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  <title>Across Acoustics</title>

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  <copyright>© 2026 Across Acoustics</copyright>
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  <itunes:author>ASA Publications&#39; Office</itunes:author>
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  <description><![CDATA[The official podcast of the Acoustical Society of America's Publications' Office. Highlighting authors' research from our four publications - The Journal of the Acoustical Society of America (JASA), JASA Express Letters, Proceedings of Meetings on Acoustics (POMA), and Acoustics Today.]]></description>
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     <title>Across Acoustics</title>
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  <item>
    <itunes:title>How Intelligible Are Cloned Voices?</itunes:title>
    <title>How Intelligible Are Cloned Voices?</title>
    <itunes:summary><![CDATA[You may have heard of deepfakes—AI clones of people used to create lifelike video and audio to manipulate an audience. AI cloning technology, however, has much broader applications than just subterfuge. In this episode, we talk with Patti Adank (University College London), who studied the intelligibility of voice clones compared to their natural counterparts and sheds light on some potential benefits of this technology.   Associated paper: Patti Adank and Han Wang. "Voice clones are easier to...]]></itunes:summary>
    <description><![CDATA[<p>You may have heard of deepfakes—AI clones of people used to create lifelike video and audio to manipulate an audience. AI cloning technology, however, has much broader applications than just subterfuge. In this episode, we talk with Patti Adank (University College London), who studied the intelligibility of voice clones compared to their natural counterparts and sheds light on some potential benefits of this technology.</p><p><br/></p><p>Associated paper: Patti Adank and Han Wang. &quot;Voice clones are easier to understand in noise than their human originals: The voice cloning intelligibility benefit.&quot; <em>J. Acoust. Soc. Am.</em> 159 (2026). <a href='https://doi.org/10.1121/10.0043094'>https://doi.org/10.1121/10.0043094</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>You may have heard of deepfakes—AI clones of people used to create lifelike video and audio to manipulate an audience. AI cloning technology, however, has much broader applications than just subterfuge. In this episode, we talk with Patti Adank (University College London), who studied the intelligibility of voice clones compared to their natural counterparts and sheds light on some potential benefits of this technology.</p><p><br/></p><p>Associated paper: Patti Adank and Han Wang. &quot;Voice clones are easier to understand in noise than their human originals: The voice cloning intelligibility benefit.&quot; <em>J. Acoust. Soc. Am.</em> 159 (2026). <a href='https://doi.org/10.1121/10.0043094'>https://doi.org/10.1121/10.0043094</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Tue, 21 Apr 2026 00:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/19026895/transcript" type="text/html" />
    <podcast:soundbite startTime="516.25" duration="58.0" />
    <itunes:duration>1705</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>Acoustic Thermometry to Assess Climate Change</itunes:title>
    <title>Acoustic Thermometry to Assess Climate Change</title>
    <itunes:summary><![CDATA[How is climate change impacting the Arctic Ocean? It can be hard to track these changes, but researchers have been using acoustic signals transmitted beneath the ice to learn more. In this episode, we talk with Matthew Dzieciuch and Peter Worcester of Scripps Institution of Oceanography and Hanne Sagen of the Nansen Center about an international effort to use acoustic thermometry to better understand the changing ocean.   Associated paper: Matthew A. Dzieciuch, Hanne Sagen, Peter F. Worcester...]]></itunes:summary>
    <description><![CDATA[<p>How is climate change impacting the Arctic Ocean? It can be hard to track these changes, but researchers have been using acoustic signals transmitted beneath the ice to learn more. In this episode, we talk with Matthew Dzieciuch and Peter Worcester of Scripps Institution of Oceanography and Hanne Sagen of the Nansen Center about an international effort to use acoustic thermometry to better understand the changing ocean.</p><p><br/></p><p>Associated paper: Matthew A. Dzieciuch, Hanne Sagen, Peter F. Worcester, Espen Storheim, F. Hunter Akins, Stein Sandven, John A. Colosi, John N. Kemp, and Geir Martin Leinebø. &quot;Transarctic acoustic transmissions during the Coordinated Arctic Acoustic Thermometry Experiment in 2019–2020.&quot; <em>J. Acoust. Soc. Am.</em> 159, 1071–1085 (2026). <a href='https://doi.org/10.1121/10.0042233'>https://doi.org/10.1121/10.0042233</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>How is climate change impacting the Arctic Ocean? It can be hard to track these changes, but researchers have been using acoustic signals transmitted beneath the ice to learn more. In this episode, we talk with Matthew Dzieciuch and Peter Worcester of Scripps Institution of Oceanography and Hanne Sagen of the Nansen Center about an international effort to use acoustic thermometry to better understand the changing ocean.</p><p><br/></p><p>Associated paper: Matthew A. Dzieciuch, Hanne Sagen, Peter F. Worcester, Espen Storheim, F. Hunter Akins, Stein Sandven, John A. Colosi, John N. Kemp, and Geir Martin Leinebø. &quot;Transarctic acoustic transmissions during the Coordinated Arctic Acoustic Thermometry Experiment in 2019–2020.&quot; <em>J. Acoust. Soc. Am.</em> 159, 1071–1085 (2026). <a href='https://doi.org/10.1121/10.0042233'>https://doi.org/10.1121/10.0042233</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 30 Mar 2026 00:00:00 -0400</pubDate>
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    <podcast:soundbite startTime="395.0" duration="45.0" />
    <itunes:duration>2236</itunes:duration>
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  <item>
    <itunes:title>Assessing Sediment Heterogeneity on Continental Shelves and Slopes</itunes:title>
    <title>Assessing Sediment Heterogeneity on Continental Shelves and Slopes</title>
    <itunes:summary><![CDATA[As anyone in ocean acoustics will tell you, sound is essential for much of the work done underwater, whether that be navigation, sensing objects, or passively monitoring wildlife. While much research has been done about sandy ocean floors, scientists still have a lot to learn about muddier regions with mixtures of different types of sediment. In this episode, we talk with two editors and a researcher involved with the recent JASA Special Issue on Assessing Sediment Heterogeneity on Continenta...]]></itunes:summary>
    <description><![CDATA[<p>As anyone in ocean acoustics will tell you, sound is essential for much of the work done underwater, whether that be navigation, sensing objects, or passively monitoring wildlife. While much research has been done about sandy ocean floors, scientists still have a lot to learn about muddier regions with mixtures of different types of sediment. In this episode, we talk with two editors and a researcher involved with the recent JASA Special Issue on Assessing Sediment Heterogeneity on Continental Shelves and Slopes: Preston Wilson (University of Texas at Austin), David Knobles (Platt Institute of Nuclear Physics and Cosmology), and Kyle Becker (University of Washington).</p><p><br/></p><p><a href='https://pubs.aip.org/jasa/collection/749549/Assessing-Sediment-Heterogeneity-on-Continental'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>As anyone in ocean acoustics will tell you, sound is essential for much of the work done underwater, whether that be navigation, sensing objects, or passively monitoring wildlife. While much research has been done about sandy ocean floors, scientists still have a lot to learn about muddier regions with mixtures of different types of sediment. In this episode, we talk with two editors and a researcher involved with the recent JASA Special Issue on Assessing Sediment Heterogeneity on Continental Shelves and Slopes: Preston Wilson (University of Texas at Austin), David Knobles (Platt Institute of Nuclear Physics and Cosmology), and Kyle Becker (University of Washington).</p><p><br/></p><p><a href='https://pubs.aip.org/jasa/collection/749549/Assessing-Sediment-Heterogeneity-on-Continental'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 16 Mar 2026 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18843162/transcript" type="text/html" />
    <podcast:soundbite startTime="619.0" duration="58.0" />
    <itunes:duration>4534</itunes:duration>
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  </item>
  <item>
    <itunes:title>Should AI tell you how to talk? </itunes:title>
    <title>Should AI tell you how to talk? </title>
    <itunes:summary><![CDATA[With the development of automatic speech recognition has come a new type of technology, designed to give the user advice on how to speak better. In this episode, we talk with Nicole Holliday (University of California, Berkeley) about some of the issues that can arise with the use of these technologies, from their nebulous definitions of "good communication" to the impact they could have at businesses that use these technology to evaluate employees.   Associated paper: Nicole R. Holliday. "Soc...]]></itunes:summary>
    <description><![CDATA[<p>With the development of automatic speech recognition has come a new type of technology, designed to give the user advice on how to speak better. In this episode, we talk with Nicole Holliday (University of California, Berkeley) about some of the issues that can arise with the use of these technologies, from their nebulous definitions of &quot;good communication&quot; to the impact they could have at businesses that use these technology to evaluate employees.</p><p><br/></p><p>Associated paper: Nicole R. Holliday. &quot;Socially prescriptive speech technologies: Linguistic, technical, and ethical issues.&quot; <em>J. Acoust. Soc. Am.</em> 158, 4361–4369 (2025). <a href='https://doi.org/10.1121/10.0039685'>https://doi.org/10.1121/10.0039685</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>With the development of automatic speech recognition has come a new type of technology, designed to give the user advice on how to speak better. In this episode, we talk with Nicole Holliday (University of California, Berkeley) about some of the issues that can arise with the use of these technologies, from their nebulous definitions of &quot;good communication&quot; to the impact they could have at businesses that use these technology to evaluate employees.</p><p><br/></p><p>Associated paper: Nicole R. Holliday. &quot;Socially prescriptive speech technologies: Linguistic, technical, and ethical issues.&quot; <em>J. Acoust. Soc. Am.</em> 158, 4361–4369 (2025). <a href='https://doi.org/10.1121/10.0039685'>https://doi.org/10.1121/10.0039685</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/18718343-should-ai-tell-you-how-to-talk.mp3" length="32508178" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 23 Feb 2026 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18718343/transcript" type="text/html" />
    <podcast:soundbite startTime="248.0" duration="50.0" />
    <itunes:duration>2701</itunes:duration>
    <itunes:keywords></itunes:keywords>
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  <item>
    <itunes:title>Slurping, Snuffling, and Crunching: Assessing Misophonia Symptoms</itunes:title>
    <title>Slurping, Snuffling, and Crunching: Assessing Misophonia Symptoms</title>
    <itunes:summary><![CDATA[Do you find the sound of people chewing unbearably annoying? Or perhaps you can't stand to be near folks who are typing on noisy keyboards, fidgeting with their pens, or rustling a plastic bag of chips. The term for this sort of aversion is misophonia. Even if you don't personally deal with this issue, you may know someone who does. In this episode, we talk with Benjamin Kirby (Wichita State University) and Olivia Zant (University of North Texas), whose recent JASA Express Letters article, “P...]]></itunes:summary>
    <description><![CDATA[<p>Do you find the sound of people chewing unbearably annoying? Or perhaps you can&apos;t stand to be near folks who are typing on noisy keyboards, fidgeting with their pens, or rustling a plastic bag of chips. The term for this sort of aversion is misophonia. Even if you don&apos;t personally deal with this issue, you may know someone who does. In this episode, we talk with Benjamin Kirby (Wichita State University) and Olivia Zant (University of North Texas), whose recent <em>JASA Express Letters</em> article, “Psychoacoustic Assessment of Misophonia,” touches on this topic.</p><p><br/></p><p>Associated paper: Benjamin J. Kirby, Alaina Cunningham, and Olivia Montou Zant. &quot;Psychoacoustic assessment of misophonia.&quot; <em>JASA Express Lett.</em> 5, 094401 (2025). <a href='https://doi.org/10.1121/10.0039238'>https://doi.org/10.1121/10.0039238</a>.<br/><br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. <br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Do you find the sound of people chewing unbearably annoying? Or perhaps you can&apos;t stand to be near folks who are typing on noisy keyboards, fidgeting with their pens, or rustling a plastic bag of chips. The term for this sort of aversion is misophonia. Even if you don&apos;t personally deal with this issue, you may know someone who does. In this episode, we talk with Benjamin Kirby (Wichita State University) and Olivia Zant (University of North Texas), whose recent <em>JASA Express Letters</em> article, “Psychoacoustic Assessment of Misophonia,” touches on this topic.</p><p><br/></p><p>Associated paper: Benjamin J. Kirby, Alaina Cunningham, and Olivia Montou Zant. &quot;Psychoacoustic assessment of misophonia.&quot; <em>JASA Express Lett.</em> 5, 094401 (2025). <a href='https://doi.org/10.1121/10.0039238'>https://doi.org/10.1121/10.0039238</a>.<br/><br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. <br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/18630283-slurping-snuffling-and-crunching-assessing-misophonia-symptoms.mp3" length="13832051" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 09 Feb 2026 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18630283/transcript" type="text/html" />
    <podcast:soundbite startTime="244.167" duration="60.0" />
    <itunes:duration>1145</itunes:duration>
    <itunes:keywords></itunes:keywords>
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  <item>
    <itunes:title>Wave Phenomena in Vibroacoustic Systems</itunes:title>
    <title>Wave Phenomena in Vibroacoustic Systems</title>
    <itunes:summary><![CDATA[Manipulating the scattering of waves can allow engineers to achieve numerous goals, like reducing unwanted noise or eliminating potentially destructive vibrations in structures. In this episode, we talk to Vladislav Sorokin (University of Auckland) and Luke Bennetts (University of Melbourne), two guest editors of the recent Special Issue on Wave Phenomena in Periodic, Near-Periodic, and Locally Resonant Systems about recent advances in research regarding vibroacoustic systems.    Read al...]]></itunes:summary>
    <description><![CDATA[<p>Manipulating the scattering of waves can allow engineers to achieve numerous goals, like reducing unwanted noise or eliminating potentially destructive vibrations in structures. In this episode, we talk to Vladislav Sorokin (University of Auckland) and Luke Bennetts (University of Melbourne), two guest editors of the recent Special Issue on Wave Phenomena in Periodic, Near-Periodic, and Locally Resonant Systems about recent advances in research regarding vibroacoustic systems. </p><p><br/></p><p><a href='https://pubs.aip.org/collection/648028/Wave-Phenomena-in-Periodic-Near'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Manipulating the scattering of waves can allow engineers to achieve numerous goals, like reducing unwanted noise or eliminating potentially destructive vibrations in structures. In this episode, we talk to Vladislav Sorokin (University of Auckland) and Luke Bennetts (University of Melbourne), two guest editors of the recent Special Issue on Wave Phenomena in Periodic, Near-Periodic, and Locally Resonant Systems about recent advances in research regarding vibroacoustic systems. </p><p><br/></p><p><a href='https://pubs.aip.org/collection/648028/Wave-Phenomena-in-Periodic-Near'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 19 Jan 2026 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18514902/transcript" type="text/html" />
    <podcast:soundbite startTime="555.333" duration="37.0" />
    <itunes:duration>1697</itunes:duration>
    <itunes:keywords></itunes:keywords>
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    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>POMA Student Paper Competition: New Orleans</itunes:title>
    <title>POMA Student Paper Competition: New Orleans</title>
    <itunes:summary><![CDATA[In this episode, find out what the next generation of acousticians is researching! In this episode, we talk to the latest round of POMA Student Paper Competition winners, from the joint 188th meeting of the ASA and the 25th International Congress on Acoustics held in New Orleans in May 2025. Their topics include: - Using the spatial decomposition method to parameterize acoustic reflections in a room (Lucas Hocquette, L-Acoustics) - Visualizing nonlinearities in a bolted plate system with digi...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, find out what the next generation of acousticians is researching! In this episode, we talk to the latest round of POMA Student Paper Competition winners, from the joint 188th meeting of the ASA and the 25th International Congress on Acoustics held in New Orleans in May 2025. Their topics include:</p><p>- Using the spatial decomposition method to parameterize acoustic reflections in a room (Lucas Hocquette, L-Acoustics)</p><p>- Visualizing nonlinearities in a bolted plate system with digital image correlation (Nicholas Pomianek, Boston University)</p><p>- Analyzing the how people pronounce the word &quot;just&quot; in casual speech (Ki Woong Moon, University of Arizona)</p><p>- Modeling strings of historical instruments that no longer make sound (Riccardo Russo, University of Bologna)</p><p>- Improving automatic music mashup generators (Yu Foon Darin Chau, Hong Kong University of Science and Technology)</p><p><br/></p><p>Associated papers:</p><p>Lucas Hocquette, Philip Coleman, and Frederic Roskam. &quot;Acoustic reflection parameterization based on the spatial decomposition method.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 055004 (2025). <a href='https://doi.org/10.1121/2.0002037'>https://doi.org/10.1121/2.0002037</a>.</p><p>Nicholas Pomianek, Trevor Jerome, Enrique Gutierrez-Wing, and J. Gregory McDaniel. &quot;Visualizing contact area dependent nonlinearity in a bolted plate system through digital image correlation.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 065001 (2025). <a href='https://doi.org/10.1121/2.0002099'>https://doi.org/10.1121/2.0002099</a>. </p><p>Ki Woong Moon and Natasha Warner. &quot;Realization of <em>just</em>: Speech reduction in a high-frequency word.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 060005  (2025). <a href='https://doi.org/10.1121/2.0002080'>https://doi.org/10.1121/2.0002080</a></p><p>Riccardo Russo, Craig J. Webb, Michele Ducceschi, and Stefan Bilbao. &quot;Convergence analysis and relaxation techniques for modal scalar auxiliary variable methods applied to nonlinear transverse string vibration.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 035007 (2025). <a href='https://doi.org/10.1121/2.0002073'>https://doi.org/10.1121/2.0002073</a>.</p><p>Yu Foon Darin Chau, Andrew Brian Horner, Joshua Chang, Chun Yuen Chan, and Harris Lau. &quot;Retrieval-based automatic mashup generation with deep learning-guided features.&quot; <em>Proc. Mtgs. Acoust.</em> 56,  035006 (2025). <a href='https://doi.org/10.1121/2.0002071'>https://doi.org/10.1121/2.0002071</a>.</p><p><a href='https://acousticalsociety.org/honolulu-2025/'>Learn more</a> about entering the <em>POMA</em> Student Paper Competition for the Fall 2025 meeting in Honolulu<br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (<em>POMA</em>).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, find out what the next generation of acousticians is researching! In this episode, we talk to the latest round of POMA Student Paper Competition winners, from the joint 188th meeting of the ASA and the 25th International Congress on Acoustics held in New Orleans in May 2025. Their topics include:</p><p>- Using the spatial decomposition method to parameterize acoustic reflections in a room (Lucas Hocquette, L-Acoustics)</p><p>- Visualizing nonlinearities in a bolted plate system with digital image correlation (Nicholas Pomianek, Boston University)</p><p>- Analyzing the how people pronounce the word &quot;just&quot; in casual speech (Ki Woong Moon, University of Arizona)</p><p>- Modeling strings of historical instruments that no longer make sound (Riccardo Russo, University of Bologna)</p><p>- Improving automatic music mashup generators (Yu Foon Darin Chau, Hong Kong University of Science and Technology)</p><p><br/></p><p>Associated papers:</p><p>Lucas Hocquette, Philip Coleman, and Frederic Roskam. &quot;Acoustic reflection parameterization based on the spatial decomposition method.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 055004 (2025). <a href='https://doi.org/10.1121/2.0002037'>https://doi.org/10.1121/2.0002037</a>.</p><p>Nicholas Pomianek, Trevor Jerome, Enrique Gutierrez-Wing, and J. Gregory McDaniel. &quot;Visualizing contact area dependent nonlinearity in a bolted plate system through digital image correlation.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 065001 (2025). <a href='https://doi.org/10.1121/2.0002099'>https://doi.org/10.1121/2.0002099</a>. </p><p>Ki Woong Moon and Natasha Warner. &quot;Realization of <em>just</em>: Speech reduction in a high-frequency word.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 060005  (2025). <a href='https://doi.org/10.1121/2.0002080'>https://doi.org/10.1121/2.0002080</a></p><p>Riccardo Russo, Craig J. Webb, Michele Ducceschi, and Stefan Bilbao. &quot;Convergence analysis and relaxation techniques for modal scalar auxiliary variable methods applied to nonlinear transverse string vibration.&quot; <em>Proc. Mtgs. Acoust.</em> 56, 035007 (2025). <a href='https://doi.org/10.1121/2.0002073'>https://doi.org/10.1121/2.0002073</a>.</p><p>Yu Foon Darin Chau, Andrew Brian Horner, Joshua Chang, Chun Yuen Chan, and Harris Lau. &quot;Retrieval-based automatic mashup generation with deep learning-guided features.&quot; <em>Proc. Mtgs. Acoust.</em> 56,  035006 (2025). <a href='https://doi.org/10.1121/2.0002071'>https://doi.org/10.1121/2.0002071</a>.</p><p><a href='https://acousticalsociety.org/honolulu-2025/'>Learn more</a> about entering the <em>POMA</em> Student Paper Competition for the Fall 2025 meeting in Honolulu<br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (<em>POMA</em>).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-18401927</guid>
    <pubDate>Mon, 05 Jan 2026 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18401927/transcript" type="text/html" />
    <podcast:soundbite startTime="752.0" duration="55.0" />
    <itunes:duration>3503</itunes:duration>
    <itunes:keywords></itunes:keywords>
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    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>A New Way to Measure Bat Hearing</itunes:title>
    <title>A New Way to Measure Bat Hearing</title>
    <itunes:summary><![CDATA[Studying bats' hearing can be tricky due to their small size, making certain styles of measurement used for larger echolocating mammals unavailable to researchers. In this episode, we talk to Victoria Fouhy and Michael Smotherman (Texas A&amp;M University) about their work to develop a noninvasive method to study cortical auditory evoked potentials in bats, thereby allowing scientists to better understand how these animals process echolocation information. Associated paper: - Victoria Fouhy, ...]]></itunes:summary>
    <description><![CDATA[<p>Studying bats&apos; hearing can be tricky due to their small size, making certain styles of measurement used for larger echolocating mammals unavailable to researchers. In this episode, we talk to Victoria Fouhy and Michael Smotherman (Texas A&amp;M University) about their work to develop a noninvasive method to study cortical auditory evoked potentials in bats, thereby allowing scientists to better understand how these animals process echolocation information.</p><p>Associated paper:<br/>- Victoria Fouhy, Sam Ellis, and Michael Smotherman. &quot;Subcutaneous cortical auditory evoked potentials in echolocating bats.&quot; <em>J. Acoust. Soc. Am.</em> 158, 3390-3399 (2025). <a href='https://doi.org/10.1121/10.0039659'>https://doi.org/10.1121/10.0039659</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Studying bats&apos; hearing can be tricky due to their small size, making certain styles of measurement used for larger echolocating mammals unavailable to researchers. In this episode, we talk to Victoria Fouhy and Michael Smotherman (Texas A&amp;M University) about their work to develop a noninvasive method to study cortical auditory evoked potentials in bats, thereby allowing scientists to better understand how these animals process echolocation information.</p><p>Associated paper:<br/>- Victoria Fouhy, Sam Ellis, and Michael Smotherman. &quot;Subcutaneous cortical auditory evoked potentials in echolocating bats.&quot; <em>J. Acoust. Soc. Am.</em> 158, 3390-3399 (2025). <a href='https://doi.org/10.1121/10.0039659'>https://doi.org/10.1121/10.0039659</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-18386378</guid>
    <pubDate>Mon, 22 Dec 2025 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18386378/transcript" type="text/html" />
    <podcast:soundbite startTime="261.798" duration="38.0" />
    <itunes:duration>1144</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Sonic Deception in World War II</itunes:title>
    <title>Sonic Deception in World War II</title>
    <itunes:summary><![CDATA[You may have heard of the "ghost army" of World War II—a set of rubber tanks used by the US Army to mimic active battlefields in Europe. What you may not know was the tanks were accompanied by an equally fake soundtrack of battle noises. Even more surprising? This "sonic deception" was developed by a team of the ASA's founding members whose contributions were almost lost to history. In this episode, we talk with Walter Montano (ARQUICUST Argentina Peru) about the innovations that helped save ...]]></itunes:summary>
    <description><![CDATA[<p>You may have heard of the &quot;ghost army&quot; of World War II—a set of rubber tanks used by the US Army to mimic active battlefields in Europe. What you may not know was the tanks were accompanied by an equally fake soundtrack of battle noises. Even more surprising? This &quot;sonic deception&quot; was developed by a team of the ASA&apos;s founding members whose contributions were almost lost to history. In this episode, we talk with Walter Montano (ARQUICUST Argentina Peru) about the innovations that helped save thousands of lives during the war.</p><p><br/></p><p>Read the associated article: Walter A. Montano and Gary W. Elko. (2025) “Sonic Deception During the Second World War,” Acoustics Today 21(2). <a href='https://doi.org/10.1121/AT.2025.21.2.38'>https://doi.org/10.1121/AT.2025.21.2.38</a><br/><br/></p><p><a href='https://asahistory.org'>Learn more</a> about the ASA Committee on Archives and History.</p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></description>
    <content:encoded><![CDATA[<p>You may have heard of the &quot;ghost army&quot; of World War II—a set of rubber tanks used by the US Army to mimic active battlefields in Europe. What you may not know was the tanks were accompanied by an equally fake soundtrack of battle noises. Even more surprising? This &quot;sonic deception&quot; was developed by a team of the ASA&apos;s founding members whose contributions were almost lost to history. In this episode, we talk with Walter Montano (ARQUICUST Argentina Peru) about the innovations that helped save thousands of lives during the war.</p><p><br/></p><p>Read the associated article: Walter A. Montano and Gary W. Elko. (2025) “Sonic Deception During the Second World War,” Acoustics Today 21(2). <a href='https://doi.org/10.1121/AT.2025.21.2.38'>https://doi.org/10.1121/AT.2025.21.2.38</a><br/><br/></p><p><a href='https://asahistory.org'>Learn more</a> about the ASA Committee on Archives and History.</p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-18306576</guid>
    <pubDate>Mon, 08 Dec 2025 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18306576/transcript" type="text/html" />
    <podcast:soundbite startTime="770.0" duration="36.0" />
    <itunes:duration>946</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>The Unique Acoustics of Traditional Chinese Interlocked Timber-Arched Covered Bridges</itunes:title>
    <title>The Unique Acoustics of Traditional Chinese Interlocked Timber-Arched Covered Bridges</title>
    <itunes:summary><![CDATA[The traditional Chinese structure of the interlocked timber-arched covered bridge serves multiple purposes within Chinese culture—both as a physical connection between communities, but also as a function space for various rituals and performances. Because of these structures multiple uses, the acoustics are different from other bridges or event spaces. In this episode, we talk with Dongxu Zhang (Guangzhou University) and Jian Kang (University College London) about their work to better underst...]]></itunes:summary>
    <description><![CDATA[<p>The traditional Chinese structure of the interlocked timber-arched covered bridge serves multiple purposes within Chinese culture—both as a physical connection between communities, but also as a function space for various rituals and performances. Because of these structures multiple uses, the acoustics are different from other bridges or event spaces. In this episode, we talk with Dongxu Zhang (Guangzhou University) and Jian Kang (University College London) about their work to better understand the unique acoustics of these structures.</p><p><br/></p><p>Associated paper:<br/>- Dongxu Zhang, Guanyu Ren, Fei Cheng, Dong Xiao, Mei Zhang, and Jian Kang. &quot;Sound field characteristics and influencing factors of traditional Chinese interlocked timber-arched covered bridges.&quot; <em>J. Acoust. Soc. Am.</em> 158, 1156-1176 (2025). <a href='https://doi.org/10.1121/10.0038959'>https://doi.org/10.1121/10.0038959</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>The traditional Chinese structure of the interlocked timber-arched covered bridge serves multiple purposes within Chinese culture—both as a physical connection between communities, but also as a function space for various rituals and performances. Because of these structures multiple uses, the acoustics are different from other bridges or event spaces. In this episode, we talk with Dongxu Zhang (Guangzhou University) and Jian Kang (University College London) about their work to better understand the unique acoustics of these structures.</p><p><br/></p><p>Associated paper:<br/>- Dongxu Zhang, Guanyu Ren, Fei Cheng, Dong Xiao, Mei Zhang, and Jian Kang. &quot;Sound field characteristics and influencing factors of traditional Chinese interlocked timber-arched covered bridges.&quot; <em>J. Acoust. Soc. Am.</em> 158, 1156-1176 (2025). <a href='https://doi.org/10.1121/10.0038959'>https://doi.org/10.1121/10.0038959</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 24 Nov 2025 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18224608/transcript" type="text/html" />
    <podcast:soundbite startTime="153.0" duration="59.0" />
    <itunes:duration>1493</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>The Eras of Taylor Swift&#39;s Changing Dialect</itunes:title>
    <title>The Eras of Taylor Swift&#39;s Changing Dialect</title>
    <itunes:summary><![CDATA[Longitudinal studies of how an individual's accent changes over the course of their life are hard to come by. Fortunately, Taylor Swift's decade-plus career-- and the numerous interviews she's given over those years-- has opened a window into our understanding of how and why dialect changes may occur on an individual level. We talk to Miski Mohamed and Matthew Winn (University of Minnesota) about their work analyzing the shifts in Taylor Swift's speech over the years.   Associated paper: - Mi...]]></itunes:summary>
    <description><![CDATA[<p>Longitudinal studies of how an individual&apos;s accent changes over the course of their life are hard to come by. Fortunately, Taylor Swift&apos;s decade-plus career-- and the numerous interviews she&apos;s given over those years-- has opened a window into our understanding of how and why dialect changes may occur on an individual level. We talk to Miski Mohamed and Matthew Winn (University of Minnesota) about their work analyzing the shifts in Taylor Swift&apos;s speech over the years.</p><p><br/></p><p>Associated paper:<br/>- Miski Mohamed and Matthew B. Winn. &quot;Acoustic analysis of Taylor Swift&apos;s dialect changes across different eras of her career.&quot; <em>J. Acoust. Soc. Am.</em> 158, 2278–2289 (2025). <a href='https://doi.org/10.1121/10.0039052'>https://doi.org/10.1121/10.0039052</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Longitudinal studies of how an individual&apos;s accent changes over the course of their life are hard to come by. Fortunately, Taylor Swift&apos;s decade-plus career-- and the numerous interviews she&apos;s given over those years-- has opened a window into our understanding of how and why dialect changes may occur on an individual level. We talk to Miski Mohamed and Matthew Winn (University of Minnesota) about their work analyzing the shifts in Taylor Swift&apos;s speech over the years.</p><p><br/></p><p>Associated paper:<br/>- Miski Mohamed and Matthew B. Winn. &quot;Acoustic analysis of Taylor Swift&apos;s dialect changes across different eras of her career.&quot; <em>J. Acoust. Soc. Am.</em> 158, 2278–2289 (2025). <a href='https://doi.org/10.1121/10.0039052'>https://doi.org/10.1121/10.0039052</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-18138745</guid>
