Peter and Andrew revisit the inspirational classic Dead Poets Society, exploring how Robin Williams’ passionate performance as Mr. Keating helped redefine the teacher-student movie. They discuss the film’s themes of nonconformity, tradition, and the pressures of elite education, and debate whether its “seize the day” message still resonates in a modern world.

In their remake scenarios, they tackle a coming-of-age challenge: How do you adapt a story about poetry and rebellion for families? Could it work as a girls’ boarding school drama? What would a no-budget horror version look like? Would it be better as a TV series about teachers and students in different eras?

The hosts also share their current viewing habits, including The Fall and Rise of Reggie Dinkens and My Life (directed by Nicolas Winding Refn), while referencing Good Will Hunting, Whiplash, Stand and Deliver, The Holdovers, Lean on Me, Friday Night Lights, Breakfast Club, Sixteen Candles, Pretty in Pink, and Blair Witch in their discussion.

Topics covered: The legacy of “carpe diem,” Robin Williams’ dramatic range, the evolution of school stories, the ethics of inspirational teaching, and why some movies are both timeless and of their time.

Peter and Andrew unpack Bryan Singer's twisty 1995 crime thriller The Usual Suspects, exploring how its unreliable narrator and shocking reveals redefined the mystery genre. They analyze Verbal Kint, discuss the film's multiple layers of deception, and debate whether the movie's brilliant twists justify its narrative tricks or if it's all just an elaborate cheat.

In their remake scenarios, they tackle a structural puzzle: How do you make a crime thriller family-friendly? Could it work as a school detention story? What would a no-budget interrogation room version look like? Would it be better as a TV series exploring the real Kaiser Soze story?

The hosts also share their current viewing habits, including Hardboiled and Glengarry Glen Ross, while referencing Darth Vader, Casablanca, The Maltese Falcon, Fight Club, The Crying Game, The Sixth Sense, Citizen Kane, The Notebook, Saving Private Ryan, and Empire in their discussion.

Topics covered: Unreliable narrators, twist endings, the art of misdirection, 1990s independent cinema, and whether some movies are too clever for their own good.

Peter and Andrew journey through Stanley Kubrick’s visionary sci-fi epic 2001: A Space Odyssey, exploring how its groundbreaking visuals, enigmatic storytelling, and iconic HAL 9000 changed cinema forever. They discuss the film’s slow, meditative pace, its ambiguous ending, and why it’s more art installation than popcorn entertainment.

In their remake scenarios, they face a cosmic challenge: How do you adapt Kubrick’s masterpiece for families? Could it work with a narrator? What would a no-budget version focus on? Would it be better as a multi-part Netflix series or a museum installation?

The hosts also share their current viewing habits, including Herald and Maude and Exit 8, while referencing Star Wars, Interstellar, The Shining, Full Metal Jacket, Eyes Wide Shut, Stalker, and Planet of the Apes in their discussion.

Topics covered: Visual storytelling, the evolution of science fiction, artificial intelligence, the meaning of the monolith, ambiguous endings, and why some films are more about the experience than the plot.

Peter and Andrew take on Robert Altman’s sprawling 1975 classic Nashville, exploring how its ensemble cast and overlapping storylines create a vivid portrait of American culture at a crossroads. They discuss the film’s unconventional structure, its blend of country music and political satire, and why it feels more like a time capsule than a traditional narrative.

In their remake scenarios, they face a structural challenge: How do you adapt a film with 24 main characters? Could it work as a family-friendly musical? What would a no-budget airport version look like? Would it be better as a prestige TV?

The hosts also share their current viewing habits, including Chimes at Midnight and Veep, while also referencing The Wire, Singles, Deer Hunter, Taxi Driver, Arrested Development, and Woodstock in their analysis.

Topics covered: Ensemble storytelling, the intersection of music and politics, 1970s American culture, documentary-style filmmaking, and why some movies are more historical document than entertainment.

