a global movement. Their names appear in the margins of many textbooks, but their fingerprints are on every chapter of Garveyism’s rise, reach, and survival.

We trace Amy Ashwood’s role as a UNIA co-founder, strategist, and early architect who helped design the organization’s infrastructure in Jamaica and nurtured its international ambitions. Her work exemplifies a transatlantic Caribbean feminism rooted in institution-building and political education, long before the term became common. We then spotlight Amy Jacques, a journalist and editor whose stewardship during Garvey’s imprisonment kept the movement alive. She edited The Negro World, wrote speeches, managed correspondence, and articulated a bold vision for women’s leadership in Black liberation. By editing and publishing The Philosophy and Opinions of Marcus Garvey, she preserved a scattered archive and ensured that future generations could study, adapt, and debate Garveyism. 

Along the way, we acknowledge the human complexity—yes, Marcus married two Amys—and use that irony to open the door to deeper truths: movements are made by people with egos, contradictions, humor, and heart. Re-centering these women shifts how we measure impact, highlighting the editors, organizers, archivists, and educators who keep ideas moving across borders and time. If you’ve only heard the headline, this conversation invites you into the story behind it. If this resonated, follow the show, share it with a friend, and leave a review so more listeners can discover the women who built Garveyism. What other hidden architects of history should we feature next?

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We are starting the year with a heart of gratitude and a clear plan for what comes next. We celebrate five years of Strictly Facts by looking at how this community-built project became a classroom, a living archive, and a love letter to Caribbean voices. Along the way, we reflect on the milestones of 2025. We revisit why this space exists: to center Caribbean history as a global story rooted in everyday life. Our growth didn’t come from hype. It came from trust—the emails, classroom shares, kind reviews, and the steady support of a diaspora that knows the value of telling our own stories.

Now we turn the mic to you. Year five is a year-long celebration shaped by listener ideas. Send us your hopes and questions. Tell us what you want to learn, who should join us, and how this show can keep serving the region and its global family. We’ll keep honoring the past, standing in the present, and building a more complete record of Caribbean life together.

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Celebrate the holidays with us with a throwback episode as we open a window onto a season where streets become stages, kitchens turn into archives, and every drumbeat and carol carries a story. From the clatter of cowbells in Nassau to the smoky crackle of a roast pig on Christmas Eve, the region’s holidays reveal how history lives in sound, taste, and togetherness. We start with the pulse of festival culture: Junkanoo’s lavish costumes and goatskin drums marching down Bay Street in the Bahamas, and the Boxing Day launches in the U.S. Virgin Islands, St. Kitts and Nevis, Belize, and Montserrat. Each celebration stitches heritage to the present—months of planning, bursts of creativity, and a shared promise to meet at dawn. Then we head to St. Vincent and the Grenadines, where Nine Mornings wakes neighborhoods at 4 a.m. with concerts and games, culminating in a joyful jump up that proves community thrives when people gather before sunrise.

Our journey continues into homes and churches. In Suriname, Godo Pa—Dearest Daddy—arrives on December 6 with gifts and poems, a post-independence figure who replaces Old World icons with a reflection of local identity. Across the Spanish Caribbean, Noche Buena brings families to the table for lechón, yuca, and music that lasts late into Christmas Eve, while Three Kings Day keeps the season open into January as children leave grass and water for the camels and wake to gifts beneath the bed. These customs hold the region’s layered past while nurturing the joy that keeps people close. No Caribbean holiday is complete without music. Parang bands roam neighborhoods in Grenada, and parang-soca lights up Trinidad and Tobago with door-to-door harmonies. We share favorites—from Scrunter’s Christmas classics and Bindley B’s celebratory anthems to Carlene Davis’s reggae carols—curating a playlist that can transform a winter commute into a warm-weather fête. By the end, you’ll hear how a festival becomes a bridge, how a song becomes a keepsake, and how a meal becomes a map back home.

Press play, share your family tradition, and tell us the holiday song you return to every year. If this tour of Caribbean celebrations moved you, follow, rate, and leave a review to help others find the show.

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A school bans “edges,” a graduation blocks braids, a child with locks is told to stay home—on the surface, they’re dress code debates. Look closer and you see a lineage of power: colonial respectability, “imperial cleanliness,” and the policing of Black and Brown bodies through hair. We sit down with artist, educator, and gender rights advocate amilcar sanatan to map how grooming rules took root, why they persist, and what it takes to change them without sacrificing learning or dignity. 

We unpack the language of “neat,” “professional,” and “acceptable,” tracing it from plantation hierarchies to modern handbooks. Together, we connect scholarship and lived experience—Rastafari resistance and the Coral Gardens legacy, the gendered training of girls into silence and boys into “tidiness,” and the quiet violence of sending students home over texture or style. Along the way, we explore key legal and cultural flashpoints from Trinidad and Tobago’s school hair code to Jamaica’s Kensington Primary case, and why each decision matters for access to education, equal employment, and human rights.

This conversation doesn’t stop at critique. We highlight grassroots wins and everyday acts of repair: natural hair days led by young teachers, principals revising codes to center hygiene and safety rather than assimilation, and families rethinking what professionalism looks like in Caribbean contexts. The goal isn’t disorder—it’s dignity. Keep students in class. Measure readiness by curiosity and conduct, not curls. Celebrate cultural expression while maintaining clear, fair standards that actually support learning. If this resonates, share it with a friend, subscribe for more Caribbean history and culture, and leave a review telling us how grooming rules shaped your school or workplace. Your stories move this work forward.

amílcar peter sanatan is an interdisciplinary Caribbean artist, educator and activist. He is from Trinidad and Tobago and currently working between East Port-of-Spain, Trinidad and Helsinki, Finland. He is the author of two poetry chapbooks: About Kingston (Peekash Press) and The Black Flâneur: Diary of Dizain Poems, Anthropology of Hurt (Ethel Zine & Micro Press). 

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A building can be history you can walk through, and in the Caribbean those stories are contested, resilient, and alive. With Professor Dahlia Nduom, we explore how colonial styles, tourist imagery, and community ingenuity have shaped what gets built and what gets erased as we move from great houses to tenement yards, spaces that encode climate logic, kinship, and care. We unpack how imagery once glorified plantations while hiding the homes of the enslaved, and how vernacular elements later became tropical décor, stripped of context. That’s where practice preservation matters: teaching Spanish walling and thatching; documenting craft with computation; and elevating incremental, remittance-powered building as a valid design strategy. We also look at resilience after disasters while spotlighting community organizations and design labs translating old intelligence into future-ready methods.

Policy sits at the heart of who gets to belong. We talk land tenure and how post-disaster aid often clashes with customary ownership. The path forward blends community-led design, climate-appropriate materials, and practical toolkits for safer self-building, while recognizing tropical modern works that carried post-independence identity. It’s a future where technology serves tradition, and preservation centers methods over façades. Listen to rethink what counts as “good architecture,” how culture and climate shape better choices, and discover ways to support people rebuilding with dignity. 

Dahlia Nduom is a Visiting Associate Professor at the University of Illinois at Urbana-Champaign’s School of Architecture.   She received a BA in Architecture and Visual Studies from the University of Pennsylvania and an M.Arch from Columbia University.  A licensed architect and educator, her work is rooted in history, culture, and perception and their impact on architecture across locales in the United States, Ghana, and the Caribbean. She has published and presented her work nationally and internationally,  most recently at the Octagon Museum in Washington, DC. Her work has been recognized with the National Organization of Minority Architects’ Honor Award: Unbuilt Category (2017), the AIA DC Architect Educator Award (2022), and she was named a 2024 Diverse: Issues in Higher Education’s Emerging Scholar.  

Support Hurricane Melissa Relief Efforts

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A storm can level homes, but it also reveals what we stand on. Hurricane Melissa’s record winds and devastating surge tore through Jamaica and neighboring territories, but the story is bigger than wind speed—it’s a living history of language, science, memory, and community that runs through the Caribbean. We trace the roots of “hurricane” to Taino and Kalinago cosmologies, revisit Cuba’s pioneering forecasting under Father Benito Viñez, and connect these legacies to today’s urgent fight for climate justice and long-term recovery.

I open up about the shock of seeing beloved places underwater and the ache of waiting on WhatsApp for family updates from afar. This episode offers more than reflection; it’s a roadmap. You’ll hear concrete ways to help now and sustain support later, from vetted donations and mutual aid to advocacy for loss-and-damage financing and regional capacity-building. If the Caribbean sits on the front lines of climate change while contributing the least to its causes, then fairness means resources, protection, and policy that match the stakes. Listen, share the links, and stand with communities rebuilding today for a safer tomorrow. If this conversation moved you, subscribe, leave a review, and pass it on so more people can act with us.

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Sacred land, contested memory, and a centuries-long fight for sovereignty, this conversation with Dr. Garrey Dennie traces the deep antiquity of the Kalinago in St. Vincent, their transformation into a maritime powerhouse, and the strategic choices that delayed European domination for generations. Instead of a single “first contact,” we explore two: the catastrophic arrival of Europeans and the liberatory meeting of Kalinago communities with Africans who escaped or were freed from bondage.