    <pubDate>Mon, 10 Nov 2025 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18138745/transcript" type="text/html" />
    <podcast:soundbite startTime="200.0" duration="38.0" />
    <itunes:duration>1638</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>The Acoustic Impacts of Marine Energy Converters</itunes:title>
    <title>The Acoustic Impacts of Marine Energy Converters</title>
    <itunes:summary><![CDATA[In an effort to develop renewable energy, scientists have turned to the sun, the wind, and now the ocean. With these new forms of energy harvesting, considerations need to be made about how the new technologies will impact the surrounding environments. In this episode, we talk with Joseph Haxel (Pacific Northwest National Laboratory), Christopher Bassett (University of Washington), Brian Polagye (University of Washington), and Kaus Raghukumar (Integral Consulting) about their research related...]]></itunes:summary>
    <description><![CDATA[<p>In an effort to develop renewable energy, scientists have turned to the sun, the wind, and now the ocean. With these new forms of energy harvesting, considerations need to be made about how the new technologies will impact the surrounding environments. In this episode, we talk with Joseph Haxel (Pacific Northwest National Laboratory), Christopher Bassett (University of Washington), Brian Polagye (University of Washington), and Kaus Raghukumar (Integral Consulting) about their research related to the noise produced by marine energy converters.</p><p><br/></p><p>Read the associated article: Joseph Haxel, Christopher Bassett, Brian Polagye, Kaustubha Raghukumar, and Cailene Gunn. (2023) “Listening to the Beat of New Ocean Technologies for Harvesting Marine Energy,” Acoustics Today 19(4). <a href='https://doi.org/10.1121/AT.2023.19.4.23'>https://doi.org/10.1121/AT.2023.19.4.23</a>.<br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></description>
    <content:encoded><![CDATA[<p>In an effort to develop renewable energy, scientists have turned to the sun, the wind, and now the ocean. With these new forms of energy harvesting, considerations need to be made about how the new technologies will impact the surrounding environments. In this episode, we talk with Joseph Haxel (Pacific Northwest National Laboratory), Christopher Bassett (University of Washington), Brian Polagye (University of Washington), and Kaus Raghukumar (Integral Consulting) about their research related to the noise produced by marine energy converters.</p><p><br/></p><p>Read the associated article: Joseph Haxel, Christopher Bassett, Brian Polagye, Kaustubha Raghukumar, and Cailene Gunn. (2023) “Listening to the Beat of New Ocean Technologies for Harvesting Marine Energy,” Acoustics Today 19(4). <a href='https://doi.org/10.1121/AT.2023.19.4.23'>https://doi.org/10.1121/AT.2023.19.4.23</a>.<br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-18028573</guid>
    <pubDate>Mon, 20 Oct 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/18028573/transcript" type="text/html" />
    <podcast:soundbite startTime="391.833" duration="52.5" />
    <itunes:duration>3135</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Advances in Soundscape</itunes:title>
    <title>Advances in Soundscape</title>
    <itunes:summary><![CDATA[A lot has changed in the twelve years since JASA's first special issue on soundscape research. This episode, we talk to the editors of the recent special issue on  Advances in Soundscape: Emerging Trends and Challenges in Research and Practice, Francesco Aletta (University College London), Cynthia Tarlao (McGill University), Tin Oberman (University College London), and Andrew Mitchell (University College London), to discuss these changes, which range from developments in understanding in...]]></itunes:summary>
    <description><![CDATA[<p>A lot has changed in the twelve years since JASA&apos;s first special issue on soundscape research. This episode, we talk to the editors of the recent special issue on  Advances in Soundscape: Emerging Trends and Challenges in Research and Practice, Francesco Aletta (University College London), Cynthia Tarlao (McGill University), Tin Oberman (University College London), and Andrew Mitchell (University College London), to discuss these changes, which range from developments in understanding indoor soundscapes, cultural dimensions of soundscape assessment, perceptual assessment tools, and the use of virtual technologies. </p><p><br/></p><p><a href='https://pubs.aip.org/jasa/collection/640901/Advances-in-Soundscape-Emerging-Trends-and'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>A lot has changed in the twelve years since JASA&apos;s first special issue on soundscape research. This episode, we talk to the editors of the recent special issue on  Advances in Soundscape: Emerging Trends and Challenges in Research and Practice, Francesco Aletta (University College London), Cynthia Tarlao (McGill University), Tin Oberman (University College London), and Andrew Mitchell (University College London), to discuss these changes, which range from developments in understanding indoor soundscapes, cultural dimensions of soundscape assessment, perceptual assessment tools, and the use of virtual technologies. </p><p><br/></p><p><a href='https://pubs.aip.org/jasa/collection/640901/Advances-in-Soundscape-Emerging-Trends-and'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/17905431-advances-in-soundscape.mp3" length="36616801" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-17905431</guid>
    <pubDate>Mon, 29 Sep 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/17905431/transcript" type="text/html" />
    <podcast:soundbite startTime="387.0" duration="51.5" />
    <itunes:duration>3044</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>A New Way to Diagnose Osteoporosis</itunes:title>
    <title>A New Way to Diagnose Osteoporosis</title>
    <itunes:summary><![CDATA[Ultrasonic tomography has been applied in many fields, from geophysics to engineering, and now to medicine. In this episode, we talk with Aaron Chung-Jukko and Peter Huthwaite (Imperial College London) about their work to develop an ultrasonic tomography algorithm that can be used to assess fracture risk in bones, and, as a result, be used as a noninvasive way to diagnose osteoporosis.   Associated paper: - Aaron Chung-Jukko and Peter Huthwaite. "Virtual initialised ray tomography: Towards co...]]></itunes:summary>
    <description><![CDATA[<p>Ultrasonic tomography has been applied in many fields, from geophysics to engineering, and now to medicine. In this episode, we talk with Aaron Chung-Jukko and Peter Huthwaite (Imperial College London) about their work to develop an ultrasonic tomography algorithm that can be used to assess fracture risk in bones, and, as a result, be used as a noninvasive way to diagnose osteoporosis.</p><p><br/></p><p>Associated paper:<br/>- Aaron Chung-Jukko and Peter Huthwaite. &quot;Virtual initialised ray tomography: Towards contact-free realistic ultrasonic bone imaging.&quot; <em>J. Acoust. Soc. Am.</em> 158, 276-290 (2025). <a href='https://doi.org/10.1121/10.0036902'>https://doi.org/10.1121/10.0036902</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Ultrasonic tomography has been applied in many fields, from geophysics to engineering, and now to medicine. In this episode, we talk with Aaron Chung-Jukko and Peter Huthwaite (Imperial College London) about their work to develop an ultrasonic tomography algorithm that can be used to assess fracture risk in bones, and, as a result, be used as a noninvasive way to diagnose osteoporosis.</p><p><br/></p><p>Associated paper:<br/>- Aaron Chung-Jukko and Peter Huthwaite. &quot;Virtual initialised ray tomography: Towards contact-free realistic ultrasonic bone imaging.&quot; <em>J. Acoust. Soc. Am.</em> 158, 276-290 (2025). <a href='https://doi.org/10.1121/10.0036902'>https://doi.org/10.1121/10.0036902</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-17795718</guid>
    <pubDate>Mon, 08 Sep 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/17795718/transcript" type="text/html" />
    <podcast:soundbite startTime="159.25" duration="47.0" />
    <itunes:duration>1703</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Iconicity and Sound Symbolism</itunes:title>
    <title>Iconicity and Sound Symbolism</title>
    <itunes:summary><![CDATA[For a long time, it was believed that words were mostly arbitrary symbols. However, with advances in our ability to study speech, it has become clear that we must reconsider the fundamental relationship between words' sounds and their meanings. In this episode, we talk to two of the editors of the Special Issue on Iconicity and Sound Symbolism, Aleksandra Ćwiek and Susanne Fuchs (Leibniz-Centre General Linguistics), about research in the issue that examined these connections.    Read all...]]></itunes:summary>
    <description><![CDATA[<p>For a long time, it was believed that words were mostly arbitrary symbols. However, with advances in our ability to study speech, it has become clear that we must reconsider the fundamental relationship between words&apos; sounds and their meanings. In this episode, we talk to two of the editors of the Special Issue on Iconicity and Sound Symbolism, Aleksandra Ćwiek and Susanne Fuchs (Leibniz-Centre General Linguistics), about research in the issue that examined these connections. </p><p><br/></p><p><a href='https://pubs.aip.org/jasa/collection/630407/Iconicity-and-Sound-Symbolism'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>For a long time, it was believed that words were mostly arbitrary symbols. However, with advances in our ability to study speech, it has become clear that we must reconsider the fundamental relationship between words&apos; sounds and their meanings. In this episode, we talk to two of the editors of the Special Issue on Iconicity and Sound Symbolism, Aleksandra Ćwiek and Susanne Fuchs (Leibniz-Centre General Linguistics), about research in the issue that examined these connections. </p><p><br/></p><p><a href='https://pubs.aip.org/jasa/collection/630407/Iconicity-and-Sound-Symbolism'>Read all the articles from the special issue here!</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-17635878</guid>
    <pubDate>Mon, 11 Aug 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/17635878/transcript" type="text/html" />
    <podcast:soundbite startTime="311.0" duration="57.0" />
    <itunes:duration>4384</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Reproducing Soundscapes with the AudioDome</itunes:title>
    <title>Reproducing Soundscapes with the AudioDome</title>
    <itunes:summary><![CDATA[Recreating the natural hearing experience has long challenged researchers who study auditory perception. Recently, ambisonic panning has been developed as a method to accurately reproduce soundscapes. In this episode, we talk with Nima Zargarnezhad and Ingrid Johnsrude (Western University) about their research testing the accuracy of the "AudioDome," a device that using ambisonic panning to simulate soundscapes in the lab. Associated paper: - Nima Zargarnezhad, Bruno Mesquita, Ewan A Macphers...]]></itunes:summary>
    <description><![CDATA[<p>Recreating the natural hearing experience has long challenged researchers who study auditory perception. Recently, ambisonic panning has been developed as a method to accurately reproduce soundscapes. In this episode, we talk with Nima Zargarnezhad and Ingrid Johnsrude (Western University) about their research testing the accuracy of the &quot;AudioDome,&quot; a device that using ambisonic panning to simulate soundscapes in the lab.</p><p>Associated paper:<br/>- Nima Zargarnezhad, Bruno Mesquita, Ewan A Macpherson. and Ingrid Johnsrude. &quot;Focality of sound source placement by higher (ninth) order ambisonics and perceptual effects of spectral reproduction errors.&quot; <em>J. Acoust. Soc. Am.</em> 157, 2802–2818 (2025). <a href='https://doi.org/10.1121/10.0036226'>https://doi.org/10.1121/10.0036226</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Recreating the natural hearing experience has long challenged researchers who study auditory perception. Recently, ambisonic panning has been developed as a method to accurately reproduce soundscapes. In this episode, we talk with Nima Zargarnezhad and Ingrid Johnsrude (Western University) about their research testing the accuracy of the &quot;AudioDome,&quot; a device that using ambisonic panning to simulate soundscapes in the lab.</p><p>Associated paper:<br/>- Nima Zargarnezhad, Bruno Mesquita, Ewan A Macpherson. and Ingrid Johnsrude. &quot;Focality of sound source placement by higher (ninth) order ambisonics and perceptual effects of spectral reproduction errors.&quot; <em>J. Acoust. Soc. Am.</em> 157, 2802–2818 (2025). <a href='https://doi.org/10.1121/10.0036226'>https://doi.org/10.1121/10.0036226</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-17439161</guid>
    <pubDate>Mon, 07 Jul 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/17439161/transcript" type="text/html" />
    <podcast:soundbite startTime="842.0" duration="34.0" />
    <itunes:duration>1870</itunes:duration>
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  <item>
    <itunes:title>An Archeoacoustic Look  at Two Hindu Temples</itunes:title>
    <title>An Archeoacoustic Look  at Two Hindu Temples</title>
    <itunes:summary><![CDATA[Much of the research into the historical acoustics of worship spaces has focused on Christian churches or Islamic mosques. However, little is known about the acoustic history of Hindu worship spaces, despite Hinduism being the third largest religion in the world. Shashank Aswathanarayana and Braxton Boren (American University) share their efforts to fill this knowledge gap by studying the acoustics in Hindu temples from the 8th and 15th centuries.    Associated paper: Shashank Aswathanar...]]></itunes:summary>
    <description><![CDATA[<p>Much of the research into the historical acoustics of worship spaces has focused on Christian churches or Islamic mosques. However, little is known about the acoustic history of Hindu worship spaces, despite Hinduism being the third largest religion in the world. Shashank Aswathanarayana and Braxton Boren (American University) share their efforts to fill this knowledge gap by studying the acoustics in Hindu temples from the 8th and 15th centuries. </p><p><br/></p><p>Associated paper: Shashank Aswathanarayana and Braxton Boren. &quot;Acoustic analysis of two Hindu temples in Southern India.&quot; <em>JASA Express Letters</em>  5, 031601 (2025). <a href='https://doi.org/10.1121/10.0036033'>https://doi.org/10.1121/10.0036033</a>.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></description>
    <content:encoded><![CDATA[<p>Much of the research into the historical acoustics of worship spaces has focused on Christian churches or Islamic mosques. However, little is known about the acoustic history of Hindu worship spaces, despite Hinduism being the third largest religion in the world. Shashank Aswathanarayana and Braxton Boren (American University) share their efforts to fill this knowledge gap by studying the acoustics in Hindu temples from the 8th and 15th centuries. </p><p><br/></p><p>Associated paper: Shashank Aswathanarayana and Braxton Boren. &quot;Acoustic analysis of two Hindu temples in Southern India.&quot; <em>JASA Express Letters</em>  5, 031601 (2025). <a href='https://doi.org/10.1121/10.0036033'>https://doi.org/10.1121/10.0036033</a>.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-17325011</guid>
    <pubDate>Mon, 16 Jun 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/17325011/transcript" type="text/html" />
    <podcast:soundbite startTime="333.798" duration="33.5" />
    <itunes:duration>1261</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: Environmentally Friendly Acoustic Design, Spatial Impulse Response Measurements, and Acoustic Spectrometers</itunes:title>
    <title>Student Paper Competition: Environmentally Friendly Acoustic Design, Spatial Impulse Response Measurements, and Acoustic Spectrometers</title>
    <itunes:summary><![CDATA[This episode showcases the latest winners of the POMA Student Paper Competition: First, Jonathan Michael Broyles (University of Colorado, Boulder) discusses his database to help acoustical consultants design more environmentally friendly spaces. Next, John Latta (University of Nebraska - Lincoln) shares his work regarding spatial impulse response measurements. Finally, Michelle Ruth Crouse (California State University, Dominguez Hills) talks about the acoustic spectrometer she created using o...]]></itunes:summary>
    <description><![CDATA[<p>This episode showcases the latest winners of the <em>POMA</em> Student Paper Competition: First, Jonathan Michael Broyles (University of Colorado, Boulder) discusses his database to help acoustical consultants design more environmentally friendly spaces. Next, John Latta (University of Nebraska - Lincoln) shares his work regarding spatial impulse response measurements. Finally, Michelle Ruth Crouse (California State University, Dominguez Hills) talks about the acoustic spectrometer she created using off-the-shelf parts. </p><p>Associated papers:</p><p>Jonathan Michael Broyles and Wil Srubar, III. &quot;A comprehensive dataset of environmental emissions, health, and manufacturing information of building acoustic products in North America.&quot; <em>Proc. Mtgs. Acoust.</em> 55, 015002 (2024) <a href='https://doi.org/10.1121/2.0001997'>https://doi.org/10.1121/2.0001997</a>.</p><p>John S. Latta and Lauren M. Ronsse. &quot;An analysis of spatial impulse response measurements and their ability to validate spatial features within acoustic models.&quot; <em>Proc. Mtgs. Acoust.</em> 55, 015001 (2024) <a href='https://doi.org/10.1121/2.0002004'>https://doi.org/10.1121/2.0002004</a>.</p><p>Michelle R. Crouse, Małgorzata Musial, Jason A. Widegren, Jacob Pawlik, Bryan Bosworth, Nathan Orloff, Aaron Hagerstrom, Angela C. Stelson, and Robert Lirette. &quot;A low-cost ultrasonic absorption spectrometer mainly using off-the-shelf parts.&quot;<em>Proc. Mtgs. Acoust.</em> 55, 030002 (2024) <a href='https://doi.org/10.1121/2.0002003'>https://doi.org/10.1121/2.0002003</a>.</p><p><a href='https://acousticalsociety.org/new-orleans-2025/'>Learn more</a> about entering the <em>POMA</em> Student Paper Competition for the Spring 2025 meeting in New Orleans. <br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (<em>POMA</em>).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p>]]></description>
    <content:encoded><![CDATA[<p>This episode showcases the latest winners of the <em>POMA</em> Student Paper Competition: First, Jonathan Michael Broyles (University of Colorado, Boulder) discusses his database to help acoustical consultants design more environmentally friendly spaces. Next, John Latta (University of Nebraska - Lincoln) shares his work regarding spatial impulse response measurements. Finally, Michelle Ruth Crouse (California State University, Dominguez Hills) talks about the acoustic spectrometer she created using off-the-shelf parts. </p><p>Associated papers:</p><p>Jonathan Michael Broyles and Wil Srubar, III. &quot;A comprehensive dataset of environmental emissions, health, and manufacturing information of building acoustic products in North America.&quot; <em>Proc. Mtgs. Acoust.</em> 55, 015002 (2024) <a href='https://doi.org/10.1121/2.0001997'>https://doi.org/10.1121/2.0001997</a>.</p><p>John S. Latta and Lauren M. Ronsse. &quot;An analysis of spatial impulse response measurements and their ability to validate spatial features within acoustic models.&quot; <em>Proc. Mtgs. Acoust.</em> 55, 015001 (2024) <a href='https://doi.org/10.1121/2.0002004'>https://doi.org/10.1121/2.0002004</a>.</p><p>Michelle R. Crouse, Małgorzata Musial, Jason A. Widegren, Jacob Pawlik, Bryan Bosworth, Nathan Orloff, Aaron Hagerstrom, Angela C. Stelson, and Robert Lirette. &quot;A low-cost ultrasonic absorption spectrometer mainly using off-the-shelf parts.&quot;<em>Proc. Mtgs. Acoust.</em> 55, 030002 (2024) <a href='https://doi.org/10.1121/2.0002003'>https://doi.org/10.1121/2.0002003</a>.</p><p><a href='https://acousticalsociety.org/new-orleans-2025/'>Learn more</a> about entering the <em>POMA</em> Student Paper Competition for the Spring 2025 meeting in New Orleans. <br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (<em>POMA</em>).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/17215531-student-paper-competition-environmentally-friendly-acoustic-design-spatial-impulse-response-measurements-and-acoustic-spectrometers.mp3" length="29554295" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-17215531</guid>
    <pubDate>Mon, 26 May 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/17215531/transcript" type="text/html" />
    <podcast:soundbite startTime="201.0" duration="39.0" />
    <itunes:duration>2455</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Large Venue Acoustics</itunes:title>
    <title>Large Venue Acoustics</title>
    <itunes:summary><![CDATA[Large venues like amphitheaters and stadiums are used across the world for a variety of purposes, hosting everything from sporting events to concerts to large social gatherings and other events. The massive size of the spaces, alongside their multifaceted uses, however, mean their acoustic needs are quite different from those of smaller rooms or even concert halls. This episode, Gary W. Siebein (Siebein Associates, Inc.), Keely Siebein (Siebein Associates, Inc.), Jack Wrightson (Wrightson, Jo...]]></itunes:summary>
    <description><![CDATA[<p>Large venues like amphitheaters and stadiums are used across the world for a variety of purposes, hosting everything from sporting events to concerts to large social gatherings and other events. The massive size of the spaces, alongside their multifaceted uses, however, mean their acoustic needs are quite different from those of smaller rooms or even concert halls. This episode, Gary W. Siebein (Siebein Associates, Inc.), Keely Siebein (Siebein Associates, Inc.), Jack Wrightson (Wrightson, Johnson, Haddon, &amp; Williams, Inc.), and Joe Solway (Arup) discuss the unique considerations for designing these structures. </p><p>Read the associated article: Gary W. Siebein, Keely Siebein, Jack Wrightson, Joe Solway, and Raj Patel. (2024) “Large-Venue Acoustics- Arenas, Stadiums, and Amphitheaters,” Acoustics Today 20(1). <a href='https://doi.org/10.1121/AT.2024.20.1.55'>https://doi.org/10.1121/AT.2024.20.1.55</a>.<br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></description>
    <content:encoded><![CDATA[<p>Large venues like amphitheaters and stadiums are used across the world for a variety of purposes, hosting everything from sporting events to concerts to large social gatherings and other events. The massive size of the spaces, alongside their multifaceted uses, however, mean their acoustic needs are quite different from those of smaller rooms or even concert halls. This episode, Gary W. Siebein (Siebein Associates, Inc.), Keely Siebein (Siebein Associates, Inc.), Jack Wrightson (Wrightson, Johnson, Haddon, &amp; Williams, Inc.), and Joe Solway (Arup) discuss the unique considerations for designing these structures. </p><p>Read the associated article: Gary W. Siebein, Keely Siebein, Jack Wrightson, Joe Solway, and Raj Patel. (2024) “Large-Venue Acoustics- Arenas, Stadiums, and Amphitheaters,” Acoustics Today 20(1). <a href='https://doi.org/10.1121/AT.2024.20.1.55'>https://doi.org/10.1121/AT.2024.20.1.55</a>.<br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/17101918-large-venue-acoustics.mp3" length="40332401" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-17101918</guid>
    <pubDate>Tue, 06 May 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/17101918/transcript" type="text/html" />
    <podcast:soundbite startTime="321.0" duration="35.5" />
    <itunes:duration>3353</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Things That Go Boom</itunes:title>
    <title>Things That Go Boom</title>
    <itunes:summary><![CDATA[In this episode, we explore things that go boom: from volcanic eruptions to underwater ordinances to the (relatively) tiny explosions of gunshots. Thomas Blanford (University of New Hampshire) joins us as a cohost as we discuss the use of high-amplitude acoustic sources in research with three members of a special session on the topic from the Ottawa ASA meeting: Steve Beck (Beck Audio Forensics), Daniel Bowman (Pacific Northwest National Laboratories), and Andrew McNeese (University of Texas ...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, we explore things that go boom: from volcanic eruptions to underwater ordinances to the (relatively) tiny explosions of gunshots. Thomas Blanford (University of New Hampshire) joins us as a cohost as we discuss the use of high-amplitude acoustic sources in research with three members of a special session on the topic from the Ottawa ASA meeting: Steve Beck (Beck Audio Forensics), Daniel Bowman (Pacific Northwest National Laboratories), and Andrew McNeese (University of Texas at Austin). </p><p><br/></p><p>Associated paper: Thomas E. Branford. &quot;Summary of “Things that go boom: High amplitude acoustic sources.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 002002 (2024) <a href='https://doi.org/10.1121/2.0001991'>https://doi.org/10.1121/2.0001991</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (<em>POMA</em>).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay.</a> </p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, we explore things that go boom: from volcanic eruptions to underwater ordinances to the (relatively) tiny explosions of gunshots. Thomas Blanford (University of New Hampshire) joins us as a cohost as we discuss the use of high-amplitude acoustic sources in research with three members of a special session on the topic from the Ottawa ASA meeting: Steve Beck (Beck Audio Forensics), Daniel Bowman (Pacific Northwest National Laboratories), and Andrew McNeese (University of Texas at Austin). </p><p><br/></p><p>Associated paper: Thomas E. Branford. &quot;Summary of “Things that go boom: High amplitude acoustic sources.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 002002 (2024) <a href='https://doi.org/10.1121/2.0001991'>https://doi.org/10.1121/2.0001991</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (<em>POMA</em>).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay.</a> </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/16963085-things-that-go-boom.mp3" length="37356005" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-16963085</guid>
    <pubDate>Mon, 14 Apr 2025 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/16963085/transcript" type="text/html" />
    <podcast:soundbite startTime="59.796" duration="45.0" />
    <itunes:duration>3105</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Show Your Scattering Coefficients</itunes:title>
    <title>Show Your Scattering Coefficients</title>
    <itunes:summary><![CDATA[The phenomenon of acoustic scattering, when a sound wave bounces off a surface and is redirected in different directions because of the surface texture, has been recognized since ancient Greece. Accounting for acoustic scattering when designing a built space, however, can be tricky. In this episode, we speak with Michael Vorländer (RWTH Aachen University) about his work to develop a general guideline for estimating the effects of acoustic scattering from a given surface. Associated paper: Mic...]]></itunes:summary>
    <description><![CDATA[<p>The phenomenon of acoustic scattering, when a sound wave bounces off a surface and is redirected in different directions because of the surface texture, has been recognized since ancient Greece. Accounting for acoustic scattering when designing a built space, however, can be tricky. In this episode, we speak with Michael Vorländer (RWTH Aachen University) about his work to develop a general guideline for estimating the effects of acoustic scattering from a given surface.</p><p>Associated paper: Michael Vorlaender and Stefan Feistel. &quot;Show your scattering coefficients.&quot; <em>Proc. Mtgs. Acoust.</em> 50, 015003 (2022) <a href='https://doi.org/10.1121/2.0001816'>https://doi.org/10.1121/2.0001816</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay.</a> </p>]]></description>
    <content:encoded><![CDATA[<p>The phenomenon of acoustic scattering, when a sound wave bounces off a surface and is redirected in different directions because of the surface texture, has been recognized since ancient Greece. Accounting for acoustic scattering when designing a built space, however, can be tricky. In this episode, we speak with Michael Vorländer (RWTH Aachen University) about his work to develop a general guideline for estimating the effects of acoustic scattering from a given surface.</p><p>Associated paper: Michael Vorlaender and Stefan Feistel. &quot;Show your scattering coefficients.&quot; <em>Proc. Mtgs. Acoust.</em> 50, 015003 (2022) <a href='https://doi.org/10.1121/2.0001816'>https://doi.org/10.1121/2.0001816</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay.</a> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-16664083</guid>
    <pubDate>Mon, 24 Feb 2025 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/16664083/transcript" type="text/html" />
    <podcast:soundbite startTime="1606.833" duration="45.5" />
    <itunes:duration>2307</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Reducing Shipping Noise for Fatter, Happier Marine Mammals</itunes:title>
    <title>Reducing Shipping Noise for Fatter, Happier Marine Mammals</title>
    <itunes:summary><![CDATA[Human-made noise from shipping is an ongoing problem for aquatic life. However, actually implementing measures to reduce noise can be costly and time consuming-- a risk many ship makers don't want to take without knowing how effective those methods will be. In this episode, we talk with Vanessa M. ZoBell (Scripps Institution of Oceanography) about her research that simulates the impacts of various strategies, with hopes for finding the most effective methods to improve the lives of our underw...]]></itunes:summary>
    <description><![CDATA[<p>Human-made noise from shipping is an ongoing problem for aquatic life. However, actually implementing measures to reduce noise can be costly and time consuming-- a risk many ship makers don&apos;t want to take without knowing how effective those methods will be. In this episode, we talk with Vanessa M. ZoBell (Scripps Institution of Oceanography) about her research that simulates the impacts of various strategies, with hopes for finding the most effective methods to improve the lives of our underwater neighbors.<br/><br/>Associated papers:<br/>- Vanessa M. ZoBell, John A. Hildebrand, and Kaitlin E. Frasier. &quot;Assessing approaches for ship noise reduction within critical whale habitat.&quot; <em>J. Acoust. Soc. Am.</em> 156, 3534–3544 (2024). <a href='https://doi.org/10.1121/10.0034455'>https://doi.org/10.1121/10.0034455</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Human-made noise from shipping is an ongoing problem for aquatic life. However, actually implementing measures to reduce noise can be costly and time consuming-- a risk many ship makers don&apos;t want to take without knowing how effective those methods will be. In this episode, we talk with Vanessa M. ZoBell (Scripps Institution of Oceanography) about her research that simulates the impacts of various strategies, with hopes for finding the most effective methods to improve the lives of our underwater neighbors.<br/><br/>Associated papers:<br/>- Vanessa M. ZoBell, John A. Hildebrand, and Kaitlin E. Frasier. &quot;Assessing approaches for ship noise reduction within critical whale habitat.&quot; <em>J. Acoust. Soc. Am.</em> 156, 3534–3544 (2024). <a href='https://doi.org/10.1121/10.0034455'>https://doi.org/10.1121/10.0034455</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-16449936</guid>
    <pubDate>Mon, 20 Jan 2025 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/16449936/transcript" type="text/html" />
    <podcast:soundbite startTime="180.0" duration="51.0" />
    <itunes:duration>1401</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Acoustic Levitation and Trapping</itunes:title>
    <title>Acoustic Levitation and Trapping</title>
    <itunes:summary><![CDATA[Acoustic levitation allows objects to be suspended in air or in liquids without falling. In this episode, we speak with Philip Marston (Washington State University) about the history of acoustic levitation, and his work to translate previous research into terminology more accessible to modern readers and those outside of the field of physics.   Associated papers: - Philip L. Marston. "Trapping in acoustic standing waves: Effect of liquid drop compressibility." J. Acoust. Soc. Am. 154, R5–R6 (...]]></itunes:summary>