Peter and Andrew discuss Mike Nichols’ iconic 1967 film The Graduate, exploring how its blend of comedy, melancholy, and social commentary captured the uncertainty of a generation. They analyze Dustin Hoffman’s breakout performance, the film’s ambiguous tone, and why Benjamin Braddock’s aimlessness still resonates today.

Plus, they discuss the movie’s famous Simon & Garfunkel soundtrack and its lasting influence on coming-of-age cinema. In their remake scenarios, they tackle a generational challenge: How do you adapt a story about drifting youth for modern audiences? Could it work as a family film without the affair? What would a no-budget hotel version look like? Would it be better as a TV series about finding meaning in the 21st century?

The hosts also share their current viewing habits, including Ready or Not 2, Something Very Bad Is Going to Happen, and The Drama, while referencing Tootsie, Risky Business, American Pie, and May December.

Topics covered: The legacy of 1960s counterculture, generational drift, the evolution of the coming-of-age story, ambiguous endings, and why some films are both funny and sad.

Peter and Andrew explore Yasujiro Ozu’s 1953 masterpiece Tokyo Story, examining how this quiet family drama became one of the most revered films in cinema history. They discuss Ozu’s unique visual style, the film’s meditative pace, and how its subtle exploration of generational change, aging, and family expectations resonates across cultures.

In their remake scenarios, they face a delicate challenge: How do you adapt a story built on everyday life? Could it work as an animated Miyazaki-style film for families? What would a no-budget or earthquake-disaster version look like? Would it be better as a TV series exploring different families in postwar Japan?

The hosts also share their current viewing habits, including Listers and Crime 101, while referencing Spirited Away, Lars von Trier’s The Boss of It All, Jaws, and Late Spring.

Topics covered: Minimalist filmmaking, the universality of family dynamics, Japanese vs. Western storytelling, static camera composition, and why some films are more about feeling than plot.

In this special episode of How to Make Films and Influence People, Peter and Andrew mix things up with a quick countdown of their Top 5 Films Set in Europe! Whether you're planning your next European adventure or just looking for some armchair travel through cinema, join us as we share our favorite films that capture the romance, culture, and diverse landscapes of Europe. What are your go-to European films? Let us know in the comments!

Peter and Andrew dive into Steven Spielberg’s blockbuster classic Jaws, exploring how it redefined the summer movie and set the standard for modern thrillers. They analyze the film’s masterful pacing, iconic suspense sequences, and why the shark remains terrifying even when barely seen. They also discuss the film’s deeper themes of responsibility, community, and the clash between business and safety.

In their remake scenarios, they tackle a cinematic challenge: How do you make a shark attack movie family-friendly? What would a no-budget version focus on? Would it be better as a TV series set in Amity?

The hosts also share their current viewing habits, including On Golden Pond and Project Hail Mary, while referencing Jurassic Park, Open Water, and various Spielberg classics in their analysis.

Topics covered: Blockbuster filmmaking, practical effects vs. CGI, the evolution of the monster movie, small-town politics, and why some thrillers never lose their bite.

Peter and Andrew dig into Frank Darabont’s beloved classic The Shawshank Redemption, exploring why this prison drama has become one of the most popular films of all time. They analyze the film’s themes of hope, friendship, and institutionalization, discuss Tim Robbins and Morgan Freeman’s iconic performances, and debate whether the movie is overrated or deserves its top spot on movie lists.

In their remake scenarios, they tackle a creative challenge: How do you adapt a dark prison story for families? Could it work as a school detention drama? What would a no-budget version focus on? Would it be better as a limited Netflix series or an ongoing TV show?

The hosts also share their current viewing habits, including Monty Python’s Life of Brian and How to Make a Killing, while referencing The Godfather, Parasite, The Office, Oz, and Cube in their analysis.

Topics covered: The art of the twist ending, adapting Stephen King, hope and realism, the legacy of re-watchable movies, and why some classics are easier to recommend than others.