Dr. Dennie unpacks genocide as a 300-year process, where pathogens, forced labor, and scorched-earth campaigns worked in tandem to clear land for sugar and slavery. He explains how the union that produced the Garifuna did more than build solidarity; it created a hybrid identity with immunological resilience that helped communities survive. From the First and Second Carib Wars to the brutal detention on Baliceaux and the mass exile of 1797, we follow the pivotal moments that transformed St. Vincent and, paradoxically, shortened its time as a British slave society through relentless resistance.

We also step inside a landmark scholarly effort: the forthcoming multi-volume Native Genocide and African Enslavement in St. Vincent and the Grenadines. He is one of four Vincentian historians co-authoring the series that restores Indigenous and Garifuna perspectives to the center, bridges archaeology and epidemiology with political history, and invites listeners to reconsider where homeland and belonging truly reside. If you’re ready to move beyond textbook myths and confront the intertwined stories of survival, identity, and power, this episode offers a clear, compelling path forward.

Dr. Garrey Dennie is an Associate Professor of History at St. Mary’s College of Maryland and a founder of its Program in African and African Diaspora Studies.  He obtained his first degree at the University of the West Indies, Cave Hill and his Ph. D at The Johns Hopkins University.  Dr. Dennie has also lectured at the University of the West Indies at the Mona campus in Jamaica.  Dr. Dennie has produced and published original scholarship on the politics of death in modern South Africa. And in the greatest privilege of his life, Dr. Dennie served as a speechwriter for Nelson Mandela in the battle to destroy white rule in apartheid South Africa.

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What if the medicine you need was growing right outside your door? We sit down with author and farmer Aleya Fraser to trace the living thread of Caribbean herbalism as she details in her new book Caribbean Herbalism: Traditional Wisdom and Modern Herbal Healing. 

Together, we unpack the tension between modern convenience and disappearing habitats, and we get practical about what to do next: how to identify plants safely, why relationship matters more than hype, and where citizen science can meet peer-reviewed research without losing soul. We talk creolization—the way Indigenous, African, European, and South Asian traditions fused into today’s remedies—and why names matter, from “guinea hen weed” to Latin binomials that help us translate across islands. 

If you’re in the diaspora or on the islands, you’ll find clear steps to reconnect: sit with elders, join a local farm or foraging group, support growers protecting habitats, and keep a simple log of what teas and tinctures do for your body. This conversation opens a another gate into herbal practices that are accessible, rigorous, and deeply Caribbean—where story and science enrich each other and wellness returns to the commons. If this speaks to you, subscribe, share with a friend who loves bush tea, and leave a review to help more listeners find these roots.

Aleya Fraser is a land steward and ethnobotanist with a strong lineage of land-based people. She has spent the last 12 years managing and founding farms and deepening her herbal knowledge through communing with elders, practice, and scientific research. Aleya uses her bachelor's degree in physiology and neurobiology as well as the ancestral wisdom in her fingertips to guide her studies and research interests. She blends her upbringing in Maryland with a strong focus on Trinidadian roots in her writings. She is considered a pollinator of people and weaver of landscapes. Aleya managed and cofounded farms in Baltimore City, on the Eastern Shore of Maryland, in Northwest Virginia, and now, in her ancestral lands of Trinidad and Tobago, where she lives with her husband and daughter. She can be found on Instagram (@naturaleya) or online at naturaleya.substack.com.

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What if everything we thought we knew about Caribbean literary history was incomplete? That's the premise of today's captivating conversation with Professor Alison Donnell, whose groundbreaking new book, Lost and Found: An A to Z of Neglected Writers of the Anglophone Caribbean (Papillote Press 2025), challenges the traditional narrative that Caribbean literature primarily emerged in the 1950s through male writers who migrated abroad. Through painstaking research spanning decades, Donnell reveals a far richer literary landscape populated by remarkable women writers, Indo-Caribbean voices, and authors who remained within the Caribbean, crafting work specifically for local audiences.

The stories behind these recoveries are as fascinating as the writers themselves. We meet Vera Bell, the first female chief clerk of Jamaica's National Water Commission and prolific poet; Monica Skeet, who balanced a conservative teaching career with radical storytelling; and Edwina Melville, the first woman with a tractor license in Guyana who dedicated herself to representing Amerindian life. These weren't just writers – they were teachers, journalists, civil servants, and community leaders whose literary work formed part of a broader mission to build Caribbean cultural literacy.

Whether you're a Caribbean literature enthusiast or simply love stories of historical recovery and justice, this episode will transform how you understand the relationship between literature, identity, and cultural memory. Listen now to discover the writers who helped shape Caribbean consciousness long before we knew their names.

Alison Donnell is head of Humanities and Professor of Modern Literatures in English at the University of Bristol. She has published widely in the field of Caribbean literature, with significant contributions to the fields of literary history and culture, recovery research of women authors, and Caribbean literary archives. Her recent works reflect her ongoing commitment to exploring and expanding literary histories, including a special double issue of Caribbean Quarterly on Caribbean Literary Archives. Her latest monograph Creolized Sexualities: Undoing Heteronormativity in the literary imagination of the Anglo-Caribbean was published by Rutgers in 2021.

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In the mid-20th century Caribbean, cinema became a powerful tool for nation-building, education, and political messaging through two remarkable organizations with surprisingly parallel methods but divergent ideologies. Dr. Pedro Noel Doreste Rodríguez joins us for this enchanting history in celebration of Hispanic Heritage Month.

The story begins in 1949 when Puerto Rico established the Division of Community Education (DIVEDCO), creating films that taught rural communities practical skills while reinforcing cultural identity within the island's complicated relationship with the United States. Ten years later, revolutionary Cuba founded the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC), similarly using cinema to educate citizens but through an explicitly socialist lens. Both organizations deployed mobile cinema units, bringing film to remote villages alongside community discussions and educational programs. These weren't Hollywood productions seeking profit, but state-sponsored projects with clear political objectives.

Perhaps most surprising is Cuba's relationship with American cinema despite the US embargo. The ICAIC organized pirated screenings of films like The Godfather, viewing them as critiques of American capitalism rather than threats to revolutionary values. This openness to global cinema influences, filtered through a revolutionary perspective, helped shape Cuba's enduring film tradition. What can these remarkable cultural experiments teach us about the power of cinema as both art and political instrument? The answer lies in understanding how these films didn't just entertain audiences—they helped shape Caribbean identities during one of the region's most transformative periods.

Pedro Noel Doreste Rodríguez is Assistant Professor in Film Studies at Michigan State University and Co-Director of the Manchineel Project. He is a historian of Latin American, Caribbean, and Latinx film and media whose research surveys cinematic encounters between the global North and South, diasporic and exile filmmaking, and avant-garde film cultures in and of the Hispanic Caribbean. He is coeditor of the anthology "Vivirse la película: Methods in Puerto Rican Film Studies," forthcoming from Centro Press.

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Storytelling lies at the heart of Caribbean identity. Award-winning filmmaker Alyscia Cunningham joins us to unravel the power of Caribbean folklore through the lens of modern cinema. As a first-generation Trinidadian-American, Cunningham's childhood was filled with spine-tingling tales from her parents' homeland in southern Trinidad. Today, she channels those experiences into her documentary and narrative horror films, creating what she calls "impact art" – creative works designed to educate audiences and spark meaningful conversation.

We dive deep into Cunningham's filmmaking journey with Douen and Douen II, exploring why this particular folklore figure – a mischievous childlike spirit who died before baptism – resonated so strongly with her. The conversation reveals fascinating insights about the challenges Caribbean filmmakers. Beyond entertainment, Cunningham's work serves as a crucial bridge between generations, preserving cultural knowledge while making it accessible to contemporary audiences who might otherwise never encounter these traditional tales. Her approach demonstrates how Caribbean horror folklore can evolve without losing its essence, honoring ancestral wisdom while ensuring its survival. Discover how ancient Caribbean folklore finds new life on screen, and why these stories matter now more than ever. 

Alyscia Cunningham is an award-winning impact artist, author, filmmaker, tactile artist, and photographer who has contributed to the Smithsonian, National Geographic, Discovery Channel and AOL. Her work focuses on women discovering their strengths and surviving challenging circumstances. Rooted in her identity as a first-generation Trinidadian American, Alyscia’s early fascination with storytelling was sparked by the tales of resilience, folklore, and life lessons shared by her Caribbean elders. These narratives of triumph over adversity and cultural heritage fuel her creative passion, driving her work in both documentary and narrative filmmaking. Alyscia is also the Founder and Executive Director of Her House Media LLC, focusing on production of documentary and horror films written and directed by women of color.

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When we lose a loved one, the stories they carried often disappear with them—unless we find ways to preserve them. This powerful truth drives creative consultant Calvin Walker's experimental audio project "Daylight Come," which traces his family's migration from Jamaica to the United Kingdom and connects deeply personal narratives to broader historical movements. Calvin walks us through his creative process, from attempts at writing and filmmaking to his eureka moment when discovering AI-generated voices could provide the emotional distance needed to tell difficult stories. What unfolds is a masterclass in cultural preservation that weaves individual experiences with pivotal historical contexts like Windrush, colonial legacies, and the formation of Caribbean communities in postwar Britain.

Most compelling is Calvin's passionate defense of documenting seemingly "ordinary" family histories: "The more stories, even if they're banal, that get put down with dates and times and facts, the harder it is to sweep them away and say it didn't really happen like that." In an era when historical narratives are contested and sometimes erased, these personal archives become powerful acts of resistance and remembrance. Have you considered documenting your own family's journey? Calvin offers practical advice for getting started with modern tools that make preservation more accessible than ever. Recording these histories builds bridges across generations and oceans, ensuring cultural legacies endure beyond individual lifetimes.