    <description><![CDATA[<p>Acoustic levitation allows objects to be suspended in air or in liquids without falling. In this episode, we speak with Philip Marston (Washington State University) about the history of acoustic levitation, and his work to translate previous research into terminology more accessible to modern readers and those outside of the field of physics. <br/><br/>Associated papers:<br/>- Philip L. Marston. &quot;Trapping in acoustic standing waves: Effect of liquid drop compressibility.&quot; <em>J. Acoust. Soc. Am.</em> 154, R5–R6 (2023). <a href='https://doi.org/10.1121/10.0020809'>https://doi.org/10.1121/10.0020809</a></p><p>- Philip L. Marston. &quot;Contrast factor for standing-wave radiation forces on spheres: Series expansion in powers of sphere radius.&quot; <em>JASA Express Lett.</em> 4, 074001 (2024). <a href='https://doi.org/10.1121/10.0027928'>https://doi.org/10.1121/10.0027928</a>.<br/><br/>- Philip L. Marston. &quot;Position dependence of the standing-wave radiation pressure quadrupole projection on a sphere applied to drop shape.&quot; <em>J. Acoust. Soc. Am.</em> 156, 1586–1593 (2024). <a href='https://doi.org/10.1121/10.0028518'>https://doi.org/10.1121/10.0028518</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. <br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Acoustic levitation allows objects to be suspended in air or in liquids without falling. In this episode, we speak with Philip Marston (Washington State University) about the history of acoustic levitation, and his work to translate previous research into terminology more accessible to modern readers and those outside of the field of physics. <br/><br/>Associated papers:<br/>- Philip L. Marston. &quot;Trapping in acoustic standing waves: Effect of liquid drop compressibility.&quot; <em>J. Acoust. Soc. Am.</em> 154, R5–R6 (2023). <a href='https://doi.org/10.1121/10.0020809'>https://doi.org/10.1121/10.0020809</a></p><p>- Philip L. Marston. &quot;Contrast factor for standing-wave radiation forces on spheres: Series expansion in powers of sphere radius.&quot; <em>JASA Express Lett.</em> 4, 074001 (2024). <a href='https://doi.org/10.1121/10.0027928'>https://doi.org/10.1121/10.0027928</a>.<br/><br/>- Philip L. Marston. &quot;Position dependence of the standing-wave radiation pressure quadrupole projection on a sphere applied to drop shape.&quot; <em>J. Acoust. Soc. Am.</em> 156, 1586–1593 (2024). <a href='https://doi.org/10.1121/10.0028518'>https://doi.org/10.1121/10.0028518</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. <br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/16274926-acoustic-levitation-and-trapping.mp3" length="11613319" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-16274926</guid>
    <pubDate>Mon, 16 Dec 2024 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/16274926/transcript" type="text/html" />
    <podcast:soundbite startTime="147.0" duration="22.5" />
    <itunes:duration>960</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Student Paper Competition: Modeling Trumpets and Falcon 9 Flyback Noise</itunes:title>
    <title>Student Paper Competition: Modeling Trumpets and Falcon 9 Flyback Noise</title>
    <itunes:summary><![CDATA[This episode is part two of our interviews with the POMA student paper winners from our meeting in Ottawa. First, we talk with Miranda Jackson (McGill University) about her research regarding modeling the mouthpiece and bells of brass instruments. Next, Mark C. Anderson (Brigham Young University) talks about the noise created by the Falcon 9 boosters as they fly back to Earth and the impact that noise can have on surrounding communities.   Associated papers: - Miranda Jackson and Gary Scavone...]]></itunes:summary>
    <description><![CDATA[<p>This episode is part two of our interviews with the <em>POMA</em> student paper winners from our meeting in Ottawa. First, we talk with Miranda Jackson (McGill University) about her research regarding modeling the mouthpiece and bells of brass instruments. Next, Mark C. Anderson (Brigham Young University) talks about the noise created by the Falcon 9 boosters as they fly back to Earth and the impact that noise can have on surrounding communities. <br/><br/>Associated papers:<br/>- Miranda Jackson and Gary Scavone. &quot;A comparison of modeled and measured impedance of brass instruments and their mouthpieces and bells.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 035004 (2024) <a href='https://doi.org/10.1121/2.0001925'>https://doi.org/10.1121/2.0001925</a></p><p>- Mark C. Anderson, Kent L. Gee, and Kaylee Nyborg. &quot;Flyback sonic booms from Falcon-9 rockets: Measured data and some considerations for future models.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 040005 (2024) <a href='https://doi.org/10.1121/2.0001916'>https://doi.org/10.1121/2.0001916</a><br/><br/><a href='https://acousticalsociety.org/asa-virtual-fall-2024/'>Learn more</a> about entering the POMA Student Paper Competition for the Fall 2024 virtual meeting. <br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p>]]></description>
    <content:encoded><![CDATA[<p>This episode is part two of our interviews with the <em>POMA</em> student paper winners from our meeting in Ottawa. First, we talk with Miranda Jackson (McGill University) about her research regarding modeling the mouthpiece and bells of brass instruments. Next, Mark C. Anderson (Brigham Young University) talks about the noise created by the Falcon 9 boosters as they fly back to Earth and the impact that noise can have on surrounding communities. <br/><br/>Associated papers:<br/>- Miranda Jackson and Gary Scavone. &quot;A comparison of modeled and measured impedance of brass instruments and their mouthpieces and bells.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 035004 (2024) <a href='https://doi.org/10.1121/2.0001925'>https://doi.org/10.1121/2.0001925</a></p><p>- Mark C. Anderson, Kent L. Gee, and Kaylee Nyborg. &quot;Flyback sonic booms from Falcon-9 rockets: Measured data and some considerations for future models.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 040005 (2024) <a href='https://doi.org/10.1121/2.0001916'>https://doi.org/10.1121/2.0001916</a><br/><br/><a href='https://acousticalsociety.org/asa-virtual-fall-2024/'>Learn more</a> about entering the POMA Student Paper Competition for the Fall 2024 virtual meeting. <br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/16179239-student-paper-competition-modeling-trumpets-and-falcon-9-flyback-noise.mp3" length="26014808" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-16179239</guid>
    <pubDate>Mon, 02 Dec 2024 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/16179239/transcript" type="text/html" />
    <podcast:soundbite startTime="420.0" duration="48.0" />
    <itunes:duration>2160</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: A Small Ship-Like Structure, Underwater Micronavigation, and Rotorcraft Noise</itunes:title>
    <title>Student Paper Competition: A Small Ship-Like Structure, Underwater Micronavigation, and Rotorcraft Noise</title>
    <itunes:summary><![CDATA[This episode, we talk to a few of the latest round of POMA Student Paper Competition winners from the 186th ASA Meeting in Ottawa about their exciting research endeavors: - Using a small-scale ship-like structure to test noise mitigation techniques for shipping noise - Modeling spatial coherence in underwater sonar - Understanding the noise created by rotorcraft  Make sure to keep an ear out for our next episode, which will include interviews with the remaining two winners!  Associated papers...]]></itunes:summary>
    <description><![CDATA[<p>This episode, we talk to a few of the latest round of POMA Student Paper Competition winners from the 186th ASA Meeting in Ottawa about their exciting research endeavors:<br/>- Using a small-scale ship-like structure to test noise mitigation techniques for shipping noise<br/>- Modeling spatial coherence in underwater sonar<br/>- Understanding the noise created by rotorcraft<br/><br/>Make sure to keep an ear out for our next episode, which will include interviews with the remaining two winners!<br/><br/>Associated papers:<br/>- Marc-André Guy, Kamal Kesour, Olivier Robin, Stéphane Gagnon, Julien St-Jacques, Mathis Vulliez, Raphael Tremblay, Jean-Christophe Gauthier Marquis. &quot;Effectiveness of standard mitigation technologies at reducing ships’ machinery noise using a small-scale ship-like structure.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 070001 (2024). <a href='https://doi.org/10.1121/2.0001912'>https://doi.org/10.1121/2.0001912</a></p><p>- Kyle S. Dalton, Thomas E. Blanford, Daniel C. Brown. “Bistatic spatial coherence for micronavigation of a downward-looking synthetic aperture sonar.” <em>Proc. Mtgs. Acoust.</em> 54, 070002 (2024). <a href='https://doi.org/10.1121/2.0001924'>https://doi.org/10.1121/2.0001924</a>.</p><p>- Ze Feng Gan, Vitor Tumelero Valente, Kenneth Steven Brentner, Eric Greenwood. “Time-varying broadband noise of multirotor aircraft.” <em>Proc. Mtgs. Acoust.</em> 54, 040006 (2024). <a href='https://doi.org/10.1121/2.0001946'>https://doi.org/10.1121/2.0001946</a>.<br/><br/><a href='https://acousticalsociety.org/asa-virtual-fall-2024/'>Learn more</a> about entering the POMA Student Paper Competition for the Fall 2024 virtual meeting. <br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p><br/><br/><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>This episode, we talk to a few of the latest round of POMA Student Paper Competition winners from the 186th ASA Meeting in Ottawa about their exciting research endeavors:<br/>- Using a small-scale ship-like structure to test noise mitigation techniques for shipping noise<br/>- Modeling spatial coherence in underwater sonar<br/>- Understanding the noise created by rotorcraft<br/><br/>Make sure to keep an ear out for our next episode, which will include interviews with the remaining two winners!<br/><br/>Associated papers:<br/>- Marc-André Guy, Kamal Kesour, Olivier Robin, Stéphane Gagnon, Julien St-Jacques, Mathis Vulliez, Raphael Tremblay, Jean-Christophe Gauthier Marquis. &quot;Effectiveness of standard mitigation technologies at reducing ships’ machinery noise using a small-scale ship-like structure.&quot; <em>Proc. Mtgs. Acoust.</em> 54, 070001 (2024). <a href='https://doi.org/10.1121/2.0001912'>https://doi.org/10.1121/2.0001912</a></p><p>- Kyle S. Dalton, Thomas E. Blanford, Daniel C. Brown. “Bistatic spatial coherence for micronavigation of a downward-looking synthetic aperture sonar.” <em>Proc. Mtgs. Acoust.</em> 54, 070002 (2024). <a href='https://doi.org/10.1121/2.0001924'>https://doi.org/10.1121/2.0001924</a>.</p><p>- Ze Feng Gan, Vitor Tumelero Valente, Kenneth Steven Brentner, Eric Greenwood. “Time-varying broadband noise of multirotor aircraft.” <em>Proc. Mtgs. Acoust.</em> 54, 040006 (2024). <a href='https://doi.org/10.1121/2.0001946'>https://doi.org/10.1121/2.0001946</a>.<br/><br/><a href='https://acousticalsociety.org/asa-virtual-fall-2024/'>Learn more</a> about entering the POMA Student Paper Competition for the Fall 2024 virtual meeting. <br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p><br/><br/><br/><br/></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-16067005</guid>
    <pubDate>Mon, 11 Nov 2024 01:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/16067005/transcript" type="text/html" />
    <podcast:soundbite startTime="1983.0" duration="41.0" />
    <itunes:duration>2994</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>An Ultrasound-Based Touchscreen</itunes:title>
    <title>An Ultrasound-Based Touchscreen</title>
    <itunes:summary><![CDATA[Current touchscreen technology has its limitations. In this episode, we talk with Jérémy Moriot (Université de Sherbrooke) about his team's development of an ultrasound-based system that not only can work with various types of surfaces, but can also detect multiple touches at the same time.   Associated paper: Maxime Bilodeau, Jérémy Moriot, Joëlle Fréchette-Viens Raphaël Bouchard, Philippe Boulais, Nicolas Quaegebeur, and Patrice Masson. "Embedded real-time ultrasound-based multi-touch ...]]></itunes:summary>
    <description><![CDATA[<p>Current touchscreen technology has its limitations. In this episode, we talk with Jérémy Moriot (Université de Sherbrooke) about his team&apos;s development of an ultrasound-based system that not only can work with various types of surfaces, but can also detect multiple touches at the same time. <br/><br/>Associated paper: Maxime Bilodeau, Jérémy Moriot, Joëlle Fréchette-Viens Raphaël Bouchard, Philippe Boulais, Nicolas Quaegebeur, and Patrice Masson. &quot;Embedded real-time ultrasound-based multi-touch system.&quot; <em>JASA Express Letters</em>  4, 082802 (2024). <a href='https://doi.org/10.1121/10.0028323'>https://doi.org/10.1121/10.0028323</a>.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></description>
    <content:encoded><![CDATA[<p>Current touchscreen technology has its limitations. In this episode, we talk with Jérémy Moriot (Université de Sherbrooke) about his team&apos;s development of an ultrasound-based system that not only can work with various types of surfaces, but can also detect multiple touches at the same time. <br/><br/>Associated paper: Maxime Bilodeau, Jérémy Moriot, Joëlle Fréchette-Viens Raphaël Bouchard, Philippe Boulais, Nicolas Quaegebeur, and Patrice Masson. &quot;Embedded real-time ultrasound-based multi-touch system.&quot; <em>JASA Express Letters</em>  4, 082802 (2024). <a href='https://doi.org/10.1121/10.0028323'>https://doi.org/10.1121/10.0028323</a>.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/15971932-an-ultrasound-based-touchscreen.mp3" length="15161163" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15971932</guid>
    <pubDate>Mon, 28 Oct 2024 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15971932/transcript" type="text/html" />
    <podcast:soundbite startTime="1096.0" duration="42.5" />
    <itunes:duration>1256</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Continuous Active Sonar&#39;s Impact on Killer Whales</itunes:title>
    <title>Continuous Active Sonar&#39;s Impact on Killer Whales</title>
    <itunes:summary><![CDATA[When pulsed active sonar was found to cause mass strandings of whales, researchers turned to the quieter continuous active sonar for underwater monitoring. In this episode, Brian K. Branstetter (Naval Facilities Engineering Systems Command Pacific) shares his work to find out how this sonar affects killer whales.   Associated paper: Brian K. Branstetter, Michael Felice, Todd Robeck, Marla M. Holt, and E. Elizabeth Henderson. "Auditory masking of tonal and conspecific signals by continuous act...]]></itunes:summary>
    <description><![CDATA[<p>When pulsed active sonar was found to cause mass strandings of whales, researchers turned to the quieter continuous active sonar for underwater monitoring. In this episode, Brian K. Branstetter (Naval Facilities Engineering Systems Command Pacific) shares his work to find out how this sonar affects killer whales. <br/><br/>Associated paper: Brian K. Branstetter, Michael Felice, Todd Robeck, Marla M. Holt, and E. Elizabeth Henderson. &quot;Auditory masking of tonal and conspecific signals by continuous active sonar, amplitude modulated noise, and Gaussian noise in killer whales (<em>Orcinus orca</em>).&quot; <em>J. Acoust. Soc. Am.</em> 156 (2024). <a href='https://doi.org/10.1121/10.0028626'>https://doi.org/10.1121/10.0028626</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>When pulsed active sonar was found to cause mass strandings of whales, researchers turned to the quieter continuous active sonar for underwater monitoring. In this episode, Brian K. Branstetter (Naval Facilities Engineering Systems Command Pacific) shares his work to find out how this sonar affects killer whales. <br/><br/>Associated paper: Brian K. Branstetter, Michael Felice, Todd Robeck, Marla M. Holt, and E. Elizabeth Henderson. &quot;Auditory masking of tonal and conspecific signals by continuous active sonar, amplitude modulated noise, and Gaussian noise in killer whales (<em>Orcinus orca</em>).&quot; <em>J. Acoust. Soc. Am.</em> 156 (2024). <a href='https://doi.org/10.1121/10.0028626'>https://doi.org/10.1121/10.0028626</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/15903418-continuous-active-sonar-s-impact-on-killer-whales.mp3" length="9491479" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15903418</guid>
    <pubDate>Tue, 15 Oct 2024 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15903418/transcript" type="text/html" />
    <podcast:soundbite startTime="318.483" duration="39.0" />
    <itunes:duration>783</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>How Classroom Acoustics Fail Autistic Students and Teachers</itunes:title>
    <title>How Classroom Acoustics Fail Autistic Students and Teachers</title>
    <itunes:summary><![CDATA[We know noisy classrooms and learning environments can negatively impact students and teachers. However, these problems can be compounded for those with autism. We talk to Carmen Rosas-Pérez (Heriot-Watt University) about her research to better understand the experiences of autistic people in daily life acoustic environments.   Associated paper: Carmen Rosas-Pérez, Laurent Galbrun, Mary E. Stewart, and Sarah R. Payne. "How can anyone learn or teach? Experiences of autistic people with so...]]></itunes:summary>
    <description><![CDATA[<p>We know noisy classrooms and learning environments can negatively impact students and teachers. However, these problems can be compounded for those with autism. We talk to Carmen Rosas-Pérez (Heriot-Watt University) about her research to better understand the experiences of autistic people in daily life acoustic environments. <br/><br/>Associated paper: Carmen Rosas-Pérez, Laurent Galbrun, Mary E. Stewart, and Sarah R. Payne. &quot;How can anyone learn or teach? Experiences of autistic people with sound in schools and universities,&quot; <em>Proc. Mtgs. Acoust.</em> 51, 015001 (2023). <a href='https://doi.org/10.1121/2.0001741'>https://doi.org/10.1121/2.0001741</a>.</p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>We know noisy classrooms and learning environments can negatively impact students and teachers. However, these problems can be compounded for those with autism. We talk to Carmen Rosas-Pérez (Heriot-Watt University) about her research to better understand the experiences of autistic people in daily life acoustic environments. <br/><br/>Associated paper: Carmen Rosas-Pérez, Laurent Galbrun, Mary E. Stewart, and Sarah R. Payne. &quot;How can anyone learn or teach? Experiences of autistic people with sound in schools and universities,&quot; <em>Proc. Mtgs. Acoust.</em> 51, 015001 (2023). <a href='https://doi.org/10.1121/2.0001741'>https://doi.org/10.1121/2.0001741</a>.</p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15786424</guid>
    <pubDate>Mon, 23 Sep 2024 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15786424/transcript" type="text/html" />
    <podcast:soundbite startTime="312.483" duration="60.0" />
    <itunes:duration>2869</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Can Sound Be Used to Diagnose Arteriosclerosis? </itunes:title>
    <title>Can Sound Be Used to Diagnose Arteriosclerosis? </title>
    <itunes:summary><![CDATA[Because cardiovascular disease is the world's leading cause of death, researchers have been looking for ways to diagnose it early. Low-frequency sounds have been used to assess the elasticity of blood vessels, but until now,  the elastic waves being studied were too fast to get precise measurements. Sibylle Gregoire (INSERM) discusses how here team has been able to image a different type of elastic wave, opening up the possibility to more precise assessments and diagnosis of cardiovascul...]]></itunes:summary>
    <description><![CDATA[<p>Because cardiovascular disease is the world&apos;s leading cause of death, researchers have been looking for ways to diagnose it early. Low-frequency sounds have been used to assess the elasticity of blood vessels, but until now,  the elastic waves being studied were too fast to get precise measurements. Sibylle Gregoire (INSERM) discusses how here team has been able to image a different type of elastic wave, opening up the possibility to more precise assessments and diagnosis of cardiovascular disease in the future. <br/><br/>Associated paper: Sibylle Gregoire, Gabrielle Laloy-Borgna, Johannes Aichele, Fabrice Lemoult, and Stefan Catheline. &quot;Flexural pulse wave velocity in blood vessels.&quot; <em>J. Acoust. Soc. Am.</em> 155, 2948–2958 (2024). <a href='https://doi.org/10.1121/10.0025855'>https://doi.org/10.1121/10.0025855</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Because cardiovascular disease is the world&apos;s leading cause of death, researchers have been looking for ways to diagnose it early. Low-frequency sounds have been used to assess the elasticity of blood vessels, but until now,  the elastic waves being studied were too fast to get precise measurements. Sibylle Gregoire (INSERM) discusses how here team has been able to image a different type of elastic wave, opening up the possibility to more precise assessments and diagnosis of cardiovascular disease in the future. <br/><br/>Associated paper: Sibylle Gregoire, Gabrielle Laloy-Borgna, Johannes Aichele, Fabrice Lemoult, and Stefan Catheline. &quot;Flexural pulse wave velocity in blood vessels.&quot; <em>J. Acoust. Soc. Am.</em> 155, 2948–2958 (2024). <a href='https://doi.org/10.1121/10.0025855'>https://doi.org/10.1121/10.0025855</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/15614112-can-sound-be-used-to-diagnose-arteriosclerosis.mp3" length="14515451" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15614112</guid>
    <pubDate>Mon, 09 Sep 2024 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15614112/transcript" type="text/html" />
    <podcast:soundbite startTime="331.0" duration="40.0" />
    <itunes:duration>1202</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Ultrasound Transducers for Measuring Martian Wind Speeds</itunes:title>
    <title>Ultrasound Transducers for Measuring Martian Wind Speeds</title>
    <itunes:summary><![CDATA[We have yet to fully understand the wind on Mars, even though it transfers heat, momentum, and molecules from the surface. Traditionally, heat loss and motion detectors have been used to measure wind speeds. Robert D. White (Tufts University) discusses his team's work on ultrasound transducers that may offer a more precise way to measure turbulent eddies on the  Red Planet.  Associated paper: Robert D. White, Rishabh Chaudhary, Zijia Zhao, Luisa Chiesa, Ian Neeson, and Don Banfield. "Mod...]]></itunes:summary>
    <description><![CDATA[<p>We have yet to fully understand the wind on Mars, even though it transfers heat, momentum, and molecules from the surface. Traditionally, heat loss and motion detectors have been used to measure wind speeds. Robert D. White (Tufts University) discusses his team&apos;s work on ultrasound transducers that may offer a more precise way to measure turbulent eddies on the  Red Planet.<br/><br/>Associated paper: Robert D. White, Rishabh Chaudhary, Zijia Zhao, Luisa Chiesa, Ian Neeson, and Don Banfield. &quot;Modeling and characterization of gas coupled ultrasonic transducers at low pressures and temperatures and implications for sonic anemometry on Mars.&quot; <em>J. Acoust. Soc. Am.</em> 156, 968- 988 (2024) <a href='https://doi.org/10.1121/10.0028008'>https://doi.org/10.1121/10.0028008</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>We have yet to fully understand the wind on Mars, even though it transfers heat, momentum, and molecules from the surface. Traditionally, heat loss and motion detectors have been used to measure wind speeds. Robert D. White (Tufts University) discusses his team&apos;s work on ultrasound transducers that may offer a more precise way to measure turbulent eddies on the  Red Planet.<br/><br/>Associated paper: Robert D. White, Rishabh Chaudhary, Zijia Zhao, Luisa Chiesa, Ian Neeson, and Don Banfield. &quot;Modeling and characterization of gas coupled ultrasonic transducers at low pressures and temperatures and implications for sonic anemometry on Mars.&quot; <em>J. Acoust. Soc. Am.</em> 156, 968- 988 (2024) <a href='https://doi.org/10.1121/10.0028008'>https://doi.org/10.1121/10.0028008</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15607299</guid>
    <pubDate>Mon, 26 Aug 2024 01:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15607299/transcript" type="text/html" />
    <podcast:soundbite startTime="140.796" duration="31.0" />
    <itunes:duration>879</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Acousto-Optics: Sensing Sound with Light</itunes:title>
    <title>Acousto-Optics: Sensing Sound with Light</title>
    <itunes:summary><![CDATA[In this episode, we dive into the world of acousto-optics, where light is used to visualize and measure sound-- particularly acoustic phenomena that are difficult to observe. Samuel Verburg (Technical University of Denmark) and Kenji Ishikawa (NTT Communication) share the history of this field of research, as well as discuss modern day applications and potential uses for acousto-optic sensing in the future.   Read the associated article: Samuel A. Verburg, Kenji Ishikawa, Efren Fernandez-Gran...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, we dive into the world of acousto-optics, where light is used to visualize and measure sound-- particularly acoustic phenomena that are difficult to observe. Samuel Verburg (Technical University of Denmark) and Kenji Ishikawa (NTT Communication) share the history of this field of research, as well as discuss modern day applications and potential uses for acousto-optic sensing in the future. <br/><br/>Read the associated article: Samuel A. Verburg, Kenji Ishikawa, Efren Fernandez-Grande, and Yasuhiro Oikawa. (2023) “A Century of Acousto-Optics: From Early Discoveries to Modern Sensing of Sound with Light,” Acoustics Today 19(3). <a href='https://doi.org/10.1121/AT.2023.19.3.54'>https://doi.org/10.1121/AT.2023.19.3.54</a><br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, we dive into the world of acousto-optics, where light is used to visualize and measure sound-- particularly acoustic phenomena that are difficult to observe. Samuel Verburg (Technical University of Denmark) and Kenji Ishikawa (NTT Communication) share the history of this field of research, as well as discuss modern day applications and potential uses for acousto-optic sensing in the future. <br/><br/>Read the associated article: Samuel A. Verburg, Kenji Ishikawa, Efren Fernandez-Grande, and Yasuhiro Oikawa. (2023) “A Century of Acousto-Optics: From Early Discoveries to Modern Sensing of Sound with Light,” Acoustics Today 19(3). <a href='https://doi.org/10.1121/AT.2023.19.3.54'>https://doi.org/10.1121/AT.2023.19.3.54</a><br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/15547396-acousto-optics-sensing-sound-with-light.mp3" length="13972192" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15547396</guid>
    <pubDate>Mon, 12 Aug 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15547396/transcript" type="text/html" />
    <podcast:soundbite startTime="137.0" duration="40.0" />
    <itunes:duration>1157</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>New Research Roundup: Music as Noise, Instruments as Dynamic Sound Sources, and Modeling Piano Soundboards</itunes:title>
    <title>New Research Roundup: Music as Noise, Instruments as Dynamic Sound Sources, and Modeling Piano Soundboards</title>
    <itunes:summary><![CDATA[This episode highlights three recent articles from the field of musical acoustics. First, we talk to Elvira Brattico (Aarhus University) about her research into what causes a person to experience music as noise. Next, Stefan Weinzierl (Technical University of Berlin) discusses how a musician's movement during a performance will impact the notes listeners hear. Finally, Pablo Miranda Valiente (University of Southampton) discusses his work to develop a model that shows the impact a piano soundb...]]></itunes:summary>
    <description><![CDATA[<p>This episode highlights three recent articles from the field of musical acoustics. First, we talk to Elvira Brattico (Aarhus University) about her research into what causes a person to experience music as noise. Next, Stefan Weinzierl (Technical University of Berlin) discusses how a musician&apos;s movement during a performance will impact the notes listeners hear. Finally, Pablo Miranda Valiente (University of Southampton) discusses his work to develop a model that shows the impact a piano soundboard has on the note played. <br/><br/>Associated papers: <br/>- Giulio Carraturo, Marina Kliuchko, and Elvira Brattico. &quot;Loud and unwanted: Individual differences in the tolerance for exposure to music.&quot;  <em>J. Acoust. Soc. Am.</em> 155, 3274–3282 (2024). <a href='https://doi.org/10.1121/10.0025924'>https://doi.org/10.1121/10.0025924</a>.<br/>- David Ackermann, Fabian Brinkmann, and Stefan Weinzierl. &quot;Musical instruments as dynamic sound sources.&quot; <em>J. Acoust. Soc. Am.</em> 155, 2302–2313 (2024). <a href='https://doi.org/10.1121/10.0025463'>https://doi.org/10.1121/10.0025463</a>.<br/>- Pablo Miranda Valiente, Giacomo Squicciarini, and David J. Thompson. &quot;Influence of soundboard modelling approaches on piano string vibration.&quot; <em>J. Acoust. Soc. Am.</em> 155, 3213–3232 (2024). <a href='https://doi.org/10.1121/10.0025925'>https://doi.org/10.1121/10.0025925</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>This episode highlights three recent articles from the field of musical acoustics. First, we talk to Elvira Brattico (Aarhus University) about her research into what causes a person to experience music as noise. Next, Stefan Weinzierl (Technical University of Berlin) discusses how a musician&apos;s movement during a performance will impact the notes listeners hear. Finally, Pablo Miranda Valiente (University of Southampton) discusses his work to develop a model that shows the impact a piano soundboard has on the note played. <br/><br/>Associated papers: <br/>- Giulio Carraturo, Marina Kliuchko, and Elvira Brattico. &quot;Loud and unwanted: Individual differences in the tolerance for exposure to music.&quot;  <em>J. Acoust. Soc. Am.</em> 155, 3274–3282 (2024). <a href='https://doi.org/10.1121/10.0025924'>https://doi.org/10.1121/10.0025924</a>.<br/>- David Ackermann, Fabian Brinkmann, and Stefan Weinzierl. &quot;Musical instruments as dynamic sound sources.&quot; <em>J. Acoust. Soc. Am.</em> 155, 2302–2313 (2024). <a href='https://doi.org/10.1121/10.0025463'>https://doi.org/10.1121/10.0025463</a>.<br/>- Pablo Miranda Valiente, Giacomo Squicciarini, and David J. Thompson. &quot;Influence of soundboard modelling approaches on piano string vibration.&quot; <em>J. Acoust. Soc. Am.</em> 155, 3213–3232 (2024). <a href='https://doi.org/10.1121/10.0025925'>https://doi.org/10.1121/10.0025925</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15436660</guid>
    <pubDate>Mon, 22 Jul 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15436660/transcript" type="text/html" />
    <podcast:soundbite startTime="1819.0" duration="60.0" />
    <itunes:duration>3454</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Why don&#39;t speech recognition systems understand African American English? </itunes:title>
    <title>Why don&#39;t speech recognition systems understand African American English? </title>
    <itunes:summary><![CDATA[Most people have encountered speech recognition software in their day-to-day lives, whether through personal digital assistants, auto transcription, or other such modern marvels. As the technology advances, though, it still fails to understand speakers of African American English (AAE). In this episode, we talk to Michelle Cohn (Google Research and University of California Davis) and Zion Mengesha (Google Research and Stanford University) about their research into why these problems with spee...]]></itunes:summary>
    <description><![CDATA[<p>Most people have encountered speech recognition software in their day-to-day lives, whether through personal digital assistants, auto transcription, or other such modern marvels. As the technology advances, though, it still fails to understand speakers of African American English (AAE). In this episode, we talk to Michelle Cohn (Google Research and University of California Davis) and Zion Mengesha (Google Research and Stanford University) about their research into why these problems with speech recognition software seem to persist and what can be done to make sure more voices are understood by the technology.<br/><br/>Associated paper: Michelle Cohn, Zion Mengesha, Michal Lahav, and Courtney Heldreth. &quot;African American English speakers’ pitch variation and rate adjustments for imagined technological and human addressees.&quot; <em>JASA Express Letters</em>  4,  047601 (2024). <a href='https://doi.org/10.1121/10.0025484'>https://doi.org/10.1121/10.0025484</a>.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></description>
    <content:encoded><![CDATA[<p>Most people have encountered speech recognition software in their day-to-day lives, whether through personal digital assistants, auto transcription, or other such modern marvels. As the technology advances, though, it still fails to understand speakers of African American English (AAE). In this episode, we talk to Michelle Cohn (Google Research and University of California Davis) and Zion Mengesha (Google Research and Stanford University) about their research into why these problems with speech recognition software seem to persist and what can be done to make sure more voices are understood by the technology.<br/><br/>Associated paper: Michelle Cohn, Zion Mengesha, Michal Lahav, and Courtney Heldreth. &quot;African American English speakers’ pitch variation and rate adjustments for imagined technological and human addressees.&quot; <em>JASA Express Letters</em>  4,  047601 (2024). <a href='https://doi.org/10.1121/10.0025484'>https://doi.org/10.1121/10.0025484</a>.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15356248</guid>
    <pubDate>Mon, 08 Jul 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15356248/transcript" type="text/html" />
    <podcast:soundbite startTime="521.75" duration="45.0" />
    <itunes:duration>1038</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: Emotions of Drums, Acoustic Black Holes, Ocean Noise, and More!</itunes:title>
    <title>Student Paper Competition: Emotions of Drums, Acoustic Black Holes, Ocean Noise, and More!</title>
    <itunes:summary><![CDATA[This episode, we talk to a new round of POMA Student Paper Competition winners from the 185th ASA Meeting in Sydney about their exciting research endeavors: - An analysis of how drums convey emotion - A method to assess stress caused by vibration in acoustic black holes - An improved estimator for background noise in underwater signals - A model to help remove distortion from the sound fields of parametric array loudspeakers - A numerical study of a little-understood phenomenon in bowed-strin...]]></itunes:summary>