Peter and Andrew dig into Paul Thomas Anderson’s epic There Will Be Blood, exploring Daniel Day-Lewis’s towering performance as oilman Daniel Plainview and the film’s unflinching look at ambition, greed, and the dark side of the American dream. They analyze the film’s wordless opening, its complex father-son dynamic, and the explosive rivalry between Plainview and preacher Eli Sunday.

In their remake scenarios, they tackle a cinematic challenge: How do you adapt a sprawling character study? Could it work as a family film from HW’s perspective? What would a no-budget version focus on? Would it be better as a prestige TV series or a limited Netflix run?

The hosts also share their current viewing habits, including It’s Always Sunny in Philadelphia and The Smashing Machine, while referencing All Is Lost, Land Man, and Yellowstone in their discussion.

Topics covered: Visual storytelling, the cost of ambition, American capitalism, the myth of the self-made man, and why some films are more rewarding on repeat viewings.

In this special episode of How to Make Films and Influence People, Peter and Andrew mix things up with a quick countdown of their Top 5 Winter Movies! Whether you’re snowed in or just looking for a winter watchlist, join us as we share our favorite films that capture the chill, drama, and magic of winter. This episode is shorter than our usual deep dives—we’re experimenting with new formats and would love your feedback!

Peter and Andrew break down Sidney Lumet’s 1957 classic 12 Angry Men, exploring how this single-room drama became a timeless lesson in justice, persuasion, and American democracy. They analyze the film’s unique approach to character development, its allegorical power, and why it’s still shown in law schools and psychology classes today.

In their remake scenarios, they tackle a contained challenge: How do you make a jury room drama family-friendly? Could it work as a school disciplinary board story? What would a no-budget or Rashomon-style version look like? Would it be better as a modern TV series or a grand jury procedural?

The hosts also share their current viewing habits, including Withnail & I and The Rip, while referencing A Few Good Men, The Social Network, Runaway Jury, Juror #2, and Jury Duty in their analysis.

Topics covered: Group psychology, the presumption of innocence, contained storytelling, the evolution of jury dramas, and why some classics are more important than entertaining.

Peter and Andrew tackle Alfred Hitchcock's 1958 psychological thriller Vertigo, exploring why critics have called it the greatest film ever made. They analyze Jimmy Stewart's obsessive detective, the film's groundbreaking camera techniques, and whether this complex meditation on identity and control works better as art than entertainment. Plus, they debate if it's even really a detective story at all.

In their remake scenarios, they face a psychological puzzle: How do you adapt Hitchcock's most personal film? Could it work as a school-based family drama? What would a no-budget version focus on? Would it be better as a series exploring obsession over multiple episodes?

The hosts also share their current viewing habits, including Gail Daughtry and the Celebrity Sex Pass from Sundance and Sicario, while referencing Rear Window, Psycho, Rope, North by Northwest, Shutter Island, Anatomy of a Fall, and various Hitchcock classics in their analysis.

Topics covered: The famous "vertigo shot" technique, Hitchcock's approach to mystery vs. psychology, Jimmy Stewart's darker roles, whether critics overrate experimental films, and why some movies work better as museum pieces

Peter and Andrew examine Damien Chazelle's intense 2014 drama Whiplash, exploring the toxic relationship between an ambitious young drummer and his abusive instructor. They analyze J.K. Simmons' powerhouse performance, discuss whether the film glorifies or condemns abusive teaching methods, and examine how this "sports movie set in music" captures the pursuit of greatness at any cost.

In their remake scenarios, they face a contained challenge: How do you adapt a two-person psychological thriller? Could it work as a family-friendly animated film? What would change in a no-budget version of an already low-budget movie? Would expanding it to a TV series dilute its intensity?

The hosts also share their current viewing habits, including Fallout and Train Dreams, while referencing Vision Quest, The Pit, Scrubs, La La Land, Babylon, First Man, and Fox Catcher in their discussion.

Topics covered: The ethics of extreme teaching methods, sports movie structure in other genres, the pursuit of perfection vs. personal cost, accuracy in specialized fields, and whether great art requires suffering.