Calvin Walker is a Jamaican-born creative consultant with British and French nationalities. His work bridges visual arts, storytelling, and cultural advocacy, shaped by a background in photography and technology. After starting out as an independent photographer, Calvin moved into multimedia development and later spent twenty years at Film France, where he developed international partnerships and promoted France as a global hub for film and post-production. He collaborates with artists, filmmakers, and institutions around the world, and has contributed to major industry events such as the Cannes Film Market, FOCUS London, and Berlinale EFM. Calvin also advises art and design schools and is the creator of Daylight Come, an experimental audio project exploring ancestry, migration, and memory.

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What drives someone to pick up a camera and document untold Caribbean history with no formal training? For Richard Vaughn, it was a simple realization: the political stories that shaped the modern Caribbean were either missing from film archives or told through a heavily biased lens. Vaughn takes us on his remarkable journey from curious Jamaican-American to award-winning documentary filmmaker. With us, he describes what would become "The Love Trilogy" – three powerful documentaries examining pivotal Caribbean political figures: Michael Manley of Jamaica, the Grenada Revolution, and Cheddi Jagan of Guyana. The trilogy's name emerged organically from Manley's own words about his political movement: "The word is love."

The conversation weaves together reflections on Caribbean self-determination, the connection between political movements and cultural expressions like reggae music, and practical advice for aspiring documentarians. Vaughn's simple guidance resonates beyond filmmaking: identify what needs preserving in your community's history, start with whatever resources you have, and persist despite obstacles. Listen now to discover how documentary film serves as both historical preservation and a tool for balanced understanding of the Caribbean's complex political landscape. What stories in your community deserve similar documentation?

Richard Vaughan born in New York to Jamaican immigrants in 1980. Driven by a passion for his culture and determination to educate and tell stores that history often forgets. Winner of the Madrid International Filmmaker Festival 2017 for Best Editing of a Documentary and the 2017 Van Gogh Award: Prodigy Auteur at the 2017 Amsterdam Film Festival for his second documentary Rolling Along: An Inline Movement. Previous credits include The Word is Love: Jamaica's Michael Manley (2012), Rolling Along: An Inline Movement (2017), Four Years of Love: The Grenada Revolution (2021), The Price of Love: Cheddi Jagan (2024). Films available here. 

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 Thirty-five years ago on July 27, 1990, Trinidad and Tobago experienced a shocking violation of its democratic foundations when Yasin Abu Bakr and the Jamaat al-Muslimeen stormed Parliament and the national television station, holding the Prime Minister hostage and declaring the government overthrown. This episode delves into a Caribbean coup that rarely makes the history books but lives on in the memory of Trinidadians who witnessed it. Writer Esker David Johnson joins us to share his personal connection to the event. Together, we uncover the economic and social conditions that fertilized the ground for this uprising, from Trinidad's oil-dependent economy to the marginalization of Afro-Trinidadian communities that Abu Bakr claimed to champion.

But the most fascinating aspect of this coup isn't just that it happened—it's what didn't happen afterward. Despite the violence, the hostage-taking, and approximately 30 deaths, the perpetrators walked free due to amnesty agreements signed under duress. This extraordinary lack of consequences created what Johnson describes as a "recalibration" of Trinidad's national identity, a wound in the country's relationship with justice that shapes crime and politics to this day. Through calypso, cultural memory, and comparative history, we trace the echoes of this event through Trinidad's later struggles and are reminded that memory, justice, and national identity are inextricably linked. 

Eskor David Johnson is a writer from Trinidad and Tobago and the United States. His debut novel Pay As You Go was a finalist for the Center for Fiction First Novel Prize as well as the the New York Public Library Young Lions Fiction Award. A professor of Fiction Writing at Stony Brook University, he lives in New York City. Also check out Johnson's recent piece on the coup, "Sisyphus in the Capital." 

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Freedom wasn't granted—it was seized through blood, sweat, and unwavering resistance. Across the Dutch and Danish Caribbean colonies, enslaved Africans fought against brutal systems of oppression that are often overshadowed in mainstream historical narratives focused on British, Spanish, and French colonial powers.

When thousands gathered in St. Croix on July 2nd, 1848, led by freedom fighter General Buddhoe (Moses Gottlieb), they weren't asking politely for their liberation. They threatened to burn Frederiksted to the ground, forcing the Danish governor to declare immediate emancipation. This powerful act of collective resistance is why July 3rd remains sacred in the U.S. Virgin Islands, commemorated through Freedom Week celebrations that honor ancestral sacrifice and triumph.

Meanwhile, in the Dutch Caribbean territories like Suriname, Curaçao, and Aruba, emancipation arrived decades later in 1863—and even then with the cruel stipulation that the formerly enslaved would be required to work an additional decade on the plantations where they had suffered. This delayed freedom, finally realized in 1873, is now celebrated as "Keti Koti" (the chain is broken), a powerful testament to resilience against Dutch colonial brutality. 

The colonial footprints of the Netherlands and Denmark—alongside brief periods of Swedish and Portuguese occupation—remain etched in Caribbean legal systems, languages, demographics, and collective consciousness. By amplifying these overlooked histories, we honor the full spectrum of Caribbean resistance and recognize that every Emancipation Day represents a hard-won victory by those who refused to accept bondage as their fate. Our ancestors' struggle for dignity continues to illuminate our path forward.

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When we picture World War I and II, we rarely envision Caribbean soldiers in RAF uniforms flying bombing missions over Nazi Germany or Trinidad's oil refineries fueling the Battle of Britain. Yet these overlooked contributions not only helped defeat fascism but transformed the Caribbean's political landscape forever. In this eye-opening episode, historian John Concagh joins Strictly Facts to uncover how over 15,000 Caribbean volunteers served in WWI and 6,000 more in WWII, despite facing what Concagh calls a "shadow color bar" within British forces. We explore the complex motivations driving Caribbean people to fight in these global conflicts – from colonial loyalty to active anti-fascism – and the bitter disappointment many faced upon being relegated to labor battalions rather than combat roles.

The conversation highlights remarkable individuals whose war service shaped their later political careers, including Errol Barrow, who flew 48 bomber missions before becoming Barbados' first Prime Minister, and Ulric Cross, whose 80 missions with the elite Pathfinder force preceded his influential legal career across the post-colonial Caribbean. As Concagh powerfully observes, "When you've been shot at over Germany at 20,000 feet in the middle of the night, the British aren't very scary anymore" – explaining how military service emboldened veterans to demand independence upon their return. Beyond military service, we discover how the Caribbean's strategic position and resources – from Trinidad's aviation fuel to Jamaica's bauxite – proved crucial to Allied victory. From wartime calypso songs mocking Hitler to today's memorial sites across the region, this episode reveals how the Caribbean's war experiences continue to shape cultural memory and national identity. Listen now to understand how fighting fascism abroad inspired the fight for freedom at home.

John Concagh is a historian from London whose work focuses on the relationship between Britain’s African and Caribbean colonies and the challenges of the Second World War. Follow John online. 

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Caribbean American Heritage Month invites us to explore the rich tapestry of identities that shape our diaspora experience. In this episode, we uncover the fascinating yet often overlooked story of "The Merikins" – formerly enslaved Black people who joined British forces during the War of 1812 and later established thriving communities in southern Trinidad. After gaining their freedom through military service, these remarkable individuals received land grants from the British in 1815-1816. In Trinidad, they built productive agricultural settlements, but their contribution extends far beyond farming. They maintained powerful cultural and religious traditions that are still recognized today.

Discover more about this remarkable chapter in Caribbean history with us. And while you celebrate Caribbean American Heritage Month, don't forget to check out our first-ever merch drop, curated playlist, and reading list on our website!

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The forgotten liberation of thousands stands at the intersection of British military history and the African diaspora. When historian Matthew Taylor stumbled upon brief mentions of Black soldiers in British uniform during the War of 1812, he brought to light an extraordinary story of self-emancipation that would reshape communities across the Caribbean. The Colonial Marines—a unit of formerly enslaved Americans who joined British forces—represents the largest successful liberation movement between the Haitian Revolution and British abolition. This story reveals the remarkable agency of enslaved individuals who recognized opportunity amid conflict and negotiated their freedom through military service.

Following the war, approximately 900 Colonial Marines and their families resettled in southern Trinidad, organized by military companies—which explains why communities today still bear names like "Third Company" and "Fourth Company." These settlements became known collectively as the "Merikins," maintaining distinct cultural practices including Virginia Baptist traditions and specific rice cultivation techniques from Georgia. This history offers a powerful lens for understanding Caribbean identity formation beyond simplified national narratives. The Colonial Marines story reveals how liberation movements connected Africa, the Americas, and the Caribbean through networks of resistance and community building that continue to shape identities today.

Matthew Taylor is a historian & author of Black Redcoats: The Corps of Colonial Marines, a history of African-American escapees from slavery who became British Marines in the War of 1812 (1812-1815). This all-volunteer unit formed a unique & powerful force which had a significant impact on that war, and who secured free futures for themselves & their families in British territories even as the British Empire remained slave-holding. Matthew's work has been called exciting & ground-breaking, and is currently under consideration for a PhD by prior publication.