    <description><![CDATA[<p>This episode, we talk to a new round of POMA Student Paper Competition winners from the 185th ASA Meeting in Sydney about their exciting research endeavors:<br/>- An analysis of how drums convey emotion<br/>- A method to assess stress caused by vibration in acoustic black holes<br/>- An improved estimator for background noise in underwater signals<br/>- A model to help remove distortion from the sound fields of parametric array loudspeakers<br/>- A numerical study of a little-understood phenomenon in bowed-string instruments<br/><br/>Associated papers:<br/><br/>Zeyu Huang, Wenyi Song, Xiaojuan Ma, and Andrew Brian Horner. &quot;The emotional characteristics of bass drums, snare drums, and disengaged snare drums with different strokes and dynamics.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 035005 (2023) <a href='https://doi.org/10.1121/2.0001834'>https://doi.org/10.1121/2.0001834</a><br/><br/>Archie Keys and Jordan Cheer. &quot;Experimental measurements of stress in an Acoustic Black Hole using a laser doppler vibrometer.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 065003 (2023) <a href='https://doi.org/10.1121/2.0001829'>https://doi.org/10.1121/2.0001829</a><br/><br/>David Campos Anchieta and John R. Buck. &quot;Robust power spectral density estimation via a performance-weighted blend of order statistics.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 055006 (2023) <a href='https://doi.org/10.1121/2.0001849'>https://doi.org/10.1121/2.0001849</a></p><p>Wenyao Ma, Jun Yang, and Yunxi Zhu. &quot;Identification of the parametric array loudspeaker system using differential Volterra filter.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 055005 (2023) <a href='https://doi.org/10.1121/2.0001850'>https://doi.org/10.1121/2.0001850</a><br/><br/>Shodai Tanaka, Hiroshi Kori, and Ayumi Ozawa. &quot;A mathematical study about the sustaining phenomenon of overtone in flageolet harmonics on bowed string instruments.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 035006 (2023) <a href='https://doi.org/10.1121/2.0001835'>https://doi.org/10.1121/2.0001835</a><br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>This episode, we talk to a new round of POMA Student Paper Competition winners from the 185th ASA Meeting in Sydney about their exciting research endeavors:<br/>- An analysis of how drums convey emotion<br/>- A method to assess stress caused by vibration in acoustic black holes<br/>- An improved estimator for background noise in underwater signals<br/>- A model to help remove distortion from the sound fields of parametric array loudspeakers<br/>- A numerical study of a little-understood phenomenon in bowed-string instruments<br/><br/>Associated papers:<br/><br/>Zeyu Huang, Wenyi Song, Xiaojuan Ma, and Andrew Brian Horner. &quot;The emotional characteristics of bass drums, snare drums, and disengaged snare drums with different strokes and dynamics.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 035005 (2023) <a href='https://doi.org/10.1121/2.0001834'>https://doi.org/10.1121/2.0001834</a><br/><br/>Archie Keys and Jordan Cheer. &quot;Experimental measurements of stress in an Acoustic Black Hole using a laser doppler vibrometer.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 065003 (2023) <a href='https://doi.org/10.1121/2.0001829'>https://doi.org/10.1121/2.0001829</a><br/><br/>David Campos Anchieta and John R. Buck. &quot;Robust power spectral density estimation via a performance-weighted blend of order statistics.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 055006 (2023) <a href='https://doi.org/10.1121/2.0001849'>https://doi.org/10.1121/2.0001849</a></p><p>Wenyao Ma, Jun Yang, and Yunxi Zhu. &quot;Identification of the parametric array loudspeaker system using differential Volterra filter.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 055005 (2023) <a href='https://doi.org/10.1121/2.0001850'>https://doi.org/10.1121/2.0001850</a><br/><br/>Shodai Tanaka, Hiroshi Kori, and Ayumi Ozawa. &quot;A mathematical study about the sustaining phenomenon of overtone in flageolet harmonics on bowed string instruments.&quot; <em>Proc. Mtgs. Acoust.</em> 52, 035006 (2023) <a href='https://doi.org/10.1121/2.0001835'>https://doi.org/10.1121/2.0001835</a><br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15284603</guid>
    <pubDate>Mon, 24 Jun 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15284603/transcript" type="text/html" />
    <podcast:soundbite startTime="795.0" duration="37.0" />
    <itunes:duration>3187</itunes:duration>
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  <item>
    <itunes:title>Measuring the Big Impact Vibration Has on Tiny Microphones</itunes:title>
    <title>Measuring the Big Impact Vibration Has on Tiny Microphones</title>
    <itunes:summary><![CDATA[The tiny microphones used inside hearing aids can be very sensitive to vibration of the device, resulting in annoying feedback. Testing how sensitive these microphones are to vibration has been a problem that plagued engineers. In this episode, we talk to Charles King and Chris Monti of Knowles Electronics about their innovation to measure microphone vibration sensitivity.  Associated paper: Charles B. King and Chris Monti, "Microphone vibration sensitivity: What it is, why it is important, a...]]></itunes:summary>
    <description><![CDATA[<p>The tiny microphones used inside hearing aids can be very sensitive to vibration of the device, resulting in annoying feedback. Testing how sensitive these microphones are to vibration has been a problem that plagued engineers. In this episode, we talk to Charles King and Chris Monti of Knowles Electronics about their innovation to measure microphone vibration sensitivity.<br/><br/>Associated paper: Charles B. King and Chris Monti, &quot;Microphone vibration sensitivity: What it is, why it is important, and how to measure it,&quot; Proc. Mtgs. Acoust. 50, 065001 (2022). <a href='https://doi.org/10.1121/2.0001702'>https://doi.org/10.1121/2.0001702</a></p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The tiny microphones used inside hearing aids can be very sensitive to vibration of the device, resulting in annoying feedback. Testing how sensitive these microphones are to vibration has been a problem that plagued engineers. In this episode, we talk to Charles King and Chris Monti of Knowles Electronics about their innovation to measure microphone vibration sensitivity.<br/><br/>Associated paper: Charles B. King and Chris Monti, &quot;Microphone vibration sensitivity: What it is, why it is important, and how to measure it,&quot; Proc. Mtgs. Acoust. 50, 065001 (2022). <a href='https://doi.org/10.1121/2.0001702'>https://doi.org/10.1121/2.0001702</a></p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15204809</guid>
    <pubDate>Mon, 10 Jun 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15204809/transcript" type="text/html" />
    <podcast:soundbite startTime="196.0" duration="50.0" />
    <itunes:duration>2285</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>We Don&#39;t All Talk the Same: Teaching Linguistic Diversity</itunes:title>
    <title>We Don&#39;t All Talk the Same: Teaching Linguistic Diversity</title>
    <itunes:summary><![CDATA[Speech Science courses are a key component to the curriculum within a variety of disciplines, but coursework is frequently lacking in terms of representation of those from different cultural and linguistic backgrounds. In this episode, we talk to Melissa Baese-Berk (University of Chicago) and Paul Reed (University of Alabama), about why it's so important for instructors to use a variety of voices in the classroom, and how to talk about other ways of speaking when one feels ill-equipped to do ...]]></itunes:summary>
    <description><![CDATA[<p>Speech Science courses are a key component to the curriculum within a variety of disciplines, but coursework is frequently lacking in terms of representation of those from different cultural and linguistic backgrounds. In this episode, we talk to Melissa Baese-Berk (University of Chicago) and Paul Reed (University of Alabama), about why it&apos;s so important for instructors to use a variety of voices in the classroom, and how to talk about other ways of speaking when one feels ill-equipped to do so. <br/><br/>Associated paper: Melissa Baese-Berk and Paul E. Reed. &quot;Addressing diversity in speech science courses.&quot; <em>J. Acoust. Soc. Am.</em> 154, 918–925 (2023) <a href='https://doi.org/10.1121/10.0020613'>https://doi.org/10.1121/10.0020613</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>Speech Science courses are a key component to the curriculum within a variety of disciplines, but coursework is frequently lacking in terms of representation of those from different cultural and linguistic backgrounds. In this episode, we talk to Melissa Baese-Berk (University of Chicago) and Paul Reed (University of Alabama), about why it&apos;s so important for instructors to use a variety of voices in the classroom, and how to talk about other ways of speaking when one feels ill-equipped to do so. <br/><br/>Associated paper: Melissa Baese-Berk and Paul E. Reed. &quot;Addressing diversity in speech science courses.&quot; <em>J. Acoust. Soc. Am.</em> 154, 918–925 (2023) <a href='https://doi.org/10.1121/10.0020613'>https://doi.org/10.1121/10.0020613</a>.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-15085872</guid>
    <pubDate>Mon, 20 May 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/15085872/transcript" type="text/html" />
    <podcast:soundbite startTime="465.483" duration="60.0" />
    <itunes:duration>2661</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Lincoln Center and the Greatest Acoustic Failure of the 20th Century</itunes:title>
    <title>Lincoln Center and the Greatest Acoustic Failure of the 20th Century</title>
    <itunes:summary><![CDATA[In the aftermath of World War II, New York City wanted to built a new home for its orchestra, the New York Philharmonic, and secure its place a cultural center of the world. In this episode, we talk to the Paul H. Scarbrough (Akustiks, LLC) about where these plans went awry and the multiple renovations over many decades to fix the hall.   Read the associated article: Paul H. Scarbrough. (2023) “David Geffen Hall and the Evolution of Acoustics at Lincoln Center,” Acoustics Today 19(4). ht...]]></itunes:summary>
    <description><![CDATA[<p>In the aftermath of World War II, New York City wanted to built a new home for its orchestra, the New York Philharmonic, and secure its place a cultural center of the world. In this episode, we talk to the Paul H. Scarbrough (Akustiks, LLC) about where these plans went awry and the multiple renovations over many decades to fix the hall. <br/><br/>Read the associated article: Paul H. Scarbrough. (2023) “David Geffen Hall and the Evolution of Acoustics at Lincoln Center,” Acoustics Today 19(4). <a href='https://doi.org/10.1121/AT.2023.19.4.41'>https://doi.org/10.1121/AT.2023.19.4.41</a><br/><br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></description>
    <content:encoded><![CDATA[<p>In the aftermath of World War II, New York City wanted to built a new home for its orchestra, the New York Philharmonic, and secure its place a cultural center of the world. In this episode, we talk to the Paul H. Scarbrough (Akustiks, LLC) about where these plans went awry and the multiple renovations over many decades to fix the hall. <br/><br/>Read the associated article: Paul H. Scarbrough. (2023) “David Geffen Hall and the Evolution of Acoustics at Lincoln Center,” Acoustics Today 19(4). <a href='https://doi.org/10.1121/AT.2023.19.4.41'>https://doi.org/10.1121/AT.2023.19.4.41</a><br/><br/><br/></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14998568</guid>
    <pubDate>Mon, 06 May 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14998568/transcript" type="text/html" />
    <podcast:soundbite startTime="628.0" duration="58.0" />
    <itunes:duration>2678</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Deep Faking Room Impulse Responses</itunes:title>
    <title>Deep Faking Room Impulse Responses</title>
    <itunes:summary><![CDATA[It's not always feasible to measure the sound field generated by an acoustic source; instead, scientists have to model to come up with a best guess for the missing pieces of the sound field. In this episode, we talk to Efren Fernandez-Grande and Xenofon Karakonstantis (Technical University of Denmark) about their new machine learning method to reconstruct sound fields.   Associated paper: Efren Fernandez-Grande, Xenofon Karakonstantis, Diego Caviedes-Nozal, and Peter Gerstoft. "Generative mod...]]></itunes:summary>
    <description><![CDATA[<p>It&apos;s not always feasible to measure the sound field generated by an acoustic source; instead, scientists have to model to come up with a best guess for the missing pieces of the sound field. In this episode, we talk to Efren Fernandez-Grande and Xenofon Karakonstantis (Technical University of Denmark) about their new machine learning method to reconstruct sound fields. <br/><br/>Associated paper: Efren Fernandez-Grande, Xenofon Karakonstantis, Diego Caviedes-Nozal, and Peter Gerstoft. &quot;Generative models for sound field reconstruction&quot; <em>J. Acoust. Soc. Am.</em> 153, 1179-1190 (2023) <a href='https://doi.org/10.1121/10.0016896'>https://doi.org/10.1121/10.0016896</a> .</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></description>
    <content:encoded><![CDATA[<p>It&apos;s not always feasible to measure the sound field generated by an acoustic source; instead, scientists have to model to come up with a best guess for the missing pieces of the sound field. In this episode, we talk to Efren Fernandez-Grande and Xenofon Karakonstantis (Technical University of Denmark) about their new machine learning method to reconstruct sound fields. <br/><br/>Associated paper: Efren Fernandez-Grande, Xenofon Karakonstantis, Diego Caviedes-Nozal, and Peter Gerstoft. &quot;Generative models for sound field reconstruction&quot; <em>J. Acoust. Soc. Am.</em> 153, 1179-1190 (2023) <a href='https://doi.org/10.1121/10.0016896'>https://doi.org/10.1121/10.0016896</a> .</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu</a> from Pixabay. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14914731</guid>
    <pubDate>Mon, 22 Apr 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14914731/transcript" type="text/html" />
    <podcast:soundbite startTime="103.0" duration="45.0" />
    <itunes:duration>1402</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Late Night Mystery Calls in the Mariana Archipelago</itunes:title>
    <title>Late Night Mystery Calls in the Mariana Archipelago</title>
    <itunes:summary><![CDATA[While analyzing acoustic data from the Mariana Archipelago, Angela Szesciorka (Oregon State University) noticed something funny: a signal unlike any other she'd seen. It showed up over and over, and only seemed to occur at night. In this episode, we talk to Szesciorka about this mystery call and what animal possibly made it.   Associated paper: Angela R. Szesciorka, Jennifer L. K. McCullough, and Erin M. Oleson. "An unknown nocturnal call type in the Mariana Archipelago." JASA Express Letters...]]></itunes:summary>
    <description><![CDATA[<p>While analyzing acoustic data from the Mariana Archipelago, Angela Szesciorka (Oregon State University) noticed something funny: a signal unlike any other she&apos;d seen. It showed up over and over, and only seemed to occur at night. In this episode, we talk to Szesciorka about this mystery call and what animal possibly made it. <br/><br/>Associated paper: Angela R. Szesciorka, Jennifer L. K. McCullough, and Erin M. Oleson. &quot;An unknown nocturnal call type in the Mariana Archipelago.&quot; <em>JASA Express Letters</em>  3, 011201 (2023). <a href='https://doi.org/10.1121/10.0017068'>https://doi.org/10.1121/10.0017068</a></p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></description>
    <content:encoded><![CDATA[<p>While analyzing acoustic data from the Mariana Archipelago, Angela Szesciorka (Oregon State University) noticed something funny: a signal unlike any other she&apos;d seen. It showed up over and over, and only seemed to occur at night. In this episode, we talk to Szesciorka about this mystery call and what animal possibly made it. <br/><br/>Associated paper: Angela R. Szesciorka, Jennifer L. K. McCullough, and Erin M. Oleson. &quot;An unknown nocturnal call type in the Mariana Archipelago.&quot; <em>JASA Express Letters</em>  3, 011201 (2023). <a href='https://doi.org/10.1121/10.0017068'>https://doi.org/10.1121/10.0017068</a></p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay</a>. </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14833948</guid>
    <pubDate>Mon, 08 Apr 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14833948/transcript" type="text/html" />
    <podcast:soundbite startTime="414.0" duration="41.5" />
    <itunes:duration>787</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Conservation Bioacoustics: Listening to the Heartbeat of the Earth</itunes:title>
    <title>Conservation Bioacoustics: Listening to the Heartbeat of the Earth</title>
    <itunes:summary><![CDATA[Recent advances in technology have allowed scientists to gather larger quantities of acoustic data from locations more remote than ever before. As a result, the study of animal sounds can be used to inform species or habitat conservation and natural resource management practices in new and exciting ways. In this episode, we talk to Aaron Rice of Cornell University about how acoustics can be used to advance conservation efforts, as well as how folks outside of large research universities can t...]]></itunes:summary>
    <description><![CDATA[<p>Recent advances in technology have allowed scientists to gather larger quantities of acoustic data from locations more remote than ever before. As a result, the study of animal sounds can be used to inform species or habitat conservation and natural resource management practices in new and exciting ways. In this episode, we talk to Aaron Rice of Cornell University about how acoustics can be used to advance conservation efforts, as well as how folks outside of large research universities can take part in efforts to help save the planet with science.<br/><br/>Read the associated article: Aaron N. Rice, Marissa L. Garcia, Laurel B. Symes, and Holger Klinck. (2023) “Conservation Bioacoustics: Listening to the Heartbeat of the Earth,” Acoustics Today 19(3). <a href='https://doi.org/10.1121/AT.2023.19.3.46'>https://doi.org/10.1121/AT.2023.19.3.46</a><br/><br/><a href='https://birdnet.cornell.edu/'>Try out the BirdNET app mentioned in this episode!</a></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></description>
    <content:encoded><![CDATA[<p>Recent advances in technology have allowed scientists to gather larger quantities of acoustic data from locations more remote than ever before. As a result, the study of animal sounds can be used to inform species or habitat conservation and natural resource management practices in new and exciting ways. In this episode, we talk to Aaron Rice of Cornell University about how acoustics can be used to advance conservation efforts, as well as how folks outside of large research universities can take part in efforts to help save the planet with science.<br/><br/>Read the associated article: Aaron N. Rice, Marissa L. Garcia, Laurel B. Symes, and Holger Klinck. (2023) “Conservation Bioacoustics: Listening to the Heartbeat of the Earth,” Acoustics Today 19(3). <a href='https://doi.org/10.1121/AT.2023.19.3.46'>https://doi.org/10.1121/AT.2023.19.3.46</a><br/><br/><a href='https://birdnet.cornell.edu/'>Try out the BirdNET app mentioned in this episode!</a></p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>Min 2019 by minwbu from Pixabay. </a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14743945</guid>
    <pubDate>Mon, 25 Mar 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14743945/transcript" type="text/html" />
    <podcast:soundbite startTime="188.0" duration="58.5" />
    <itunes:duration>2532</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>What is an acoustic metamaterial?</itunes:title>
    <title>What is an acoustic metamaterial?</title>
    <itunes:summary><![CDATA[Metamaterials have been a hot topic in the acoustics community since the late 1990s, but there's no  consensus among researchers as to what a metamaterial actually is or when they first came about. Christina Naify (University of Texas - Austin) took a deep dive into the literature about metamaterials and then posed the question to an audience of researchers in a session at the ASA conference in Chicago. In this episode, we talk to her about what came up during this discussion.  Associate...]]></itunes:summary>
    <description><![CDATA[<p>Metamaterials have been a hot topic in the acoustics community since the late 1990s, but there&apos;s no  consensus among researchers as to <em>what</em> a metamaterial actually is or when they first came about. Christina Naify (University of Texas - Austin) took a deep dive into the literature about metamaterials and then posed the question to an audience of researchers in a session at the ASA conference in Chicago. In this episode, we talk to her about what came up during this discussion.<br/><br/>Associated paper: Christina J. Naify,  Alexey Titovich, and  Michael R. Haberman . &quot;What is an acoustic metamaterial?&quot; 51, 065002 (2023). <a href='https://doi.org/10.1121/2.0001813'>https://doi.org/10.1121/2.0001813</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Metamaterials have been a hot topic in the acoustics community since the late 1990s, but there&apos;s no  consensus among researchers as to <em>what</em> a metamaterial actually is or when they first came about. Christina Naify (University of Texas - Austin) took a deep dive into the literature about metamaterials and then posed the question to an audience of researchers in a session at the ASA conference in Chicago. In this episode, we talk to her about what came up during this discussion.<br/><br/>Associated paper: Christina J. Naify,  Alexey Titovich, and  Michael R. Haberman . &quot;What is an acoustic metamaterial?&quot; 51, 065002 (2023). <a href='https://doi.org/10.1121/2.0001813'>https://doi.org/10.1121/2.0001813</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14639538</guid>
    <pubDate>Mon, 11 Mar 2024 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14639538/transcript" type="text/html" />
    <podcast:soundbite startTime="184.0" duration="52.5" />
    <itunes:duration>1494</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Quiet Down! Lowering the Recommended Occupational Noise Exposure Limit</itunes:title>
    <title>Quiet Down! Lowering the Recommended Occupational Noise Exposure Limit</title>
    <itunes:summary><![CDATA[The National Institute for Occupational Safety and Health’s (NIOSH) recommended exposure limit for occupational noise is often cited as the upper limit for loudness in all situations-- but that's not actually the case. Worse, the limit may not even fit modern ears, which face a barrage of loud sound in and out of the workplace, starting at an early age. In this episode, we talk to Daniel Fink of Quiet Coalition about how NIOSH's recommended exposure limit for occupational noise impacts even t...]]></itunes:summary>
    <description><![CDATA[<p>The National Institute for Occupational Safety and Health’s (NIOSH) recommended exposure limit for occupational noise is often cited as the upper limit for loudness in all situations-- but that&apos;s not actually the case. Worse, the limit may not even fit modern ears, which face a barrage of loud sound in and out of the workplace, starting at an early age. In this episode, we talk to Daniel Fink of Quiet Coalition about how NIOSH&apos;s recommended exposure limit for occupational noise impacts even those of us in quiet workplaces, and why the limit needs to be revised downwards.<br/><br/>Associated paper: Daniel Fink. &quot;The recommended exposure limit for occupational noise needs to be revised downwards.&quot; <em>Proc. Mtgs. Acoust.</em> 50, 040002 (2022). <a href='https://doi.org/10.1121/2.0001729'>https://doi.org/10.1121/2.0001729</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The National Institute for Occupational Safety and Health’s (NIOSH) recommended exposure limit for occupational noise is often cited as the upper limit for loudness in all situations-- but that&apos;s not actually the case. Worse, the limit may not even fit modern ears, which face a barrage of loud sound in and out of the workplace, starting at an early age. In this episode, we talk to Daniel Fink of Quiet Coalition about how NIOSH&apos;s recommended exposure limit for occupational noise impacts even those of us in quiet workplaces, and why the limit needs to be revised downwards.<br/><br/>Associated paper: Daniel Fink. &quot;The recommended exposure limit for occupational noise needs to be revised downwards.&quot; <em>Proc. Mtgs. Acoust.</em> 50, 040002 (2022). <a href='https://doi.org/10.1121/2.0001729'>https://doi.org/10.1121/2.0001729</a>.</p><p><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14562570</guid>
    <pubDate>Mon, 26 Feb 2024 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14562570/transcript" type="text/html" />
    <podcast:soundbite startTime="188.0" duration="45.0" />
    <itunes:duration>1285</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Speech research methods and gender-diverse speakers</itunes:title>
    <title>Speech research methods and gender-diverse speakers</title>
    <itunes:summary><![CDATA[Traditionally, speech researchers have asked participants to classify speakers on a binary scale for gender. However, as our understanding of gender changes, so must our research methods. In this episode, we talk to Brooke Merritt (University of Texas - El Paso) about her research into updating research protocols to better encompass a diversity of genders and gain a more nuanced understanding of listeners' perception of speakers' identity.  Associated paper: Brooke Merritt, Tessa Bent, Rowan ...]]></itunes:summary>
    <description><![CDATA[<p>Traditionally, speech researchers have asked participants to classify speakers on a binary scale for gender. However, as our understanding of gender changes, so must our research methods. In this episode, we talk to Brooke Merritt (University of Texas - El Paso) about her research into updating research protocols to better encompass a diversity of genders and gain a more nuanced understanding of listeners&apos; perception of speakers&apos; identity.<br/><br/>Associated paper: Brooke Merritt, Tessa Bent, Rowan Kilgore, and Cameron Eads. &quot;Auditory free classification of gender diverse speakers&quot; <em>J. Acoust. Soc. Am.</em> 155, 1422-1436 (2024). <a href='https://doi.org/10.1121/10.0024521'>https://doi.org/10.1121/10.0024521</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Traditionally, speech researchers have asked participants to classify speakers on a binary scale for gender. However, as our understanding of gender changes, so must our research methods. In this episode, we talk to Brooke Merritt (University of Texas - El Paso) about her research into updating research protocols to better encompass a diversity of genders and gain a more nuanced understanding of listeners&apos; perception of speakers&apos; identity.<br/><br/>Associated paper: Brooke Merritt, Tessa Bent, Rowan Kilgore, and Cameron Eads. &quot;Auditory free classification of gender diverse speakers&quot; <em>J. Acoust. Soc. Am.</em> 155, 1422-1436 (2024). <a href='https://doi.org/10.1121/10.0024521'>https://doi.org/10.1121/10.0024521</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14466368</guid>
    <pubDate>Thu, 15 Feb 2024 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14466368/transcript" type="text/html" />
    <podcast:soundbite startTime="99.0" duration="41.0" />
    <itunes:duration>993</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>How well can infants distinguish unfamiliar voices? </itunes:title>
    <title>How well can infants distinguish unfamiliar voices? </title>
    <itunes:summary><![CDATA[Infants can distinguish caregivers' and other familiar voices early in life, and can even tell the difference between two unfamiliar female voices. In this episode, we talk to Madeleine Yu (University of Toronto) about her research into infants' ability to distinguish the voices of unfamiliar male speakers.    Associated paper: Madeleine E. Yu, Natalie Fecher, and Elizabeth K. Johnson. "Learning to identify talkers: Do 4.5-month-old infants distinguish between unfamiliar males?" JASA Express ...]]></itunes:summary>
    <description><![CDATA[<p>Infants can distinguish caregivers&apos; and other familiar voices early in life, and can even tell the difference between two unfamiliar female voices. In this episode, we talk to Madeleine Yu (University of Toronto) about her research into infants&apos; ability to distinguish the voices of unfamiliar male speakers. <br/><br/><br/>Associated paper: Madeleine E. Yu, Natalie Fecher, and Elizabeth K. Johnson. &quot;Learning to identify talkers: Do 4.5-month-old infants distinguish between unfamiliar males?&quot; <em>JASA Express Letters</em>  4, 015203 (2024) <a href='https://doi.org/10.1121/10.0024271'>https://doi.org/10.1121/10.0024271</a>.</p><p> </p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Infants can distinguish caregivers&apos; and other familiar voices early in life, and can even tell the difference between two unfamiliar female voices. In this episode, we talk to Madeleine Yu (University of Toronto) about her research into infants&apos; ability to distinguish the voices of unfamiliar male speakers. <br/><br/><br/>Associated paper: Madeleine E. Yu, Natalie Fecher, and Elizabeth K. Johnson. &quot;Learning to identify talkers: Do 4.5-month-old infants distinguish between unfamiliar males?&quot; <em>JASA Express Letters</em>  4, 015203 (2024) <a href='https://doi.org/10.1121/10.0024271'>https://doi.org/10.1121/10.0024271</a>.</p><p> </p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14383281</guid>
    <pubDate>Mon, 29 Jan 2024 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14383281/transcript" type="text/html" />
    <podcast:soundbite startTime="186.0" duration="33.5" />
    <itunes:duration>652</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>What is silence? </itunes:title>
    <title>What is silence? </title>
    <itunes:summary><![CDATA[More precisely, is silence the absence of sound? (What is sound, anyway?) In this episode, we get a little philosophical, talking with Bill Yost (Arizona State University) about what sound is and the role perception plays in our understanding of sound and silence.   Associated paper: William A. Yost. "What is silence? Therefore, what is sound?" J. Acoust. Soc. Am. 154, 2333–2336 (2023). https://doi.org/10.1121/10.0021872.  Read more from The Journal of the Acoustical Society of America (JASA)...]]></itunes:summary>
    <description><![CDATA[<p>More precisely, is silence the absence of sound? (What is sound, anyway?) In this episode, we get a little philosophical, talking with Bill Yost (Arizona State University) about what sound is and the role perception plays in our understanding of sound and silence. <br/><br/>Associated paper: William A. Yost. &quot;What is silence? Therefore, what is sound?&quot; <em>J. Acoust. Soc. Am.</em> 154, 2333–2336 (2023). <a href='https://doi.org/10.1121/10.0021872'>https://doi.org/10.1121/10.0021872</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>More precisely, is silence the absence of sound? (What is sound, anyway?) In this episode, we get a little philosophical, talking with Bill Yost (Arizona State University) about what sound is and the role perception plays in our understanding of sound and silence. <br/><br/>Associated paper: William A. Yost. &quot;What is silence? Therefore, what is sound?&quot; <em>J. Acoust. Soc. Am.</em> 154, 2333–2336 (2023). <a href='https://doi.org/10.1121/10.0021872'>https://doi.org/10.1121/10.0021872</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14255280</guid>
    <pubDate>Mon, 08 Jan 2024 09:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14255280/transcript" type="text/html" />
    <podcast:soundbite startTime="579.0" duration="57.0" />
    <itunes:duration>2443</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Wait, What&#39;s That?: Weird Data in Underwater Acoustics</itunes:title>
    <title>Wait, What&#39;s That?: Weird Data in Underwater Acoustics</title>
    <itunes:summary><![CDATA[Oftentimes, when a scientist studying underwater acoustics begins an experiment, they have a specific goal in mind... but then there's a bloop or a crackle they don't expect, or the instruments are saying the ocean floor is at 500 meters instead of 5,000 meters like all the charts say, or a rogue pod of dolphins has caused measurements to go awry. In this episode, we talk to Erin Fischell (Acbotics Research) about all the weird data researchers can run into when they're trying to study underw...]]></itunes:summary>
    <description><![CDATA[<p>Oftentimes, when a scientist studying underwater acoustics begins an experiment, they have a specific goal in mind... but then there&apos;s a bloop or a crackle they don&apos;t expect, or the instruments are saying the ocean floor is at 500 meters instead of 5,000 meters like all the charts say, or a rogue pod of dolphins has caused measurements to go awry. In this episode, we talk to Erin Fischell (Acbotics Research) about all the weird data researchers can run into when they&apos;re trying to study underwater sound. <br/><br/>Read the associated article: Erin M. Fischell. (2022) “Weird Data: The Element of Surprise in Underwater Acoustic Sensing” Acoustics Today 18(2). <a href='https://doi.org/10.1121/AT.2022.18.2.34'>https://doi.org/10.1121/AT.2022.18.2.34</a>.</p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Oftentimes, when a scientist studying underwater acoustics begins an experiment, they have a specific goal in mind... but then there&apos;s a bloop or a crackle they don&apos;t expect, or the instruments are saying the ocean floor is at 500 meters instead of 5,000 meters like all the charts say, or a rogue pod of dolphins has caused measurements to go awry. In this episode, we talk to Erin Fischell (Acbotics Research) about all the weird data researchers can run into when they&apos;re trying to study underwater sound. <br/><br/>Read the associated article: Erin M. Fischell. (2022) “Weird Data: The Element of Surprise in Underwater Acoustic Sensing” Acoustics Today 18(2). <a href='https://doi.org/10.1121/AT.2022.18.2.34'>https://doi.org/10.1121/AT.2022.18.2.34</a>.</p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-14147262</guid>