Peter and Andrew examine Joseph Mankiewicz's 1950 masterpiece All About Eve, exploring how this dialogue-driven drama about ambition and betrayal in the theater world remains timelessly relevant. They analyze the film's sharp wit, discuss the legendary performances that earned four female Oscar nominations, and examine how the story's themes of aging, power, and manipulation transcend its Broadway setting.

In their remake scenarios, they tackle a structural challenge: How do you update a dialogue-heavy classic? Could it work as a High School Musical-style family film? What would a no-budget version focus on? Would it work better as a modern TV series exploring social media fame versus traditional Hollywood? Plus, they discuss the film's influence on countless imitators.

The hosts also share their current viewing habits, including Dumb and Dumber and Avatar: Fire and Ash, while referencing May December, Saltburn, Braveheart, Mean Girls, Showgirls, The Substance, and various backstage dramas in their analysis.

Topics covered: Broadway vs. Hollywood prestige, the evolution of female roles in cinema, dialogue-driven storytelling, the cyclical nature of fame and replacement, and Greek myths.

Peter and Andrew explore Hayao Miyazaki's 2001 animated masterpiece Spirited Away, examining how it captures the essence of childhood through a young girl's journey in a magical spirit world. They discuss Miyazaki's unique animation style, the film's approach to fairy tale darkness, and why it resonates differently with audiences depending on their familiarity with Studio Ghibli's storytelling approach.

In their remake scenarios, they face a creative challenge: How do you adapt pure imagination? Could it work as a live-action horror film? What would a no-budget costume version look like? Would it be better as a TV series exploring the bathhouse world? Plus, they debate whether some films are too uniquely personal to remake.

The hosts also share their current viewing habits, including Marty Supreme and The Running Man, while referencing My Neighbor Totoro, Howl's Moving Castle, Pan's Labyrinth, Alice in Wonderland, Hansel and Gretel, Zootopia, Fantasia, Princess Bride, and various Miyazaki classics in their discussion.

Peter and Andrew dive into Quentin Tarantino's groundbreaking 1994 masterpiece Pulp Fiction, exploring how its nonlinear storytelling, unforgettable dialogue, and interwoven storylines revolutionized cinema. They analyze the film's unique structure, discuss whether it holds up as one of the greatest films ever made, and examine how it spawned countless imitators who missed the point.

In their remake scenarios, they face their biggest challenge yet: How do you make Pulp Fiction family-friendly? What would a no-budget version look like? Could it work as a sitcom? Plus, they rank Tarantino's filmography and discuss why this film's influence extends far beyond its shocking content.

The hosts also share their Thanksgiving viewing, including Being John Malkovich and Zootopia 2, while referencing Kill Bill, Inglorious Basterds, Jackie Brown, Reservoir Dogs, Django Unchained, The Hateful Eight, Forest Gump, The Shawshank Redemption, Clerks, The Way of the Gun, Barry, and various Tarantino classics in their discussion.

Topics covered: Nonlinear storytelling techniques, the art of memorable dialogue, 1990s independent cinema, moral codes in crime films, and why some movies are impossible to remake.

Peter and Andrew explore the 1938 swashbuckling classic The Adventures of Robin Hood, examining how Errol Flynn's iconic performance and Michael Curtiz's direction created the template for all future action-adventure films. They discuss the film's surprisingly fast pace, its colorful Technicolor cinematography, and how it balances thrilling sword fights with deeper themes of class and justice.

In their remake scenarios, they tackle a unique challenge: How do you improve on a film that's already pretty family-friendly? What would a gritty no-budget version look like? Could it work as a modern TV series? Plus, they dive into the fascinating history of Robin Hood stories and reveal their screenplay project updates.

The hosts also share their current viewing habits, including St. Dennis Medical and Mayor of Kingstown, while referencing the 1922 Douglas Fairbanks Robin Hood, Disney's animated Robin Hood, Robin Hood: Prince of Thieves, Robin Hood: Men in Tights, Sherlock (BBC), Ivanho, The Sound of Music, Galaxy Quest, Mythic Quest, Breaking Bad, and True Detective in their analysis.