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What remains of Caribbean identity when our most treasured traditions begin to shift? Bridging thoughts from our recent episodes, I tackle this profound question on cultural evolution. Caribbean culture has never been static—born from struggle, layered with influences, and shaped by resistance, our traditions have always been in motion. But what do we make of it when these traditions are to slip away?

There is a natural grief or worry in this loss, but perhaps we can also consider that culture never truly disappears; it simply translates and transforms. The heart of Caribbean identity persists in unexpected places. Our indomitable spirit of rhythm and rebellion continues today as we adapt to new technologies and circumstances. This isn't to dismiss the importance of preservation. Documenting stories, supporting local artists, and archiving our heritage matters deeply. But we can simultaneously honor what's fading while celebrating what's being born.

What does being Caribbean mean to you when old ways shift? Do you see echoes of our traditions in new forms? Share your thoughts through email, DM, or send a voice note through our website. This podcast is our collective story—and that story is still being written.

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Step into the Caribbean front room – that formal, pristine space with plastic-covered furniture, carefully displayed china, and family photographs that many Caribbean descendants immediately recognize. Dr. Stacey Scott joins us to explore how this distinctive domestic space functions as both cultural archive and architectural expression.

We dive deep into what Dr. Scott calls "Caribbean domesticity" – the language, care, memory, and rituals that shape our understanding of home. The front room emerges as a powerful site where seemingly contradictory impulses coexist: colonial respectability alongside cultural resistance, inaccessibility alongside preservation, formality alongside aspirational memory. For Caribbean families, particularly those in diaspora, these curated spaces become theaters of identity where family histories, migration journeys, and cultural values are displayed and transmitted across generations. Dr. Scott challenges us to recognize these domestic practices as legitimate architecture – not just decoration but sophisticated spatial philosophy created by our mothers and grandmothers without formal recognition.

Whether you grew up with a front room you weren't allowed to sit in or you're curious about the ways cultural memory is preserved through domestic space, this episode offers a fresh perspective on how Caribbean people have always been architects of their own experience. Listen now to discover how something as seemingly simple as a room with plastic-covered furniture reveals complex histories of dignity, aspiration, and cultural preservation.

Stacy Scott is an architectural researcher whose work centers on designing spaces for environments where permanence doesn’t apply. Her research focuses on temporary architecture, small-scale design, and how communities respond to climate change and social shifts. From Caribbean coastlines to health spaces, Stacy examines how architecture can respond to uncertainty, fragility, and cultural memory. Her work blends identity, resilience, and community care, always exploring real-world solutions for the spaces we live, work, and exist in.

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The Caribbean's artistic traditions reveal profound truths about our history, identity, and resilience. Keisha Oliver,  PhD candidate at Penn State, joins Strictly Facts as we discuss Bahamian visual culture that challenges conventional understandings of Caribbean creativity. From the gendered practice of straw craft—where women wove not just materials but stories across generations—to the radical educational approaches of forgotten art pioneers, this conversation uncovers how visual expression became a battleground for decolonization. Horace Wright traveled between islands as the Bahamas' only art educator during segregation, while Donald Russell created alternative spaces where Black and white students could learn together despite societal barriers. Their stories reflect the complex migratory patterns that define Caribbean identity itself: birth in one nation, heritage from another, and contributions to a third.

Most provocatively, Oliver poses an existential question gaining urgency as climate change threatens island nations: "How do we preserve who Bahamians were outside the physicality of the Bahamas?" This challenge demands innovative approaches to cultural documentation that honor indigenous and African diasporic traditions while embracing new technologies and platforms. By framing arts education as a form of Black radical thought, this episode reveals how cultural expression functions as political resistance and nation-building. The conversation ultimately demonstrates that art doesn't merely reflect Caribbean identity—it actively creates it, serving as both anchor to our past and compass toward our future.

Keisha Oliver is Bahamian assistant professor of Art and Design at the University of The Bahamas, and a PhD candidate in the dual-title Art Education and African American and Diaspora Studies program at the Pennsylvania State University. As an artist-scholar whose research intersects heritage studies and arts pedagogy, Oliver’s current work focuses on mid-twentieth century transcultural African diasporic art histories and archives. She currently stewards the Charles Blockson Collection of African Americana and The African Diaspora at Penn State and serves on several boards for arts organizations in the Caribbean and United States. Her research has been published internationally in the areas of museum studies, visual arts research, Bahamian art, and Caribbean art history.

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Have you ever wondered about the beautiful complexity that arises when different cultures blend? The Caribbean term "Dougla" captures exactly that—specifically describing people of mixed African and Indian heritage in Trinidad and Tobago, Guyana, and Suriname. Today we unpack this fascinating identity that emerged from the region's colonial past of enslavement and indentured servitude. Derived from the Hindi word "Dogala" (meaning "double" or "mix"), the term once carried negative connotations but has been powerfully reclaimed as a symbol of pride. 

This blending of worlds symbolizes the Caribbean's remarkable capacity for cultural resilience and reinvention. It reminds us that some of humanity's most beautiful creations emerge at the intersection of different traditions. Subscribe to Strictly Facts for more explorations of Caribbean history and culture, and join our conversation about the diverse heritage that shapes our world today!

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The Caribbean's financial revolution has been quietly unfolding for generations. We delve into the powerful world of rotating savings and credit associations (ROSCAs) known throughout the region as Padna, Susu, Boxhand, and countless other names. Dr. Caroline Hossein joins us as we reveal how these grassroots financial systems challenge Western capitalism by prioritizing collective wellbeing over individual profit.
 
We trace these practices through the Middle Passage to contemporary Caribbean communities and their diasporas worldwide. Dr. Hossein shares fascinating insights from her research documenting these "banker ladies" who organize and manage these systems with remarkable financial acumen. These community banking practices aren't relics of the past but living demonstrations of alternative economic possibilities – showing how financial systems can be democratized and made to serve community needs. For anyone interested in economic justice, community building, or Caribbean cultural resilience, this episode offers profound insights into how ancient wisdom continues to create pathways to freedom and prosperity.

A multi-award-winning scholar, Dr. Caroline Shenaz Hossein is Canada Research Chair in Africana Development and Feminist Political Economy and Associate Professor of Global Development & Political Economy at the University of Toronto. Hossein is founder of the Diverse Solidarity Economies (DISE) Collective, which involves a wide range of feminist scholars concerned with building a human economy. Hossein’s research navigates solidarity economies–a movement started in the Global South–which prioritizes social profitability over financial gain. She is the author of over 50 scholarly publications, including The Banker Ladies: Vanguards of Solidarity Economics and Community-Based Banks (2024) and produced a documentary of the same name, both about Black women’s participation in mutual aid. 

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Dive into the extraordinary story of Lumina Sophie (1848-1879), a lesser-known yet powerful figure in Caribbean history, as we explore her inspiring journey during a time of revolutionary fervor. Born in a post-emancipation Martinique, Sophie defied traditional gender roles by leading a revolt for liberation while pregnant, embodying the spirit of resilience and unwavering courage. 

As we discuss the historical context of her actions, we’ll unpack the events that led to her participation in a movement sparked by injustice. Learn how a violent encounter fueled a collective uprising, driven by the will of Black Martinicans, and discover how women, including Sophie, played a vital role in the pursuit of freedom and equality. This episode emphasizes the sheer power of community activism and the critical voices of women throughout history, which often remain unheard. Join us as we celebrate Women’s History Month by shining a light on the incredible legacy of Lumina Sophie—a trailblazer who’s fight for justice continues to inspire all of us today!

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Join Strictly Facts as we uncover the hidden stories of the Caribbean's military past, featuring the intriguing West India Regiments established by the British Army. Our guest, Isaac Crichlow, a graduate student from the University College of London, helps us explore the paradoxical roles of these soldiers, who found themselves fighting both for and against colonial powers, shedding light on their complex identities and the duality of their existence.

We delve into the precarious position of enslaved African soldiers within the British Empire, where promises of freedom often clashed with the harsh reality of servitude. Additionally, we highlight the tensions between allegiance to the British Empire and racial identity, illustrating how these men navigated their challenging roles, sometimes embracing British military ideology and other times resisting it. Our conversation culminates in a discussion about the enduring legacy of the West India Regiments and their significant, yet frequently overlooked, contributions to global conflicts like the Napoleonic Wars. We celebrate WIR soldiers' diverse backgrounds and shared experiences and amplify their impact on both Caribbean and world histories.

Isaac Crichlow is a PhD student researching Caribbean history at UCL. He is primarily interested in the transference of African culture to the Caribbean through transatlantic enslavement, and it’s use by the enslaved in new contexts as a tool for resistance and survival. His research, funded through a studentship with the Centre for the Study of the Legacies of British Slavery (CSLBS) focuses on the West India Regiments, units of formerly enslaved African soldiers. It examines the core function of the regiments, analyses the treatment of the soldiers by the British Army, and looks at how the soldiers reacted to their treatment by military. Through this approach he creates a different interpretation of the provenance of the WIRs, their role in Caribbean slave society and relationship with the British Army. 

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Journey through Black history and Caribbean connections, revealing the incredible legacy of Black missionaries in the British and Dutch Guianas. Dr. Briana Royster joins us to discuss how the African Methodist Episcopal Church and the National Baptist Convention played pivotal roles in connecting African American and Afro-Guyanese communities during the 19th and 20th centuries, connecting diasporic communities across the Atlantic and illuminating the intertwined stories of migration, race, and empowerment that span the Caribbean and the Americas. This episode sheds light on the shared struggles and cultural nuances, Black internationalism through religion, and how even Garveyism found contrasting receptions across lines of faith..