    <pubDate>Mon, 18 Dec 2023 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14147262/transcript" type="text/html" />
    <podcast:soundbite startTime="408.001" duration="49.0" />
    <itunes:duration>2806</itunes:duration>
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  <item>
    <itunes:title>Student Paper Competition: Chicago</itunes:title>
    <title>Student Paper Competition: Chicago</title>
    <itunes:summary><![CDATA[Another meeting, another round of amazing student research! This episode, we talk to winners of the POMA Student Paper Competition from the 184th meeting of the ASA about their research into using machine learning to model concert hall reverberation time, the effect of clear speech on memory, noise from the Atlas-V rocket launch, the bridge force exerted on the string of a bowed instrument, and a new approach to underwater acoustic source localization.   Associated Papers: Jonathan Michael Br...]]></itunes:summary>
    <description><![CDATA[<p>Another meeting, another round of amazing student research! This episode, we talk to winners of the POMA Student Paper Competition from the 184th meeting of the ASA about their research into using machine learning to model concert hall reverberation time, the effect of clear speech on memory, noise from the Atlas-V rocket launch, the bridge force exerted on the string of a bowed instrument, and a new approach to underwater acoustic source localization. <br/><br/>Associated Papers:<br/>Jonathan Michael Broyles and Zane Tyler Rusk. Predicting the reverberation time of concert halls by use of a random forest regression model. <em>Proc. Mtgs. Acoust.</em> 51, 015004 (2023). <a href='https://doi.org/10.1121/2.0001751'>https://doi.org/10.1121/2.0001751</a><br/><br/>Nicholas B. Aoki and Georgia Zellou. When clear speech does not enhance memory: Effects of speaking style, voice naturalness, and listener age. <em>Proc. Mtgs. Acoust.</em> 51, 060002 (2023). <a href='https://doi.org/10.1121/2.0001766'>https://doi.org/10.1121/2.0001766</a><br/><br/>Logan T. Mathews, Mark C. Anderson, Carson D. Gardner, Bradley W. McLaughlin, Brooke M. Hinds, Megan R. McCullah-Boozer, Lucas K. Hall, and Kent L. Gee. An overview of acoustical measurements made of the Atlas V JPSS-2 rocket launch. <em>Proc. Mtgs. Acoust.</em> 51, 040003 (2023). <a href='https://doi.org/10.1121/2.0001768'>https://doi.org/10.1121/2.0001768</a><br/><br/>Alessio Lampis, Alexander Mayer, Montserrat Pàmies-Vilà, and Vasileios Chatziioannou. Examination of the static and dynamic bridge force components of a bowed string. <em>Proc. Mtgs. Acoust.</em> 51, 035002 (2023). <a href='https://doi.org/10.1121/2.0001755'>https://doi.org/10.1121/2.0001755</a><br/><br/>Dariush Kari, Andrew C. Singer, Hari Vishnu, and Amir Weiss. A gradient-based optimization approach for underwater acoustic source localization. <em>Proc. Mtgs. Acoust.</em> 51, 022002 (2023). <a href='https://doi.org/10.1121/2.0001753'>https://doi.org/10.1121/2.0001753</a><br/><br/><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Another meeting, another round of amazing student research! This episode, we talk to winners of the POMA Student Paper Competition from the 184th meeting of the ASA about their research into using machine learning to model concert hall reverberation time, the effect of clear speech on memory, noise from the Atlas-V rocket launch, the bridge force exerted on the string of a bowed instrument, and a new approach to underwater acoustic source localization. <br/><br/>Associated Papers:<br/>Jonathan Michael Broyles and Zane Tyler Rusk. Predicting the reverberation time of concert halls by use of a random forest regression model. <em>Proc. Mtgs. Acoust.</em> 51, 015004 (2023). <a href='https://doi.org/10.1121/2.0001751'>https://doi.org/10.1121/2.0001751</a><br/><br/>Nicholas B. Aoki and Georgia Zellou. When clear speech does not enhance memory: Effects of speaking style, voice naturalness, and listener age. <em>Proc. Mtgs. Acoust.</em> 51, 060002 (2023). <a href='https://doi.org/10.1121/2.0001766'>https://doi.org/10.1121/2.0001766</a><br/><br/>Logan T. Mathews, Mark C. Anderson, Carson D. Gardner, Bradley W. McLaughlin, Brooke M. Hinds, Megan R. McCullah-Boozer, Lucas K. Hall, and Kent L. Gee. An overview of acoustical measurements made of the Atlas V JPSS-2 rocket launch. <em>Proc. Mtgs. Acoust.</em> 51, 040003 (2023). <a href='https://doi.org/10.1121/2.0001768'>https://doi.org/10.1121/2.0001768</a><br/><br/>Alessio Lampis, Alexander Mayer, Montserrat Pàmies-Vilà, and Vasileios Chatziioannou. Examination of the static and dynamic bridge force components of a bowed string. <em>Proc. Mtgs. Acoust.</em> 51, 035002 (2023). <a href='https://doi.org/10.1121/2.0001755'>https://doi.org/10.1121/2.0001755</a><br/><br/>Dariush Kari, Andrew C. Singer, Hari Vishnu, and Amir Weiss. A gradient-based optimization approach for underwater acoustic source localization. <em>Proc. Mtgs. Acoust.</em> 51, 022002 (2023). <a href='https://doi.org/10.1121/2.0001753'>https://doi.org/10.1121/2.0001753</a><br/><br/><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 04 Dec 2023 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/14065240/transcript" type="text/html" />
    <podcast:soundbite startTime="1416.25" duration="57.5" />
    <itunes:duration>4740</itunes:duration>
    <itunes:keywords>Student Paper Competition</itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Exploring Timbre of Stradivari Violins</itunes:title>
    <title>Exploring Timbre of Stradivari Violins</title>
    <itunes:summary><![CDATA[Why is the sound quality of some violins preferred over others?  In this episode, we talk to Carlo Andrea Rozzi (National Research Council of Italy) and Massimo Grassi (University of Padova) about the myth surrounding Stradivari violins as well as their research into the aspects of violin timbre that cause listeners to prefer one instrument to another.   Associated paper: Carlo Andrea Rozzi, Alessandro Voltini,  Fabio Antonacci,  Massimo Nucci, and  Massimo Grassi. “A list...]]></itunes:summary>
    <description><![CDATA[<p>Why is the sound quality of some violins preferred over others?  In this episode, we talk to Carlo Andrea Rozzi (National Research Council of Italy) and Massimo Grassi (University of Padova) about the myth surrounding Stradivari violins as well as their research into the aspects of violin timbre that cause listeners to prefer one instrument to another. <br/><br/>Associated paper: Carlo Andrea Rozzi, Alessandro Voltini,  Fabio Antonacci,  Massimo Nucci, and  Massimo Grassi. “A listening experiment comparing the timbre of two Stradivari with other violins.&quot; The Journal of the Acoustical Society of America 151, 443 (2022); <a href='https://doi.org/10.1121/10.0009320'>https://doi.org/10.1121/10.0009320</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Why is the sound quality of some violins preferred over others?  In this episode, we talk to Carlo Andrea Rozzi (National Research Council of Italy) and Massimo Grassi (University of Padova) about the myth surrounding Stradivari violins as well as their research into the aspects of violin timbre that cause listeners to prefer one instrument to another. <br/><br/>Associated paper: Carlo Andrea Rozzi, Alessandro Voltini,  Fabio Antonacci,  Massimo Nucci, and  Massimo Grassi. “A listening experiment comparing the timbre of two Stradivari with other violins.&quot; The Journal of the Acoustical Society of America 151, 443 (2022); <a href='https://doi.org/10.1121/10.0009320'>https://doi.org/10.1121/10.0009320</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/></p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13991205</guid>
    <pubDate>Mon, 20 Nov 2023 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13991205/transcript" type="text/html" />
    <podcast:soundbite startTime="207.0" duration="56.5" />
    <itunes:duration>2541</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Optimizing Concrete Floors for Building Acoustics</itunes:title>
    <title>Optimizing Concrete Floors for Building Acoustics</title>
    <itunes:summary><![CDATA[The manufacturing and production of concrete construction building materials creates roughly 10% of global carbon emissions. As a result, architectural engineers are trying to find new ways to reduce the amount of concrete used in their buildings. Less concrete, though, can lead to some major ramifications in terms of the acoustics of a built space. In this episode, we talk to Jonathan Michael Broyles (Penn State) about techniques for optimizing the design of concrete slabs used in floors to ...]]></itunes:summary>
    <description><![CDATA[<p>The manufacturing and production of concrete construction building materials creates roughly 10% of global carbon emissions. As a result, architectural engineers are trying to find new ways to reduce the amount of concrete used in their buildings. Less concrete, though, can lead to some major ramifications in terms of the acoustics of a built space. In this episode, we talk to Jonathan Michael Broyles (Penn State) about techniques for optimizing the design of concrete slabs used in floors to reduce materials while improving acoustic performance. <br/><br/>Associated paper: Jonathan Michael Broyles, Micah R. Shepherd, and  Nathan C. Brown. &quot;Investigation of optimization techniques on structural-acoustical shaped concrete slabs in buildings.&quot; Proc. Mtgs. Acoust 42, 022001 (2020). <a href='https://doi.org/10.1121/2.0001354'>https://doi.org/10.1121/2.0001354</a></p><p><br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The manufacturing and production of concrete construction building materials creates roughly 10% of global carbon emissions. As a result, architectural engineers are trying to find new ways to reduce the amount of concrete used in their buildings. Less concrete, though, can lead to some major ramifications in terms of the acoustics of a built space. In this episode, we talk to Jonathan Michael Broyles (Penn State) about techniques for optimizing the design of concrete slabs used in floors to reduce materials while improving acoustic performance. <br/><br/>Associated paper: Jonathan Michael Broyles, Micah R. Shepherd, and  Nathan C. Brown. &quot;Investigation of optimization techniques on structural-acoustical shaped concrete slabs in buildings.&quot; Proc. Mtgs. Acoust 42, 022001 (2020). <a href='https://doi.org/10.1121/2.0001354'>https://doi.org/10.1121/2.0001354</a></p><p><br/><br/><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 06 Nov 2023 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13896903/transcript" type="text/html" />
    <podcast:soundbite startTime="99.483" duration="54.0" />
    <itunes:duration>1150</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Considering Classroom Soundscapes for Young Students</itunes:title>
    <title>Considering Classroom Soundscapes for Young Students</title>
    <itunes:summary><![CDATA[The sound environment of a classroom can significantly impact the experience of students, particularly for young learners. Yet most research on primary school classroom acoustics has focused solely on removing all sound, even though some sounds may be beneficial to young students’ experience. In this interview, we talk to Chiara Visentin (University of Ferrara) about her research into the soundscape of primary school classrooms. Associated paper: Chiara Visentin, Simone Torresin, Matteo Pelle...]]></itunes:summary>
    <description><![CDATA[<p>The sound environment of a classroom can significantly impact the experience of students, particularly for young learners. Yet most research on primary school classroom acoustics has focused solely on removing all sound, even though some sounds may be beneficial to young students’ experience. In this interview, we talk to Chiara Visentin (University of Ferrara) about her research into the soundscape of primary school classrooms.</p><p>Associated paper: Chiara Visentin, Simone Torresin, Matteo Pellegatti, and Nicola Prodi. “Indoor soundscape in primary school classrooms.&quot; The Journal of the Acoustical Society of America 154, 1813 (2023); <a href='https://doi.org/10.1121/10.0020833'>https://doi.org/10.1121/10.0020833</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The sound environment of a classroom can significantly impact the experience of students, particularly for young learners. Yet most research on primary school classroom acoustics has focused solely on removing all sound, even though some sounds may be beneficial to young students’ experience. In this interview, we talk to Chiara Visentin (University of Ferrara) about her research into the soundscape of primary school classrooms.</p><p>Associated paper: Chiara Visentin, Simone Torresin, Matteo Pellegatti, and Nicola Prodi. “Indoor soundscape in primary school classrooms.&quot; The Journal of the Acoustical Society of America 154, 1813 (2023); <a href='https://doi.org/10.1121/10.0020833'>https://doi.org/10.1121/10.0020833</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13816039</guid>
    <pubDate>Mon, 23 Oct 2023 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13816039/transcript" type="text/html" />
    <podcast:soundbite startTime="353.483" duration="56.5" />
    <itunes:duration>1159</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Discovery of Sound in the Sea</itunes:title>
    <title>Discovery of Sound in the Sea</title>
    <itunes:summary><![CDATA[Started after a mysterious beaching of beaked whales and dolphins, Discovery of Sound in the Sea (DOSITS, https://dosits.org/) has been providing educational content to the public about the science of underwater sound for over 20 years. In this episode, we talk to Kathleen Vigness-Raposa (Inspire Environmental) and Holly Morin (University of Rhode Island) about how the site has developed over time, resources available on the site, upcoming initiatives, and how acousticians can get involved wi...]]></itunes:summary>
    <description><![CDATA[<p>Started after a mysterious beaching of beaked whales and dolphins, Discovery of Sound in the Sea (DOSITS, <a href='https://dosits.org/'>https://dosits.org/</a>) has been providing educational content to the public about the science of underwater sound for over 20 years. In this episode, we talk to Kathleen Vigness-Raposa (Inspire Environmental) and Holly Morin (University of Rhode Island) about how the site has developed over time, resources available on the site, upcoming initiatives, and how acousticians can get involved with DOSITS.<br/><br/><a href='https://acousticstoday.org/at-collections-discovery-of-sound-in-the-sea-dosits/'>Read more</a> about DOSITS in <em>Acoustics Today.<br/></em><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications.<br/>Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a><br/><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Started after a mysterious beaching of beaked whales and dolphins, Discovery of Sound in the Sea (DOSITS, <a href='https://dosits.org/'>https://dosits.org/</a>) has been providing educational content to the public about the science of underwater sound for over 20 years. In this episode, we talk to Kathleen Vigness-Raposa (Inspire Environmental) and Holly Morin (University of Rhode Island) about how the site has developed over time, resources available on the site, upcoming initiatives, and how acousticians can get involved with DOSITS.<br/><br/><a href='https://acousticstoday.org/at-collections-discovery-of-sound-in-the-sea-dosits/'>Read more</a> about DOSITS in <em>Acoustics Today.<br/></em><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications.<br/>Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a><br/><br/><br/></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13723159</guid>
    <pubDate>Mon, 09 Oct 2023 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13723159/transcript" type="text/html" />
    <podcast:soundbite startTime="292.25" duration="58.0" />
    <itunes:duration>1431</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Music Mixing for Listeners with Hearing Impairment</itunes:title>
    <title>Music Mixing for Listeners with Hearing Impairment</title>
    <itunes:summary><![CDATA[Musical mixes are typically created with normal-hearing listeners’ preferences in mind. How do the preferences of listeners with hearing impairment differ, though?  In this episode, we talk to Aravindan Joseph Benjamin and Kai Siedenburg (University of Oldenburg) about their recent article, which explores how various spectrum- and level-based mixing transforms might be altered to cater to listeners with different hearing abilities. Associated paper: Aravindan Joseph Benjamin and Kai Sied...]]></itunes:summary>
    <description><![CDATA[<p>Musical mixes are typically created with normal-hearing listeners’ preferences in mind. How do the preferences of listeners with hearing impairment differ, though?  In this episode, we talk to Aravindan Joseph Benjamin and Kai Siedenburg (University of Oldenburg) about their recent article, which explores how various spectrum- and level-based mixing transforms might be altered to cater to listeners with different hearing abilities.</p><p>Associated paper: Aravindan Joseph Benjamin and Kai Siedenburg. &quot;Exploring level- and spectrum-based music mixing transforms for hearing-impaired listeners.&quot; The Journal of the Acoustical Society of America 154, 1048 (2023); <a href='https://doi.org/10.1121/10.0020269'>https://doi.org/10.1121/10.0020269</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p><p> </p>]]></description>
    <content:encoded><![CDATA[<p>Musical mixes are typically created with normal-hearing listeners’ preferences in mind. How do the preferences of listeners with hearing impairment differ, though?  In this episode, we talk to Aravindan Joseph Benjamin and Kai Siedenburg (University of Oldenburg) about their recent article, which explores how various spectrum- and level-based mixing transforms might be altered to cater to listeners with different hearing abilities.</p><p>Associated paper: Aravindan Joseph Benjamin and Kai Siedenburg. &quot;Exploring level- and spectrum-based music mixing transforms for hearing-impaired listeners.&quot; The Journal of the Acoustical Society of America 154, 1048 (2023); <a href='https://doi.org/10.1121/10.0020269'>https://doi.org/10.1121/10.0020269</a>.</p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p><p> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13639998</guid>
    <pubDate>Mon, 25 Sep 2023 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13639998/transcript" type="text/html" />
    <podcast:soundbite startTime="335.483" duration="33.0" />
    <itunes:duration>1039</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>An Acoustician&#39;s Guide to SciCom</itunes:title>
    <title>An Acoustician&#39;s Guide to SciCom</title>
    <itunes:summary><![CDATA[In this episode, we talk to the ASA's very own Keeta Jones, the Education and Outreach Coordinator, about science communication: everything from common mistakes scientists make when talking to others about their research, to how to communicate to different types of audiences, to a bevy of tips and tricks you can use when sharing your work with others-- whether it's your grandmother at Thanksgiving, a government official looking to inform new policies, or even colleagues in adjacent fields.   ...]]></itunes:summary>
    <description><![CDATA[<p>In this episode, we talk to the ASA&apos;s very own Keeta Jones, the Education and Outreach Coordinator, about science communication: everything from common mistakes scientists make when talking to others about their research, to how to communicate to different types of audiences, to a bevy of tips and tricks you can use when sharing your work with others-- whether it&apos;s your grandmother at Thanksgiving, a government official looking to inform new policies, or even colleagues in adjacent fields. <br/><br/>Read all about science communication with the articles in <a href='https://acousticstoday.org/at-collections-science-communication/'>this AT Collection</a>! <br/><br/>Other resources mentioned in this episode:</p><ul><li><a href='https://acoustics.org/effective-media-interactions-training-workshop-supplemental-materials/'>Effective Media Interactions Training materials</a></li><li><a href='https://asaedcom.org/projects/acoustic-demonstrations-for-students/'>ASA Meeting Hands-on Sessions</a></li><li><a href='https://acousticalsociety.org/panel-on-public-policy/'>Panel on Public Policy</a></li></ul><p><br/><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>In this episode, we talk to the ASA&apos;s very own Keeta Jones, the Education and Outreach Coordinator, about science communication: everything from common mistakes scientists make when talking to others about their research, to how to communicate to different types of audiences, to a bevy of tips and tricks you can use when sharing your work with others-- whether it&apos;s your grandmother at Thanksgiving, a government official looking to inform new policies, or even colleagues in adjacent fields. <br/><br/>Read all about science communication with the articles in <a href='https://acousticstoday.org/at-collections-science-communication/'>this AT Collection</a>! <br/><br/>Other resources mentioned in this episode:</p><ul><li><a href='https://acoustics.org/effective-media-interactions-training-workshop-supplemental-materials/'>Effective Media Interactions Training materials</a></li><li><a href='https://asaedcom.org/projects/acoustic-demonstrations-for-students/'>ASA Meeting Hands-on Sessions</a></li><li><a href='https://acousticalsociety.org/panel-on-public-policy/'>Panel on Public Policy</a></li></ul><p><br/><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/13555528-an-acoustician-s-guide-to-scicom.mp3" length="24641984" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13555528</guid>
    <pubDate>Mon, 11 Sep 2023 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13555528/transcript" type="text/html" />
    <podcast:soundbite startTime="221.0" duration="53.0" />
    <itunes:duration>2045</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Do shrews echolocate?</itunes:title>
    <title>Do shrews echolocate?</title>
    <itunes:summary><![CDATA[ We know that dolphins and bats echolocate, but less is known about the ultrasonic vocalizations of other animals-- including the northern short-tailed shrew. Some suggest they don’t even make ultrasonic vocalizations at all, but instead produce noise when they move. In this episode, Valerie Eddington and Laura Kloepper (both currently at University of New Hampshire and previously at St. Mary’s College) discuss their research into the sound made by these creatures.   Associated pape...]]></itunes:summary>
    <description><![CDATA[<p> We know that dolphins and bats echolocate, but less is known about the ultrasonic vocalizations of other animals-- including the northern short-tailed shrew. Some suggest they don’t even make ultrasonic vocalizations at all, but instead produce noise when they move. In this episode, Valerie Eddington and Laura Kloepper (both currently at University of New Hampshire and previously at St. Mary’s College) discuss their research into the sound made by these creatures. </p><p><br/>Associated paper: Margaret E. Gleason, Valerie M. Eddington, and Laura N. Kloepper. &quot;Acoustic behavior in the northern short-tailed shrew (<em>Blarina brevicauda</em>): Ultrasonic click production in a novel environment.&quot; The Journal of the Acoustical Society of America 154, 411 (2023); <a href='https://doi.org/10.1121/10.0020071'>https://doi.org/10.1121/10.0020071</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></description>
    <content:encoded><![CDATA[<p> We know that dolphins and bats echolocate, but less is known about the ultrasonic vocalizations of other animals-- including the northern short-tailed shrew. Some suggest they don’t even make ultrasonic vocalizations at all, but instead produce noise when they move. In this episode, Valerie Eddington and Laura Kloepper (both currently at University of New Hampshire and previously at St. Mary’s College) discuss their research into the sound made by these creatures. </p><p><br/>Associated paper: Margaret E. Gleason, Valerie M. Eddington, and Laura N. Kloepper. &quot;Acoustic behavior in the northern short-tailed shrew (<em>Blarina brevicauda</em>): Ultrasonic click production in a novel environment.&quot; The Journal of the Acoustical Society of America 154, 411 (2023); <a href='https://doi.org/10.1121/10.0020071'>https://doi.org/10.1121/10.0020071</a></p><p><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13428828</guid>
    <pubDate>Mon, 21 Aug 2023 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13428828/transcript" type="text/html" />
    <podcast:soundbite startTime="366.483" duration="42.5" />
    <itunes:duration>846</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Reconsidering Classic Ideas in Speech Communication</itunes:title>
    <title>Reconsidering Classic Ideas in Speech Communication</title>
    <itunes:summary><![CDATA[Most researchers know the seminal articles that have impacted their field. Sometimes, though, the research in those articles can get misinterpreted or exaggerated, and those misunderstandings can take hold and reappear year after year. In this episode, we talk to the editors of the Special Issue on Reconsidering Classic Ideas in Speech Communication, Matthew Winn (University of Minnesota), Richard Wright (University of Washington), and Benjamin Tucker (Northern Arizona University), about idea...]]></itunes:summary>
    <description><![CDATA[<p>Most researchers know the seminal articles that have impacted their field. Sometimes, though, the research in those articles can get misinterpreted or exaggerated, and those misunderstandings can take hold and reappear year after year. In this episode, we talk to the editors of the Special Issue on Reconsidering Classic Ideas in Speech Communication, Matthew Winn (University of Minnesota), Richard Wright (University of Washington), and Benjamin Tucker (Northern Arizona University), about ideas in Speech Communication that were reexamined in the special issue.<br/><br/><a href='https://pubs.aip.org/jasa/collection/18271/Reconsidering-Classic-Ideas-in-Speech'>Read</a> the Reconsidering Classic Ideas in Speech Communication</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Most researchers know the seminal articles that have impacted their field. Sometimes, though, the research in those articles can get misinterpreted or exaggerated, and those misunderstandings can take hold and reappear year after year. In this episode, we talk to the editors of the Special Issue on Reconsidering Classic Ideas in Speech Communication, Matthew Winn (University of Minnesota), Richard Wright (University of Washington), and Benjamin Tucker (Northern Arizona University), about ideas in Speech Communication that were reexamined in the special issue.<br/><br/><a href='https://pubs.aip.org/jasa/collection/18271/Reconsidering-Classic-Ideas-in-Speech'>Read</a> the Reconsidering Classic Ideas in Speech Communication</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/13350157-reconsidering-classic-ideas-in-speech-communication.mp3" length="39903523" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13350157</guid>
    <pubDate>Mon, 07 Aug 2023 09:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13350157/transcript" type="text/html" />
    <podcast:soundbite startTime="219.483" duration="31.0" />
    <itunes:duration>3317</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Quieter Airplane Landings</itunes:title>
    <title>Quieter Airplane Landings</title>
    <itunes:summary><![CDATA[The annoyance caused by airplane noise can have adverse effects on those living near airports. Can anything be done when the plane lands to mitigate the noise? In this episode, we talk to Anders Johansson (Royal Institute of Technology, Sweden) about his research into how airplane configuration and weather may affect landing noise.   Associated paper: Anders Johansson and Karl Bolin "Analysis of landing noise from Airbus A321neo using long term noise measurements and flight recorder data...]]></itunes:summary>
    <description><![CDATA[<p>The annoyance caused by airplane noise can have adverse effects on those living near airports. Can anything be done when the plane lands to mitigate the noise? In this episode, we talk to Anders Johansson (Royal Institute of Technology, Sweden) about his research into how airplane configuration and weather may affect landing noise.</p><p> </p><p>Associated paper: Anders Johansson and Karl Bolin &quot;Analysis of landing noise from Airbus A321neo using long term noise measurements and flight recorder data.&quot; The Journal of the Acoustical Society of America 153, 3482 (2023); <a href='https://doi.org/10.1121/10.0019713'>https://doi.org/10.1121/10.0019713</a></p><p> </p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The annoyance caused by airplane noise can have adverse effects on those living near airports. Can anything be done when the plane lands to mitigate the noise? In this episode, we talk to Anders Johansson (Royal Institute of Technology, Sweden) about his research into how airplane configuration and weather may affect landing noise.</p><p> </p><p>Associated paper: Anders Johansson and Karl Bolin &quot;Analysis of landing noise from Airbus A321neo using long term noise measurements and flight recorder data.&quot; The Journal of the Acoustical Society of America 153, 3482 (2023); <a href='https://doi.org/10.1121/10.0019713'>https://doi.org/10.1121/10.0019713</a></p><p> </p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p><b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13264299</guid>
    <pubDate>Mon, 24 Jul 2023 09:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13264299/transcript" type="text/html" />
    <podcast:soundbite startTime="254.0" duration="53.5" />
    <itunes:duration>718</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Do bats change their calls depending on the weather? </itunes:title>
    <title>Do bats change their calls depending on the weather? </title>
    <itunes:summary><![CDATA[Researchers know that bats will alter the calls they use for echolocation depending on their task or environment. In this episode, we talk to Léna de Framond and Holger R. Goerlitz of the Max Planck Institute for Ornithology about their research into whether bats from temperate regions, which experiences large variations in temperature and humidity which could affect call attenuation, vary their calls based on weather.  Associated paper: Léna de Framond, Verena Reininger, and Holger R. Goerli...]]></itunes:summary>
    <description><![CDATA[<p>Researchers know that bats will alter the calls they use for echolocation depending on their task or environment. In this episode, we talk to Léna de Framond and Holger R. Goerlitz of the Max Planck Institute for Ornithology about their research into whether bats from temperate regions, which experiences large variations in temperature and humidity which could affect call attenuation, vary their calls based on weather.<br/><br/>Associated paper: Léna de Framond, Verena Reininger, and Holger R. Goerlitz. &quot;Temperate bats may alter calls to partially compensate for weather-induced changes in detection distance.&quot; <em>J Acoust Soc Am</em> 153, 2867 (2023). <a href='https://doi.org/10.1121/10.0019359'>https://doi.org/10.1121/10.0019359</a></p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Researchers know that bats will alter the calls they use for echolocation depending on their task or environment. In this episode, we talk to Léna de Framond and Holger R. Goerlitz of the Max Planck Institute for Ornithology about their research into whether bats from temperate regions, which experiences large variations in temperature and humidity which could affect call attenuation, vary their calls based on weather.<br/><br/>Associated paper: Léna de Framond, Verena Reininger, and Holger R. Goerlitz. &quot;Temperate bats may alter calls to partially compensate for weather-induced changes in detection distance.&quot; <em>J Acoust Soc Am</em> 153, 2867 (2023). <a href='https://doi.org/10.1121/10.0019359'>https://doi.org/10.1121/10.0019359</a></p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p><br/></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 10 Jul 2023 09:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13193487/transcript" type="text/html" />
    <podcast:soundbite startTime="145.713" duration="52.5" />
    <itunes:duration>809</itunes:duration>
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  <item>
    <itunes:title>ASA Standards</itunes:title>
    <title>ASA Standards</title>
    <itunes:summary><![CDATA[Besides hosting exciting meetings and publishing the latest in acoustics research, the Acoustical Society of America has another branch: ASA Standards! In this episode, we talk to Steve Lind, Director of ASA Standards, Donald Peterson (Northern Illinois University) and Derrick Knight (Trane Technologies) about what standards are, why we need them, and current initiatives that those in the acoustics community can take part of.   Read more about recent initiatives from ASA Standards in Acoustic...]]></itunes:summary>
    <description><![CDATA[<p>Besides hosting exciting meetings and publishing the latest in acoustics research, the Acoustical Society of America has another branch: ASA Standards! In this episode, we talk to Steve Lind, Director of ASA Standards, Donald Peterson (Northern Illinois University) and Derrick Knight (Trane Technologies) about what standards are, why we need them, and current initiatives that those in the acoustics community can take part of. <br/><br/><a href='https://acousticstoday.org/new-efforts-to-bring-acoustics-standards-into-the-curriculum-nancy-a-blair-deleon/'>Read</a> more about recent initiatives from ASA Standards in <em>Acoustics Today.<br/></em><a href='https://asastandards.org/blog/'>Check out</a> the ASA Standards blog.<br/><br/><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications .<br/> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Besides hosting exciting meetings and publishing the latest in acoustics research, the Acoustical Society of America has another branch: ASA Standards! In this episode, we talk to Steve Lind, Director of ASA Standards, Donald Peterson (Northern Illinois University) and Derrick Knight (Trane Technologies) about what standards are, why we need them, and current initiatives that those in the acoustics community can take part of. <br/><br/><a href='https://acousticstoday.org/new-efforts-to-bring-acoustics-standards-into-the-curriculum-nancy-a-blair-deleon/'>Read</a> more about recent initiatives from ASA Standards in <em>Acoustics Today.<br/></em><a href='https://asastandards.org/blog/'>Check out</a> the ASA Standards blog.<br/><br/><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications .<br/> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-13073427</guid>