Topics covered: The evolution of Robin Hood stories, Errol Flynn's career, practical sword fighting choreography, the Norman vs. Saxon conflict, and how classic adventure films influenced modern blockbusters.

Peter and Andrew tackle the beloved Christmas classic It's a Wonderful Life in their holiday special, examining how Frank Capra's 1946 film became a cultural phenomenon despite its initial box office failure. They explore the film's unusual structure, George Bailey's repeated business failures, and whether the movie's message about friendship and community still resonates today.

In their remake scenarios, they face a festive challenge: How do you improve on a Christmas classic? Could the Muppets save this story? What would a no-budget version look like? Plus, they share their top 5 Christmas movies and discuss the little-known German New Year's tradition Dinner for One.

The hosts also discuss their holiday viewing habits, including The Santa Claus, Miracle on 34th Street, A Christmas Story, Muppet Christmas Carol, White Christmas, Home Alone, Love Actually, and Elf, while referencing Blue Valentine, The Waltons, Little House on the Prairie, Citizen Kane, and various Christmas classics in their analysis.

Topics covered: The Great Depression's impact on cinema, Christmas movie traditions, the film's economic themes, why some classics feel dated, and the difference between nostalgia and quality filmmaking.

Peter and Andrew dive into Bong Joon Ho's Oscar-winning masterpiece Parasite, exploring how it masterfully blends genres while delivering a devastating critique of economic inequality. They discuss the film's brilliant structure that shifts from heist comedy to psychological thriller, and how it uses smell as a metaphor for class divisions in Korean society.

The hosts analyze the film's universal themes and why it resonated globally, plus explore Korean cultural context including the country's rapid economic growth. They break down the genius twist that reframes everything and discuss why this represents cinema at its finest.

In their remake scenarios: Could this work as a family-friendly Parent Trap comedy? How would you shoot it no-budget? And would it work better as a TV series? Plus, they answer Jenny's question about collaborative writing and share their latest viewing including The Fly and The Chair Company.

Topics covered: Genre-blending storytelling, Korean class dynamics, economic inequality themes, three-family structure, collaborative screenwriting, and why some films work better as complete cinematic experiences.

Peter and Andrew tackle the beloved 1997 drama Good Will Hunting, exploring how Matt Damon and Ben Affleck's Oscar-winning screenplay creates a surprisingly grounded story about genius, friendship, and finding your path. They analyze the film's lived-in authenticity, Robin Williams' powerful performance, and how the movie balances intimate character moments with bigger emotional beats. In their remake scenarios, they face an interesting challenge: How do you adapt a story that's already pretty small-scale? Could it work as a Disney family film? What would a no-budget version look like? The hosts also share what they've been watching lately, including Rocky Horror Picture Show and Chad Powers, while referencing Tootsie, Hidden Figures, Top Gun: Maverick, The Bourne Identity, Alias, The Americans, Ordinary People, Searching for Bobby Fischer, and Mythic Quest in their discussion. Topics covered: "Write what you know" advice for screenwriters, Boston authenticity, the therapist-patient relationship in film, and why some small stories have huge emotional impact.

Peter and Andrew tackle their most challenging film yet: Andrei Tarkovsky's enigmatic masterpiece Mirror, a non-narrative exploration of memory, nostalgia, and Soviet history. They discuss how the film abandons traditional storytelling in favor of a dreamlike meditation on childhood, war, and personal trauma, and why Tarkovsky prioritized artistic expression over audience accessibility. The hosts explore the film's beautiful but confusing structure, its blend of personal and historical memory, and how it feels more like visual poetry than cinema. They also discuss their different approaches to screenwriting - whether to outline extensively or dive straight into writing - based on a listener question from Andre. In their remake challenge, they attempt the unthinkable: How do you make Tarkovsky's abstract art film family-friendly? What about with no budget? Could it work as a museum installation? Plus, they share their latest viewing including Barbarian and Mayor of Kingstown.