Turning our focus to the influential role of Afro-Guyanese women, we highlight the contributions of figures like Mrs. Dorothy Morris and Mrs. Constance Luckie. These trailblazers leveraged mutual aid networks and navigated church bureaucracy to secure vital community resources. We discuss the importance of oral history and personal archives and the often-overlooked influence of religion on global Black solidarity and social justice. Join us as we celebrate these unsung heroes and reflect on the enduring power of faith to unite and uplift Black communities worldwide.

Briana Adline Royster is an Assistant Professor in the Department of Gender and Race Studies at The University of Alabama. She received her PhD in History from New York University with concentrations in African Diaspora history and Latin American and Caribbean history. Her research interests center the histories of Black women primarily in the United States and the Caribbean during the first half of the twentieth century. Follow Dr. Royster on X. 

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Learn about the visionary leadership of Jose "Cha Cha" Jimenez (August 8, 1948 – January 10, 2025), who turned the Young Lords from a street gang into a powerful political force. Jimenez, inspired by the Black Panther Party, reshaped the landscape of Latino activism in the U.S., addressing systemic racism, poverty, and police brutality. This episode promises to enrich your understanding of the Young Lords' bold initiatives, such as the 1969 Garbage Offensive and their pioneering community programs that continue to echo through today’s social justice movements.

Join Strictly Facts as we reflect on the enduring impact of Jimenez's role in advocating for Latino rights and broader racial justice. Explore how his alliance with the Rainbow Coalition created a multicultural movement that challenged the status quo and inspired future generations. Despite the disbandment of the Young Lords in 1976, their legacy remains a vital part of the ongoing fight for equality and community empowerment. Tune in to understand how Jimenez's contributions continue to inspire new activists in their pursuit of social change and recognition of Latino history and rights.

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As we kick off a new year and celebrate five incredible years of Strictly Facts, we're taking a fresh angle by focusing on those narratives that lie just beneath the surface, often ignored by mainstream stories. This year, we're shining a light on hidden treasures. These overlooked stories not only enrich our understanding of our past but also forge stronger connections among Caribbean voices worldwide.

I'm Alexandria Miller, your guide on this journey, and I'm excited to invite you to become a part of our Strictly Facts family. We're celebrating milestones like our 100th episode and encouraging you to share your own between-the-lines stories. With each episode, we aim to connect historical themes to contemporary music, popular culture, and current events, painting a vibrant picture of our Caribbean nations' evolution. Subscribe, follow us on social media, and share this journey as we explore the depths of our shared history and culture for 2025!

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Art speaks volumes about history and resilience. Join us as we chart the artistic evolution of the Cayman Islands with Maia Muttoo, Education Manager at the National Gallery of the Cayman Islands. With her fascinating pan-Caribbean roots, Maia offers a unique perspective on how storytelling, history, and art intertwine to shape the Caribbean narrative. Our journey takes us to the heart of the Cayman Islands, where the spirit of creativity thrives amid challenging environments. Discover the remarkable craftsmanship and ingenuity of Caymanians, from the iconic Cayman Catboat's maritime legacy to the meticulous art of thatch basketry. This episode highlights the traditional skills that have been passed down through generations, revealing a blend of survival and artistry that remains integral to Caymanian identity. 

Artistic expression in the Cayman Islands continues to evolve, fueled by a dynamic blend of traditional crafts and contemporary influences. Whether you're captivated by the evocative seafaring heritage captured by Simon Tatum or the intuitive dream-inspired art of Miss Lassie, this episode invites you to experience the Cayman Islands' rich artistic landscape and the cultural connections that inspire it.

Maia Muttoo is a cultural professional interested in the role of arts-based programming, storytelling and events in education, public outreach, and the enlivening of community. She is the Education Manager at the National Gallery of the Cayman Islands (NGCI) where her work supports community engagement with NGCI’s visual art collections, exhibitions and initiatives through the development, implementation and evaluation of public programmes and resources. Muttoo holds a MA with distinction in Cultural and Creative Industries from King’s College, London, and a BA (Hons) in History from the University of Toronto. She has participated in the Museums Association of the Caribbean’s annual conference since 2022, and has been involved in a range of cultural projects locally and regionally through her work with both public and private organisations as a writer, educator, and events/programmes coordinator. Muttoo was an exhibiting artist in the 3rd Cayman Islands Biennial, Conversations with the Past in the Present Tense, and is the recipient of a Heritage Cross Award (Mid-Career) at the Cayman National Cultural Foundation’s 2023 National Arts and Culture Awards. 

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Our history of migration spans across the world. Join us as we journey with Alya Harding, a community organizer and PhD student, who shares her heartfelt exploration of Sierra Leonean Creole/Krio culture and her personal quest to uncover her Trinidadian roots. We examine the historical migrations that have woven a diverse Creole culture, bringing together Africans, African Americans, and Afro-Caribbean individuals in Sierra Leone. Alya's narrative of growing up in post-civil war Sierra Leone, paired with her newfound connections to her Caribbean heritage, paints a vivid picture of identity and belonging within the African diaspora.

This episode offers a thoughtful reflection on the complex layers of Creole culture, as seen through the lens of "roots versus routes" by scholar Paul Gilroy. We discuss the spiritual connections that bind African and Caribbean people, bolstered by historical movements such as the Haitian Revolution. The conversation also critically examines the romanticized idea of "returning" to Africa. We challenge the commercialization and exclusivity of this concept, advocating for genuine engagement with local communities and learning from past social movements. Alya enriches the dialogue with her personal anecdotes, and together we explore the enduring quest for freedom within Black communities worldwide. Dive into these narratives and gain access to further resources on the Strictly Facts podcast website, as we continue to explore these essential themes in our ongoing series.

Alya Harding, is a community organiser based in East London, concerned with issues of gender-based violence, migration, and agency. Alya’s activism and academic pursuits are deeply influenced by her early childhood in post-civil war Sierra Leone, shaped by the resilience of her Krio heritage and the richness of creolised cultures. She is particularly drawn to storytelling as a means to explore the tensions between theory and practice, grounded in a feminist approach that reimagines identity and freedom at the intersections of race, gender, and empire. Alya’s PhD research through an intergenerational discourse seeks to explore feminised migratory survival modes through the family pathology of African female headed households across Britain. In particular, examining how these practices affect their children, especially how they have shaped their daughters’ views on identity, belonging and healing.

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Have you ever considered how the people we associate with one Caribbean island might actually hail from another, and how these stories of migration shape identities? Join me as we uncover the intriguing tales of Caribbean icons and their unexpected island origins. This episode of Strictly Facts takes you on a journey through the intertwined histories of the Caribbean, starting with Grenadian leaders Sir Eric Gairy and Maurice Bishop, whose roots stretch to Aruba, and extending to cultural figures like Rita Marley and the Mighty Sparrow, who have left indelible marks across multiple islands.

Immerse yourself in narratives that reveal the profound interconnectedness of the Caribbean region. Discover how Jamaican theater stalwart Randolph Williams began his life in Panama, and learn about Trinidadian model Sintra Bronte's surprising rise to become the face of Jamaican tourism. These stories highlight the fluidity of Caribbean identity and the vibrant cultural tapestry woven from movements across the islands. Tune in for a riveting exploration that reshapes our understanding of heritage, migration, and cultural influence throughout the Caribbean.

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What can Aruba teach us about cultural resilience and the quest for autonomy? Join Strictly Facts as we sit down with Dr. Gregory Richardson from the Instituto Pedagogico Arubano to unveil the intricate layers of Aruba's history and culture. Dr. Richardson, a notable educator and researcher, sheds light on how Aruba's unique status within the Kingdom of the Netherlands, known as status aparte, was realized in 1986. Together, we explore the island's indigenous roots, colonial legacy from Spain, Britain, and the Netherlands, and the powerful role activism has played in shaping Aruba's identity today.

Our conversation takes a deeper look into the political and cultural dynamics that have defined Aruba and the wider Dutch Caribbean over the years. We discuss the island's linguistic diversity, where Dutch serves as the language of instruction, yet Papiamento and Spanish hold cultural significance. The 1970s brought waves of calls for autonomy, and we dissect Gilberto François "Betico" Cruz's crucial leadership in achieving Aruba's separate status. As we navigate through the 2010 restructuring of the Dutch Caribbean and the ongoing debate over independence, we draw parallels with the situation in Puerto Rico and reflect on the complex identities that emerge from these small island societies. 

The episode crescendos with an exploration of Aruba's vibrant cultural expressions. Dr. Richardson helps us understand how the island's cultural practices are acts of autonomy, allowing Arubans to assert their identity beyond political boundaries. Experience the rich tapestry of Aruba's culture, where music and language are not just modes of expression but also tools of cultural assertion in this fascinating journey into Aruba's heart and soul.

Dr Gregory Richardson is an educator and researcher at the Instituto Pedagogico Arubano (Aruba), a part time lecturer at the University of Aruba and a postdoc researcher at the The Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV) . He has published several works on Calypso Music in Aruba and the region; also in the area of identity and diversity, Other areas of research include, general Latin American and Caribbean studies, sociolinguistics, music, practitioner-based research and education. He is also involved in community based activities.