    <pubDate>Tue, 20 Jun 2023 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/13073427/transcript" type="text/html" />
    <podcast:soundbite startTime="210.483" duration="42.0" />
    <itunes:duration>854</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>How loud is NASA&#39;s Space Launch System?</itunes:title>
    <title>How loud is NASA&#39;s Space Launch System?</title>
    <itunes:summary><![CDATA[The answer: As loud as 40 million bowls of Rice Krispies. In this episode, we talk with Kent Gee of Brigham Young University about his recent research trip to measure the launch acoustics of NASA's Artemis-I mission, why understanding launch noise is so important, common misconceptions about how loud rockets are, and more.   Associated paper: Kent L. Gee,   Grant W. Hart, Carson F. Cunningham, Mark C. Anderson, Michael S. Bassett,   Logan T. Mathews, J. Taggart Durrant, Levi T. Moat...]]></itunes:summary>
    <description><![CDATA[<p>The answer: As loud as 40 million bowls of Rice Krispies. In this episode, we talk with Kent Gee of Brigham Young University about his recent research trip to measure the launch acoustics of NASA&apos;s Artemis-I mission, why understanding launch noise is so important, common misconceptions about how loud rockets are, and more. <br/><br/>Associated paper: Kent L. Gee,   Grant W. Hart, Carson F. Cunningham, Mark C. Anderson, Michael S. Bassett,   Logan T. Mathews, J. Taggart Durrant, Levi T. Moats,   Whitney L. Coyle, Makayle S. Kellison, and Margaret J. Kuffskie. &quot;Space Launch System acoustics: Far-field noise measurements of the Artemis-I launch.&quot; JASA Express Letters 3, 023601 (2023); <a href='https://doi.org/10.1121/10.0016878'>https://doi.org/10.1121/10.0016878</a><br/><br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The answer: As loud as 40 million bowls of Rice Krispies. In this episode, we talk with Kent Gee of Brigham Young University about his recent research trip to measure the launch acoustics of NASA&apos;s Artemis-I mission, why understanding launch noise is so important, common misconceptions about how loud rockets are, and more. <br/><br/>Associated paper: Kent L. Gee,   Grant W. Hart, Carson F. Cunningham, Mark C. Anderson, Michael S. Bassett,   Logan T. Mathews, J. Taggart Durrant, Levi T. Moats,   Whitney L. Coyle, Makayle S. Kellison, and Margaret J. Kuffskie. &quot;Space Launch System acoustics: Far-field noise measurements of the Artemis-I launch.&quot; JASA Express Letters 3, 023601 (2023); <a href='https://doi.org/10.1121/10.0016878'>https://doi.org/10.1121/10.0016878</a><br/><br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 05 Jun 2023 09:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/12979960/transcript" type="text/html" />
    <podcast:soundbite startTime="276.0" duration="49.0" />
    <itunes:duration>1424</itunes:duration>
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  </item>
  <item>
    <itunes:title>Noise-Induced Hearing Disorders</itunes:title>
    <title>Noise-Induced Hearing Disorders</title>
    <itunes:summary><![CDATA[Noise can damage hearing in numerous ways: hearing loss, tinnitus, difficulty hearing in noisy settings, as well as other sound detection or sound processing deficits. In this episode, we talk to Colleen LePrell (UT Dallas School of Behavioral and Brain Sciences) and Odile Clavier (Creare), two editors of the recent Noise-Induced Hearing Disorders Special Issue of JASA. Learn about current clinical and investigational tools for studying noise-induced hearing disorders, as well as the latest o...]]></itunes:summary>
    <description><![CDATA[<p>Noise can damage hearing in numerous ways: hearing loss, tinnitus, difficulty hearing in noisy settings, as well as other sound detection or sound processing deficits. In this episode, we talk to Colleen LePrell (UT Dallas School of Behavioral and Brain Sciences) and Odile Clavier (Creare), two editors of the recent Noise-Induced Hearing Disorders Special Issue of <em>JASA</em>. Learn about current clinical and investigational tools for studying noise-induced hearing disorders, as well as the latest on research about noise monitoring and hearing protection. </p><p><a href='https://pubs.aip.org/jasa/collection/1315/Noise-Induced-Hearing-Disorders-Clinical-and'>Read</a> the Special Issue on Noise-Induced Hearing Disorders: Clinical and Investigational Tools</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Noise can damage hearing in numerous ways: hearing loss, tinnitus, difficulty hearing in noisy settings, as well as other sound detection or sound processing deficits. In this episode, we talk to Colleen LePrell (UT Dallas School of Behavioral and Brain Sciences) and Odile Clavier (Creare), two editors of the recent Noise-Induced Hearing Disorders Special Issue of <em>JASA</em>. Learn about current clinical and investigational tools for studying noise-induced hearing disorders, as well as the latest on research about noise monitoring and hearing protection. </p><p><a href='https://pubs.aip.org/jasa/collection/1315/Noise-Induced-Hearing-Disorders-Clinical-and'>Read</a> the Special Issue on Noise-Induced Hearing Disorders: Clinical and Investigational Tools</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from <em>The Journal of the Acoustical Society of America</em> (<em>JASA</em>).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<br/><br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Tue, 23 May 2023 08:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/12897799/transcript" type="text/html" />
    <podcast:soundbite startTime="445.25" duration="58.5" />
    <itunes:duration>2262</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
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  <item>
    <itunes:title>Student Paper Competition: Moth-Inspired Microphones, Rocket Noise Mitigation, and Deformable Microphone Arrays</itunes:title>
    <title>Student Paper Competition: Moth-Inspired Microphones, Rocket Noise Mitigation, and Deformable Microphone Arrays</title>
    <itunes:summary><![CDATA[Could moths’ hearing be the key to figuring out how to localize sound with tiny microphones?  How do we prevent rocket launch noise from damaging the ship’s payload? Is it possible for algorithms to account for microphone arrays that don’t stay in a rigid structure? These are some questions considered by Acoustical Society students who won the latest round of the POMA Student Paper Competition from the 183nd meeting of the ASA. In this episode, we interview the three competition winners,...]]></itunes:summary>
    <description><![CDATA[<p>Could moths’ hearing be the key to figuring out how to localize sound with tiny microphones?  How do we prevent rocket launch noise from damaging the ship’s payload? Is it possible for algorithms to account for microphone arrays that don’t stay in a rigid structure? These are some questions considered by Acoustical Society students who won the latest round of the POMA Student Paper Competition from the 183nd meeting of the ASA. In this episode, we interview the three competition winners, Lara Díaz-García, Mara Salut Escarti-Guillem, and Kanad Sarkar, about their research.</p><p> </p><p>Associated papers: </p><p>Lara Díaz-García, Andrew Reid, Joseph Jackson-Camargo, and James Windmill. “Directional passive acoustic structures inspired by the ear of <em>Achroia grisella</em>.” Proc. Mtgs. Acoust 50, 032001 (2022) doi: <a href='https://doi.org/10.1121/2.0001715'>https://doi.org/10.1121/2.0001715</a><br/><br/></p><p>Mara Salut Escarti-Guillem, Luis M. Garcia-Raffi, Sergio Hoyas, and Oliver Gloth. “Assessment of Computational Fluid Dynamics acoustic prediction accuracy and deflector impact on launch aero-acoustic environment.” Proc. Mtgs. Acoust 50, 040001 (2022) doi: <a href='https://doi.org/10.1121/2.0001716'>https://doi.org/10.1121/2.0001716</a><br/><br/></p><p>Kanad Sarkar, Manan Mittal, Ryan Corey, Andrew Singer. “Measuring and Exploiting the Locally Linear Mapping between Relative Transfer Functions and Array deformations.” Proc. Mtgs. Acoust 50, 055001 (2022) doi: https://doi.org/10.1121/2.0001707</p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Could moths’ hearing be the key to figuring out how to localize sound with tiny microphones?  How do we prevent rocket launch noise from damaging the ship’s payload? Is it possible for algorithms to account for microphone arrays that don’t stay in a rigid structure? These are some questions considered by Acoustical Society students who won the latest round of the POMA Student Paper Competition from the 183nd meeting of the ASA. In this episode, we interview the three competition winners, Lara Díaz-García, Mara Salut Escarti-Guillem, and Kanad Sarkar, about their research.</p><p> </p><p>Associated papers: </p><p>Lara Díaz-García, Andrew Reid, Joseph Jackson-Camargo, and James Windmill. “Directional passive acoustic structures inspired by the ear of <em>Achroia grisella</em>.” Proc. Mtgs. Acoust 50, 032001 (2022) doi: <a href='https://doi.org/10.1121/2.0001715'>https://doi.org/10.1121/2.0001715</a><br/><br/></p><p>Mara Salut Escarti-Guillem, Luis M. Garcia-Raffi, Sergio Hoyas, and Oliver Gloth. “Assessment of Computational Fluid Dynamics acoustic prediction accuracy and deflector impact on launch aero-acoustic environment.” Proc. Mtgs. Acoust 50, 040001 (2022) doi: <a href='https://doi.org/10.1121/2.0001716'>https://doi.org/10.1121/2.0001716</a><br/><br/></p><p>Kanad Sarkar, Manan Mittal, Ryan Corey, Andrew Singer. “Measuring and Exploiting the Locally Linear Mapping between Relative Transfer Functions and Array deformations.” Proc. Mtgs. Acoust 50, 055001 (2022) doi: https://doi.org/10.1121/2.0001707</p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Thu, 04 May 2023 08:00:00 -0400</pubDate>
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    <podcast:soundbite startTime="185.25" duration="58.0" />
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  <psc:chapter start="0:00" title="Student Paper Competition: Moth-Inspired Microphones, Rocket Noise Mitigation, and Deformable Microphone Arrays" />
  <psc:chapter start="0:22" title="Lara Díaz-García, &quot;Directional passive acoustic structures inspired by the ear of Achroia grisella&quot;" />
  <psc:chapter start="12:16" title="Mara Escarti-Guillem, &quot;Assessment of Computational Fluid Dynamics acoustic prediction accuracy and deflector impact on launch aero-acoustic environment” " />
  <psc:chapter start="32:54" title="Kanad Sarkar, &quot;Measuring and Exploiting the Locally Linear Mapping between Relative Transfer Functions and Array deformations&quot;" />
</psc:chapters>
    <itunes:duration>2918</itunes:duration>
    <itunes:keywords>Student Paper Competition</itunes:keywords>
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    <itunes:explicit>false</itunes:explicit>
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  <item>
    <itunes:title>Lead Vocal Levels in Pop Music</itunes:title>
    <title>Lead Vocal Levels in Pop Music</title>
    <itunes:summary><![CDATA[Is there an ideal level for lead vocals compared to accompaniment in popular music? Researchers at University of Oldenburg investigated this question by analyzing the Billboard Hot 100 year-end list from 1946 to 2020 as well as Grammy award nominees from 1990 to 2020.  In this interview, author Kai Siedenburg discusses what his group learned about an important aspect of music mixing and the impact the research may have. Associated paper: Karsten Gerdes and Kai Siedenburg. "Lead-vocal lev...]]></itunes:summary>
    <description><![CDATA[<p>Is there an ideal level for lead vocals compared to accompaniment in popular music? Researchers at University of Oldenburg investigated this question by analyzing the Billboard Hot 100 year-end list from 1946 to 2020 as well as Grammy award nominees from 1990 to 2020.  In this interview, author Kai Siedenburg discusses what his group learned about an important aspect of music mixing and the impact the research may have.</p><p>Associated paper: Karsten Gerdes and Kai Siedenburg. &quot;Lead-vocal level in recordings of popular music 1946–2020.“ <em>JASA Express Letters</em> 3, 043201 (2023). <a href='http://doi.org/10.1121/10.0017773'>http://doi.org/10.1121/10.0017773</a></p><p> </p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Is there an ideal level for lead vocals compared to accompaniment in popular music? Researchers at University of Oldenburg investigated this question by analyzing the Billboard Hot 100 year-end list from 1946 to 2020 as well as Grammy award nominees from 1990 to 2020.  In this interview, author Kai Siedenburg discusses what his group learned about an important aspect of music mixing and the impact the research may have.</p><p>Associated paper: Karsten Gerdes and Kai Siedenburg. &quot;Lead-vocal level in recordings of popular music 1946–2020.“ <em>JASA Express Letters</em> 3, 043201 (2023). <a href='http://doi.org/10.1121/10.0017773'>http://doi.org/10.1121/10.0017773</a></p><p> </p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/12720273-lead-vocal-levels-in-pop-music.mp3" length="12212919" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-12720273</guid>
    <pubDate>Tue, 25 Apr 2023 10:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/12720273/transcript" type="text/html" />
    <podcast:soundbite startTime="405.25" duration="51.0" />
    <itunes:duration>1009</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Headphone Sound Quality: What Do Listeners Prefer?</itunes:title>
    <title>Headphone Sound Quality: What Do Listeners Prefer?</title>
    <itunes:summary><![CDATA[As mobile technology has evolved, allowing people to carry music, movies, books, and a host of other types of infotainment in their pockets, headphones have become more prevalent. However, in the 2010s, as smartphones became ubiquitous, headphone technology remained stuck twenty years in the past. In this episode, we talk to Sean Olive of Harman International about his research regarding the perception of headphone sound quality and how standards can be updated to better reflect listener pref...]]></itunes:summary>
    <description><![CDATA[<p>As mobile technology has evolved, allowing people to carry music, movies, books, and a host of other types of infotainment in their pockets, headphones have become more prevalent. However, in the 2010s, as smartphones became ubiquitous, headphone technology remained stuck twenty years in the past. In this episode, we talk to Sean Olive of Harman International about his research regarding the perception of headphone sound quality and how standards can be updated to better reflect listener preferences. </p><p>Read the associated article: Sean E. Olive. (2022) “The Perception and Measurement of Headphone Sound Quality: What Do Listeners Prefer?” Acoustics Today 18(1). <a href='https://doi.org/10.1121/AT.2022.18.1.58'>https://doi.org/10.1121/AT.2022.18.1.58</a>.</p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>As mobile technology has evolved, allowing people to carry music, movies, books, and a host of other types of infotainment in their pockets, headphones have become more prevalent. However, in the 2010s, as smartphones became ubiquitous, headphone technology remained stuck twenty years in the past. In this episode, we talk to Sean Olive of Harman International about his research regarding the perception of headphone sound quality and how standards can be updated to better reflect listener preferences. </p><p>Read the associated article: Sean E. Olive. (2022) “The Perception and Measurement of Headphone Sound Quality: What Do Listeners Prefer?” Acoustics Today 18(1). <a href='https://doi.org/10.1121/AT.2022.18.1.58'>https://doi.org/10.1121/AT.2022.18.1.58</a>.</p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/12621026-headphone-sound-quality-what-do-listeners-prefer.mp3" length="12533638" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-12621026</guid>
    <pubDate>Mon, 10 Apr 2023 09:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/12621026/transcript" type="text/html" />
    <podcast:soundbite startTime="233.0" duration="56.0" />
    <itunes:duration>1036</itunes:duration>
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    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Save the Fishes!: Offshore Wind Farm Noise and Aquatic Life</itunes:title>
    <title>Save the Fishes!: Offshore Wind Farm Noise and Aquatic Life</title>
    <itunes:summary><![CDATA[Offshore wind farms are a sustainable option for producing energy, but little is known about their effect on fish on aquatic invertebrates. In this episode, we talk to Arthur N. Popper (University of Maryland) and Kathryn A. Williams (Biodiversity Research Institute) about research priorities to better understand how sound and vibration from wind farms may affect aquatic life.  Associated paper: Arthur N. Popper, Lyndie Hice-Dunton, Edward Jenkins,   Dennis M. Higgs, Justin Krebs,  ...]]></itunes:summary>
    <description><![CDATA[<p>Offshore wind farms are a sustainable option for producing energy, but little is known about their effect on fish on aquatic invertebrates. In this episode, we talk to Arthur N. Popper (University of Maryland) and Kathryn A. Williams (Biodiversity Research Institute) about research priorities to better understand how sound and vibration from wind farms may affect aquatic life.<br/><br/>Associated paper: Arthur N. Popper, Lyndie Hice-Dunton, Edward Jenkins,   Dennis M. Higgs, Justin Krebs,   Aran Mooney,   Aaron Rice, Louise Roberts,   Frank Thomsen, Kathy Vigness-Raposa,   David Zeddies, and Kathryn A. Williams. &quot;Offshore wind energy development: Research priorities for sound and vibration effects on fishes and aquatic invertebrates.&quot; The Journal of the Acoustical Society of America 151, 205 (2022); https://doi.org/10.1121/10.0009237</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Offshore wind farms are a sustainable option for producing energy, but little is known about their effect on fish on aquatic invertebrates. In this episode, we talk to Arthur N. Popper (University of Maryland) and Kathryn A. Williams (Biodiversity Research Institute) about research priorities to better understand how sound and vibration from wind farms may affect aquatic life.<br/><br/>Associated paper: Arthur N. Popper, Lyndie Hice-Dunton, Edward Jenkins,   Dennis M. Higgs, Justin Krebs,   Aran Mooney,   Aaron Rice, Louise Roberts,   Frank Thomsen, Kathy Vigness-Raposa,   David Zeddies, and Kathryn A. Williams. &quot;Offshore wind energy development: Research priorities for sound and vibration effects on fishes and aquatic invertebrates.&quot; The Journal of the Acoustical Society of America 151, 205 (2022); https://doi.org/10.1121/10.0009237</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/12523377-save-the-fishes-offshore-wind-farm-noise-and-aquatic-life.mp3" length="27971396" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-12523377</guid>
    <pubDate>Mon, 27 Mar 2023 10:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/12523377/transcript" type="text/html" />
    <podcast:soundbite startTime="268.083" duration="43.0" />
    <itunes:duration>2322</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>A Different Way to Look at Soundscape Data</itunes:title>
    <title>A Different Way to Look at Soundscape Data</title>
    <itunes:summary><![CDATA[Is there one "true" perception or assessment of a soundscape, or is it actually a combination of many different perspectives/assessments? How does a researcher represent data for a multifaceted view of soundscapes? In this episode, we interview Andrew Mitchell of University College London about his article, "How to analyze and represent quantitative soundscape data," (JASA Express Letters, March 2022), which addresses these questions.   Associated paper: Andrew Mitchell, Francesco Aletta, and...]]></itunes:summary>
    <description><![CDATA[<p>Is there one &quot;true&quot; perception or assessment of a soundscape, or is it actually a combination of many different perspectives/assessments? How does a researcher represent data for a multifaceted view of soundscapes? In this episode, we interview Andrew Mitchell of University College London about his article, &quot;How to analyze and represent quantitative soundscape data,&quot; (<em>JASA Express Letters</em>, March 2022), which addresses these questions. <br/><br/>Associated paper: Andrew Mitchell, Francesco Aletta<em>, </em>and<em> </em>Jian Kang. &quot;How to analyse and represent quantitative soundscape data.&quot; JASA Express Letters <b>2</b>, 037201 (2022); <a href='https://doi.org/10.1121/10.0009794'>https://doi.org/10.1121/10.0009794</a><br/><br/>More on Soundscapy:</p><ul><li>Github repo: <a href='https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fgithub.com%2FMitchellAcoustics%2FSoundscapy&amp;data=05%7C01%7Ckatsetzer%40acousticalsociety.org%7Ca27cacd674414563f42708dafbc03f26%7Cdc10e84a5061494682799dd51547c7e9%7C0%7C0%7C638099100557929467%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=mh8Prn9wGeGCOLLwIS6NyP01fPkaI6Wyd7416XpXcIs%3D&amp;reserved=0'>https://github.com/MitchellAcoustics/Soundscapy</a></li><li>Documentation and main site: <a href='https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsoundscapy.readthedocs.io%2Fen%2Flatest%2F&amp;data=05%7C01%7Ckatsetzer%40acousticalsociety.org%7Ca27cacd674414563f42708dafbc03f26%7Cdc10e84a5061494682799dd51547c7e9%7C0%7C0%7C638099100557929467%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=e%2FXVevfbuwS7wdqLSRVzGBSVcDYUFTSoszkNGEEbSxk%3D&amp;reserved=0'>https://soundscapy.readthedocs.io/en/latest/</a></li></ul><p>The Rest is Just Noise podcast: <a href='https://www.justnoisepod.com/'>https://www.justnoisepod.com/</a><br/><br/></p><p><a href='https://asa.scitation.org/journal/jel'>Read more</a> from JASA Express Letters. </p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Is there one &quot;true&quot; perception or assessment of a soundscape, or is it actually a combination of many different perspectives/assessments? How does a researcher represent data for a multifaceted view of soundscapes? In this episode, we interview Andrew Mitchell of University College London about his article, &quot;How to analyze and represent quantitative soundscape data,&quot; (<em>JASA Express Letters</em>, March 2022), which addresses these questions. <br/><br/>Associated paper: Andrew Mitchell, Francesco Aletta<em>, </em>and<em> </em>Jian Kang. &quot;How to analyse and represent quantitative soundscape data.&quot; JASA Express Letters <b>2</b>, 037201 (2022); <a href='https://doi.org/10.1121/10.0009794'>https://doi.org/10.1121/10.0009794</a><br/><br/>More on Soundscapy:</p><ul><li>Github repo: <a href='https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fgithub.com%2FMitchellAcoustics%2FSoundscapy&amp;data=05%7C01%7Ckatsetzer%40acousticalsociety.org%7Ca27cacd674414563f42708dafbc03f26%7Cdc10e84a5061494682799dd51547c7e9%7C0%7C0%7C638099100557929467%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=mh8Prn9wGeGCOLLwIS6NyP01fPkaI6Wyd7416XpXcIs%3D&amp;reserved=0'>https://github.com/MitchellAcoustics/Soundscapy</a></li><li>Documentation and main site: <a href='https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsoundscapy.readthedocs.io%2Fen%2Flatest%2F&amp;data=05%7C01%7Ckatsetzer%40acousticalsociety.org%7Ca27cacd674414563f42708dafbc03f26%7Cdc10e84a5061494682799dd51547c7e9%7C0%7C0%7C638099100557929467%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=e%2FXVevfbuwS7wdqLSRVzGBSVcDYUFTSoszkNGEEbSxk%3D&amp;reserved=0'>https://soundscapy.readthedocs.io/en/latest/</a></li></ul><p>The Rest is Just Noise podcast: <a href='https://www.justnoisepod.com/'>https://www.justnoisepod.com/</a><br/><br/></p><p><a href='https://asa.scitation.org/journal/jel'>Read more</a> from JASA Express Letters. </p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/12408441-a-different-way-to-look-at-soundscape-data.mp3" length="17620603" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-12408441</guid>
    <pubDate>Thu, 09 Mar 2023 12:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/12408441/transcript" type="text/html" />
    <podcast:soundbite startTime="487.25" duration="60.0" />
    <itunes:duration>1460</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>JASA Express Letters: A Retrospective</itunes:title>
    <title>JASA Express Letters: A Retrospective</title>
    <itunes:summary><![CDATA[In honor of JASA Express Letters’ (JASA-EL) two-year anniversary as a fully independent, gold open access journal, we’re taking a trip down memory lane with three figures who’ve been involved with the journal over the years: Christy Holland, of University of Cincinnati, who took part in the inception of JASA-EL’s predecessor, Acoustic Research Letters Online, and the creation of JASA-EL; Keith Wilson of US Army Engineer Research and Development Center, the first JASA-EL Editor; and Charlie Ch...]]></itunes:summary>
    <description><![CDATA[<p>In honor of <em>JASA Express Letters</em>’ (<em>JASA-EL</em>) two-year anniversary as a fully independent, gold open access journal, we’re taking a trip down memory lane with three figures who’ve been involved with the journal over the years: Christy Holland, of University of Cincinnati, who took part in the inception of <em>JASA-EL</em>’s predecessor, <em>Acoustic Research Letters Online</em>, and the creation of <em>JASA-EL</em>; Keith Wilson of US Army Engineer Research and Development Center, the first <em>JASA-EL</em> Editor; and Charlie Church, current Editor of <em>JASA-EL</em>. Listen to these three ASA members tell tales from their tenures with the ASA and reflect on the shifting landscape of scholarly publishing over the past 20+ years!</p><p> </p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>In honor of <em>JASA Express Letters</em>’ (<em>JASA-EL</em>) two-year anniversary as a fully independent, gold open access journal, we’re taking a trip down memory lane with three figures who’ve been involved with the journal over the years: Christy Holland, of University of Cincinnati, who took part in the inception of <em>JASA-EL</em>’s predecessor, <em>Acoustic Research Letters Online</em>, and the creation of <em>JASA-EL</em>; Keith Wilson of US Army Engineer Research and Development Center, the first <em>JASA-EL</em> Editor; and Charlie Church, current Editor of <em>JASA-EL</em>. Listen to these three ASA members tell tales from their tenures with the ASA and reflect on the shifting landscape of scholarly publishing over the past 20+ years!</p><p> </p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/12148555-jasa-express-letters-a-retrospective.mp3" length="23444227" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-12148555</guid>
    <pubDate>Tue, 31 Jan 2023 09:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/12148555/transcript" type="text/html" />
    <podcast:soundbite startTime="349.25" duration="44.0" />
    <itunes:duration>1945</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: How does a musician’s body affect what they play?</itunes:title>
    <title>Student Paper Competition: How does a musician’s body affect what they play?</title>
    <itunes:summary><![CDATA[Studying music poses a conundrum: real musicians don’t play consistently, while machines designed to play an instrument in exactly the same way every time may omit the effects of other factors on the music. In this episode, we talk to Sam Bellows about his research into modeling how the musician’s body affects the diffraction and absorption of clarinet music in directivity measurements.    Associated paper: Samuel David Bellows and Timothy Ward Leishman. “Modeling musician diffraction an...]]></itunes:summary>
    <description><![CDATA[<p>Studying music poses a conundrum: real musicians don’t play consistently, while machines designed to play an instrument in exactly the same way every time may omit the effects of other factors on the music. In this episode, we talk to Sam Bellows about his research into modeling how the musician’s body affects the diffraction and absorption of clarinet music in directivity measurements. <br/><br/></p><p>Associated paper: Samuel David Bellows and Timothy Ward Leishman. “Modeling musician diffraction and absorption for artificially excited clarinet directivity measurements.” Proc. Mtgs. Acoust. 46, 035002 (2022); <a href='https://doi.org/10.1121/2.0001586'>https://doi.org/10.1121/2.0001586</a><br/><br/></p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Studying music poses a conundrum: real musicians don’t play consistently, while machines designed to play an instrument in exactly the same way every time may omit the effects of other factors on the music. In this episode, we talk to Sam Bellows about his research into modeling how the musician’s body affects the diffraction and absorption of clarinet music in directivity measurements. <br/><br/></p><p>Associated paper: Samuel David Bellows and Timothy Ward Leishman. “Modeling musician diffraction and absorption for artificially excited clarinet directivity measurements.” Proc. Mtgs. Acoust. 46, 035002 (2022); <a href='https://doi.org/10.1121/2.0001586'>https://doi.org/10.1121/2.0001586</a><br/><br/></p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p><a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Fri, 06 Jan 2023 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11911136/transcript" type="text/html" />
    <podcast:soundbite startTime="242.0" duration="28.0" />
    <itunes:duration>573</itunes:duration>
    <itunes:keywords>Student Paper Competition</itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: Additive Manufacturing to Improve Soundproofing</itunes:title>
    <title>Student Paper Competition: Additive Manufacturing to Improve Soundproofing</title>
    <itunes:summary><![CDATA[Typically, to block sound of a particular frequency, a structure of comparable wavelength dimensions is required. For low-frequency sounds with very long wavelengths, this can mean needing prohibitively large objects to reduce noise. In this episode, we talk to Trigun Maroo about his research regarding using 3d printing to create noise-attenuating structures that take up less space. Associated paper: Trigun Maroo and Andrew Wright. “Sound transmission loss improvement using additively manufac...]]></itunes:summary>
    <description><![CDATA[<p>Typically, to block sound of a particular frequency, a structure of comparable wavelength dimensions is required. For low-frequency sounds with very long wavelengths, this can mean needing prohibitively large objects to reduce noise. In this episode, we talk to Trigun Maroo about his research regarding using 3d printing to create noise-attenuating structures that take up less space.</p><p>Associated paper: Trigun Maroo and Andrew Wright. “Sound transmission loss improvement using additively manufactured multimaterial.” Proc. Mtgs. Acoust. 46, 030001 (2022); <a href='https://doi.org/10.1121/2.0001609'>https://doi.org/10.1121/2.0001609</a></p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Typically, to block sound of a particular frequency, a structure of comparable wavelength dimensions is required. For low-frequency sounds with very long wavelengths, this can mean needing prohibitively large objects to reduce noise. In this episode, we talk to Trigun Maroo about his research regarding using 3d printing to create noise-attenuating structures that take up less space.</p><p>Associated paper: Trigun Maroo and Andrew Wright. “Sound transmission loss improvement using additively manufactured multimaterial.” Proc. Mtgs. Acoust. 46, 030001 (2022); <a href='https://doi.org/10.1121/2.0001609'>https://doi.org/10.1121/2.0001609</a></p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11899733</guid>
    <pubDate>Fri, 30 Dec 2022 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11899733/transcript" type="text/html" />
    <podcast:soundbite startTime="172.0" duration="42.0" />
    <itunes:duration>806</itunes:duration>
    <itunes:keywords>Student Paper Competition</itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: Understanding the Falcon-9’s “Triple Boom”</itunes:title>
    <title>Student Paper Competition: Understanding the Falcon-9’s “Triple Boom”</title>
    <itunes:summary><![CDATA[The Falcon-9 is the most-launched rocket in recent years, but a lot of what we know regarding rocket launch noise dates back to the Apollo era. In this episode, we interview Taggart Durrant about his research into the “triple boom” that the Falcon-9 produces when its booster re-enters the atmosphere.  Associated paper: Jeffrey Taggart Durrant, Mark C. Anderson, Kent L. Gee, Logan T. Mathews, and   Grant W. Hart. Initial comparison of a Falcon-9 reentry sonic boom with other launch-r...]]></itunes:summary>
    <description><![CDATA[<p>The Falcon-9 is the most-launched rocket in recent years, but a lot of what we know regarding rocket launch noise dates back to the Apollo era. In this episode, we interview Taggart Durrant about his research into the “triple boom” that the Falcon-9 produces when its booster re-enters the atmosphere. </p><p>Associated paper: Jeffrey Taggart Durrant, Mark C. Anderson, Kent L. Gee, Logan T. Mathews, and   Grant W. Hart. Initial comparison of a Falcon-9 reentry sonic boom with other launch-related noise. Proc. Mtgs. Acoust. 46, 045002 (2022); <a href='https://doi.org/10.1121/2.0001579'>https://doi.org/10.1121/2.0001579</a><br/><br/></p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The Falcon-9 is the most-launched rocket in recent years, but a lot of what we know regarding rocket launch noise dates back to the Apollo era. In this episode, we interview Taggart Durrant about his research into the “triple boom” that the Falcon-9 produces when its booster re-enters the atmosphere. </p><p>Associated paper: Jeffrey Taggart Durrant, Mark C. Anderson, Kent L. Gee, Logan T. Mathews, and   Grant W. Hart. Initial comparison of a Falcon-9 reentry sonic boom with other launch-related noise. Proc. Mtgs. Acoust. 46, 045002 (2022); <a href='https://doi.org/10.1121/2.0001579'>https://doi.org/10.1121/2.0001579</a><br/><br/></p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11899534</guid>