Topics covered: Tarkovsky's experimental filmmaking, memory vs. narrative, Soviet history through personal lens, the difference between art and entertainment, screenwriting approaches, and why some films are better experienced than understood.

Peter and Andrew dive deep into Christopher Nolan's masterpiece The Dark Knight, exploring how it transcended the superhero genre to become a complex meditation on chaos, order, and moral compromise. They discuss Heath Ledger's iconic Joker performance, the film's post-9/11 themes of surveillance and security, and how it changed superhero cinema forever.

In their signature "Hollywood Remake" segment, they tackle the impossible: How would you make The Dark Knight family-friendly? What about on a shoestring budget? Or as a 10-part Netflix series? Plus, they reveal the results of their listener poll for their screenplay project and discuss what they've been watching lately, including The Studio on Apple TV and House of Dynamite on Netflix. They also reference Batman: The Animated Series, The Penguin on HBO, Dark Knight Rises, Batman Begins, Zootopia, Die Hard, Signs, The Godfather, Citizen Kane, The Matrix, Blade, Deadpool, Joker, Adam West's Batman TV series, and the Tim Burton Batman films in their analysis.

Topics covered: Heath Ledger's Joker, Batman as detective vs. superhero, post-9/11 themes, Harvey Dent's character arc, practical effects vs. CGI, and whether the film holds up for modern audiences.

Peter and Andrew explore Billy Wilder's Oscar-winning classic The Apartment, a deceptively light comedy that tackles heavy themes of loneliness, corporate culture, and moral compromise in 1960s America. They analyze how Wilder crafts sympathetic characters caught in morally complex situations and discuss the film's surprising depth beneath its entertaining surface.

The duo then imagines how to remake this adult-themed story: Could it work as a family film starring Winnie the Pooh? How would you shoot it with no budget? Would it work better as a modern Netflix series? Plus, listener poll results and their latest viewing recommendations.

The hosts also discuss their current viewing habits, including Bob's Burgers, and reference films like The Luckiest Man in America, Woman of the Hour, Late Night with the Devil, Slum Dog Millionaire, Magnolia, White Men Can't Jump, Palm Springs, Groundhog Day, Mad Men, It's a Wonderful Life, and Barbarian in their analysis and remake discussions.

Topics covered: Billy Wilder's writing techniques, 1960s corporate culture, the film's Jewish themes, character development, misunderstandings as plot devices, and why some classics remain timeless.

If you enjoy Russell Gets Revenge, check out the new podcast from its creator. This is a conversation podcast where two screenwriter/filmmakers discuss great works of cinema, their own screenwriting projects and philosophy, and creatively reimagine how Hollywood would remake classic films. Check out the podcast here or search for "How To Make Films and Influence People."

In this first episode, Peter and Andrew discuss the film "Battle of Algiers", along with discussing Brooklyn 99, Friends, I Think You Should Leave, The Detroiters, Friendship, Portlandia, and Monty Python, and their own screenplay project.

https://podcasts.apple.com/us/podcast/how-to-make-films-and-influence-people/id1850576210

For the first few episodes of new podcast "Top New Filmmakers" we will also be hosting them here on this feed. Be sure to check out and subscribe at the actual Top New Filmmakers (if you enjoy these episodes. if not, then live your life and don't look back. No pressure)

Peter talks with multi-talented filmmaker Phoebe Hart about her career, her perspectives on storytelling and art, and specifically her film "Jamie Sonshine". They discuss her approach to telling deeply personal stories in innovative ways.


www.phoebejanehart.com
Jamie Sonshine trailer: https://vimeo.com/417308967

More information on the show:
www.TopNewFilmmakers.com

info@dontmattermedia.com

For the first few episodes of new podcast "Top New Filmmakers" we will also be hosting them here on this feed. Be sure to check out and subscribe at the actual Top New Filmmakers (if you enjoy these episodes. if not, then live your life and don't look back. No pressure)


Peter talks with Emmy-winning writer, comedian, and producer Hugh Fink. Hugh won an Emmy for his writing with Saturday Night Live and that's only the very beginnings of his accomplishments. He wrote some of your favorite sketches, and then went on to write and produce for major awards shows like the Writers Guild Awards. Peter and Hugh dive deep into comedy, writing, and what makes for a good awards show - including how Hugh would fix the Oscars. 