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Join Strictly Facts as we share the captivating journey of education in the French Caribbean, focusing on Martinique's rich history throughout the 20th century. With the insightful PhD candidate Nora Eguienta by my side, we unravel the largely untold stories of women educators who profoundly shaped the educational and political landscape from 1920 to 1960. These women dominated teaching positions yet were conspicuously absent from leadership roles—a paradox that persisted until well into the late 1960s. Nora helps is to explore this intriguing dynamic, diving into historical narratives and the powerful activism led by figures like Paulette Nardal, challenging the biases that limited women's roles in education.

Our conversation also takes a scholarly turn as we discuss Patrick Chamoiseau's "Chemin d'école," providing a cultural snapshot of the 1950s schooling experience amid Martinique's transition into a French department. Through this lens, we address the educational challenges of cultural and linguistic barriers, while highlighting the unsung heroes who contributed to the island's rich history. From the impact of migration on teaching staff to the importance of curricula that reflected local histories, we weave a complex tapestry of topics that emphasize the profound influence of everyday individuals on the social history of the French West Indies. Join us in celebrating the resilience and contributions of those who paved the way for future generations.

Nora Eguienta is a PhD candidate in the Department of History at the University Paris 8—Saint-Denis. She is preparing a thesis titled “Les institutrices de l’école primaire laïque en Martinique des années 1920 aux années 1960.” Her research focuses on the history of education, especially on women teaching in elementary schools in Martinique during colonial and postcolonial times. Nora analyzes women professionalization in the context of development of public schools during the French Third Republic and studies their different types of political commitment as educated women living in a colonial society. She is also a certified teacher, teaching contemporary history at middle school, high school and college level. Follow Nora on Twitter and LinkedIn. 

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What if the rhythm of an island could reshape global music? In this episode, we are joined by Dr. Jessica Swanston Baker who both brings her rich family heritage and academic expertise to trace the roots and evolution of wylers, its integral role in Carnival, and reveal how Caribbean music has profoundly influenced the global soundscape.

Journey with us as we explore the dynamic evolution of Caribbean Christmas sports, with a special focus on the historical and cultural transformations in St. Kitts and Nevis. Dr. Swanston Baker sheds light on the technological advancements of the 1980s that propelled the development of wylers music, setting the stage for its contemporary form and challenging societal norms with its rapid tempo. Finally, we discuss the broader impact of globalization on Caribbean music in the 1990s and 2000s. Learn how affordable music technology enabled a new generation of musicians to bypass traditional pathways, reshaping the local and global music scenes. We also dive into the personal stories of navigating family history through ethnomusicology, highlighting the significance of tempo and poetic expression in Caribbean culture.

Jessica Swanston Baker is an ethnomusicologist specializing in contemporary popular music of the Circum-Caribbean. Her work centers on the intricate relationships between tempo, aesthetics, colonial legacies, and the intersections of race and gender in the region and its diaspora. Her book, Island Time: Speed and the Archipelago from St. Kitts and Nevis (University of Chicago Press, 2024), traces the sonic history and ethnographic present of wylers, a fast-paced style of music from St. Kitts and Nevis, examining how it reflects broader histories of colonization, Black femininity, and West Indian performance practices. Professor Baker earned a Ph.D. in Ethnomusicology from the University of Pennsylvania and a Bachelor of Music in Vocal Performance from Bucknell University.  

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Recently celebrating 62 years of independence, Trinidad and Tobago is regarded as one of the most successful nations in the Caribbean. However, what are the signs of a successful independent nation? In this episode, Dr. Zophia Edwards joins us to discuss the complexity of what constitutes “success” and the role of ordinary people in shaping the country’s trajectory.  The heart of our conversation centers on the pivotal role of working people in Trinidad and Tobago's progress both before and after independence. Despite the persistent structural dependencies on natural resources and foreign markets inherited from colonial times, the tenacity and mobilization of the working class have driven notable improvements in material conditions such as lower infant mortality and increased life expectancy. We explore how multiracial and multi-sectoral solidarity among workers, spanning industries from sugar to oil, has consistently fought for equitable wages, better working conditions, and broader societal change, culminating in robust democratic systems and enhanced human welfare.

Finally, we delve into the intersections of race, class, and culture in the Caribbean, highlighting the importance of understanding these dynamics to fully grasp the region's past and future. Discussions on how colonial power funneled different racial groups into specific economic sectors and how workers forged a multiracial movement against oppression, are complemented by the cultural resistance captured in Calypso music and social movements. Dr. Edwards also brings in perspectives from key scholars and contemporary thinkers, shedding light on recent movements and the exploitation of natural resources. Tune in to understand how historical legacies and grassroots organizing continue to shape the Caribbean's path towards justice and liberation.

Zophia Edwards is an Assistant Professor of Sociology at Johns Hopkins University. Her research examines race, labor, colonialism, state-building, and comparative development in the Global South. Her forthcoming book with Duke University Press examines the role of multiracial labor movements in state-building and equity-enhancing development in Trinidad and Tobago. She has published in academic journals such as International Journal of Comparative Sociology and her public scholarship appears outlets such as Monthly Review and Clash!

*Additional Note for the Discussion

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Embark on a remarkable journey through Caribbean history with us as we welcome Martine Powers, the senior host of the Washington Post Reports, as well as the host creator of the gripping series "The Empty Grave of Comrade Bishop." Martine's personal connection to the Caribbean, stemming from her Trinidadian heritage and family ties to Grenada, brings an intimate and profound perspective to the complex story of Maurice Bishop. Discover the intricate mysteries surrounding Bishop's execution and the enigmatic disappearance of his body, alongside speculations about possible US government involvement.

Creating this series was no small feat, and Martine's dedication shines through as she shares the challenges and triumphs faced over two years of meticulous reporting. Balancing her primary job, relentless travel, and the hustle of gathering credible sources, Martine's commitment to bringing Caribbean stories to life is nothing short of inspiring. Her journey underscores the cultural significance of accurate storytelling, especially for Caribbean Americans yearning to see their heritage represented with depth and authenticity.

The conversation delves into the politically charged atmosphere of Grenada during Maurice Bishop's era, offering a nuanced view far removed from the stereotypical vacation paradise. Through compelling anecdotes and powerful interviews, the discussion captures the intense experiences of those who lived through this turbulent time. It also shines a light on the often-overlooked histories of other Caribbean nations like Jamaica and Haiti, emphasizing the need for more stories that reflect the vibrant, resilient spirit of Caribbean people. Join us to uncover these untold narratives and gain a richer understanding of the Caribbean's multifaceted heritage.

Connect with Martine Powers - Martine.Powers@washpost.com

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What if your country had to fight for its independence not once, but twice? Join us as we unveil the incredible story of the Dominican Republic's Restoration Day, celebrated on August 16th. This episode of Strictly Facts explores the Dominican Restoration War from 1863 to 1865, during which the nation valiantly reclaimed its sovereignty from Spain. We'll highlight key figures like Santiago Rodriguez and Juan Pablo Duarte, who played essential roles in this epic struggle, and discuss how their leadership helped shape the country's national identity.

From the initial Cry of Capotillo to the final moments of victory, discover how the Dominican Republic's triumph inspired broader independence movements throughout the Caribbean, particularly in Cuba and Puerto Rico. Despite facing immense challenges, including attempts at annexation by multiple powers, the Dominican people’s resilience shone through. This episode is not just a recount of historical events but a tribute to the enduring spirit of a nation. Tune in to learn about the lasting impact of the Dominican Republic's Second Republic, and don't forget to follow us on social media to share your own reflections on Restoration Day and other significant milestones you’d like us to cover.

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With the renowned Notting Hill Carnival coming up at the end of the month, what a better time than now to reshare about the extraordinary life and work of one of its co-founders, activist and intellectual Claudia Jones. Jones was a pioneering Caribbean activist whose contributions have shaped movements for human rights and equality across the globe. From her roots in Trinidad and Tobago to her unyielding fight against racial and gender injustices in both the US and the UK, Claudia Jones’s legacy is a vibrant testament to the power of resilience and advocacy.

This episode of Strictly Facts is a tribute to her indomitable spirit, exploring her early involvement with the Junior NAACP and the National Urban League, her influential writings for the Communist Party, and her relentless activism even after being deported from the US. Learn about her pivotal role in founding Britain’s first major Black newspaper, the West Indian Gazette, her advocacy for the Windrush generation, and her unwavering commitment to equality. Tune in to hear how Claudia Jones not only challenged but transformed the landscape of activism for the Caribbean diaspora and beyond.

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In this episode of Strictly Facts, we're joined by Dr. Sanyu Mulira, a recent NYU graduate with a passion for feminism and anti-colonial activism in the Francophone Black Atlantic. Together, we discuss the intricate history of the French Caribbean through the Negritude movement and its impact on global Black intellectualism, illuminating the legacies the pivotal roles played by territories like Guadeloupe and Martinique.

We dissect the socio-economic landscape of the French Caribbean in the 20th century and explore the emergence of the Negritude movement. Special attention is given to influential figures such as Aimé Césaire and the Nardal sisters, whose contributions have left an indelible mark on global Black intellectualism. Through a fellow women's historian viewpoint, we also highlight lesser-known yet crucial contributors to the Negritude movement. We also shine a light on the grassroots activism led by communist women's groups in Guadeloupe and Martinique. These groups worked tirelessly to empower their communities by listening to what they needed. From the achievements of pioneering women like  Gerty Archimède to the ongoing efforts of contemporary activists, we underscore the importance of historical documentation in preserving these vital narratives. Tune in to appreciate the legacy of activists like Paulette Nardal and Gerty Archimède as we ensure their significant impact remains recognized and remembered.