    <pubDate>Fri, 23 Dec 2022 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11899534/transcript" type="text/html" />
    <podcast:soundbite startTime="227.0" duration="36.0" />
    <itunes:duration>636</itunes:duration>
    <itunes:keywords>Student Paper Competition</itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: Modeling the Effects of Aircraft Noise</itunes:title>
    <title>Student Paper Competition: Modeling the Effects of Aircraft Noise</title>
    <itunes:summary><![CDATA[The noise from aircraft can have numerous unwanted effects on bystanders on the ground; a major question in noise research is how to reduce aircraft noise effectively and economically. In this episode, we interview Jiacheng Hou, one of the winners of the POMA Student Paper Competition from the 182nd meeting of the ASA, about his research regarding the numerical modeling of airplane noise around buildings. Associated paper: Hou, Jiacheng and   Zheng, Zhongquan Charlie. Simulation of near-...]]></itunes:summary>
    <description><![CDATA[<p>The noise from aircraft can have numerous unwanted effects on bystanders on the ground; a major question in noise research is how to reduce aircraft noise effectively and economically. In this episode, we interview Jiacheng Hou, one of the winners of the POMA Student Paper Competition from the 182nd meeting of the ASA, about his research regarding the numerical modeling of airplane noise around buildings.</p><p>Associated paper: Hou, Jiacheng and   Zheng, Zhongquan Charlie. Simulation of near-ground signals from a flying source on UAV over a building structure. Proc. Mtgs. Acoust. 46, 045004 (2022); <a href='https://doi.org/10.1121/2.0001604'>https://doi.org/10.1121/2.0001604</a></p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>The noise from aircraft can have numerous unwanted effects on bystanders on the ground; a major question in noise research is how to reduce aircraft noise effectively and economically. In this episode, we interview Jiacheng Hou, one of the winners of the POMA Student Paper Competition from the 182nd meeting of the ASA, about his research regarding the numerical modeling of airplane noise around buildings.</p><p>Associated paper: Hou, Jiacheng and   Zheng, Zhongquan Charlie. Simulation of near-ground signals from a flying source on UAV over a building structure. Proc. Mtgs. Acoust. 46, 045004 (2022); <a href='https://doi.org/10.1121/2.0001604'>https://doi.org/10.1121/2.0001604</a></p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Fri, 16 Dec 2022 09:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11884301/transcript" type="text/html" />
    <podcast:soundbite startTime="98.713" duration="45.0" />
    <itunes:duration>651</itunes:duration>
    <itunes:keywords>Student Paper Competition</itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Student Paper Competition: Modeling Unexploded Ordnances in the Ocean</itunes:title>
    <title>Student Paper Competition: Modeling Unexploded Ordnances in the Ocean</title>
    <itunes:summary><![CDATA[Over the past 100 years or so, ordnance has entered aquatic environments around the US at military testing and training sites. As these sites transition away from military use, it’s necessary to clean up unexploded ordnance that may have been left behind. We interview Kyle Dalton, one of the winners of the POMA Student Paper Competition from the 182nd meeting of the ASA, about his research regarding the modeling of these unexploded ordnances so they can be detected with sonar. Associated pape...]]></itunes:summary>
    <description><![CDATA[<p>Over the past 100 years or so, ordnance has entered aquatic environments around the US at military testing and training sites. As these sites transition away from military use, it’s necessary to clean up unexploded ordnance that may have been left behind. We interview Kyle Dalton, one of the winners of the POMA Student Paper Competition from the 182nd meeting of the ASA, about his research regarding the modeling of these unexploded ordnances so they can be detected with sonar.</p><p>Associated paper: Dalton, Kyle. Simulating elastic targets for sonar algorithm development. Proc. Mtgs. Acoust. 46, 070002 (2022); <a href='https://doi.org/10.1121/2.0001605'>https://doi.org/10.1121/2.0001605</a></p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Over the past 100 years or so, ordnance has entered aquatic environments around the US at military testing and training sites. As these sites transition away from military use, it’s necessary to clean up unexploded ordnance that may have been left behind. We interview Kyle Dalton, one of the winners of the POMA Student Paper Competition from the 182nd meeting of the ASA, about his research regarding the modeling of these unexploded ordnances so they can be detected with sonar.</p><p>Associated paper: Dalton, Kyle. Simulating elastic targets for sonar algorithm development. Proc. Mtgs. Acoust. 46, 070002 (2022); <a href='https://doi.org/10.1121/2.0001605'>https://doi.org/10.1121/2.0001605</a></p><p> </p><p><a href='https://acousticalsociety.org/asa-meetings'>Find out</a> how to enter the Student Paper Competition for the latest meeting.</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11838762</guid>
    <pubDate>Fri, 09 Dec 2022 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11838762/transcript" type="text/html" />
    <podcast:soundbite startTime="253.0" duration="30.5" />
    <itunes:duration>971</itunes:duration>
    <itunes:keywords>Student Paper Competition</itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Sound Speed in Bourbon</itunes:title>
    <title>Sound Speed in Bourbon</title>
    <itunes:summary><![CDATA[Does sound travel differently in Kentucky bourbon than it does in other types of alcohol? Stanley A. Cheyne of Hamden-Sydney College pondered this question before the 177th ASA meeting in Louisville, Kentucky. Twenty or so types of whiskey later, he’d made some interesting discoveries, both about whiskey and about how distilleries measure alcohol concentration. This episode we interview him about his resulting article in Proceedings of Meetings on Acoustics, “Sound speed measurements in ethan...]]></itunes:summary>
    <description><![CDATA[<p>Does sound travel differently in Kentucky bourbon than it does in other types of alcohol? Stanley A. Cheyne of Hamden-Sydney College pondered this question before the 177th ASA meeting in Louisville, Kentucky. Twenty or so types of whiskey later, he’d made some interesting discoveries, both about whiskey and about how distilleries measure alcohol concentration. This episode we interview him about his resulting article in Proceedings of Meetings on Acoustics, “Sound speed measurements in ethanol/water solutions and Kentucky bourbon whiskey.” </p><p> </p><p>Associated paper: Cheyne, Stanley A. “Sound speed measurements in ethanol/water solutions and Kentucky bourbon whiskey,” Proc. Mtgs. Acoust. 36, 045008 (2019); <a href='https://doi.org/10.1121/2.0001396'>https://doi.org/10.1121/2.0001396</a>.</p><p> </p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Does sound travel differently in Kentucky bourbon than it does in other types of alcohol? Stanley A. Cheyne of Hamden-Sydney College pondered this question before the 177th ASA meeting in Louisville, Kentucky. Twenty or so types of whiskey later, he’d made some interesting discoveries, both about whiskey and about how distilleries measure alcohol concentration. This episode we interview him about his resulting article in Proceedings of Meetings on Acoustics, “Sound speed measurements in ethanol/water solutions and Kentucky bourbon whiskey.” </p><p> </p><p>Associated paper: Cheyne, Stanley A. “Sound speed measurements in ethanol/water solutions and Kentucky bourbon whiskey,” Proc. Mtgs. Acoust. 36, 045008 (2019); <a href='https://doi.org/10.1121/2.0001396'>https://doi.org/10.1121/2.0001396</a>.</p><p> </p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11706707</guid>
    <pubDate>Wed, 16 Nov 2022 08:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11706707/transcript" type="text/html" />
    <podcast:soundbite startTime="133.483" duration="25.0" />
    <itunes:duration>953</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Ultrasonic Hearing in Cats</itunes:title>
    <title>Ultrasonic Hearing in Cats</title>
    <itunes:summary><![CDATA[Did you know your cat is eavesdropping? Not on you (boring human), but on the ultrasonic sounds of its tiny prey! In this episode, we speak to Charlotte Kruger, the lead author of “Ultrasonic Hearing in Cats and Other Terrestrial Mammals,” about how our feline friends' ears allow them to hear things humans cannot. Read the associated article: M. Charlotte Kruger, Carina J. Sabourin, Alexandra T. Levine, and Stephen G. Lomber. (2021) “Ultrasonic Hearing in Cats and Other Terrestrial Mammals.” ...]]></itunes:summary>
    <description><![CDATA[<p>Did you know your cat is eavesdropping? Not on you (boring human), but on the ultrasonic sounds of its tiny prey! In this episode, we speak to Charlotte Kruger, the lead author of “Ultrasonic Hearing in Cats and Other Terrestrial Mammals,” about how our feline friends&apos; ears allow them to hear things humans cannot.</p><p>Read the associated article: M. Charlotte Kruger, Carina J. Sabourin, Alexandra T. Levine, and Stephen G. Lomber. (2021) “Ultrasonic Hearing in Cats and Other Terrestrial Mammals.” Acoustics Today 17(1). <a href='https://doi.org/10.1121/AT.2021.17.1.18'>https://doi.org/10.1121/AT.2021.17.1.18</a>.</p><p> </p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p> </p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> </p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></description>
    <content:encoded><![CDATA[<p>Did you know your cat is eavesdropping? Not on you (boring human), but on the ultrasonic sounds of its tiny prey! In this episode, we speak to Charlotte Kruger, the lead author of “Ultrasonic Hearing in Cats and Other Terrestrial Mammals,” about how our feline friends&apos; ears allow them to hear things humans cannot.</p><p>Read the associated article: M. Charlotte Kruger, Carina J. Sabourin, Alexandra T. Levine, and Stephen G. Lomber. (2021) “Ultrasonic Hearing in Cats and Other Terrestrial Mammals.” Acoustics Today 17(1). <a href='https://doi.org/10.1121/AT.2021.17.1.18'>https://doi.org/10.1121/AT.2021.17.1.18</a>.</p><p> </p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p> </p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> </p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11530059</guid>
    <pubDate>Wed, 19 Oct 2022 11:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11530059/transcript" type="text/html" />
    <podcast:soundbite startTime="199.483" duration="47.0" />
    <itunes:duration>575</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>When do gender differences start to emerge in children’s speech?</itunes:title>
    <title>When do gender differences start to emerge in children’s speech?</title>
    <itunes:summary><![CDATA[Even though the vocal tract is the same regardless of a child’s sex before puberty, researchers have found time and again that adults can perceive gender differences in speech as early as four years of age. In this episode, we talk to Priscilla Fung, lead author of “The development of gendered speech in children: Insights from adult L1 and L2 perceptions,” which appeared in the January 2021 issue of JASA Express Letters. We talk about how her team’s research about gendered speech shows that g...]]></itunes:summary>
    <description><![CDATA[<p>Even though the vocal tract is the same regardless of a child’s sex before puberty, researchers have found time and again that adults can perceive gender differences in speech as early as four years of age. In this episode, we talk to Priscilla Fung, lead author of “The development of gendered speech in children: Insights from adult L1 and L2 perceptions,” which appeared in the January 2021 issue of JASA Express Letters. We talk about how her team’s research about gendered speech shows that gender differences may be apparent even earlier than previously studied, how acoustic measures play into those differences, and the role the first language of the child and the listener will affect those perceptions.</p><p>Associated paper:</p><p>Priscilla Fung, Jessamyn Schertz, and Elizabeth K. Johnson. “The development of gendered speech in children: Insights from adult L1 and L2 perceptions.” JASA Express Letters <b>1</b>, 014407 (2021); <a href='https://doi.org/10.1121/10.0003322'>https://doi.org/10.1121/10.0003322</a>.<br/><br/></p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>Even though the vocal tract is the same regardless of a child’s sex before puberty, researchers have found time and again that adults can perceive gender differences in speech as early as four years of age. In this episode, we talk to Priscilla Fung, lead author of “The development of gendered speech in children: Insights from adult L1 and L2 perceptions,” which appeared in the January 2021 issue of JASA Express Letters. We talk about how her team’s research about gendered speech shows that gender differences may be apparent even earlier than previously studied, how acoustic measures play into those differences, and the role the first language of the child and the listener will affect those perceptions.</p><p>Associated paper:</p><p>Priscilla Fung, Jessamyn Schertz, and Elizabeth K. Johnson. “The development of gendered speech in children: Insights from adult L1 and L2 perceptions.” JASA Express Letters <b>1</b>, 014407 (2021); <a href='https://doi.org/10.1121/10.0003322'>https://doi.org/10.1121/10.0003322</a>.<br/><br/></p><p><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11366123</guid>
    <pubDate>Thu, 22 Sep 2022 09:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11366123/transcript" type="text/html" />
    <podcast:soundbite startTime="80.25" duration="30.5" />
    <itunes:duration>795</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Modeling of Musical Instruments</itunes:title>
    <title>Modeling of Musical Instruments</title>
    <itunes:summary><![CDATA[How does a piano string compare to an ideal physicist’s string? Are there equations that describe the sound a recorder produces? Can the quality of an instrument be quantified? In this episode, we talk to one of the editors of the JASA Special Issue on Modeling of Musical Instruments, Nicholas Giardano, about the wide variety of research efforts regarding analytical and computational techniques to model musical instruments, and how these techniques can help both instrument makers and musician...]]></itunes:summary>
    <description><![CDATA[<p>How does a piano string compare to an ideal physicist’s string? Are there equations that describe the sound a recorder produces? Can the quality of an instrument be quantified? In this episode, we talk to one of the editors of the <em>JASA</em> Special Issue on Modeling of Musical Instruments, Nicholas Giardano, about the wide variety of research efforts regarding analytical and computational techniques to model musical instruments, and how these techniques can help both instrument makers and musicians.</p><p><a href='https://pubs.aip.org/collection/1314/Modeling-of-Musical-Instruments'>Read</a> the Special Issue on Modeling of Musical Instruments.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>How does a piano string compare to an ideal physicist’s string? Are there equations that describe the sound a recorder produces? Can the quality of an instrument be quantified? In this episode, we talk to one of the editors of the <em>JASA</em> Special Issue on Modeling of Musical Instruments, Nicholas Giardano, about the wide variety of research efforts regarding analytical and computational techniques to model musical instruments, and how these techniques can help both instrument makers and musicians.</p><p><a href='https://pubs.aip.org/collection/1314/Modeling-of-Musical-Instruments'>Read</a> the Special Issue on Modeling of Musical Instruments.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/11228816-modeling-of-musical-instruments.mp3" length="27624330" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11228816</guid>
    <pubDate>Tue, 30 Aug 2022 09:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11228816/transcript" type="text/html" />
    <podcast:soundbite startTime="162.0" duration="37.0" />
    <itunes:duration>2294</itunes:duration>
    <itunes:keywords>Music, Acoustics, Physics, Musical Instruments, Stradivarius, Steinway, Violin, Piano, Recorder, Research</itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Ocean Acoustics in the Changing Arctic</itunes:title>
    <title>Ocean Acoustics in the Changing Arctic</title>
    <itunes:summary><![CDATA[Climate change has led to a reduction in amount of ice covering the Arctic as well as the structure of the ocean. These changes have impacted many aspects of acoustics, from the communication of marine life to human navigation systems. In this episode, we talk to the editors of the JASA Special Issue on Ocean Acoustics in the Changing Arctic, Peter Worcester, Mohsen Badiey, and Hanne Sagen, about current research in Arctic ocean acoustics.  Read the Special Issue on Ocean Acoustics in th...]]></itunes:summary>
    <description><![CDATA[<p>Climate change has led to a reduction in amount of ice covering the Arctic as well as the structure of the ocean. These changes have impacted many aspects of acoustics, from the communication of marine life to human navigation systems. In this episode, we talk to the editors of the JASA Special Issue on Ocean Acoustics in the Changing Arctic, Peter Worcester, Mohsen Badiey, and Hanne Sagen, about current research in Arctic ocean acoustics. </p><p><a href='https://pubs.aip.org/collection/1318/Ocean-Acoustics-in-the-Changing-Arctic'>Read</a> the Special Issue on Ocean Acoustics in the Changing Arctic.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></description>
    <content:encoded><![CDATA[<p>Climate change has led to a reduction in amount of ice covering the Arctic as well as the structure of the ocean. These changes have impacted many aspects of acoustics, from the communication of marine life to human navigation systems. In this episode, we talk to the editors of the JASA Special Issue on Ocean Acoustics in the Changing Arctic, Peter Worcester, Mohsen Badiey, and Hanne Sagen, about current research in Arctic ocean acoustics. </p><p><a href='https://pubs.aip.org/collection/1318/Ocean-Acoustics-in-the-Changing-Arctic'>Read</a> the Special Issue on Ocean Acoustics in the Changing Arctic.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-11082627</guid>
    <pubDate>Thu, 04 Aug 2022 15:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/11082627/transcript" type="text/html" />
    <podcast:soundbite startTime="402.167" duration="27.5" />
    <itunes:duration>3501</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Performing Hearing Research Remotely</itunes:title>
    <title>Performing Hearing Research Remotely</title>
    <itunes:summary><![CDATA[The COVID-19 pandemic forced many researchers in the fields of psychological and physiological acoustics to scramble to find new ways to perform hearing research that is traditionally done in the lab remotely. The Acoustical Society of America Technical Committee on Psychological and Physiological Acoustics launched the Task Force on Remote Testing (https://tcppasa.org/remotetesting/) in May 2020 with goals of surveying approaches and platforms available to support remote testing and identify...]]></itunes:summary>
    <description><![CDATA[<p>The COVID-19 pandemic forced many researchers in the fields of psychological and physiological acoustics to scramble to find new ways to perform hearing research that is traditionally done in the lab remotely. The Acoustical Society of America Technical Committee on Psychological and Physiological Acoustics launched the Task Force on Remote Testing (<a href='https://tcppasa.org/remotetesting/'>https://tcppasa.org/remotetesting/</a>) in May 2020 with goals of surveying approaches and platforms available to support remote testing and identifying challenges and considerations for prospective investigators. In this episode, we discuss their findings with two of the co-authors of the resulting papers, Ellen Peng, of Boys Town National Research Hospital, and Erick Gallun, of Oregon Health and Science University. </p><p>Associated papers:</p><p>“Remote testing for psychological and physiological acoustics: Initial report of the P&amp;P Task Force on Remote Testing,” Proceedings of Meetings on Acoustics (POMA) <a href='https://doi.org/10.1121/2.0001409'>https://doi.org/10.1121/2.0001409</a><br/>Authors: Z. Ellen Peng, Emily Buss,   Yi Shen, Hari Bharadwaj, G. Christopher Stecker, Jordan A. Beim, Adam K. Bosen, Meredith Braza, Anna C. Diedesch, Claire M. Dorey, Andrew R. Dykstra, Richard Freyman,   Frederick J. Gallun, Raymond L. Goldsworthy, Lincoln Gray,   Eric C. Hoover, Antje Ihlefeld, Thomas Koelewijn, Judy G. Kopun, Juraj Mesik, Virginia Richards, Daniel E. Shub, Jonathan H. Venezia, and Sebastian Waz</p><p>and</p><p>“FORUM: Remote testing for psychological and physiological acoustics,” The Journal of the Acoustical Society of America 151, 3116 (2022); <a href='https://doi.org/10.1121/10.0010422'>https://doi.org/10.1121/10.0010422</a><br/>Authors: Z. Ellen Peng, Sebastian Waz,   Emily Buss,   Yi Shen, Virginia Richards,   Hari Bharadwaj,   G. Christopher Stecker, Jordan A. Beim,   Adam K. Bosen, Meredith D. Braza, Anna C. Diedesch, Claire M. Dorey,   Andrew R. Dykstra,   Frederick J Gallun, Raymond L. Goldsworthy,   Lincoln Gray,   Eric C. Hoover,   Antje Ihlefeld,   Thomas Koelewijn, Judy G. Kopun,  Juraj Mesik, Daniel E. Shub, and   Jonathan H. Venezia<br/><br/><a href='https://tcppasa.org/remote-testing/'>Visit</a> the Remote Testing Wiki.<br/><br/> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p> </p>]]></description>
    <content:encoded><![CDATA[<p>The COVID-19 pandemic forced many researchers in the fields of psychological and physiological acoustics to scramble to find new ways to perform hearing research that is traditionally done in the lab remotely. The Acoustical Society of America Technical Committee on Psychological and Physiological Acoustics launched the Task Force on Remote Testing (<a href='https://tcppasa.org/remotetesting/'>https://tcppasa.org/remotetesting/</a>) in May 2020 with goals of surveying approaches and platforms available to support remote testing and identifying challenges and considerations for prospective investigators. In this episode, we discuss their findings with two of the co-authors of the resulting papers, Ellen Peng, of Boys Town National Research Hospital, and Erick Gallun, of Oregon Health and Science University. </p><p>Associated papers:</p><p>“Remote testing for psychological and physiological acoustics: Initial report of the P&amp;P Task Force on Remote Testing,” Proceedings of Meetings on Acoustics (POMA) <a href='https://doi.org/10.1121/2.0001409'>https://doi.org/10.1121/2.0001409</a><br/>Authors: Z. Ellen Peng, Emily Buss,   Yi Shen, Hari Bharadwaj, G. Christopher Stecker, Jordan A. Beim, Adam K. Bosen, Meredith Braza, Anna C. Diedesch, Claire M. Dorey, Andrew R. Dykstra, Richard Freyman,   Frederick J. Gallun, Raymond L. Goldsworthy, Lincoln Gray,   Eric C. Hoover, Antje Ihlefeld, Thomas Koelewijn, Judy G. Kopun, Juraj Mesik, Virginia Richards, Daniel E. Shub, Jonathan H. Venezia, and Sebastian Waz</p><p>and</p><p>“FORUM: Remote testing for psychological and physiological acoustics,” The Journal of the Acoustical Society of America 151, 3116 (2022); <a href='https://doi.org/10.1121/10.0010422'>https://doi.org/10.1121/10.0010422</a><br/>Authors: Z. Ellen Peng, Sebastian Waz,   Emily Buss,   Yi Shen, Virginia Richards,   Hari Bharadwaj,   G. Christopher Stecker, Jordan A. Beim,   Adam K. Bosen, Meredith D. Braza, Anna C. Diedesch, Claire M. Dorey,   Andrew R. Dykstra,   Frederick J Gallun, Raymond L. Goldsworthy,   Lincoln Gray,   Eric C. Hoover,   Antje Ihlefeld,   Thomas Koelewijn, Judy G. Kopun,  Juraj Mesik, Daniel E. Shub, and   Jonathan H. Venezia<br/><br/><a href='https://tcppasa.org/remote-testing/'>Visit</a> the Remote Testing Wiki.<br/><br/> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-10862302</guid>
    <pubDate>Mon, 27 Jun 2022 10:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/10862302/transcript" type="text/html" />
    <podcast:soundbite startTime="211.0" duration="46.0" />
    <itunes:duration>2000</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Psychoacoustics of Tinnitus</itunes:title>
    <title>Psychoacoustics of Tinnitus</title>
    <itunes:summary><![CDATA[“Psychoacoustics of Tinnitus: Lost in Translation,” Acoustics Today, 17(1), 35-42. https://acousticstoday.org/psychoacoustics-of-tinnitus-lost-in-translation-christopher-spankovich/ Authors: Christopher Spankovich, Sarah Faucette, Celia Escabi, and Edward Lobarinas Published: Spring 2021 In this episode, we speak with Christopher Spankovich of the University of Mississippi Medical Center about his article, “Psychoacoustics of Tinnitus: Lost in Translation,” which appeared in the Spring 2021 i...]]></itunes:summary>
    <description><![CDATA[<p>“Psychoacoustics of Tinnitus: Lost in Translation,” <em>Acoustics Today</em>, 17(1), 35-42. <a href='https://acousticstoday.org/acoustics-vibration-baseball-softball-bats-daniel-russell-2/'>https://acousticstoday.org/psychoacoustics-of-tinnitus-lost-in-translation-christopher-spankovich/</a></p><p>Authors: Christopher Spankovich, Sarah Faucette, Celia Escabi, and Edward Lobarinas</p><p>Published: Spring 2021</p><p>In this episode, we speak with Christopher Spankovich of the University of Mississippi Medical Center about his article, “Psychoacoustics of Tinnitus: Lost in Translation,” which appeared in the Spring 2021 issue of <em>Acoustics Today</em>. In this interview, we discuss what tinnitus is, how it is (or isn&apos;t) measured, treatments for the disorder, and current research in animals and humans. </p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p>“Psychoacoustics of Tinnitus: Lost in Translation,” <em>Acoustics Today</em>, 17(1), 35-42. <a href='https://acousticstoday.org/acoustics-vibration-baseball-softball-bats-daniel-russell-2/'>https://acousticstoday.org/psychoacoustics-of-tinnitus-lost-in-translation-christopher-spankovich/</a></p><p>Authors: Christopher Spankovich, Sarah Faucette, Celia Escabi, and Edward Lobarinas</p><p>Published: Spring 2021</p><p>In this episode, we speak with Christopher Spankovich of the University of Mississippi Medical Center about his article, “Psychoacoustics of Tinnitus: Lost in Translation,” which appeared in the Spring 2021 issue of <em>Acoustics Today</em>. In this interview, we discuss what tinnitus is, how it is (or isn&apos;t) measured, treatments for the disorder, and current research in animals and humans. </p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-10686446</guid>
    <pubDate>Thu, 26 May 2022 10:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/10686446/transcript" type="text/html" />
    <podcast:soundbite startTime="90.006" duration="54.5" />
    <itunes:duration>1358</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Acoustic effects of medical, cloth, and transparent face masks on speech signals </itunes:title>
    <title>Acoustic effects of medical, cloth, and transparent face masks on speech signals </title>
    <itunes:summary><![CDATA[Acoustic effects of medical, cloth, and transparent face masks on speech signals   The Journal of the Acoustical Society of America (JASA) https://doi.org/10.1121/10.0002279  Authors: Ryan M. Corey, Uriah Jones, and Andrew C. Singer  In this episode, we interview Ryan Corey about how face masks muffle speech and make communication more difficult, especially for people with hearing loss.  Read more from The Journal of the Acoustical Society of America (JASA).  Learn more about Acoustical Socie...]]></itunes:summary>
    <description><![CDATA[<p>Acoustic effects of medical, cloth, and transparent face masks on speech signals <br/><br/>The Journal of the Acoustical Society of America (JASA)<br/>https://doi.org/10.1121/10.0002279<br/><br/>Authors: Ryan M. Corey, Uriah Jones, and Andrew C. Singer<br/><br/>In this episode, we interview Ryan Corey about how face masks muffle speech and make communication more difficult, especially for people with hearing loss.<br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></description>
    <content:encoded><![CDATA[<p>Acoustic effects of medical, cloth, and transparent face masks on speech signals <br/><br/>The Journal of the Acoustical Society of America (JASA)<br/>https://doi.org/10.1121/10.0002279<br/><br/>Authors: Ryan M. Corey, Uriah Jones, and Andrew C. Singer<br/><br/>In this episode, we interview Ryan Corey about how face masks muffle speech and make communication more difficult, especially for people with hearing loss.<br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/10404066-acoustic-effects-of-medical-cloth-and-transparent-face-masks-on-speech-signals.mp3" length="13654666" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-10404066</guid>
    <pubDate>Fri, 08 Apr 2022 13:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/10404066/transcript" type="text/html" />
    <itunes:duration>1129</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Ultrasonic Vocalization of Weddell Seals</itunes:title>
    <title>Ultrasonic Vocalization of Weddell Seals</title>
    <itunes:summary><![CDATA[Weddell seals produce ultrasonic vocalizations  The Journal of the Acoustical Society of America (JASA) https://doi.org/10.1121/10.0002867  Authors: Paul A. Cziko, Lisa M. Munger, Nicholas R. Santos, and John M. Terhune  In this episode, we interview Jack Terhune of the Department of Biological Sciences at the University of New Brunswick.   Read more from The Journal of the Acoustical Society of America (JASA).  Learn more about Acoustical Society of America Publications.   Music Credit: Min ...]]></itunes:summary>
    <description><![CDATA[<h1>Weddell seals produce ultrasonic vocalizations</h1><h1><br/></h1><h1><br/>The Journal of the Acoustical Society of America (JASA)<br/>https://doi.org/10.1121/10.0002867<br/><br/>Authors: Paul A. Cziko, Lisa M. Munger, Nicholas R. Santos, and John M. Terhune<br/><br/>In this episode, we interview Jack Terhune of the Department of Biological Sciences at the University of New Brunswick. <br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> <br/><br/><br/></h1><p><br/></p>]]></description>
    <content:encoded><![CDATA[<h1>Weddell seals produce ultrasonic vocalizations</h1><h1><br/></h1><h1><br/>The Journal of the Acoustical Society of America (JASA)<br/>https://doi.org/10.1121/10.0002867<br/><br/>Authors: Paul A. Cziko, Lisa M. Munger, Nicholas R. Santos, and John M. Terhune<br/><br/>In this episode, we interview Jack Terhune of the Department of Biological Sciences at the University of New Brunswick. <br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> <br/><br/><br/></h1><p><br/></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/10219641-ultrasonic-vocalization-of-weddell-seals.mp3" length="19448956" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-10219641</guid>
    <pubDate>Wed, 09 Mar 2022 14:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/10219641/transcript" type="text/html" />
    <itunes:duration>1612</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Lung Ultrasound</itunes:title>
    <title>Lung Ultrasound</title>
    <itunes:summary><![CDATA[Deep learning applied to lung ultrasound videos for scoring COVID-19 patients: A multicenter study  The Journal of the Acoustical Society of America (JASA) https://doi.org/10.1121/10.0004855  Authors: Federico Mento, Tiziano Perrone, Anna Fiengo, Andrea Smargiassi, Riccardo Inchingolo, Gino Soldati, and Libertario Demi  In this episode, we interview Federico Mento from the Department of Information Engineering and Computer Science at the University of Trento.   Read more from The Journal...]]></itunes:summary>
    <description><![CDATA[<h1>Deep learning applied to lung ultrasound videos for scoring COVID-19 patients: A multicenter study </h1><p><br/>The Journal of the Acoustical Society of America (JASA)<br/>https://doi.org/10.1121/10.0004855<br/><br/>Authors: Federico Mento, Tiziano Perrone, Anna Fiengo, Andrea Smargiassi, Riccardo Inchingolo, Gino Soldati, and Libertario Demi<br/><br/>In this episode, we interview Federico Mento from the Department of Information Engineering and Computer Science at the University of Trento. <br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<h1>Deep learning applied to lung ultrasound videos for scoring COVID-19 patients: A multicenter study </h1><p><br/>The Journal of the Acoustical Society of America (JASA)<br/>https://doi.org/10.1121/10.0004855<br/><br/>Authors: Federico Mento, Tiziano Perrone, Anna Fiengo, Andrea Smargiassi, Riccardo Inchingolo, Gino Soldati, and Libertario Demi<br/><br/>In this episode, we interview Federico Mento from the Department of Information Engineering and Computer Science at the University of Trento. <br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/10028464-lung-ultrasound.mp3" length="8457525" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-10028464</guid>
    <pubDate>Mon, 07 Feb 2022 12:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/10028464/transcript" type="text/html" />
    <itunes:duration>696</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Nonlinear Time-warping Made Simple</itunes:title>
    <title>Nonlinear Time-warping Made Simple</title>