NOTE: Unfortunately, a technical error cut off the very end of the interview. Luckily, the vast majority of the interview is here, but the closing words between Peter and Hugh were lost. Our sincere apologies to Hugh and to you, the listener. 

Find out more about Hugh at www.hughfink.com

More information on the show:
www.TopNewFilmmakers.com

info@dontmattermedia.com

For the first couple episodes of new podcast "Top New Filmmakers" we will also be hosting them here on this feed. Be sure to check out and subscribe at the actual Top New Filmmakers (if you enjoy these episodes. if not, then live your life and don't look back. No pressure)

Peter talks with writer/director Michael Gamarano Singleton about storytelling, filmmaking, going to sport college, and commercial acting in Los Angeles. They discuss Michael's smart, affecting film "Denzel" and dive into Michael's advice on navigating the film industry.

Trailer for Denzel: https://vimeo.com/579895477
@micksing8
@mixingnetworks

More information on the show:
www.TopNewFilmmakers.com

info@dontmattermedia.com

For the first couple episodes of new podcast "Top New Filmmakers" we will also be hosting them here on this feed. Be sure to check out and subscribe at the actual Top New Filmmakers (if you enjoy these episodes. if not, then live your life and don't look back. No pressure)

Host Peter Kimball speaks with filmmaker Sasha Levinson, director of the feature length documentary "Sylvie of the Sunshine State". They discuss this extremely personal portrait of a family dealing with the absurdities and emotional turbulence of a multigenerational Jewish matriarchy - all set against the backdrop of the pandemic. And then they dive into her career and creative journey and get all her insights into documentary film.

Check out more at:

https://www.sylvieofthesunshinestate.com/
@sashagreerlevinson
@sylvieofthesunshinestate

More information on the show:
www.TopNewFilmmakers.com
info@dontmattermedia.com

For the first couple episodes of new podcast "Top New Filmmakers" we will also be hosting them here on this feed. Be sure to check out and subscribe at the actual Top New Filmmakers (if you enjoy these episodes. if not, then live your life and don't look back. No pressure)

In this first episode, host Peter Hoffman Kimball speaks with director Jonathan Sims, creator of the immersive, virtual reality short film/music video "Be Your Own Dentist" - along with a million other accomplishments. They dive into a discussion of everything from Jodorowsky to Queer Horror to what inspires Sims as an artist. 


"Be Your Own Dentist" by Katya, video directed by Jonathan Sims
https://www.youtube.com/watch?v=dvnzP6q6KlA

The Cosmic Laughter of Cucci Binaca, directed by Jonathan Sims
https://www.youtube.com/watch?v=FWW22FRg86c

Jonathan Sims (Twitter: @simsmode)
WJSims.com

More information on the show:
www.TopNewFilmmakers.com
info@dontmattermedia.com

If you loved Russell Gets Revenge you are going to... well, we actually don't know if you'll like Top New Filmmakers, the new interview podcast from creator Peter Hoffman Kimball. Instead of the hilarious dark comedy fiction of Russell and his merry band of vengeance-seekers, we have fairly serious interviews with up-and-coming filmmakers. Lots of shows interview A-list celebrities and famous directors, but we're focusing on the top new filmmakers who are still on the ground, working their way up, and making ambitious, adventurous work. 

We're not going to make any false promises - if you love commercials for Number 2 pencils and jokes about felony homicide, this might not be your bag. But if you're looking for insightful conversation about film and filmmaking, this is the place for you. Check it out! Search for Top New Filmmakers wherever you get your podcasts.

Season Finale: Russell finally meets the elusive killer. But will he get his vengeance? Will they share a kebab? Or will it be an absolute bloodbath with no one spared? 