Sanyu Mulira is a graduate of the African Diaspora History doctoral program at New York University. Her work looks at histories of feminism and anti-colonial activism in the Francophone Black Atlantic. In the fall 2024 semester, Sanyu Mulira will be an Assistant Professor of African Diaspora History at the Georgia Institute of Technology in the department of History and Sociology. 

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We continue our Caribbean culinary voyage with Haitian and Bajan cuisine alongside experts, Kerline Ordeus and Leanna Pierre. Together, we uncover the culinary ties between West African and Caribbean dishes, drawing enlightening parallels between the shared heritage of cassava and okra through Haitian tomtom and Barbados' national dish, flying fish and cou-cou.  We also honor the stories and traditions that make Caribbean food so special like Haiti's soup joumou to Bajan salt bread, illustrating how food preserves cultural identity. Join us as we unearth how ancestral practices and ingredients have been preserved and adapted, revealing the deep connections between food, culture, and history.

Leanna Pierre is a food blogger (under the name Mrs Island Breeze) and world traveler who loves to cook for her husband and children. A first-generation American, she is proud to be the daughter of her Barbados-born and raised parents. Leanna learned how to cook from her mother and her paternal grandmother and has continued to develop her skills over the years through various cooking classes and expanded her repertoire to include cuisines from all over the world. Leanna’s specialty is traditional Caribbean cuisine with a twist of “Southern Comfort” from living in Atlanta for the past 15 years.

The founder of Knockout Kitchen, Kerline Ordeus has been cooking for over 20 years. She learned how to cook from the villagers and her family in Haiti. They were taught by their parents and parents' parents. Haitian cuisine is all about flavors and techniques. A true labor of love. Like every Haitian, Kerline is very much in love with her island. What she remembers most is the beauty of Haitian people despite the hardships that they still face today, hence, her passion for people and why she loves cooking. Follow Kerline online.

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The food on our plates tell stories of colonialism, cultural resistance, and resilience. Join Strictly Facts and guest Dr. Mónica Ocasio Vega, esteemed cultural scholar, cook, and assistant professor at Trinity University for a fascinating culinary journey through the Hispanic Caribbean. Drawing inspiration from her father's activism and her academic background, she unveils how food intersects with race, gender, and class to shape the unique national cuisines of Puerto Rico, Cuba, & the Dominican Republic.

The United States has long, complex relationship with the Caribbean, impacting its nutritional spheres. Dr. Ocasio Vega helps us unpack these issues by exploring the layers of U.S. intervention, often disguised as aid, and its repercussions on traditional foodways. Particularly poignant is her discussion on Puerto Rico's colonial status and its challenges achieving true food sovereignty, considering the impact of agricultural policies like the Jones Act that have altered the food landscape. We also discover the interconnected histories of Caribbean food, shining a light on the oft-overlooked Chinese Caribbean cuisine. From the legacy of Chinese Cuban entrepreneurs to Afro-Asian fusion dishes, we explore the culinary diversity that defines the region. This episode is sure to enrich your understanding of the vibrant, multifaceted world of Caribbean food traditions.

Mónica Ocasio Vega is Assistant Professor of Spanish at Trinity University in San Antonio, Texas. Her research focuses on the intersection of food, race, and gender in the Caribbean and its diasporas. She describes herself first and foremost as a Puerto Rican cook, daughter, granddaughter, sister, and nourisher from el campo in Cabo Rojo. Her work has been featured on Gastronomica, Small Axe, Intervenxions, and Remezcla, among others. Follow Monica on X & Instagram. 

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Ever wondered how Caribbean cuisine became a melting pot of flavors and cultures? Join us for the first part of an eye-opening series with three culinary experts who have dedicated their lives to celebrating and preserving the rich food traditions of the Caribbean. Featuring Jamaican-Canadian chef Noel Cunningham, seasoned home cook and food writer Lesley Enston, and Guyanese-born food blogger Althea Brown, this episode promises to elucidate Caribbean culinary history and its global significance.

Discover the intricate stories behind iconic dishes like Jamaican jerk and Guyanese Pepper Pot, and learn how historical movements and colonization have infused Caribbean food with African, Indian, Portuguese, and Asian influences. We debunk myths about the simplicity and healthiness of Caribbean cuisine, revealing the complexity and nutritional richness that have been overlooked. Our guests offer invaluable insights into the labor-intensive processes and cultural significance behind these beloved dishes, enriching your appreciation for this diverse food culture.

We also tackle the fine line between celebrating Caribbean cuisine on a global stage and the risks of cultural appropriation. Learn from heartwarming personal anecdotes and professional experiences how Noelle, Lesley, and Althea are championing authenticity and respect in the culinary world. Tune in for a comprehensive, heartfelt exploration of Caribbean food culture that will leave you both informed and inspired. Don't forget to check out strictlyfactspod.com for more resources and follow us on social media for ongoing discussions.

Be sure to follow Althea, Lesley, and Noel and support their work!

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From the cobblestone streets of Montego Bay to the airwaves of your favorite podcasting platform, Kerry-Ann Reid-Brown, founder of Breadfruit Media and producer of Strictly Facts, joins us as we reflect on the evolution of Strictly Facts: A Guide to Caribbean History & Culture and discuss her passion for Caribbean American narratives. 

Wading through the complex currents of Caribbean heritage, this episode serves as an audio compass guiding us through the shared experiences that unite the diaspora. Through the medium of podcasting, we unearth the common cultural threads—from migration patterns to the very words we speak—that bind us together, ensuring that our stories continue to thrive and reach new shores. We harmonize over the show's vision, the historical narratives infused with cultural revelations in segments like Strictly Facts Sounds, and share some of our favorite moments and episodes, revealing the profound impact of memorializing events like the Kendal Railway Tragedy for future generations. So tune in, as we celebrate Strictly Facts on the eve of Caribbean American Heritage Month and our love for Caribbean storytelling through podcasting. 

Kerry-Ann Reid-Brown is the founder of Carry On Friends, a digital platform. She is also the host, Carry On Friends: The Caribbean American Experience, a show with authentically energetic Caribbean vibes, and thoughtful dialogue around culture, heritage, career, and everyday life that make up the Caribbean American experience. Through Breadfruit Media, Reid-Brown produces content, specifically podcasts with a priority and emphasis on stories by Caribbean Americans on a variety of topics reflecting the diversity of experiences of the Caribbean’s global diaspora. 

When she is not producing or recording episodes, she is fostering a community with the Caribbean Podcast Directory which is a growing list of podcasts created by people of Caribbean Heritage whether in the region or in the diaspora. Professionally, Reid-Brown has over 15 years of experience in a variety of roles resulting in a unique blend of project management, HR, talent development, operations, customer relations and marketing experiences. I am currently a learning & development program manager for a management consulting company.

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Join us for a riveting discussion with Dr. Shani Roper, Curator at the University of West Indies Museum, as we celebrate a monumental event—the homecoming of the Jamaican Giant Galliwasp from Scotland, an emblem of natural heritage that's been away since the 1850s. The stirring tale of this lizard's return is not only a first in the repatriation of natural history specimens to the Caribbean region but also a testament to the collaborative spirit between international institutions.

Embracing the complexities of international diplomacy and reparations, we recount the behind-the-scenes efforts that paved the way for the Giant Galliwasp's return. Dr. Roper and I dissect everything from the meticulous negotiations and logistics involving the CITES (Convention on International Trade in Endangered Species) conventions to the detailed protocols that ensured the specimen's safe journey back to the Natural History Museum of Jamaica. The impact of this successful transfer extends beyond the mere physical possession—it's a powerful acknowledgement of Caribbean heritage, shaping policies and legal frameworks essential for the preservation of historical narratives.

Weaving the social history of the galliwasp into our discussion, Dr. Roper showcases a creature steeped in the folklore & collective memory of Jamaica. The episode also casts a wider net on the topic of artifact repatriation, considering the roles of diasporic communities and the necessary steps Caribbean nations must take to protect and honor their repatriated cultural property. As we celebrate this significant chapter in Jamaica's story, we invite listeners to reflect on the broader implications of this homecoming for our shared global history.

Shani Roper is Curator of the UWI Museum and has worked for twenty years in the museum sector in Jamaica. She is also Co-President of Museums Association of the Caribbean and holds a PhD (Rice University) in Caribbean history with a focus on Caribbean childhoods. Dr Roper has published on histories of Caribbean childhoods, poor relief and Caribbean perspectives on the museums.

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Joined by Mr. Kevin Farmer of the Barbados Museum and Historical Society, we explore identity, cultural preservation, and the journey of Caribbean museums from colonial-era institutions to centers that shape national consciousness and safeguard heritage. Mr. Farmer's insights illuminate the evolution of Caribbean museums, spotlighting their crucial role in giving voice to marginalized communities and confronting complex histories within their walls. We capture the essence of a collective awakening, when cultural policies and spaces like the National Art Gallery in Jamaica emerge, nurturing local talent and innovation, as well as national journeys to define identity through cultural institutions. We also tackle global resonance, the repatriation of artifacts, to discuss the wider challenges of decolonizing archaeology. From this episode, gain a richer appreciation for the power of museums in both reflecting and shaping our collective memory and identity.