    <itunes:summary><![CDATA[Nonlinear time-warping made simple: A step-by-step tutorial on underwater acoustic modal separation with a single hydrophone   The Journal of the Acoustical Society of America (JASA) https://doi.org/10.1121/10.0000937   Authors: Julien Bonnel, Aaron Thode, Dana Wright, and Ross Chapman   In this episode, we interview Julien Bonnel from Woods Hole Oceanographic Institution  about time-warping.  Read more from The Journal of the Acoustical Society of America (JASA).  Learn more about Acous...]]></itunes:summary>
    <description><![CDATA[<p>Nonlinear time-warping made simple: A step-by-step tutorial on underwater acoustic modal separation with a single hydrophone <br/><br/>The Journal of the Acoustical Society of America (JASA)<br/><a href='https://doi.org/10.1121/10.0000937'>https://doi.org/10.1121/10.0000937</a><br/> <br/>Authors: Julien Bonnel, Aaron Thode, Dana Wright, and Ross Chapman <br/><br/>In this episode, we interview Julien Bonnel from Woods Hole Oceanographic Institution  about time-warping.<br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Nonlinear time-warping made simple: A step-by-step tutorial on underwater acoustic modal separation with a single hydrophone <br/><br/>The Journal of the Acoustical Society of America (JASA)<br/><a href='https://doi.org/10.1121/10.0000937'>https://doi.org/10.1121/10.0000937</a><br/> <br/>Authors: Julien Bonnel, Aaron Thode, Dana Wright, and Ross Chapman <br/><br/>In this episode, we interview Julien Bonnel from Woods Hole Oceanographic Institution  about time-warping.<br/><br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/><br/></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/9828875-nonlinear-time-warping-made-simple.mp3" length="9595144" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-9828875</guid>
    <pubDate>Tue, 04 Jan 2022 09:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/9828875/transcript" type="text/html" />
    <itunes:duration>791</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Virtual Sounds</itunes:title>
    <title>Virtual Sounds</title>
    <itunes:summary><![CDATA[Are Virtual Sounds Real?  Acoustics Today; https://acousticstoday.org/are-virtual-sounds-real-michael-vorlander/  Author: Michael Vorländer   In this episode, we interview Michael Vorländer from the RWTH Aachen University about the reality of virtual sounds.  Read more from Acoustics Today.  Learn more about Acoustical Society of America Publications.   Music Credit: Min 2019 by minwbu from Pixabay. https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campa...]]></itunes:summary>
    <description><![CDATA[<p>Are Virtual Sounds Real?<br/><br/>Acoustics Today; https://acousticstoday.org/are-virtual-sounds-real-michael-vorlander/<br/><br/>Author: Michael Vorländer</p><p><br/><br/>In this episode, we interview Michael Vorländer from the RWTH Aachen University about the reality of virtual sounds.<br/><br/><a href='https://acousticstoday.org/'>Read more </a>from Acoustics Today.<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Are Virtual Sounds Real?<br/><br/>Acoustics Today; https://acousticstoday.org/are-virtual-sounds-real-michael-vorlander/<br/><br/>Author: Michael Vorländer</p><p><br/><br/>In this episode, we interview Michael Vorländer from the RWTH Aachen University about the reality of virtual sounds.<br/><br/><a href='https://acousticstoday.org/'>Read more </a>from Acoustics Today.<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/><br/></p>]]></content:encoded>
    <enclosure url="https://www.buzzsprout.com/1537384/episodes/9601986-virtual-sounds.mp3" length="6611189" type="audio/mpeg" />
    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-9601986</guid>
    <pubDate>Tue, 23 Nov 2021 15:00:00 -0500</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/9601986/transcript" type="text/html" />
    <itunes:duration>542</itunes:duration>
    <itunes:keywords></itunes:keywords>
    <itunes:episodeType>full</itunes:episodeType>
    <itunes:explicit>false</itunes:explicit>
  </item>
  <item>
    <itunes:title>Horror Film Sound</itunes:title>
    <title>Horror Film Sound</title>
    <itunes:summary><![CDATA[Terrifying film music mimics alarming acoustic feature of human screams  The Journal of the Acoustical Society of America (JASA)   https://doi.org/10.1121/10.0001459  Authors: Caitlyn Trevor, Luc H. Arnal, and Sascha Frühholz  In this episode, we interview Caitlyn Trevor from the University of Zurich about horror film music mimics human screams.    Read more from The Journal of the Acoustical Society of America (JASA).  Learn more about Acoustical Society of America Publications.   Music...]]></itunes:summary>
    <description><![CDATA[<p>Terrifying film music mimics alarming acoustic feature of human screams<br/><br/>The Journal of the Acoustical Society of America (JASA) <br/> <a href='https://doi.org/10.1121/10.0001459'>https://doi.org/10.1121/10.0001459</a><br/><br/>Authors: Caitlyn Trevor, Luc H. Arnal, and Sascha Frühholz<br/><br/>In this episode, we interview Caitlyn Trevor from the University of Zurich about horror film music mimics human screams. <br/> <br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Terrifying film music mimics alarming acoustic feature of human screams<br/><br/>The Journal of the Acoustical Society of America (JASA) <br/> <a href='https://doi.org/10.1121/10.0001459'>https://doi.org/10.1121/10.0001459</a><br/><br/>Authors: Caitlyn Trevor, Luc H. Arnal, and Sascha Frühholz<br/><br/>In this episode, we interview Caitlyn Trevor from the University of Zurich about horror film music mimics human screams. <br/> <br/><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.<b><br/><br/><br/></b>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p><br/></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-9449322</guid>
    <pubDate>Thu, 28 Oct 2021 13:00:00 -0400</pubDate>
    <podcast:transcript url="https://www.buzzsprout.com/1537384/9449322/transcript" type="text/html" />
    <podcast:soundbite startTime="232.0" duration="31.5" />
    <itunes:duration>917</itunes:duration>
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  <item>
    <itunes:title>Penguin Ear Morphology </itunes:title>
    <title>Penguin Ear Morphology </title>
    <itunes:summary><![CDATA[3D-Visualization of the Ear Morphology of Penguins (Spheniscidae): Implications for Hearing Abilities in Air and Underwater   Proceedings of Meetings on Acoustics (POMA) https://doi.org/10.1121/2.0001291  Authors: Sylke Frahnert, Martin Lindner, Eva-Maria Bendel, Klara Henrike Frahnert, Natascha Westphal, and Michael Dähne   In this episode, we interview Michael Dähne of the German Museum of the Seas about the morphology of penguin's ears.   Read more from Proceedings of Meetings on Acoustics...]]></itunes:summary>
    <description><![CDATA[<p>3D-Visualization of the Ear Morphology of Penguins (Spheniscidae): Implications for Hearing Abilities in Air and Underwater <br/><br/>Proceedings of Meetings on Acoustics (POMA) <a href='https://doi.org/10.1121/2.0001291'>https://doi.org/10.1121/2.0001291</a><br/><br/>Authors: Sylke Frahnert, Martin Lindner, Eva-Maria Bendel, Klara Henrike Frahnert, Natascha Westphal, and Michael Dähne <br/><br/>In this episode, we interview Michael Dähne of the German Museum of the Seas about the morphology of penguin&apos;s ears.<br/><br/> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></description>
    <content:encoded><![CDATA[<p>3D-Visualization of the Ear Morphology of Penguins (Spheniscidae): Implications for Hearing Abilities in Air and Underwater <br/><br/>Proceedings of Meetings on Acoustics (POMA) <a href='https://doi.org/10.1121/2.0001291'>https://doi.org/10.1121/2.0001291</a><br/><br/>Authors: Sylke Frahnert, Martin Lindner, Eva-Maria Bendel, Klara Henrike Frahnert, Natascha Westphal, and Michael Dähne <br/><br/>In this episode, we interview Michael Dähne of the German Museum of the Seas about the morphology of penguin&apos;s ears.<br/><br/> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> <br/>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
    <guid isPermaLink="false">Buzzsprout-9349843</guid>
    <pubDate>Mon, 11 Oct 2021 15:00:00 -0400</pubDate>
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    <podcast:soundbite startTime="133.007" duration="53.5" />
    <itunes:duration>1668</itunes:duration>
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  <item>
    <itunes:title>Measurement and simulation of steered acoustic fields generated by a multielement array for therapeutic ultrasound </itunes:title>
    <title>Measurement and simulation of steered acoustic fields generated by a multielement array for therapeutic ultrasound </title>
    <itunes:summary><![CDATA[Measurement and simulation of steered acoustic fields generated by a multielement array for therapeutic ultrasound  JASA Express Letters 1, 012001 (2021); https://doi.org/10.1121/10.0003210  Authors: Eleanor Martin, Morgan Roberts, and Bradley Treeby   In this episode, we interview Eleanor Martin of Wellcome/EPSRC Centre for Interventional &amp; Surgical Sciences (WEISS) at the University College London about a method for modeling therapeutic ultrasound to help with planning treatment.  Read ...]]></itunes:summary>
    <description><![CDATA[<p>Measurement and simulation of steered acoustic fields generated by a multielement array for therapeutic ultrasound<br/><br/>JASA Express Letters <b>1</b>, 012001 (2021); <a href='https://doi.org/10.1121/10.0003210'>https://doi.org/10.1121/10.0003210</a><br/><br/>Authors: Eleanor Martin, Morgan Roberts, and Bradley Treeby <br/><br/>In this episode, we interview Eleanor Martin of Wellcome/EPSRC Centre for Interventional &amp; Surgical Sciences (WEISS) at the University College London about a method for modeling therapeutic ultrasound to help with planning treatment.<br/><br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p>Measurement and simulation of steered acoustic fields generated by a multielement array for therapeutic ultrasound<br/><br/>JASA Express Letters <b>1</b>, 012001 (2021); <a href='https://doi.org/10.1121/10.0003210'>https://doi.org/10.1121/10.0003210</a><br/><br/>Authors: Eleanor Martin, Morgan Roberts, and Bradley Treeby <br/><br/>In this episode, we interview Eleanor Martin of Wellcome/EPSRC Centre for Interventional &amp; Surgical Sciences (WEISS) at the University College London about a method for modeling therapeutic ultrasound to help with planning treatment.<br/><br/><a href='https://pubs.aip.org/asa/jel'>Read more</a> from <em>JASA Express Letters</em>. </p><p><a href='https://pubs.aip.org/asa'>Learn more </a>about Acoustical Society of America Publications </p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p><br/></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Tue, 07 Sep 2021 14:00:00 -0400</pubDate>
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    <itunes:duration>1374</itunes:duration>
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  <item>
    <itunes:title>Acoustics Apps: Interactive simulations for digital teaching and learning of acoustics </itunes:title>
    <title>Acoustics Apps: Interactive simulations for digital teaching and learning of acoustics </title>
    <itunes:summary><![CDATA[Acoustics Apps: Interactive simulations for digital teaching and learning of acoustics  The Journal of the Acoustical Society of America 149, 1175 (2021); https://doi.org/10.1121/10.0003438 Authors: Lennart Moheit, Johannes D. Schmid, Jonas M. Schmid, Martin Eser, and Steffen Marburg In this episode, we interview Dr. Lennart Moheit, formerly of the Chair of Vibroacoustics of Vehicles and Machines at the Technical University of Munich. Dr. Moheit co-created Acoustic Apps, an e-learning pl...]]></itunes:summary>
    <description><![CDATA[<p><b>Acoustics Apps: Interactive simulations for digital teaching and learning of acoustics</b> </p><p>The Journal of the Acoustical Society of America <b>149</b>, 1175 (2021); <a href='https://doi.org/10.1121/10.0003438'>https://doi.org/10.1121/10.0003438</a></p><p>Authors: Lennart Moheit, Johannes D. Schmid, Jonas M. Schmid, Martin Eser, and Steffen Marburg</p><p>In this episode, we interview Dr. Lennart Moheit, formerly of the Chair of Vibroacoustics of Vehicles and Machines at the Technical University of Munich. Dr. Moheit co-created Acoustic Apps, an e-learning platform that offers an interactive and playful environment for teaching and learning the principles of acoustics and vibration.<br/><br/></p><p><a href='https://apps.vib.mw.tum.de/'>Visit</a> the Acoustics Apps website.<br/><br/></p><p>Want to contribute to Acoustic Apps? Email <a href='mailto:apps@vib.mw.tum.de'>apps@vib.mw.tum.de</a>.<br/><br/></p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/></p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> </p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p> </p><p> </p><p><br/></p>]]></description>
    <content:encoded><![CDATA[<p><b>Acoustics Apps: Interactive simulations for digital teaching and learning of acoustics</b> </p><p>The Journal of the Acoustical Society of America <b>149</b>, 1175 (2021); <a href='https://doi.org/10.1121/10.0003438'>https://doi.org/10.1121/10.0003438</a></p><p>Authors: Lennart Moheit, Johannes D. Schmid, Jonas M. Schmid, Martin Eser, and Steffen Marburg</p><p>In this episode, we interview Dr. Lennart Moheit, formerly of the Chair of Vibroacoustics of Vehicles and Machines at the Technical University of Munich. Dr. Moheit co-created Acoustic Apps, an e-learning platform that offers an interactive and playful environment for teaching and learning the principles of acoustics and vibration.<br/><br/></p><p><a href='https://apps.vib.mw.tum.de/'>Visit</a> the Acoustics Apps website.<br/><br/></p><p>Want to contribute to Acoustic Apps? Email <a href='mailto:apps@vib.mw.tum.de'>apps@vib.mw.tum.de</a>.<br/><br/></p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/></p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> </p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p><p> </p><p> </p><p><br/></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Thu, 29 Jul 2021 09:00:00 -0400</pubDate>
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  <item>
    <itunes:title>Preferred dimension ratios of small rectangular rooms</itunes:title>
    <title>Preferred dimension ratios of small rectangular rooms</title>
    <itunes:summary><![CDATA[Preferred dimension ratios of small rectangular rooms JASA Express Letters 1, 021601 (2021); https://doi.org/10.1121/10.0003450 Author: Jens Holger Rindel   How do the acoustics of a small room—such as one used for music rehearsal, sound studios, or control rooms—differ from those of larger rooms? In this episode, we interview Jens Holger Rindel of Odeon A/S about the best way to design small rooms for acoustic performance.  Read more from JASA Express Letters.  Acoustical Soci...]]></itunes:summary>
    <description><![CDATA[<p><b>Preferred dimension ratios of small rectangular rooms</b></p><p>JASA Express Letters <b>1</b>, 021601 (2021); <a href='https://doi.org/10.1121/10.0003450'>https://doi.org/10.1121/10.0003450</a></p><p>Author: Jens Holger Rindel</p><p> </p><p>How do the acoustics of a small room—such as one used for music rehearsal, sound studios, or control rooms—differ from those of larger rooms? In this episode, we interview Jens Holger Rindel of Odeon A/S about the best way to design small rooms for acoustic performance. </p><p><a href='https://pubs.aip.org/asa/jel'>Read more </a>from JASA Express Letters.</p><p> Acoustical Society of America Publications<a href='https://acousticalsociety.org/asa-publications/'> page</a></p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></description>
    <content:encoded><![CDATA[<p><b>Preferred dimension ratios of small rectangular rooms</b></p><p>JASA Express Letters <b>1</b>, 021601 (2021); <a href='https://doi.org/10.1121/10.0003450'>https://doi.org/10.1121/10.0003450</a></p><p>Author: Jens Holger Rindel</p><p> </p><p>How do the acoustics of a small room—such as one used for music rehearsal, sound studios, or control rooms—differ from those of larger rooms? In this episode, we interview Jens Holger Rindel of Odeon A/S about the best way to design small rooms for acoustic performance. </p><p><a href='https://pubs.aip.org/asa/jel'>Read more </a>from JASA Express Letters.</p><p> Acoustical Society of America Publications<a href='https://acousticalsociety.org/asa-publications/'> page</a></p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Wed, 30 Jun 2021 08:00:00 -0400</pubDate>
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  <item>
    <itunes:title>Acoustics and Vibration of Baseball and Softball Bats</itunes:title>
    <title>Acoustics and Vibration of Baseball and Softball Bats</title>
    <itunes:summary><![CDATA[“Acoustics and Vibration of Baseball and Softball Bats,” Acoustics Today, 13(4), 35-42. https://acousticstoday.org/acoustics-vibration-baseball-softball-bats-daniel-russell-2/ Author: Daniel A. Russell Published: Winter 2017 In this episode, we speak with Daniel Russel of the Graduate Program in Acoustics at The Pennsylvania State University, about his article, “Acoustics and Vibration of Baseball and Softball Bats,” which appeared in the Winter 2017 issue of Acoustics Today. In this intervie...]]></itunes:summary>
    <description><![CDATA[<p>“Acoustics and Vibration of Baseball and Softball Bats,” <em>Acoustics Today</em>, 13(4), 35-42. <a href='https://acousticstoday.org/acoustics-vibration-baseball-softball-bats-daniel-russell-2/'>https://acousticstoday.org/acoustics-vibration-baseball-softball-bats-daniel-russell-2/</a></p><p>Author: Daniel A. Russell</p><p>Published: Winter 2017</p><p>In this episode, we speak with Daniel Russel of the Graduate Program in Acoustics at The Pennsylvania State University, about his article, “Acoustics and Vibration of Baseball and Softball Bats,” which appeared in the Winter 2017 issue of <em>Acoustics Today</em>. In this interview, we discuss all the ways acoustics and vibration affect a bat’s performance, including how the bat’s sound relates to its performance, the physical properties that create the “sweet spot” of a bat, and the role vibration plays in cheating attempts.  </p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p>“Take Me Out to the Ballgame” played on baseball bat piano, courtesy of Daniel A. Russell. See the full video at<a href='https://www.youtube.com/watch?v=r4KTGj-2trQ&amp;t=1s'> https://www.youtube.com/watch?v=r4KTGj-2trQ&amp;t=1s</a>.</p>]]></description>
    <content:encoded><![CDATA[<p>“Acoustics and Vibration of Baseball and Softball Bats,” <em>Acoustics Today</em>, 13(4), 35-42. <a href='https://acousticstoday.org/acoustics-vibration-baseball-softball-bats-daniel-russell-2/'>https://acousticstoday.org/acoustics-vibration-baseball-softball-bats-daniel-russell-2/</a></p><p>Author: Daniel A. Russell</p><p>Published: Winter 2017</p><p>In this episode, we speak with Daniel Russel of the Graduate Program in Acoustics at The Pennsylvania State University, about his article, “Acoustics and Vibration of Baseball and Softball Bats,” which appeared in the Winter 2017 issue of <em>Acoustics Today</em>. In this interview, we discuss all the ways acoustics and vibration affect a bat’s performance, including how the bat’s sound relates to its performance, the physical properties that create the “sweet spot” of a bat, and the role vibration plays in cheating attempts.  </p><p><a href='https://acousticstoday.org/'>Read more</a> from Acoustics Today.</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p>Intro/Outro Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p>“Take Me Out to the Ballgame” played on baseball bat piano, courtesy of Daniel A. Russell. See the full video at<a href='https://www.youtube.com/watch?v=r4KTGj-2trQ&amp;t=1s'> https://www.youtube.com/watch?v=r4KTGj-2trQ&amp;t=1s</a>.</p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Thu, 27 May 2021 11:00:00 -0400</pubDate>
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    <itunes:title>Phonetic change in an Antarctic winter</itunes:title>
    <title>Phonetic change in an Antarctic winter</title>
    <itunes:summary><![CDATA[“Phonetic change in an Antarctic winter” The Journal of the Acoustical Society of America 146, 3327 (2019); https://doi.org/10.1121/1.5130709 Authors: Jonathan Harrington, Michele Gubian, Mary Stevens, and Florian Schiel   How does spoken accent develop? In this episode, we speak with Dr. Jonathan Harrington of the Institute of Phonetics and Speech Processing at Ludwig-Maximilians-University of Munich, about the answer to this question. Dr. Harrington studied phonetic changes to individu...]]></itunes:summary>
    <description><![CDATA[<p>“Phonetic change in an Antarctic winter”</p><p>The Journal of the Acoustical Society of America 146, 3327 (2019); <a href='https://doi.org/10.1121/1.5130709'>https://doi.org/10.1121/1.5130709</a></p><p>Authors: Jonathan Harrington, Michele Gubian, Mary Stevens, and Florian Schiel</p><p> </p><p>How does spoken accent develop? In this episode, we speak with Dr. Jonathan Harrington of the Institute of Phonetics and Speech Processing at Ludwig-Maximilians-University of Munich, about the answer to this question. Dr. Harrington studied phonetic changes to individuals’ speech after a prolonged stay in Antarctica. Learn about variables that make up a person’s accent, the kind of stimuli that cause shifts or changes in a person’s accents, as well as Dr. Harrington’s methods of research for studying accent. <br/><br/></p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> </p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></description>
    <content:encoded><![CDATA[<p>“Phonetic change in an Antarctic winter”</p><p>The Journal of the Acoustical Society of America 146, 3327 (2019); <a href='https://doi.org/10.1121/1.5130709'>https://doi.org/10.1121/1.5130709</a></p><p>Authors: Jonathan Harrington, Michele Gubian, Mary Stevens, and Florian Schiel</p><p> </p><p>How does spoken accent develop? In this episode, we speak with Dr. Jonathan Harrington of the Institute of Phonetics and Speech Processing at Ludwig-Maximilians-University of Munich, about the answer to this question. Dr. Harrington studied phonetic changes to individuals’ speech after a prolonged stay in Antarctica. Learn about variables that make up a person’s accent, the kind of stimuli that cause shifts or changes in a person’s accents, as well as Dr. Harrington’s methods of research for studying accent. <br/><br/></p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).</p><p><a href='https://acousticalsociety.org/asa-publications/'>Learn more</a> about Acoustical Society of America Publications.</p><p> </p><p>Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Mon, 26 Apr 2021 12:00:00 -0400</pubDate>
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    <itunes:title>Individual differences in the acoustic properties of human skulls</itunes:title>
    <title>Individual differences in the acoustic properties of human skulls</title>
    <itunes:summary><![CDATA[“Individual differences in the acoustic properties of human skulls” The Journal of the Acoustical Society of America 146, JASA-EL Special Section 191 (2019); https://doi.org/10.1121/1.5124321 Authors: Michael S. Gordon, Michael D. Hall, Jeremy Gaston, Ashley Foots, and Jitwipar Suwangbutra Published in the September 2019 issue of The Journal of the Acoustical Society of America in its JASA Express Letters special section. Please note that as of January 1, 2021, JASA Express Letters has re-lau...]]></itunes:summary>
    <description><![CDATA[<p>“Individual differences in the acoustic properties of human skulls” The Journal of the Acoustical Society of America 146, JASA-EL Special Section 191 (2019); <a href='https://doi.org/10.1121/1.5124321'>https://doi.org/10.1121/1.5124321</a><br/><b>Authors</b>: Michael S. Gordon, Michael D. Hall, Jeremy Gaston, Ashley Foots, and Jitwipar Suwangbutra</p><p><b><em>Published in the September 2019 issue of The Journal of the Acoustical Society of America in its JASA Express Letters special section. Please note that as of January 1, 2021, JASA Express Letters has re-launched as an independent online-only gold-open access journal.</em></b></p><p>In this episode, we speak with co-authors Dr. Michael Hall, Professor in the Department of Psychology at James Madison University, and Dr. Jeremy Gaston, Division Chief at DEVCOM-Army Research Laboratory.  We will discuss their research on the acoustic properties of skulls and how they might affect hearing. The authors will explain their method of using broadband noise projected through the skull, and then spectrally analyzed using a Fast Fourier Transform and in 1/3-octave bands, to compare acoustic patterns in each skull. We will delve into their methods, procedures, and future applications of this research.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more </a>from JASA Express Letters.</p><p> Acoustical Society of America Publications<a href='https://acousticalsociety.org/asa-publications/'> page</a></p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></description>
    <content:encoded><![CDATA[<p>“Individual differences in the acoustic properties of human skulls” The Journal of the Acoustical Society of America 146, JASA-EL Special Section 191 (2019); <a href='https://doi.org/10.1121/1.5124321'>https://doi.org/10.1121/1.5124321</a><br/><b>Authors</b>: Michael S. Gordon, Michael D. Hall, Jeremy Gaston, Ashley Foots, and Jitwipar Suwangbutra</p><p><b><em>Published in the September 2019 issue of The Journal of the Acoustical Society of America in its JASA Express Letters special section. Please note that as of January 1, 2021, JASA Express Letters has re-launched as an independent online-only gold-open access journal.</em></b></p><p>In this episode, we speak with co-authors Dr. Michael Hall, Professor in the Department of Psychology at James Madison University, and Dr. Jeremy Gaston, Division Chief at DEVCOM-Army Research Laboratory.  We will discuss their research on the acoustic properties of skulls and how they might affect hearing. The authors will explain their method of using broadband noise projected through the skull, and then spectrally analyzed using a Fast Fourier Transform and in 1/3-octave bands, to compare acoustic patterns in each skull. We will delve into their methods, procedures, and future applications of this research.</p><p><a href='https://pubs.aip.org/asa/jel'>Read more </a>from JASA Express Letters.</p><p> Acoustical Society of America Publications<a href='https://acousticalsociety.org/asa-publications/'> page</a></p><p> Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Thu, 25 Mar 2021 10:00:00 -0400</pubDate>
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    <itunes:duration>1546</itunes:duration>
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    <itunes:title>How loud is X-59’s shaped sonic boom?</itunes:title>
    <title>How loud is X-59’s shaped sonic boom?</title>
    <itunes:summary><![CDATA[“How loud is X-59’s shaped sonic boom?” Proc. Mtgs. Acoust. 36, 040005 (2019); https://doi.org/10.1121/2.0001265 Authors: William Jeffrey Doebler and Jonathan Rathsam Published Online: 17 June 2020  How loud is X-59’s shaped sonic boom? In this episode, we speak with co-authors from NASA Langley Research Center, Will Doebler, and Jonathan Rathsam. We will discuss NASA's X-59 Quiet SuperSonic Technology low boom flight demonstrator aircraft, built to generate a 75 dB Perceived Level (PL) ...]]></itunes:summary>
    <description><![CDATA[<p>“How loud is X-59’s shaped sonic boom?”<br/>Proc. Mtgs. Acoust. 36, 040005 (2019); <a href='https://doi.org/10.1121/2.0001265'>https://doi.org/10.1121/2.0001265</a><br/>Authors: William Jeffrey Doebler and Jonathan Rathsam<br/><b>Published Online: 17 June 2020</b></p><p> How loud is X-59’s shaped sonic boom? In this episode, we speak with co-authors from NASA Langley Research Center, Will Doebler, and Jonathan Rathsam. We will discuss NASA&apos;s X-59 Quiet SuperSonic Technology low boom flight demonstrator aircraft, built to generate a 75 dB Perceived Level (PL) shaped sonic boom or &quot;sonic thump&quot;. As most members of the public have never heard a sonic boom, NASA realized a communication challenge in relaying how to describe the unique sound of a “sonic thump”. Due to this fact, the co-authors created a thermometer of acoustic levels or an “Impulsive Noise Perceived Level thermometer” to assist the public and media in understanding what the X-59 will sound like. We will examine the goals and mission of the X-59, and how the co-authors created and are using the “Impulsive Noise Perceived Level thermometer.”</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p> X-59 webpage <a href='https://www.nasa.gov/X59'>link</a></p><p>Updated PL scale <a href='https://www.nasa.gov/sites/default/files/thumbnails/image/x-59_sonic_thump_75_pldb.png'>graphic</a></p><p>Impulsive noise <a href='https://stabserv.larc.nasa.gov/cst/'>database</a></p><p> <br/>Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></description>
    <content:encoded><![CDATA[<p>“How loud is X-59’s shaped sonic boom?”<br/>Proc. Mtgs. Acoust. 36, 040005 (2019); <a href='https://doi.org/10.1121/2.0001265'>https://doi.org/10.1121/2.0001265</a><br/>Authors: William Jeffrey Doebler and Jonathan Rathsam<br/><b>Published Online: 17 June 2020</b></p><p> How loud is X-59’s shaped sonic boom? In this episode, we speak with co-authors from NASA Langley Research Center, Will Doebler, and Jonathan Rathsam. We will discuss NASA&apos;s X-59 Quiet SuperSonic Technology low boom flight demonstrator aircraft, built to generate a 75 dB Perceived Level (PL) shaped sonic boom or &quot;sonic thump&quot;. As most members of the public have never heard a sonic boom, NASA realized a communication challenge in relaying how to describe the unique sound of a “sonic thump”. Due to this fact, the co-authors created a thermometer of acoustic levels or an “Impulsive Noise Perceived Level thermometer” to assist the public and media in understanding what the X-59 will sound like. We will examine the goals and mission of the X-59, and how the co-authors created and are using the “Impulsive Noise Perceived Level thermometer.”</p><p> <a href='https://pubs.aip.org/asa/poma'>Read more </a>from Proceedings of Meetings on Acoustics (POMA).</p><p> X-59 webpage <a href='https://www.nasa.gov/X59'>link</a></p><p>Updated PL scale <a href='https://www.nasa.gov/sites/default/files/thumbnails/image/x-59_sonic_thump_75_pldb.png'>graphic</a></p><p>Impulsive noise <a href='https://stabserv.larc.nasa.gov/cst/'>database</a></p><p> <br/>Music: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a></p><p> </p>]]></content:encoded>
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    <itunes:author>ASA Publications&#39; Office</itunes:author>
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    <pubDate>Fri, 26 Feb 2021 09:00:00 -0500</pubDate>
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    <itunes:title>Rapid quantitative imaging of high intensity ultrasonic pressure fields.</itunes:title>
    <title>Rapid quantitative imaging of high intensity ultrasonic pressure fields.</title>
    <itunes:summary><![CDATA[“Rapid quantitative imaging of high intensity ultrasonic pressure fields” The Journal of the Acoustical Society of America 148, 660 (2020); https://doi.org/10.1121/10.0001689  Authors: Huiwen Luo, Jiro Kusunose, Gianmarco Pinton, Charles F. Caskey, and William A. Grissom.  In this episode, we speak with authors from Vanderbilt University Institute of Imaging Science, Huiwen Luo, Research Assistant, William Grissom, Associate Professor of Biomedical Imaging, and Charles Caskey, Assoc...]]></itunes:summary>
    <description><![CDATA[<p>“Rapid quantitative imaging of high intensity ultrasonic pressure fields”</p><p>The Journal of the Acoustical Society of America 148, 660 (2020); <a href='https://doi.org/10.1121/10.0001689'>https://doi.org/10.1121/10.0001689</a></p><p> Authors: Huiwen Luo, Jiro Kusunose, Gianmarco Pinton, Charles F. Caskey, and William A. Grissom.</p><p> In this episode, we speak with authors from Vanderbilt University Institute of Imaging Science, Huiwen Luo, Research Assistant, William Grissom, Associate Professor of Biomedical Imaging, and Charles Caskey, Associate Professor of Radiology &amp; Radiological Sciences. We will discuss their research on rapid quantitative imaging of high intensity ultrasonic pressure fields, and the rapid projection imaging method they have created for mapping ultrasonic pressure fields. We will examine their conception of this method, and the future applications of this work.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/> Acoustical Society of America Publications <a href='https://acousticalsociety.org/asa-publications/'>Page</a> </p><p> Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></description>
    <content:encoded><![CDATA[<p>“Rapid quantitative imaging of high intensity ultrasonic pressure fields”</p><p>The Journal of the Acoustical Society of America 148, 660 (2020); <a href='https://doi.org/10.1121/10.0001689'>https://doi.org/10.1121/10.0001689</a></p><p> Authors: Huiwen Luo, Jiro Kusunose, Gianmarco Pinton, Charles F. Caskey, and William A. Grissom.</p><p> In this episode, we speak with authors from Vanderbilt University Institute of Imaging Science, Huiwen Luo, Research Assistant, William Grissom, Associate Professor of Biomedical Imaging, and Charles Caskey, Associate Professor of Radiology &amp; Radiological Sciences. We will discuss their research on rapid quantitative imaging of high intensity ultrasonic pressure fields, and the rapid projection imaging method they have created for mapping ultrasonic pressure fields. We will examine their conception of this method, and the future applications of this work.</p><p><a href='https://pubs.aip.org/asa/jasa'>Read more </a>from The Journal of the Acoustical Society of America (JASA).<br/><br/> Acoustical Society of America Publications <a href='https://acousticalsociety.org/asa-publications/'>Page</a> </p><p> Music Credit: Min 2019 by minwbu from Pixabay. <a href='https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022'>https://pixabay.com/?utm_source=link-attribution&amp;amp;utm_medium=referral&amp;amp;utm_campaign=music&amp;amp;utm_content=1022</a> </p>]]></content:encoded>
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    <pubDate>Thu, 14 Jan 2021 09:00:00 -0500</pubDate>
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