This episode starring:
Josh Callahan, Ptolemy Slocum, Neil Garguilo, Tyler Hopkins, Chase Kimball, and Peter Hoffman Kimball

Email us at Terry@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

Russell makes a shocking discovery about the killer's website. Then, as he prepares to finally get his vengeance, all the people in his life weigh in on his chances.

This episode starring:
Josh Callahan, Neil Garguilo, David Alfano, Nick Casalini, Muriel Montgomery, Katie Hotchkiss, Tyler Hopkins, Chase Kimball, Piper Gillen, Michael Klimkowski, Jamison Scala, Gillian Bellinger, and Peter Hoffman Kimball

Email us at Terry@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

Things aren't looking good for Russell and his hunt for the killer. But he still has a ticket to Germany, a name to look up, and an appetite for kebab. What could go wrong?

This episode starring:
Josh Callahan, Lexi Notabartolo, Jamison Scala, Gillian Bellinger, and Peter Hoffman Kimball

Email us at Terry@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

In light of the American Thanksgiving holiday, Russell Gets Revenge will be releasing the next full episode next week. Check us out next week, Episode 6: "You Took an Oath".

As always, find out more at www.russellgetsrevenge.com

Russell packs for his revenge/sight-seeing trip to Germany and ties up loose ends at home. Before he can go, though, one big question remains: will he get the time off work?

This episode starring:
Josh Callahan, Neil Garguilo, Tyler Hopkins, Chase Kimball, and Peter Hoffman Kimball

Email us at Terry@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

With the private eye's help, can Russell find the killer? And even once he does, there are so many other considerations: how to get a weapon in Germany, how to escape without being caught, and what will the neighbors think?


This episode starring:
Josh Callahan, Neil Garguilo, Gillian Bellinger, Michael Klimkowski, David Alfano, Nick Casalini, Muriel Montgomery, and Peter Hoffman Kimball

Email us at Terry@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

Russell starts his search for the man who killed his wife. And what does that search look like? Scouring Yelp for a private eye, going to Michaels to buy yarn and index cards for his "Homeland"-style mission board, convincing his friends and family he's not crazy. This isn't going to be easy, but he's going down the rabbit hole.


This episode starring:
Josh Callahan, Gillian Bellinger, Michael Klimkowski, David Alfano, Neil Garguilo, and Peter Hoffman Kimball

Email us at Terry@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

Russell's friends and family try to help him and keep him from seeking revenge. Russell gives them a chance - but will he find love again or is vengeance his only answer?

This episode starring:
Josh Callahan, Gillian Bellinger, Jamison Scala, Michael Klimkowski, Piper Gillen, Nick Casalini, Muriel Montgomery, and Peter Hoffman Kimball

Email us at Terry@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

We meet Terry Van der Horst and his friend Russell - a mild-mannered accountant on a quest for revenge. One year ago, Russell's wife was murdered and now he has enlisted his friend Terry to document his mission of vengeance. Russell's friends Sebastian, Nick and Muriel all share their own thoughts on Russell's situation.

Written & Created by Peter Hoffman Kimball

This episode starring:
Josh Callahan, David Alfano, Nick Casalini, Muriel Montgomery, and Peter Hoffman Kimball

Email us at RussellGetsRevenge@DontMatterMedia.com

Theme Music by Shawn Korkie
Cover Art by Roppuri

A Don't Matter Media Production

www.RussellGetsRevenge.com
facebook.com/RussellGetsRevenge
twitter: @getsrevenge
instagram: @russellgetsrevenge

Russell Gets Revenge - a pitch-black comedy fiction podcast about a mild-mannered accountant on a quest for vengeance. 

Written & Created by Peter Hoffman Kimball

Episode Starring: 
Josh Callahan, Neil Garguilo, Gillian Bellinger, Nick Casalini, Muriel Montgomery, Jamison Scala

A Don't Matter Media production

Website: RussellGetsRevenge.com
Facebook: facebook.com/RussellGetsRevenge