Kevin Farmer is currently Deputy Director of the Barbados Museum and Historical Society (BMHS). As Deputy Director of the Barbados Museum, he has the responsibility for museum exhibition programming and capital campaign fundraising. He holds a Master’s degree in History (Heritage Studies) from the University of the West Indies, Cave Hill, Barbados, and has lectured in Archaeology at the Department of History at the University of the West Indies, St. Augustine, Trinidad and taught at the UWI Cave Hill in their MA Heritage Studies program.   

A member of the Barbados World Heritage Committee, he was site manager for the property Historic Bridgetown and its Garrison, and is currently site manager for the Newton Enslaved Burial Ground. Mr. Farmer is co-editor of the publication entitled:  Pre-colonial and Post-Colonial Contact Archaeology in Barbados (2019); Plantation to Nation: Caribbean Museums and National Identity(2012) along with articles written on cultural resource management, historical archaeology, and the future of heritage development.

A member of the International Association of Caribbean Archaeologists and Museum Association of the Caribbean he has provided expert advice to Regional partners on the 1970 Convention, Disaster Resilience, and Museum Development. His research interests include the creation of cultural identity in post-colonial states, the role of museums in national development, the management and curation of archaeological resources, and the role of heritage in national development. 

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Join us as we journey through the linguistic heritage of Saint Lucia with Soir Smith, a passionate St. Lucian Kwéyòl advocate, guiding us through the colorful landscape of French-based creole languages that flourish across the Caribbean. These tongues, far from just a derivative of French, are rich embodiments of culture, history, and identity. We unravel these histories woven from the threads of African, European, and Indigenous Caribbean peoples, challenging the notion that Creole is merely "broken French." Together, we celebrate the unique complexities of these languages, reflecting resilience in the face of colonization.

Our exploration deepens as we traverse the grammar and verb usage of St. Lucian Creole, uncovering how it is distinguished from its French roots. We dissect the verb 'to be,' marvel at the absence of silent letters, and ponder the historical weight carried by speaking Creole. Smith shares her journey, weaving personal tales and the profound motivation behind her mission to author a book on St. Lucian Creole. This episode isn't just a discussion; it's an homage to a language that represents freedom and unyielding ancestral bonds throughs linguistic liberation

As a passionate advocate for language and culture, Soir Smith has dedicated her life to preserving and promoting the rich heritage of Saint Lucian kwéyòl. With a deep love for writing, Smith has recently accomplished a significant milestone by completing her first book, a comprehensive guide to learning the language of Saint Lucian kwéyòl. An Introduction to Kwéyòl Sent Lisi serves as a testament to her commitment to preserving the essence of St. Lucian cultural identity. By providing a comprehensive guide, Smith aims to empower individuals to embrace and celebrate their unique linguistic heritage. Smith also actively engages with the community by offering kwéyòl lessons and advocating for the recognition and appreciation of kwéyòl in various spheres, including education, arts, and social initiatives. She remains steadfast in her mission to ensure that the language and culture of Saint Lucian kwéyòl along with the other Antillean French based creoles continue to flourish, enriching the lives of present and future generations. Follow Soir online on YouTube, TikTok, and Instagram. 

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The Caribbean is a region of a myriad of languages, Caribbean sign languages included. In this episode, we’re joined by Caribbean sign language scholar Kris M Ali to discuss the diversity of sign languages, from the shores of Jamaica to the Bay Islands. It's not just about communication; it's a tapestry of identity, history, and resiliency. We uncover the challenges faced by lesser-known sign languages and the potential harm of a one-size-fits-all approach to language policy. Our conversation traverses the cultural significance behind these languages, the vibrant activism of local communities that has sparked change, the battles for legal recognition, and the power these languages hold in fostering rights for the Deaf community. Join us for our first discussion and stay tuned for Part II coming soon. Be sure to check out the transcript of this episode here. 

Kris Ali is a PhD candidate in the department of linguistics at University of California Santa Barbara. Her research interests are broadly Caribbean languages, language documentation and description, social and linguistic justice for Caribbean people, decolonial theory, queer and trans linguistics and sign language linguistics. She uses collaborative and community-based research methods, is interested in indigenous research methodologies and follows the Caribbean tradition of liberatory linguistics in which she was trained during her first two degrees at the University of the West Indies, St Augustine. She is a trained Trinidad and Tobago Sign Language interpreter. Home for her is Trinidad and Tobago. Learn more about Kris on her website and connect with her on LinkedIn.

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As we weave through Women's History Month and International Women's Day, the  patchwork of Caribbean women's literature takes center stage. With scholar Dr. Warren Harding, we celebrate the novels and poetry that carve out a space for the stories of Caribbean women. Our conversation turns the pages of history, culture, and activism, as Dr. Harding shares the profound influence of storytellers like Miss Lou and his own family's narratives on his Jamaican heritage and academic focus.

Caribbean women's voices unfold in our discussion on the role of these writers in painting a nuanced portrait of their communities, both at home and in the diaspora. We acknowledge the diversity within these stories, showcasing how they lay the groundwork for dialogues on marginalization and resistance. Trailblazers like Makeda Silvera and Merle Hodge are brought into the spotlight, illuminating their significant contributions to the literature that serves as a beacon for revolutionary thought.

The final thread of our episode examines the profound impact of Silvera on the writing and publishing industry through Sister Vision Press. We traverse the landscape of narratives that intersect with race, gender, and citizenship, celebrating how these stories from Michelle Cliff to Edwidge Danticat enrich our literary horizons. This episode is a testament to the transformative power of Caribbean literature and a heartfelt invitation to embrace these compelling voices in their own exploration of the written word.

*Noted Correction: Sister Vision Press was founded in 1985.

Dr. Warren Harding is an Assistant Professor of English, General Literature and Rhetoric at Binghamton University.  His work engages practices of reading, Black feminist literary and cultural criticism, and literary fieldwork in contemporary Caribbean and Afro-diasporic literary cultures. In his first monograph, tentatively titled Migratory Reading: Black Caribbean Women and the Work of Literary Cultures, he uses interviews, archival research, and close reading to study the interventions of five women: Rita Cox, Makeda Silvera, Merle Hodge, Soleida Ríos and M. NourbeSe Philip.Prior to Binghamton, he was the Diversity in Digital Publishing Postdoctoral Research Associate at Brown University Digital Publications where he supported the conceptualization, research and administration of a set of public-facing faculty digital publications that center the history and experience of oppressed or marginalized peoples. He earned his PhD in Africana Studies from Brown University in 2021.

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Join us as we voyage through the seas of Caribbean geography and politics as we explore the layers of history etched into nations' names and named and unnamed islands that are part of them. From twin islands like Antigua and Barbuda to archipelagos such as The Bahamas, we explore the entwined nature of geography and governance and how it shapes the cultural identity of these nations and delve into the complex political relationships that define the Caribbean narrative, including the dependencies of Carriacou and Petit Martinique to Grenada and the independence movements that have left an indelible mark on the region.

Have you considered how a name can capture a multitude of stories, struggles, and triumphs? In this episode, we invite you to reflect on the tales of Antigua and Barbuda's journey to their current standing, and the impact of political status on the names and recognition of Caribbean nations. No stone is left unturned as we examine the lesser-known facts about dependencies and political autonomy within this diverse and dynamic region.

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Join the conversation with Dr. Mónica Jiménez on Strictly Facts, where we peel back the layers of Puerto Rico's unique political situation and the heavy hand of U.S. legislative decisions on the island's fate. Through Dr.Jiménez's personal ties and her scholarly examination in her forthcoming book, Making Never, Never Land: Race and Law in the Creation of Puerto Rico, we gain an intimate glimpse into the Puerto Rico's legal status as an unincorporated territory and the systemic challenges that have been magnified by American legal precedents. 

As we traverse the complex terrain of Puerto Rico's status, Dr. Jiménez helps us navigate the moral dilemmas and economic strategies that have historically shaped American colonial ambition. The island's lack of federal representation and the tangible repercussions of past and present U.S. legal frameworks lead us through a reflective exploration of a legacy marred by racial and colonial practices. We confront these enduring issues head-on, casting light on the implications that reverberate through Puerto Rican society today.

Mónica A. Jiménez is a poet and historian. She is currently assistant professor in the African and African Diaspora Studies Department at the University of Texas at Austin. Her research and writing explore the intersections of law, race, and empire in Latin America and the Caribbean. Her first book, Making Never-Never Land: Race and Law in the Creation of Puerto Rico, will be published in 2024 by the University of North Carolina Press. 

Dr. Jiménez has received fellowships in support of her work from the Institute for Citizens and Scholars (formerly the Woodrow Wilson Foundation), the Ford Foundation, and the Mellon Foundation, among others. In 2021, she was named an inaugural Letras Boricuas fellow by the Mellon and Flamboyan Arts Foundations. She holds a PhD in history from the University of Texas at Austin and a JD from the University of Texas School of Law. Her poetry and scholarly writing have appeared or are forthcoming in WSQ: Women Studies Quarterly, Latino Studies, CENTRO: Journal of the Center for Puerto Rican Studies, Radical History Review, NACLA Report on the Americas,  Hayden’s Ferry Review, and sx salon, among others. 

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Produced by Breadfruit Media